May 22, 2025 • 25 mins
A spin-off from a popular series, this show centers on a well-meaning but bumbling character whose everyday misadventures provide wholesome entertainment.
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Episode Transcript
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Speaker 1 (00:01):
Presents the Great Guilder Slave, the Class Cheese Company, who
also bring you bing Crosby every Thursday night, present each
week at this time. Harold Perry is the Great gilder Slave.
(00:21):
Written by Leonard l.
Speaker 2 (00:22):
Levinson. Now let's visit our friend.
Speaker 1 (00:31):
The Great Guildersleeve, who has just returned home after a
busy day at the office to find that some new
neighbors are moving into the vacant house next door.
Speaker 2 (00:39):
Ah, good afternoon, Marjorie. Hello Bertie, Well, I see the
house next door has been rented at last. Have you
any idea who the people are, my dear, No.
Speaker 3 (00:47):
Uncle Morre, But if that ghastly furniture is any indication
their name is Frankenstein.
Speaker 2 (00:52):
Marjorie, you mustn't judge the people by that purple horse
hair sofa or the brass bed, or that stuffed moose head.
It's awful mean.
Speaker 3 (01:00):
Look at his eye that moves hands. I've have gotten
it from my new neighbor, the family resemblance.
Speaker 2 (01:06):
They're all right, Oh, Marjorie, I'm sure they're nice people.
You wait and see. Oh they have a boy a
little older than Leroy, haven't.
Speaker 3 (01:12):
They, uh huh, And a girl about seventeen or eighteen,
who talks faster than water winchell.
Speaker 4 (01:16):
Oh and they also got an awful upitive cook named
Snowdrop Jefferson, who has informed me over the back fence
that she's the saw on a five pair.
Speaker 5 (01:26):
Of rubber gloves.
Speaker 2 (01:29):
And Bertie, you will have to cultivate her acquaintance. I'll
cultivate it with a horse. She keeps snooping me. No, Bertie,
don't you want to start off by planting your best
foot forward?
Speaker 3 (01:39):
Oh I does, mister Gilsleeve, believe me. And when I
gets through planting it, we'll do the most good. Nothing
will ever grow that no.
Speaker 2 (01:46):
More, Oh, Bertie, I won't have you starting a feud
with the neighbors. A good neighbor is just like a
cousin on the police force. They both come in handy
in the pinch.
Speaker 3 (01:58):
Home, look and unpacking their boxes outside, and all the
paper and trash is blowing around our law.
Speaker 2 (02:04):
Oh so what, my dear, they're all phineased, and the
movers are leaving. They'll probably come over and clean it up.
And suppose they don't.
Speaker 3 (02:12):
You know I come out. There are times when you
surprise me.
Speaker 2 (02:15):
Uh live and let live, my dear, that's my motto.
In all years I've lived in whisper Vista, I always
got along well with my neighbors. Ooh, those movers they
backed into our driveway to turn around. So what they questioned?
My Azalia cantad answers, And now they're backing into my life,
just from I bought her. Oh there goes my schoolish Masterstrotia.
Speaker 5 (02:36):
Mastro.
Speaker 2 (02:37):
Wasn't for heaven's sake was that horse chestnuts? Help me
get the window up. I'll tell those people driving away, Well,
it's lucky for them. Oh, look, that heavy truck has
broken the concrete not driveway.
Speaker 3 (02:50):
Of all the people are here comes the girls from next.
Speaker 2 (02:52):
Door, probably coming over to apologize for the mess they made.
Well that's different. It's a mighty good thing too. I'll
take care of this myself, My dear, how do you do,
young lady?
Speaker 6 (03:04):
Oh?
Speaker 3 (03:04):
Hello, I'm a.
Speaker 5 (03:04):
Girl who just moved in next joor and my name
is Dorothy A dabs noney.
Speaker 7 (03:07):
Nobody ever calls me Dorothy, and I kind of that
sounds the corny, and everybody calls me dotty.
Speaker 2 (03:11):
Sorry, yes, I can see why. So you're dotty, are you?
Speaker 3 (03:15):
Oh?
Speaker 5 (03:15):
No, I'm not dotty.
Speaker 7 (03:16):
I'm dotty, no mama sometimes as she fails to see
the difference.
Speaker 5 (03:19):
And we're such an uproar that we can't find a thing.
Speaker 7 (03:21):
So would you please let us have a can of
tunic fish and some sliced pineapple and two cups of sugar.
Speaker 2 (03:26):
Wouldn't you like a couple of inner tubes too?
Speaker 5 (03:39):
Coma good morning? Sorry, Bertie says a heartcach are getting
cold in your own juice is getting warm.
Speaker 2 (03:45):
Well, hello, ly Roy, I'm looking for the morning paper.
All over the world, hundreds of reporters risk their lives
to get the news, and thousands of workers stay up
all night long to print it. And our delivery boy
insists on hiding the paper in the bushes.
Speaker 5 (03:58):
Oh you won't find it.
Speaker 2 (04:00):
The dog will be next door, took this leroy. You
mustn't speak of our neighbor that way.
Speaker 5 (04:05):
I'm not talking about him, I mean their hound. Oh
he ran over here, grabbed business mouse, and scrammed back
home again. See he didn't just like he was trained.
Speaker 2 (04:13):
Yes, he seems to have a nose for our news.
Well I'll just drop in on the Dobsons and explain
the situation. Oh, I hope that dog hasn't chewed up Superman.
Speaker 6 (04:22):
Oh hello, he's the man from next door, aren't you?
Speaker 3 (04:32):
Of course you are.
Speaker 5 (04:33):
I recognize you right off.
Speaker 2 (04:34):
And you know why why?
Speaker 7 (04:36):
Because you look just like you did yesterday. The same suit,
the same shirt, and the same tie. Isn't awful monotonous?
I just die if I had to wear the same
dress every day, wouldn't you?
Speaker 2 (04:44):
Yes, I mean I don't wear dresses. I dropped over
to tell you that your dog is taking the morning paper.
Speaker 5 (04:49):
Oh how silly taking the morning paper. Indeed, why even
if he could read, he couldn't afford it.
Speaker 2 (04:55):
Miss Dobson, Please let me finish. He's taking the morning
paper off our lawn. It's oh so that's it.
Speaker 5 (05:01):
And Daddy thought it was a free sample.
Speaker 3 (05:04):
Oh stuffy, you call him me?
Speaker 8 (05:06):
Oh, who's a blister?
Speaker 3 (05:07):
Sister.
Speaker 7 (05:08):
Go in the tiny room. Go in the dining room
and tell Daddy that paper belongs to the man next door.
And he's here and he wants it back, So bring
it right out if there's any ha gonna be sure
and wipe it off.
Speaker 2 (05:17):
Okay, but I ain't seen it yet.
Speaker 3 (05:19):
Can't you have to come?
Speaker 5 (05:21):
We'll tough, You'll be right back mister. Oh incidentally, what
do you think of the big news in the paper
this morning?
Speaker 2 (05:25):
Isn't it thrilling?
Speaker 5 (05:26):
Or haven't you read it yet? Of course you haven't.
Well you certainly have a surprising start, because you know
what happened.
Speaker 2 (05:31):
Oh excuse me, I didn't know you were going to stop.
You didn't put your hand out. No, what happened, Well,
it was.
Speaker 5 (05:40):
The most exciting thing, it seems. Oh, here comes Touffy.
You commit it yourself. I wouldn't father for anything.
Speaker 2 (05:47):
So it is thank you. Oh Toffy, you're welcome.
Speaker 8 (05:50):
Stuffy.
Speaker 2 (05:51):
You watch it all right, Bertie wheel in breakfast, I'm
hungry enough to eat off the tablecloth. You get your paper, okay,
Oh sure, no trouble at all. You don't have to.
You know how to handle these neighbors. It's all right, Leroy,
that's all. Yeah. Now to read the big news she
(06:11):
was telling me about. Well, look at this Roosevelt in
Churchill and meet in mid ocean. What again, mind you, Bertie?
Come here and listen to this Washington, d C. August
the fourth August. Never mind, go back, it's all a mistake.
That kid next door slipped me a seven months old papers.
Speaker 8 (06:44):
That snowdrop doors.
Speaker 3 (06:45):
One more tin can over this, then.
Speaker 2 (06:47):
She's gonna be out here here, Bertie, what are you
muttering about?
Speaker 3 (06:50):
Is that cook next door?
Speaker 4 (06:51):
She's flirting with a face full of skillet And I'm
gonna knock off, block off and off hun and.
Speaker 3 (06:56):
Look good.
Speaker 2 (06:58):
Now, Bertie, Remember I good neighbor policy. Oh, Leroy, wait
a minute, young man, come back here. You're all mussed up,
huck in your shirt tails. I can't why not?
Speaker 5 (07:09):
It's been torn off, b roy.
Speaker 2 (07:11):
Have you been fighting?
Speaker 5 (07:12):
Well, not exactly.
Speaker 3 (07:13):
That kid next door took a couple of popes at
me and then I took a few swings at him.
Speaker 2 (07:18):
What happened?
Speaker 5 (07:19):
I missed, but he didn't.
Speaker 2 (07:23):
What were you two fighting about, Leroy?
Speaker 3 (07:25):
Oh?
Speaker 5 (07:25):
It was something he called you, uncle Morre.
Speaker 2 (07:27):
Oh you shouldn't have thought over that. I haven't the
famous concern what that twork says about me? What did
he say?
Speaker 5 (07:33):
He said you were a big fat stuffed shirt?
Speaker 2 (07:35):
Oh, he did it? And what did you say?
Speaker 5 (07:37):
I said you didn't have to stuff your shirt?
Speaker 2 (07:42):
Well I still don't think that's enough reason to start fighting, Leroy.
Speaker 7 (07:45):
Oh, I forgot to tell you he was trying to
rub my nose in the dirt at the same time,
and looking.
Speaker 2 (07:50):
How you skins your knuckles.
Speaker 8 (07:51):
I'm gonna get the hide.
Speaker 2 (07:52):
Down on auby all right, Leroy, you failed to clench
your fist properly, my boy, Remind me sometime and I'll
show you the correct procedure.
Speaker 5 (08:00):
Geolty, you used to be a fighter is well.
Speaker 2 (08:03):
Not professionally, but at college I was considered quite a slugger.
In fact, they call me big slug for sure. However,
I don't think you should carry on a feud with
a boy next door. I'm sure this can be cleared
up if we go over there and all shake hands
like a little man.
Speaker 6 (08:17):
Not me.
Speaker 5 (08:17):
I'm not gonna shake hands with that rat if.
Speaker 2 (08:19):
Leroy, you mustn't call him a rat. If you only
tried to understand what was that? If who threw that baseball?
Speaker 3 (08:27):
It was Toffy.
Speaker 5 (08:28):
Look, this was his ball.
Speaker 2 (08:29):
Toffy. Why that little rat. I'm gonna call his mother
right now and tell her about this. I'd like to
lay my hands on that little houlum and you know
where and how? Hello is this missus Dobson, Madam, your
son Touffy just threw his baseball through my window. Yes,
I'm sure it's his baseball? What's that? What if? Hello?
(08:51):
She hung up?
Speaker 5 (08:52):
What'd you say?
Speaker 2 (08:53):
She said? If I was sure it was her little
boy's ball, I'd better return it at once, or she'd
call the police on, leroy, where are you going on
outside to return this ball?
Speaker 5 (09:03):
Are you going over there?
Speaker 2 (09:04):
No, LeRoi, I'm gonna return it from here. You just
watched this.
Speaker 5 (09:09):
It's heaven for the telephone pole.
Speaker 2 (09:14):
There goes another one of our windows. Yes, I tell you,
I certainly.
Speaker 3 (09:34):
Why is that the man from next door with here?
Speaker 2 (09:37):
Mister Dobson? What did he want?
Speaker 4 (09:39):
He says, he wants to take you apart and see
what makes you think you is as tough as you
think you is.
Speaker 2 (09:44):
I don't understand. I never said anything to him.
Speaker 5 (09:47):
Well, I guess I got to be getting to bed.
Speaker 2 (09:49):
Just a second, Leroy, How pretty? What's it all about?
Speaker 3 (09:52):
You mean you didn't challenge mister Dobson to a fisty
cuffs break up.
Speaker 2 (09:56):
I've never even set eyes on the chap well. Somebody
told him something most disagreeable.
Speaker 5 (10:01):
It's way past night bedtime, folks.
Speaker 2 (10:04):
Wait a minute, Leroy, did you say anything to anyone
next door that might have started this.
Speaker 3 (10:08):
Oh no, only I told.
Speaker 5 (10:10):
That tuppy that he better not monkey with me anymore,
or you'd sure his father. What a big slug you want?
Speaker 2 (10:16):
Yes, I'm not afraid of him. Why me, Roy, how
can you talk that away?
Speaker 4 (10:20):
That mister Dobson's twice as big as your uncle, and
only half is fat?
Speaker 8 (10:24):
Yes?
Speaker 2 (10:24):
He what he is?
Speaker 6 (10:26):
Oh?
Speaker 2 (10:27):
Leroy? What are you doing to me?
Speaker 3 (10:30):
Why that man's as tough as a thirty s steak.
Speaker 2 (10:32):
Oh he's not so taught, bee, Roy, you better go
to bed if let's all go to bed.
Speaker 5 (10:38):
Okay, I'm good night.
Speaker 3 (10:40):
Good What are you going to do?
Speaker 2 (10:42):
I don't worry, Marjorie. I'm sure we can settle a
matter peaceably. However, just to be on the safe side tomorrow,
I better find some good gymnasium where I can brush
up on my boxing before brother Dobson mops up on me.
Speaker 5 (10:55):
He be sure and let me know when you're tankled
with mister Dobson.
Speaker 2 (10:58):
I wouldn't miss that renything, well, I would.
Speaker 1 (11:19):
We'll hear from the Great Guilder sleep again in just
a moment. But first ever, stop to think of the
progress made in the last few years. Nowadays, we have
planes that fly four hundred miles an hour, automobiles that
are marbles of speed and comfort, radios that are static free. Yes,
and there have been plenty of improvements in food making tools,
and one of the outstanding examples is Parkue Marchmen, the
(11:42):
delicious spread for bread made by Craft. Why people who
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have to taste park margarine once spread on bread or
(12:03):
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Another thing, Park Margman is a wholesome, nourishing food, one
of the best energy foods you can serve. What's more,
every pound contains nine thousand units of important vitamin A.
So get acquainted with this thrifty, nutritious food. Order a
pound or two of delicious Parquet Marchmen tomorrow. Just ask
(12:26):
for park p A r k A Y Park Margman
made by Kraft. After a restless night, the Greg Guildersleeve
(12:47):
has taken his problem to Philadelphia, Phil's Physical Culture Institute.
We find him dressed in Jim Toggs, ready for his
first lesson from Phil himself.
Speaker 8 (12:57):
Well, mistiss, they did find a parishutes big enough for
you after all.
Speaker 2 (13:02):
Yes, these shorts are a little tight. I only got
them on by a great stretch of the imagination. Okay,
come over here, mister, just call me frock Morton. I
want to keep it a secret.
Speaker 8 (13:13):
Of course, if my name was Tock Morton, I'd want
to keep it a secret too.
Speaker 2 (13:17):
No, No, I want to keep my visits here secret.
I'm having a little trouble with one of my neighbors,
and I may have to slap him a few times
to bring him to his senses. I know how it is. Now.
Speaker 8 (13:26):
What experience have you had as a fighter?
Speaker 2 (13:28):
Oh, very little except what I picked up in college
and at the YMCA.
Speaker 8 (13:32):
You look as if the only thing you picked up
with them places is yourself.
Speaker 2 (13:38):
Exactly. That's why I came here. I need to improve
my wind if I'm going to fight well.
Speaker 8 (13:42):
The best way to improve your wind is by doing
a lot of running.
Speaker 2 (13:45):
Mister, If I could run, I wouldn't need to fight well.
Speaker 8 (13:49):
The first thing we got to do is something about
that sack of potatoes you're lugging around.
Speaker 2 (13:53):
What's sack of potatoes? Oh? You mean this one?
Speaker 8 (14:00):
Yeah, well, I suppose we stop chewing the fat and
start taking it off. Yes, we'll begin with some bending exercise,
bending exercises.
Speaker 2 (14:08):
But aren't you gonna teach me how to punch?
Speaker 8 (14:10):
No, we'll get to the punch after we take care
of the punch. All right, now, beat together arms overhead
and bendon touched the floor? No, rock moreton lower? Come on,
do it again. This time I'll make it easier. Beat together, now,
bend and touch your rights. No, no, it's more.
Speaker 2 (14:33):
You still haven't got the idea. I've got the idea.
The only thing is I've got much equipment.
Speaker 8 (14:40):
Well, beat together on overhead now, ben, that's it, way down.
I'll bet you haven't seen your easy ten years.
Speaker 2 (14:51):
Then I get well, by joy, what is it I've
got dimple? Excuse me, champ champo me. Oh, I'm sorry.
He must have made a mistake. I'm not one of these.
Maybe not, but yeah, my god. Oh thanks if everything
from heavyweights to dog race.
Speaker 8 (15:09):
And you've got a terrific build for the job, and
showmanship too.
Speaker 2 (15:14):
You know I've been watching you. Hey, the crowds will
love you. Oh. I can't quite picture myself as a
champion fighter.
Speaker 9 (15:20):
Fighter who said anything about being a fighter. You're gonna
be a wrestler, a rassler. Well sure, with your figure
in a way you're bront and roll your eyes and
with a full bed on your face, boy, you'll be terrific.
Speaker 3 (15:33):
Hey can you groan?
Speaker 2 (15:35):
Can I?
Speaker 5 (15:36):
Oh?
Speaker 2 (15:37):
My goodness? Yeah, there's that tuppy next door murder that
(16:02):
march all day long, Bertie Alton.
Speaker 4 (16:04):
When he gets out of bed, he sits down beat
his drums for a while.
Speaker 2 (16:07):
George won't be long now before I go over there
and beat his drum for him.
Speaker 3 (16:11):
I wish to do it pretty soon, Uncle More. I
can't understand why you have so much patience.
Speaker 2 (16:15):
There are two kinds of patience, my dear, and it
takes a lot of one kind to keep him being
the other. Someday he's gonna hit the right note and
then they'll take that horn away from him. I don't
see highest family can stand it. They can't. They just
tasted him out in the yard. Look, I wish he
was my kid for an hour a few quick tricks
(16:36):
with my hand, and he wouldn't trumpet anymore.
Speaker 3 (16:38):
Oh no, he's right under our window.
Speaker 2 (16:48):
There's only one thing left for me to do, Maijorie.
Do you remember when I put that old B B
gun of we Roy's.
Speaker 3 (16:52):
Oh no, Lord, you mustn't shooting. Why someone might be
mean enough to arrest you.
Speaker 2 (16:57):
I hadn't thought of shooting him, Maijorie. I was going
to offer the gun to him as a bribe. However,
your suggestion does sound better?
Speaker 3 (17:04):
Please Uncle Moore. Forget about the gun.
Speaker 2 (17:06):
Yeah, all right, I've got another idea. Next time he
starts playing, I'm going.
Speaker 8 (17:12):
I'm going.
Speaker 2 (17:13):
Don't worry, I'll be right back, my dear. Oh, your uncle,
he's in an unmusical movie.
Speaker 3 (17:22):
Oh, I hope uncle hasn't done anything reckless.
Speaker 8 (17:25):
Let's just hope he ain't done anything they can trace
back to him.
Speaker 3 (17:29):
Oh carry comes, Oh Bertie, I'm afraid why he's got
that you pleased expression on his face.
Speaker 2 (17:37):
Well that's the last of that, folks. I fixed it
all up.
Speaker 3 (17:40):
Oh well, huh, what did you do?
Speaker 5 (17:42):
Uncle?
Speaker 2 (17:43):
Just use my brains, my dear. I gave Tuffy a
five dollar bill and he promised they wouldn't play that
trumpet again. But hey, smart me huh, Oh my goodness,
he's got a dude.
Speaker 8 (18:12):
Okay, Frocky, get to stop now.
Speaker 2 (18:14):
Oh thanks, it's how am I doing? Phil?
Speaker 8 (18:18):
Well, you've become pretty good with the punching bag. Now,
seeing as how this is your tenth and last lesson,
I'm gonna put you in the ring against a professional fighter.
Speaker 2 (18:26):
Oh well, bring him on. The bigger they fall the harder.
I well, you know what I mean. Anyway, Well, I
want to warn you. This guy's supposed to be good.
That's all right. I feel pretty good myself. Which one
is he? The big guy?
Speaker 8 (18:38):
The shadow boxing in the ring?
Speaker 2 (18:40):
Yeah? Oh yeah, that was a pretty big shadow, doesn't he.
Speaker 8 (18:44):
Now come on over to the ring and no fucking no,
you're going toward the dressing rope.
Speaker 2 (18:49):
Yes, I thought i'd save you the trouble. They're carrying
me in there later.
Speaker 8 (18:53):
Now, don't talk that way. You can take this guy, Yes.
Speaker 2 (18:56):
I can take him, and I can leave him alone. Dude,
you kidding? I am dead on the level. Oh my goodness,
dead on the level.
Speaker 3 (19:02):
Ha.
Speaker 8 (19:04):
Come on, get the rig, Bucky, Hey, firehouse share what
is the film? I want you two boys to go
three or four rounds together, shake heads with battling, trocking.
Speaker 2 (19:13):
Hi, hi, barrel house.
Speaker 8 (19:15):
All right, boys, now, I'll keep time and you get
in there and put up a real fight. And remember
no Watson shore a shore.
Speaker 2 (19:22):
And no Wolfson. Excuse me, it's a little rumber permissible.
Speaker 8 (19:25):
No, all right, get your boys.
Speaker 2 (19:30):
Woo woo woo.
Speaker 8 (19:34):
Get in there, sucking and tight punch it woo.
Speaker 2 (19:37):
I'm finding pray wool. But he doesn't want to goolo.
Speaker 8 (19:42):
Chat with your left trucking.
Speaker 2 (19:44):
Yeah, okay, out back back. I can't be the rolts
are in my way.
Speaker 5 (19:49):
Chat with your left again.
Speaker 8 (19:51):
That's this, keep Gevin. That did not bring up it
right right like this?
Speaker 2 (19:57):
O Oh.
Speaker 8 (20:02):
My goodness, fucking you shouldn't have done that. You've knocked
him out. I did rock botton. Dad ain't playing the game.
Speaker 2 (20:12):
Oh, poor barrel House. Quick, get me a glass of water,
get too, I'm thirsty. Take it easy, take an easy,
barrel House. I'll help you into the dressing room.
Speaker 8 (20:22):
I'll take care of him. You get your shower and
you can consider this. Knock out your diplomaent phusialism.
Speaker 2 (20:27):
Oh, you certainly.
Speaker 8 (20:29):
Did well in your graduation exercises.
Speaker 2 (20:31):
Thank you, professor. I'll get going now. Is so long,
Barrel House? Next time, don't try to chaine yourself on
my glove. I just can't wait like at home, and
do the same to that next door for a mile.
Speaker 8 (20:42):
Oh how you're feeling, Barrel House?
Speaker 5 (20:44):
Oh terrible?
Speaker 2 (20:45):
I'm an awful plane. That big walrus stepped all over
my tenderest corn. Honest Bill, It was all I could
do to restrain myself from hitting him. Say, you know
(21:09):
that's toughy Dobson next door? Do I know that Brad?
Speaker 5 (21:12):
Well, he kept ticking on me today, so finally I
just got good man, So I hold off and I
let him happen.
Speaker 2 (21:17):
Well, good for you.
Speaker 5 (21:18):
Yeah, I fought him clear from the corner into his
backyard and up on the screen porch. You shouldn't seen
him along the milk bottles. Then his father came home
and pulled me off of him.
Speaker 2 (21:28):
Oh he did, Yeah, Say he's looking for you, Oh
he is, Well, I'm looking for him. Come on, we're
going visiting. This is gonna be peachy fun.
Speaker 5 (21:37):
Do you mean you're going into Tuffy's house?
Speaker 3 (21:39):
Yes?
Speaker 2 (21:39):
Her? Right now, I feel as if I could lick
twice my waiting Dobson's I give that big cub of something.
Speaker 3 (21:49):
Oh I suppose you.
Speaker 5 (21:51):
Can't do apologize for what he's really to get, poor Chuffy.
Speaker 3 (21:53):
Well it's a good thing you did.
Speaker 2 (21:54):
Because Papa so many silence. You go tell your papa
that mister Gillis leaves here from next door and one
to see him at once.
Speaker 5 (22:01):
Very we otherwise warn you.
Speaker 7 (22:03):
That's not the tone of like to take it, Papa
on accountody, Oh, I'll right, I'll tell him.
Speaker 2 (22:08):
All, Papa, leroy, could I trouble you to hold my
coat for a few moments, dear pleasure, Thank you, my boy.
As soon as I rolled up my sleeves here, I'm
already now just let that be.
Speaker 8 (22:23):
Somebody because he wants to seem as a doomson.
Speaker 2 (22:25):
Oh my goodness, it's Philadelphia, phil Eh, this is going
to be one of my bad days.
Speaker 1 (22:47):
The great Yelder's label will be with us again in
a few minutes. Meantime, I've noticed that some women have
a knack for being resourceful. They're always first with new recipes,
always turning up clever ways to economize and please their
families too. These resourceful ladies are right in their element.
These days because now more than ever it's smart to
be wisely thrifty. And here's the discovery. A lot of
(23:08):
them are making that park marginen is a wholesome spread
for bread that tastes mighty good yet cost very little. Yes,
they've found that serving parkue margarine makes a hit with
the family because it's so downright delicious spread on bread
or toast rolls. They've found that Parkae marchmin is a
real flavor shortening for baking that it adds delicate extra
(23:28):
flavor to pan fried foods. Yes, park marchmen is one
spread for bread that's so thrifty you can use all
you want in cooking too. Now, using Parkae marchmin is
a wise economy because it's such a nutritious, wholesome food.
Park helps provide pepin energy because it's one of the
best energy foods you can serve, and it's a reliable
(23:49):
year round food source of important vitamin A. So why
not buy a pound or two of delicious parquet marchmen tomorrow.
Remember it's park p a r Kay park margin made
by craft.
Speaker 3 (24:41):
He Uncle morn.
Speaker 5 (24:42):
It's too bad that took all those boxing lessons for nothing.
Speaker 2 (24:45):
Oh it wasn't altogether a Wastelely Royd. They'll come in
handy next Thursday evening. What are you doing there, I'm
going to visit on Rudy Valley program. They've messed me
with battling John Barrymore, good Night.
Speaker 1 (25:12):
Original music heard on this program was composed and conducted
by William Randolph. This is Jim Bannon speaking for the
Craft Chings Company and inviting you to be with us
again next week at the same time for the further
adventures of the Great Guilder Lady. This program has come
to you from Hollywood. This is the National Broadcasting Company.
Presents the Great Guilder Slave, the Class Cheese Company, who
also bring you bing Crosby every Thursday night, present each
week at this time. Harold Perry is the Great gilder Slave.
(00:21):
Written by Leonard l.
Speaker 2 (00:22):
Levinson. Now let's visit our friend.
Speaker 1 (00:31):
The Great Guildersleeve, who has just returned home after a
busy day at the office to find that some new
neighbors are moving into the vacant house next door.
Speaker 2 (00:39):
Ah, good afternoon, Marjorie. Hello Bertie, Well, I see the
house next door has been rented at last. Have you
any idea who the people are, my dear, No.
Speaker 3 (00:47):
Uncle Morre, But if that ghastly furniture is any indication
their name is Frankenstein.
Speaker 2 (00:52):
Marjorie, you mustn't judge the people by that purple horse
hair sofa or the brass bed, or that stuffed moose head.
It's awful mean.
Speaker 3 (01:00):
Look at his eye that moves hands. I've have gotten
it from my new neighbor, the family resemblance.
Speaker 2 (01:06):
They're all right, Oh, Marjorie, I'm sure they're nice people.
You wait and see. Oh they have a boy a
little older than Leroy, haven't.
Speaker 3 (01:12):
They, uh huh, And a girl about seventeen or eighteen,
who talks faster than water winchell.
Speaker 4 (01:16):
Oh and they also got an awful upitive cook named
Snowdrop Jefferson, who has informed me over the back fence
that she's the saw on a five pair.
Speaker 5 (01:26):
Of rubber gloves.
Speaker 2 (01:29):
And Bertie, you will have to cultivate her acquaintance. I'll
cultivate it with a horse. She keeps snooping me. No, Bertie,
don't you want to start off by planting your best
foot forward?
Speaker 3 (01:39):
Oh I does, mister Gilsleeve, believe me. And when I
gets through planting it, we'll do the most good. Nothing
will ever grow that no.
Speaker 2 (01:46):
More, Oh, Bertie, I won't have you starting a feud
with the neighbors. A good neighbor is just like a
cousin on the police force. They both come in handy
in the pinch.
Speaker 3 (01:58):
Home, look and unpacking their boxes outside, and all the
paper and trash is blowing around our law.
Speaker 2 (02:04):
Oh so what, my dear, they're all phineased, and the
movers are leaving. They'll probably come over and clean it up.
And suppose they don't.
Speaker 3 (02:12):
You know I come out. There are times when you
surprise me.
Speaker 2 (02:15):
Uh live and let live, my dear, that's my motto.
In all years I've lived in whisper Vista, I always
got along well with my neighbors. Ooh, those movers they
backed into our driveway to turn around. So what they questioned?
My Azalia cantad answers, And now they're backing into my life,
just from I bought her. Oh there goes my schoolish Masterstrotia.
Speaker 5 (02:36):
Mastro.
Speaker 2 (02:37):
Wasn't for heaven's sake was that horse chestnuts? Help me
get the window up. I'll tell those people driving away, Well,
it's lucky for them. Oh, look, that heavy truck has
broken the concrete not driveway.
Speaker 3 (02:50):
Of all the people are here comes the girls from next.
Speaker 2 (02:52):
Door, probably coming over to apologize for the mess they made.
Well that's different. It's a mighty good thing too. I'll
take care of this myself, My dear, how do you do,
young lady?
Speaker 6 (03:04):
Oh?
Speaker 3 (03:04):
Hello, I'm a.
Speaker 5 (03:04):
Girl who just moved in next joor and my name
is Dorothy A dabs noney.
Speaker 7 (03:07):
Nobody ever calls me Dorothy, and I kind of that
sounds the corny, and everybody calls me dotty.
Speaker 2 (03:11):
Sorry, yes, I can see why. So you're dotty, are you?
Speaker 3 (03:15):
Oh?
Speaker 5 (03:15):
No, I'm not dotty.
Speaker 7 (03:16):
I'm dotty, no mama sometimes as she fails to see
the difference.
Speaker 5 (03:19):
And we're such an uproar that we can't find a thing.
Speaker 7 (03:21):
So would you please let us have a can of
tunic fish and some sliced pineapple and two cups of sugar.
Speaker 2 (03:26):
Wouldn't you like a couple of inner tubes too?
Speaker 5 (03:39):
Coma good morning? Sorry, Bertie says a heartcach are getting
cold in your own juice is getting warm.
Speaker 2 (03:45):
Well, hello, ly Roy, I'm looking for the morning paper.
All over the world, hundreds of reporters risk their lives
to get the news, and thousands of workers stay up
all night long to print it. And our delivery boy
insists on hiding the paper in the bushes.
Speaker 5 (03:58):
Oh you won't find it.
Speaker 2 (04:00):
The dog will be next door, took this leroy. You
mustn't speak of our neighbor that way.
Speaker 5 (04:05):
I'm not talking about him, I mean their hound. Oh
he ran over here, grabbed business mouse, and scrammed back
home again. See he didn't just like he was trained.
Speaker 2 (04:13):
Yes, he seems to have a nose for our news.
Well I'll just drop in on the Dobsons and explain
the situation. Oh, I hope that dog hasn't chewed up Superman.
Speaker 6 (04:22):
Oh hello, he's the man from next door, aren't you?
Speaker 3 (04:32):
Of course you are.
Speaker 5 (04:33):
I recognize you right off.
Speaker 2 (04:34):
And you know why why?
Speaker 7 (04:36):
Because you look just like you did yesterday. The same suit,
the same shirt, and the same tie. Isn't awful monotonous?
I just die if I had to wear the same
dress every day, wouldn't you?
Speaker 2 (04:44):
Yes, I mean I don't wear dresses. I dropped over
to tell you that your dog is taking the morning paper.
Speaker 5 (04:49):
Oh how silly taking the morning paper. Indeed, why even
if he could read, he couldn't afford it.
Speaker 2 (04:55):
Miss Dobson, Please let me finish. He's taking the morning
paper off our lawn. It's oh so that's it.
Speaker 5 (05:01):
And Daddy thought it was a free sample.
Speaker 3 (05:04):
Oh stuffy, you call him me?
Speaker 8 (05:06):
Oh, who's a blister?
Speaker 3 (05:07):
Sister.
Speaker 7 (05:08):
Go in the tiny room. Go in the dining room
and tell Daddy that paper belongs to the man next door.
And he's here and he wants it back, So bring
it right out if there's any ha gonna be sure
and wipe it off.
Speaker 2 (05:17):
Okay, but I ain't seen it yet.
Speaker 3 (05:19):
Can't you have to come?
Speaker 5 (05:21):
We'll tough, You'll be right back mister. Oh incidentally, what
do you think of the big news in the paper
this morning?
Speaker 2 (05:25):
Isn't it thrilling?
Speaker 5 (05:26):
Or haven't you read it yet? Of course you haven't.
Well you certainly have a surprising start, because you know
what happened.
Speaker 2 (05:31):
Oh excuse me, I didn't know you were going to stop.
You didn't put your hand out. No, what happened, Well,
it was.
Speaker 5 (05:40):
The most exciting thing, it seems. Oh, here comes Touffy.
You commit it yourself. I wouldn't father for anything.
Speaker 2 (05:47):
So it is thank you. Oh Toffy, you're welcome.
Speaker 8 (05:50):
Stuffy.
Speaker 2 (05:51):
You watch it all right, Bertie wheel in breakfast, I'm
hungry enough to eat off the tablecloth. You get your paper, okay,
Oh sure, no trouble at all. You don't have to.
You know how to handle these neighbors. It's all right, Leroy,
that's all. Yeah. Now to read the big news she
(06:11):
was telling me about. Well, look at this Roosevelt in
Churchill and meet in mid ocean. What again, mind you, Bertie?
Come here and listen to this Washington, d C. August
the fourth August. Never mind, go back, it's all a mistake.
That kid next door slipped me a seven months old papers.
Speaker 8 (06:44):
That snowdrop doors.
Speaker 3 (06:45):
One more tin can over this, then.
Speaker 2 (06:47):
She's gonna be out here here, Bertie, what are you
muttering about?
Speaker 3 (06:50):
Is that cook next door?
Speaker 4 (06:51):
She's flirting with a face full of skillet And I'm
gonna knock off, block off and off hun and.
Speaker 3 (06:56):
Look good.
Speaker 2 (06:58):
Now, Bertie, Remember I good neighbor policy. Oh, Leroy, wait
a minute, young man, come back here. You're all mussed up,
huck in your shirt tails. I can't why not?
Speaker 5 (07:09):
It's been torn off, b roy.
Speaker 2 (07:11):
Have you been fighting?
Speaker 5 (07:12):
Well, not exactly.
Speaker 3 (07:13):
That kid next door took a couple of popes at
me and then I took a few swings at him.
Speaker 2 (07:18):
What happened?
Speaker 5 (07:19):
I missed, but he didn't.
Speaker 2 (07:23):
What were you two fighting about, Leroy?
Speaker 3 (07:25):
Oh?
Speaker 5 (07:25):
It was something he called you, uncle Morre.
Speaker 2 (07:27):
Oh you shouldn't have thought over that. I haven't the
famous concern what that twork says about me? What did
he say?
Speaker 5 (07:33):
He said you were a big fat stuffed shirt?
Speaker 2 (07:35):
Oh, he did it? And what did you say?
Speaker 5 (07:37):
I said you didn't have to stuff your shirt?
Speaker 2 (07:42):
Well I still don't think that's enough reason to start fighting, Leroy.
Speaker 7 (07:45):
Oh, I forgot to tell you he was trying to
rub my nose in the dirt at the same time,
and looking.
Speaker 2 (07:50):
How you skins your knuckles.
Speaker 8 (07:51):
I'm gonna get the hide.
Speaker 2 (07:52):
Down on auby all right, Leroy, you failed to clench
your fist properly, my boy, Remind me sometime and I'll
show you the correct procedure.
Speaker 5 (08:00):
Geolty, you used to be a fighter is well.
Speaker 2 (08:03):
Not professionally, but at college I was considered quite a slugger.
In fact, they call me big slug for sure. However,
I don't think you should carry on a feud with
a boy next door. I'm sure this can be cleared
up if we go over there and all shake hands
like a little man.
Speaker 6 (08:17):
Not me.
Speaker 5 (08:17):
I'm not gonna shake hands with that rat if.
Speaker 2 (08:19):
Leroy, you mustn't call him a rat. If you only
tried to understand what was that? If who threw that baseball?
Speaker 3 (08:27):
It was Toffy.
Speaker 5 (08:28):
Look, this was his ball.
Speaker 2 (08:29):
Toffy. Why that little rat. I'm gonna call his mother
right now and tell her about this. I'd like to
lay my hands on that little houlum and you know
where and how? Hello is this missus Dobson, Madam, your
son Touffy just threw his baseball through my window. Yes,
I'm sure it's his baseball? What's that? What if? Hello?
(08:51):
She hung up?
Speaker 5 (08:52):
What'd you say?
Speaker 2 (08:53):
She said? If I was sure it was her little
boy's ball, I'd better return it at once, or she'd
call the police on, leroy, where are you going on
outside to return this ball?
Speaker 5 (09:03):
Are you going over there?
Speaker 2 (09:04):
No, LeRoi, I'm gonna return it from here. You just
watched this.
Speaker 5 (09:09):
It's heaven for the telephone pole.
Speaker 2 (09:14):
There goes another one of our windows. Yes, I tell you,
I certainly.
Speaker 3 (09:34):
Why is that the man from next door with here?
Speaker 2 (09:37):
Mister Dobson? What did he want?
Speaker 4 (09:39):
He says, he wants to take you apart and see
what makes you think you is as tough as you
think you is.
Speaker 2 (09:44):
I don't understand. I never said anything to him.
Speaker 5 (09:47):
Well, I guess I got to be getting to bed.
Speaker 2 (09:49):
Just a second, Leroy, How pretty? What's it all about?
Speaker 3 (09:52):
You mean you didn't challenge mister Dobson to a fisty
cuffs break up.
Speaker 2 (09:56):
I've never even set eyes on the chap well. Somebody
told him something most disagreeable.
Speaker 5 (10:01):
It's way past night bedtime, folks.
Speaker 2 (10:04):
Wait a minute, Leroy, did you say anything to anyone
next door that might have started this.
Speaker 3 (10:08):
Oh no, only I told.
Speaker 5 (10:10):
That tuppy that he better not monkey with me anymore,
or you'd sure his father. What a big slug you want?
Speaker 2 (10:16):
Yes, I'm not afraid of him. Why me, Roy, how
can you talk that away?
Speaker 4 (10:20):
That mister Dobson's twice as big as your uncle, and
only half is fat?
Speaker 8 (10:24):
Yes?
Speaker 2 (10:24):
He what he is?
Speaker 6 (10:26):
Oh?
Speaker 2 (10:27):
Leroy? What are you doing to me?
Speaker 3 (10:30):
Why that man's as tough as a thirty s steak.
Speaker 2 (10:32):
Oh he's not so taught, bee, Roy, you better go
to bed if let's all go to bed.
Speaker 5 (10:38):
Okay, I'm good night.
Speaker 3 (10:40):
Good What are you going to do?
Speaker 2 (10:42):
I don't worry, Marjorie. I'm sure we can settle a
matter peaceably. However, just to be on the safe side tomorrow,
I better find some good gymnasium where I can brush
up on my boxing before brother Dobson mops up on me.
Speaker 5 (10:55):
He be sure and let me know when you're tankled
with mister Dobson.
Speaker 2 (10:58):
I wouldn't miss that renything, well, I would.
Speaker 1 (11:19):
We'll hear from the Great Guilder sleep again in just
a moment. But first ever, stop to think of the
progress made in the last few years. Nowadays, we have
planes that fly four hundred miles an hour, automobiles that
are marbles of speed and comfort, radios that are static free. Yes,
and there have been plenty of improvements in food making tools,
and one of the outstanding examples is Parkue Marchmen, the
(11:42):
delicious spread for bread made by Craft. Why people who
remember the Marchmans of a few years back are amazed
when they discover how deliciously good Parkue Marchmen is. You see,
park is not an ordinary Marchman. It's one of Kraft's
fine foods, outstanding for its delicate, satisfying flavor. You only
have to taste park margarine once spread on bread or
(12:03):
toaster rolls to find out how deliciously different it really is.
Another thing, Park Margman is a wholesome, nourishing food, one
of the best energy foods you can serve. What's more,
every pound contains nine thousand units of important vitamin A.
So get acquainted with this thrifty, nutritious food. Order a
pound or two of delicious Parquet Marchmen tomorrow. Just ask
(12:26):
for park p A r k A Y Park Margman
made by Kraft. After a restless night, the Greg Guildersleeve
(12:47):
has taken his problem to Philadelphia, Phil's Physical Culture Institute.
We find him dressed in Jim Toggs, ready for his
first lesson from Phil himself.
Speaker 8 (12:57):
Well, mistiss, they did find a parishutes big enough for
you after all.
Speaker 2 (13:02):
Yes, these shorts are a little tight. I only got
them on by a great stretch of the imagination. Okay,
come over here, mister, just call me frock Morton. I
want to keep it a secret.
Speaker 8 (13:13):
Of course, if my name was Tock Morton, I'd want
to keep it a secret too.
Speaker 2 (13:17):
No, No, I want to keep my visits here secret.
I'm having a little trouble with one of my neighbors,
and I may have to slap him a few times
to bring him to his senses. I know how it is. Now.
Speaker 8 (13:26):
What experience have you had as a fighter?
Speaker 2 (13:28):
Oh, very little except what I picked up in college
and at the YMCA.
Speaker 8 (13:32):
You look as if the only thing you picked up
with them places is yourself.
Speaker 2 (13:38):
Exactly. That's why I came here. I need to improve
my wind if I'm going to fight well.
Speaker 8 (13:42):
The best way to improve your wind is by doing
a lot of running.
Speaker 2 (13:45):
Mister, If I could run, I wouldn't need to fight well.
Speaker 8 (13:49):
The first thing we got to do is something about
that sack of potatoes you're lugging around.
Speaker 2 (13:53):
What's sack of potatoes? Oh? You mean this one?
Speaker 8 (14:00):
Yeah, well, I suppose we stop chewing the fat and
start taking it off. Yes, we'll begin with some bending exercise,
bending exercises.
Speaker 2 (14:08):
But aren't you gonna teach me how to punch?
Speaker 8 (14:10):
No, we'll get to the punch after we take care
of the punch. All right, now, beat together arms overhead
and bendon touched the floor? No, rock moreton lower? Come on,
do it again. This time I'll make it easier. Beat together, now,
bend and touch your rights. No, no, it's more.
Speaker 2 (14:33):
You still haven't got the idea. I've got the idea.
The only thing is I've got much equipment.
Speaker 8 (14:40):
Well, beat together on overhead now, ben, that's it, way down.
I'll bet you haven't seen your easy ten years.
Speaker 2 (14:51):
Then I get well, by joy, what is it I've
got dimple? Excuse me, champ champo me. Oh, I'm sorry.
He must have made a mistake. I'm not one of these.
Maybe not, but yeah, my god. Oh thanks if everything
from heavyweights to dog race.
Speaker 8 (15:09):
And you've got a terrific build for the job, and
showmanship too.
Speaker 2 (15:14):
You know I've been watching you. Hey, the crowds will
love you. Oh. I can't quite picture myself as a
champion fighter.
Speaker 9 (15:20):
Fighter who said anything about being a fighter. You're gonna
be a wrestler, a rassler. Well sure, with your figure
in a way you're bront and roll your eyes and
with a full bed on your face, boy, you'll be terrific.
Speaker 3 (15:33):
Hey can you groan?
Speaker 2 (15:35):
Can I?
Speaker 5 (15:36):
Oh?
Speaker 2 (15:37):
My goodness? Yeah, there's that tuppy next door murder that
(16:02):
march all day long, Bertie Alton.
Speaker 4 (16:04):
When he gets out of bed, he sits down beat
his drums for a while.
Speaker 2 (16:07):
George won't be long now before I go over there
and beat his drum for him.
Speaker 3 (16:11):
I wish to do it pretty soon, Uncle More. I
can't understand why you have so much patience.
Speaker 2 (16:15):
There are two kinds of patience, my dear, and it
takes a lot of one kind to keep him being
the other. Someday he's gonna hit the right note and
then they'll take that horn away from him. I don't
see highest family can stand it. They can't. They just
tasted him out in the yard. Look, I wish he
was my kid for an hour a few quick tricks
(16:36):
with my hand, and he wouldn't trumpet anymore.
Speaker 3 (16:38):
Oh no, he's right under our window.
Speaker 2 (16:48):
There's only one thing left for me to do, Maijorie.
Do you remember when I put that old B B
gun of we Roy's.
Speaker 3 (16:52):
Oh no, Lord, you mustn't shooting. Why someone might be
mean enough to arrest you.
Speaker 2 (16:57):
I hadn't thought of shooting him, Maijorie. I was going
to offer the gun to him as a bribe. However,
your suggestion does sound better?
Speaker 3 (17:04):
Please Uncle Moore. Forget about the gun.
Speaker 2 (17:06):
Yeah, all right, I've got another idea. Next time he
starts playing, I'm going.
Speaker 8 (17:12):
I'm going.
Speaker 2 (17:13):
Don't worry, I'll be right back, my dear. Oh, your uncle,
he's in an unmusical movie.
Speaker 3 (17:22):
Oh, I hope uncle hasn't done anything reckless.
Speaker 8 (17:25):
Let's just hope he ain't done anything they can trace
back to him.
Speaker 3 (17:29):
Oh carry comes, Oh Bertie, I'm afraid why he's got
that you pleased expression on his face.
Speaker 2 (17:37):
Well that's the last of that, folks. I fixed it
all up.
Speaker 3 (17:40):
Oh well, huh, what did you do?
Speaker 5 (17:42):
Uncle?
Speaker 2 (17:43):
Just use my brains, my dear. I gave Tuffy a
five dollar bill and he promised they wouldn't play that
trumpet again. But hey, smart me huh, Oh my goodness,
he's got a dude.
Speaker 8 (18:12):
Okay, Frocky, get to stop now.
Speaker 2 (18:14):
Oh thanks, it's how am I doing? Phil?
Speaker 8 (18:18):
Well, you've become pretty good with the punching bag. Now,
seeing as how this is your tenth and last lesson,
I'm gonna put you in the ring against a professional fighter.
Speaker 2 (18:26):
Oh well, bring him on. The bigger they fall the harder.
I well, you know what I mean. Anyway, Well, I
want to warn you. This guy's supposed to be good.
That's all right. I feel pretty good myself. Which one
is he? The big guy?
Speaker 8 (18:38):
The shadow boxing in the ring?
Speaker 2 (18:40):
Yeah? Oh yeah, that was a pretty big shadow, doesn't he.
Speaker 8 (18:44):
Now come on over to the ring and no fucking no,
you're going toward the dressing rope.
Speaker 2 (18:49):
Yes, I thought i'd save you the trouble. They're carrying
me in there later.
Speaker 8 (18:53):
Now, don't talk that way. You can take this guy, Yes.
Speaker 2 (18:56):
I can take him, and I can leave him alone. Dude,
you kidding? I am dead on the level. Oh my goodness,
dead on the level.
Speaker 3 (19:02):
Ha.
Speaker 8 (19:04):
Come on, get the rig, Bucky, Hey, firehouse share what
is the film? I want you two boys to go
three or four rounds together, shake heads with battling, trocking.
Speaker 2 (19:13):
Hi, hi, barrel house.
Speaker 8 (19:15):
All right, boys, now, I'll keep time and you get
in there and put up a real fight. And remember
no Watson shore a shore.
Speaker 2 (19:22):
And no Wolfson. Excuse me, it's a little rumber permissible.
Speaker 8 (19:25):
No, all right, get your boys.
Speaker 2 (19:30):
Woo woo woo.
Speaker 8 (19:34):
Get in there, sucking and tight punch it woo.
Speaker 2 (19:37):
I'm finding pray wool. But he doesn't want to goolo.
Speaker 8 (19:42):
Chat with your left trucking.
Speaker 2 (19:44):
Yeah, okay, out back back. I can't be the rolts
are in my way.
Speaker 5 (19:49):
Chat with your left again.
Speaker 8 (19:51):
That's this, keep Gevin. That did not bring up it
right right like this?
Speaker 2 (19:57):
O Oh.
Speaker 8 (20:02):
My goodness, fucking you shouldn't have done that. You've knocked
him out. I did rock botton. Dad ain't playing the game.
Speaker 2 (20:12):
Oh, poor barrel House. Quick, get me a glass of water,
get too, I'm thirsty. Take it easy, take an easy,
barrel House. I'll help you into the dressing room.
Speaker 8 (20:22):
I'll take care of him. You get your shower and
you can consider this. Knock out your diplomaent phusialism.
Speaker 2 (20:27):
Oh, you certainly.
Speaker 8 (20:29):
Did well in your graduation exercises.
Speaker 2 (20:31):
Thank you, professor. I'll get going now. Is so long,
Barrel House? Next time, don't try to chaine yourself on
my glove. I just can't wait like at home, and
do the same to that next door for a mile.
Speaker 8 (20:42):
Oh how you're feeling, Barrel House?
Speaker 5 (20:44):
Oh terrible?
Speaker 2 (20:45):
I'm an awful plane. That big walrus stepped all over
my tenderest corn. Honest Bill, It was all I could
do to restrain myself from hitting him. Say, you know
(21:09):
that's toughy Dobson next door? Do I know that Brad?
Speaker 5 (21:12):
Well, he kept ticking on me today, so finally I
just got good man, So I hold off and I
let him happen.
Speaker 2 (21:17):
Well, good for you.
Speaker 5 (21:18):
Yeah, I fought him clear from the corner into his
backyard and up on the screen porch. You shouldn't seen
him along the milk bottles. Then his father came home
and pulled me off of him.
Speaker 2 (21:28):
Oh he did, Yeah, Say he's looking for you, Oh
he is, Well, I'm looking for him. Come on, we're
going visiting. This is gonna be peachy fun.
Speaker 5 (21:37):
Do you mean you're going into Tuffy's house?
Speaker 3 (21:39):
Yes?
Speaker 2 (21:39):
Her? Right now, I feel as if I could lick
twice my waiting Dobson's I give that big cub of something.
Speaker 3 (21:49):
Oh I suppose you.
Speaker 5 (21:51):
Can't do apologize for what he's really to get, poor Chuffy.
Speaker 3 (21:53):
Well it's a good thing you did.
Speaker 2 (21:54):
Because Papa so many silence. You go tell your papa
that mister Gillis leaves here from next door and one
to see him at once.
Speaker 5 (22:01):
Very we otherwise warn you.
Speaker 7 (22:03):
That's not the tone of like to take it, Papa
on accountody, Oh, I'll right, I'll tell him.
Speaker 2 (22:08):
All, Papa, leroy, could I trouble you to hold my
coat for a few moments, dear pleasure, Thank you, my boy.
As soon as I rolled up my sleeves here, I'm
already now just let that be.
Speaker 8 (22:23):
Somebody because he wants to seem as a doomson.
Speaker 2 (22:25):
Oh my goodness, it's Philadelphia, phil Eh, this is going
to be one of my bad days.
Speaker 1 (22:47):
The great Yelder's label will be with us again in
a few minutes. Meantime, I've noticed that some women have
a knack for being resourceful. They're always first with new recipes,
always turning up clever ways to economize and please their
families too. These resourceful ladies are right in their element.
These days because now more than ever it's smart to
be wisely thrifty. And here's the discovery. A lot of
(23:08):
them are making that park marginen is a wholesome spread
for bread that tastes mighty good yet cost very little. Yes,
they've found that serving parkue margarine makes a hit with
the family because it's so downright delicious spread on bread
or toast rolls. They've found that Parkae marchmin is a
real flavor shortening for baking that it adds delicate extra
(23:28):
flavor to pan fried foods. Yes, park marchmen is one
spread for bread that's so thrifty you can use all
you want in cooking too. Now, using Parkae marchmin is
a wise economy because it's such a nutritious, wholesome food.
Park helps provide pepin energy because it's one of the
best energy foods you can serve, and it's a reliable
(23:49):
year round food source of important vitamin A. So why
not buy a pound or two of delicious parquet marchmen tomorrow.
Remember it's park p a r Kay park margin made
by craft.
Speaker 3 (24:41):
He Uncle morn.
Speaker 5 (24:42):
It's too bad that took all those boxing lessons for nothing.
Speaker 2 (24:45):
Oh it wasn't altogether a Wastelely Royd. They'll come in
handy next Thursday evening. What are you doing there, I'm
going to visit on Rudy Valley program. They've messed me
with battling John Barrymore, good Night.
Speaker 1 (25:12):
Original music heard on this program was composed and conducted
by William Randolph. This is Jim Bannon speaking for the
Craft Chings Company and inviting you to be with us
again next week at the same time for the further
adventures of the Great Guilder Lady. This program has come
to you from Hollywood. This is the National Broadcasting Company.
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