June 19, 2025 • 29 mins
A spin-off from a popular series, this show centers on a well-meaning but bumbling character whose everyday misadventures provide wholesome entertainment.
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Episode Transcript
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Speaker 1 (00:00):
Craft presents the Great Yilder Slaves. Each week at this time,
the Craft Cheese Company presents for your enjoyment, Harold Perry
(00:21):
as the Great Yielder Slave, written by Leonard L.
Speaker 2 (00:24):
Levinson.
Speaker 1 (00:31):
We'll hear from the Great Gilder sleeve in just a moment,
But right now, here's an important message for you. Probably
all of you are aware of the efforts of our
governments make us a healthier, more vigorous nation by improving
our diets. Yes, food, proper nutrition is as important these
days as airplanes, and that's why you should know about
Park martina made by Craft. It's not only a delicious
(00:55):
bread for bread, it's also rich in nourishing food elements
your whole family needs. Of course, most people like Park
margarine because it tastes so good spread on bread, hot rolls,
or toast, but health conscious housewives also use Park because
it's a protective food of exceptionally high nutritional value. Yes,
Park margarine is one of the best energy foods you
can serve, and to make its natural, wholesome goodness even
(01:18):
better for you, Draft adds nine thousand units of vitamin
A to every pound of Park, making it a reliable
year round source of this important vitamin. Why not ask
your food dealer for park margarine tomorrow. One taste will
tell you it's a superior product made to crafts exacting
standards of colic. Yes, you'll like its flavor and you
like its economy too. Just a park par kay. Last week,
(01:57):
rock Morton d Gilder slave Feber McGee door neighbor left
wistful Vista to become the legal guardian of his niece
and nephew. Marjorie and Leroy Forrester are in the city
of Summerfield, relaxing after a hard week's work as father,
mother and big brother to the pair.
Speaker 2 (02:12):
We find the great guilders leave.
Speaker 1 (02:14):
Explaining the finer points of baseball to Leroy.
Speaker 3 (02:17):
Now, as a result of that play, Leroy, we have
a member of our team on each base You understand.
Speaker 4 (02:35):
Yeah, the bags aldus.
Speaker 3 (02:38):
Non, Leroy, don't get so excited. Remember this is only
a baseball game. Why you Robert, As I was saying, Leroy,
he mustn't give way to our emotions. Yes, let's remember
to be sportsman, get an umpire, always give the other
fellow the benefit of the doub Leroy, quite free, your grandmother,
(03:06):
I am not. The umpire is nothing but a horse
teat horse teed. I'm sorry, sir, but.
Speaker 5 (03:10):
I've warned you before.
Speaker 3 (03:11):
Everybody's complaining. What do you mean everybody? I'm not complaining,
am I? Hey Jesse James, where's your horse?
Speaker 2 (03:17):
We can't tolerate this any longer.
Speaker 3 (03:18):
Now you'll have to get out, all right, we'll get out.
Come on, Leroy. We've seen this news reel three times already. Anyway,
don't forget your cat careful stepping on people's feet.
Speaker 6 (03:34):
He uncle.
Speaker 3 (03:34):
More.
Speaker 4 (03:35):
If you give me an advance on next week's hours,
I'll teach you on an ice cream cone.
Speaker 3 (03:39):
Yeah, no, thanks, Leroy. It's time we go home and
fix up for that tea party. Your sister's giving it
five o'clock.
Speaker 4 (03:44):
All right, gee, do we have to gotta be at
that sissy party?
Speaker 3 (03:47):
Well, I'm afraid so, Leroy Mines. We seem to think
a lot of young ted.
Speaker 4 (03:50):
Will yes stuck on each other, all right, because why
drag us into it?
Speaker 3 (03:53):
Well, now that I am guardian for you two is
she wants me to meet Ted's parents under the proper
social circumstances.
Speaker 4 (03:59):
Couldn't you just friends room some place like from the
butcher shop.
Speaker 3 (04:02):
You mean meet him in the meat pocket. Now I
have a fraid it is too late for that. Marjories
worked awfully hard preparing for this afternoon, and she must
be all ready.
Speaker 5 (04:11):
But now come on, now that's all taking care of
Oh ready?
Speaker 7 (04:30):
Yes?
Speaker 8 (04:31):
Would you please put the cake in the back of
the pantry while I fell?
Speaker 9 (04:34):
Yes?
Speaker 3 (04:35):
Why you sure work hard? And he shure, that's.
Speaker 8 (04:39):
My big surprise, and I don't want anything to happen
to it.
Speaker 6 (04:44):
Ah County Courthouse, Judge Hooker, please.
Speaker 10 (04:47):
One moment Hooker speaking.
Speaker 3 (04:50):
What is it?
Speaker 8 (04:51):
Hello, Judge Hooker, This is Marjorie Forester.
Speaker 4 (04:54):
You remember me, don't you?
Speaker 7 (04:55):
Well?
Speaker 3 (04:57):
Well, of course, just last.
Speaker 8 (04:58):
Week you appointed my uncle as Adi and my brother.
Speaker 4 (05:01):
And need I did.
Speaker 8 (05:02):
Who is your uncle?
Speaker 4 (05:03):
Frock Morton? P.
Speaker 10 (05:04):
Guilds Lee, Oh kilder sleep two years in the state benitentiary.
What I'm in the courtroom, my dear sentencing a prisoner?
Speaker 4 (05:14):
What do you call about?
Speaker 6 (05:15):
Oh?
Speaker 8 (05:16):
I'd like to have you come to tea this afternoon
so you and uncle Morton get to be better friends.
Speaker 10 (05:20):
How can we get to be better friends when we
hate each other's when we hate each other? To begin with?
Speaker 3 (05:25):
Oh?
Speaker 8 (05:25):
No, George I planned this as a surprise for Uncle Moore's.
Speaker 3 (05:29):
Oh you're surprising man.
Speaker 10 (05:32):
All right, I'll come and when he sees me, won
all of his chins dropping.
Speaker 8 (05:41):
Oh, Bertie, Judge Hooker is coming.
Speaker 7 (05:43):
Oh uncle Mortony, please, some says yeah, if some says no.
Speaker 8 (05:47):
Oh oh, look at the time. I'm made for my
manicure appointment.
Speaker 7 (05:50):
And I'll walk as far as the store with you.
Speaker 5 (05:52):
I got some things.
Speaker 8 (05:53):
Oh, I do hope everybody will like my cake? All right?
Speaker 3 (05:57):
They sure we all run it.
Speaker 4 (05:58):
It's just this loop. Thanks, Bertie, It's got to be good.
His mother is so discriminating and critical. Yeah, and she
keeps her nose up in the air like she ain't
been introduced to what she's smelling.
Speaker 5 (06:15):
Never mind, Bertie, let's go out the back way's.
Speaker 3 (06:18):
Clicker, Oh my tree, we're back. Hello, anybody home, leroy,
I don't believe anybody's home, Gonald.
Speaker 4 (06:33):
I thought we could get something to eat. Spent a
long time just once.
Speaker 3 (06:36):
Yes, at least two hours. I suppose we rummage around
in the kitchen. There's bound to be something here.
Speaker 4 (06:42):
I usually look in the pantry first.
Speaker 3 (06:44):
The voice of experience, Well, here's a lot of can goods.
We could open kitchen, cleanser, tennis balls, sheilac, motor oil.
Just call at it as anything you like. Crunch, eat cornies,
some genuine New England chops. Who we saw us? Hey?
Speaker 4 (07:00):
What's that in the bank of the trouver of Uncle Morris?
Speaker 3 (07:02):
Where? Oh? Boy? Cake? Say it's lucky you saw this.
It's a honey. Let's good enough to eat.
Speaker 4 (07:09):
What are we waiting for? Here's a knife?
Speaker 3 (07:10):
One moment, leroy. This cake hasn't been started yet. I
don't think we should cut into it.
Speaker 4 (07:14):
I won't her to take one piece.
Speaker 3 (07:16):
Uncle Morse, Well maybe not, but remember it just a
piece of piece.
Speaker 4 (07:19):
Okay, here's a knife.
Speaker 3 (07:20):
Yeah? Thanks? Here you are? Is that all? Well? Excuse
me while I try my peep while you find caper.
(07:55):
That's the end of it. Yeah, stuffy in here? Isn't it.
Speaker 4 (08:06):
Stuffy?
Speaker 3 (08:07):
And where? Yeah? I see what you mean?
Speaker 4 (08:14):
Excuse me?
Speaker 3 (08:15):
Oh? Hello? Pretty?
Speaker 4 (08:16):
Oh there, y'all leave on. That's holy kitchen for four
feet I think late who meet? I don't want to
hear the pop mouse.
Speaker 7 (08:24):
Good you say in your appetite for the tea party?
Your sister's donna whipped together the most desible kick.
Speaker 3 (08:32):
Yes, we know her. Yeah she didn't.
Speaker 7 (08:34):
Cause its important to impress mister Will's mother that she's
a good housewife. Looks like mister Will's gonna get a
house and a wife.
Speaker 3 (08:43):
Oh I see, Uh.
Speaker 7 (08:45):
Yes, Ms margros Her putting fingers to the bone, taking
all dates.
Speaker 8 (08:50):
That's a surprise.
Speaker 7 (08:50):
She's been talking about it.
Speaker 3 (08:52):
Huh uh.
Speaker 4 (08:53):
Now you want to take a peek at it?
Speaker 3 (08:54):
I show you. But she got it so good? Read
me now, pretty, don't go spoiling the prize.
Speaker 4 (09:03):
It ain't got enough.
Speaker 3 (09:05):
Oh yes it would, Leroy. Isn't there something Bertie could
go to the store after a a? I mean, Bertie,
would you mind running down at the cigar store and
getting me some uh some punch and yellow pantellas?
Speaker 7 (09:18):
But I got work to do new work and get him.
Speaker 3 (09:20):
Oh no, he's a minor. They won't sell him. I mean,
here's a dollar, get a whole box. I hurry, they
may sell out. Remember punchinello pa, Yes, hi, George, that
isn't a bad name for a cigar seeing that I
just made it up. Oh my goodness, Leroy, why didn't
you stop me from eating that cake?
Speaker 5 (09:39):
Boy?
Speaker 4 (09:39):
Are we gonna catch it? When margin geta what do
you say we take a short walk till about bedtime?
Speaker 3 (09:47):
That's very good. No, no, we've got to face the consequences.
Speaker 4 (09:51):
Sell me some one. I'll see you later.
Speaker 3 (09:53):
I'm back here, young man. You don't see me running away.
I'm gonna stick my chin out and take it.
Speaker 4 (10:00):
That's not your chin sticking out, Uncle Moore.
Speaker 3 (10:05):
Leroy, we got to find some way to get an
exact pupil. Get to that case before that party starts.
Oh my, who's that?
Speaker 4 (10:12):
That's old lady Snoop who was next door?
Speaker 5 (10:15):
Gee?
Speaker 4 (10:15):
You washing a learrek, Uncle Moore.
Speaker 3 (10:17):
I don't know the lady Leroy, but I'm sure you
are mistaken. I'll just see what Missus Snoop wants. No, no, uncle,
how do you do? Missus Snoop?
Speaker 4 (10:24):
And boo oh? This is dealing with the uncle?
Speaker 3 (10:27):
What you say?
Speaker 4 (10:28):
I still there to meet you, Missy gell Sleeve.
Speaker 6 (10:30):
I'm a girl who lives next door. Your niece Marjorie
told me how much about you I do? We're practically
old day and unclear?
Speaker 4 (10:40):
Is there?
Speaker 6 (10:40):
It's large to be here and no no, I remember
seeing her go down the street half an hour ago
through my contract.
Speaker 4 (10:46):
You besides and all.
Speaker 3 (10:47):
What I see through them? Yes, I see what you meant, Leroy.
Speaker 6 (10:53):
Well, anyway, I was looking for Marjorie that I suppose
you will.
Speaker 3 (10:57):
Do instead I will. Oh, well, what.
Speaker 5 (11:01):
Hit me at it?
Speaker 6 (11:02):
Being witty with an inn not an M and the
accent on the witty not on the din.
Speaker 3 (11:07):
What do you want me for, missus Whittle? Oh, you'd
be surprised with it.
Speaker 6 (11:11):
I mean I just stucked in together a cup of sugar.
Speaker 3 (11:14):
Why of course, he le sugar?
Speaker 4 (11:16):
Where's the cop How do you imagine me?
Speaker 5 (11:19):
Oh?
Speaker 6 (11:19):
I forgot to bring one.
Speaker 3 (11:21):
I guess I'll just have a board cup too.
Speaker 6 (11:24):
Oh now, now, mister Gildersleeve, you have to excuse a
poor little flustered butcher girl. No Leroy enough the lump
sugar but manulated, just like I always borrowed.
Speaker 8 (11:37):
Oh, mister gilder Steve.
Speaker 6 (11:38):
As I was saying, it isn't awesome that I get
to meet such a handsome man with dark curly.
Speaker 4 (11:43):
Hair merry produce less sugar? Oh yeah, thank you, le boy,
so will it was?
Speaker 6 (11:51):
It was so nice being introduced to you, mister Gildersteve.
And don't you worry about the sugar.
Speaker 4 (11:55):
You'll be getting it back sooner than you expect.
Speaker 3 (12:00):
All that old Heim. He makes me sick, me too.
Speaker 4 (12:04):
Yeah. A couple of weeks ago, Marjorie Short were a
picture with you, and she said you look like.
Speaker 3 (12:08):
Ronald's colbd Ronald Covian.
Speaker 4 (12:11):
Yeah, did you imagine that?
Speaker 3 (12:13):
Silly day, Leroy, this is a pre country ladies entitle
her opinion. Better put the sugar bag. Oh wait a minute,
they use sugar and baking cakes, don't they, sure, Roy,
I know how we can save Marjorie's park a baker
and not the cake.
Speaker 4 (12:29):
Can you bake a cake?
Speaker 6 (12:30):
Uncle More?
Speaker 3 (12:31):
I don't know. I never tried, but it ought to
be simple. After all, millions of women bake cakes every day.
We ought to be able to do anything they can do.
Speaker 4 (12:38):
Now, what do you mean? I'm not gonna get mixed
up in no sissy proposition like that, but.
Speaker 3 (12:43):
Leroy, there's nothing sissy about baking. Look at the cowboys
who bake their own sour dough bread, and the Indians
grinding their own corn in the corn fitters, and the
cooks in the navy making a sea biscuits.
Speaker 4 (13:00):
I guess you're right.
Speaker 3 (13:00):
Yes, Well, let's get started. Should we use a cookbook?
Or make it up as we go along.
Speaker 4 (13:04):
It should be a cookbook.
Speaker 3 (13:05):
And yeah, here's one right here, cooking and six easy lessons,
or the Bride's best Friend. Well, let me see. Now
here's one Moca cocoa' happy Ooca cake. Don's too complicated,
Tomato soup cake with gum drop icy.
Speaker 4 (13:24):
Don't go more? Does they make cake out of cake anymore?
Speaker 3 (13:27):
I guess not. Look at this picture, leroy, doesn't it
look like the cake we ate?
Speaker 4 (13:32):
Yeah, waiting Baltimore cake.
Speaker 3 (13:34):
Yeah, that's it. Now all we gotta do is copy
this week.
Speaker 4 (13:37):
Okay, what do we do?
Speaker 3 (13:38):
First? Three cups as sifted cake flour. We got any
cake flour? No, here's some book we flour well, I
doubt if there's any different. Next, three teaspoons of making pottery.
Speaker 4 (13:52):
Here's a box of baking soda.
Speaker 3 (13:55):
Is is it powdered?
Speaker 4 (13:57):
Yeah it is.
Speaker 3 (13:58):
That's what they must have meant anyway. Now, salt, shortening, sugar,
half cup of milk.
Speaker 4 (14:04):
Used all today's milk and yesterday's sour.
Speaker 3 (14:06):
Fine, my mother always used sour milk and hearthcakes. It'll
give it that old fashioned sour taste. Teaspool of vanilla
and six egg whites hard boilers, no LeRoi raw.
Speaker 4 (14:18):
It's easier to separate the white from the yellow. It's
a hard boiler.
Speaker 3 (14:21):
No more le raw. This is no picnic. You sift
the flour and the baking powder and the salt together.
If use the sipping, okay, and I'll take the other stuff.
Beat egg whites until sift. It says, get woo me
or the age?
Speaker 4 (14:36):
Hey has more?
Speaker 3 (14:38):
Yes, just sift the leeks weeks? Oh oh, yes, and
look at the flour on the floor. Get some more, Lira. Wait,
I know how we can speed things up. We'll just
dump all the ingredients in the electric mixer. Yes, it
(14:58):
takes a man to figure out all the shortcuts. Life.
Let's just pour everything into the boat. There can I
count on the nion doll? Oh give me, Oh my goodness, Bertie,
she must have seen this mess. I'll get rid of her.
You stay here, well, Bertie, did you get me those
punching the load?
Speaker 7 (15:16):
Hannah tell us not exactly, mister Gilsleeve. I've been to
seven stores looking for them cigars, and three of them
was fresh out, whilst the other four have them in
the morning.
Speaker 3 (15:27):
Yes, now I better be getting back any kid, Yes,
oh no, no, I mean I gotta have those cigars, Bertie.
Speaker 7 (15:33):
Well maybe after I finished a working kit, it'd.
Speaker 3 (15:34):
Be worth a dollar of me to get those cigars. Now, well,
maybe in that case I could. What's that? I suppose
the truck coming up the hill? There ain't no hell
around here.
Speaker 7 (15:49):
Sounds like my electric mixing machine in distress.
Speaker 3 (15:51):
Out there, go go ahead if you want to lose
that three dollars. Three dollars for bringing back those cigars.
Speaker 9 (15:58):
Does I get in in advance?
Speaker 3 (15:59):
Yes, here you are, Bertie, Thank you.
Speaker 4 (16:04):
I'm just going out the back way. It's quick.
Speaker 3 (16:07):
Use the front door. It's bad luck to use the
back door when you're buying cigars. Take a time, Bertie. Goodbye.
Wow that was a close shave. Oh sounds like the
Boysian pubble coming, Leroy. I can't hear you. What's wrong
with the mixer? Oh my goodness, turn it off. I will,
(16:32):
and I'm not going to be intimidated by you. Right
in the pan. Where's that switch, Leroy? I think I've
got it now if yes, Oh what a mess. Here's
a towel, Leroy. Wipe the cake out of your eyes. Oh,
(16:54):
jumping jelly beans, there's that woman from next door again.
Speaker 4 (16:56):
Oh, don't let him in here, uncle, everything, come on.
Speaker 3 (16:59):
Don't worry. I'll get rid of that gargoyle. I mean
misdone with e. Ah, there you are mis Don't you
think I'm an awful past Oh? No, not at all.
Speaker 4 (17:11):
But I wonder if I could trouble.
Speaker 3 (17:13):
You for an egg? An egg?
Speaker 4 (17:14):
Yes, an egg, a chicken je down. I know just
where Marge he keeps them.
Speaker 3 (17:20):
So if you don't mind, don't trouble yourself, Leroy, hand
me out an egg? Please? How do you want a
hard boil a pump in the shell? Right boy? Lovely
weather we're having, isn't it? Yes, it's particular.
Speaker 6 (17:33):
That's all ride in the country.
Speaker 4 (17:35):
I just love to pack a picnic your eggs.
Speaker 8 (17:39):
Thanks?
Speaker 3 (17:41):
Yes, thanks, Leroy, Thanks very much. Goodbye is done with
e goodbye, goodbye bye.
Speaker 4 (17:46):
Did you brush off hunk?
Speaker 3 (17:47):
No, she's walking down the steps. Let's hurry with the cake.
Speaker 4 (17:53):
All we have to do is pour the battle into
the pants.
Speaker 3 (17:56):
Fine, before I mess myself up anymore, I'm gonna put
on Birdie's bungalow. Apron, help me into it, Leroy, chiare leroy? Fine?
I run around the back and tie the strings poop
not so tight? My boy, that's it.
Speaker 4 (18:12):
You should look funny, uncle more. Oh, I'm gone belt.
Speaker 3 (18:16):
What kind of a house is this? Leroy? See if
you can get that cake into the oven, I'm going
to answer the door. It's all right, it's dark in
the hallway.
Speaker 4 (18:24):
That's right.
Speaker 3 (18:25):
Waste the electricity.
Speaker 9 (18:26):
Ah, good afternoon, madam?
Speaker 3 (18:29):
Do you tagg and swump over?
Speaker 9 (18:30):
Heavy coming?
Speaker 3 (18:31):
But have you got that dish washing? Group?
Speaker 2 (18:32):
Group?
Speaker 3 (18:33):
Are you proud of the shape you're in? Oh? See
here you near sighted? Little income poop, bad cold you
have there? Madam.
Speaker 9 (18:40):
Now, I've got a girdle here. That's the answer to
all your prayers. It's a guildless Leave Glammar girdle. I'll
keep you in, but you'll never wear it out. Yes, sir,
now was a spacialman ducemn. I persuaded old man gildless
leave to cut the price of this girdle of three
dollars ninety nine cents.
Speaker 3 (18:54):
You persuaded old man gildersleeve.
Speaker 9 (18:56):
Yes, sure you'd be surprised, how palsy wellsy I am
with hel.
Speaker 3 (19:04):
Why of all I know?
Speaker 9 (19:06):
But you should do something about that colon.
Speaker 3 (19:07):
Now, madam, if you'd care to try on. No I
happen to own you already own a gillless leap girdl. Yes,
very good, But have you got a spare mister? You'd
be surprised how many gilliss leave girdls. I have to
spare good days of all the interruptions. How's the cake doing, Leroy?
Speaker 4 (19:23):
Swak what? It looks better?
Speaker 3 (19:25):
Every kind? I open the oven door splendid? Now who's that?
A man can't even make a cake around here?
Speaker 10 (19:33):
All right, all right, I'm coming now see here you
what mister Gilders leave?
Speaker 3 (19:39):
Oh? Oh, hello, Judge Hooker, you come in. This is
quite a surprise. That's what I was meant to be.
What are you doing in the apron playing house? Yeah,
that's very funny. No, I'm not playing house, and I.
Speaker 4 (19:57):
Just put out of the oven. Oh boy, it looks swell.
Oh old Jake, Ok, what are you doing here?
Speaker 5 (20:05):
Hello?
Speaker 3 (20:05):
Leroy?
Speaker 2 (20:05):
And my boy?
Speaker 3 (20:06):
What have you and your uncle be up to?
Speaker 5 (20:08):
Now?
Speaker 3 (20:09):
Nothing at all? Of your honor, Leroy? Time to get
cleaned up? And my look at me, I'm a mess. Yes,
I'll go with you, Leroy, and make yourself at home. Judge,
I came early, just ask you to a few questions.
We'll be back, your honor.
Speaker 10 (20:22):
Something funny going on around here. Smells like a cake,
I'm smelling. I better see what they've been doing in
the kitchen. A layer cake looks like if it tastes
good too. I wish I was not on that darn diet.
I'd take a piece, not that one piece.
Speaker 3 (20:44):
It hurt me.
Speaker 10 (20:46):
I'm George, I believe I will mighty good cake. I
(21:06):
think I have another piece.
Speaker 3 (21:07):
Oh there you are you? Oh that's a bad cough
you got there here? Let me get you a glass
of water. Oh you've been eating our nice new cake.
And after I work my fingers with the bone.
Speaker 10 (21:18):
Oh my goodness, I'm getting sick.
Speaker 3 (21:20):
By George, you are wide around mc gills. That cake,
that cake? I ate something no good? Eh, no, my pills.
I left him home. You better take me there now?
Oh why did I ever take up baking? Le Roy
Lee Roy? I better throw this cake out of the window.
There farewell, Lady Baltimore. Oh, yes, call me a cab quickly.
(21:44):
What's grown with a cab? I've got to take him home.
He's suffering from a bad attack of Lady Baltimore. Ah,
what can I do for you, sir. I have to
see that big cake in your shop window. I'd like
(22:05):
to buy it. But that's a wedding cake, I know,
but it could pass for a party cake if we
knock off the bride and groom. How much do you
want for it? I'm sorry I couldn't sell it to you.
Oh baked it for a wedding a but they'll just
have to get married tomorrow. But really, miss I couldn't
let you couldn't. Here's a ten dollar bill. Now do
I get that cake? Well? If you and sis, never
mind wrapping it. I've got a taxi outside. Just hand
it here, thanks, I'll open the door, will you? Okay? Goodbye?
(22:29):
Oh mama, I just made.
Speaker 4 (22:31):
A big sale and then bought that wedding cake.
Speaker 3 (22:33):
We've headed the window for the last two years. Uh Roy.
Anybody in the kitchen with you?
Speaker 4 (22:50):
No comand you find a cake?
Speaker 3 (22:52):
Should I take a look? Oh boy, that's a doing
not bad. A who says you can't eat your cake
and have it too?
Speaker 4 (23:01):
That's missus Dinwoodie again.
Speaker 3 (23:02):
Leroy put this cake in the pantry while I answered
the door. I'll strangle let old sea gold.
Speaker 6 (23:08):
Oh mister leave, you must think I'm careable, running in
and out on the wrong day.
Speaker 4 (23:12):
Yeah, following things all the time.
Speaker 6 (23:16):
Well, it's because the road to a man's heart is
through his stomach. And if that's the case, by your.
Speaker 4 (23:21):
Road it's so wide.
Speaker 3 (23:24):
I mean, I know, what do you want this time?
Speaker 6 (23:28):
Oh it's nothing, really, I but I just brought you
something I baked for you with my own little hand.
Speaker 3 (23:34):
Okay, well, thank you, just the same, miss dinwidd But
I have a cake, a great, big, beautiful ten dollar cake.
And furthermore, I'm pet up on cake. Goodbye. That takes
care of that.
Speaker 4 (23:44):
Oh, welcome, are looking all over for you? Come in
the living room and meet everyone.
Speaker 8 (23:48):
I'm about to save the cake I baked this afternoon.
Speaker 3 (23:51):
The cake. Oh yes, Marjorie, there's something deep down inside
of me that's weighing heavily on my conscience. It's your cake.
I ate it.
Speaker 4 (24:01):
But uncle mare, how could you?
Speaker 3 (24:03):
Leroy helped me?
Speaker 8 (24:04):
Oh more than model, I do not.
Speaker 3 (24:10):
Don't worry, honey. I went out and got the biggest
and best looking cake money to buy, but I couldn't deceived.
It's all right, Well they don't know, won't hurt him.
Let's go in and meet the folks.
Speaker 7 (24:18):
Huh there you, missus gil Sleeve, Yeah, got him for you?
Speaker 3 (24:20):
They got what for me? Bertie then punching other pan
of tailers.
Speaker 7 (24:24):
The man he didn't have none in stock, but he
rolled him while I waited.
Speaker 4 (24:27):
And the cost eight dollars a buck.
Speaker 3 (24:29):
Oh my, more expense. Well never mind that. Now, Bertie,
get that big cake out of the pantry, a new servant.
And remember, no matter how different it looks, that's the
one miss Marjorie baked. Come on, Marjorie, will, missus will,
I want you to meet my uncle.
Speaker 4 (24:46):
Mister Gilder charmed.
Speaker 3 (24:48):
Missus Wills, excuse me for being toddy, but I had
to take home a friend who was suffering from a
sick cake. I mean a sick headache. I see.
Speaker 6 (24:57):
Speaking of cakes, Marjorie ted has told me about the
age food cake.
Speaker 3 (25:00):
You think angel food, but I thought it was more
of a Lady Baltimore cake, like they serve at wedding.
Speaker 6 (25:05):
Oh really, mister Gilders leave, They don't serve Baltimore cakes
at weddings, not even in Maryland.
Speaker 3 (25:15):
Well, no matter what kind of a cake Marjorie bakes,
it's always delicious. Oh now, Uncle Moore I just wait,
missus Wills, and you sink your teeth into this one.
Ah Bertie's bringing it in now, oh night.
Speaker 6 (25:26):
It looks quite professional, doesn't it.
Speaker 3 (25:29):
Well. I don't believe a pastry chef could do any better.
Go ahead, Marjorie, you cut it.
Speaker 8 (25:33):
You cut the first life Uncle Moore.
Speaker 4 (25:35):
After all, if it weren't for you, we wouldn't be
eating this cake.
Speaker 3 (25:38):
I see what you mean. And they give me the knife, Bertie.
You oo ooh, well, crossings a little thick tull knife, Bertie.
Haven't we got a sharper knife?
Speaker 4 (25:58):
No, mister Gill, see, but we've got to act.
Speaker 3 (26:03):
Never mind, I'll manage with this O my goodness, it's
made out of plaster of Parish.
Speaker 2 (26:31):
The Greg Guilder slave will be with us again in
just a minute.
Speaker 1 (26:35):
But first I want to tell you something that should
make every quality wise and economy minded housewife want to
try Park Margerine first thing tomorrow.
Speaker 2 (26:43):
Here it is. Now you can have a high quality
product made by craft.
Speaker 1 (26:47):
That's so downright good as a spread for bread toaster
rolls that you want to use it lavishly, as a
seasoning for hot vegetables, a short thing for baking and
for pan frying tool. Yes, that quality craft product is
parka margerine. It tastes so good that you'll want to
use lots of it at the table and for cooking.
And it costs so little you can use all you
want without being extravagant at all. Yes, use all you
(27:09):
want for baking. Remember, Park is a real flavor shortening
that makes better tasting cakes and cookies. Here's what one
user says about Park Margin. I'll read you a few
lines from a letter from missus Emma Hartman of Cavetown, Maryland.
Now we didn't ask Missus Hartman for this letter. She
was so enthusiastic about Park she just had to tell
us about it.
Speaker 3 (27:27):
Quote.
Speaker 2 (27:28):
I would like to tell you how well I like Park.
Speaker 1 (27:31):
I use it for everything I want to be, especially
nice because of fine flavor.
Speaker 2 (27:35):
Unquote.
Speaker 1 (27:36):
You see, the secret of Park's popularity is its delicious flavor,
and housewives with a knife of food value like it
because it's such a nourishing energy food that contains plenty
of vitamin A. Yes, every pound of Park marginin contains
nine thousand units of vitamin A, so you know it's
not only good tasting, but good for you too.
Speaker 3 (28:23):
Oh, mister Dinwittie, Yes, oh you're angry. You took me
seriously when you when I was just kidding. That cake
you bake for me, some people just dropped in at
our place, and that cake would just about save the
day from me. Angel cake about then take it bye?
(28:45):
By all means oh, miss din Witty or an angel.
I'm so happy I could kiss you. Oh that is
I didn't quite mean that. It was so nice of you, say,
where are you going to take you another case? Good night.
Speaker 2 (29:24):
Original music was composed and conducted by William Randall.
Speaker 1 (29:27):
This is Jim Bannon thinking for the Crack Cheese Company
and then buying you to be with us again next
week at the same time for.
Speaker 2 (29:33):
The Murder Adventures Dog A great Jim. This is a
nipon a broadcasting company.
Craft presents the Great Yilder Slaves. Each week at this time,
the Craft Cheese Company presents for your enjoyment, Harold Perry
(00:21):
as the Great Yielder Slave, written by Leonard L.
Speaker 2 (00:24):
Levinson.
Speaker 1 (00:31):
We'll hear from the Great Gilder sleeve in just a moment,
But right now, here's an important message for you. Probably
all of you are aware of the efforts of our
governments make us a healthier, more vigorous nation by improving
our diets. Yes, food, proper nutrition is as important these
days as airplanes, and that's why you should know about
Park martina made by Craft. It's not only a delicious
(00:55):
bread for bread, it's also rich in nourishing food elements
your whole family needs. Of course, most people like Park
margarine because it tastes so good spread on bread, hot rolls,
or toast, but health conscious housewives also use Park because
it's a protective food of exceptionally high nutritional value. Yes,
Park margarine is one of the best energy foods you
can serve, and to make its natural, wholesome goodness even
(01:18):
better for you, Draft adds nine thousand units of vitamin
A to every pound of Park, making it a reliable
year round source of this important vitamin. Why not ask
your food dealer for park margarine tomorrow. One taste will
tell you it's a superior product made to crafts exacting
standards of colic. Yes, you'll like its flavor and you
like its economy too. Just a park par kay. Last week,
(01:57):
rock Morton d Gilder slave Feber McGee door neighbor left
wistful Vista to become the legal guardian of his niece
and nephew. Marjorie and Leroy Forrester are in the city
of Summerfield, relaxing after a hard week's work as father,
mother and big brother to the pair.
Speaker 2 (02:12):
We find the great guilders leave.
Speaker 1 (02:14):
Explaining the finer points of baseball to Leroy.
Speaker 3 (02:17):
Now, as a result of that play, Leroy, we have
a member of our team on each base You understand.
Speaker 4 (02:35):
Yeah, the bags aldus.
Speaker 3 (02:38):
Non, Leroy, don't get so excited. Remember this is only
a baseball game. Why you Robert, As I was saying, Leroy,
he mustn't give way to our emotions. Yes, let's remember
to be sportsman, get an umpire, always give the other
fellow the benefit of the doub Leroy, quite free, your grandmother,
(03:06):
I am not. The umpire is nothing but a horse
teat horse teed. I'm sorry, sir, but.
Speaker 5 (03:10):
I've warned you before.
Speaker 3 (03:11):
Everybody's complaining. What do you mean everybody? I'm not complaining,
am I? Hey Jesse James, where's your horse?
Speaker 2 (03:17):
We can't tolerate this any longer.
Speaker 3 (03:18):
Now you'll have to get out, all right, we'll get out.
Come on, Leroy. We've seen this news reel three times already. Anyway,
don't forget your cat careful stepping on people's feet.
Speaker 6 (03:34):
He uncle.
Speaker 3 (03:34):
More.
Speaker 4 (03:35):
If you give me an advance on next week's hours,
I'll teach you on an ice cream cone.
Speaker 3 (03:39):
Yeah, no, thanks, Leroy. It's time we go home and
fix up for that tea party. Your sister's giving it
five o'clock.
Speaker 4 (03:44):
All right, gee, do we have to gotta be at
that sissy party?
Speaker 3 (03:47):
Well, I'm afraid so, Leroy Mines. We seem to think
a lot of young ted.
Speaker 4 (03:50):
Will yes stuck on each other, all right, because why
drag us into it?
Speaker 3 (03:53):
Well, now that I am guardian for you two is
she wants me to meet Ted's parents under the proper
social circumstances.
Speaker 4 (03:59):
Couldn't you just friends room some place like from the
butcher shop.
Speaker 3 (04:02):
You mean meet him in the meat pocket. Now I
have a fraid it is too late for that. Marjories
worked awfully hard preparing for this afternoon, and she must
be all ready.
Speaker 5 (04:11):
But now come on, now that's all taking care of
Oh ready?
Speaker 7 (04:30):
Yes?
Speaker 8 (04:31):
Would you please put the cake in the back of
the pantry while I fell?
Speaker 9 (04:34):
Yes?
Speaker 3 (04:35):
Why you sure work hard? And he shure, that's.
Speaker 8 (04:39):
My big surprise, and I don't want anything to happen
to it.
Speaker 6 (04:44):
Ah County Courthouse, Judge Hooker, please.
Speaker 10 (04:47):
One moment Hooker speaking.
Speaker 3 (04:50):
What is it?
Speaker 8 (04:51):
Hello, Judge Hooker, This is Marjorie Forester.
Speaker 4 (04:54):
You remember me, don't you?
Speaker 7 (04:55):
Well?
Speaker 3 (04:57):
Well, of course, just last.
Speaker 8 (04:58):
Week you appointed my uncle as Adi and my brother.
Speaker 4 (05:01):
And need I did.
Speaker 8 (05:02):
Who is your uncle?
Speaker 4 (05:03):
Frock Morton? P.
Speaker 10 (05:04):
Guilds Lee, Oh kilder sleep two years in the state benitentiary.
What I'm in the courtroom, my dear sentencing a prisoner?
Speaker 4 (05:14):
What do you call about?
Speaker 6 (05:15):
Oh?
Speaker 8 (05:16):
I'd like to have you come to tea this afternoon
so you and uncle Morton get to be better friends.
Speaker 10 (05:20):
How can we get to be better friends when we
hate each other's when we hate each other? To begin with?
Speaker 3 (05:25):
Oh?
Speaker 8 (05:25):
No, George I planned this as a surprise for Uncle Moore's.
Speaker 3 (05:29):
Oh you're surprising man.
Speaker 10 (05:32):
All right, I'll come and when he sees me, won
all of his chins dropping.
Speaker 8 (05:41):
Oh, Bertie, Judge Hooker is coming.
Speaker 7 (05:43):
Oh uncle Mortony, please, some says yeah, if some says no.
Speaker 8 (05:47):
Oh oh, look at the time. I'm made for my
manicure appointment.
Speaker 7 (05:50):
And I'll walk as far as the store with you.
Speaker 5 (05:52):
I got some things.
Speaker 8 (05:53):
Oh, I do hope everybody will like my cake? All right?
Speaker 3 (05:57):
They sure we all run it.
Speaker 4 (05:58):
It's just this loop. Thanks, Bertie, It's got to be good.
His mother is so discriminating and critical. Yeah, and she
keeps her nose up in the air like she ain't
been introduced to what she's smelling.
Speaker 5 (06:15):
Never mind, Bertie, let's go out the back way's.
Speaker 3 (06:18):
Clicker, Oh my tree, we're back. Hello, anybody home, leroy,
I don't believe anybody's home, Gonald.
Speaker 4 (06:33):
I thought we could get something to eat. Spent a
long time just once.
Speaker 3 (06:36):
Yes, at least two hours. I suppose we rummage around
in the kitchen. There's bound to be something here.
Speaker 4 (06:42):
I usually look in the pantry first.
Speaker 3 (06:44):
The voice of experience, Well, here's a lot of can goods.
We could open kitchen, cleanser, tennis balls, sheilac, motor oil.
Just call at it as anything you like. Crunch, eat cornies,
some genuine New England chops. Who we saw us? Hey?
Speaker 4 (07:00):
What's that in the bank of the trouver of Uncle Morris?
Speaker 3 (07:02):
Where? Oh? Boy? Cake? Say it's lucky you saw this.
It's a honey. Let's good enough to eat.
Speaker 4 (07:09):
What are we waiting for? Here's a knife?
Speaker 3 (07:10):
One moment, leroy. This cake hasn't been started yet. I
don't think we should cut into it.
Speaker 4 (07:14):
I won't her to take one piece.
Speaker 3 (07:16):
Uncle Morse, Well maybe not, but remember it just a
piece of piece.
Speaker 4 (07:19):
Okay, here's a knife.
Speaker 3 (07:20):
Yeah? Thanks? Here you are? Is that all? Well? Excuse
me while I try my peep while you find caper.
(07:55):
That's the end of it. Yeah, stuffy in here? Isn't it.
Speaker 4 (08:06):
Stuffy?
Speaker 3 (08:07):
And where? Yeah? I see what you mean?
Speaker 4 (08:14):
Excuse me?
Speaker 3 (08:15):
Oh? Hello? Pretty?
Speaker 4 (08:16):
Oh there, y'all leave on. That's holy kitchen for four
feet I think late who meet? I don't want to
hear the pop mouse.
Speaker 7 (08:24):
Good you say in your appetite for the tea party?
Your sister's donna whipped together the most desible kick.
Speaker 3 (08:32):
Yes, we know her. Yeah she didn't.
Speaker 7 (08:34):
Cause its important to impress mister Will's mother that she's
a good housewife. Looks like mister Will's gonna get a
house and a wife.
Speaker 3 (08:43):
Oh I see, Uh.
Speaker 7 (08:45):
Yes, Ms margros Her putting fingers to the bone, taking
all dates.
Speaker 8 (08:50):
That's a surprise.
Speaker 7 (08:50):
She's been talking about it.
Speaker 3 (08:52):
Huh uh.
Speaker 4 (08:53):
Now you want to take a peek at it?
Speaker 3 (08:54):
I show you. But she got it so good? Read
me now, pretty, don't go spoiling the prize.
Speaker 4 (09:03):
It ain't got enough.
Speaker 3 (09:05):
Oh yes it would, Leroy. Isn't there something Bertie could
go to the store after a a? I mean, Bertie,
would you mind running down at the cigar store and
getting me some uh some punch and yellow pantellas?
Speaker 7 (09:18):
But I got work to do new work and get him.
Speaker 3 (09:20):
Oh no, he's a minor. They won't sell him. I mean,
here's a dollar, get a whole box. I hurry, they
may sell out. Remember punchinello pa, Yes, hi, George, that
isn't a bad name for a cigar seeing that I
just made it up. Oh my goodness, Leroy, why didn't
you stop me from eating that cake?
Speaker 5 (09:39):
Boy?
Speaker 4 (09:39):
Are we gonna catch it? When margin geta what do
you say we take a short walk till about bedtime?
Speaker 3 (09:47):
That's very good. No, no, we've got to face the consequences.
Speaker 4 (09:51):
Sell me some one. I'll see you later.
Speaker 3 (09:53):
I'm back here, young man. You don't see me running away.
I'm gonna stick my chin out and take it.
Speaker 4 (10:00):
That's not your chin sticking out, Uncle Moore.
Speaker 3 (10:05):
Leroy, we got to find some way to get an
exact pupil. Get to that case before that party starts.
Oh my, who's that?
Speaker 4 (10:12):
That's old lady Snoop who was next door?
Speaker 5 (10:15):
Gee?
Speaker 4 (10:15):
You washing a learrek, Uncle Moore.
Speaker 3 (10:17):
I don't know the lady Leroy, but I'm sure you
are mistaken. I'll just see what Missus Snoop wants. No, no, uncle,
how do you do? Missus Snoop?
Speaker 4 (10:24):
And boo oh? This is dealing with the uncle?
Speaker 3 (10:27):
What you say?
Speaker 4 (10:28):
I still there to meet you, Missy gell Sleeve.
Speaker 6 (10:30):
I'm a girl who lives next door. Your niece Marjorie
told me how much about you I do? We're practically
old day and unclear?
Speaker 4 (10:40):
Is there?
Speaker 6 (10:40):
It's large to be here and no no, I remember
seeing her go down the street half an hour ago
through my contract.
Speaker 4 (10:46):
You besides and all.
Speaker 3 (10:47):
What I see through them? Yes, I see what you meant, Leroy.
Speaker 6 (10:53):
Well, anyway, I was looking for Marjorie that I suppose
you will.
Speaker 3 (10:57):
Do instead I will. Oh, well, what.
Speaker 5 (11:01):
Hit me at it?
Speaker 6 (11:02):
Being witty with an inn not an M and the
accent on the witty not on the din.
Speaker 3 (11:07):
What do you want me for, missus Whittle? Oh, you'd
be surprised with it.
Speaker 6 (11:11):
I mean I just stucked in together a cup of sugar.
Speaker 3 (11:14):
Why of course, he le sugar?
Speaker 4 (11:16):
Where's the cop How do you imagine me?
Speaker 5 (11:19):
Oh?
Speaker 6 (11:19):
I forgot to bring one.
Speaker 3 (11:21):
I guess I'll just have a board cup too.
Speaker 6 (11:24):
Oh now, now, mister Gildersleeve, you have to excuse a
poor little flustered butcher girl. No Leroy enough the lump
sugar but manulated, just like I always borrowed.
Speaker 8 (11:37):
Oh, mister gilder Steve.
Speaker 6 (11:38):
As I was saying, it isn't awesome that I get
to meet such a handsome man with dark curly.
Speaker 4 (11:43):
Hair merry produce less sugar? Oh yeah, thank you, le boy,
so will it was?
Speaker 6 (11:51):
It was so nice being introduced to you, mister Gildersteve.
And don't you worry about the sugar.
Speaker 4 (11:55):
You'll be getting it back sooner than you expect.
Speaker 3 (12:00):
All that old Heim. He makes me sick, me too.
Speaker 4 (12:04):
Yeah. A couple of weeks ago, Marjorie Short were a
picture with you, and she said you look like.
Speaker 3 (12:08):
Ronald's colbd Ronald Covian.
Speaker 4 (12:11):
Yeah, did you imagine that?
Speaker 3 (12:13):
Silly day, Leroy, this is a pre country ladies entitle
her opinion. Better put the sugar bag. Oh wait a minute,
they use sugar and baking cakes, don't they, sure, Roy,
I know how we can save Marjorie's park a baker
and not the cake.
Speaker 4 (12:29):
Can you bake a cake?
Speaker 6 (12:30):
Uncle More?
Speaker 3 (12:31):
I don't know. I never tried, but it ought to
be simple. After all, millions of women bake cakes every day.
We ought to be able to do anything they can do.
Speaker 4 (12:38):
Now, what do you mean? I'm not gonna get mixed
up in no sissy proposition like that, but.
Speaker 3 (12:43):
Leroy, there's nothing sissy about baking. Look at the cowboys
who bake their own sour dough bread, and the Indians
grinding their own corn in the corn fitters, and the
cooks in the navy making a sea biscuits.
Speaker 4 (13:00):
I guess you're right.
Speaker 3 (13:00):
Yes, Well, let's get started. Should we use a cookbook?
Or make it up as we go along.
Speaker 4 (13:04):
It should be a cookbook.
Speaker 3 (13:05):
And yeah, here's one right here, cooking and six easy lessons,
or the Bride's best Friend. Well, let me see. Now
here's one Moca cocoa' happy Ooca cake. Don's too complicated,
Tomato soup cake with gum drop icy.
Speaker 4 (13:24):
Don't go more? Does they make cake out of cake anymore?
Speaker 3 (13:27):
I guess not. Look at this picture, leroy, doesn't it
look like the cake we ate?
Speaker 4 (13:32):
Yeah, waiting Baltimore cake.
Speaker 3 (13:34):
Yeah, that's it. Now all we gotta do is copy
this week.
Speaker 4 (13:37):
Okay, what do we do?
Speaker 3 (13:38):
First? Three cups as sifted cake flour. We got any
cake flour? No, here's some book we flour well, I
doubt if there's any different. Next, three teaspoons of making pottery.
Speaker 4 (13:52):
Here's a box of baking soda.
Speaker 3 (13:55):
Is is it powdered?
Speaker 4 (13:57):
Yeah it is.
Speaker 3 (13:58):
That's what they must have meant anyway. Now, salt, shortening, sugar,
half cup of milk.
Speaker 4 (14:04):
Used all today's milk and yesterday's sour.
Speaker 3 (14:06):
Fine, my mother always used sour milk and hearthcakes. It'll
give it that old fashioned sour taste. Teaspool of vanilla
and six egg whites hard boilers, no LeRoi raw.
Speaker 4 (14:18):
It's easier to separate the white from the yellow. It's
a hard boiler.
Speaker 3 (14:21):
No more le raw. This is no picnic. You sift
the flour and the baking powder and the salt together.
If use the sipping, okay, and I'll take the other stuff.
Beat egg whites until sift. It says, get woo me
or the age?
Speaker 4 (14:36):
Hey has more?
Speaker 3 (14:38):
Yes, just sift the leeks weeks? Oh oh, yes, and
look at the flour on the floor. Get some more, Lira. Wait,
I know how we can speed things up. We'll just
dump all the ingredients in the electric mixer. Yes, it
(14:58):
takes a man to figure out all the shortcuts. Life.
Let's just pour everything into the boat. There can I
count on the nion doll? Oh give me, Oh my goodness, Bertie,
she must have seen this mess. I'll get rid of her.
You stay here, well, Bertie, did you get me those
punching the load?
Speaker 7 (15:16):
Hannah tell us not exactly, mister Gilsleeve. I've been to
seven stores looking for them cigars, and three of them
was fresh out, whilst the other four have them in
the morning.
Speaker 3 (15:27):
Yes, now I better be getting back any kid, Yes,
oh no, no, I mean I gotta have those cigars, Bertie.
Speaker 7 (15:33):
Well maybe after I finished a working kit, it'd.
Speaker 3 (15:34):
Be worth a dollar of me to get those cigars. Now, well,
maybe in that case I could. What's that? I suppose
the truck coming up the hill? There ain't no hell
around here.
Speaker 7 (15:49):
Sounds like my electric mixing machine in distress.
Speaker 3 (15:51):
Out there, go go ahead if you want to lose
that three dollars. Three dollars for bringing back those cigars.
Speaker 9 (15:58):
Does I get in in advance?
Speaker 3 (15:59):
Yes, here you are, Bertie, Thank you.
Speaker 4 (16:04):
I'm just going out the back way. It's quick.
Speaker 3 (16:07):
Use the front door. It's bad luck to use the
back door when you're buying cigars. Take a time, Bertie. Goodbye.
Wow that was a close shave. Oh sounds like the
Boysian pubble coming, Leroy. I can't hear you. What's wrong
with the mixer? Oh my goodness, turn it off. I will,
(16:32):
and I'm not going to be intimidated by you. Right
in the pan. Where's that switch, Leroy? I think I've
got it now if yes, Oh what a mess. Here's
a towel, Leroy. Wipe the cake out of your eyes. Oh,
(16:54):
jumping jelly beans, there's that woman from next door again.
Speaker 4 (16:56):
Oh, don't let him in here, uncle, everything, come on.
Speaker 3 (16:59):
Don't worry. I'll get rid of that gargoyle. I mean
misdone with e. Ah, there you are mis Don't you
think I'm an awful past Oh? No, not at all.
Speaker 4 (17:11):
But I wonder if I could trouble.
Speaker 3 (17:13):
You for an egg? An egg?
Speaker 4 (17:14):
Yes, an egg, a chicken je down. I know just
where Marge he keeps them.
Speaker 3 (17:20):
So if you don't mind, don't trouble yourself, Leroy, hand
me out an egg? Please? How do you want a
hard boil a pump in the shell? Right boy? Lovely
weather we're having, isn't it? Yes, it's particular.
Speaker 6 (17:33):
That's all ride in the country.
Speaker 4 (17:35):
I just love to pack a picnic your eggs.
Speaker 8 (17:39):
Thanks?
Speaker 3 (17:41):
Yes, thanks, Leroy, Thanks very much. Goodbye is done with
e goodbye, goodbye bye.
Speaker 4 (17:46):
Did you brush off hunk?
Speaker 3 (17:47):
No, she's walking down the steps. Let's hurry with the cake.
Speaker 4 (17:53):
All we have to do is pour the battle into
the pants.
Speaker 3 (17:56):
Fine, before I mess myself up anymore, I'm gonna put
on Birdie's bungalow. Apron, help me into it, Leroy, chiare leroy? Fine?
I run around the back and tie the strings poop
not so tight? My boy, that's it.
Speaker 4 (18:12):
You should look funny, uncle more. Oh, I'm gone belt.
Speaker 3 (18:16):
What kind of a house is this? Leroy? See if
you can get that cake into the oven, I'm going
to answer the door. It's all right, it's dark in
the hallway.
Speaker 4 (18:24):
That's right.
Speaker 3 (18:25):
Waste the electricity.
Speaker 9 (18:26):
Ah, good afternoon, madam?
Speaker 3 (18:29):
Do you tagg and swump over?
Speaker 9 (18:30):
Heavy coming?
Speaker 3 (18:31):
But have you got that dish washing? Group?
Speaker 2 (18:32):
Group?
Speaker 3 (18:33):
Are you proud of the shape you're in? Oh? See
here you near sighted? Little income poop, bad cold you
have there? Madam.
Speaker 9 (18:40):
Now, I've got a girdle here. That's the answer to
all your prayers. It's a guildless Leave Glammar girdle. I'll
keep you in, but you'll never wear it out. Yes, sir,
now was a spacialman ducemn. I persuaded old man gildless
leave to cut the price of this girdle of three
dollars ninety nine cents.
Speaker 3 (18:54):
You persuaded old man gildersleeve.
Speaker 9 (18:56):
Yes, sure you'd be surprised, how palsy wellsy I am
with hel.
Speaker 3 (19:04):
Why of all I know?
Speaker 9 (19:06):
But you should do something about that colon.
Speaker 3 (19:07):
Now, madam, if you'd care to try on. No I
happen to own you already own a gillless leap girdl. Yes,
very good, But have you got a spare mister? You'd
be surprised how many gilliss leave girdls. I have to
spare good days of all the interruptions. How's the cake doing, Leroy?
Speaker 4 (19:23):
Swak what? It looks better?
Speaker 3 (19:25):
Every kind? I open the oven door splendid? Now who's that?
A man can't even make a cake around here?
Speaker 10 (19:33):
All right, all right, I'm coming now see here you
what mister Gilders leave?
Speaker 3 (19:39):
Oh? Oh, hello, Judge Hooker, you come in. This is
quite a surprise. That's what I was meant to be.
What are you doing in the apron playing house? Yeah,
that's very funny. No, I'm not playing house, and I.
Speaker 4 (19:57):
Just put out of the oven. Oh boy, it looks swell.
Oh old Jake, Ok, what are you doing here?
Speaker 5 (20:05):
Hello?
Speaker 3 (20:05):
Leroy?
Speaker 2 (20:05):
And my boy?
Speaker 3 (20:06):
What have you and your uncle be up to?
Speaker 5 (20:08):
Now?
Speaker 3 (20:09):
Nothing at all? Of your honor, Leroy? Time to get
cleaned up? And my look at me, I'm a mess. Yes,
I'll go with you, Leroy, and make yourself at home. Judge,
I came early, just ask you to a few questions.
We'll be back, your honor.
Speaker 10 (20:22):
Something funny going on around here. Smells like a cake,
I'm smelling. I better see what they've been doing in
the kitchen. A layer cake looks like if it tastes
good too. I wish I was not on that darn diet.
I'd take a piece, not that one piece.
Speaker 3 (20:44):
It hurt me.
Speaker 10 (20:46):
I'm George, I believe I will mighty good cake. I
(21:06):
think I have another piece.
Speaker 3 (21:07):
Oh there you are you? Oh that's a bad cough
you got there here? Let me get you a glass
of water. Oh you've been eating our nice new cake.
And after I work my fingers with the bone.
Speaker 10 (21:18):
Oh my goodness, I'm getting sick.
Speaker 3 (21:20):
By George, you are wide around mc gills. That cake,
that cake? I ate something no good? Eh, no, my pills.
I left him home. You better take me there now?
Oh why did I ever take up baking? Le Roy
Lee Roy? I better throw this cake out of the window.
There farewell, Lady Baltimore. Oh, yes, call me a cab quickly.
(21:44):
What's grown with a cab? I've got to take him home.
He's suffering from a bad attack of Lady Baltimore. Ah,
what can I do for you, sir. I have to
see that big cake in your shop window. I'd like
(22:05):
to buy it. But that's a wedding cake, I know,
but it could pass for a party cake if we
knock off the bride and groom. How much do you
want for it? I'm sorry I couldn't sell it to you.
Oh baked it for a wedding a but they'll just
have to get married tomorrow. But really, miss I couldn't
let you couldn't. Here's a ten dollar bill. Now do
I get that cake? Well? If you and sis, never
mind wrapping it. I've got a taxi outside. Just hand
it here, thanks, I'll open the door, will you? Okay? Goodbye?
(22:29):
Oh mama, I just made.
Speaker 4 (22:31):
A big sale and then bought that wedding cake.
Speaker 3 (22:33):
We've headed the window for the last two years. Uh Roy.
Anybody in the kitchen with you?
Speaker 4 (22:50):
No comand you find a cake?
Speaker 3 (22:52):
Should I take a look? Oh boy, that's a doing
not bad. A who says you can't eat your cake
and have it too?
Speaker 4 (23:01):
That's missus Dinwoodie again.
Speaker 3 (23:02):
Leroy put this cake in the pantry while I answered
the door. I'll strangle let old sea gold.
Speaker 6 (23:08):
Oh mister leave, you must think I'm careable, running in
and out on the wrong day.
Speaker 4 (23:12):
Yeah, following things all the time.
Speaker 6 (23:16):
Well, it's because the road to a man's heart is
through his stomach. And if that's the case, by your.
Speaker 4 (23:21):
Road it's so wide.
Speaker 3 (23:24):
I mean, I know, what do you want this time?
Speaker 6 (23:28):
Oh it's nothing, really, I but I just brought you
something I baked for you with my own little hand.
Speaker 3 (23:34):
Okay, well, thank you, just the same, miss dinwidd But
I have a cake, a great, big, beautiful ten dollar cake.
And furthermore, I'm pet up on cake. Goodbye. That takes
care of that.
Speaker 4 (23:44):
Oh, welcome, are looking all over for you? Come in
the living room and meet everyone.
Speaker 8 (23:48):
I'm about to save the cake I baked this afternoon.
Speaker 3 (23:51):
The cake. Oh yes, Marjorie, there's something deep down inside
of me that's weighing heavily on my conscience. It's your cake.
I ate it.
Speaker 4 (24:01):
But uncle mare, how could you?
Speaker 3 (24:03):
Leroy helped me?
Speaker 8 (24:04):
Oh more than model, I do not.
Speaker 3 (24:10):
Don't worry, honey. I went out and got the biggest
and best looking cake money to buy, but I couldn't deceived.
It's all right, Well they don't know, won't hurt him.
Let's go in and meet the folks.
Speaker 7 (24:18):
Huh there you, missus gil Sleeve, Yeah, got him for you?
Speaker 3 (24:20):
They got what for me? Bertie then punching other pan
of tailers.
Speaker 7 (24:24):
The man he didn't have none in stock, but he
rolled him while I waited.
Speaker 4 (24:27):
And the cost eight dollars a buck.
Speaker 3 (24:29):
Oh my, more expense. Well never mind that. Now, Bertie,
get that big cake out of the pantry, a new servant.
And remember, no matter how different it looks, that's the
one miss Marjorie baked. Come on, Marjorie, will, missus will,
I want you to meet my uncle.
Speaker 4 (24:46):
Mister Gilder charmed.
Speaker 3 (24:48):
Missus Wills, excuse me for being toddy, but I had
to take home a friend who was suffering from a
sick cake. I mean a sick headache. I see.
Speaker 6 (24:57):
Speaking of cakes, Marjorie ted has told me about the
age food cake.
Speaker 3 (25:00):
You think angel food, but I thought it was more
of a Lady Baltimore cake, like they serve at wedding.
Speaker 6 (25:05):
Oh really, mister Gilders leave, They don't serve Baltimore cakes
at weddings, not even in Maryland.
Speaker 3 (25:15):
Well, no matter what kind of a cake Marjorie bakes,
it's always delicious. Oh now, Uncle Moore I just wait,
missus Wills, and you sink your teeth into this one.
Ah Bertie's bringing it in now, oh night.
Speaker 6 (25:26):
It looks quite professional, doesn't it.
Speaker 3 (25:29):
Well. I don't believe a pastry chef could do any better.
Go ahead, Marjorie, you cut it.
Speaker 8 (25:33):
You cut the first life Uncle Moore.
Speaker 4 (25:35):
After all, if it weren't for you, we wouldn't be
eating this cake.
Speaker 3 (25:38):
I see what you mean. And they give me the knife, Bertie.
You oo ooh, well, crossings a little thick tull knife, Bertie.
Haven't we got a sharper knife?
Speaker 4 (25:58):
No, mister Gill, see, but we've got to act.
Speaker 3 (26:03):
Never mind, I'll manage with this O my goodness, it's
made out of plaster of Parish.
Speaker 2 (26:31):
The Greg Guilder slave will be with us again in
just a minute.
Speaker 1 (26:35):
But first I want to tell you something that should
make every quality wise and economy minded housewife want to
try Park Margerine first thing tomorrow.
Speaker 2 (26:43):
Here it is. Now you can have a high quality
product made by craft.
Speaker 1 (26:47):
That's so downright good as a spread for bread toaster
rolls that you want to use it lavishly, as a
seasoning for hot vegetables, a short thing for baking and
for pan frying tool. Yes, that quality craft product is
parka margerine. It tastes so good that you'll want to
use lots of it at the table and for cooking.
And it costs so little you can use all you
want without being extravagant at all. Yes, use all you
(27:09):
want for baking. Remember, Park is a real flavor shortening
that makes better tasting cakes and cookies. Here's what one
user says about Park Margin. I'll read you a few
lines from a letter from missus Emma Hartman of Cavetown, Maryland.
Now we didn't ask Missus Hartman for this letter. She
was so enthusiastic about Park she just had to tell
us about it.
Speaker 3 (27:27):
Quote.
Speaker 2 (27:28):
I would like to tell you how well I like Park.
Speaker 1 (27:31):
I use it for everything I want to be, especially
nice because of fine flavor.
Speaker 2 (27:35):
Unquote.
Speaker 1 (27:36):
You see, the secret of Park's popularity is its delicious flavor,
and housewives with a knife of food value like it
because it's such a nourishing energy food that contains plenty
of vitamin A. Yes, every pound of Park marginin contains
nine thousand units of vitamin A, so you know it's
not only good tasting, but good for you too.
Speaker 3 (28:23):
Oh, mister Dinwittie, Yes, oh you're angry. You took me
seriously when you when I was just kidding. That cake
you bake for me, some people just dropped in at
our place, and that cake would just about save the
day from me. Angel cake about then take it bye?
(28:45):
By all means oh, miss din Witty or an angel.
I'm so happy I could kiss you. Oh that is
I didn't quite mean that. It was so nice of you, say,
where are you going to take you another case? Good night.
Speaker 2 (29:24):
Original music was composed and conducted by William Randall.
Speaker 1 (29:27):
This is Jim Bannon thinking for the Crack Cheese Company
and then buying you to be with us again next
week at the same time for.
Speaker 2 (29:33):
The Murder Adventures Dog A great Jim. This is a
nipon a broadcasting company.
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