August 14, 2025 • 29 mins
A spin-off from a popular series, this show centers on a well-meaning but bumbling character whose everyday misadventures provide wholesome entertainment.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Craft presents the Great Yielder Slave, the Kraft Cheese Company,
who also bring you Baking Cross, the every Thursday Night
present each week at this time.
Speaker 2 (00:20):
Harold Perry is the Great Yelder Slave. Written by Leonard L.
Speaker 3 (00:23):
Levinson.
Speaker 1 (00:30):
We'll hear from the Great Yilder sleeve in just a moment.
But if tomorrow's wash day and you homemakers are bound
to be hurried getting lunch, let me give you a tip.
Serve the folks macaroni and cheese. Do you say you
haven't time to bake macaroni and cheese on wash day? Well,
of course you don't, But haven't you heard of Kraft Dinner.
With Kraft Dinner, you can make grand macaroni and cheese
in just seven minutes cooking time. You see, you don't
(00:53):
bake Kraft Dinner macaroni. You don't fuss with grating cheese,
because each package of Kraft Dinner contains an n blope
of Craft grated all ready to sprinkle in. With Craft Dinner,
you get fluffy, tender macaroni drenched in cheese goodness, and
you cook it in seven minutes flat. See for yourself tomorrow,
ask your food dealer for Craft dinner. And now let's
(01:27):
visit our friend, the great Guildersleeve, who's been long noted
for his easygoing disposition. In fact, his disposition was so
easy going and finally went. Uncle Mort's face has been
getting longer, in his temper shorter, and he's starting to
throw his weight around with unpleasant results. Everywhere it's landing.
Speaker 3 (01:51):
Oh my goodness, Mindri, I'm late to the office again.
Good morning. All right, am I supposed to starve around here?
Where's breakfast?
Speaker 4 (01:59):
Bertie?
Speaker 3 (02:00):
Breakfast?
Speaker 4 (02:01):
Yes?
Speaker 5 (02:02):
Let you start off with great fruit, candlet, strawberries.
Speaker 4 (02:04):
Orange juice.
Speaker 3 (02:05):
What's the trouble? Don't the stores still sell prunes?
Speaker 2 (02:08):
I thought you sick and tired of prunes?
Speaker 3 (02:10):
Whatever gave you that idea?
Speaker 5 (02:11):
Oh yesterday morning you flung yourself out of the house
in you is fed up?
Speaker 4 (02:14):
And I asked me why what the trouble was? And
he says, you full of prune?
Speaker 6 (02:18):
Oh excuse me, folks, I got a hurry to school.
Speaker 3 (02:23):
Yeah, come back here, young man. School doesn't begin again
until next September.
Speaker 4 (02:27):
Just my luck?
Speaker 7 (02:29):
What am I saying?
Speaker 4 (02:31):
Now?
Speaker 3 (02:31):
I'll go?
Speaker 7 (02:31):
Why don't you sit down and eat the nice egg
Bertie's fried for it?
Speaker 3 (02:34):
That's what I'm trying to do, Bertie, What is this
a Friday egg or the stopper out of the kitchen sink.
Speaker 5 (02:42):
It's an egg, mister Gills sleep, and it was cooking.
Speaker 3 (02:45):
It wasn't cook Bertie, it was vulcanized. I give up.
Just wrap it up. On my way downtown. I'll drop
it on a scrap rubber pile by George. I'd like
to slap a jap in the map with this scrap.
There's w a war in this house unless I start
getting fed properly around here.
Speaker 5 (03:07):
Man, man, he's worse today than he was yesterday when
he poured the coffee in his lap and then spilled
the cream on his this thus dissolving.
Speaker 8 (03:14):
The sugar in his pocket.
Speaker 6 (03:17):
Ye, I want to know what's wrong with Uncle Lately?
He's been as jumpy as a kangaroo and a pogo stick.
Speaker 8 (03:22):
Yes, poor Uncle, more, you.
Speaker 1 (03:24):
Mean poor us.
Speaker 5 (03:25):
He's the one he's doing is jumping on you know.
Speaker 8 (03:27):
I think I have an idea. What's troubling him? Gee?
Speaker 9 (03:30):
What is it?
Speaker 4 (03:30):
Chi? Uncle?
Speaker 6 (03:31):
Lord hasn't any love life? Oh, for Corn's sake, be serious,
can't you?
Speaker 4 (03:36):
March?
Speaker 8 (03:36):
And I am serious?
Speaker 7 (03:38):
If he could only get excited about some woman if
not calming down?
Speaker 4 (03:41):
Oh you mean he.
Speaker 8 (03:42):
Ought to get onto himself a wife? Where's he what
a wife for?
Speaker 6 (03:46):
He's got march to on his buttons and you to
cook for him, and Judge hook her to fight with?
Speaker 8 (03:50):
What mackuld a guy want?
Speaker 7 (03:53):
I don't necessarily mean a wife, Lee Roy, but some
attractive woman he could get interested in, and he wouldn't
have time to be irretable or critical.
Speaker 8 (04:01):
At least we could experiment. Okay, but who we get
to turn on the glamour?
Speaker 3 (04:05):
Well?
Speaker 8 (04:06):
How about missus Salisbury Twitchell?
Speaker 6 (04:08):
No, her face has had too many retreads.
Speaker 8 (04:13):
Well what do you say to miss Rosina Callahan?
Speaker 7 (04:16):
She's got a pan like a rabbit. Now wait a minute, brother,
who's going to fall in love with this girl? Your
uncle Moore?
Speaker 6 (04:22):
Well, gin, I was just giving you a man's viewpoint.
Speaker 8 (04:25):
Well, who would you pick up? What about Amelia Hooker
Judge Hooker's sister.
Speaker 6 (04:30):
Sure, she's awfully nice and jolly, and she makes the
swellish cakes and candy.
Speaker 7 (04:34):
Yeah, she's a high school teacher.
Speaker 4 (04:36):
Is that? So? What does she doe you? Oh?
Speaker 6 (04:38):
She teaches girls domestic silence. She this will be a
sick I don't know about that. You can't make a
silk purse in a pig die.
Speaker 5 (04:53):
Now building up a romance for your uncle morn ain't
gonna be no picnic picnic.
Speaker 8 (04:57):
That's it.
Speaker 7 (04:58):
We'll have a picnic on Sandina, not Judge Hooker and
his sister.
Speaker 5 (05:02):
Hold on, I'll make some of my famous potato salad
that ought to bring Judge Hooker, and I'll have to.
Speaker 7 (05:06):
Menu you to bake one of her Lush's cakes.
Speaker 8 (05:08):
That should bring uncle.
Speaker 6 (05:09):
Yeah, and it'll probably bring all the ants too.
Speaker 3 (05:25):
No, Margree, this is Sunday, the day I arrest my feet.
I refuse to go on your picnics.
Speaker 8 (05:30):
Why not, Uncle Moore?
Speaker 3 (05:31):
Well you've heard about nature lovers, haven't you. Of course,
I'm a nature hater. Rocks, skunks, snakes, bees, swamps, mosquitoes.
You can take all of them and give him back
to the boy Scouts and tell him to give him
back to the Indians.
Speaker 7 (05:44):
All but Alcimore, think of all the fun we'll have
at Underwood Fall.
Speaker 3 (05:48):
It's what fun grinding the rubber off our tires.
Speaker 7 (05:51):
No, we're saving Rubbert. We're taking excursion train.
Speaker 3 (05:54):
We who all's going on? This pickle and potato salad promenade.
Speaker 8 (06:00):
Well is Leroy and me and Judge.
Speaker 3 (06:01):
Hooker, And Judge Hooker is a media hooker going to.
Speaker 7 (06:06):
She's make the most delicious devil food cake for you,
incident for me?
Speaker 3 (06:10):
But why devil's food?
Speaker 7 (06:18):
I guess it's because she thinks you're such a handsome devil.
Speaker 3 (06:22):
Handsome devil? Who me?
Speaker 7 (06:29):
Oh, uncle, more, that's the first time you've laughed in
a week.
Speaker 8 (06:32):
Not come on along, you'll have fun.
Speaker 3 (06:34):
Marjorie, I told you how I feel about picnics.
Speaker 8 (06:37):
Strange.
Speaker 7 (06:37):
I mean, you thought you were an outdoor man. She
said that you remind her of Gary Cooper.
Speaker 3 (06:47):
What's so funny about that? A media is entitled her
opinion Gary Cooper. E gosh, I don't know what to say,
Gary Cooper. Eh well, I don't know.
Speaker 7 (07:00):
Why don't you join us?
Speaker 4 (07:00):
Uncle?
Speaker 7 (07:01):
We're leaving on the ten o'clock Gary Cooper.
Speaker 3 (07:04):
Excuse me, Pardner, would you mind stepping away from that
there mirror? Thanks?
Speaker 1 (07:10):
Oh?
Speaker 3 (07:10):
I see what she means by Gary Cooper. Emilia was
talking about the wide open spaces.
Speaker 8 (07:25):
Oh my, isn't this beautiful.
Speaker 3 (07:27):
Mighty pretty country hereabobs, ma'am, they're so fine and clear. Yes,
you just say the word, mister Media, and I'll climb
that lard tree and bring you down some eagle eggs.
Speaker 8 (07:44):
Oh no, thank you, mister.
Speaker 3 (07:46):
Well then can I fetch you some more tater salad?
Speaker 8 (07:49):
No, not another thing, mister, mister Media.
Speaker 3 (07:52):
No need to be formal. Just call me throck Morton.
All right, rock Morton sounds mighty like music. Hear and
you say it? Man? Mind if I set alongside of
your here, No, that's all right, don't move. Excuse me, mistermedia.
(08:13):
But where bouses you put that devil's food cake? Well,
never mind?
Speaker 10 (08:19):
Why you've got a nice wet claw.
Speaker 7 (08:22):
Oh yeah, that was a darn good cake.
Speaker 9 (08:27):
Why can't you be more careful where you put your circumference?
Speaker 4 (08:30):
You?
Speaker 7 (08:31):
You big putting paunch, now holds hooker stopping stingo more.
Speaker 3 (08:35):
Oh, I don't mind, Come, missy Media. Let's wander down
to the pond and look at the water.
Speaker 9 (08:39):
Lily, cavil Amelia.
Speaker 10 (08:40):
Don't let the big boat promp sit on.
Speaker 4 (08:42):
A little bad.
Speaker 3 (08:45):
Why that little joker?
Speaker 8 (08:48):
Oh look, I say, pritty.
Speaker 3 (08:50):
Would you like something? I'll wait out and get them
for you.
Speaker 7 (08:52):
Oh no, trot more than you'll get your shoes.
Speaker 3 (08:54):
Well, oh no, I won't. I'll just take them off
and my socks and roll up my trap. Serious, don't worry,
he's cool.
Speaker 11 (09:11):
No, Daniel Boone, it's just your feet there cos I'll
show you a hooker in just a second.
Speaker 10 (09:17):
The media, I'll have your bouquet.
Speaker 12 (09:19):
And just all right, I'll come back up old cross
more than say something.
Speaker 13 (09:34):
Can't probably have a frog in his throat, sent him.
Speaker 8 (09:38):
My halfs done to the surface. It's dripping away.
Speaker 4 (09:40):
That's all right.
Speaker 9 (09:41):
He's probably weaving another one underwater.
Speaker 5 (09:45):
Oh there he comes.
Speaker 8 (09:47):
Well, thank you.
Speaker 3 (09:51):
We'll put that hole there. Oh my goodness, I've ruled
all my cigars.
Speaker 10 (09:57):
Will help him out, horace, Look at the big floud
a flounder here they take my inno. Thanks?
Speaker 3 (10:05):
Is it very way in there?
Speaker 11 (10:07):
Oh no, jad come on in the worst day the
time you're telling me.
Speaker 14 (10:24):
Now, boys, that's enough fun for one day. Come on,
sit down here, uncle, we're one thing. Goods the cake,
ishing off the trousers.
Speaker 8 (10:35):
See that must be an easier way.
Speaker 3 (10:36):
Of doing it than mest illy roy. Please dry off
my watch.
Speaker 6 (10:40):
Okay, I'll ring it out, my goodness, give me a towel.
Speaker 3 (10:44):
Someone, why don't you just shake yourself, you little lairdale.
Speaker 10 (10:49):
Look at me, I'm a mess. Yeah, you haven't changed
a bit. Jad, there's a watchunk, cheepers.
Speaker 8 (10:56):
Look at the time.
Speaker 3 (10:57):
Oh it's almost time for our train and the station's
a mile away.
Speaker 8 (11:01):
Row, where's your coat?
Speaker 3 (11:03):
I hung it on the limit of a tree while
we were playing baseball. Oh, yes, there it is.
Speaker 8 (11:06):
I'll get it for you. Then we must.
Speaker 3 (11:09):
Oh, what's a matter of media?
Speaker 8 (11:11):
Look a bird. It's building a nest in your coat pocket.
Speaker 9 (11:15):
What's that?
Speaker 3 (11:17):
Let me see? Look, everybody, a bird's building its nest
in my coat pocket.
Speaker 8 (11:22):
Oh, how sweet?
Speaker 7 (11:23):
Well, what a pity we have to dispossess her after
all her work?
Speaker 4 (11:26):
Why are we supposed to be a jay? Sure away
and let's get going.
Speaker 8 (11:31):
Oh, Horace, you're too cruel.
Speaker 9 (11:32):
I am not well, what are you going to do?
Lead your coat here?
Speaker 3 (11:35):
Yes, by George, that's exactly what I'm going to do.
Car No, I won't, my dear, The memory of that
little mother bird's gratitude will keep.
Speaker 6 (11:42):
Me walse Yes, that's the only bird in the country
with a double breasted bungalow.
Speaker 13 (11:48):
All right, sir Warrick gallahad, Come on, we missed the
train to copy.
Speaker 4 (11:52):
With our stuff at media.
Speaker 8 (11:53):
Yes, he's coming, Horace.
Speaker 7 (11:55):
That was a very sweet gestures got more than I
like that very.
Speaker 3 (11:59):
Much now now, Media, it's nothing that Gary Cooper wouldn't
have done.
Speaker 7 (12:04):
Yeah, sure, your coat here.
Speaker 3 (12:08):
Well, my boy in the first place has made a
wonderful impression on a media. In the second place, the
rest of the suit was ruined anyway. And in the
third place, that bird that was building the nest was
a woodpecker, and I never argue with woodpeckers in the
first place.
Speaker 2 (12:27):
The great Yelder's slave. Will they let us again in
just a few melons?
Speaker 1 (12:31):
Meanwhile, a suggestion about getting your food budget to balance,
you're on the lookout for economical main dishes, I know. Well,
let me point out the thrifty product called Kraft Dinner.
For Kraft Dinner not only gives your grand macaroni and
cheese and a jiffy, it's very economical too. To make
this delicious Craft Dinner macaroni and cheese, you simply cook
the special Craft Dinner macaroni and boiling water. You cook
(12:54):
it not more than seven minutes and drain off the water.
Add a little butter and milk. Then with the craft
grated that comes in every package, you sprinkle the cheese
flavor through and through the fluffy macaroni. In as little
time as it takes the coffee to perk, you have
a grand money saving main dish ready macaroni and cheese
that the whole family will love. Many smart homemakers are
(13:15):
never without Kraft Dinner on the pantry shelf. So tomorrow,
why don't you get your pantry set for delicious macaroni
and cheese that you make in seven minutes. Get several
packages of Kraft Dinner. Love like mumps and measles, hits
(13:39):
awfully hard when it hits late in life.
Speaker 9 (13:41):
And trock Morton p.
Speaker 3 (13:42):
Gildersleeve has it bad.
Speaker 1 (13:43):
For the past week, Uncle Morton has been wooing and
wowing Amelia Hooker. It's reached the stage where he's writing poetry.
Now we find the summerfield Shelley reciting a son of
written especially for the fair Amelia.
Speaker 3 (13:54):
If this were in the days of old, and I
a knight, so brave and bold, I storm your castle,
Miss Media, and on my charger, I would steal you.
Do you like that one?
Speaker 4 (14:06):
Oh? I'm dubaively mister gilse.
Speaker 3 (14:08):
Yeah, thanks, Bertie? Or do you think she liked this
one better? Two eyes of blue, cheeks soft as silk,
the skin as white as gray a milk, and neck
as graceful as a swan, a step as dainty is
a fawn. The girl I mean is quite a looker.
Her name is missing Media Hooker's hard.
Speaker 4 (14:28):
To choose between the two of them. You show him
some versifyer?
Speaker 3 (14:32):
Do you mean versifier?
Speaker 4 (14:34):
No, it's the file on account of that hot portry,
you right? I bet you could get a job poor
ties and greeting card.
Speaker 3 (14:40):
Oh I suppose I could, but I don't want to
lose my immature standing. Incidentally, Bertie, don't mention a word
about this to anybody, will you please? Oh no, I
wanted to get your reaction because I'm gonna take Missimedia
for a strolls through the park tonight and read her
fifteen or twenty of the poems I've written. There's gonna
be a wee fiddle moon.
Speaker 15 (15:01):
Why, Bertie, I just came over to borrow a pan
to put under our sofa on account of the fellow
she's calling on me tonight. Is such a drift, mister
guilty Lee how the big romance between you and Amelia
coming along?
Speaker 3 (15:15):
What are you referring to, Tottie?
Speaker 16 (15:17):
Oh, I heard all.
Speaker 8 (15:18):
About your big moment.
Speaker 7 (15:19):
It's all over time like a newspaper and iron.
Speaker 3 (15:22):
Why did you hear this in rumors?
Speaker 15 (15:23):
Well, the operator at the beauty partner told me, and
she had one of her customation. Sister in law hasn't
made the work next door of the judge's law clerk,
and she got a straight out of Urkanstar's call him
in the afternoon paper. Watch it said, what big businessman
size forty eight stub? Is that a way about the
charming sister of a prominent jurist?
Speaker 8 (15:42):
It looks like a romance of April and November.
Speaker 3 (16:00):
Uh?
Speaker 8 (16:03):
What are you thinking about?
Speaker 7 (16:05):
Morton?
Speaker 3 (16:05):
Those crickets the media listen to them. It's hard to
believe that they can do that just by rubbing their
hind legs together. Is that what you were really thinking about? No, Media,
I was thinking of your lips like twin petals of
a dewy rose. They they eMedia. There's something I must
(16:26):
ask you, Yes, would you give me in? Would you
if you've got to match my cigars?
Speaker 8 (16:33):
Going Morton, you shouldn't smoke so much.
Speaker 3 (16:39):
I know it, but when I look at you, my
heart's on fire and I just can't help smoking a
little bit. Incidentally, Amedia, I wrote a poem this afternoon.
Would you like to hear?
Speaker 4 (16:48):
Oh?
Speaker 8 (16:48):
Yes, I'd be glad.
Speaker 3 (16:49):
All right. It goes something like this, if this were
in the days of old and I in eighth night,
so brave and bold. Well, what do you want? Excuse me, buddy,
but have you got a no beat?
Speaker 4 (17:01):
It?
Speaker 3 (17:01):
Can't you see? I'm busy. Oh excuse me, I did
dare you engage? We're not engaged. We're just good friends.
Go on scram But I asked for immediate Do you
happen to have change for a quarter?
Speaker 14 (17:11):
No?
Speaker 3 (17:12):
I don't want to die. I want to rock more.
Speaker 7 (17:16):
I think a gentleman has a cold and is asking
for the time.
Speaker 4 (17:19):
Yeah, that's it.
Speaker 3 (17:20):
Oh excuse me. Let's see it's in ninety two. Thank good,
truck boy died forty two.
Speaker 4 (17:27):
But if I said.
Speaker 3 (17:29):
No, you can have the whole bitch on a weather anyway.
Come on to media, let's stroll across the grass. I
still think he's trying to borrow a dime.
Speaker 8 (17:37):
Oh now, let's forget everything else.
Speaker 7 (17:38):
It's a grand night for a walk, and you were
starting to reside a poem.
Speaker 3 (17:42):
Oh, yes, but I as it's bad luck with the
last one. I think I'll try another verse. Since I
met you, I've lost all care. I feel like I'm
walking on the air. You're not walking on the air, yestery,
You're walking.
Speaker 4 (17:52):
On the grass.
Speaker 3 (17:52):
It's so hot. I'm a park lashman.
Speaker 4 (17:55):
Scene.
Speaker 13 (17:55):
It's against the law to trample on the turf, lounge
on the lawn, or gamble on the green.
Speaker 3 (17:58):
Who's gambling now, officer?
Speaker 8 (18:01):
It was purely unintentional.
Speaker 9 (18:02):
Excuse me, I didn't see you, Girley. Well, run along
and from now on try to keep your father on
the straight and narrow path.
Speaker 3 (18:14):
Why that flat headed flat foot? Why can't people let
people home when people are trying to recite poetry to people?
Speaker 8 (18:20):
Oh, come on off the grass, throck Morton, Do let
me hear your poem?
Speaker 3 (18:23):
All right, the media, I'll try a number it. Let
me see. Oh yes, two eyes of blue, cheek, soft silk,
a skin as white as great a mil Well.
Speaker 4 (18:31):
Well, well, fancy meeting you too in the park.
Speaker 3 (18:34):
I wonder if Shakespeare had to go through what I
have to go through.
Speaker 13 (18:38):
Good evening, Horace, el go on with your conversation, Jilly,
don't let me interrupt you.
Speaker 3 (18:41):
Oh what's the use? If you'll excuse me a media,
I'll run along home now, Oh Morton, I wanted to
hear the rest of the You know, I know, I'm
gonna lock myself in my room and telephone it to you. Goodbye.
Speaker 10 (19:07):
Never felt doun, my dear?
Speaker 8 (19:10):
Why are you making no pain for noises?
Speaker 3 (19:12):
I'm practicing some singing exercises. Don't tell anybody, but tonight
I'm gonna serenade Honeybun, I mean, miss Hooker.
Speaker 7 (19:19):
You've certainly been in there pitching the boule, pitching the
springing a line making with.
Speaker 8 (19:24):
A hot job.
Speaker 3 (19:25):
If you're referring to my tender passion for miss Hooker, Marjorie, yes,
I've been giving Cupid the gibe.
Speaker 8 (19:35):
How's everything going?
Speaker 3 (19:36):
Not so well? Last night? I hit a snag. The
snag's name was Judge Hooker.
Speaker 8 (19:40):
I didn't actually hit him. Did you want him more?
Speaker 3 (19:42):
If I didn't, then why is my mandolin all caved in?
I smacked him right in the middle of his veranda.
Speaker 8 (19:49):
But why Uncle Moore?
Speaker 3 (19:50):
Oh, he made a big fuss. Just because I was
scrumming a few tunes to a media, not because it
was very late at night. It couldn't have been much
later than three, and he came barging out of the
house and his night got I'm demanding that I hand
over my mandolin. He kept yelling give it to me,
give it to me. So I finally did.
Speaker 8 (20:07):
You shouldn't have done that, uncle, I know it now.
Speaker 3 (20:10):
He's refused to let me visit his sister reminds you
of Romeo and Juliet, doesn't it.
Speaker 7 (20:15):
But if the judge's forbidden you to see a media,
how are you going to sound night?
Speaker 3 (20:19):
Well, tonight's is Lodge night. He belongs to the Summer
Fields Nest of the International Order of Hudal. In fact,
he's the Grand Screech, so he should be gone by
eight o'clock.
Speaker 8 (20:30):
We have your phone to see if Amlia will be
home to No.
Speaker 3 (20:32):
Every time I call up, Hooker answers the phone. I'm
gonna try it again right now. Maybe he's gone out somewhere.
Speaker 8 (20:39):
I suppose he hasn't.
Speaker 3 (20:40):
Oh, I've got a scheme. I'll disguise my voice so
you won't recognize me.
Speaker 13 (20:44):
Oh uh high, what number dish please got coversident Georgia
Hooky pleasure.
Speaker 9 (20:50):
Then eh, oh this is George Horace Hooker.
Speaker 4 (20:53):
Oh are you hook it hoisey?
Speaker 9 (20:55):
Huh no good? No, no, no, this is got Hooker.
Speaker 3 (20:58):
Now who's this?
Speaker 9 (21:00):
Jokie?
Speaker 3 (21:00):
See me Sami?
Speaker 4 (21:02):
No no, who are you?
Speaker 9 (21:03):
Oh me know that long time? Watch your name?
Speaker 16 (21:07):
And what do you want?
Speaker 4 (21:08):
I'm e le Lee onlyly Lee hand on Lee?
Speaker 9 (21:11):
Oh thanks? We wash her own hands.
Speaker 3 (21:16):
Off a corn shame, I said, Betty Smilly, what are
you calling about?
Speaker 9 (21:21):
Missy hookey she home man? Oh yeah, Rannie messy Dagon's.
Speaker 3 (21:25):
Take no, judge, just skip it.
Speaker 4 (21:29):
Now?
Speaker 8 (21:29):
What are you gonna do?
Speaker 4 (21:30):
Uncle Moore?
Speaker 3 (21:30):
I don't give up very easily. Why you remember? Love
laughs at locksteads and jeers at juughheads like the judge.
I'm gonna send the media box of candy with a
message inside. I read that someplace that should do the trick. Hey, Bertie,
were you calling me mister Gilsey? Yes, Bertie? Are you
finished with the dishes yet?
Speaker 4 (21:46):
I've done the duncan, but the wife and is waiting.
Speaker 3 (21:48):
I want you to take a package over to mister
Media for me smuggle it in so her brother doesn't
find it. See, how do you think you can act
as Cupid's messenger in this case?
Speaker 4 (21:56):
Oh, I'm the cupidest messager in town.
Speaker 10 (22:13):
Hey, Josh, tryan would be in the meeting.
Speaker 13 (22:16):
I'm coming round, after all. It can't start until the
grand screech arrives.
Speaker 3 (22:20):
But if you're life, they're liable and elected new one
before you get there.
Speaker 9 (22:22):
Oh they couldn't do that.
Speaker 3 (22:23):
Oh no, I remember correctly. That's how you were elected.
Speaker 9 (22:26):
Yeah, but the first thing I did was to change
that rule.
Speaker 10 (22:28):
Yeah.
Speaker 9 (22:29):
Well, imp in Wait a second, someone's coming at the house.
I think, Oh, hello, Burdie.
Speaker 4 (22:33):
Oh hello, Jeff.
Speaker 9 (22:35):
Have you got that something from me?
Speaker 17 (22:37):
No?
Speaker 9 (22:37):
No, then it must be for miss Amelia.
Speaker 4 (22:39):
Yeah, that's it is for miss Media.
Speaker 9 (22:41):
Fine, just give it to me and I'll take it
into her.
Speaker 8 (22:43):
But I've had stricken instructions to put it right in
her own hand.
Speaker 13 (22:46):
She's upstairs and there's no use making her come down
to answer the door.
Speaker 9 (22:49):
I'll take it.
Speaker 4 (22:50):
I don't know whether that's right for me to do it,
but just give me.
Speaker 9 (22:52):
One reason why not.
Speaker 4 (22:54):
Okay, I'll give you a reason. But I have to
go home to get it.
Speaker 13 (22:57):
Fine, not just a second there's no use Luck that
package all the way home and then back here again.
Speaker 9 (23:02):
Just leave it with me until you come back. I
forgive these things, Berdie, I'll take.
Speaker 4 (23:07):
Good care of it. That's mighty considered of you. Joll
what's there there?
Speaker 13 (23:12):
That's Gilderslee's cook. I've forbidden him to see my sister
and doctors to donuts. This package is something, he said her.
Who are you doing boil him with big Guilder sleep well? Well, well,
chucklets have something Ralph, m lord cold let me see.
Listen to this, dearest darling Moonflower. I've phoned and called
(23:33):
to see you all day long, ah but in vain
and who has so cruelly kept us apart? Your brother,
the little Tinker. Something's wrong with the s on his typewriter.
I'll fool him tonight, when Old Sour Course is playing Hutile,
(23:53):
I'll glide beneath your window and let the golden notes of.
Speaker 9 (23:56):
Song pour out of my throat.
Speaker 3 (23:58):
Your Fluffum's walks, say, Jode, what are you gonna do?
Speaker 4 (24:02):
First, We're going to.
Speaker 9 (24:03):
Finish eating this candy.
Speaker 13 (24:04):
Then I'm going to get a media out of the
house on some pretext rather than you and I are
going upstairs and fill every pot, pitcher.
Speaker 3 (24:10):
And bucket in the house with war.
Speaker 9 (24:13):
Well, when Flufham's waams pours the golden notes of song
out of his throat, we're going to pour the water.
Speaker 3 (24:18):
Out of the window. If for goodness sakes, quiet, two musicians.
This is supposed to be a serenade, not a stampede.
Speaker 4 (24:34):
Yeah, quiet fellas.
Speaker 3 (24:37):
Now you boys hide in the bushes while I tiptoe
up in the porch. You get it. I'll let you
know when I'm ready.
Speaker 9 (24:42):
Okay, mister Killislee, Come on, boys, I'll take.
Speaker 3 (24:44):
It easy and be quiet.
Speaker 10 (24:45):
Bays Ah, the media light of my life.
Speaker 3 (24:53):
Listen to my song of love.
Speaker 16 (25:00):
Joss, just the words word love, eyes the lines, smile.
Speaker 10 (25:47):
What's the name of Jupiter? Cool?
Speaker 3 (25:49):
This is a big idea.
Speaker 4 (25:51):
It's me, yild.
Speaker 10 (25:53):
I hope you're dripping wet you break big dripping.
Speaker 3 (25:57):
Is that's all.
Speaker 4 (25:57):
And you never touched me.
Speaker 3 (25:58):
I was here in the port sweet all the time.
Speaker 4 (26:02):
But you got the whole band. We're all doused. They
are a surge dolls. All that noise.
Speaker 3 (26:07):
Oh, by the way, hooker, that's the Policeman's band. Fix
yourself up, pretty judge. You're about visitors.
Speaker 10 (26:15):
I don't care at least my sister to hear you.
Speaker 3 (26:20):
Oh no, who do you think this is? Sitting in
the port swing with me, Rudy Valley, Ladies and gentlemen.
(27:10):
This has been our last broadcast before our summer vacation.
Before we go, I'd like to express my sincere appreciation
to the Craft Cheese Company for a most pleasant year.
Also my deep thanks to our writer, Leonard Levinson, and
to the members of the cast for their able assistance.
Walter Tetley who plays Leroy, my nephew, Loreene Tuttle, my
niece Marjorie, Lillian Randolph who's Bertie Earl Ross as Judge Hooker,
(27:33):
Paula Winslow as Dottie Dobson, and William Randolph Mills, our
musical director, and Cecil Lunderwood, our producer. I am proud
to announce that during the eight weeks will be off
the air, the United States Government will take over our
half hour to bring you the Victory Parade. Each of
the top NBC shows is contributing one program to this series,
so be sure to listen in. I hope you all
(27:55):
have a pleasant summer, and now good night. Original music
(28:27):
heard on.
Speaker 2 (28:27):
This program was composed and conducted by William Randolph.
Speaker 1 (28:30):
This is Jim Bannon speaking for the Craft Cheese Company
and inviting you to tune in again August thirtieth at
the same time for the further adventures of the Great
Guilders Wave.
Speaker 17 (28:43):
Right now, you American homemakers are more nutrition conscious than
ever before. You know that wholesome, nourishing food will help
make strong Americans. Yes, and you're finding out that the
right foods aren't necessarily expensive.
Speaker 3 (28:56):
Certainly.
Speaker 17 (28:57):
A good example of that is nutritious Parquet margarine, the wholesome,
delicious spread for bread made by Kraft. You see, Park
margarin is an economical source of important food value. Why
nourishing Park margarine is one of the best energy food
you can serve, and every pound contains nine thousand units
of important vitamin A. Yet for all its goodness, it's
(29:19):
thrifty too. Now, once you've tasted Park's delicate, appetizing flavor,
you'll agree it deserves a place on your table morning, noon,
and night. So tomorrow order a pound or two of delicious,
nutritious Park margarine. Just ask for Park p A r
k A Y Park Margarine made by Craft. This program
(29:41):
has reached you from Hollywood. This is the national broadcasting Company.
Speaker 16 (29:45):
Oooh
Craft presents the Great Yielder Slave, the Kraft Cheese Company,
who also bring you Baking Cross, the every Thursday Night
present each week at this time.
Speaker 2 (00:20):
Harold Perry is the Great Yelder Slave. Written by Leonard L.
Speaker 3 (00:23):
Levinson.
Speaker 1 (00:30):
We'll hear from the Great Yilder sleeve in just a moment.
But if tomorrow's wash day and you homemakers are bound
to be hurried getting lunch, let me give you a tip.
Serve the folks macaroni and cheese. Do you say you
haven't time to bake macaroni and cheese on wash day? Well,
of course you don't, But haven't you heard of Kraft Dinner.
With Kraft Dinner, you can make grand macaroni and cheese
in just seven minutes cooking time. You see, you don't
(00:53):
bake Kraft Dinner macaroni. You don't fuss with grating cheese,
because each package of Kraft Dinner contains an n blope
of Craft grated all ready to sprinkle in. With Craft Dinner,
you get fluffy, tender macaroni drenched in cheese goodness, and
you cook it in seven minutes flat. See for yourself tomorrow,
ask your food dealer for Craft dinner. And now let's
(01:27):
visit our friend, the great Guildersleeve, who's been long noted
for his easygoing disposition. In fact, his disposition was so
easy going and finally went. Uncle Mort's face has been
getting longer, in his temper shorter, and he's starting to
throw his weight around with unpleasant results. Everywhere it's landing.
Speaker 3 (01:51):
Oh my goodness, Mindri, I'm late to the office again.
Good morning. All right, am I supposed to starve around here?
Where's breakfast?
Speaker 4 (01:59):
Bertie?
Speaker 3 (02:00):
Breakfast?
Speaker 4 (02:01):
Yes?
Speaker 5 (02:02):
Let you start off with great fruit, candlet, strawberries.
Speaker 4 (02:04):
Orange juice.
Speaker 3 (02:05):
What's the trouble? Don't the stores still sell prunes?
Speaker 2 (02:08):
I thought you sick and tired of prunes?
Speaker 3 (02:10):
Whatever gave you that idea?
Speaker 5 (02:11):
Oh yesterday morning you flung yourself out of the house
in you is fed up?
Speaker 4 (02:14):
And I asked me why what the trouble was? And
he says, you full of prune?
Speaker 6 (02:18):
Oh excuse me, folks, I got a hurry to school.
Speaker 3 (02:23):
Yeah, come back here, young man. School doesn't begin again
until next September.
Speaker 4 (02:27):
Just my luck?
Speaker 7 (02:29):
What am I saying?
Speaker 4 (02:31):
Now?
Speaker 3 (02:31):
I'll go?
Speaker 7 (02:31):
Why don't you sit down and eat the nice egg
Bertie's fried for it?
Speaker 3 (02:34):
That's what I'm trying to do, Bertie, What is this
a Friday egg or the stopper out of the kitchen sink.
Speaker 5 (02:42):
It's an egg, mister Gills sleep, and it was cooking.
Speaker 3 (02:45):
It wasn't cook Bertie, it was vulcanized. I give up.
Just wrap it up. On my way downtown. I'll drop
it on a scrap rubber pile by George. I'd like
to slap a jap in the map with this scrap.
There's w a war in this house unless I start
getting fed properly around here.
Speaker 5 (03:07):
Man, man, he's worse today than he was yesterday when
he poured the coffee in his lap and then spilled
the cream on his this thus dissolving.
Speaker 8 (03:14):
The sugar in his pocket.
Speaker 6 (03:17):
Ye, I want to know what's wrong with Uncle Lately?
He's been as jumpy as a kangaroo and a pogo stick.
Speaker 8 (03:22):
Yes, poor Uncle, more, you.
Speaker 1 (03:24):
Mean poor us.
Speaker 5 (03:25):
He's the one he's doing is jumping on you know.
Speaker 8 (03:27):
I think I have an idea. What's troubling him? Gee?
Speaker 9 (03:30):
What is it?
Speaker 4 (03:30):
Chi? Uncle?
Speaker 6 (03:31):
Lord hasn't any love life? Oh, for Corn's sake, be serious,
can't you?
Speaker 4 (03:36):
March?
Speaker 8 (03:36):
And I am serious?
Speaker 7 (03:38):
If he could only get excited about some woman if
not calming down?
Speaker 4 (03:41):
Oh you mean he.
Speaker 8 (03:42):
Ought to get onto himself a wife? Where's he what
a wife for?
Speaker 6 (03:46):
He's got march to on his buttons and you to
cook for him, and Judge hook her to fight with?
Speaker 8 (03:50):
What mackuld a guy want?
Speaker 7 (03:53):
I don't necessarily mean a wife, Lee Roy, but some
attractive woman he could get interested in, and he wouldn't
have time to be irretable or critical.
Speaker 8 (04:01):
At least we could experiment. Okay, but who we get
to turn on the glamour?
Speaker 3 (04:05):
Well?
Speaker 8 (04:06):
How about missus Salisbury Twitchell?
Speaker 6 (04:08):
No, her face has had too many retreads.
Speaker 8 (04:13):
Well what do you say to miss Rosina Callahan?
Speaker 7 (04:16):
She's got a pan like a rabbit. Now wait a minute, brother,
who's going to fall in love with this girl? Your
uncle Moore?
Speaker 6 (04:22):
Well, gin, I was just giving you a man's viewpoint.
Speaker 8 (04:25):
Well, who would you pick up? What about Amelia Hooker
Judge Hooker's sister.
Speaker 6 (04:30):
Sure, she's awfully nice and jolly, and she makes the
swellish cakes and candy.
Speaker 7 (04:34):
Yeah, she's a high school teacher.
Speaker 4 (04:36):
Is that? So? What does she doe you? Oh?
Speaker 6 (04:38):
She teaches girls domestic silence. She this will be a
sick I don't know about that. You can't make a
silk purse in a pig die.
Speaker 5 (04:53):
Now building up a romance for your uncle morn ain't
gonna be no picnic picnic.
Speaker 8 (04:57):
That's it.
Speaker 7 (04:58):
We'll have a picnic on Sandina, not Judge Hooker and
his sister.
Speaker 5 (05:02):
Hold on, I'll make some of my famous potato salad
that ought to bring Judge Hooker, and I'll have to.
Speaker 7 (05:06):
Menu you to bake one of her Lush's cakes.
Speaker 8 (05:08):
That should bring uncle.
Speaker 6 (05:09):
Yeah, and it'll probably bring all the ants too.
Speaker 3 (05:25):
No, Margree, this is Sunday, the day I arrest my feet.
I refuse to go on your picnics.
Speaker 8 (05:30):
Why not, Uncle Moore?
Speaker 3 (05:31):
Well you've heard about nature lovers, haven't you. Of course,
I'm a nature hater. Rocks, skunks, snakes, bees, swamps, mosquitoes.
You can take all of them and give him back
to the boy Scouts and tell him to give him
back to the Indians.
Speaker 7 (05:44):
All but Alcimore, think of all the fun we'll have
at Underwood Fall.
Speaker 3 (05:48):
It's what fun grinding the rubber off our tires.
Speaker 7 (05:51):
No, we're saving Rubbert. We're taking excursion train.
Speaker 3 (05:54):
We who all's going on? This pickle and potato salad promenade.
Speaker 8 (06:00):
Well is Leroy and me and Judge.
Speaker 3 (06:01):
Hooker, And Judge Hooker is a media hooker going to.
Speaker 7 (06:06):
She's make the most delicious devil food cake for you,
incident for me?
Speaker 3 (06:10):
But why devil's food?
Speaker 7 (06:18):
I guess it's because she thinks you're such a handsome devil.
Speaker 3 (06:22):
Handsome devil? Who me?
Speaker 7 (06:29):
Oh, uncle, more, that's the first time you've laughed in
a week.
Speaker 8 (06:32):
Not come on along, you'll have fun.
Speaker 3 (06:34):
Marjorie, I told you how I feel about picnics.
Speaker 8 (06:37):
Strange.
Speaker 7 (06:37):
I mean, you thought you were an outdoor man. She
said that you remind her of Gary Cooper.
Speaker 3 (06:47):
What's so funny about that? A media is entitled her
opinion Gary Cooper. E gosh, I don't know what to say,
Gary Cooper. Eh well, I don't know.
Speaker 7 (07:00):
Why don't you join us?
Speaker 4 (07:00):
Uncle?
Speaker 7 (07:01):
We're leaving on the ten o'clock Gary Cooper.
Speaker 3 (07:04):
Excuse me, Pardner, would you mind stepping away from that
there mirror? Thanks?
Speaker 1 (07:10):
Oh?
Speaker 3 (07:10):
I see what she means by Gary Cooper. Emilia was
talking about the wide open spaces.
Speaker 8 (07:25):
Oh my, isn't this beautiful.
Speaker 3 (07:27):
Mighty pretty country hereabobs, ma'am, they're so fine and clear. Yes,
you just say the word, mister Media, and I'll climb
that lard tree and bring you down some eagle eggs.
Speaker 8 (07:44):
Oh no, thank you, mister.
Speaker 3 (07:46):
Well then can I fetch you some more tater salad?
Speaker 8 (07:49):
No, not another thing, mister, mister Media.
Speaker 3 (07:52):
No need to be formal. Just call me throck Morton.
All right, rock Morton sounds mighty like music. Hear and
you say it? Man? Mind if I set alongside of
your here, No, that's all right, don't move. Excuse me, mistermedia.
(08:13):
But where bouses you put that devil's food cake? Well,
never mind?
Speaker 10 (08:19):
Why you've got a nice wet claw.
Speaker 7 (08:22):
Oh yeah, that was a darn good cake.
Speaker 9 (08:27):
Why can't you be more careful where you put your circumference?
Speaker 4 (08:30):
You?
Speaker 7 (08:31):
You big putting paunch, now holds hooker stopping stingo more.
Speaker 3 (08:35):
Oh, I don't mind, Come, missy Media. Let's wander down
to the pond and look at the water.
Speaker 9 (08:39):
Lily, cavil Amelia.
Speaker 10 (08:40):
Don't let the big boat promp sit on.
Speaker 4 (08:42):
A little bad.
Speaker 3 (08:45):
Why that little joker?
Speaker 8 (08:48):
Oh look, I say, pritty.
Speaker 3 (08:50):
Would you like something? I'll wait out and get them
for you.
Speaker 7 (08:52):
Oh no, trot more than you'll get your shoes.
Speaker 3 (08:54):
Well, oh no, I won't. I'll just take them off
and my socks and roll up my trap. Serious, don't worry,
he's cool.
Speaker 11 (09:11):
No, Daniel Boone, it's just your feet there cos I'll
show you a hooker in just a second.
Speaker 10 (09:17):
The media, I'll have your bouquet.
Speaker 12 (09:19):
And just all right, I'll come back up old cross
more than say something.
Speaker 13 (09:34):
Can't probably have a frog in his throat, sent him.
Speaker 8 (09:38):
My halfs done to the surface. It's dripping away.
Speaker 4 (09:40):
That's all right.
Speaker 9 (09:41):
He's probably weaving another one underwater.
Speaker 5 (09:45):
Oh there he comes.
Speaker 8 (09:47):
Well, thank you.
Speaker 3 (09:51):
We'll put that hole there. Oh my goodness, I've ruled
all my cigars.
Speaker 10 (09:57):
Will help him out, horace, Look at the big floud
a flounder here they take my inno. Thanks?
Speaker 3 (10:05):
Is it very way in there?
Speaker 11 (10:07):
Oh no, jad come on in the worst day the
time you're telling me.
Speaker 14 (10:24):
Now, boys, that's enough fun for one day. Come on,
sit down here, uncle, we're one thing. Goods the cake,
ishing off the trousers.
Speaker 8 (10:35):
See that must be an easier way.
Speaker 3 (10:36):
Of doing it than mest illy roy. Please dry off
my watch.
Speaker 6 (10:40):
Okay, I'll ring it out, my goodness, give me a towel.
Speaker 3 (10:44):
Someone, why don't you just shake yourself, you little lairdale.
Speaker 10 (10:49):
Look at me, I'm a mess. Yeah, you haven't changed
a bit. Jad, there's a watchunk, cheepers.
Speaker 8 (10:56):
Look at the time.
Speaker 3 (10:57):
Oh it's almost time for our train and the station's
a mile away.
Speaker 8 (11:01):
Row, where's your coat?
Speaker 3 (11:03):
I hung it on the limit of a tree while
we were playing baseball. Oh, yes, there it is.
Speaker 8 (11:06):
I'll get it for you. Then we must.
Speaker 3 (11:09):
Oh, what's a matter of media?
Speaker 8 (11:11):
Look a bird. It's building a nest in your coat pocket.
Speaker 9 (11:15):
What's that?
Speaker 3 (11:17):
Let me see? Look, everybody, a bird's building its nest
in my coat pocket.
Speaker 8 (11:22):
Oh, how sweet?
Speaker 7 (11:23):
Well, what a pity we have to dispossess her after
all her work?
Speaker 4 (11:26):
Why are we supposed to be a jay? Sure away
and let's get going.
Speaker 8 (11:31):
Oh, Horace, you're too cruel.
Speaker 9 (11:32):
I am not well, what are you going to do?
Lead your coat here?
Speaker 3 (11:35):
Yes, by George, that's exactly what I'm going to do.
Car No, I won't, my dear, The memory of that
little mother bird's gratitude will keep.
Speaker 6 (11:42):
Me walse Yes, that's the only bird in the country
with a double breasted bungalow.
Speaker 13 (11:48):
All right, sir Warrick gallahad, Come on, we missed the
train to copy.
Speaker 4 (11:52):
With our stuff at media.
Speaker 8 (11:53):
Yes, he's coming, Horace.
Speaker 7 (11:55):
That was a very sweet gestures got more than I
like that very.
Speaker 3 (11:59):
Much now now, Media, it's nothing that Gary Cooper wouldn't
have done.
Speaker 7 (12:04):
Yeah, sure, your coat here.
Speaker 3 (12:08):
Well, my boy in the first place has made a
wonderful impression on a media. In the second place, the
rest of the suit was ruined anyway. And in the
third place, that bird that was building the nest was
a woodpecker, and I never argue with woodpeckers in the
first place.
Speaker 2 (12:27):
The great Yelder's slave. Will they let us again in
just a few melons?
Speaker 1 (12:31):
Meanwhile, a suggestion about getting your food budget to balance,
you're on the lookout for economical main dishes, I know. Well,
let me point out the thrifty product called Kraft Dinner.
For Kraft Dinner not only gives your grand macaroni and
cheese and a jiffy, it's very economical too. To make
this delicious Craft Dinner macaroni and cheese, you simply cook
the special Craft Dinner macaroni and boiling water. You cook
(12:54):
it not more than seven minutes and drain off the water.
Add a little butter and milk. Then with the craft
grated that comes in every package, you sprinkle the cheese
flavor through and through the fluffy macaroni. In as little
time as it takes the coffee to perk, you have
a grand money saving main dish ready macaroni and cheese
that the whole family will love. Many smart homemakers are
(13:15):
never without Kraft Dinner on the pantry shelf. So tomorrow,
why don't you get your pantry set for delicious macaroni
and cheese that you make in seven minutes. Get several
packages of Kraft Dinner. Love like mumps and measles, hits
(13:39):
awfully hard when it hits late in life.
Speaker 9 (13:41):
And trock Morton p.
Speaker 3 (13:42):
Gildersleeve has it bad.
Speaker 1 (13:43):
For the past week, Uncle Morton has been wooing and
wowing Amelia Hooker. It's reached the stage where he's writing poetry.
Now we find the summerfield Shelley reciting a son of
written especially for the fair Amelia.
Speaker 3 (13:54):
If this were in the days of old, and I
a knight, so brave and bold, I storm your castle,
Miss Media, and on my charger, I would steal you.
Do you like that one?
Speaker 4 (14:06):
Oh? I'm dubaively mister gilse.
Speaker 3 (14:08):
Yeah, thanks, Bertie? Or do you think she liked this
one better? Two eyes of blue, cheeks soft as silk,
the skin as white as gray a milk, and neck
as graceful as a swan, a step as dainty is
a fawn. The girl I mean is quite a looker.
Her name is missing Media Hooker's hard.
Speaker 4 (14:28):
To choose between the two of them. You show him
some versifyer?
Speaker 3 (14:32):
Do you mean versifier?
Speaker 4 (14:34):
No, it's the file on account of that hot portry,
you right? I bet you could get a job poor
ties and greeting card.
Speaker 3 (14:40):
Oh I suppose I could, but I don't want to
lose my immature standing. Incidentally, Bertie, don't mention a word
about this to anybody, will you please? Oh no, I
wanted to get your reaction because I'm gonna take Missimedia
for a strolls through the park tonight and read her
fifteen or twenty of the poems I've written. There's gonna
be a wee fiddle moon.
Speaker 15 (15:01):
Why, Bertie, I just came over to borrow a pan
to put under our sofa on account of the fellow
she's calling on me tonight. Is such a drift, mister
guilty Lee how the big romance between you and Amelia
coming along?
Speaker 3 (15:15):
What are you referring to, Tottie?
Speaker 16 (15:17):
Oh, I heard all.
Speaker 8 (15:18):
About your big moment.
Speaker 7 (15:19):
It's all over time like a newspaper and iron.
Speaker 3 (15:22):
Why did you hear this in rumors?
Speaker 15 (15:23):
Well, the operator at the beauty partner told me, and
she had one of her customation. Sister in law hasn't
made the work next door of the judge's law clerk,
and she got a straight out of Urkanstar's call him
in the afternoon paper. Watch it said, what big businessman
size forty eight stub? Is that a way about the
charming sister of a prominent jurist?
Speaker 8 (15:42):
It looks like a romance of April and November.
Speaker 3 (16:00):
Uh?
Speaker 8 (16:03):
What are you thinking about?
Speaker 7 (16:05):
Morton?
Speaker 3 (16:05):
Those crickets the media listen to them. It's hard to
believe that they can do that just by rubbing their
hind legs together. Is that what you were really thinking about? No, Media,
I was thinking of your lips like twin petals of
a dewy rose. They they eMedia. There's something I must
(16:26):
ask you, Yes, would you give me in? Would you
if you've got to match my cigars?
Speaker 8 (16:33):
Going Morton, you shouldn't smoke so much.
Speaker 3 (16:39):
I know it, but when I look at you, my
heart's on fire and I just can't help smoking a
little bit. Incidentally, Amedia, I wrote a poem this afternoon.
Would you like to hear?
Speaker 4 (16:48):
Oh?
Speaker 8 (16:48):
Yes, I'd be glad.
Speaker 3 (16:49):
All right. It goes something like this, if this were
in the days of old and I in eighth night,
so brave and bold. Well, what do you want? Excuse me, buddy,
but have you got a no beat?
Speaker 4 (17:01):
It?
Speaker 3 (17:01):
Can't you see? I'm busy. Oh excuse me, I did
dare you engage? We're not engaged. We're just good friends.
Go on scram But I asked for immediate Do you
happen to have change for a quarter?
Speaker 14 (17:11):
No?
Speaker 3 (17:12):
I don't want to die. I want to rock more.
Speaker 7 (17:16):
I think a gentleman has a cold and is asking
for the time.
Speaker 4 (17:19):
Yeah, that's it.
Speaker 3 (17:20):
Oh excuse me. Let's see it's in ninety two. Thank good,
truck boy died forty two.
Speaker 4 (17:27):
But if I said.
Speaker 3 (17:29):
No, you can have the whole bitch on a weather anyway.
Come on to media, let's stroll across the grass. I
still think he's trying to borrow a dime.
Speaker 8 (17:37):
Oh now, let's forget everything else.
Speaker 7 (17:38):
It's a grand night for a walk, and you were
starting to reside a poem.
Speaker 3 (17:42):
Oh, yes, but I as it's bad luck with the
last one. I think I'll try another verse. Since I
met you, I've lost all care. I feel like I'm
walking on the air. You're not walking on the air, yestery,
You're walking.
Speaker 4 (17:52):
On the grass.
Speaker 3 (17:52):
It's so hot. I'm a park lashman.
Speaker 4 (17:55):
Scene.
Speaker 13 (17:55):
It's against the law to trample on the turf, lounge
on the lawn, or gamble on the green.
Speaker 3 (17:58):
Who's gambling now, officer?
Speaker 8 (18:01):
It was purely unintentional.
Speaker 9 (18:02):
Excuse me, I didn't see you, Girley. Well, run along
and from now on try to keep your father on
the straight and narrow path.
Speaker 3 (18:14):
Why that flat headed flat foot? Why can't people let
people home when people are trying to recite poetry to people?
Speaker 8 (18:20):
Oh, come on off the grass, throck Morton, Do let
me hear your poem?
Speaker 3 (18:23):
All right, the media, I'll try a number it. Let
me see. Oh yes, two eyes of blue, cheek, soft silk,
a skin as white as great a mil Well.
Speaker 4 (18:31):
Well, well, fancy meeting you too in the park.
Speaker 3 (18:34):
I wonder if Shakespeare had to go through what I
have to go through.
Speaker 13 (18:38):
Good evening, Horace, el go on with your conversation, Jilly,
don't let me interrupt you.
Speaker 3 (18:41):
Oh what's the use? If you'll excuse me a media,
I'll run along home now, Oh Morton, I wanted to
hear the rest of the You know, I know, I'm
gonna lock myself in my room and telephone it to you. Goodbye.
Speaker 10 (19:07):
Never felt doun, my dear?
Speaker 8 (19:10):
Why are you making no pain for noises?
Speaker 3 (19:12):
I'm practicing some singing exercises. Don't tell anybody, but tonight
I'm gonna serenade Honeybun, I mean, miss Hooker.
Speaker 7 (19:19):
You've certainly been in there pitching the boule, pitching the
springing a line making with.
Speaker 8 (19:24):
A hot job.
Speaker 3 (19:25):
If you're referring to my tender passion for miss Hooker, Marjorie, yes,
I've been giving Cupid the gibe.
Speaker 8 (19:35):
How's everything going?
Speaker 3 (19:36):
Not so well? Last night? I hit a snag. The
snag's name was Judge Hooker.
Speaker 8 (19:40):
I didn't actually hit him. Did you want him more?
Speaker 3 (19:42):
If I didn't, then why is my mandolin all caved in?
I smacked him right in the middle of his veranda.
Speaker 8 (19:49):
But why Uncle Moore?
Speaker 3 (19:50):
Oh, he made a big fuss. Just because I was
scrumming a few tunes to a media, not because it
was very late at night. It couldn't have been much
later than three, and he came barging out of the
house and his night got I'm demanding that I hand
over my mandolin. He kept yelling give it to me,
give it to me. So I finally did.
Speaker 8 (20:07):
You shouldn't have done that, uncle, I know it now.
Speaker 3 (20:10):
He's refused to let me visit his sister reminds you
of Romeo and Juliet, doesn't it.
Speaker 7 (20:15):
But if the judge's forbidden you to see a media,
how are you going to sound night?
Speaker 3 (20:19):
Well, tonight's is Lodge night. He belongs to the Summer
Fields Nest of the International Order of Hudal. In fact,
he's the Grand Screech, so he should be gone by
eight o'clock.
Speaker 8 (20:30):
We have your phone to see if Amlia will be
home to No.
Speaker 3 (20:32):
Every time I call up, Hooker answers the phone. I'm
gonna try it again right now. Maybe he's gone out somewhere.
Speaker 8 (20:39):
I suppose he hasn't.
Speaker 3 (20:40):
Oh, I've got a scheme. I'll disguise my voice so
you won't recognize me.
Speaker 13 (20:44):
Oh uh high, what number dish please got coversident Georgia
Hooky pleasure.
Speaker 9 (20:50):
Then eh, oh this is George Horace Hooker.
Speaker 4 (20:53):
Oh are you hook it hoisey?
Speaker 9 (20:55):
Huh no good? No, no, no, this is got Hooker.
Speaker 3 (20:58):
Now who's this?
Speaker 9 (21:00):
Jokie?
Speaker 3 (21:00):
See me Sami?
Speaker 4 (21:02):
No no, who are you?
Speaker 9 (21:03):
Oh me know that long time? Watch your name?
Speaker 16 (21:07):
And what do you want?
Speaker 4 (21:08):
I'm e le Lee onlyly Lee hand on Lee?
Speaker 9 (21:11):
Oh thanks? We wash her own hands.
Speaker 3 (21:16):
Off a corn shame, I said, Betty Smilly, what are
you calling about?
Speaker 9 (21:21):
Missy hookey she home man? Oh yeah, Rannie messy Dagon's.
Speaker 3 (21:25):
Take no, judge, just skip it.
Speaker 4 (21:29):
Now?
Speaker 8 (21:29):
What are you gonna do?
Speaker 4 (21:30):
Uncle Moore?
Speaker 3 (21:30):
I don't give up very easily. Why you remember? Love
laughs at locksteads and jeers at juughheads like the judge.
I'm gonna send the media box of candy with a
message inside. I read that someplace that should do the trick. Hey, Bertie,
were you calling me mister Gilsey? Yes, Bertie? Are you
finished with the dishes yet?
Speaker 4 (21:46):
I've done the duncan, but the wife and is waiting.
Speaker 3 (21:48):
I want you to take a package over to mister
Media for me smuggle it in so her brother doesn't
find it. See, how do you think you can act
as Cupid's messenger in this case?
Speaker 4 (21:56):
Oh, I'm the cupidest messager in town.
Speaker 10 (22:13):
Hey, Josh, tryan would be in the meeting.
Speaker 13 (22:16):
I'm coming round, after all. It can't start until the
grand screech arrives.
Speaker 3 (22:20):
But if you're life, they're liable and elected new one
before you get there.
Speaker 9 (22:22):
Oh they couldn't do that.
Speaker 3 (22:23):
Oh no, I remember correctly. That's how you were elected.
Speaker 9 (22:26):
Yeah, but the first thing I did was to change
that rule.
Speaker 10 (22:28):
Yeah.
Speaker 9 (22:29):
Well, imp in Wait a second, someone's coming at the house.
I think, Oh, hello, Burdie.
Speaker 4 (22:33):
Oh hello, Jeff.
Speaker 9 (22:35):
Have you got that something from me?
Speaker 17 (22:37):
No?
Speaker 9 (22:37):
No, then it must be for miss Amelia.
Speaker 4 (22:39):
Yeah, that's it is for miss Media.
Speaker 9 (22:41):
Fine, just give it to me and I'll take it
into her.
Speaker 8 (22:43):
But I've had stricken instructions to put it right in
her own hand.
Speaker 13 (22:46):
She's upstairs and there's no use making her come down
to answer the door.
Speaker 9 (22:49):
I'll take it.
Speaker 4 (22:50):
I don't know whether that's right for me to do it,
but just give me.
Speaker 9 (22:52):
One reason why not.
Speaker 4 (22:54):
Okay, I'll give you a reason. But I have to
go home to get it.
Speaker 13 (22:57):
Fine, not just a second there's no use Luck that
package all the way home and then back here again.
Speaker 9 (23:02):
Just leave it with me until you come back. I
forgive these things, Berdie, I'll take.
Speaker 4 (23:07):
Good care of it. That's mighty considered of you. Joll
what's there there?
Speaker 13 (23:12):
That's Gilderslee's cook. I've forbidden him to see my sister
and doctors to donuts. This package is something, he said her.
Who are you doing boil him with big Guilder sleep well? Well, well,
chucklets have something Ralph, m lord cold let me see.
Listen to this, dearest darling Moonflower. I've phoned and called
(23:33):
to see you all day long, ah but in vain
and who has so cruelly kept us apart? Your brother,
the little Tinker. Something's wrong with the s on his typewriter.
I'll fool him tonight, when Old Sour Course is playing Hutile,
(23:53):
I'll glide beneath your window and let the golden notes of.
Speaker 9 (23:56):
Song pour out of my throat.
Speaker 3 (23:58):
Your Fluffum's walks, say, Jode, what are you gonna do?
Speaker 4 (24:02):
First, We're going to.
Speaker 9 (24:03):
Finish eating this candy.
Speaker 13 (24:04):
Then I'm going to get a media out of the
house on some pretext rather than you and I are
going upstairs and fill every pot, pitcher.
Speaker 3 (24:10):
And bucket in the house with war.
Speaker 9 (24:13):
Well, when Flufham's waams pours the golden notes of song
out of his throat, we're going to pour the water.
Speaker 3 (24:18):
Out of the window. If for goodness sakes, quiet, two musicians.
This is supposed to be a serenade, not a stampede.
Speaker 4 (24:34):
Yeah, quiet fellas.
Speaker 3 (24:37):
Now you boys hide in the bushes while I tiptoe
up in the porch. You get it. I'll let you
know when I'm ready.
Speaker 9 (24:42):
Okay, mister Killislee, Come on, boys, I'll take.
Speaker 3 (24:44):
It easy and be quiet.
Speaker 10 (24:45):
Bays Ah, the media light of my life.
Speaker 3 (24:53):
Listen to my song of love.
Speaker 16 (25:00):
Joss, just the words word love, eyes the lines, smile.
Speaker 10 (25:47):
What's the name of Jupiter? Cool?
Speaker 3 (25:49):
This is a big idea.
Speaker 4 (25:51):
It's me, yild.
Speaker 10 (25:53):
I hope you're dripping wet you break big dripping.
Speaker 3 (25:57):
Is that's all.
Speaker 4 (25:57):
And you never touched me.
Speaker 3 (25:58):
I was here in the port sweet all the time.
Speaker 4 (26:02):
But you got the whole band. We're all doused. They
are a surge dolls. All that noise.
Speaker 3 (26:07):
Oh, by the way, hooker, that's the Policeman's band. Fix
yourself up, pretty judge. You're about visitors.
Speaker 10 (26:15):
I don't care at least my sister to hear you.
Speaker 3 (26:20):
Oh no, who do you think this is? Sitting in
the port swing with me, Rudy Valley, Ladies and gentlemen.
(27:10):
This has been our last broadcast before our summer vacation.
Before we go, I'd like to express my sincere appreciation
to the Craft Cheese Company for a most pleasant year.
Also my deep thanks to our writer, Leonard Levinson, and
to the members of the cast for their able assistance.
Walter Tetley who plays Leroy, my nephew, Loreene Tuttle, my
niece Marjorie, Lillian Randolph who's Bertie Earl Ross as Judge Hooker,
(27:33):
Paula Winslow as Dottie Dobson, and William Randolph Mills, our
musical director, and Cecil Lunderwood, our producer. I am proud
to announce that during the eight weeks will be off
the air, the United States Government will take over our
half hour to bring you the Victory Parade. Each of
the top NBC shows is contributing one program to this series,
so be sure to listen in. I hope you all
(27:55):
have a pleasant summer, and now good night. Original music
(28:27):
heard on.
Speaker 2 (28:27):
This program was composed and conducted by William Randolph.
Speaker 1 (28:30):
This is Jim Bannon speaking for the Craft Cheese Company
and inviting you to tune in again August thirtieth at
the same time for the further adventures of the Great
Guilders Wave.
Speaker 17 (28:43):
Right now, you American homemakers are more nutrition conscious than
ever before. You know that wholesome, nourishing food will help
make strong Americans. Yes, and you're finding out that the
right foods aren't necessarily expensive.
Speaker 3 (28:56):
Certainly.
Speaker 17 (28:57):
A good example of that is nutritious Parquet margarine, the wholesome,
delicious spread for bread made by Kraft. You see, Park
margarin is an economical source of important food value. Why
nourishing Park margarine is one of the best energy food
you can serve, and every pound contains nine thousand units
of important vitamin A. Yet for all its goodness, it's
(29:19):
thrifty too. Now, once you've tasted Park's delicate, appetizing flavor,
you'll agree it deserves a place on your table morning, noon,
and night. So tomorrow order a pound or two of delicious,
nutritious Park margarine. Just ask for Park p A r
k A Y Park Margarine made by Craft. This program
(29:41):
has reached you from Hollywood. This is the national broadcasting Company.
Speaker 16 (29:45):
Oooh
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