July 17, 2025 • 29 mins
A spin-off from a popular series, this show centers on a well-meaning but bumbling character whose everyday misadventures provide wholesome entertainment.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Craft presents the Great Gilder Slave. The crack Cheese Company,
who also bring you being calls the every Thursday Night
present each week at this time, Harold Perry is the
Great gilder Slave.
Speaker 2 (00:21):
Written by Leonard l Levins.
Speaker 1 (00:30):
Spring has come to a certain home in summerfield, Spring
with its bright colors.
Speaker 3 (00:34):
And its new flowers.
Speaker 1 (00:36):
And here on his hands and knees in the hallway,
tacking down a new, bright colored flowered carpet, is our friend,
the Great Yielder Slave.
Speaker 3 (00:43):
The moon shines bright. It's live all night, deep in
the heart of Texas. I'm stuteley Roy, because my boy,
I'm short of carpet.
Speaker 4 (00:57):
Taxis high outswine.
Speaker 3 (01:01):
Take some of mine. It's in the hard of Texas well.
Thank you, son, I'm almost done.
Speaker 5 (01:10):
O Gee, what did you.
Speaker 2 (01:16):
Do if I hit the wrong nail?
Speaker 6 (01:19):
Let me finish it for you.
Speaker 3 (01:21):
All right, there we are, Thanks Leroy. You certainly knocked
with the neck. Oh I'm tired. Let's sit down on
the steps for a while. Huh Oh, what's wrong? I
just discovered I wasn't all at taxes after all? Going
on out here?
Speaker 5 (01:39):
You're getting a carp of Donald the Moatar, is it?
Speaker 6 (01:41):
Getting you done.
Speaker 3 (01:41):
Yeah, hello, Marjorie, I had misplaced some tax and I
had just found him the hard way.
Speaker 4 (01:48):
You better take them out of your pocket before you're
ruin your trunk.
Speaker 3 (01:50):
Oh, this is really just an old pair, but I'll
unload the tax anyhow. Yeah there, Oh, well, what do
you know? What is it wrong? By? Here's my lucky
half dollar. So that's where it was. No wonder, I
haven't been getting the breaks lately. Yeah, but you watch
things gonna be better now that I found it again.
Speaker 5 (02:09):
May uncle you believe in the most childish superstitions.
Speaker 3 (02:12):
I am different.
Speaker 6 (02:15):
But here's the teleplan that just can't call you.
Speaker 3 (02:17):
Oh, thank you, Bertie. Telegrams fascinating me. Well, listen to this,
dear mister Gildersleeve. Congratulations, The Gentleman's Fashion Guild of New
York has selected you as one of the ten best
dressed men in Summerfield. Well signed J. C. B. Holchester, President,
My uncle that coined up bring you a Lot, one
(02:37):
of the ten best dressed men by George. I can
hardly believe it. Hey, why not?
Speaker 6 (02:52):
Well, just look at yourself and them all work cloth.
Speaker 2 (02:55):
It's a good thing.
Speaker 7 (02:56):
They ain't no television to telegraph.
Speaker 6 (02:58):
Don't stay to let you to ten worst dressed men
in town.
Speaker 3 (03:15):
Monday.
Speaker 6 (03:16):
Ready, it's ten o'clock some of the better. Remind up
my Marty of his appointment downtown.
Speaker 7 (03:20):
You know where he is, he asked me, standing in
front of the mire in his room, no doubt, trying
to decide which one of his neckties harmonize his best
with the rest of his habitash fish, do you think so?
Undubit to black. He's been that way ever since you
got that telegram. Oh you mean the one from those
fashion experts, that's right. And making him one of the
(03:40):
best press men in town is making me one of
the worst, worst women in town. I'm wearing myself down
to a shadow.
Speaker 6 (03:47):
Well on you, it doesn't show.
Speaker 2 (03:51):
In fact.
Speaker 3 (03:52):
Good morning, Marjorie, Hello Bernie, Say how do I look?
Is my cravat blend with the rest of my ensemble?
Speaker 7 (03:58):
Yes, sir, but I will showing you who's gonna ask
us if you're tie harmonized with the remainder of your clothes?
Speaker 6 (04:03):
Yes?
Speaker 3 (04:05):
How could you look as if you just stepped out.
Speaker 6 (04:07):
Of a band box?
Speaker 3 (04:08):
Don't kid me, Marjorie. Who ever saw a bandbox big
enough for me to step out of Why are you going, uncle, Well,
mister Halchester's in town has invited me to meet him
at the Rich Summerfield.
Speaker 2 (04:17):
You mean a man's clothes designer.
Speaker 3 (04:18):
Yeah, I hope I look my best?
Speaker 2 (04:20):
Oh you do?
Speaker 3 (04:22):
Oh that must be Judge Hooker. Send him right in
Bertie for saving rubber by riding downtown in his car. Oh,
good morning, Judge.
Speaker 4 (04:31):
Say look at those duds. You'd look like a tailor's dummy.
Speaker 6 (04:34):
Guilder's leave. You didn't talk so much.
Speaker 3 (04:37):
I'm sorry if my sartorial splendor disturbs you. Judge. It's
one of the ten best dressed men in Summerfield.
Speaker 6 (04:43):
Oh you who says so?
Speaker 3 (04:45):
The Gentleman's Fashion Guild of New York you ever heard of?
From the looks of your clothes, You've never even heard
of gentlemen's fashions. As mister Holchester said to me this morning,
who's mister Holchester. Mister Holchester is a famous style authority.
He's the man who picked me and the other the
nine snappiest dressers.
Speaker 4 (05:01):
How do you do it over the telephone?
Speaker 3 (05:05):
He's stopping at the Rich Summerfield. I'm going down to
meet him.
Speaker 4 (05:08):
Say, I'd like to meet him too. Do you mind
if I come along with you?
Speaker 3 (05:11):
Not at all? That suit of yours should give mister
Holchester a good hearty laugh.
Speaker 6 (05:15):
What's wrong with this suit?
Speaker 8 (05:17):
Oh?
Speaker 3 (05:17):
Nothing that a rock, a rope and a river couldn't cure.
Speaker 2 (05:34):
Mister Gilda's sleeve. Come in, Come in.
Speaker 3 (05:37):
Oh, this is a pleasure. Indeed, mister Holchester, this is
a friend of mine, Judge Horace Hooker, close friend, Judge.
I want you to know mister Holchester.
Speaker 4 (05:46):
Oh, everybody knows mister Holchester.
Speaker 6 (05:48):
Go ahead to meet you, sir.
Speaker 8 (05:49):
I'd like both of you to meet mister Leslie, one
of New York's leading tailor's.
Speaker 2 (05:53):
How do you do?
Speaker 3 (05:53):
It's a pleasure me too.
Speaker 8 (05:55):
Mister Leslie makes most of the clothing I design. Oh,
mister Gildersleeve here was on our ten best lak for
some of you.
Speaker 6 (06:00):
Ah, yes, excellent choice.
Speaker 8 (06:02):
And I think he has a very good chance of
making our first team.
Speaker 2 (06:06):
You mean, yes, the ten best dressed men in America.
Speaker 3 (06:10):
Oh no, but then why not? How do you make
your selection?
Speaker 6 (06:17):
Oh?
Speaker 8 (06:17):
On a number of counts, taste, style, figure, carriage.
Speaker 4 (06:21):
Eldie could win on the last two. He's got to
figure like a carriage.
Speaker 3 (06:24):
All right, ignore him, mister Holchester. He's just jealous. He's
so skinny. His tailor has to put pads in his
trousers so his knees will bag. Here go on, sir, well.
Speaker 2 (06:36):
Another big point is extent of wardrobe.
Speaker 4 (06:38):
I only should win that one too. His wardrobe extends
farther out.
Speaker 3 (06:42):
Than you see here. Hooker.
Speaker 6 (06:46):
A nice clothes your hobby, sir.
Speaker 3 (06:48):
Oh, yes, mister Leslie, it always has been. You see,
I was elected the best dressed fellow in my class
at college after I introduced peg top pants and yellow
button shoes.
Speaker 2 (06:57):
I'd like to see some of your ensembles sleeve. I suppose,
of course you'll have a country squire suit in Orkney Twist?
What Orkney Twist? You know that new handwoven suiting very
popular in New York this season? Have you any of
it with you, Leslie?
Speaker 6 (07:13):
Under that boat I was taking out to Hollywood, I'll
bring it in.
Speaker 2 (07:16):
He's a master with a needle at Leslie. Oh them
mad at bottom in Hollywood, gentlemen.
Speaker 6 (07:21):
Probably the last boat of Orkney Twist left in America.
Pretty loud material, isn't it?
Speaker 3 (07:25):
That just shows your lack of taste Judge Hooker, that
orange diagonal stripe is just what the chocolate blackground needs
to set off the little blue dots.
Speaker 2 (07:35):
Well, you're right, mister Gildersleeve, it's the.
Speaker 3 (07:36):
Range, mister Leslie. I just had an idea. How would
it be if you made me a suit out of
that corkney twist?
Speaker 4 (07:43):
Eh, don't be foolish, yildish sleeve. How can they get
a suit for you out of that bolt? But there
can't be more than twelve or thirteen yards there, Hooker.
Speaker 3 (07:52):
I only require five yards of cloth, But if you
keep putting in, you're just gonna need six feet of dirt.
And that's all. Well, gentlemen, what do you say?
Speaker 2 (08:00):
I think it might be a rain?
Speaker 3 (08:02):
No splendid keldy, are you sure you can afford it? Before?
Speaker 2 (08:06):
Why the question of payment doesn't enter into this, Judge Hoople,
A thank you. If mister Gildersleeve is taken with this
material and bushes a suit whipped up, you shall.
Speaker 3 (08:15):
Have it at no expense. What, Oh, that's wonderful. If no,
I couldn't let you do a thing like that, my
dear man would be delighted. Oh no, at least let
me pay the cost. Of the material.
Speaker 8 (08:24):
You needn't do anything of the sort that I insist.
Howell all right, if it'll make you want to have here,
I doubt it.
Speaker 6 (08:31):
How much is the material?
Speaker 3 (08:32):
Why speak of it?
Speaker 2 (08:33):
I mean nothing?
Speaker 6 (08:34):
What is it? Leslie?
Speaker 2 (08:35):
Oh, it didn't cost us much?
Speaker 3 (08:37):
Thirty five I think thirty five dollars. Why that's very reasonable.
Speaker 6 (08:40):
Yes, you require five yards?
Speaker 2 (08:42):
Don't five yards of thirty five yard?
Speaker 6 (08:44):
That makes a one hundred and seventy five dollars, doesn't it?
Speaker 3 (08:47):
If it does? If nine goes in to say, oh
my goodness, it does, mister Alchester speaking Hello, This is
the man who is just up.
Speaker 6 (09:07):
There with mister Gildersleeve.
Speaker 2 (09:08):
Oh hello, Judge Rucker, hooker hooker.
Speaker 4 (09:12):
Mister Alchester, I wonder if you could make me a
suit just like Gildersleeve.
Speaker 2 (09:16):
You want the same suit, yeah, but not the same size. Well,
I thought you didn't like that material.
Speaker 4 (09:21):
I didn't at first, but the colors sort of grow
on you.
Speaker 2 (09:24):
Well, I'm not sure we have enough of that barking
you twist.
Speaker 4 (09:27):
I don't take much hold me about two and a
half yards. Say you'll do it, mister Alchester. I'm gonna
take a back seat to Gildersleeve, that bold brummer.
Speaker 6 (09:36):
With a big bumper. Well maybe you will, old, fine,
when do you want to take my measurements?
Speaker 2 (09:44):
How about tomorrow morning?
Speaker 4 (09:46):
I'll be there meantime. I'll send a check right over
to see you. The bargain and you see two and
a half yards thirty eighty seven.
Speaker 6 (09:52):
Dollars fIF cent in it?
Speaker 8 (09:53):
Yes, eighty seven to fifty for the cloth, and the
same for the tailoring comes to exactly one hundred and
seventy five dollars.
Speaker 6 (10:00):
What oh, the tailoring. I hadn't figured on that.
Speaker 4 (10:05):
You didn't charge killer Sleeve anything for tailoring.
Speaker 8 (10:07):
Oh, that's true, But mister Gildersleeve is a prominent man
with a style following.
Speaker 4 (10:12):
Who would ever be dumb enough to follow that big
buffalo styles?
Speaker 6 (10:16):
Well?
Speaker 2 (10:16):
For one, you?
Speaker 4 (10:19):
Oh, I never thought of that. Well, i'll send the
check over this afternoon. And mister Halchester, have you selected
anyone as the best dressed judge in town?
Speaker 3 (10:30):
Yet?
Speaker 8 (10:31):
No?
Speaker 4 (10:32):
Well, I hope that my buying this suit won't influence
your decision.
Speaker 2 (10:40):
Hey, Leslie, ye es, another sucker just tooked himself.
Speaker 6 (10:44):
Yeah?
Speaker 2 (10:44):
Who that judge was here with a fat jump? That
makes eleven best dress boots were catching this.
Speaker 6 (10:48):
Town, Jessey, I gotta hand it to you. This is
the sweetest switch on the suit wreck that I ever
heard of.
Speaker 2 (10:52):
Sure is, Now, what size would you say we should
get for the little squirt that just fawn?
Speaker 6 (10:58):
Uh? He think about a two in a boy's suit?
Speaker 2 (11:04):
Okay?
Speaker 8 (11:04):
Then why Joe to airmailist one thirty two boys and
one big one?
Speaker 2 (11:08):
Say forty eight? Stuff? Okay, eh, and tell them to
leave the scenes open.
Speaker 6 (11:14):
Sure. Hey, what's the real name of this horse blanket material?
Speaker 2 (11:18):
You mean orty twist?
Speaker 3 (11:19):
Yeah.
Speaker 2 (11:19):
At the factory, it's known as backstretched blurlup. We'll hear
from the great Guilder sleeve again in just a moment.
Speaker 1 (11:34):
But first, I wonder how many of you good housewives
indulge in that neighborly American pastime, the chat over the
back fence. It's a swell way to swap cooking hints
and recipes as well as other news. Well, we of
craft certainly approve of the custom, because it's one way
the news gets around about park margarine, the delicious spread
for bread made by Kraft. You see, Discovering a grand
(11:56):
tasting product like park margarine is the sort of thing
you housewives like to brag a little about because it's
smart to be wisely thrifty these days, and using Park
Margarin makes you just that. Yes, Park marchmin is a
wholesome spread for bread that tastes mighty good yet costs
very little. Why that family of yours is sure to
love its delicate, satisfying flavor. What's more, it's a wonderfully
(12:20):
nutritious food, one of the best energy foods you can serve,
and a reliable food source of important vitamin A. So
I'll let you'll want to brag a little too when
you discover the economy of Park's delicious wholesome goodness. But
it's easy to find out tomorrow. Just ask your dealer
for Park p r Kay Park Margmen made by Craft.
(12:54):
Now let's return to the great Guildersleeve, who is preparing
to return to the rich summerfield for his first fitting.
Speaker 3 (13:01):
Hello, Polteney, No, if you want my opinion as a
style expert, you should wear a white mess jacket. Yes,
but a black bow tie. That's right. Oh, no trouble
at all. Call me anytime you need sartorial guidance. Goodbye, Poteney.
Speaker 2 (13:16):
Isn't it just a little too early to be wearing
a white mess jacket.
Speaker 3 (13:19):
Uncle, No, not for Poltney, my dear. He just got
a job as a soda jerker. We got the hambleer
long now. By the way, what's the time?
Speaker 6 (13:28):
Haven't you got your watch?
Speaker 3 (13:30):
Now? If I carried it in my vest pocket, the
bulge might ruin my silhouette. Isn't that silly?
Speaker 2 (13:36):
It certainly is.
Speaker 3 (13:38):
I read it in the fashion magazine. I wonder if
Bertie has pressed my top coach yet.
Speaker 7 (13:41):
Oh, Bertie, and I put a nice flower in the
button hole too.
Speaker 3 (13:47):
Oh? Thanks a geranium. Well that's better than no flower
at all, or is it?
Speaker 7 (13:55):
My mister Gilseyvin Shore is a shoe balloting for you?
What else sees you stretching down the street on legs?
Speaker 6 (14:02):
Must say?
Speaker 7 (14:03):
When I said Bertie lou Cargan, you may work hard,
but the resort is worth the elphant.
Speaker 3 (14:08):
Uh, thank you, Bertie. And just to show my appreciation here,
you can have back the geranium for me.
Speaker 5 (14:14):
Well, thank you, Hil said Jusi's a big write up
about you on the paper.
Speaker 3 (14:19):
You mean all about frock Morton and Pete Gildersleeve, the
well known businessman being selected by a famous New York
fashion designer as one of the best dressed men not
only in Summerfield, but possibly in the entire country. Yeah,
I was it. No, I didn't see it.
Speaker 2 (14:33):
How do you know all about it? Uncle?
Speaker 3 (14:35):
Well, one of the reporters on the paper happened to
be talking to me on the telephone and I guess
my clothes justice or that crept into the conversation.
Speaker 6 (14:42):
Was that's why you was trying to call the newspaper
all moan.
Speaker 3 (14:45):
It's no berdie? I was it is? Anybody got the time?
Speaker 1 (14:48):
Yes?
Speaker 2 (14:49):
Ten passports.
Speaker 3 (14:49):
Oh, I'll have to hurry right down and try on
that new suit. Mister Halchester design for me. You're buying
your boy bye.
Speaker 2 (14:55):
I know it's gonna look nice on you.
Speaker 6 (14:56):
Uncle.
Speaker 3 (14:57):
Yes, the lot of luckness gives me.
Speaker 4 (14:59):
Yeah, if you have a per fit, oh.
Speaker 6 (15:02):
She to me.
Speaker 2 (15:17):
Hello. Oh mister Gildersley, Well send him right up.
Speaker 6 (15:22):
Okay, let's plot out that forty eighth stub. Let's go big.
Probably fit him like the skin on a raisin.
Speaker 2 (15:30):
When you better do a good all racing job.
Speaker 8 (15:33):
Now watch your step and remember you went back in
a tailor shop at eleven or else.
Speaker 2 (15:36):
You'll will be.
Speaker 3 (15:39):
Oh, come in, mister Kilde, mister Leslie, I hope I
haven't put you two gentlemen to a lot of trouble.
Speaker 2 (15:47):
Oh no, mister Leslie's a very fast worker. Why he's
practically made that suit fly?
Speaker 3 (15:52):
Oh how nice? Could I try it on? Now? Please?
Speaker 2 (15:54):
Of course? Just slip out of your coat now I'll
slide into this one.
Speaker 3 (15:59):
Thanks, I can hidely weight.
Speaker 2 (16:01):
Now button it. What do you think, mister Leslie?
Speaker 6 (16:06):
It fits them just like the skin on a grape.
Speaker 2 (16:11):
Yes, sir, you're going to get a lot of comments
on that coat.
Speaker 3 (16:14):
Don't you think it's a little too roomy? Well for
some people maybe, but not for you. You're the type
that can stand a little room. Oh can I if?
What do you think of the sleeves? Are they wearing
sleeves over the knuckles this year?
Speaker 2 (16:32):
Well? Not quite.
Speaker 3 (16:34):
They should be taken in. Oh and what about the lapels?
If I move my head, the points tickle my ears,
Well they.
Speaker 2 (16:42):
Should be taken in too.
Speaker 3 (16:43):
And the way it droops, I mean drapes in front,
I can't tell whether it's a loose sack suitor tight
double breaster.
Speaker 2 (16:50):
Well, in that case you should be taken in.
Speaker 3 (16:54):
I hope. I'm not giving you too much trouble, mister Lesley,
Oh no, not at all.
Speaker 6 (16:58):
When I sized you up, I must have been using
a rubber tape measure.
Speaker 3 (17:01):
Oh very good.
Speaker 2 (17:03):
Now, if you're.
Speaker 8 (17:03):
Ready to try on the trousers, mister gillis leeve, they
are just step into the next.
Speaker 3 (17:07):
Room of the trousers. Alright, thank you, I'll be right back. Gentlemen.
Speaker 6 (17:12):
Oh brother, gee, that's the worst looking botch yet. I
don't know how I'm gonna fix that coat up.
Speaker 3 (17:17):
Hello, worry.
Speaker 8 (17:18):
All we got to do is send to the factory
for a forty four long and when it comes in,
use the back of this one and the front of
a new one.
Speaker 2 (17:25):
What do you mean, Well, this guy's got a tricky shape.
He's a forty eight stub in the back and a
forty four long in the front.
Speaker 6 (17:36):
Okay, but not we taking a little loss that way?
Speaker 8 (17:40):
So what These suits only cost us nine to seventy
five wholesale, I know, but why should we here?
Speaker 6 (17:46):
He comes. Whatever you do, don't let him get a
look at himself in a mirror. He'll jump out the window.
Speaker 3 (17:53):
I'm afraid these trousers are too tight.
Speaker 6 (17:56):
Holy smoke. You gave him Judge Booker's pants.
Speaker 2 (18:00):
Oh, come in, come in, I know, mister Gildersleeve.
Speaker 8 (18:03):
In fact, iime I've been disappointed with the way the
whole soon has come out, So I'm going to have
mister Leslie recut the entire gun.
Speaker 3 (18:09):
Oh say, I don't want you to go to all
that trouble for nothing.
Speaker 6 (18:12):
Well, let's not say for nothing save for a slight
alteration field of nine seventy five.
Speaker 3 (18:17):
Well, that's awfully nice of you.
Speaker 6 (18:18):
Oh, don't mention it. I always welcome the opportunity to
make a little change whenever I can.
Speaker 3 (18:38):
Good afternoon.
Speaker 6 (18:39):
Is mister Guildersleeve home?
Speaker 4 (18:41):
Yes?
Speaker 2 (18:41):
And who is it to see?
Speaker 6 (18:43):
I am excuse me, but who's you?
Speaker 3 (18:46):
Missus Salisbury Twitchell.
Speaker 7 (18:48):
Oh, dear missus Twitchell, welcome, ready and rush your round?
Speaker 3 (18:56):
Thank you, Oh master, give me a laster. Well, I
wonder what that old I'm just saying, I wonder what
that old friend wanted. Would you have a chair, Missus Switchel.
Speaker 5 (19:16):
That isn't what I wanted, mister Gilder's leave. I'll explain
my visit simply so you can grasp it without too
much of a struggle.
Speaker 3 (19:25):
Mister Hoppolon.
Speaker 5 (19:26):
Cassidy, the movie star arrives in Summerfield in two hours
to aid our big defense bond drive.
Speaker 3 (19:31):
He does. Why, he's my favorite movie star. I'd like
to meet him.
Speaker 6 (19:34):
You will have that opportunity.
Speaker 5 (19:36):
One of the members of my welcoming committee dropped some
milk on his foot and cannot attend.
Speaker 3 (19:42):
Why should dropping a little milk on his foot keep
him away?
Speaker 5 (19:45):
If I must go into detail, he's got a broken toe.
The milk was condensed in cans and in a case. Therefore,
mister Gil, in order that we are not fased with
the situation of a welcoming committee consisting of team members,
will you join us?
Speaker 3 (20:03):
Yes, yes, gladly. Incidentally, whatever made you think of little me?
Speaker 5 (20:10):
Well, it was that story in the paper regarding your
selection as one of the best dressed men in town.
Newspapers exaggerate, so don't they.
Speaker 3 (20:19):
Oh, well, you mean this old smoking jacket. Well, don't worry.
You'll really be bowled over when you see my appearance
at the station.
Speaker 5 (20:26):
Mister Cassidy's train arrives at five fifty two right now.
Please try to be there on time, and if any
photographs are taken, kindly refrain from.
Speaker 4 (20:34):
Waving your handkerchief at the cameraman goodbye.
Speaker 5 (20:40):
I couldn't help listening hop Along Cassidy, that's Bill Boyd.
Speaker 3 (20:44):
Shall I come along and see him? How can I?
Why not?
Speaker 2 (20:47):
Oh?
Speaker 3 (20:47):
I know, why not? I have to stop at the
hotel first and change into my new Orkney twist ensemble.
Speaker 4 (20:51):
But you are supposed to pick it up until tomorrow morning.
Speaker 3 (20:54):
Well if they promise it for then, it's Essential'll be
already now. And I needed to impress hop Along Twitch
and missus Catt, I mean vice versa.
Speaker 4 (21:01):
Oh, why can't I just come along with you?
Speaker 2 (21:03):
On? Oh?
Speaker 3 (21:03):
I guess you can at that if you wait downstairs
in the lobby. Come on, come on, come on.
Speaker 4 (21:19):
I agree with you that the coke fit's all right,
mister Holchester, But don't you think the style is a
little too juvenile for me?
Speaker 8 (21:26):
Oh not a tall judge schnooker hooker hooker, sir fud me.
Speaker 2 (21:32):
No.
Speaker 8 (21:32):
I purposely designed that suit along boyish lines to bring
out the the Mickey Rooney in you.
Speaker 4 (21:38):
Oh yes, yeah, and I had him pictured myself that
way lately.
Speaker 6 (21:44):
Oh you know what, the Mickey type all right?
Speaker 3 (21:50):
With this suit?
Speaker 4 (21:51):
I sort of feel like I should get a free
baseball bat.
Speaker 3 (21:55):
For the price I paid.
Speaker 4 (21:57):
You should throw in a picture from the Dodgers.
Speaker 2 (22:02):
Excuse me? Yes, who's on his way up? Mister?
Speaker 6 (22:07):
Huh? Thanks? Did I hear you say? Gildersleeve is on
his way up here? You heard the man?
Speaker 4 (22:12):
Well, he mustn't find me here. I'm trying to surprise him.
Can't I hide some place until he leaves?
Speaker 3 (22:16):
Why?
Speaker 2 (22:16):
Yes, sir, right in the next room.
Speaker 6 (22:18):
Oh, thank you, Let me know.
Speaker 3 (22:19):
Let me know where he's gone.
Speaker 6 (22:21):
Hey, what facts you're doing? Coming around?
Speaker 3 (22:22):
Now?
Speaker 6 (22:23):
He isn't dude with lamar by then we should be
on our way to Florida.
Speaker 8 (22:25):
Oh, he don't worry me, but there's a guy from
a better business bureau wait than the lobby.
Speaker 6 (22:30):
Let's get out of here.
Speaker 2 (22:30):
I take it easy. We got our bags all packed.
All we got to do is take an earlier train.
Speaker 6 (22:35):
There's that timetable here, I got it marked, the Streamliner
leven at thirty minutes. Can we make it? Yeah?
Speaker 2 (22:40):
Only what are we gonna do with that judgy in
there or pudgy out there?
Speaker 6 (22:48):
Now?
Speaker 2 (22:48):
Hide the judges trousers in your suitcase. We'll work the
old pants trick on put them. H enter, mister Gildersleeve.
Speaker 3 (22:55):
I hope you'll excuse me for coming so early, but
I wonder if I could get my suit now?
Speaker 2 (22:59):
Oh, of course was to go to sleep. Only first
there's one little detail.
Speaker 3 (23:04):
Oh yeah, we'd like to.
Speaker 8 (23:06):
Compare the measurements of the trousers you're wearing with the
new one.
Speaker 2 (23:10):
Would you mind taking them off?
Speaker 7 (23:11):
Oh?
Speaker 3 (23:11):
Not at all, not at all. You don't know how
nice it is if you do this for me. Yeah,
here you are.
Speaker 6 (23:20):
Thank you.
Speaker 3 (23:21):
Now if you would kind of wait in the next room, Oh,
anything to oblige.
Speaker 2 (23:25):
Does make yourself comfortable in there?
Speaker 3 (23:27):
Don't way, I will.
Speaker 2 (23:33):
Deep in the.
Speaker 3 (23:36):
Jugs, hooker. What are you doing hiding in the corner
and without your pants?
Speaker 4 (23:42):
Same thing as you are being fitted for one of
those artney twisters? Oh?
Speaker 3 (23:46):
Getting a soup behind my back? Ee, that's pretty low, judge,
and by George, I'm gonna complain, mister mister lady. They're
not here.
Speaker 4 (23:57):
Not only that, they're bags and clothing are here either.
What hey, I don't see my pants anywhere.
Speaker 3 (24:03):
My pants are gone to you. This is gonna be
one of my bad days.
Speaker 4 (24:11):
I don't get in a panic guilty. Maybe they just
stepped out in the hall.
Speaker 2 (24:14):
Come on that.
Speaker 3 (24:15):
Yeah, let's look in the hall. You go first, get Okay,
you think it's gonna be all right? No, it isn't
all right, judge. There's something awfully funny looking around here,
and I don't mean us.
Speaker 6 (24:31):
How about phoning downstairs?
Speaker 3 (24:32):
No I can't. The telephone wires have been cut.
Speaker 4 (24:34):
Look, no question about it. Then they were crooks, all right?
Fine people, you introduced me to gillersleeping, Yes, and a
fine judge, you are hooker.
Speaker 3 (24:42):
You can't even recognize a crook when he steals your
own pants.
Speaker 6 (24:47):
Oh, my goodness, my pocket?
Speaker 3 (24:49):
But was in my trousers? It was well, I never
get mine. Look, I always keep it my coat, you
jumping jeeps. They did get my lucky half dollar?
Speaker 2 (24:59):
What's that? Hear that?
Speaker 4 (25:01):
Maybe it's all just a joke, of course, Yeah, that's it.
Speaker 3 (25:04):
Come on in, boy, yes, come on in. If leroy,
what are you doing here?
Speaker 6 (25:08):
Gee?
Speaker 4 (25:08):
I'm glad to.
Speaker 6 (25:09):
See you uncle.
Speaker 5 (25:09):
I was waiting in the lobby, and when the house
chester came down and checked.
Speaker 3 (25:12):
Out, I didn't know what to think, checked out where
to go?
Speaker 5 (25:15):
When he passed me, he was telling another man they'd
have to go like sixty if they wanted to catch
the Florida train.
Speaker 3 (25:20):
Say, why are your pants on their way to Florida? Judge,
We've got to stop him before they pull out of time.
Speaker 4 (25:27):
We can't dash down the station in our shorts.
Speaker 3 (25:30):
Couldn't we pretend we're running in a marathon race?
Speaker 6 (25:34):
Not me, brother?
Speaker 5 (25:35):
Oh yeah, I got an idea on just take the
blankets off this bed and wrapped one along beach.
Speaker 3 (25:40):
If you and go to the station that way, take
the bas uh bride boy leroy.
Speaker 6 (25:45):
But we'd never get cast the lobby.
Speaker 4 (25:47):
Well, how about sneaking down the fire escape?
Speaker 3 (25:49):
Does a taxi stand right for a taxi?
Speaker 6 (25:52):
That's it?
Speaker 3 (25:52):
Come on, hooker, grab a blanket.
Speaker 2 (25:54):
But we can't get away with this, Sure we can.
Speaker 5 (25:57):
When we get to the railroad station, I'll pass you
off as a couple of innus and was looking for
a pullman reservation.
Speaker 6 (26:15):
It's stop, great cross.
Speaker 3 (26:17):
It's no use, Skilty.
Speaker 4 (26:19):
We'll never see our pants again.
Speaker 3 (26:21):
Yes, nor my lucky half dollar either.
Speaker 6 (26:24):
I was lucky about it.
Speaker 3 (26:25):
Sam, You better be careful your blankets.
Speaker 2 (26:27):
Dragon.
Speaker 4 (26:29):
Yes, Skilty, you look like one of the ten best
dressed beds in town.
Speaker 2 (26:35):
Is that so?
Speaker 3 (26:36):
Why oh, hello, missus Twitchell A fancy meeting you here.
Don't speak to me, mister guilty.
Speaker 6 (26:43):
Leave.
Speaker 5 (26:43):
Just because we are here to welcome a cowboys tar
doesn't mean that you should come dressed to sitting bull.
Speaker 4 (26:51):
Come on, let's get out of here before it's too late.
Speaker 3 (26:54):
Oh it is too late, Hello, officer.
Speaker 6 (26:57):
Guys doing running around here in blankets, come on, get
into the station master's office here before you attrack the crowd.
Speaker 3 (27:04):
But Officer, we were just chasing a couple of crooks
who stole our pants. There they are, well, mister Halchester
and mister Leslie. So they got you too. Eh, Hello,
that's hi you, judge.
Speaker 6 (27:14):
Crooker hooker, Fine work, Officer, I don't know what you're
talking about. One of these birds trying to pass a
counterfeit coin at the second Winter.
Speaker 3 (27:22):
Officer, It wasn't mine.
Speaker 6 (27:23):
It belongs to this guy who me Is this yours, buddy?
Speaker 3 (27:26):
Counterfeit? Ooh my goodness, is my lucky half dollar.
Speaker 2 (27:33):
And the great deal of this label?
Speaker 1 (27:42):
They reckons again on a few matters. But right now,
what makes good cooks good?
Speaker 6 (27:48):
You know?
Speaker 1 (27:48):
I think it's their sense of flavor. They've learned the
knack of preparing good food because they thoroughly enjoy eating it. Well,
that's probably why so many really good cooks use Park
margmen these days. They found that Park Margin's delicate, satisfying
flavor is pretty hard to beat, and they.
Speaker 3 (28:04):
Certainly ought to know.
Speaker 1 (28:06):
You see, outstandingly good flavor is what makes park margin
so different from old time marginans. Yes, spread Park marginin
on bread or toaster rolls, and one taste will tell
you the big difference. And that goes for cooking too.
Park tastes so wonderfully good. It's a real flavor shortening
for baking and just about perfect for pandrying. But flavor
(28:27):
isn't the whole story. Park margin is a wholesome, highly
nutritious food. It's one of the best energy foods you
can serve, and if you're vitamin conscious, you'll be glad
to know that every pound of park contains nine thousand
units of important vitamin A. So why not take a
hint from the thousands of good cooks who use Park
marginin and try a pounder to yourself? Yes, tomorrow, sure,
(28:50):
ask your food dealer for Park p A r k
A Y Park marginin made by Kraft.
Speaker 3 (29:10):
Sorry, but our time's up. Good night folks.
Speaker 1 (29:24):
Original music heard on this program was composed and conducted
by William Randolph. This is Jim Bannon speaking for the
Craft Cheese Company and inviting you to be with us
again next week at the same time for the further
adventures of the Great Guilder Slave. This program came to
you from Hollywood. This is the National Broadcasting Company.
Craft presents the Great Gilder Slave. The crack Cheese Company,
who also bring you being calls the every Thursday Night
present each week at this time, Harold Perry is the
Great gilder Slave.
Speaker 2 (00:21):
Written by Leonard l Levins.
Speaker 1 (00:30):
Spring has come to a certain home in summerfield, Spring
with its bright colors.
Speaker 3 (00:34):
And its new flowers.
Speaker 1 (00:36):
And here on his hands and knees in the hallway,
tacking down a new, bright colored flowered carpet, is our friend,
the Great Yielder Slave.
Speaker 3 (00:43):
The moon shines bright. It's live all night, deep in
the heart of Texas. I'm stuteley Roy, because my boy,
I'm short of carpet.
Speaker 4 (00:57):
Taxis high outswine.
Speaker 3 (01:01):
Take some of mine. It's in the hard of Texas well.
Thank you, son, I'm almost done.
Speaker 5 (01:10):
O Gee, what did you.
Speaker 2 (01:16):
Do if I hit the wrong nail?
Speaker 6 (01:19):
Let me finish it for you.
Speaker 3 (01:21):
All right, there we are, Thanks Leroy. You certainly knocked
with the neck. Oh I'm tired. Let's sit down on
the steps for a while. Huh Oh, what's wrong? I
just discovered I wasn't all at taxes after all? Going
on out here?
Speaker 5 (01:39):
You're getting a carp of Donald the Moatar, is it?
Speaker 6 (01:41):
Getting you done.
Speaker 3 (01:41):
Yeah, hello, Marjorie, I had misplaced some tax and I
had just found him the hard way.
Speaker 4 (01:48):
You better take them out of your pocket before you're
ruin your trunk.
Speaker 3 (01:50):
Oh, this is really just an old pair, but I'll
unload the tax anyhow. Yeah there, Oh, well, what do
you know? What is it wrong? By? Here's my lucky
half dollar. So that's where it was. No wonder, I
haven't been getting the breaks lately. Yeah, but you watch
things gonna be better now that I found it again.
Speaker 5 (02:09):
May uncle you believe in the most childish superstitions.
Speaker 3 (02:12):
I am different.
Speaker 6 (02:15):
But here's the teleplan that just can't call you.
Speaker 3 (02:17):
Oh, thank you, Bertie. Telegrams fascinating me. Well, listen to this,
dear mister Gildersleeve. Congratulations, The Gentleman's Fashion Guild of New
York has selected you as one of the ten best
dressed men in Summerfield. Well signed J. C. B. Holchester, President,
My uncle that coined up bring you a Lot, one
(02:37):
of the ten best dressed men by George. I can
hardly believe it. Hey, why not?
Speaker 6 (02:52):
Well, just look at yourself and them all work cloth.
Speaker 2 (02:55):
It's a good thing.
Speaker 7 (02:56):
They ain't no television to telegraph.
Speaker 6 (02:58):
Don't stay to let you to ten worst dressed men
in town.
Speaker 3 (03:15):
Monday.
Speaker 6 (03:16):
Ready, it's ten o'clock some of the better. Remind up
my Marty of his appointment downtown.
Speaker 7 (03:20):
You know where he is, he asked me, standing in
front of the mire in his room, no doubt, trying
to decide which one of his neckties harmonize his best
with the rest of his habitash fish, do you think so?
Undubit to black. He's been that way ever since you
got that telegram. Oh you mean the one from those
fashion experts, that's right. And making him one of the
(03:40):
best press men in town is making me one of
the worst, worst women in town. I'm wearing myself down
to a shadow.
Speaker 6 (03:47):
Well on you, it doesn't show.
Speaker 2 (03:51):
In fact.
Speaker 3 (03:52):
Good morning, Marjorie, Hello Bernie, Say how do I look?
Is my cravat blend with the rest of my ensemble?
Speaker 7 (03:58):
Yes, sir, but I will showing you who's gonna ask
us if you're tie harmonized with the remainder of your clothes?
Speaker 6 (04:03):
Yes?
Speaker 3 (04:05):
How could you look as if you just stepped out.
Speaker 6 (04:07):
Of a band box?
Speaker 3 (04:08):
Don't kid me, Marjorie. Who ever saw a bandbox big
enough for me to step out of Why are you going, uncle, Well,
mister Halchester's in town has invited me to meet him
at the Rich Summerfield.
Speaker 2 (04:17):
You mean a man's clothes designer.
Speaker 3 (04:18):
Yeah, I hope I look my best?
Speaker 2 (04:20):
Oh you do?
Speaker 3 (04:22):
Oh that must be Judge Hooker. Send him right in
Bertie for saving rubber by riding downtown in his car. Oh,
good morning, Judge.
Speaker 4 (04:31):
Say look at those duds. You'd look like a tailor's dummy.
Speaker 6 (04:34):
Guilder's leave. You didn't talk so much.
Speaker 3 (04:37):
I'm sorry if my sartorial splendor disturbs you. Judge. It's
one of the ten best dressed men in Summerfield.
Speaker 6 (04:43):
Oh you who says so?
Speaker 3 (04:45):
The Gentleman's Fashion Guild of New York you ever heard of?
From the looks of your clothes, You've never even heard
of gentlemen's fashions. As mister Holchester said to me this morning,
who's mister Holchester. Mister Holchester is a famous style authority.
He's the man who picked me and the other the
nine snappiest dressers.
Speaker 4 (05:01):
How do you do it over the telephone?
Speaker 3 (05:05):
He's stopping at the Rich Summerfield. I'm going down to
meet him.
Speaker 4 (05:08):
Say, I'd like to meet him too. Do you mind
if I come along with you?
Speaker 3 (05:11):
Not at all? That suit of yours should give mister
Holchester a good hearty laugh.
Speaker 6 (05:15):
What's wrong with this suit?
Speaker 8 (05:17):
Oh?
Speaker 3 (05:17):
Nothing that a rock, a rope and a river couldn't cure.
Speaker 2 (05:34):
Mister Gilda's sleeve. Come in, Come in.
Speaker 3 (05:37):
Oh, this is a pleasure. Indeed, mister Holchester, this is
a friend of mine, Judge Horace Hooker, close friend, Judge.
I want you to know mister Holchester.
Speaker 4 (05:46):
Oh, everybody knows mister Holchester.
Speaker 6 (05:48):
Go ahead to meet you, sir.
Speaker 8 (05:49):
I'd like both of you to meet mister Leslie, one
of New York's leading tailor's.
Speaker 2 (05:53):
How do you do?
Speaker 3 (05:53):
It's a pleasure me too.
Speaker 8 (05:55):
Mister Leslie makes most of the clothing I design. Oh,
mister Gildersleeve here was on our ten best lak for
some of you.
Speaker 6 (06:00):
Ah, yes, excellent choice.
Speaker 8 (06:02):
And I think he has a very good chance of
making our first team.
Speaker 2 (06:06):
You mean, yes, the ten best dressed men in America.
Speaker 3 (06:10):
Oh no, but then why not? How do you make
your selection?
Speaker 6 (06:17):
Oh?
Speaker 8 (06:17):
On a number of counts, taste, style, figure, carriage.
Speaker 4 (06:21):
Eldie could win on the last two. He's got to
figure like a carriage.
Speaker 3 (06:24):
All right, ignore him, mister Holchester. He's just jealous. He's
so skinny. His tailor has to put pads in his
trousers so his knees will bag. Here go on, sir, well.
Speaker 2 (06:36):
Another big point is extent of wardrobe.
Speaker 4 (06:38):
I only should win that one too. His wardrobe extends
farther out.
Speaker 3 (06:42):
Than you see here. Hooker.
Speaker 6 (06:46):
A nice clothes your hobby, sir.
Speaker 3 (06:48):
Oh, yes, mister Leslie, it always has been. You see,
I was elected the best dressed fellow in my class
at college after I introduced peg top pants and yellow
button shoes.
Speaker 2 (06:57):
I'd like to see some of your ensembles sleeve. I suppose,
of course you'll have a country squire suit in Orkney Twist?
What Orkney Twist? You know that new handwoven suiting very
popular in New York this season? Have you any of
it with you, Leslie?
Speaker 6 (07:13):
Under that boat I was taking out to Hollywood, I'll
bring it in.
Speaker 2 (07:16):
He's a master with a needle at Leslie. Oh them
mad at bottom in Hollywood, gentlemen.
Speaker 6 (07:21):
Probably the last boat of Orkney Twist left in America.
Pretty loud material, isn't it?
Speaker 3 (07:25):
That just shows your lack of taste Judge Hooker, that
orange diagonal stripe is just what the chocolate blackground needs
to set off the little blue dots.
Speaker 2 (07:35):
Well, you're right, mister Gildersleeve, it's the.
Speaker 3 (07:36):
Range, mister Leslie. I just had an idea. How would
it be if you made me a suit out of
that corkney twist?
Speaker 4 (07:43):
Eh, don't be foolish, yildish sleeve. How can they get
a suit for you out of that bolt? But there
can't be more than twelve or thirteen yards there, Hooker.
Speaker 3 (07:52):
I only require five yards of cloth, But if you
keep putting in, you're just gonna need six feet of dirt.
And that's all. Well, gentlemen, what do you say?
Speaker 2 (08:00):
I think it might be a rain?
Speaker 3 (08:02):
No splendid keldy, are you sure you can afford it? Before?
Speaker 2 (08:06):
Why the question of payment doesn't enter into this, Judge Hoople,
A thank you. If mister Gildersleeve is taken with this
material and bushes a suit whipped up, you shall.
Speaker 3 (08:15):
Have it at no expense. What, Oh, that's wonderful. If no,
I couldn't let you do a thing like that, my
dear man would be delighted. Oh no, at least let
me pay the cost. Of the material.
Speaker 8 (08:24):
You needn't do anything of the sort that I insist.
Howell all right, if it'll make you want to have here,
I doubt it.
Speaker 6 (08:31):
How much is the material?
Speaker 3 (08:32):
Why speak of it?
Speaker 2 (08:33):
I mean nothing?
Speaker 6 (08:34):
What is it? Leslie?
Speaker 2 (08:35):
Oh, it didn't cost us much?
Speaker 3 (08:37):
Thirty five I think thirty five dollars. Why that's very reasonable.
Speaker 6 (08:40):
Yes, you require five yards?
Speaker 2 (08:42):
Don't five yards of thirty five yard?
Speaker 6 (08:44):
That makes a one hundred and seventy five dollars, doesn't it?
Speaker 3 (08:47):
If it does? If nine goes in to say, oh
my goodness, it does, mister Alchester speaking Hello, This is
the man who is just up.
Speaker 6 (09:07):
There with mister Gildersleeve.
Speaker 2 (09:08):
Oh hello, Judge Rucker, hooker hooker.
Speaker 4 (09:12):
Mister Alchester, I wonder if you could make me a
suit just like Gildersleeve.
Speaker 2 (09:16):
You want the same suit, yeah, but not the same size. Well,
I thought you didn't like that material.
Speaker 4 (09:21):
I didn't at first, but the colors sort of grow
on you.
Speaker 2 (09:24):
Well, I'm not sure we have enough of that barking
you twist.
Speaker 4 (09:27):
I don't take much hold me about two and a
half yards. Say you'll do it, mister Alchester. I'm gonna
take a back seat to Gildersleeve, that bold brummer.
Speaker 6 (09:36):
With a big bumper. Well maybe you will, old, fine,
when do you want to take my measurements?
Speaker 2 (09:44):
How about tomorrow morning?
Speaker 4 (09:46):
I'll be there meantime. I'll send a check right over
to see you. The bargain and you see two and
a half yards thirty eighty seven.
Speaker 6 (09:52):
Dollars fIF cent in it?
Speaker 8 (09:53):
Yes, eighty seven to fifty for the cloth, and the
same for the tailoring comes to exactly one hundred and
seventy five dollars.
Speaker 6 (10:00):
What oh, the tailoring. I hadn't figured on that.
Speaker 4 (10:05):
You didn't charge killer Sleeve anything for tailoring.
Speaker 8 (10:07):
Oh, that's true, But mister Gildersleeve is a prominent man
with a style following.
Speaker 4 (10:12):
Who would ever be dumb enough to follow that big
buffalo styles?
Speaker 6 (10:16):
Well?
Speaker 2 (10:16):
For one, you?
Speaker 4 (10:19):
Oh, I never thought of that. Well, i'll send the
check over this afternoon. And mister Halchester, have you selected
anyone as the best dressed judge in town?
Speaker 3 (10:30):
Yet?
Speaker 8 (10:31):
No?
Speaker 4 (10:32):
Well, I hope that my buying this suit won't influence
your decision.
Speaker 2 (10:40):
Hey, Leslie, ye es, another sucker just tooked himself.
Speaker 6 (10:44):
Yeah?
Speaker 2 (10:44):
Who that judge was here with a fat jump? That
makes eleven best dress boots were catching this.
Speaker 6 (10:48):
Town, Jessey, I gotta hand it to you. This is
the sweetest switch on the suit wreck that I ever
heard of.
Speaker 2 (10:52):
Sure is, Now, what size would you say we should
get for the little squirt that just fawn?
Speaker 6 (10:58):
Uh? He think about a two in a boy's suit?
Speaker 2 (11:04):
Okay?
Speaker 8 (11:04):
Then why Joe to airmailist one thirty two boys and
one big one?
Speaker 2 (11:08):
Say forty eight? Stuff? Okay, eh, and tell them to
leave the scenes open.
Speaker 6 (11:14):
Sure. Hey, what's the real name of this horse blanket material?
Speaker 2 (11:18):
You mean orty twist?
Speaker 3 (11:19):
Yeah.
Speaker 2 (11:19):
At the factory, it's known as backstretched blurlup. We'll hear
from the great Guilder sleeve again in just a moment.
Speaker 1 (11:34):
But first, I wonder how many of you good housewives
indulge in that neighborly American pastime, the chat over the
back fence. It's a swell way to swap cooking hints
and recipes as well as other news. Well, we of
craft certainly approve of the custom, because it's one way
the news gets around about park margarine, the delicious spread
for bread made by Kraft. You see, Discovering a grand
(11:56):
tasting product like park margarine is the sort of thing
you housewives like to brag a little about because it's
smart to be wisely thrifty these days, and using Park
Margarin makes you just that. Yes, Park marchmin is a
wholesome spread for bread that tastes mighty good yet costs
very little. Why that family of yours is sure to
love its delicate, satisfying flavor. What's more, it's a wonderfully
(12:20):
nutritious food, one of the best energy foods you can serve,
and a reliable food source of important vitamin A. So
I'll let you'll want to brag a little too when
you discover the economy of Park's delicious wholesome goodness. But
it's easy to find out tomorrow. Just ask your dealer
for Park p r Kay Park Margmen made by Craft.
(12:54):
Now let's return to the great Guildersleeve, who is preparing
to return to the rich summerfield for his first fitting.
Speaker 3 (13:01):
Hello, Polteney, No, if you want my opinion as a
style expert, you should wear a white mess jacket. Yes,
but a black bow tie. That's right. Oh, no trouble
at all. Call me anytime you need sartorial guidance. Goodbye, Poteney.
Speaker 2 (13:16):
Isn't it just a little too early to be wearing
a white mess jacket.
Speaker 3 (13:19):
Uncle, No, not for Poltney, my dear. He just got
a job as a soda jerker. We got the hambleer
long now. By the way, what's the time?
Speaker 6 (13:28):
Haven't you got your watch?
Speaker 3 (13:30):
Now? If I carried it in my vest pocket, the
bulge might ruin my silhouette. Isn't that silly?
Speaker 2 (13:36):
It certainly is.
Speaker 3 (13:38):
I read it in the fashion magazine. I wonder if
Bertie has pressed my top coach yet.
Speaker 7 (13:41):
Oh, Bertie, and I put a nice flower in the
button hole too.
Speaker 3 (13:47):
Oh? Thanks a geranium. Well that's better than no flower
at all, or is it?
Speaker 7 (13:55):
My mister Gilseyvin Shore is a shoe balloting for you?
What else sees you stretching down the street on legs?
Speaker 6 (14:02):
Must say?
Speaker 7 (14:03):
When I said Bertie lou Cargan, you may work hard,
but the resort is worth the elphant.
Speaker 3 (14:08):
Uh, thank you, Bertie. And just to show my appreciation here,
you can have back the geranium for me.
Speaker 5 (14:14):
Well, thank you, Hil said Jusi's a big write up
about you on the paper.
Speaker 3 (14:19):
You mean all about frock Morton and Pete Gildersleeve, the
well known businessman being selected by a famous New York
fashion designer as one of the best dressed men not
only in Summerfield, but possibly in the entire country. Yeah,
I was it. No, I didn't see it.
Speaker 2 (14:33):
How do you know all about it? Uncle?
Speaker 3 (14:35):
Well, one of the reporters on the paper happened to
be talking to me on the telephone and I guess
my clothes justice or that crept into the conversation.
Speaker 6 (14:42):
Was that's why you was trying to call the newspaper
all moan.
Speaker 3 (14:45):
It's no berdie? I was it is? Anybody got the time?
Speaker 1 (14:48):
Yes?
Speaker 2 (14:49):
Ten passports.
Speaker 3 (14:49):
Oh, I'll have to hurry right down and try on
that new suit. Mister Halchester design for me. You're buying
your boy bye.
Speaker 2 (14:55):
I know it's gonna look nice on you.
Speaker 6 (14:56):
Uncle.
Speaker 3 (14:57):
Yes, the lot of luckness gives me.
Speaker 4 (14:59):
Yeah, if you have a per fit, oh.
Speaker 6 (15:02):
She to me.
Speaker 2 (15:17):
Hello. Oh mister Gildersley, Well send him right up.
Speaker 6 (15:22):
Okay, let's plot out that forty eighth stub. Let's go big.
Probably fit him like the skin on a raisin.
Speaker 2 (15:30):
When you better do a good all racing job.
Speaker 8 (15:33):
Now watch your step and remember you went back in
a tailor shop at eleven or else.
Speaker 2 (15:36):
You'll will be.
Speaker 3 (15:39):
Oh, come in, mister Kilde, mister Leslie, I hope I
haven't put you two gentlemen to a lot of trouble.
Speaker 2 (15:47):
Oh no, mister Leslie's a very fast worker. Why he's
practically made that suit fly?
Speaker 3 (15:52):
Oh how nice? Could I try it on? Now? Please?
Speaker 2 (15:54):
Of course? Just slip out of your coat now I'll
slide into this one.
Speaker 3 (15:59):
Thanks, I can hidely weight.
Speaker 2 (16:01):
Now button it. What do you think, mister Leslie?
Speaker 6 (16:06):
It fits them just like the skin on a grape.
Speaker 2 (16:11):
Yes, sir, you're going to get a lot of comments
on that coat.
Speaker 3 (16:14):
Don't you think it's a little too roomy? Well for
some people maybe, but not for you. You're the type
that can stand a little room. Oh can I if?
What do you think of the sleeves? Are they wearing
sleeves over the knuckles this year?
Speaker 2 (16:32):
Well? Not quite.
Speaker 3 (16:34):
They should be taken in. Oh and what about the lapels?
If I move my head, the points tickle my ears,
Well they.
Speaker 2 (16:42):
Should be taken in too.
Speaker 3 (16:43):
And the way it droops, I mean drapes in front,
I can't tell whether it's a loose sack suitor tight
double breaster.
Speaker 2 (16:50):
Well, in that case you should be taken in.
Speaker 3 (16:54):
I hope. I'm not giving you too much trouble, mister Lesley,
Oh no, not at all.
Speaker 6 (16:58):
When I sized you up, I must have been using
a rubber tape measure.
Speaker 3 (17:01):
Oh very good.
Speaker 2 (17:03):
Now, if you're.
Speaker 8 (17:03):
Ready to try on the trousers, mister gillis leeve, they
are just step into the next.
Speaker 3 (17:07):
Room of the trousers. Alright, thank you, I'll be right back. Gentlemen.
Speaker 6 (17:12):
Oh brother, gee, that's the worst looking botch yet. I
don't know how I'm gonna fix that coat up.
Speaker 3 (17:17):
Hello, worry.
Speaker 8 (17:18):
All we got to do is send to the factory
for a forty four long and when it comes in,
use the back of this one and the front of
a new one.
Speaker 2 (17:25):
What do you mean, Well, this guy's got a tricky shape.
He's a forty eight stub in the back and a
forty four long in the front.
Speaker 6 (17:36):
Okay, but not we taking a little loss that way?
Speaker 8 (17:40):
So what These suits only cost us nine to seventy
five wholesale, I know, but why should we here?
Speaker 6 (17:46):
He comes. Whatever you do, don't let him get a
look at himself in a mirror. He'll jump out the window.
Speaker 3 (17:53):
I'm afraid these trousers are too tight.
Speaker 6 (17:56):
Holy smoke. You gave him Judge Booker's pants.
Speaker 2 (18:00):
Oh, come in, come in, I know, mister Gildersleeve.
Speaker 8 (18:03):
In fact, iime I've been disappointed with the way the
whole soon has come out, So I'm going to have
mister Leslie recut the entire gun.
Speaker 3 (18:09):
Oh say, I don't want you to go to all
that trouble for nothing.
Speaker 6 (18:12):
Well, let's not say for nothing save for a slight
alteration field of nine seventy five.
Speaker 3 (18:17):
Well, that's awfully nice of you.
Speaker 6 (18:18):
Oh, don't mention it. I always welcome the opportunity to
make a little change whenever I can.
Speaker 3 (18:38):
Good afternoon.
Speaker 6 (18:39):
Is mister Guildersleeve home?
Speaker 4 (18:41):
Yes?
Speaker 2 (18:41):
And who is it to see?
Speaker 6 (18:43):
I am excuse me, but who's you?
Speaker 3 (18:46):
Missus Salisbury Twitchell.
Speaker 7 (18:48):
Oh, dear missus Twitchell, welcome, ready and rush your round?
Speaker 3 (18:56):
Thank you, Oh master, give me a laster. Well, I
wonder what that old I'm just saying, I wonder what
that old friend wanted. Would you have a chair, Missus Switchel.
Speaker 5 (19:16):
That isn't what I wanted, mister Gilder's leave. I'll explain
my visit simply so you can grasp it without too
much of a struggle.
Speaker 3 (19:25):
Mister Hoppolon.
Speaker 5 (19:26):
Cassidy, the movie star arrives in Summerfield in two hours
to aid our big defense bond drive.
Speaker 3 (19:31):
He does. Why, he's my favorite movie star. I'd like
to meet him.
Speaker 6 (19:34):
You will have that opportunity.
Speaker 5 (19:36):
One of the members of my welcoming committee dropped some
milk on his foot and cannot attend.
Speaker 3 (19:42):
Why should dropping a little milk on his foot keep
him away?
Speaker 5 (19:45):
If I must go into detail, he's got a broken toe.
The milk was condensed in cans and in a case. Therefore,
mister Gil, in order that we are not fased with
the situation of a welcoming committee consisting of team members,
will you join us?
Speaker 3 (20:03):
Yes, yes, gladly. Incidentally, whatever made you think of little me?
Speaker 5 (20:10):
Well, it was that story in the paper regarding your
selection as one of the best dressed men in town.
Newspapers exaggerate, so don't they.
Speaker 3 (20:19):
Oh, well, you mean this old smoking jacket. Well, don't worry.
You'll really be bowled over when you see my appearance
at the station.
Speaker 5 (20:26):
Mister Cassidy's train arrives at five fifty two right now.
Please try to be there on time, and if any
photographs are taken, kindly refrain from.
Speaker 4 (20:34):
Waving your handkerchief at the cameraman goodbye.
Speaker 5 (20:40):
I couldn't help listening hop Along Cassidy, that's Bill Boyd.
Speaker 3 (20:44):
Shall I come along and see him? How can I?
Why not?
Speaker 2 (20:47):
Oh?
Speaker 3 (20:47):
I know, why not? I have to stop at the
hotel first and change into my new Orkney twist ensemble.
Speaker 4 (20:51):
But you are supposed to pick it up until tomorrow morning.
Speaker 3 (20:54):
Well if they promise it for then, it's Essential'll be
already now. And I needed to impress hop Along Twitch
and missus Catt, I mean vice versa.
Speaker 4 (21:01):
Oh, why can't I just come along with you?
Speaker 2 (21:03):
On? Oh?
Speaker 3 (21:03):
I guess you can at that if you wait downstairs
in the lobby. Come on, come on, come on.
Speaker 4 (21:19):
I agree with you that the coke fit's all right,
mister Holchester, But don't you think the style is a
little too juvenile for me?
Speaker 8 (21:26):
Oh not a tall judge schnooker hooker hooker, sir fud me.
Speaker 2 (21:32):
No.
Speaker 8 (21:32):
I purposely designed that suit along boyish lines to bring
out the the Mickey Rooney in you.
Speaker 4 (21:38):
Oh yes, yeah, and I had him pictured myself that
way lately.
Speaker 6 (21:44):
Oh you know what, the Mickey type all right?
Speaker 3 (21:50):
With this suit?
Speaker 4 (21:51):
I sort of feel like I should get a free
baseball bat.
Speaker 3 (21:55):
For the price I paid.
Speaker 4 (21:57):
You should throw in a picture from the Dodgers.
Speaker 2 (22:02):
Excuse me? Yes, who's on his way up? Mister?
Speaker 6 (22:07):
Huh? Thanks? Did I hear you say? Gildersleeve is on
his way up here? You heard the man?
Speaker 4 (22:12):
Well, he mustn't find me here. I'm trying to surprise him.
Can't I hide some place until he leaves?
Speaker 3 (22:16):
Why?
Speaker 2 (22:16):
Yes, sir, right in the next room.
Speaker 6 (22:18):
Oh, thank you, Let me know.
Speaker 3 (22:19):
Let me know where he's gone.
Speaker 6 (22:21):
Hey, what facts you're doing? Coming around?
Speaker 3 (22:22):
Now?
Speaker 6 (22:23):
He isn't dude with lamar by then we should be
on our way to Florida.
Speaker 8 (22:25):
Oh, he don't worry me, but there's a guy from
a better business bureau wait than the lobby.
Speaker 6 (22:30):
Let's get out of here.
Speaker 2 (22:30):
I take it easy. We got our bags all packed.
All we got to do is take an earlier train.
Speaker 6 (22:35):
There's that timetable here, I got it marked, the Streamliner
leven at thirty minutes. Can we make it? Yeah?
Speaker 2 (22:40):
Only what are we gonna do with that judgy in
there or pudgy out there?
Speaker 6 (22:48):
Now?
Speaker 2 (22:48):
Hide the judges trousers in your suitcase. We'll work the
old pants trick on put them. H enter, mister Gildersleeve.
Speaker 3 (22:55):
I hope you'll excuse me for coming so early, but
I wonder if I could get my suit now?
Speaker 2 (22:59):
Oh, of course was to go to sleep. Only first
there's one little detail.
Speaker 3 (23:04):
Oh yeah, we'd like to.
Speaker 8 (23:06):
Compare the measurements of the trousers you're wearing with the
new one.
Speaker 2 (23:10):
Would you mind taking them off?
Speaker 7 (23:11):
Oh?
Speaker 3 (23:11):
Not at all, not at all. You don't know how
nice it is if you do this for me. Yeah,
here you are.
Speaker 6 (23:20):
Thank you.
Speaker 3 (23:21):
Now if you would kind of wait in the next room, Oh,
anything to oblige.
Speaker 2 (23:25):
Does make yourself comfortable in there?
Speaker 3 (23:27):
Don't way, I will.
Speaker 2 (23:33):
Deep in the.
Speaker 3 (23:36):
Jugs, hooker. What are you doing hiding in the corner
and without your pants?
Speaker 4 (23:42):
Same thing as you are being fitted for one of
those artney twisters? Oh?
Speaker 3 (23:46):
Getting a soup behind my back? Ee, that's pretty low, judge,
and by George, I'm gonna complain, mister mister lady. They're
not here.
Speaker 4 (23:57):
Not only that, they're bags and clothing are here either.
What hey, I don't see my pants anywhere.
Speaker 3 (24:03):
My pants are gone to you. This is gonna be
one of my bad days.
Speaker 4 (24:11):
I don't get in a panic guilty. Maybe they just
stepped out in the hall.
Speaker 2 (24:14):
Come on that.
Speaker 3 (24:15):
Yeah, let's look in the hall. You go first, get Okay,
you think it's gonna be all right? No, it isn't
all right, judge. There's something awfully funny looking around here,
and I don't mean us.
Speaker 6 (24:31):
How about phoning downstairs?
Speaker 3 (24:32):
No I can't. The telephone wires have been cut.
Speaker 4 (24:34):
Look, no question about it. Then they were crooks, all right?
Fine people, you introduced me to gillersleeping, Yes, and a
fine judge, you are hooker.
Speaker 3 (24:42):
You can't even recognize a crook when he steals your
own pants.
Speaker 6 (24:47):
Oh, my goodness, my pocket?
Speaker 3 (24:49):
But was in my trousers? It was well, I never
get mine. Look, I always keep it my coat, you
jumping jeeps. They did get my lucky half dollar?
Speaker 2 (24:59):
What's that? Hear that?
Speaker 4 (25:01):
Maybe it's all just a joke, of course, Yeah, that's it.
Speaker 3 (25:04):
Come on in, boy, yes, come on in. If leroy,
what are you doing here?
Speaker 6 (25:08):
Gee?
Speaker 4 (25:08):
I'm glad to.
Speaker 6 (25:09):
See you uncle.
Speaker 5 (25:09):
I was waiting in the lobby, and when the house
chester came down and checked.
Speaker 3 (25:12):
Out, I didn't know what to think, checked out where
to go?
Speaker 5 (25:15):
When he passed me, he was telling another man they'd
have to go like sixty if they wanted to catch
the Florida train.
Speaker 3 (25:20):
Say, why are your pants on their way to Florida? Judge,
We've got to stop him before they pull out of time.
Speaker 4 (25:27):
We can't dash down the station in our shorts.
Speaker 3 (25:30):
Couldn't we pretend we're running in a marathon race?
Speaker 6 (25:34):
Not me, brother?
Speaker 5 (25:35):
Oh yeah, I got an idea on just take the
blankets off this bed and wrapped one along beach.
Speaker 3 (25:40):
If you and go to the station that way, take
the bas uh bride boy leroy.
Speaker 6 (25:45):
But we'd never get cast the lobby.
Speaker 4 (25:47):
Well, how about sneaking down the fire escape?
Speaker 3 (25:49):
Does a taxi stand right for a taxi?
Speaker 6 (25:52):
That's it?
Speaker 3 (25:52):
Come on, hooker, grab a blanket.
Speaker 2 (25:54):
But we can't get away with this, Sure we can.
Speaker 5 (25:57):
When we get to the railroad station, I'll pass you
off as a couple of innus and was looking for
a pullman reservation.
Speaker 6 (26:15):
It's stop, great cross.
Speaker 3 (26:17):
It's no use, Skilty.
Speaker 4 (26:19):
We'll never see our pants again.
Speaker 3 (26:21):
Yes, nor my lucky half dollar either.
Speaker 6 (26:24):
I was lucky about it.
Speaker 3 (26:25):
Sam, You better be careful your blankets.
Speaker 2 (26:27):
Dragon.
Speaker 4 (26:29):
Yes, Skilty, you look like one of the ten best
dressed beds in town.
Speaker 2 (26:35):
Is that so?
Speaker 3 (26:36):
Why oh, hello, missus Twitchell A fancy meeting you here.
Don't speak to me, mister guilty.
Speaker 6 (26:43):
Leave.
Speaker 5 (26:43):
Just because we are here to welcome a cowboys tar
doesn't mean that you should come dressed to sitting bull.
Speaker 4 (26:51):
Come on, let's get out of here before it's too late.
Speaker 3 (26:54):
Oh it is too late, Hello, officer.
Speaker 6 (26:57):
Guys doing running around here in blankets, come on, get
into the station master's office here before you attrack the crowd.
Speaker 3 (27:04):
But Officer, we were just chasing a couple of crooks
who stole our pants. There they are, well, mister Halchester
and mister Leslie. So they got you too. Eh, Hello,
that's hi you, judge.
Speaker 6 (27:14):
Crooker hooker, Fine work, Officer, I don't know what you're
talking about. One of these birds trying to pass a
counterfeit coin at the second Winter.
Speaker 3 (27:22):
Officer, It wasn't mine.
Speaker 6 (27:23):
It belongs to this guy who me Is this yours, buddy?
Speaker 3 (27:26):
Counterfeit? Ooh my goodness, is my lucky half dollar.
Speaker 2 (27:33):
And the great deal of this label?
Speaker 1 (27:42):
They reckons again on a few matters. But right now,
what makes good cooks good?
Speaker 6 (27:48):
You know?
Speaker 1 (27:48):
I think it's their sense of flavor. They've learned the
knack of preparing good food because they thoroughly enjoy eating it. Well,
that's probably why so many really good cooks use Park
margmen these days. They found that Park Margin's delicate, satisfying
flavor is pretty hard to beat, and they.
Speaker 3 (28:04):
Certainly ought to know.
Speaker 1 (28:06):
You see, outstandingly good flavor is what makes park margin
so different from old time marginans. Yes, spread Park marginin
on bread or toaster rolls, and one taste will tell
you the big difference. And that goes for cooking too.
Park tastes so wonderfully good. It's a real flavor shortening
for baking and just about perfect for pandrying. But flavor
(28:27):
isn't the whole story. Park margin is a wholesome, highly
nutritious food. It's one of the best energy foods you
can serve, and if you're vitamin conscious, you'll be glad
to know that every pound of park contains nine thousand
units of important vitamin A. So why not take a
hint from the thousands of good cooks who use Park
marginin and try a pounder to yourself? Yes, tomorrow, sure,
(28:50):
ask your food dealer for Park p A r k
A Y Park marginin made by Kraft.
Speaker 3 (29:10):
Sorry, but our time's up. Good night folks.
Speaker 1 (29:24):
Original music heard on this program was composed and conducted
by William Randolph. This is Jim Bannon speaking for the
Craft Cheese Company and inviting you to be with us
again next week at the same time for the further
adventures of the Great Guilder Slave. This program came to
you from Hollywood. This is the National Broadcasting Company.
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