August 1, 2025 • 29 mins
Enjoy "The Jack Benny Collection," a showcase of the best episodes from the legendary comedian's radio show. Experience the timeless humor, memorable characters, and witty scripts that made Jack Benny a household name. Perfect for fans of classic comedy and radio history, this collection offers a window into the golden age of entertainment.
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Speaker 1 (00:00):
Included by Empty.
Speaker 2 (00:11):
The Jello Program starring Jack Benny with Mary Livingston, Til
Harris Tennis Day, and Yours Truly Don Wilson the Orchestras
a program with Billy. Here is some helpful advice for
every woman who likes to keep her family in good spirits.
(00:32):
Give them Jello for dessert, not just once in a while,
but often. One of the grandest things about Jello is
the wide variety of.
Speaker 3 (00:39):
Ways in which you can serve it. That are six
lovely glowing colors to add real beauty to your man.
Use six rich, delicious flavors.
Speaker 1 (00:46):
To tempt every appetite.
Speaker 3 (00:48):
And there's almost no limit to the different Jellow dishes
which you can prepare dozens and dozens of desserts and salads,
easy to make, attractive to look at, Swell the taste.
You'll find definite recipe suggestions on every package of Jello.
Speaker 4 (01:03):
Just be sure you get.
Speaker 2 (01:04):
Genuine Jello and told except any substitutes.
Speaker 3 (01:07):
Well, there's only one Jello, and only Jello brings you
that delicious, extra rich flavor. So look for the big
red letters on the box. They spell Jello and Jello
spell zatreat. That's what Philly played by Phil Harrison his orchestra. Now,
(01:51):
ladies and gentlemen, this being the first Sunday in November,
we bring you the last rows of summer.
Speaker 4 (01:57):
Jack Pennies.
Speaker 1 (02:05):
With him all again. There's a Jack Junny talking and
don I've heard you give me some pretty silly introductions
in the past, but that one takes the cake, last
rose of summer. What does that mean? Well, that doesn't
mean anything. I was just trying to be clever, that's all.
Speaker 4 (02:17):
Don.
Speaker 1 (02:17):
You just make with the jello. I'll take care of
the clever stuff around here anyway. I don't want to
start out every broadcast talking about me, me all the time.
It's embarrassing. It's a little dull too. Oh it is. Well, Phil,
let me ask you something, now that you've established your
presence among us, is this a program getting a little
too monotonous for you? Well, it's not ego. I mean,
(02:39):
do you find me personally so incompatible? Income?
Speaker 5 (02:42):
What incompatible?
Speaker 1 (02:46):
Would you mind cutting that down where I can get
at it? Not at all. What I'm trying to get at, Phil,
is this, Do I bore you? I mean, do I
grate on your nerves?
Speaker 6 (02:57):
Oh?
Speaker 1 (02:57):
Not exactly?
Speaker 5 (02:58):
Why?
Speaker 1 (02:58):
Because Phil there's an no Chinese proverb that says, when
orchestra leader, I'm happy over job him soon clap hands
with joy in breadline. Very good advice. Oh hello Mary, Hello,
one long?
Speaker 5 (03:16):
Is my laundry ready?
Speaker 1 (03:19):
Never mind that you know, Mary, I don't know why
I even argue with Phil. I use an ordinary word
like incompatible, and it throws him. He's absolutely illiterate, well
as your own fault Jack.
Speaker 7 (03:28):
You knew he couldn't read when.
Speaker 4 (03:29):
You hired him.
Speaker 1 (03:30):
What do you mean he had to draw his contract
with pictures? Oh that's right, I remember. I had to
get a lawyer and Rube Goldberg. Say, Mary, did you
see Dennis day when you came in? I told him
to be here early tonight.
Speaker 7 (03:47):
Yeah, I saw him downstairs the jugster, and I got
some good news for you. Yet I don't think his
mother's with him. How do you know he was on
his third banana split.
Speaker 1 (03:56):
I knew he'd go on a spree the minute he
got away from her. Three banana splits and a maulid mill.
Three banana splits and a mauled mill with an egg
in us, with an egg.
Speaker 5 (04:05):
In us and a Hamburger.
Speaker 7 (04:06):
Sandwich a Hamburger sandwich with onions, with onions, little echo.
Speaker 1 (04:10):
Shut up, shut up, I will if you will marry
you must be mistaken. Dennis couldn't possibly eat all that stuff,
and three banana splits with Cherry. Well, here we go again.
Now look Mary, run out and get Dennis. We have
(04:32):
an important play to do tonight, and I want to
start testing it right away.
Speaker 5 (04:36):
Old Jack.
Speaker 1 (04:36):
Is this the player we're telling me about? Yes, Don,
and we've got to get going on it. In fact,
I'm going to announce it right away. Hey, Phil, give
me a cord, and gee, will you you'll take a cord
any place we happened to hit it that I know
(04:57):
the cord? Please thank you. And now, ladies and gentlemen, boys.
Speaker 5 (05:03):
That was grand.
Speaker 1 (05:08):
And now, ladies and gentlemen, tonight, for our supreme effort
in our current dramatic season, we are going to offer
our version of one of the most famous stage and
screen productions of all time, none other than that sensational
play and equally sensational motion picture, The Women. Thank you, Max. Now.
(05:31):
This play was written by that renowned playwright, missus Claire Boo,
and was first produced in New York City by Max
Gordon who just hit the symbol. Then then Metro Goldwyn Mayer,
realizing his dramatic and comedy potentialities. Potentialities. Yes, Phil, I'll
cut it down for you. Later A brought this great
(05:53):
Vitila Hollywood and created an outstanding film success. So tonight,
ladies and gentlemen, the many theatrical termites will munsh on
now in our Virgin may.
Speaker 5 (06:02):
Jack are we gonna do the women?
Speaker 7 (06:04):
When I'm the only girl in our show?
Speaker 1 (06:06):
We'll just have to do the best we can.
Speaker 4 (06:07):
Marry, Do you mean we're all.
Speaker 1 (06:08):
Going to be women tonight? Exactly? Well, not exactly, but
I've got it all. But I've got it all figured out.
How to start with? I will play the leading role
at portrait on the screen by that lovely and calendar actress,
Miss Normous Shearer.
Speaker 8 (06:26):
Oh no, Jackson, No, well, Mary, somebody's got to do it.
Speaker 1 (06:39):
Why can't I be the leading lady? What I look
more like normous Share than you do?
Speaker 4 (06:43):
Isn't that awful?
Speaker 1 (06:44):
You look more like normal Share than I do? Yes,
I do in an evening gown. Don't be redicted, Phil,
You're going to be rosalind russell A. Don You're going
to be Joan Crawford and Mary. I know I'm gonna
be Wallace. Mary, leave me serious. Since all the rest
of you are going to be women tonight, you have
(07:04):
to be a man. A Mary, You're gonna be Don
Wilson and announce our play. Now, let's see is Dennis
here yet? Oh? Dennis?
Speaker 4 (07:11):
Yes?
Speaker 1 (07:11):
Please?
Speaker 5 (07:12):
Oh?
Speaker 1 (07:13):
Hello, Dennis. I didn't see you come in. You know
we're casting our play, the Women. Am I gonna be
in it?
Speaker 4 (07:18):
Yes?
Speaker 1 (07:18):
You're gonna play Joan Fontaine's part, you know, the little
girl that just got married. Boy, what a day? Three
banana split him?
Speaker 9 (07:24):
Now I'm a bride.
Speaker 1 (07:34):
Yes, that's quite a schedule.
Speaker 4 (07:35):
Said Jackie.
Speaker 3 (07:36):
If you're going to play enormous sheriff's part, who's going
to be your daughter?
Speaker 1 (07:39):
My daughter?
Speaker 4 (07:40):
Oh?
Speaker 1 (07:41):
Yes, Dennis, I'll have to change your role. Instead of
the young bride, you're gonna be my five year old daughter,
Denise five years old.
Speaker 7 (07:48):
Yes, and you're gonna be his mother.
Speaker 5 (07:50):
Yes?
Speaker 1 (07:53):
What are you laughing at? You got a late start,
didn't you, mon, Mary, I'd be quiet if I were you.
Let the New Maid company get an.
Speaker 10 (08:06):
Old employee, you know, reunion.
Speaker 1 (08:20):
At Fairfax and Wilson now let's see. Oh, yes, where's Rochester?
Speaker 5 (08:26):
I am miss year.
Speaker 1 (08:31):
Rochester. I send for you because we're short of actors
and you don't have to play the part of my maid.
Speaker 5 (08:35):
Your maid.
Speaker 1 (08:36):
Yes, why can't I be your valet? Because I don't
want a man in my room and I'm dressing, but
you're gonna be my maid?
Speaker 4 (08:44):
Now fellas, I gonna wear a no drisk.
Speaker 1 (08:46):
You are too now fellas.
Speaker 5 (08:48):
I'm gonna put on no mess here.
Speaker 4 (08:50):
You are too now fellas.
Speaker 5 (08:52):
You ain't gonna show.
Speaker 11 (09:08):
All right, now.
Speaker 1 (09:09):
Fellas, Remember we must be very legitimate. The only reason
we're playing the part of women because we're short of actresses.
Speaker 4 (09:15):
Well, why don't you hire a few?
Speaker 7 (09:17):
You know, sale women are so scarce in Hollywood.
Speaker 1 (09:20):
Mary, if you're inferring I'm too cheap to hire actresses,
come right out and say so.
Speaker 7 (09:24):
All right, you're too cheap to hire.
Speaker 1 (09:26):
Actresses anyway, folk, Our version of the Women will go
on immediately after Dennis Day's song Oh Jack, Yes, Don,
who's starting to play Merck Boland's part? You know the
econis della. I can't tell you, Don, I'm saving that
for a surprise, and they now you spoil the go
(09:46):
ahead and sing, Dennis, nobody can keep us.
Speaker 5 (09:48):
Secret around here. M last night.
Speaker 9 (10:07):
I touched your finger, and when I touched your leave,
I fell in love last not.
Speaker 4 (10:23):
Last?
Speaker 6 (10:23):
Not fill your heart feet side swiftly a moment's pas?
Why couldn't it last last night?
Speaker 1 (10:41):
No?
Speaker 6 (10:44):
Wh My lovely dream has long?
Speaker 4 (10:52):
Why must I be a I mean you.
Speaker 1 (11:00):
Less not?
Speaker 6 (11:04):
Why did we say good bye? My hockey plashing all?
Why couldn't it last last?
Speaker 1 (11:17):
Not?
Speaker 12 (11:19):
It was so heaven.
Speaker 5 (11:24):
Must fly?
Speaker 6 (11:25):
This is one that lingers. Any memory always lingers with all?
And in my heart he ding.
Speaker 1 (11:45):
No high?
Speaker 6 (11:51):
My lusty dream had long? Why must I be all long?
Speaker 5 (12:00):
Why you.
Speaker 4 (12:04):
Blesten not?
Speaker 6 (12:07):
Why did we say food by my hockey dusty?
Speaker 9 (12:14):
Wh Why food lahl?
Speaker 1 (12:39):
That I was last night? Sung by Dennis Day? And
see you did very well without your mother. You don't
need her here at all, You know, Dennis, there are
times when your mother is a past.
Speaker 6 (12:49):
Be careful, she's listening in.
Speaker 1 (12:50):
That's what I say. Your mother needs a rest.
Speaker 4 (12:56):
He's entitled to it.
Speaker 1 (12:57):
And now, ladies and gentlemen for our play. The women
all right, they get married. You're the announcer. Wait a minute,
answer the phone, will you don, I'm busy, okay, Jack, Hello? Hello?
Speaker 3 (13:07):
Is this brown and Chinese theater?
Speaker 1 (13:08):
What's that?
Speaker 11 (13:09):
Madam?
Speaker 1 (13:09):
Is this grown with Chinese theater?
Speaker 11 (13:11):
Oh?
Speaker 3 (13:11):
Yes, madam, Jello does come in six delicious flavors.
Speaker 1 (13:14):
Strawberry rhymes, Ferry Terry are in.
Speaker 7 (13:16):
Leaven and live, I said, is this crown is Chinese theater?
Speaker 5 (13:19):
Yes?
Speaker 3 (13:19):
Indeed, you must be sure to ask for genuine jello
and look for the big red.
Speaker 4 (13:23):
Letters on the box.
Speaker 1 (13:24):
Well, what time does the feature go on?
Speaker 4 (13:25):
You're welcome, madam?
Speaker 5 (13:26):
Goodbye?
Speaker 1 (13:30):
Are you through? Don sure?
Speaker 11 (13:31):
Go ahead?
Speaker 1 (13:32):
All right, Mary, announce our play?
Speaker 7 (13:34):
Okay, ladies and gentlemen. The women the opening scene is
Fashionable Park Avenue residence is Missus j Updike Danny. As
the curtain rises, you find Missus Benny seated in her
wood wall talking to her sixteen year old daughter.
Speaker 1 (13:49):
Denise Harry. I said, Dennis is five years old.
Speaker 7 (13:51):
I'm making him sixty.
Speaker 1 (13:52):
Edy, just wink at me. Oh.
Speaker 7 (13:55):
The women Act one curtains music.
Speaker 1 (14:05):
M Oh, Denise, Denise, Yes, mumsy, we're having dinner alone, darling,
just you and I. Daddy's working late at the office. Oh, mother,
when are you gonna wake up? When are you gonna
realize that men are only snakes in the bread. Denise.
I will not have you talking that way about your father.
(14:25):
But Ga, Mumsy, father hasn't been home to dinner in
five years. Well maybe maybe he isn't hungry. I trust
up Dike impressively. Oh dear, it's getting late, Darling, hand
me my pound bacon cream. I must get made up.
Aren't you gonna shave first? Denise? I'm not a bearded lady. Oh, Rochelle, Rochelle, yes,
(14:49):
what are you doing?
Speaker 4 (14:50):
I'm pressing a pant.
Speaker 1 (14:58):
Now, Rochelle. I want to go down to the kitchen
and tell the cook mister Benny won't be home to
dinner tonight.
Speaker 5 (15:03):
That's a pretty long walk for so little news.
Speaker 1 (15:08):
Never mind, mister Benny is detained at the office. Don't
tell me about men.
Speaker 5 (15:11):
I'm had eight of them.
Speaker 1 (15:13):
Well, Rochelle, wasn't there even one of them who was
nice and sweet and kind to you? One you could trust? Missus?
Speaker 5 (15:19):
Benny is one woman to another.
Speaker 1 (15:28):
Well, I refuse to be synegal. There's a phone, Mumsy, Yes,
I'll take it. Dear, darned this neglijay.
Speaker 7 (15:37):
I'm always tripping over Delba plenty, mumsy.
Speaker 1 (15:44):
I wonder who that can be. I hope it's your father, Denise?
Speaker 6 (15:46):
Has he got our phone number?
Speaker 4 (15:48):
Denise?
Speaker 1 (15:50):
Hello, Hello, Jacqueline, this is Phyllis.
Speaker 11 (15:53):
Oh Phillips, darling, how hard?
Speaker 4 (15:57):
When did you get back from Bermuda? Yesterday?
Speaker 1 (15:59):
In my here, I had a marvelous time, did you really?
Speaker 13 (16:02):
How was the trip back?
Speaker 4 (16:03):
Phillis? Oh? Divide and the captain was free. He chased
me all over the boat, Oh, Phillip.
Speaker 1 (16:11):
Pardon me a minute, Rochelle hooked me up? Please? I
want to get dressed while i'm.
Speaker 4 (16:14):
Phony game, Bennie, hail, Oh Phyllis, do.
Speaker 1 (16:18):
Tell me more about your trip?
Speaker 12 (16:20):
Well, Jacqueline, who do you think I'm met on the
boat honeymooning with a South American cattleman?
Speaker 5 (16:25):
You die, You just die?
Speaker 4 (16:30):
Who are the Phillis?
Speaker 1 (16:31):
Tell me Dona Wilson, Dona Wilson? Is that tob still
kicking around?
Speaker 4 (16:37):
My goodness?
Speaker 1 (16:38):
Nothing? You should see her now. She's quite slim. Now
she might look that way when she's dressed, but if
her stays ever snapped, watch out. Tell me, Phillips. Houch, Rochelle,
be careful with those hooks.
Speaker 4 (16:50):
Oh game is Vinnie? Where do you want this bustle?
Speaker 1 (16:52):
Where do you think I watched? Villa's Darling. I'm just
dying to see you. Let's have lunch tomorrow at the
park Villa. Oh, brand, shall we meet Mirenda's booth room.
That's rendezvous Rendezvous room.
Speaker 4 (17:12):
And to think you went to bath.
Speaker 1 (17:14):
I'll tell you what, Phillas, I'll call Donna and we'll
have a little get together. All right, darling, see you tomorrow.
Bye bye, dear, bye bye. Oh, by the way, Jacqueline,
I almost forgot to ask you. I was Updike, Updike.
Here they go, folk, Yeah, oh Updike's just fine, Darling.
He's been very, very busy at the office, poor boy.
(17:36):
I saw him at the Silver Slipper last night. He
was pretty busy there too, the Silver Slipper. Are you sure, fellas, Why? Yes?
I hope I haven't shot you, dear. I thought you knew. Oh,
I'm sure you must be mistaken. Well, my dear, see
(17:58):
you tomorrow the park Villa for lunch. Yes, goodbye, darling,
You poor thing. The husky I could scratch her, eze them.
Speaker 4 (18:08):
What's the matter?
Speaker 1 (18:09):
Mother, Nothing, darling, You run along and have your dinner.
I don't feel like eating tonight. Never mind, Now, come
over here and kiss mother.
Speaker 7 (18:14):
Good night.
Speaker 1 (18:16):
Good night, Darling, good night mother.
Speaker 4 (18:18):
Who those cigars?
Speaker 7 (18:24):
I've been putting up with that for years?
Speaker 1 (18:27):
Tell us the cat the huspy. Why did she have
to tell me? Oh?
Speaker 4 (18:31):
Updight, updut How can you do this to me?
Speaker 13 (18:35):
You said you'd love me in December as you do
as you wouldn't May, and here it is November. I
know I'm not pretty anymore, updight, but.
Speaker 4 (18:46):
I've given you the best years of my life.
Speaker 5 (18:52):
Oh, come down, honey, don't.
Speaker 4 (18:54):
I can't open Rochelle. I told you men are no
good now, But what will I do? Rochel This is
so you believe what I do on it? Take his raisers,
find that man and make way with him.
Speaker 5 (19:06):
Off.
Speaker 1 (19:08):
Oh so.
Speaker 7 (19:19):
Play girls, statist that was an apple for the teacher
(21:14):
played by Phyllis Terris and her redhead. And now ladies
and gentlemen ask two the women.
Speaker 1 (21:20):
The scene is a rendevus room.
Speaker 7 (21:22):
Of the Park Villa Hotel where we signed Philip Terras
and Donna Wilson, three charming ladies, awaiting the arrival.
Speaker 5 (21:30):
Of Jacqueline Benny.
Speaker 1 (21:31):
The women curtain me music.
Speaker 12 (21:40):
Well, Donna, I just couldn't believe my eyes uptick because
you're giving her the run around. If you ask me, Phyllis,
Jacqueline got just about as much a feel as a
parsonif Oh, she'd be all right if she.
Speaker 1 (21:49):
Just put her wig on straight, no foolish.
Speaker 4 (21:51):
Does Jacqueline wear a wig? Yes?
Speaker 1 (21:53):
Half the time she looks like a French koodle. Quiet, Donna,
here she comes now?
Speaker 11 (21:58):
Oh, hello girl, Philip, Donna, Jaqueline. And did you hear
what happened after that?
Speaker 5 (22:11):
Didn't we?
Speaker 6 (22:16):
And to make it worse?
Speaker 1 (22:23):
Oh, it was simply awful. Now don't read the word
of this to a soul.
Speaker 5 (22:26):
We won't.
Speaker 1 (22:27):
Oh, here, Jacqueline, how it is your jello? Thank you?
Dolly and Donna. I can't get over how thin you look?
Why you're nothing but skin and bones?
Speaker 9 (22:34):
And did you notice how my shins have gone down?
Speaker 4 (22:37):
Yes? Down to your stomach?
Speaker 5 (22:42):
Oh, I was just booping, Donna.
Speaker 12 (22:43):
Oh girls, girls, look, look who's sitting at that table
over there where?
Speaker 5 (22:48):
Oh?
Speaker 4 (22:48):
Yes?
Speaker 1 (22:49):
And is she getting high hats since she's been on
the radio. Who is it, Jacqueline, it's Frida Alla. Isn't
she a sight? Get a load of that dress? You know,
Peta Allen has the worst taste. She should never wear
(23:11):
short sleeves with that anchor tattooed.
Speaker 4 (23:13):
On her eyes?
Speaker 1 (23:16):
And girls, do you want to hear something else? Peta
is going to the hospital tomorrow to have her face lifted.
What a game? Yes, about every three months she has
a landslide. Oh look, girls, look, here comes Andrea. Divine Andrea.
(23:36):
I thought she was in Paris. Hello Andrea, ejaculate Andrea Darling,
what are you doing here? I thought you were living abroad?
Speaker 4 (23:43):
I was, but I came back to marry a cowboy,
a cowboy house thrilly.
Speaker 1 (23:48):
What's his name?
Speaker 5 (23:48):
Andrea?
Speaker 4 (23:49):
I forget it, but it's on his guitar.
Speaker 1 (23:52):
Oh why did you divorce the count? I'm just dying
to know.
Speaker 4 (23:56):
Oh, Pierre was always so busy at the office.
Speaker 1 (23:59):
He was working.
Speaker 4 (24:00):
Oh uh huh, like guess who a Jacueline.
Speaker 1 (24:04):
I'll listen, Phillis, I'll have none of your innuendos just
because Updyke happens to be working at the office. The
great deal. You don't need to jump a conclusion. He's
a very good husband. Oh, stop trying to cheer this.
It's all over between you and Updyke.
Speaker 4 (24:15):
And you know it.
Speaker 1 (24:16):
Philip Harris, who take that back round?
Speaker 4 (24:18):
Scratch your eyes out, girls.
Speaker 5 (24:19):
God you and I'll pull your hair out.
Speaker 4 (24:21):
I'll pull your hair out too.
Speaker 7 (24:22):
I think Jack, it's more than phil does.
Speaker 1 (24:26):
Tell us you say one more word about updyke and
I'll slap the ruse right off your face and then
will those bags shows. It's no use, Jacqueline, you can't
compete for them. Chorus girl, I can't they take that.
Speaker 5 (24:43):
Let's go my hair finger maybe even gentlemen.
Speaker 7 (24:49):
While those two women are acting like women.
Speaker 4 (24:51):
Let me remind you that jello is not only.
Speaker 7 (24:53):
Economical and easy to make, but it is America's favorite
gelatin dessert.
Speaker 1 (24:58):
So look for the big red letters on the bot.
Speaker 4 (25:05):
I'm going home.
Speaker 1 (25:08):
Hey, the check, Donna, goodbye.
Speaker 7 (25:11):
Later that night, we find the heartbroken missus Danny and
her bood rolls packing for her Chris to Reno, and
she's not going for the scenery music.
Speaker 1 (25:22):
I'll show up.
Speaker 4 (25:23):
Dice can't freak me like that.
Speaker 1 (25:26):
He can't humiliate me in front of all my friends. Denise,
hand me my hat box. Oh Momsey, why are you
packing all your bags?
Speaker 4 (25:32):
Where are you going?
Speaker 1 (25:33):
I'm going to Reno, Reno, yes, gee, mother.
Speaker 6 (25:36):
Don't you love father anymore?
Speaker 1 (25:37):
How can I love him when he won't come home? Oh, Denise,
your mother's been a fool, a blind fool for five years.
I haven't seen your father five wrong years.
Speaker 4 (25:50):
But mother, dear us.
Speaker 1 (25:51):
Denise, I can't keep it from you any longer.
Speaker 5 (25:53):
Your father is a loft.
Speaker 4 (25:56):
Let's hurry, dear, we'll miss the train.
Speaker 1 (25:59):
Who can come in, missus Benny?
Speaker 4 (26:02):
Yes, what do you want?
Speaker 1 (26:03):
Don't you remember me? I'm your husband? Updight upside?
Speaker 4 (26:08):
Oh, I knew you'd returned to me. I knew it
all upside, Darling.
Speaker 1 (26:12):
Let's go with me. I just came back my long underwear. Ah,
they're in the bottom drawer playfield. Come along, sis, we're
going to read every housewife lows.
Speaker 3 (26:52):
It's the best compliment her guest complayer is to come
back for second helping. And that's the kind of compliment
you get every time when you serve one of the
new Jello puddings for dessert. I'm thinking right now of
Jellow Butterscotch pudding, a handsome, taffy colored dessert served up
in shining sherbet glasses and sprinkled with a white curly
blanket of shredded coconuts.
Speaker 2 (27:14):
Now there's a real pudding for you. It has a
texture smooth as cream and that mellow, distinctive flavor of
old fashioned butterscotch canny.
Speaker 1 (27:23):
The whole family will love.
Speaker 2 (27:25):
Yellow chocolate pudding two has a rich, luscious, homemade goodness
that just seems.
Speaker 1 (27:30):
To hit the spot.
Speaker 2 (27:31):
And don't forget jello vanilla pudding please, you'll find its delicate,
creamy flavor makes a hit with the whole family, especially
when it has nuts, fruits, or chopped dates mixed in
to give it that final tempting touch. All three jello puddings.
Speaker 4 (27:45):
Are quick as a place to make.
Speaker 1 (27:47):
Don't get acquainted with.
Speaker 3 (27:48):
America's newest dessert sensation, the dessert the whole country is
talking about. Jello pudding, butter, Scots, chocolate and vanilla, old
fashioned favorites made a new fashion away.
Speaker 1 (28:43):
This is the last number of the fifth program in
the New Yellow series, and we will be with you
again next Sunday night. At the same time, they marry
as a member of the fair Sex. What do you
think of the way we fellas did the women tonight?
I thought it was pretty good, didn't you? Well?
Speaker 7 (28:55):
Jack is an old Chinese proverb that says long out
chang lung, check lou toy, what.
Speaker 1 (29:01):
Does that mean?
Speaker 4 (29:02):
I'd love to tell you the night fault.
Speaker 6 (29:12):
Ah.
Speaker 3 (29:23):
Here's news Every Tuesday night, see Aldrich Family is on
the air, starring Ezra Stone as Henry.
Speaker 2 (29:29):
Aldrich, that lovable hard luck kids from Sofia local newspaper
our Radio did for time and stations, and be sure
to tune in on the Aldrich Family next Tuesday night.
Speaker 4 (29:40):
This is the National Broadcasting Company
Included by Empty.
Speaker 2 (00:11):
The Jello Program starring Jack Benny with Mary Livingston, Til
Harris Tennis Day, and Yours Truly Don Wilson the Orchestras
a program with Billy. Here is some helpful advice for
every woman who likes to keep her family in good spirits.
(00:32):
Give them Jello for dessert, not just once in a while,
but often. One of the grandest things about Jello is
the wide variety of.
Speaker 3 (00:39):
Ways in which you can serve it. That are six
lovely glowing colors to add real beauty to your man.
Use six rich, delicious flavors.
Speaker 1 (00:46):
To tempt every appetite.
Speaker 3 (00:48):
And there's almost no limit to the different Jellow dishes
which you can prepare dozens and dozens of desserts and salads,
easy to make, attractive to look at, Swell the taste.
You'll find definite recipe suggestions on every package of Jello.
Speaker 4 (01:03):
Just be sure you get.
Speaker 2 (01:04):
Genuine Jello and told except any substitutes.
Speaker 3 (01:07):
Well, there's only one Jello, and only Jello brings you
that delicious, extra rich flavor. So look for the big
red letters on the box. They spell Jello and Jello
spell zatreat. That's what Philly played by Phil Harrison his orchestra. Now,
(01:51):
ladies and gentlemen, this being the first Sunday in November,
we bring you the last rows of summer.
Speaker 4 (01:57):
Jack Pennies.
Speaker 1 (02:05):
With him all again. There's a Jack Junny talking and
don I've heard you give me some pretty silly introductions
in the past, but that one takes the cake, last
rose of summer. What does that mean? Well, that doesn't
mean anything. I was just trying to be clever, that's all.
Speaker 4 (02:17):
Don.
Speaker 1 (02:17):
You just make with the jello. I'll take care of
the clever stuff around here anyway. I don't want to
start out every broadcast talking about me, me all the time.
It's embarrassing. It's a little dull too. Oh it is. Well, Phil,
let me ask you something, now that you've established your
presence among us, is this a program getting a little
too monotonous for you? Well, it's not ego. I mean,
(02:39):
do you find me personally so incompatible? Income?
Speaker 5 (02:42):
What incompatible?
Speaker 1 (02:46):
Would you mind cutting that down where I can get
at it? Not at all. What I'm trying to get at, Phil,
is this, Do I bore you? I mean, do I
grate on your nerves?
Speaker 6 (02:57):
Oh?
Speaker 1 (02:57):
Not exactly?
Speaker 5 (02:58):
Why?
Speaker 1 (02:58):
Because Phil there's an no Chinese proverb that says, when
orchestra leader, I'm happy over job him soon clap hands
with joy in breadline. Very good advice. Oh hello Mary, Hello,
one long?
Speaker 5 (03:16):
Is my laundry ready?
Speaker 1 (03:19):
Never mind that you know, Mary, I don't know why
I even argue with Phil. I use an ordinary word
like incompatible, and it throws him. He's absolutely illiterate, well
as your own fault Jack.
Speaker 7 (03:28):
You knew he couldn't read when.
Speaker 4 (03:29):
You hired him.
Speaker 1 (03:30):
What do you mean he had to draw his contract
with pictures? Oh that's right, I remember. I had to
get a lawyer and Rube Goldberg. Say, Mary, did you
see Dennis day when you came in? I told him
to be here early tonight.
Speaker 7 (03:47):
Yeah, I saw him downstairs the jugster, and I got
some good news for you. Yet I don't think his
mother's with him. How do you know he was on
his third banana split.
Speaker 1 (03:56):
I knew he'd go on a spree the minute he
got away from her. Three banana splits and a maulid mill.
Three banana splits and a mauled mill with an egg
in us, with an egg.
Speaker 5 (04:05):
In us and a Hamburger.
Speaker 7 (04:06):
Sandwich a Hamburger sandwich with onions, with onions, little echo.
Speaker 1 (04:10):
Shut up, shut up, I will if you will marry
you must be mistaken. Dennis couldn't possibly eat all that stuff,
and three banana splits with Cherry. Well, here we go again.
Now look Mary, run out and get Dennis. We have
(04:32):
an important play to do tonight, and I want to
start testing it right away.
Speaker 5 (04:36):
Old Jack.
Speaker 1 (04:36):
Is this the player we're telling me about? Yes, Don,
and we've got to get going on it. In fact,
I'm going to announce it right away. Hey, Phil, give
me a cord, and gee, will you you'll take a cord
any place we happened to hit it that I know
(04:57):
the cord? Please thank you. And now, ladies and gentlemen, boys.
Speaker 5 (05:03):
That was grand.
Speaker 1 (05:08):
And now, ladies and gentlemen, tonight, for our supreme effort
in our current dramatic season, we are going to offer
our version of one of the most famous stage and
screen productions of all time, none other than that sensational
play and equally sensational motion picture, The Women. Thank you, Max. Now.
(05:31):
This play was written by that renowned playwright, missus Claire Boo,
and was first produced in New York City by Max
Gordon who just hit the symbol. Then then Metro Goldwyn Mayer,
realizing his dramatic and comedy potentialities. Potentialities. Yes, Phil, I'll
cut it down for you. Later A brought this great
(05:53):
Vitila Hollywood and created an outstanding film success. So tonight,
ladies and gentlemen, the many theatrical termites will munsh on
now in our Virgin may.
Speaker 5 (06:02):
Jack are we gonna do the women?
Speaker 7 (06:04):
When I'm the only girl in our show?
Speaker 1 (06:06):
We'll just have to do the best we can.
Speaker 4 (06:07):
Marry, Do you mean we're all.
Speaker 1 (06:08):
Going to be women tonight? Exactly? Well, not exactly, but
I've got it all. But I've got it all figured out.
How to start with? I will play the leading role
at portrait on the screen by that lovely and calendar actress,
Miss Normous Shearer.
Speaker 8 (06:26):
Oh no, Jackson, No, well, Mary, somebody's got to do it.
Speaker 1 (06:39):
Why can't I be the leading lady? What I look
more like normous Share than you do?
Speaker 4 (06:43):
Isn't that awful?
Speaker 1 (06:44):
You look more like normal Share than I do? Yes,
I do in an evening gown. Don't be redicted, Phil,
You're going to be rosalind russell A. Don You're going
to be Joan Crawford and Mary. I know I'm gonna
be Wallace. Mary, leave me serious. Since all the rest
of you are going to be women tonight, you have
(07:04):
to be a man. A Mary, You're gonna be Don
Wilson and announce our play. Now, let's see is Dennis
here yet? Oh? Dennis?
Speaker 4 (07:11):
Yes?
Speaker 1 (07:11):
Please?
Speaker 5 (07:12):
Oh?
Speaker 1 (07:13):
Hello, Dennis. I didn't see you come in. You know
we're casting our play, the Women. Am I gonna be
in it?
Speaker 4 (07:18):
Yes?
Speaker 1 (07:18):
You're gonna play Joan Fontaine's part, you know, the little
girl that just got married. Boy, what a day? Three
banana split him?
Speaker 9 (07:24):
Now I'm a bride.
Speaker 1 (07:34):
Yes, that's quite a schedule.
Speaker 4 (07:35):
Said Jackie.
Speaker 3 (07:36):
If you're going to play enormous sheriff's part, who's going
to be your daughter?
Speaker 1 (07:39):
My daughter?
Speaker 4 (07:40):
Oh?
Speaker 1 (07:41):
Yes, Dennis, I'll have to change your role. Instead of
the young bride, you're gonna be my five year old daughter,
Denise five years old.
Speaker 7 (07:48):
Yes, and you're gonna be his mother.
Speaker 5 (07:50):
Yes?
Speaker 1 (07:53):
What are you laughing at? You got a late start,
didn't you, mon, Mary, I'd be quiet if I were you.
Let the New Maid company get an.
Speaker 10 (08:06):
Old employee, you know, reunion.
Speaker 1 (08:20):
At Fairfax and Wilson now let's see. Oh, yes, where's Rochester?
Speaker 5 (08:26):
I am miss year.
Speaker 1 (08:31):
Rochester. I send for you because we're short of actors
and you don't have to play the part of my maid.
Speaker 5 (08:35):
Your maid.
Speaker 1 (08:36):
Yes, why can't I be your valet? Because I don't
want a man in my room and I'm dressing, but
you're gonna be my maid?
Speaker 4 (08:44):
Now fellas, I gonna wear a no drisk.
Speaker 1 (08:46):
You are too now fellas.
Speaker 5 (08:48):
I'm gonna put on no mess here.
Speaker 4 (08:50):
You are too now fellas.
Speaker 5 (08:52):
You ain't gonna show.
Speaker 11 (09:08):
All right, now.
Speaker 1 (09:09):
Fellas, Remember we must be very legitimate. The only reason
we're playing the part of women because we're short of actresses.
Speaker 4 (09:15):
Well, why don't you hire a few?
Speaker 7 (09:17):
You know, sale women are so scarce in Hollywood.
Speaker 1 (09:20):
Mary, if you're inferring I'm too cheap to hire actresses,
come right out and say so.
Speaker 7 (09:24):
All right, you're too cheap to hire.
Speaker 1 (09:26):
Actresses anyway, folk, Our version of the Women will go
on immediately after Dennis Day's song Oh Jack, Yes, Don,
who's starting to play Merck Boland's part? You know the
econis della. I can't tell you, Don, I'm saving that
for a surprise, and they now you spoil the go
(09:46):
ahead and sing, Dennis, nobody can keep us.
Speaker 5 (09:48):
Secret around here. M last night.
Speaker 9 (10:07):
I touched your finger, and when I touched your leave,
I fell in love last not.
Speaker 4 (10:23):
Last?
Speaker 6 (10:23):
Not fill your heart feet side swiftly a moment's pas?
Why couldn't it last last night?
Speaker 1 (10:41):
No?
Speaker 6 (10:44):
Wh My lovely dream has long?
Speaker 4 (10:52):
Why must I be a I mean you.
Speaker 1 (11:00):
Less not?
Speaker 6 (11:04):
Why did we say good bye? My hockey plashing all?
Why couldn't it last last?
Speaker 1 (11:17):
Not?
Speaker 12 (11:19):
It was so heaven.
Speaker 5 (11:24):
Must fly?
Speaker 6 (11:25):
This is one that lingers. Any memory always lingers with all?
And in my heart he ding.
Speaker 1 (11:45):
No high?
Speaker 6 (11:51):
My lusty dream had long? Why must I be all long?
Speaker 5 (12:00):
Why you.
Speaker 4 (12:04):
Blesten not?
Speaker 6 (12:07):
Why did we say food by my hockey dusty?
Speaker 9 (12:14):
Wh Why food lahl?
Speaker 1 (12:39):
That I was last night? Sung by Dennis Day? And
see you did very well without your mother. You don't
need her here at all, You know, Dennis, there are
times when your mother is a past.
Speaker 6 (12:49):
Be careful, she's listening in.
Speaker 1 (12:50):
That's what I say. Your mother needs a rest.
Speaker 4 (12:56):
He's entitled to it.
Speaker 1 (12:57):
And now, ladies and gentlemen for our play. The women
all right, they get married. You're the announcer. Wait a minute,
answer the phone, will you don, I'm busy, okay, Jack, Hello? Hello?
Speaker 3 (13:07):
Is this brown and Chinese theater?
Speaker 1 (13:08):
What's that?
Speaker 11 (13:09):
Madam?
Speaker 1 (13:09):
Is this grown with Chinese theater?
Speaker 11 (13:11):
Oh?
Speaker 3 (13:11):
Yes, madam, Jello does come in six delicious flavors.
Speaker 1 (13:14):
Strawberry rhymes, Ferry Terry are in.
Speaker 7 (13:16):
Leaven and live, I said, is this crown is Chinese theater?
Speaker 5 (13:19):
Yes?
Speaker 3 (13:19):
Indeed, you must be sure to ask for genuine jello
and look for the big red.
Speaker 4 (13:23):
Letters on the box.
Speaker 1 (13:24):
Well, what time does the feature go on?
Speaker 4 (13:25):
You're welcome, madam?
Speaker 5 (13:26):
Goodbye?
Speaker 1 (13:30):
Are you through? Don sure?
Speaker 11 (13:31):
Go ahead?
Speaker 1 (13:32):
All right, Mary, announce our play?
Speaker 7 (13:34):
Okay, ladies and gentlemen. The women the opening scene is
Fashionable Park Avenue residence is Missus j Updike Danny. As
the curtain rises, you find Missus Benny seated in her
wood wall talking to her sixteen year old daughter.
Speaker 1 (13:49):
Denise Harry. I said, Dennis is five years old.
Speaker 7 (13:51):
I'm making him sixty.
Speaker 1 (13:52):
Edy, just wink at me. Oh.
Speaker 7 (13:55):
The women Act one curtains music.
Speaker 1 (14:05):
M Oh, Denise, Denise, Yes, mumsy, we're having dinner alone, darling,
just you and I. Daddy's working late at the office. Oh, mother,
when are you gonna wake up? When are you gonna
realize that men are only snakes in the bread. Denise.
I will not have you talking that way about your father.
(14:25):
But Ga, Mumsy, father hasn't been home to dinner in
five years. Well maybe maybe he isn't hungry. I trust
up Dike impressively. Oh dear, it's getting late, Darling, hand
me my pound bacon cream. I must get made up.
Aren't you gonna shave first? Denise? I'm not a bearded lady. Oh, Rochelle, Rochelle, yes,
(14:49):
what are you doing?
Speaker 4 (14:50):
I'm pressing a pant.
Speaker 1 (14:58):
Now, Rochelle. I want to go down to the kitchen
and tell the cook mister Benny won't be home to
dinner tonight.
Speaker 5 (15:03):
That's a pretty long walk for so little news.
Speaker 1 (15:08):
Never mind, mister Benny is detained at the office. Don't
tell me about men.
Speaker 5 (15:11):
I'm had eight of them.
Speaker 1 (15:13):
Well, Rochelle, wasn't there even one of them who was
nice and sweet and kind to you? One you could trust? Missus?
Speaker 5 (15:19):
Benny is one woman to another.
Speaker 1 (15:28):
Well, I refuse to be synegal. There's a phone, Mumsy, Yes,
I'll take it. Dear, darned this neglijay.
Speaker 7 (15:37):
I'm always tripping over Delba plenty, mumsy.
Speaker 1 (15:44):
I wonder who that can be. I hope it's your father, Denise?
Speaker 6 (15:46):
Has he got our phone number?
Speaker 4 (15:48):
Denise?
Speaker 1 (15:50):
Hello, Hello, Jacqueline, this is Phyllis.
Speaker 11 (15:53):
Oh Phillips, darling, how hard?
Speaker 4 (15:57):
When did you get back from Bermuda? Yesterday?
Speaker 1 (15:59):
In my here, I had a marvelous time, did you really?
Speaker 13 (16:02):
How was the trip back?
Speaker 4 (16:03):
Phillis? Oh? Divide and the captain was free. He chased
me all over the boat, Oh, Phillip.
Speaker 1 (16:11):
Pardon me a minute, Rochelle hooked me up? Please? I
want to get dressed while i'm.
Speaker 4 (16:14):
Phony game, Bennie, hail, Oh Phyllis, do.
Speaker 1 (16:18):
Tell me more about your trip?
Speaker 12 (16:20):
Well, Jacqueline, who do you think I'm met on the
boat honeymooning with a South American cattleman?
Speaker 5 (16:25):
You die, You just die?
Speaker 4 (16:30):
Who are the Phillis?
Speaker 1 (16:31):
Tell me Dona Wilson, Dona Wilson? Is that tob still
kicking around?
Speaker 4 (16:37):
My goodness?
Speaker 1 (16:38):
Nothing? You should see her now. She's quite slim. Now
she might look that way when she's dressed, but if
her stays ever snapped, watch out. Tell me, Phillips. Houch, Rochelle,
be careful with those hooks.
Speaker 4 (16:50):
Oh game is Vinnie? Where do you want this bustle?
Speaker 1 (16:52):
Where do you think I watched? Villa's Darling. I'm just
dying to see you. Let's have lunch tomorrow at the
park Villa. Oh, brand, shall we meet Mirenda's booth room.
That's rendezvous Rendezvous room.
Speaker 4 (17:12):
And to think you went to bath.
Speaker 1 (17:14):
I'll tell you what, Phillas, I'll call Donna and we'll
have a little get together. All right, darling, see you tomorrow.
Bye bye, dear, bye bye. Oh, by the way, Jacqueline,
I almost forgot to ask you. I was Updike, Updike.
Here they go, folk, Yeah, oh Updike's just fine, Darling.
He's been very, very busy at the office, poor boy.
(17:36):
I saw him at the Silver Slipper last night. He
was pretty busy there too, the Silver Slipper. Are you sure, fellas, Why? Yes?
I hope I haven't shot you, dear. I thought you knew. Oh,
I'm sure you must be mistaken. Well, my dear, see
(17:58):
you tomorrow the park Villa for lunch. Yes, goodbye, darling,
You poor thing. The husky I could scratch her, eze them.
Speaker 4 (18:08):
What's the matter?
Speaker 1 (18:09):
Mother, Nothing, darling, You run along and have your dinner.
I don't feel like eating tonight. Never mind, Now, come
over here and kiss mother.
Speaker 7 (18:14):
Good night.
Speaker 1 (18:16):
Good night, Darling, good night mother.
Speaker 4 (18:18):
Who those cigars?
Speaker 7 (18:24):
I've been putting up with that for years?
Speaker 1 (18:27):
Tell us the cat the huspy. Why did she have
to tell me? Oh?
Speaker 4 (18:31):
Updight, updut How can you do this to me?
Speaker 13 (18:35):
You said you'd love me in December as you do
as you wouldn't May, and here it is November. I
know I'm not pretty anymore, updight, but.
Speaker 4 (18:46):
I've given you the best years of my life.
Speaker 5 (18:52):
Oh, come down, honey, don't.
Speaker 4 (18:54):
I can't open Rochelle. I told you men are no
good now, But what will I do? Rochel This is
so you believe what I do on it? Take his raisers,
find that man and make way with him.
Speaker 5 (19:06):
Off.
Speaker 1 (19:08):
Oh so.
Speaker 7 (19:19):
Play girls, statist that was an apple for the teacher
(21:14):
played by Phyllis Terris and her redhead. And now ladies
and gentlemen ask two the women.
Speaker 1 (21:20):
The scene is a rendevus room.
Speaker 7 (21:22):
Of the Park Villa Hotel where we signed Philip Terras
and Donna Wilson, three charming ladies, awaiting the arrival.
Speaker 5 (21:30):
Of Jacqueline Benny.
Speaker 1 (21:31):
The women curtain me music.
Speaker 12 (21:40):
Well, Donna, I just couldn't believe my eyes uptick because
you're giving her the run around. If you ask me, Phyllis,
Jacqueline got just about as much a feel as a
parsonif Oh, she'd be all right if she.
Speaker 1 (21:49):
Just put her wig on straight, no foolish.
Speaker 4 (21:51):
Does Jacqueline wear a wig? Yes?
Speaker 1 (21:53):
Half the time she looks like a French koodle. Quiet, Donna,
here she comes now?
Speaker 11 (21:58):
Oh, hello girl, Philip, Donna, Jaqueline. And did you hear
what happened after that?
Speaker 5 (22:11):
Didn't we?
Speaker 6 (22:16):
And to make it worse?
Speaker 1 (22:23):
Oh, it was simply awful. Now don't read the word
of this to a soul.
Speaker 5 (22:26):
We won't.
Speaker 1 (22:27):
Oh, here, Jacqueline, how it is your jello? Thank you?
Dolly and Donna. I can't get over how thin you look?
Why you're nothing but skin and bones?
Speaker 9 (22:34):
And did you notice how my shins have gone down?
Speaker 4 (22:37):
Yes? Down to your stomach?
Speaker 5 (22:42):
Oh, I was just booping, Donna.
Speaker 12 (22:43):
Oh girls, girls, look, look who's sitting at that table
over there where?
Speaker 5 (22:48):
Oh?
Speaker 4 (22:48):
Yes?
Speaker 1 (22:49):
And is she getting high hats since she's been on
the radio. Who is it, Jacqueline, it's Frida Alla. Isn't
she a sight? Get a load of that dress? You know,
Peta Allen has the worst taste. She should never wear
(23:11):
short sleeves with that anchor tattooed.
Speaker 4 (23:13):
On her eyes?
Speaker 1 (23:16):
And girls, do you want to hear something else? Peta
is going to the hospital tomorrow to have her face lifted.
What a game? Yes, about every three months she has
a landslide. Oh look, girls, look, here comes Andrea. Divine Andrea.
(23:36):
I thought she was in Paris. Hello Andrea, ejaculate Andrea Darling,
what are you doing here? I thought you were living abroad?
Speaker 4 (23:43):
I was, but I came back to marry a cowboy,
a cowboy house thrilly.
Speaker 1 (23:48):
What's his name?
Speaker 5 (23:48):
Andrea?
Speaker 4 (23:49):
I forget it, but it's on his guitar.
Speaker 1 (23:52):
Oh why did you divorce the count? I'm just dying
to know.
Speaker 4 (23:56):
Oh, Pierre was always so busy at the office.
Speaker 1 (23:59):
He was working.
Speaker 4 (24:00):
Oh uh huh, like guess who a Jacueline.
Speaker 1 (24:04):
I'll listen, Phillis, I'll have none of your innuendos just
because Updyke happens to be working at the office. The
great deal. You don't need to jump a conclusion. He's
a very good husband. Oh, stop trying to cheer this.
It's all over between you and Updyke.
Speaker 4 (24:15):
And you know it.
Speaker 1 (24:16):
Philip Harris, who take that back round?
Speaker 4 (24:18):
Scratch your eyes out, girls.
Speaker 5 (24:19):
God you and I'll pull your hair out.
Speaker 4 (24:21):
I'll pull your hair out too.
Speaker 7 (24:22):
I think Jack, it's more than phil does.
Speaker 1 (24:26):
Tell us you say one more word about updyke and
I'll slap the ruse right off your face and then
will those bags shows. It's no use, Jacqueline, you can't
compete for them. Chorus girl, I can't they take that.
Speaker 5 (24:43):
Let's go my hair finger maybe even gentlemen.
Speaker 7 (24:49):
While those two women are acting like women.
Speaker 4 (24:51):
Let me remind you that jello is not only.
Speaker 7 (24:53):
Economical and easy to make, but it is America's favorite
gelatin dessert.
Speaker 1 (24:58):
So look for the big red letters on the bot.
Speaker 4 (25:05):
I'm going home.
Speaker 1 (25:08):
Hey, the check, Donna, goodbye.
Speaker 7 (25:11):
Later that night, we find the heartbroken missus Danny and
her bood rolls packing for her Chris to Reno, and
she's not going for the scenery music.
Speaker 1 (25:22):
I'll show up.
Speaker 4 (25:23):
Dice can't freak me like that.
Speaker 1 (25:26):
He can't humiliate me in front of all my friends. Denise,
hand me my hat box. Oh Momsey, why are you
packing all your bags?
Speaker 4 (25:32):
Where are you going?
Speaker 1 (25:33):
I'm going to Reno, Reno, yes, gee, mother.
Speaker 6 (25:36):
Don't you love father anymore?
Speaker 1 (25:37):
How can I love him when he won't come home? Oh, Denise,
your mother's been a fool, a blind fool for five years.
I haven't seen your father five wrong years.
Speaker 4 (25:50):
But mother, dear us.
Speaker 1 (25:51):
Denise, I can't keep it from you any longer.
Speaker 5 (25:53):
Your father is a loft.
Speaker 4 (25:56):
Let's hurry, dear, we'll miss the train.
Speaker 1 (25:59):
Who can come in, missus Benny?
Speaker 4 (26:02):
Yes, what do you want?
Speaker 1 (26:03):
Don't you remember me? I'm your husband? Updight upside?
Speaker 4 (26:08):
Oh, I knew you'd returned to me. I knew it
all upside, Darling.
Speaker 1 (26:12):
Let's go with me. I just came back my long underwear. Ah,
they're in the bottom drawer playfield. Come along, sis, we're
going to read every housewife lows.
Speaker 3 (26:52):
It's the best compliment her guest complayer is to come
back for second helping. And that's the kind of compliment
you get every time when you serve one of the
new Jello puddings for dessert. I'm thinking right now of
Jellow Butterscotch pudding, a handsome, taffy colored dessert served up
in shining sherbet glasses and sprinkled with a white curly
blanket of shredded coconuts.
Speaker 2 (27:14):
Now there's a real pudding for you. It has a
texture smooth as cream and that mellow, distinctive flavor of
old fashioned butterscotch canny.
Speaker 1 (27:23):
The whole family will love.
Speaker 2 (27:25):
Yellow chocolate pudding two has a rich, luscious, homemade goodness
that just seems.
Speaker 1 (27:30):
To hit the spot.
Speaker 2 (27:31):
And don't forget jello vanilla pudding please, you'll find its delicate,
creamy flavor makes a hit with the whole family, especially
when it has nuts, fruits, or chopped dates mixed in
to give it that final tempting touch. All three jello puddings.
Speaker 4 (27:45):
Are quick as a place to make.
Speaker 1 (27:47):
Don't get acquainted with.
Speaker 3 (27:48):
America's newest dessert sensation, the dessert the whole country is
talking about. Jello pudding, butter, Scots, chocolate and vanilla, old
fashioned favorites made a new fashion away.
Speaker 1 (28:43):
This is the last number of the fifth program in
the New Yellow series, and we will be with you
again next Sunday night. At the same time, they marry
as a member of the fair Sex. What do you
think of the way we fellas did the women tonight?
I thought it was pretty good, didn't you? Well?
Speaker 7 (28:55):
Jack is an old Chinese proverb that says long out
chang lung, check lou toy, what.
Speaker 1 (29:01):
Does that mean?
Speaker 4 (29:02):
I'd love to tell you the night fault.
Speaker 6 (29:12):
Ah.
Speaker 3 (29:23):
Here's news Every Tuesday night, see Aldrich Family is on
the air, starring Ezra Stone as Henry.
Speaker 2 (29:29):
Aldrich, that lovable hard luck kids from Sofia local newspaper
our Radio did for time and stations, and be sure
to tune in on the Aldrich Family next Tuesday night.
Speaker 4 (29:40):
This is the National Broadcasting Company
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