May 22, 2025 • 29 mins
A spin-off from a popular series, this show centers on a well-meaning but bumbling character whose everyday misadventures provide wholesome entertainment.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Craft Presents the Great Gilder Slave, the Craft Cheese Company,
who also bring you Bing Crosby every Thursday Night present
each week at this time, Harold Harry is the Great
Kilder Slave, written by Leonard L.
Speaker 2 (00:21):
Levinson.
Speaker 1 (00:29):
Now let's visit our friend, the Great Kilder Slave, who's
at the Bundles for Blue Jackets Bazaar, preparing to do
his bit by acting as the boxer at the booth
where the pretty girls are going to sell kisses.
Speaker 2 (00:45):
Well, well, so.
Speaker 3 (00:46):
This is my booth mate, you know, Mindreie, I think
it's going to be fun selling kisses.
Speaker 4 (00:50):
This is the first time I've heard of it from you.
Gonna say your kisses too?
Speaker 5 (00:54):
Uncle Mary isn't going to do the kissing Lee, right?
Speaker 4 (00:56):
I thought I was wrong about that.
Speaker 2 (00:58):
Yeah.
Speaker 3 (00:59):
Yeah, they're gonna be a dozen beautiful young ladies to
do the Workley right. Incidentally, Martie, it would be a
good salesman. That's all I should know about what he's
talking about. You know, now, don't you think.
Speaker 6 (01:09):
There's a no?
Speaker 2 (01:10):
I guess free samples are out? Yeah?
Speaker 7 (01:14):
Heee want to spend a book for a wetsmack when
you can get justice Daffy on a dimesurp as chaffy.
Speaker 4 (01:21):
You know what, the more that wasn't a bad idea
of Lee.
Speaker 5 (01:23):
Roight about you kissing any of the ladies, we could
charge the Dorothy.
Speaker 3 (01:27):
No, my dear, why not uncle, because I'd pay a
dollar myself not to kiss the type of woman would
pay a dollar to kiss me.
Speaker 8 (01:34):
Oh, miss Mark, I got your lemonade stand or fixed
up for you. But if we get a big crowd,
I don't think three lemons is don't.
Speaker 4 (01:40):
Be in love.
Speaker 5 (01:41):
You gotta get some law Bertie. They're gonna open the
doors in about an hour.
Speaker 4 (01:44):
And we're taking a lot of people, you know.
Speaker 8 (01:46):
Yeah, all the gentlemen in town want to patronize mister
Gilsleeve's osculation station.
Speaker 2 (01:51):
Yeah they do.
Speaker 8 (01:53):
Eh, Yes, there'll be buzzing on their kiss boots till.
Speaker 9 (01:56):
Their poor girls is all poking out.
Speaker 2 (01:58):
Yeah.
Speaker 8 (02:00):
And all the ladies don't line up with that. Yogi
man tend to have their fortunes too.
Speaker 4 (02:04):
Oh you mean Yogi Swamahandra.
Speaker 5 (02:05):
Oh, Penny Banks met him in New York and he's marvelous.
We're counting on him as I ain't attraction. Oh there's Penny,
oh Penny Yah, right, I just had the most terrible news.
Speaker 4 (02:14):
I don't know what to do.
Speaker 10 (02:15):
Yogi Swamahandra's missed his playing connections and won't be here
in time.
Speaker 2 (02:19):
A fine fortune teller.
Speaker 3 (02:20):
Why didn't he look at his crystal ball, see that
he was going to miss the plane and then see
that he didn't?
Speaker 10 (02:25):
Well, we've depended on the Yogi is our big money maker.
Speaker 4 (02:28):
Why don't you get.
Speaker 2 (02:29):
A substitute, leroy? Do you think that Yogi's grow on bushes?
Speaker 4 (02:32):
I don't know what is a yogi? U?
Speaker 3 (02:34):
Yogi is a man who tells you about your past
and future for a present.
Speaker 2 (02:40):
Penny. Isn't there any other one floating around who can
pinch hit for this man?
Speaker 6 (02:43):
Oh?
Speaker 11 (02:43):
I don't know.
Speaker 2 (02:44):
Anny, Why don't you get somebody to dress up and
play the part?
Speaker 10 (02:46):
Well, mister Gildersleeves, that would be deceiving the people.
Speaker 2 (02:49):
What do you think those fortune tellers do they look
at a crystal ball? They don't see any news real?
You know?
Speaker 7 (02:55):
Sure all you need is a smooth parker with a
gift a gap like Uncle mord here.
Speaker 2 (03:00):
Yeah, no, wait a minute, young man.
Speaker 5 (03:02):
Yes, uncle, look you are a costume and makeup and
a beerd People would still recognize me.
Speaker 12 (03:06):
No, you could get away with it.
Speaker 2 (03:08):
It's dark in that tim but I wouldn't know what
to say.
Speaker 5 (03:10):
We could help you by giving you the load down
on the customers load down.
Speaker 2 (03:13):
But suppose they got the load down.
Speaker 4 (03:14):
On me, they wouldn't if you change your boys, say yes,
uncle lord?
Speaker 3 (03:19):
Oh what am I getting myself into? I'm no fortune color,
and something tells me that instead of being in front
of a crystal ball, I'm gonna find myself behind an
eight ball?
Speaker 4 (03:38):
What are we stopping here for? Costume places three blocks
down the street?
Speaker 2 (03:41):
I know, Leroy, but read the sign.
Speaker 11 (03:43):
Oh have your.
Speaker 7 (03:44):
Past, present and future revealed by famous gypsy physique.
Speaker 2 (03:49):
If that's psychic Leroy?
Speaker 3 (03:54):
Yes, Madam Rosalie, the gypsy who reveals all.
Speaker 4 (03:57):
Gee, Gypsy Rosalie, I've heard.
Speaker 2 (03:59):
Of her, Leroy, that's another one.
Speaker 3 (04:04):
I thought maybe I could take up a few pointers
on how to go about this fortune telling business from
this woman.
Speaker 4 (04:08):
Here who cares for it.
Speaker 2 (04:09):
No, Leroy, you will have to wait here. I'll be
right back.
Speaker 11 (04:11):
Who afternoon, sir.
Speaker 10 (04:26):
You have came to consult Madam Rothalie, the great series
who sees.
Speaker 5 (04:30):
Everything, knows everything, and tells everybody why.
Speaker 2 (04:35):
Yes, that is if she isn't.
Speaker 7 (04:36):
Busy, I shall look in the crystal ball and see.
Speaker 10 (04:40):
No, I am not I see if you you're free, No,
it will be necessary to cross my palm with still.
Speaker 2 (04:50):
Oh yes, of course.
Speaker 10 (04:51):
How much one dollar for three questions, a past, a.
Speaker 4 (04:54):
Present, and the future.
Speaker 2 (04:55):
All right, let me see give it.
Speaker 5 (04:57):
The ear quick if thank you? Now sit down and
look deep into crystal bars.
Speaker 2 (05:04):
All right, I'm looking what next?
Speaker 7 (05:07):
I can't.
Speaker 2 (05:11):
Excuse me? Would you mind repeating that?
Speaker 7 (05:13):
I can't That's what I thought you said.
Speaker 2 (05:20):
I'll have to remember that. What does it mean?
Speaker 5 (05:22):
I am calling on the spirit of my forefather.
Speaker 2 (05:25):
They must have been tobacco auctioneers.
Speaker 3 (05:27):
Man.
Speaker 2 (05:29):
Well, let's go right ahead, madam.
Speaker 5 (05:30):
First, for the past, I see not long ago trouble.
Speaker 4 (05:35):
If there was smoke, a dark cloud behind you?
Speaker 2 (05:39):
Oh yes, Berdie burned the toast to breakfast.
Speaker 5 (05:41):
They're very good, Madame Rosalie, she never fail.
Speaker 4 (05:45):
And now for the present.
Speaker 11 (05:47):
Mmmm.
Speaker 4 (05:49):
You get into trouble because of men?
Speaker 2 (05:52):
What kind of a man?
Speaker 4 (05:53):
He's dark? Also heavy?
Speaker 2 (05:55):
Did does he have a black mustache?
Speaker 11 (05:57):
Sure?
Speaker 4 (05:57):
With blackmooth flash. He gets you in trouble, you know him?
Speaker 3 (06:02):
Yeah, that's me I'm my own worst enemy.
Speaker 2 (06:05):
Now what about the future?
Speaker 4 (06:07):
Soon you will have lost?
Speaker 10 (06:08):
If not careful lost crystal boys.
Speaker 4 (06:11):
Say, honey, tero ugly door, A.
Speaker 10 (06:13):
Blasto makes your blast of low many?
Speaker 2 (06:16):
What does that mean?
Speaker 4 (06:17):
Watch out?
Speaker 2 (06:18):
Well? Thank you very much?
Speaker 8 (06:20):
Is that all?
Speaker 3 (06:20):
Yes?
Speaker 4 (06:21):
Unless you wish to ask the dollar question.
Speaker 2 (06:25):
I don't think i'll have the time. Let me see
how late it is? By George? What did I do
with my watch? I had a time shift? Now no,
see here, madam? Where's my watch?
Speaker 4 (06:36):
How should I be ning?
Speaker 2 (06:38):
I thought you knew everything.
Speaker 4 (06:39):
I do not bother with trifers.
Speaker 2 (06:40):
This wasn't a trifle. It was an eighty dollars watch, sir?
Speaker 4 (06:43):
Are you accusing me?
Speaker 2 (06:44):
Yes? Either I get my watch, backer say, I'll bet
you put it in that draw.
Speaker 4 (06:47):
No, no, you keep out of that.
Speaker 2 (06:48):
Is that so I'm gonna have a look.
Speaker 7 (06:49):
You stop at he's known your business?
Speaker 3 (06:52):
Well, well what's this, madam? You've got enough watches here
to start a hat shop, and here's mine. Well, thank you,
I guess I'll go on.
Speaker 10 (06:59):
You you're hesh sneam Malo Chorando said, up an trowny?
Speaker 2 (07:04):
What does that mean? Don't know? Don't answer that so long, madam,
and don't take any wooden watches.
Speaker 3 (07:11):
Knos to yo Joe, well debut tom Oh, well, hey,
come on, leroy, did you hear anything?
Speaker 2 (07:20):
Un Come on, I'll say I did.
Speaker 3 (07:21):
When a gypsy says watch out, she means you're gonna
be out of watch?
Speaker 2 (07:25):
What do you mean? Huh do you see this gold
time piece of mind?
Speaker 3 (07:28):
But that gypsy tried to Oh my goodness, leroy, this
isn't my time piece at all.
Speaker 4 (07:33):
Wait a minute, ancome, what way are you going?
Speaker 3 (07:34):
I'm going back to get my watch that gypsy woman,
but he hasn't done it all?
Speaker 2 (07:37):
What do you mean? How do you know?
Speaker 7 (07:39):
You malade it down on the dining room table at
much time.
Speaker 2 (07:41):
And left home without Oh this is a fine mess.
Speaker 7 (07:59):
This way I'm I mean Maharajah, the mazauras and pool
blast not so fastly, Roy?
Speaker 2 (08:04):
Is everything all right with my costume? If? How about
the turbine, your laundry marks showing thanks? How about this beer?
Speaker 4 (08:11):
Gee? You're best friends? Won't tell you for my handle?
Speaker 3 (08:14):
I mean, there's Penny and Marjorie and Bertie. Let's see
if we can pull them hunt. If you pretend I'm
the real Yogi.
Speaker 4 (08:20):
All right, Penny, this gentleman who's outside and said he
wanted to see you. This is miss Banks.
Speaker 3 (08:26):
Mister Yogi, greetings, been side eight thousand part of things.
Speaker 2 (08:30):
If I'm late, Oh welcome, mar You look cute. I'll
never get away with it.
Speaker 5 (08:37):
Oh yes you can, mister yoders Now sure, but you
look just like you said, out of.
Speaker 4 (08:41):
Kipling, doesn't he? Bertie, that's right, that's right.
Speaker 2 (08:44):
He's been kipling all your life.
Speaker 10 (08:47):
People are waiting out the fortunes told mister Gildersleeve. Now
here's what we'll do, marj you sell tickets, okay, and Bertie,
you and I all spot the customers and tell Leroy
their names and all about them.
Speaker 8 (08:56):
Yes, ma'am, I'm old the loddan on the high up.
Speaker 10 (08:59):
And then why you go round to the back of
the tent. There's a hole there and you whisper the
information to your uncle.
Speaker 2 (09:04):
Well, how I know when Leroy is there?
Speaker 4 (09:06):
I suppose I'm not three times on.
Speaker 3 (09:08):
A canvas tent. That's like knocking on a wet sponge.
How about whistling something.
Speaker 4 (09:13):
That's a good idea? What do I whistle?
Speaker 3 (09:15):
How about something?
Speaker 2 (09:15):
Boogie woogie? No, berdie, spare me the hot licks. Why
not something Indian?
Speaker 4 (09:21):
Oh, like by the waters of the mini tongue cor No, my.
Speaker 3 (09:24):
Greie East Indian, like a pearl hands I love besides
to sell him all.
Speaker 4 (09:31):
Don't you ot a hair deep in the heart of Texas?
Speaker 3 (09:36):
No, Leroy, pale hands, not clap hands. That should be
easy to remember it. Just look at your hands.
Speaker 2 (09:43):
You just look at your hands. You better wash them.
They're not pale enough.
Speaker 4 (09:49):
People are waiting, mister dealers lead. You better go in
the tent and get started.
Speaker 2 (09:52):
Wait a minute, girls, I'm getting cold feet.
Speaker 4 (09:54):
Just throw them up underneath you and sit on them.
Speaker 2 (09:55):
Uncle Tim, you.
Speaker 3 (09:57):
Go all right if you insist, cap Roy, What did
you call me?
Speaker 4 (10:01):
You're not your turbanov?
Speaker 2 (10:04):
Oh? Yeah, of course I thought you. Well, never mind
what I thought.
Speaker 4 (10:06):
You should get comfortable in there at the Morton. We'll
stop sending in the Victor, all right.
Speaker 3 (10:10):
Whenever you're ready, Just shoot the gulls to me. Gals, Now,
let me see how do you do this? Mahat mcgillders leave. Oh,
it must be read to start. Where's that hole in
the canvas? This must be it is that you, Leroy, It.
Speaker 7 (10:26):
Ain't common lombrado. Get set, and I want you about
to tell your first fortune.
Speaker 2 (10:31):
Believe me, I'd give a fortune to get out of here.
Who is it?
Speaker 4 (10:34):
It's some man that none of us know.
Speaker 2 (10:36):
This is gonna be one of my bad days. Can't
you stall him off?
Speaker 11 (10:41):
They try?
Speaker 4 (10:41):
But no, soulp you gotta take him first.
Speaker 2 (10:44):
Well, I'll do my best. How do I look your laundry?
Speaker 4 (10:46):
Mark's showing again? Get back here, he goes.
Speaker 2 (10:49):
I wish I had a mirror in here. Greed things
in salutation?
Speaker 13 (10:53):
Si halloo.
Speaker 2 (10:56):
You have come to consult Yogi Swamahandada. If he do mystics?
Speaker 4 (11:01):
No?
Speaker 2 (11:02):
No, oh he didn't. If you didn't, well then then
why did you come here?
Speaker 13 (11:08):
To ask you about Alice Higgins and missus Bellmontiversity and
Maury King?
Speaker 2 (11:12):
What about them?
Speaker 13 (11:13):
So as if you didn't know?
Speaker 2 (11:16):
If I do come, come sorry?
Speaker 3 (11:20):
If you care to gaze in the crystal ball, maybe
I can locate.
Speaker 2 (11:24):
These people they sent me to locate you. Andrews Andrews
that you are making some mistake.
Speaker 13 (11:31):
Yes, I I am the Yogi swam Yes, sure I
know that Yogi Swamahandra alias William Andrews ads water Punker
alias lowis the Frost ads Pete Brown, if who me yes,
and they take a Lieutenant Quinn from Chicago where you
wanted to jump a Baylon Bunco charges what you're also
I wanted and I to hope for obtaining money out
of Passe Pretenses and Baton Rouge were running a confidence
(11:52):
game and in Florida were selling rubber plants guaranteed to
grow white side wall tires.
Speaker 1 (12:09):
We'll hear from the Greg Guilder sleeve again in just
a moment. Meantime, You mothers and wives of hearty eaters,
just the way your food budget is going up?
Speaker 2 (12:17):
Ever get you down? If so?
Speaker 1 (12:19):
Have you ever thought of serving Park marginin made by Kraft,
Because using parkue margarine is one sure way to economize
and please your family too. You see, park margin is
different from the margarine you may have tried a few
years back. Park is the delicious, wholesome margarine that's made
by Craft, and like all the famous Craft foods, it's
(12:39):
mighty good tasting. But there's no need to take my
word for it. Park costs so little. Why not buy
a pond tomorrow and try Park yourself. I'll bet you agree.
Park's delicate, appetizing flavor is pretty hard to beat. Then too,
Park marchmin is a nourishing, wholesome food. It's one of
the best energy foods you can serve. And to make
it even better for you, absvit him and as a
(13:01):
Park marginine nine thousand units to every pound.
Speaker 2 (13:04):
So give the food.
Speaker 1 (13:05):
Budget a break. Order delicious Parque margarine tomorrow. Yes, ask
your dealer for Park p A r k A y
Park the delicious margarine made by Craft. Now back to
(13:30):
the great guilders Sleeve, who suddenly found himself a much
wanted man by the police of half a dozen cities.
Speaker 13 (13:38):
Taken hold it, Hold it quietly, quietly, Roy, and I
care what you people say. I came here to grant
the yo guy and he's going back up face trial officer.
Speaker 4 (13:46):
You're making a mistake. This is my uncle, mister Guildersley.
Speaker 2 (13:49):
Yes, frock Morton, p Guildiss leave.
Speaker 13 (13:52):
That's pony alias if I ever heard one.
Speaker 4 (13:57):
See you can see he is yo taking beard off again.
Speaker 13 (14:00):
Never mind, never mind, I know he's a hey yo guy.
His real name is Willie Andrews and he's known as
Willie's the Tub.
Speaker 2 (14:07):
If I am not a tough. Is just the way
this coke buttons.
Speaker 3 (14:12):
Yeah, I knew that when I started to fool folks,
I'd get into trouble.
Speaker 2 (14:15):
My mama done told me.
Speaker 10 (14:18):
But Lieutenant Quinn, if you've taken away now bundles the
Blue Jackets to lose a lot of money, why don't
you wait? Will we closed on tonight?
Speaker 13 (14:25):
Well, okay, May's okay. I'll let this graft to operate
for the balance of the show, but I'll be on
guard right outside the tant Is that in.
Speaker 2 (14:32):
The stud Excuse me? Do you mind if I go home?
I'm expecting a bad headache.
Speaker 5 (14:37):
N you stay right here, Uncle Moore, don't worry.
Speaker 4 (14:40):
We're going to get this all straightened out before the
bizarre closes. Mister Gildi Sleeve, come on, let's just for yogi.
Get to work. Come on, Lieutenant, come on, Marjorie Leroy. Okay,
I'm coming time taking ease.
Speaker 10 (14:50):
He the Lord.
Speaker 4 (14:51):
Remember keep a stiff up for.
Speaker 2 (14:52):
Turvern if how can I I've been in hot water
ever since I put on this Turkish towels.
Speaker 4 (14:58):
They'll get you out of this, uncle, if it takes us, Yeah.
Speaker 2 (15:00):
It looks like it will.
Speaker 13 (15:01):
To remember, Well, a no tricks.
Speaker 2 (15:04):
Now, Oh, here we go again. Yes, leroy, who is
at this time the district attorney?
Speaker 4 (15:12):
You're getting warm monkey. It's a old pal judge hooker.
Speaker 2 (15:15):
What oh well that old crab wants? Is fortunate told?
This is the first pleasant thing that's happened to me
all day. All right, leroy, go on, go on, go on.
Speaker 12 (15:27):
This is where you come to have your hand read.
Speaker 2 (15:30):
No, say he does not work by the end.
Speaker 3 (15:34):
He's the crystal ballplayer. Hey, please to take your sit.
Speaker 2 (15:40):
Down, judge, judge, say, how do you know?
Speaker 12 (15:43):
I'm a judge?
Speaker 6 (15:44):
Just speaking the Yogi Swamahunda, queen of the Hindu mistakes,
the great soothsayer who sees all, knows all and tells
a little.
Speaker 12 (15:56):
Well, that was certainly good guessing my profession.
Speaker 2 (15:59):
He is not.
Speaker 6 (15:59):
Necessary for me to guess, judge what I know? Now
it will be necessary to cross my palm with silver.
Speaker 12 (16:07):
And I paid my dollar outside.
Speaker 2 (16:09):
I have no contact with the outside.
Speaker 6 (16:17):
That is separate business this silver. Please informably five dollar bill?
Speaker 12 (16:23):
I will not, No, sure, I will not.
Speaker 2 (16:26):
How about that five dollar bill you wanted pocon last night? Say,
how did you know?
Speaker 3 (16:31):
Don't worry, I should not tell a soul. You were
supposed to draw one car and you picked up two.
Thank you very much, said now I look deep into
the crystal bowl.
Speaker 2 (16:44):
Hella can't do mulla hula.
Speaker 12 (16:48):
Hey, hey, hey, what are you doing?
Speaker 2 (16:49):
I am calling on the spirit to my forefathers.
Speaker 12 (16:52):
But if you're gonna tell my fortune, why don't you call.
Speaker 2 (16:54):
On my poor father? Because hebe I cannot bark. What's
that silence? Please? I am gazing into your past. It
is mighty murky.
Speaker 12 (17:11):
Now what do you see?
Speaker 2 (17:12):
I see you have a friend, a dark man with mustache.
Is he fat? No, not fat? Maybe a little blonde,
but on him it look good. He's a handsome dog.
Speaker 12 (17:24):
No, I wouldn't call him handsome, but he's.
Speaker 2 (17:26):
A dog, all right enough.
Speaker 6 (17:30):
You are always abusing this friend fella, giving him the
hot foot in his soul.
Speaker 2 (17:36):
That is bad for you. I mean, do you think so?
Speaker 3 (17:40):
Yes, we die, he said in my native tongue.
Speaker 6 (17:46):
And you tell waldo comfessor kamanas roca soul blasto make
is that so?
Speaker 2 (17:53):
Say?
Speaker 12 (17:53):
What does it mean?
Speaker 2 (17:54):
It means be good to gilder sleeves or he gives
you coughing around, that's what say?
Speaker 12 (17:58):
You're a whizz I'd like to put you to one
last test, though.
Speaker 2 (18:02):
This is a hard one.
Speaker 12 (18:04):
Watch this friend's first name.
Speaker 2 (18:06):
I know it as well as I know my own.
He's it rock More P.
Speaker 12 (18:12):
That's absolutely right.
Speaker 11 (18:14):
Mmmm.
Speaker 12 (18:15):
Say elections are coming up pretty soon, and you tell
me if I'm gonna win again.
Speaker 2 (18:21):
Let me look in the crystal ball, he die. I
can see the day of election. You can lots of voters.
Speaker 3 (18:27):
In and out all day long. Yes, yes, yes, oh
it is late twilight. They closed the polls, I see.
Speaker 2 (18:34):
And then they're counting the vote.
Speaker 12 (18:35):
Yes, yes, go on.
Speaker 2 (18:36):
He's getting dark. They're adding up total. I see.
Speaker 12 (18:39):
Well what is it?
Speaker 2 (18:40):
I think? I see? You know, I can what's wrong?
What's the trouble He's so dark?
Speaker 3 (18:45):
I cannot read the results? Leroy stopped yelling Uncle George.
I'm ready to yell uncle myself. I've told about more
fortunes this afternoon than done and brad Street.
Speaker 4 (19:06):
Oh, cheer up, Uncle more. The next one is the
last before dinner?
Speaker 2 (19:09):
All right? Who is it now?
Speaker 4 (19:11):
Missus Salisbury Twitchell?
Speaker 2 (19:12):
Yo, that male dude, old scorpion.
Speaker 4 (19:16):
Yeah, you know all about her?
Speaker 2 (19:17):
I bet, yeah, I hope I can hold.
Speaker 3 (19:19):
Out, Madam Yogi Swamahandra, welcome to you. Hello.
Speaker 14 (19:27):
First of all, mister swam or Yoki or whatever you are,
I want you to know that I don't believe in
any of this.
Speaker 6 (19:32):
Nonsense, of course, not missus Salisbury twitching.
Speaker 11 (19:36):
Oh you know my name?
Speaker 1 (19:38):
Who told you?
Speaker 2 (19:39):
I am Yogi Swamah. I know everything?
Speaker 4 (19:42):
Well, I wager that you don't know everything. What was
my maiden name?
Speaker 2 (19:47):
Excuse me? I got to look in the crystal ball.
With this ball, I can even look that far back. Oh,
I got it, Madam. Before you were marriaged, your name
used to be mcgillam Cuddy. Babe mcgillam Cuddy. All right,
(20:08):
that's enough. You don't need to go on your father
she had farm raised tornos.
Speaker 14 (20:13):
Oh, now that's what you're wrong.
Speaker 3 (20:16):
They were beat Excuse please, but beach look like tornops
because this is not technical a crystal ball. I see
many interesting things in your past, madam, Shall I tell you?
Speaker 1 (20:33):
Oh?
Speaker 3 (20:34):
No, no, you know women?
Speaker 6 (20:36):
So do I?
Speaker 12 (20:37):
So why bother?
Speaker 2 (20:38):
You have led very interesting life, madam? Would make wonderful movie?
Do you think so? Sure? With title? How green? Was my?
Mister Twitchell? Tell me, madam, you still do not believe
(21:00):
even my powers.
Speaker 14 (21:01):
No, I've I've changed my mind. You're positively uncanny. Now, sir,
I have a number of problems and I need your advice.
Speaker 12 (21:08):
I suppose I tell you all about some other time,
Missus Twitchell.
Speaker 2 (21:12):
Now, I got to go to his dinner? Of course?
Why don't you come out to my house?
Speaker 10 (21:16):
What?
Speaker 2 (21:16):
Oh? No, I got to relax.
Speaker 6 (21:18):
And besides, I've already promised Miss Forrest that I got
to have dinner at her house.
Speaker 4 (21:23):
Oh, but I must talk to you some more. I
know what, Oh majie, what do you do?
Speaker 14 (21:29):
Yes, my dear, I've become so fascinated with the Yogi
that I've insisted, and he is coming to dinner at
my place.
Speaker 4 (21:35):
You must come too, and bring.
Speaker 14 (21:37):
Your little brother and that uncle of yours, mister Gill
to sleep.
Speaker 2 (21:40):
If not him, not you asleep. If he comes along,
I'll not be there. I'm getting to like you more
every minute.
Speaker 14 (21:50):
Very well, let's get out of this tent and my
car is at the curve we're stuck on.
Speaker 2 (21:54):
Gosh, I've got reading out of my hand. Marjorie. I'm
calling missus Twitchill a minute.
Speaker 13 (22:00):
Why do you think you're going?
Speaker 2 (22:01):
I'm going out to dinner. Not without me.
Speaker 4 (22:04):
Oh, Yogi, who is this gentleman?
Speaker 2 (22:07):
Who? Oh? This this is mister Quinn. He's a he's
trying to get me to do some work for the state.
You you might as well invite him to dinner too,
because he's going to come along anyway.
Speaker 14 (22:32):
Oh, now, Yogi to know something about India Indian?
Speaker 2 (22:37):
Sure, Yoga, go ahead.
Speaker 13 (22:39):
You're an old Indian faker.
Speaker 2 (22:42):
I am Indian fak here. Well, there's no difference between
the no more than between a flat foot and a
flat head.
Speaker 4 (22:52):
That's a.
Speaker 7 (22:56):
Yeah, that's a hot one. Finish the spinach. Oh gee,
I better only eat spinach and endia?
Speaker 2 (23:04):
Do they, Yogi, dah where I come from?
Speaker 3 (23:07):
They stopped children with spinach so they can't talk at
dinner time.
Speaker 2 (23:13):
Oh that reminds me.
Speaker 14 (23:15):
I've been meaning to ask what part of India did
you come from?
Speaker 2 (23:18):
Yogi? All of me? No? No, I mean where were
you born?
Speaker 10 (23:25):
Oh?
Speaker 2 (23:25):
Born? Now I grabbed you? Where was I born? In
my papa's house?
Speaker 6 (23:31):
My mama done told me. Well, I think it's time
for me to return to the bazaar.
Speaker 2 (23:45):
Let me see. He's already fifteen minutes coming to eight o'clock.
Speaker 4 (23:50):
What a beautiful girl, was Where did you get it? Yogi?
Speaker 2 (23:53):
It was given to me by Gypsy's woman. She thought
I was a fellow named Joe. I must remember the
mail it back to Yes, it is coming on. Oh
my goodness, how's that it's crooked?
Speaker 4 (24:07):
Points off to the left.
Speaker 2 (24:08):
Oh how's it now any better?
Speaker 4 (24:10):
Yeah?
Speaker 5 (24:10):
But we better get out of here before its parent.
Speaker 6 (24:13):
Okay, I'm sorry, missus Twitchell, But now I must make
the grand scrap.
Speaker 13 (24:18):
Yes, and after he finishes tonight, we've got to go
on a little.
Speaker 2 (24:21):
Trip, don't we, yogy?
Speaker 12 (24:22):
Oh but in town for a few days.
Speaker 13 (24:25):
No, No, we have a little legal business to attend
to in Chicago.
Speaker 2 (24:30):
That's too bad, Madam Twitchell, you said a mouseful.
Speaker 4 (24:34):
Well, take good care of the youg on the trip.
Speaker 2 (24:38):
Oh sure, I won't let him out of my side.
In fact, I'm going to simply a touch myself to him. Oh,
holy catfish, what did you say? Nothing? Nothing, madam.
Speaker 3 (24:50):
I was only praying to the holy catfish of the
Ganges River.
Speaker 2 (24:54):
He good buye, Missus Twitchell. Come on, everybody. Oh I
hope this is over pretty soon. I'm plenty tired of
tempting Tonight on the old campground. If is that you Leroy? No,
(25:21):
so this is burden? What are you doing whistling pale hands?
Where's Leroy? It's late?
Speaker 12 (25:27):
He's gone home and I'm on.
Speaker 4 (25:29):
The swing ship.
Speaker 2 (25:34):
Oh I see, well, who's next? Bertie?
Speaker 12 (25:36):
There's a big gentleman with a dull red gleam.
Speaker 1 (25:39):
In his eyes.
Speaker 8 (25:40):
Have y'all been telling some wife her husband's a philanthropist?
Speaker 2 (25:44):
Bertie? I've told so many different people, so many different stories.
I don't know what I said. I better get out
of here. Bertie. You go out and stall him a
little while.
Speaker 4 (25:50):
Huh okay, but he ain't tight thaw good?
Speaker 3 (25:54):
Oh if I can crawl under the back of this
tent and sneak out before that nosy detective who discovers Hello,
Lieutenant Quinn, what.
Speaker 2 (26:03):
Are you doing here?
Speaker 13 (26:04):
Get back in there, maybe before I take it at
Chicago in a box.
Speaker 2 (26:08):
If I was only after a breath of fresh air.
Speaker 13 (26:11):
You don't have to cry on your hands and knees
after it. I'll get back in there, Willie.
Speaker 2 (26:15):
All right, and stop calling me Willie man. Excuse me?
Speaker 9 (26:19):
But are you the man who calls himself yogis mamhandra?
Speaker 2 (26:24):
It does? Have you got any appointment. No, I haven't.
Then I can't read your fortune.
Speaker 12 (26:29):
Okay, then I will read yours. Take a good look
in the crystal ball Yogay, what do you see?
Speaker 2 (26:38):
I see nothing?
Speaker 12 (26:40):
Well, I see something.
Speaker 2 (26:42):
I can see you tomorrow morning.
Speaker 12 (26:44):
You are waking up in a hospital bed.
Speaker 9 (26:48):
What your charge fracture? Both of your eyes are black,
Your nose is in springs, and your ribs at barbecue.
Speaker 2 (26:58):
Oh my goodness, what are you talking about?
Speaker 9 (27:00):
My predictions come through, my friend, and I'll make sure.
Speaker 2 (27:02):
No, wait a minute, who are you?
Speaker 9 (27:03):
I just got into town on a late plane and
I find my reputation is ruined and you've done it.
Speaker 2 (27:08):
To take care. I am clear. You'll kiss from a
hundred Oh you are well. I'm certainly glad to me here.
You won't be I am going to give you a
pace you leave tread chop. No, you don't. You keep
waiting me. Oh, mister Quinn, Oh, mister Quinn.
Speaker 6 (27:21):
Hey, what the id?
Speaker 2 (27:22):
No? What are you grab that? Man? There's your real yogi?
Do you douty? Officer? Hey, come back here and fin
nuts to you. Joseph the greg Uil the slave will
be let us again in a few minutes. The first.
Speaker 1 (27:42):
Are those lenten meals becoming a problem to you homemakers?
I mean, are you finding it hard to make them
as tasty and appetizing as your regular meals? Well, if
you do, here's a hint that may be mighty helpful.
Speaker 2 (27:52):
Yes, it's this.
Speaker 1 (27:54):
You can add rich extra flavor to all kinds of
dishes by using plenty of parque margine made by craft.
You see, the delicate, tempting flavor that makes park margin
a favorite spread for bread makes it grand for cooking too.
Park marchmin is swell melted over hot vegetables. It's a
real flavor shortening that adds delicate extra flavor to cookies
(28:14):
and cakes and pie crust. Park makes pan fried's food
tastier because it tastes so good itself. In fact, park
marginin adds extra flavor to all kinds of dishes and
the extra zest that makes your family ask for more.
Best of all, using lots of parquet margins no extravagance.
When you find how little it costs, you'll certainly agree
to that. And remember, park margmin is a highly nutritious
(28:37):
energy food that's a reliable year round food source of
important vitamin A. So right now, put delicious parquet margin
at the top of tomorrow shopping list. Remember it's Park
Pa r Kay Park, the margin that's made by Kraft.
Speaker 3 (29:02):
And there we were, Judge, me and Willie the Tubb
locked in mortal combat, but I subdued him by sheer
brute strength.
Speaker 12 (29:09):
Well, seeing what you've done, I guess I'll have to
forgive you for tricking me. Guillners Sleeve say, I just remembered,
what did you do with my five bucks?
Speaker 2 (29:17):
Oh?
Speaker 3 (29:17):
That I did the best thing possible with a Judge.
I've given it to the American Red Cross. I hope
everyone who's listening in will find an extra five spot
to turn over to the.
Speaker 2 (29:27):
Red Cross this week, like I did. It's like you did, Judge.
Good Night
Speaker 1 (29:39):
Love Golden Lator comes here from hollywoods this is the
nice on a broadcasting compliment.
Craft Presents the Great Gilder Slave, the Craft Cheese Company,
who also bring you Bing Crosby every Thursday Night present
each week at this time, Harold Harry is the Great
Kilder Slave, written by Leonard L.
Speaker 2 (00:21):
Levinson.
Speaker 1 (00:29):
Now let's visit our friend, the Great Kilder Slave, who's
at the Bundles for Blue Jackets Bazaar, preparing to do
his bit by acting as the boxer at the booth
where the pretty girls are going to sell kisses.
Speaker 2 (00:45):
Well, well, so.
Speaker 3 (00:46):
This is my booth mate, you know, Mindreie, I think
it's going to be fun selling kisses.
Speaker 4 (00:50):
This is the first time I've heard of it from you.
Gonna say your kisses too?
Speaker 5 (00:54):
Uncle Mary isn't going to do the kissing Lee, right?
Speaker 4 (00:56):
I thought I was wrong about that.
Speaker 2 (00:58):
Yeah.
Speaker 3 (00:59):
Yeah, they're gonna be a dozen beautiful young ladies to
do the Workley right. Incidentally, Martie, it would be a
good salesman. That's all I should know about what he's
talking about. You know, now, don't you think.
Speaker 6 (01:09):
There's a no?
Speaker 2 (01:10):
I guess free samples are out? Yeah?
Speaker 7 (01:14):
Heee want to spend a book for a wetsmack when
you can get justice Daffy on a dimesurp as chaffy.
Speaker 4 (01:21):
You know what, the more that wasn't a bad idea
of Lee.
Speaker 5 (01:23):
Roight about you kissing any of the ladies, we could
charge the Dorothy.
Speaker 3 (01:27):
No, my dear, why not uncle, because I'd pay a
dollar myself not to kiss the type of woman would
pay a dollar to kiss me.
Speaker 8 (01:34):
Oh, miss Mark, I got your lemonade stand or fixed
up for you. But if we get a big crowd,
I don't think three lemons is don't.
Speaker 4 (01:40):
Be in love.
Speaker 5 (01:41):
You gotta get some law Bertie. They're gonna open the
doors in about an hour.
Speaker 4 (01:44):
And we're taking a lot of people, you know.
Speaker 8 (01:46):
Yeah, all the gentlemen in town want to patronize mister
Gilsleeve's osculation station.
Speaker 2 (01:51):
Yeah they do.
Speaker 8 (01:53):
Eh, Yes, there'll be buzzing on their kiss boots till.
Speaker 9 (01:56):
Their poor girls is all poking out.
Speaker 2 (01:58):
Yeah.
Speaker 8 (02:00):
And all the ladies don't line up with that. Yogi
man tend to have their fortunes too.
Speaker 4 (02:04):
Oh you mean Yogi Swamahandra.
Speaker 5 (02:05):
Oh, Penny Banks met him in New York and he's marvelous.
We're counting on him as I ain't attraction. Oh there's Penny,
oh Penny Yah, right, I just had the most terrible news.
Speaker 4 (02:14):
I don't know what to do.
Speaker 10 (02:15):
Yogi Swamahandra's missed his playing connections and won't be here
in time.
Speaker 2 (02:19):
A fine fortune teller.
Speaker 3 (02:20):
Why didn't he look at his crystal ball, see that
he was going to miss the plane and then see
that he didn't?
Speaker 10 (02:25):
Well, we've depended on the Yogi is our big money maker.
Speaker 4 (02:28):
Why don't you get.
Speaker 2 (02:29):
A substitute, leroy? Do you think that Yogi's grow on bushes?
Speaker 4 (02:32):
I don't know what is a yogi? U?
Speaker 3 (02:34):
Yogi is a man who tells you about your past
and future for a present.
Speaker 2 (02:40):
Penny. Isn't there any other one floating around who can
pinch hit for this man?
Speaker 6 (02:43):
Oh?
Speaker 11 (02:43):
I don't know.
Speaker 2 (02:44):
Anny, Why don't you get somebody to dress up and
play the part?
Speaker 10 (02:46):
Well, mister Gildersleeves, that would be deceiving the people.
Speaker 2 (02:49):
What do you think those fortune tellers do they look
at a crystal ball? They don't see any news real?
You know?
Speaker 7 (02:55):
Sure all you need is a smooth parker with a
gift a gap like Uncle mord here.
Speaker 2 (03:00):
Yeah, no, wait a minute, young man.
Speaker 5 (03:02):
Yes, uncle, look you are a costume and makeup and
a beerd People would still recognize me.
Speaker 12 (03:06):
No, you could get away with it.
Speaker 2 (03:08):
It's dark in that tim but I wouldn't know what
to say.
Speaker 5 (03:10):
We could help you by giving you the load down
on the customers load down.
Speaker 2 (03:13):
But suppose they got the load down.
Speaker 4 (03:14):
On me, they wouldn't if you change your boys, say yes,
uncle lord?
Speaker 3 (03:19):
Oh what am I getting myself into? I'm no fortune color,
and something tells me that instead of being in front
of a crystal ball, I'm gonna find myself behind an
eight ball?
Speaker 4 (03:38):
What are we stopping here for? Costume places three blocks
down the street?
Speaker 2 (03:41):
I know, Leroy, but read the sign.
Speaker 11 (03:43):
Oh have your.
Speaker 7 (03:44):
Past, present and future revealed by famous gypsy physique.
Speaker 2 (03:49):
If that's psychic Leroy?
Speaker 3 (03:54):
Yes, Madam Rosalie, the gypsy who reveals all.
Speaker 4 (03:57):
Gee, Gypsy Rosalie, I've heard.
Speaker 2 (03:59):
Of her, Leroy, that's another one.
Speaker 3 (04:04):
I thought maybe I could take up a few pointers
on how to go about this fortune telling business from
this woman.
Speaker 4 (04:08):
Here who cares for it.
Speaker 2 (04:09):
No, Leroy, you will have to wait here. I'll be
right back.
Speaker 11 (04:11):
Who afternoon, sir.
Speaker 10 (04:26):
You have came to consult Madam Rothalie, the great series
who sees.
Speaker 5 (04:30):
Everything, knows everything, and tells everybody why.
Speaker 2 (04:35):
Yes, that is if she isn't.
Speaker 7 (04:36):
Busy, I shall look in the crystal ball and see.
Speaker 10 (04:40):
No, I am not I see if you you're free, No,
it will be necessary to cross my palm with still.
Speaker 2 (04:50):
Oh yes, of course.
Speaker 10 (04:51):
How much one dollar for three questions, a past, a.
Speaker 4 (04:54):
Present, and the future.
Speaker 2 (04:55):
All right, let me see give it.
Speaker 5 (04:57):
The ear quick if thank you? Now sit down and
look deep into crystal bars.
Speaker 2 (05:04):
All right, I'm looking what next?
Speaker 7 (05:07):
I can't.
Speaker 2 (05:11):
Excuse me? Would you mind repeating that?
Speaker 7 (05:13):
I can't That's what I thought you said.
Speaker 2 (05:20):
I'll have to remember that. What does it mean?
Speaker 5 (05:22):
I am calling on the spirit of my forefather.
Speaker 2 (05:25):
They must have been tobacco auctioneers.
Speaker 3 (05:27):
Man.
Speaker 2 (05:29):
Well, let's go right ahead, madam.
Speaker 5 (05:30):
First, for the past, I see not long ago trouble.
Speaker 4 (05:35):
If there was smoke, a dark cloud behind you?
Speaker 2 (05:39):
Oh yes, Berdie burned the toast to breakfast.
Speaker 5 (05:41):
They're very good, Madame Rosalie, she never fail.
Speaker 4 (05:45):
And now for the present.
Speaker 11 (05:47):
Mmmm.
Speaker 4 (05:49):
You get into trouble because of men?
Speaker 2 (05:52):
What kind of a man?
Speaker 4 (05:53):
He's dark? Also heavy?
Speaker 2 (05:55):
Did does he have a black mustache?
Speaker 11 (05:57):
Sure?
Speaker 4 (05:57):
With blackmooth flash. He gets you in trouble, you know him?
Speaker 3 (06:02):
Yeah, that's me I'm my own worst enemy.
Speaker 2 (06:05):
Now what about the future?
Speaker 4 (06:07):
Soon you will have lost?
Speaker 10 (06:08):
If not careful lost crystal boys.
Speaker 4 (06:11):
Say, honey, tero ugly door, A.
Speaker 10 (06:13):
Blasto makes your blast of low many?
Speaker 2 (06:16):
What does that mean?
Speaker 4 (06:17):
Watch out?
Speaker 2 (06:18):
Well? Thank you very much?
Speaker 8 (06:20):
Is that all?
Speaker 3 (06:20):
Yes?
Speaker 4 (06:21):
Unless you wish to ask the dollar question.
Speaker 2 (06:25):
I don't think i'll have the time. Let me see
how late it is? By George? What did I do
with my watch? I had a time shift? Now no,
see here, madam? Where's my watch?
Speaker 4 (06:36):
How should I be ning?
Speaker 2 (06:38):
I thought you knew everything.
Speaker 4 (06:39):
I do not bother with trifers.
Speaker 2 (06:40):
This wasn't a trifle. It was an eighty dollars watch, sir?
Speaker 4 (06:43):
Are you accusing me?
Speaker 2 (06:44):
Yes? Either I get my watch, backer say, I'll bet
you put it in that draw.
Speaker 4 (06:47):
No, no, you keep out of that.
Speaker 2 (06:48):
Is that so I'm gonna have a look.
Speaker 7 (06:49):
You stop at he's known your business?
Speaker 3 (06:52):
Well, well what's this, madam? You've got enough watches here
to start a hat shop, and here's mine. Well, thank you,
I guess I'll go on.
Speaker 10 (06:59):
You you're hesh sneam Malo Chorando said, up an trowny?
Speaker 2 (07:04):
What does that mean? Don't know? Don't answer that so long, madam,
and don't take any wooden watches.
Speaker 3 (07:11):
Knos to yo Joe, well debut tom Oh, well, hey,
come on, leroy, did you hear anything?
Speaker 2 (07:20):
Un Come on, I'll say I did.
Speaker 3 (07:21):
When a gypsy says watch out, she means you're gonna
be out of watch?
Speaker 2 (07:25):
What do you mean? Huh do you see this gold
time piece of mind?
Speaker 3 (07:28):
But that gypsy tried to Oh my goodness, leroy, this
isn't my time piece at all.
Speaker 4 (07:33):
Wait a minute, ancome, what way are you going?
Speaker 3 (07:34):
I'm going back to get my watch that gypsy woman,
but he hasn't done it all?
Speaker 2 (07:37):
What do you mean? How do you know?
Speaker 7 (07:39):
You malade it down on the dining room table at
much time.
Speaker 2 (07:41):
And left home without Oh this is a fine mess.
Speaker 7 (07:59):
This way I'm I mean Maharajah, the mazauras and pool
blast not so fastly, Roy?
Speaker 2 (08:04):
Is everything all right with my costume? If? How about
the turbine, your laundry marks showing thanks? How about this beer?
Speaker 4 (08:11):
Gee? You're best friends? Won't tell you for my handle?
Speaker 3 (08:14):
I mean, there's Penny and Marjorie and Bertie. Let's see
if we can pull them hunt. If you pretend I'm
the real Yogi.
Speaker 4 (08:20):
All right, Penny, this gentleman who's outside and said he
wanted to see you. This is miss Banks.
Speaker 3 (08:26):
Mister Yogi, greetings, been side eight thousand part of things.
Speaker 2 (08:30):
If I'm late, Oh welcome, mar You look cute. I'll
never get away with it.
Speaker 5 (08:37):
Oh yes you can, mister yoders Now sure, but you
look just like you said, out of.
Speaker 4 (08:41):
Kipling, doesn't he? Bertie, that's right, that's right.
Speaker 2 (08:44):
He's been kipling all your life.
Speaker 10 (08:47):
People are waiting out the fortunes told mister Gildersleeve. Now
here's what we'll do, marj you sell tickets, okay, and Bertie,
you and I all spot the customers and tell Leroy
their names and all about them.
Speaker 8 (08:56):
Yes, ma'am, I'm old the loddan on the high up.
Speaker 10 (08:59):
And then why you go round to the back of
the tent. There's a hole there and you whisper the
information to your uncle.
Speaker 2 (09:04):
Well, how I know when Leroy is there?
Speaker 4 (09:06):
I suppose I'm not three times on.
Speaker 3 (09:08):
A canvas tent. That's like knocking on a wet sponge.
How about whistling something.
Speaker 4 (09:13):
That's a good idea? What do I whistle?
Speaker 3 (09:15):
How about something?
Speaker 2 (09:15):
Boogie woogie? No, berdie, spare me the hot licks. Why
not something Indian?
Speaker 4 (09:21):
Oh, like by the waters of the mini tongue cor No, my.
Speaker 3 (09:24):
Greie East Indian, like a pearl hands I love besides
to sell him all.
Speaker 4 (09:31):
Don't you ot a hair deep in the heart of Texas?
Speaker 3 (09:36):
No, Leroy, pale hands, not clap hands. That should be
easy to remember it. Just look at your hands.
Speaker 2 (09:43):
You just look at your hands. You better wash them.
They're not pale enough.
Speaker 4 (09:49):
People are waiting, mister dealers lead. You better go in
the tent and get started.
Speaker 2 (09:52):
Wait a minute, girls, I'm getting cold feet.
Speaker 4 (09:54):
Just throw them up underneath you and sit on them.
Speaker 2 (09:55):
Uncle Tim, you.
Speaker 3 (09:57):
Go all right if you insist, cap Roy, What did
you call me?
Speaker 4 (10:01):
You're not your turbanov?
Speaker 2 (10:04):
Oh? Yeah, of course I thought you. Well, never mind
what I thought.
Speaker 4 (10:06):
You should get comfortable in there at the Morton. We'll
stop sending in the Victor, all right.
Speaker 3 (10:10):
Whenever you're ready, Just shoot the gulls to me. Gals, Now,
let me see how do you do this? Mahat mcgillders leave. Oh,
it must be read to start. Where's that hole in
the canvas? This must be it is that you, Leroy, It.
Speaker 7 (10:26):
Ain't common lombrado. Get set, and I want you about
to tell your first fortune.
Speaker 2 (10:31):
Believe me, I'd give a fortune to get out of here.
Who is it?
Speaker 4 (10:34):
It's some man that none of us know.
Speaker 2 (10:36):
This is gonna be one of my bad days. Can't
you stall him off?
Speaker 11 (10:41):
They try?
Speaker 4 (10:41):
But no, soulp you gotta take him first.
Speaker 2 (10:44):
Well, I'll do my best. How do I look your laundry?
Speaker 4 (10:46):
Mark's showing again? Get back here, he goes.
Speaker 2 (10:49):
I wish I had a mirror in here. Greed things
in salutation?
Speaker 13 (10:53):
Si halloo.
Speaker 2 (10:56):
You have come to consult Yogi Swamahandada. If he do mystics?
Speaker 4 (11:01):
No?
Speaker 2 (11:02):
No, oh he didn't. If you didn't, well then then
why did you come here?
Speaker 13 (11:08):
To ask you about Alice Higgins and missus Bellmontiversity and
Maury King?
Speaker 2 (11:12):
What about them?
Speaker 13 (11:13):
So as if you didn't know?
Speaker 2 (11:16):
If I do come, come sorry?
Speaker 3 (11:20):
If you care to gaze in the crystal ball, maybe
I can locate.
Speaker 2 (11:24):
These people they sent me to locate you. Andrews Andrews
that you are making some mistake.
Speaker 13 (11:31):
Yes, I I am the Yogi swam Yes, sure I
know that Yogi Swamahandra alias William Andrews ads water Punker
alias lowis the Frost ads Pete Brown, if who me yes,
and they take a Lieutenant Quinn from Chicago where you
wanted to jump a Baylon Bunco charges what you're also
I wanted and I to hope for obtaining money out
of Passe Pretenses and Baton Rouge were running a confidence
(11:52):
game and in Florida were selling rubber plants guaranteed to
grow white side wall tires.
Speaker 1 (12:09):
We'll hear from the Greg Guilder sleeve again in just
a moment. Meantime, You mothers and wives of hearty eaters,
just the way your food budget is going up?
Speaker 2 (12:17):
Ever get you down? If so?
Speaker 1 (12:19):
Have you ever thought of serving Park marginin made by Kraft,
Because using parkue margarine is one sure way to economize
and please your family too. You see, park margin is
different from the margarine you may have tried a few
years back. Park is the delicious, wholesome margarine that's made
by Craft, and like all the famous Craft foods, it's
(12:39):
mighty good tasting. But there's no need to take my
word for it. Park costs so little. Why not buy
a pond tomorrow and try Park yourself. I'll bet you agree.
Park's delicate, appetizing flavor is pretty hard to beat. Then too,
Park marchmin is a nourishing, wholesome food. It's one of
the best energy foods you can serve. And to make
it even better for you, absvit him and as a
(13:01):
Park marginine nine thousand units to every pound.
Speaker 2 (13:04):
So give the food.
Speaker 1 (13:05):
Budget a break. Order delicious Parque margarine tomorrow. Yes, ask
your dealer for Park p A r k A y
Park the delicious margarine made by Craft. Now back to
(13:30):
the great guilders Sleeve, who suddenly found himself a much
wanted man by the police of half a dozen cities.
Speaker 13 (13:38):
Taken hold it, Hold it quietly, quietly, Roy, and I
care what you people say. I came here to grant
the yo guy and he's going back up face trial officer.
Speaker 4 (13:46):
You're making a mistake. This is my uncle, mister Guildersley.
Speaker 2 (13:49):
Yes, frock Morton, p Guildiss leave.
Speaker 13 (13:52):
That's pony alias if I ever heard one.
Speaker 4 (13:57):
See you can see he is yo taking beard off again.
Speaker 13 (14:00):
Never mind, never mind, I know he's a hey yo guy.
His real name is Willie Andrews and he's known as
Willie's the Tub.
Speaker 2 (14:07):
If I am not a tough. Is just the way
this coke buttons.
Speaker 3 (14:12):
Yeah, I knew that when I started to fool folks,
I'd get into trouble.
Speaker 2 (14:15):
My mama done told me.
Speaker 10 (14:18):
But Lieutenant Quinn, if you've taken away now bundles the
Blue Jackets to lose a lot of money, why don't
you wait? Will we closed on tonight?
Speaker 13 (14:25):
Well, okay, May's okay. I'll let this graft to operate
for the balance of the show, but I'll be on
guard right outside the tant Is that in.
Speaker 2 (14:32):
The stud Excuse me? Do you mind if I go home?
I'm expecting a bad headache.
Speaker 5 (14:37):
N you stay right here, Uncle Moore, don't worry.
Speaker 4 (14:40):
We're going to get this all straightened out before the
bizarre closes. Mister Gildi Sleeve, come on, let's just for yogi.
Get to work. Come on, Lieutenant, come on, Marjorie Leroy. Okay,
I'm coming time taking ease.
Speaker 10 (14:50):
He the Lord.
Speaker 4 (14:51):
Remember keep a stiff up for.
Speaker 2 (14:52):
Turvern if how can I I've been in hot water
ever since I put on this Turkish towels.
Speaker 4 (14:58):
They'll get you out of this, uncle, if it takes us, Yeah.
Speaker 2 (15:00):
It looks like it will.
Speaker 13 (15:01):
To remember, Well, a no tricks.
Speaker 2 (15:04):
Now, Oh, here we go again. Yes, leroy, who is
at this time the district attorney?
Speaker 4 (15:12):
You're getting warm monkey. It's a old pal judge hooker.
Speaker 2 (15:15):
What oh well that old crab wants? Is fortunate told?
This is the first pleasant thing that's happened to me
all day. All right, leroy, go on, go on, go on.
Speaker 12 (15:27):
This is where you come to have your hand read.
Speaker 2 (15:30):
No, say he does not work by the end.
Speaker 3 (15:34):
He's the crystal ballplayer. Hey, please to take your sit.
Speaker 2 (15:40):
Down, judge, judge, say, how do you know?
Speaker 12 (15:43):
I'm a judge?
Speaker 6 (15:44):
Just speaking the Yogi Swamahunda, queen of the Hindu mistakes,
the great soothsayer who sees all, knows all and tells
a little.
Speaker 12 (15:56):
Well, that was certainly good guessing my profession.
Speaker 2 (15:59):
He is not.
Speaker 6 (15:59):
Necessary for me to guess, judge what I know? Now
it will be necessary to cross my palm with silver.
Speaker 12 (16:07):
And I paid my dollar outside.
Speaker 2 (16:09):
I have no contact with the outside.
Speaker 6 (16:17):
That is separate business this silver. Please informably five dollar bill?
Speaker 12 (16:23):
I will not, No, sure, I will not.
Speaker 2 (16:26):
How about that five dollar bill you wanted pocon last night? Say,
how did you know?
Speaker 3 (16:31):
Don't worry, I should not tell a soul. You were
supposed to draw one car and you picked up two.
Thank you very much, said now I look deep into
the crystal bowl.
Speaker 2 (16:44):
Hella can't do mulla hula.
Speaker 12 (16:48):
Hey, hey, hey, what are you doing?
Speaker 2 (16:49):
I am calling on the spirit to my forefathers.
Speaker 12 (16:52):
But if you're gonna tell my fortune, why don't you call.
Speaker 2 (16:54):
On my poor father? Because hebe I cannot bark. What's
that silence? Please? I am gazing into your past. It
is mighty murky.
Speaker 12 (17:11):
Now what do you see?
Speaker 2 (17:12):
I see you have a friend, a dark man with mustache.
Is he fat? No, not fat? Maybe a little blonde,
but on him it look good. He's a handsome dog.
Speaker 12 (17:24):
No, I wouldn't call him handsome, but he's.
Speaker 2 (17:26):
A dog, all right enough.
Speaker 6 (17:30):
You are always abusing this friend fella, giving him the
hot foot in his soul.
Speaker 2 (17:36):
That is bad for you. I mean, do you think so?
Speaker 3 (17:40):
Yes, we die, he said in my native tongue.
Speaker 6 (17:46):
And you tell waldo comfessor kamanas roca soul blasto make
is that so?
Speaker 2 (17:53):
Say?
Speaker 12 (17:53):
What does it mean?
Speaker 2 (17:54):
It means be good to gilder sleeves or he gives
you coughing around, that's what say?
Speaker 12 (17:58):
You're a whizz I'd like to put you to one
last test, though.
Speaker 2 (18:02):
This is a hard one.
Speaker 12 (18:04):
Watch this friend's first name.
Speaker 2 (18:06):
I know it as well as I know my own.
He's it rock More P.
Speaker 12 (18:12):
That's absolutely right.
Speaker 11 (18:14):
Mmmm.
Speaker 12 (18:15):
Say elections are coming up pretty soon, and you tell
me if I'm gonna win again.
Speaker 2 (18:21):
Let me look in the crystal ball, he die. I
can see the day of election. You can lots of voters.
Speaker 3 (18:27):
In and out all day long. Yes, yes, yes, oh
it is late twilight. They closed the polls, I see.
Speaker 2 (18:34):
And then they're counting the vote.
Speaker 12 (18:35):
Yes, yes, go on.
Speaker 2 (18:36):
He's getting dark. They're adding up total. I see.
Speaker 12 (18:39):
Well what is it?
Speaker 2 (18:40):
I think? I see? You know, I can what's wrong?
What's the trouble He's so dark?
Speaker 3 (18:45):
I cannot read the results? Leroy stopped yelling Uncle George.
I'm ready to yell uncle myself. I've told about more
fortunes this afternoon than done and brad Street.
Speaker 4 (19:06):
Oh, cheer up, Uncle more. The next one is the
last before dinner?
Speaker 2 (19:09):
All right? Who is it now?
Speaker 4 (19:11):
Missus Salisbury Twitchell?
Speaker 2 (19:12):
Yo, that male dude, old scorpion.
Speaker 4 (19:16):
Yeah, you know all about her?
Speaker 2 (19:17):
I bet, yeah, I hope I can hold.
Speaker 3 (19:19):
Out, Madam Yogi Swamahandra, welcome to you. Hello.
Speaker 14 (19:27):
First of all, mister swam or Yoki or whatever you are,
I want you to know that I don't believe in
any of this.
Speaker 6 (19:32):
Nonsense, of course, not missus Salisbury twitching.
Speaker 11 (19:36):
Oh you know my name?
Speaker 1 (19:38):
Who told you?
Speaker 2 (19:39):
I am Yogi Swamah. I know everything?
Speaker 4 (19:42):
Well, I wager that you don't know everything. What was
my maiden name?
Speaker 2 (19:47):
Excuse me? I got to look in the crystal ball.
With this ball, I can even look that far back. Oh,
I got it, Madam. Before you were marriaged, your name
used to be mcgillam Cuddy. Babe mcgillam Cuddy. All right,
(20:08):
that's enough. You don't need to go on your father
she had farm raised tornos.
Speaker 14 (20:13):
Oh, now that's what you're wrong.
Speaker 3 (20:16):
They were beat Excuse please, but beach look like tornops
because this is not technical a crystal ball. I see
many interesting things in your past, madam, Shall I tell you?
Speaker 1 (20:33):
Oh?
Speaker 3 (20:34):
No, no, you know women?
Speaker 6 (20:36):
So do I?
Speaker 12 (20:37):
So why bother?
Speaker 2 (20:38):
You have led very interesting life, madam? Would make wonderful movie?
Do you think so? Sure? With title? How green? Was my?
Mister Twitchell? Tell me, madam, you still do not believe
(21:00):
even my powers.
Speaker 14 (21:01):
No, I've I've changed my mind. You're positively uncanny. Now, sir,
I have a number of problems and I need your advice.
Speaker 12 (21:08):
I suppose I tell you all about some other time,
Missus Twitchell.
Speaker 2 (21:12):
Now, I got to go to his dinner? Of course?
Why don't you come out to my house?
Speaker 10 (21:16):
What?
Speaker 2 (21:16):
Oh? No, I got to relax.
Speaker 6 (21:18):
And besides, I've already promised Miss Forrest that I got
to have dinner at her house.
Speaker 4 (21:23):
Oh, but I must talk to you some more. I
know what, Oh majie, what do you do?
Speaker 14 (21:29):
Yes, my dear, I've become so fascinated with the Yogi
that I've insisted, and he is coming to dinner at
my place.
Speaker 4 (21:35):
You must come too, and bring.
Speaker 14 (21:37):
Your little brother and that uncle of yours, mister Gill
to sleep.
Speaker 2 (21:40):
If not him, not you asleep. If he comes along,
I'll not be there. I'm getting to like you more
every minute.
Speaker 14 (21:50):
Very well, let's get out of this tent and my
car is at the curve we're stuck on.
Speaker 2 (21:54):
Gosh, I've got reading out of my hand. Marjorie. I'm
calling missus Twitchill a minute.
Speaker 13 (22:00):
Why do you think you're going?
Speaker 2 (22:01):
I'm going out to dinner. Not without me.
Speaker 4 (22:04):
Oh, Yogi, who is this gentleman?
Speaker 2 (22:07):
Who? Oh? This this is mister Quinn. He's a he's
trying to get me to do some work for the state.
You you might as well invite him to dinner too,
because he's going to come along anyway.
Speaker 14 (22:32):
Oh, now, Yogi to know something about India Indian?
Speaker 2 (22:37):
Sure, Yoga, go ahead.
Speaker 13 (22:39):
You're an old Indian faker.
Speaker 2 (22:42):
I am Indian fak here. Well, there's no difference between
the no more than between a flat foot and a
flat head.
Speaker 4 (22:52):
That's a.
Speaker 7 (22:56):
Yeah, that's a hot one. Finish the spinach. Oh gee,
I better only eat spinach and endia?
Speaker 2 (23:04):
Do they, Yogi, dah where I come from?
Speaker 3 (23:07):
They stopped children with spinach so they can't talk at
dinner time.
Speaker 2 (23:13):
Oh that reminds me.
Speaker 14 (23:15):
I've been meaning to ask what part of India did
you come from?
Speaker 2 (23:18):
Yogi? All of me? No? No, I mean where were
you born?
Speaker 10 (23:25):
Oh?
Speaker 2 (23:25):
Born? Now I grabbed you? Where was I born? In
my papa's house?
Speaker 6 (23:31):
My mama done told me. Well, I think it's time
for me to return to the bazaar.
Speaker 2 (23:45):
Let me see. He's already fifteen minutes coming to eight o'clock.
Speaker 4 (23:50):
What a beautiful girl, was Where did you get it? Yogi?
Speaker 2 (23:53):
It was given to me by Gypsy's woman. She thought
I was a fellow named Joe. I must remember the
mail it back to Yes, it is coming on. Oh
my goodness, how's that it's crooked?
Speaker 4 (24:07):
Points off to the left.
Speaker 2 (24:08):
Oh how's it now any better?
Speaker 4 (24:10):
Yeah?
Speaker 5 (24:10):
But we better get out of here before its parent.
Speaker 6 (24:13):
Okay, I'm sorry, missus Twitchell, But now I must make
the grand scrap.
Speaker 13 (24:18):
Yes, and after he finishes tonight, we've got to go
on a little.
Speaker 2 (24:21):
Trip, don't we, yogy?
Speaker 12 (24:22):
Oh but in town for a few days.
Speaker 13 (24:25):
No, No, we have a little legal business to attend
to in Chicago.
Speaker 2 (24:30):
That's too bad, Madam Twitchell, you said a mouseful.
Speaker 4 (24:34):
Well, take good care of the youg on the trip.
Speaker 2 (24:38):
Oh sure, I won't let him out of my side.
In fact, I'm going to simply a touch myself to him. Oh,
holy catfish, what did you say? Nothing? Nothing, madam.
Speaker 3 (24:50):
I was only praying to the holy catfish of the
Ganges River.
Speaker 2 (24:54):
He good buye, Missus Twitchell. Come on, everybody. Oh I
hope this is over pretty soon. I'm plenty tired of
tempting Tonight on the old campground. If is that you Leroy? No,
(25:21):
so this is burden? What are you doing whistling pale hands?
Where's Leroy? It's late?
Speaker 12 (25:27):
He's gone home and I'm on.
Speaker 4 (25:29):
The swing ship.
Speaker 2 (25:34):
Oh I see, well, who's next? Bertie?
Speaker 12 (25:36):
There's a big gentleman with a dull red gleam.
Speaker 1 (25:39):
In his eyes.
Speaker 8 (25:40):
Have y'all been telling some wife her husband's a philanthropist?
Speaker 2 (25:44):
Bertie? I've told so many different people, so many different stories.
I don't know what I said. I better get out
of here. Bertie. You go out and stall him a
little while.
Speaker 4 (25:50):
Huh okay, but he ain't tight thaw good?
Speaker 3 (25:54):
Oh if I can crawl under the back of this
tent and sneak out before that nosy detective who discovers Hello,
Lieutenant Quinn, what.
Speaker 2 (26:03):
Are you doing here?
Speaker 13 (26:04):
Get back in there, maybe before I take it at
Chicago in a box.
Speaker 2 (26:08):
If I was only after a breath of fresh air.
Speaker 13 (26:11):
You don't have to cry on your hands and knees
after it. I'll get back in there, Willie.
Speaker 2 (26:15):
All right, and stop calling me Willie man. Excuse me?
Speaker 9 (26:19):
But are you the man who calls himself yogis mamhandra?
Speaker 2 (26:24):
It does? Have you got any appointment. No, I haven't.
Then I can't read your fortune.
Speaker 12 (26:29):
Okay, then I will read yours. Take a good look
in the crystal ball Yogay, what do you see?
Speaker 2 (26:38):
I see nothing?
Speaker 12 (26:40):
Well, I see something.
Speaker 2 (26:42):
I can see you tomorrow morning.
Speaker 12 (26:44):
You are waking up in a hospital bed.
Speaker 9 (26:48):
What your charge fracture? Both of your eyes are black,
Your nose is in springs, and your ribs at barbecue.
Speaker 2 (26:58):
Oh my goodness, what are you talking about?
Speaker 9 (27:00):
My predictions come through, my friend, and I'll make sure.
Speaker 2 (27:02):
No, wait a minute, who are you?
Speaker 9 (27:03):
I just got into town on a late plane and
I find my reputation is ruined and you've done it.
Speaker 2 (27:08):
To take care. I am clear. You'll kiss from a
hundred Oh you are well. I'm certainly glad to me here.
You won't be I am going to give you a
pace you leave tread chop. No, you don't. You keep
waiting me. Oh, mister Quinn, Oh, mister Quinn.
Speaker 6 (27:21):
Hey, what the id?
Speaker 2 (27:22):
No? What are you grab that? Man? There's your real yogi?
Do you douty? Officer? Hey, come back here and fin
nuts to you. Joseph the greg Uil the slave will
be let us again in a few minutes. The first.
Speaker 1 (27:42):
Are those lenten meals becoming a problem to you homemakers?
I mean, are you finding it hard to make them
as tasty and appetizing as your regular meals? Well, if
you do, here's a hint that may be mighty helpful.
Speaker 2 (27:52):
Yes, it's this.
Speaker 1 (27:54):
You can add rich extra flavor to all kinds of
dishes by using plenty of parque margine made by craft.
You see, the delicate, tempting flavor that makes park margin
a favorite spread for bread makes it grand for cooking too.
Park marchmin is swell melted over hot vegetables. It's a
real flavor shortening that adds delicate extra flavor to cookies
(28:14):
and cakes and pie crust. Park makes pan fried's food
tastier because it tastes so good itself. In fact, park
marginin adds extra flavor to all kinds of dishes and
the extra zest that makes your family ask for more.
Best of all, using lots of parquet margins no extravagance.
When you find how little it costs, you'll certainly agree
to that. And remember, park margmin is a highly nutritious
(28:37):
energy food that's a reliable year round food source of
important vitamin A. So right now, put delicious parquet margin
at the top of tomorrow shopping list. Remember it's Park
Pa r Kay Park, the margin that's made by Kraft.
Speaker 3 (29:02):
And there we were, Judge, me and Willie the Tubb
locked in mortal combat, but I subdued him by sheer
brute strength.
Speaker 12 (29:09):
Well, seeing what you've done, I guess I'll have to
forgive you for tricking me. Guillners Sleeve say, I just remembered,
what did you do with my five bucks?
Speaker 2 (29:17):
Oh?
Speaker 3 (29:17):
That I did the best thing possible with a Judge.
I've given it to the American Red Cross. I hope
everyone who's listening in will find an extra five spot
to turn over to the.
Speaker 2 (29:27):
Red Cross this week, like I did. It's like you did, Judge.
Good Night
Speaker 1 (29:39):
Love Golden Lator comes here from hollywoods this is the
nice on a broadcasting compliment.
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