May 2, 2025 • 23 mins
Chronicles the exploits of a charismatic con artist, offering a glimpse into his schemes and the moral ambiguities of his adventures. The narratives blend wit with suspense.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:24):
Presenting awesome wells as the herb Man, the Lives of
Harry Lyon the fabulous Stories of the Immortal character originally
created in the Motion Picture of The Third Man, with
other music by hand on kara.
Speaker 2 (00:49):
This time, just for a change of pace. I've got
a yarn to you about her, honey. That's the title
I'm given. It's about the strangest tunning one that ever
happens in Tunny. First again, since the first timeymoon is
in history. Let that garden back there, keeping before old
day lines around. Yes, this is I'm going to tell
you about. It's certain the strangers are. This all happened
(02:05):
in Sicily. Is as good a place for a honeymoon
as there is anywhere in the world, all sunshine for
moons and the orange blood idea. What was I doing there?
I wouldn't know my honeymoon. I was in Sicily on business.
That's really another story. But I was there to see
an old friend of mine called Plucky Maliella. Well, it
doesn't matter what I was seeing Plucky about pictarly confidential business.
And besides, as I say, it belongs to another story. Anyway,
(02:26):
I was there, was in the bar the Theodora. That
lovely honeymoon is pad point. But I ran into the
country a countess of Sarty CASTI really was a countess,
a countess from Hungry. Also was there signs from Hungry?
(02:48):
Look she has plenty of them and a very tough
baby indeed, but sold Jenny did to see what I mean?
All technical her cast die at Disney too. She tried
to hand it many semi legitimate gets like beauty cream's costume,
jewelry and marriage. Just now she seems arresting between sharn
that's what I thought it like, I think that is?
Is he good? Well? Is that famous movie than me?
(03:11):
I didn't see it Ean, if.
Speaker 3 (03:12):
You could have it, if it was a fly tag.
Speaker 2 (03:15):
Okay, another there's a price tag on that too. You
know I can chieve all I wanted? Little information sagulator counted,
What do you want with Mary Ellen? How do you
care what I want with you?
Speaker 3 (03:29):
Three?
Speaker 2 (03:29):
You several things? And what are you doing now stirring
up the dead ashes of your passion?
Speaker 3 (03:33):
And here you might try stirring up you more effort.
Speaker 2 (03:37):
But Chucky and Harry l I remember when he lived
in a tenthouse and atuff of the bigger partner building
in West Los Angeles, dunken, vast of ceilings and hands
way compets that came up her knees and six bodyguards
in the night chiefs alone. That was in the old days,
(03:57):
of course, before Bucky came back from that disaster of John.
It is the Canty and discovers an uncle Samdy moundling
him back into the country. We shared the expenses on
a hired card that took his back end of the hills,
a little town where Flucky had the villas Isn't, which
is where he happened to be born. And one of
the Italian government said he had to say, and on
the wall, Canty told me the truth about what she was.
Speaker 3 (04:18):
It's pretty good either they your expense sort you get around.
Speaker 2 (04:22):
That's always important. How this Candy, the demon lady photographer
whatever was? What's the paper he worked for us?
Speaker 3 (04:27):
Don't take this magazine picture magazine?
Speaker 2 (04:29):
Do you take your magazine?
Speaker 3 (04:31):
That the trouble is on Noum's off three Landers. But
I've saw a few photos already, and if I can
get onto something really good, you know, temptations, and they'll
take me on.
Speaker 2 (04:42):
Here you are in It is like a lot of
intimates it will studies the same as ex gangster. What
fuck you're going to say to that? What do you
think that's what you do? I mean, he's not gonna
like it's one little bitter Mary Allow is a respectable
business ava. One thing he hates more than the cost
is publicity.
Speaker 3 (04:56):
I praise you're right, but maybe I can find some.
Speaker 2 (04:59):
Way in the speaking of content of that right, let's
slow off. This is the the Citian version of the
good old fashioned police roadblock. Thank you luck. He starts
to your American past? What kind of I don't have one? Oh,
I do not other enough anyway that I'm looking for us,
which is Dennison Spurs these days. That's not a big game.
Speaker 3 (05:16):
I know you mean, that's Sunday Patine, that's the team.
It's stundard, isn't he? How us?
Speaker 4 (05:26):
And that is a romantic words you had a contus.
Speaker 2 (05:30):
Nothing romantic. He's a danger of the killer m I see,
I understand. That's two thousand of you man especially it's
kind of the job at catching and the bigest man
out of Italian espe. Thank your game, officers. We know
we're getting you know. The only question is with what
states you had a compete here company good right, sir, thanks, thanks, good,
(05:51):
that's us. And don't tell me he's got a romantic
again for a brigand.
Speaker 3 (05:55):
That's again to take the.
Speaker 2 (05:58):
That's the name, little Trecky to a ring.
Speaker 3 (06:01):
Everything possible.
Speaker 2 (06:02):
Did you think the way you said, Taddy, I'm almost
jest me if I didn't think Bucky would be helpful
in putting in touch with the summer seen A little
court time was on the question between a civilian bands
and a nickelo American acts brancket here there's a lot
more distance than you might imagine, but then look at
(06:23):
him in the night of subsequent events. The distance was
shorter than even Catty did. Anyway, there's conversations. I said
to place the car on the way to Tucky, because
I also mentioned before he wasn't home when we got there.
Brucker limit, Yeah, that she's expecting involved. But we're harsh
in places now the wine flat spot soon and he's
in the Bullish cucle place to buy some for Limo.
(06:45):
It'd be back any times.
Speaker 3 (06:48):
How rough it did he get? Yes?
Speaker 2 (06:50):
I remember when bucky Is connection with the alcoholic profession
was considered be more eventual slat to in the sideboard effects.
What you mean good stuff funking for me to have
to do? You make yourselves just wrong house? And who
is this? Dear little man on them from John of
Hey says human they can talk. I'll tell you the truth.
The characters you were from nowhere.
Speaker 3 (07:10):
So it's one of the farmers, I guess something like that.
Speaker 2 (07:13):
But if you want me, I can fust him out
with it.
Speaker 4 (07:17):
I wouldn't leave the sound make out of the part.
Speaker 2 (07:26):
Well. At this point I didn't know he was even
to the coining locals that needed a haircut. But I thought,
if I thought at all about it, one or another.
Paddy had spent a couple of winters in this part
of Sicily when she was the kids, and she's a
great linguist anyway, so she and this grimy character on
the sofa were pausing away like praise. Since I didn't
dig the dialect, I wasn't saying any attention, and then
(07:47):
very suddenly things again that half the Paddy in the
character of satting and women. I think she got out
of the camera and took a picture, and that's when
he threw the gap that they can acculately mounted ath
like that on other people. Why I let him have
a shot when he comes back to the noodle with
a heavy end of a board, the black label, I
told you you needed a haircut, and talking with Davey
like that was picular.
Speaker 3 (08:08):
What are we doing there?
Speaker 2 (08:09):
I'll ring? So that's what lum of a butler I
think her called.
Speaker 3 (08:11):
A copper you create.
Speaker 2 (08:13):
I don't like the cops game on you do cop
It's a particulous thing he's doing with that gotten given
here the camera? What do you want with a John Thomas?
Speaker 3 (08:20):
What do you want?
Speaker 2 (08:20):
You got to which reminds me I stop, and it's
making that drink.
Speaker 3 (08:24):
You can help me out drinking the second.
Speaker 2 (08:32):
We're after the big game. Help you do what.
Speaker 1 (08:37):
Dan?
Speaker 2 (08:38):
But after a few weeks he made become a track
and noticeable shout. Then you've got to do a little Clint.
Speaker 1 (08:44):
Came.
Speaker 2 (08:45):
He's got a couple of works. All right, now, what
are you doing? Yes? But what happened to me? I
mean about the car, not the camera. You are spending
it away? Are you the car? I take it back?
We get the chances I getting thrown So we're thinking
(09:06):
four times, oh hey, hey, let's have that truth and
take it the fellow, but you know what's going on.
Take myself a drink. What the CAP's doing out there?
But they're all around the house. I'm telling how well,
it's just that's what I want you.
Speaker 3 (09:21):
This is.
Speaker 2 (09:24):
The core of the road.
Speaker 4 (09:27):
Actually I am in detail.
Speaker 2 (09:28):
You're not too. That's the fairness thing. You take each
other around here. That's the thing that says that's correct.
Speaker 3 (09:34):
Very dangerous man.
Speaker 2 (09:35):
He's been reported in the tap, the tape of Danny
my house. That's not that's just because I'm not reproducing you.
I'll shut up, okay.
Speaker 3 (09:44):
Before I write you.
Speaker 2 (09:45):
The pleasure I wis the chance to guy who's back
to the both.
Speaker 3 (09:48):
Players, but the first ons you want to see how
you're fellow chout be sure he you're doing.
Speaker 2 (09:52):
To them after all the trouble I got, Okilver, I'm
my good. You know why I can't how good I
am from me? I'm I want to win the picture
and I want to take a hold pictures. Publicity. Shut
up just cleaning alone pictures as fast as impressed. I
want to be in that.
Speaker 3 (10:10):
I would just be into you know it.
Speaker 2 (10:12):
James Little, Hey, you know what that prodent's coming out
from under this here, so for some of that. Sure
lucky you know, come on grand one of his lake
tell me we are now, I'll say another touchhow you
needn't me? And the give you drinking? It was just fread.
(10:38):
We don't tell us an another. The friend is not this.
The band is Talma Sino. I seen and I get
him out of my house quick, and I want no
fan to him that you yeah, hur's me? Daddy, No
thinks he done? When when did you take any pictures?
Speaker 3 (10:58):
Oh no, daddy, I dream potass didn't hear. The rooms
would throw up very nicely.
Speaker 2 (11:07):
Where pray my friend?
Speaker 3 (11:10):
That camera halfway back to the first and I've got.
Speaker 2 (11:13):
Another camera actually a mic drawing room and a hot
ans but nobody need he put down that camera just then.
Speaker 3 (11:25):
The night.
Speaker 2 (11:28):
Right now, darling, thank you. So that's party to pose
all the exist you may have been complain. That's also
the story didn't stand. The comatina fell into the hands
of the camp diseason is a strange honey. Well, the
(11:57):
terms and just moments as the third is man m
(12:45):
I mean sisterly was made. There was a uncoupling hotel
German Jeans American think kids. The traffic hunting, and I
think German wants the kids joy.
Speaker 3 (12:54):
How comes a really big bring it off?
Speaker 2 (12:56):
As? I got a prismas. Wait a minute, that said,
fire stumpers, what's the job? And anyway, what do you
get this tub about weed?
Speaker 3 (13:01):
Tis dollars waiting for?
Speaker 2 (13:03):
It depends where if we succeed money. That's go back
to my first question, what the job?
Speaker 3 (13:06):
Money's all right? He gave me the code and I
said to why it depends you.
Speaker 2 (13:10):
I don't like to know what we have to do
for tell me the pot, darling, for twenty thousand dollars.
Do do anything true, I'm going to be draw we
leave the bride that I thought you said, who's the
lucky group? Is that what I have to do for
my money? Marry you?
Speaker 3 (13:23):
Nobody's getting We're not going to the gett No that way.
Speaker 2 (13:26):
After all, what mesas is a couple of coney that
all depends on what we're expected to do.
Speaker 3 (13:30):
Oh yeah, not Bursday. Part of the coney knows Dolly,
you's all along in the.
Speaker 4 (13:33):
Train as a sort of the real job is office
pittals and also to night you're the one who drive
up and get.
Speaker 2 (13:38):
Him in the hills.
Speaker 3 (13:40):
The past and they'll be waiting to sight often get
who I'm don't stupid darling, Who do you think Tomsinos
called Fino kidding?
Speaker 2 (13:46):
I couldn't do you realize, said two thousands sos is
in common. They combing the country for him. There's a
price on it and desert alives twenty thousand and gold.
Speaker 3 (13:54):
There's the sight for him alive. That like.
Speaker 2 (14:14):
The honeymoon, and it leaves Tony in the other day
when I stopped his mateenae hours till later, and then
they might a couple of thousands Sam, she dressed drag capture.
Thought she just looked closer to it might convince ideas
that nobody expects the hot dander to go away on
a hun Cabby of Strup. But that but now I
was beginning to give her credit for being even modered,
and I thought I wasn't touched down the game. Somebody
(14:36):
wasn't going to do that twenty thousand and any good
at all. General Rooks, Yet he nodded my long time,
I can talk about much flat next day and was
fought him the car talking some characters looked like company
out of the situation, and went back into the pot
and sat down office. See brought the group sing. He
cou on a female folks them Ptilian stie like. She
(14:57):
was probably explaining on the way, but she sometimes it
sitting and tasting. That's funny topic. Definitely a look.
Speaker 3 (15:05):
So worrying, Harry. You're almost as bad as.
Speaker 2 (15:06):
A blacking bot. I'm sure I saw a Rocker get
on the train. What what is the shoe on side?
Shoose to kill your friend? Here is no'm is he?
Speaker 3 (15:17):
I made that a conditions appeal you. I'm disappointed you.
I wouldn't got to be scared of a little gun.
Or is it twenty thousand your wife?
Speaker 2 (15:26):
Maybe?
Speaker 3 (15:27):
Good evening, Colonel I lost up.
Speaker 2 (15:29):
There was in the doorway the black colonel Rocker. He
wasn't pulling a gun. Such a figurette believing I don't
have to do that's very big polklad.
Speaker 3 (15:39):
So your friends as followed up. Certainly, Colonel. I won't
indition you know.
Speaker 2 (15:44):
Harry already for my young husband.
Speaker 4 (15:46):
The important point is that your husband doesn't know you,
even his litten you may make. Do you tell me
your hist in that villa was unconsciable.
Speaker 3 (15:55):
So I think we can distintly shoot.
Speaker 2 (15:59):
Has not this idea that it is obviously that in
situation comes with think the three I never exactly have
my ease, can't you know he's been playing for and
carries an army rank in the situation proper?
Speaker 4 (16:14):
But it is interesting in the extreme gentlemen in front
of me has a long history of life, because it's
nothing once that murder.
Speaker 3 (16:22):
Yes, I think it's a price, even with his best hands.
Speaker 2 (16:25):
You expectly what you have, retort and exactly what do
we has a sort plne remember you know, to capture them.
Speaker 4 (16:37):
Now that but it's just three minutes left before we
got into let us be sure we are clear enough.
Speaker 2 (16:42):
Excuse me, but surely the country is explained the very
thing to you by now.
Speaker 3 (16:46):
No, I haven't see there hasn't really been time.
Speaker 4 (16:49):
Well that is not time now, it's the line that
just better be put as near the train properly.
Speaker 2 (16:55):
That would be difficult thing to the south end of
the platform.
Speaker 3 (16:58):
WI get sar a pack most of my many it's
about thirty did this guy?
Speaker 2 (17:03):
That is the machine done behind the black machines. The
first thing to be sure about is that all tact
in this are well out of the lineified line of fire.
But he's norms and we're going to gather that you're
planning to arrest this man in the station, but why
lie just believe a strange country.
Speaker 5 (17:19):
This man is taked.
Speaker 2 (17:21):
It's a grateful step.
Speaker 4 (17:23):
There are very few men's deliberately the.
Speaker 2 (17:25):
Life of the police and arrest. You see the police
as a guy with fear and supersize that they're coming
into the station. I'm not going out.
Speaker 4 (17:33):
Remember the plant and the signals. After you have led
him out out of the platform, d you're not conclosure
than twenty.
Speaker 2 (17:40):
Three because he not only why repos so now I
had the whole thing traded on. That was the deal
Taddy was sending into on her own and send whatever
she could gather pictures while come down here. Congratulation, thank you.
(18:03):
So now you're going to be a famous postagist in
this room here, I suppose it's going to be a
famous port. The fashion is being credit to the other invitation.
She let him down out of the train. He was
desicious and succeeding. Its not accessive common being the bringing to.
Speaker 3 (18:23):
A right.
Speaker 2 (18:27):
You don't forgotten about, dohn con can't be put in
a camera case, but done of if they managed to
sneak it away.
Speaker 1 (18:34):
I'll come to stock.
Speaker 2 (18:39):
That's right. Did you get that nuggage? How are you get?
Speaker 5 (18:52):
You?
Speaker 2 (18:52):
On my other camera? Where is is he dying? He
looks he's dying out of here is the other camera.
I don't have to no, you have this want to
be you for every Oh no, no, no, what you lady?
Die on me?
Speaker 3 (19:05):
Give me the other camera. Question camera, I gave it
a whole I didn't have time to reload, so I
just switch camera. I know it was all about the
time I started him. Was the second one mess?
Speaker 2 (19:14):
I've got the whole thing in the first one.
Speaker 3 (19:16):
But where is it?
Speaker 1 (19:16):
Oh?
Speaker 2 (19:17):
Well, that was a camera was.
Speaker 3 (19:19):
Trying to be funny. I parted was a camera right
out to think.
Speaker 2 (19:26):
The camera? You language here another noise use candidates nothing
that you didn't notice this as the train went by
on the other track into.
Speaker 3 (19:37):
The other pace.
Speaker 2 (19:38):
That means to suck.
Speaker 3 (19:39):
You can't do it any easy. If you had something,
you've got to have a place.
Speaker 2 (19:46):
And I tell everything. Contake that on the other night,
Daddy that I've never done a decent thing in my
line through a compliment. Now I'm afraid I spoiled the rest.
Nobody's telling the pure daddy, nothing to spell. See I
through your camera and m remember the other camera.
Speaker 5 (20:21):
Harry Lion returns in just a moment, No, Harry Lot.
Speaker 2 (21:12):
Maybe you'd like to know what happens to different people
in or Thomasinos who was dead. Another came up. Pansie
was coming from him and he was born saint and
brought it a lot of flips blinks round a big
picture right now the funeral, he probably saw it. Pictures
went by campage and she never brought another camp quit journalist.
And now was that time she met that Mohage. He
sailed into the harbor of tom You know, was the
biggest job of anybody, even Caddy had everything. Who do
(21:34):
you think they was away with him and not Flucky
man Yellow. Sure he's a business man now, of course.
And he said he just couldn't get away from his desk.
Another Maharaja's new passag before it was a little Cathy
the last side. They were on their way around there.
No one didn't know exactly how h she's been
Presenting awesome wells as the herb Man, the Lives of
Harry Lyon the fabulous Stories of the Immortal character originally
created in the Motion Picture of The Third Man, with
other music by hand on kara.
Speaker 2 (00:49):
This time, just for a change of pace. I've got
a yarn to you about her, honey. That's the title
I'm given. It's about the strangest tunning one that ever
happens in Tunny. First again, since the first timeymoon is
in history. Let that garden back there, keeping before old
day lines around. Yes, this is I'm going to tell
you about. It's certain the strangers are. This all happened
(02:05):
in Sicily. Is as good a place for a honeymoon
as there is anywhere in the world, all sunshine for
moons and the orange blood idea. What was I doing there?
I wouldn't know my honeymoon. I was in Sicily on business.
That's really another story. But I was there to see
an old friend of mine called Plucky Maliella. Well, it
doesn't matter what I was seeing Plucky about pictarly confidential business.
And besides, as I say, it belongs to another story. Anyway,
(02:26):
I was there, was in the bar the Theodora. That
lovely honeymoon is pad point. But I ran into the
country a countess of Sarty CASTI really was a countess,
a countess from Hungry. Also was there signs from Hungry?
(02:48):
Look she has plenty of them and a very tough
baby indeed, but sold Jenny did to see what I mean?
All technical her cast die at Disney too. She tried
to hand it many semi legitimate gets like beauty cream's costume,
jewelry and marriage. Just now she seems arresting between sharn
that's what I thought it like, I think that is?
Is he good? Well? Is that famous movie than me?
(03:11):
I didn't see it Ean, if.
Speaker 3 (03:12):
You could have it, if it was a fly tag.
Speaker 2 (03:15):
Okay, another there's a price tag on that too. You
know I can chieve all I wanted? Little information sagulator counted,
What do you want with Mary Ellen? How do you
care what I want with you?
Speaker 3 (03:29):
Three?
Speaker 2 (03:29):
You several things? And what are you doing now stirring
up the dead ashes of your passion?
Speaker 3 (03:33):
And here you might try stirring up you more effort.
Speaker 2 (03:37):
But Chucky and Harry l I remember when he lived
in a tenthouse and atuff of the bigger partner building
in West Los Angeles, dunken, vast of ceilings and hands
way compets that came up her knees and six bodyguards
in the night chiefs alone. That was in the old days,
(03:57):
of course, before Bucky came back from that disaster of John.
It is the Canty and discovers an uncle Samdy moundling
him back into the country. We shared the expenses on
a hired card that took his back end of the hills,
a little town where Flucky had the villas Isn't, which
is where he happened to be born. And one of
the Italian government said he had to say, and on
the wall, Canty told me the truth about what she was.
Speaker 3 (04:18):
It's pretty good either they your expense sort you get around.
Speaker 2 (04:22):
That's always important. How this Candy, the demon lady photographer
whatever was? What's the paper he worked for us?
Speaker 3 (04:27):
Don't take this magazine picture magazine?
Speaker 2 (04:29):
Do you take your magazine?
Speaker 3 (04:31):
That the trouble is on Noum's off three Landers. But
I've saw a few photos already, and if I can
get onto something really good, you know, temptations, and they'll
take me on.
Speaker 2 (04:42):
Here you are in It is like a lot of
intimates it will studies the same as ex gangster. What
fuck you're going to say to that? What do you
think that's what you do? I mean, he's not gonna
like it's one little bitter Mary Allow is a respectable
business ava. One thing he hates more than the cost
is publicity.
Speaker 3 (04:56):
I praise you're right, but maybe I can find some.
Speaker 2 (04:59):
Way in the speaking of content of that right, let's
slow off. This is the the Citian version of the
good old fashioned police roadblock. Thank you luck. He starts
to your American past? What kind of I don't have one? Oh,
I do not other enough anyway that I'm looking for us,
which is Dennison Spurs these days. That's not a big game.
Speaker 3 (05:16):
I know you mean, that's Sunday Patine, that's the team.
It's stundard, isn't he? How us?
Speaker 4 (05:26):
And that is a romantic words you had a contus.
Speaker 2 (05:30):
Nothing romantic. He's a danger of the killer m I see,
I understand. That's two thousand of you man especially it's
kind of the job at catching and the bigest man
out of Italian espe. Thank your game, officers. We know
we're getting you know. The only question is with what
states you had a compete here company good right, sir, thanks, thanks, good,
(05:51):
that's us. And don't tell me he's got a romantic
again for a brigand.
Speaker 3 (05:55):
That's again to take the.
Speaker 2 (05:58):
That's the name, little Trecky to a ring.
Speaker 3 (06:01):
Everything possible.
Speaker 2 (06:02):
Did you think the way you said, Taddy, I'm almost
jest me if I didn't think Bucky would be helpful
in putting in touch with the summer seen A little
court time was on the question between a civilian bands
and a nickelo American acts brancket here there's a lot
more distance than you might imagine, but then look at
(06:23):
him in the night of subsequent events. The distance was
shorter than even Catty did. Anyway, there's conversations. I said
to place the car on the way to Tucky, because
I also mentioned before he wasn't home when we got there.
Brucker limit, Yeah, that she's expecting involved. But we're harsh
in places now the wine flat spot soon and he's
in the Bullish cucle place to buy some for Limo.
(06:45):
It'd be back any times.
Speaker 3 (06:48):
How rough it did he get? Yes?
Speaker 2 (06:50):
I remember when bucky Is connection with the alcoholic profession
was considered be more eventual slat to in the sideboard effects.
What you mean good stuff funking for me to have
to do? You make yourselves just wrong house? And who
is this? Dear little man on them from John of
Hey says human they can talk. I'll tell you the truth.
The characters you were from nowhere.
Speaker 3 (07:10):
So it's one of the farmers, I guess something like that.
Speaker 2 (07:13):
But if you want me, I can fust him out
with it.
Speaker 4 (07:17):
I wouldn't leave the sound make out of the part.
Speaker 2 (07:26):
Well. At this point I didn't know he was even
to the coining locals that needed a haircut. But I thought,
if I thought at all about it, one or another.
Paddy had spent a couple of winters in this part
of Sicily when she was the kids, and she's a
great linguist anyway, so she and this grimy character on
the sofa were pausing away like praise. Since I didn't
dig the dialect, I wasn't saying any attention, and then
(07:47):
very suddenly things again that half the Paddy in the
character of satting and women. I think she got out
of the camera and took a picture, and that's when
he threw the gap that they can acculately mounted ath
like that on other people. Why I let him have
a shot when he comes back to the noodle with
a heavy end of a board, the black label, I
told you you needed a haircut, and talking with Davey
like that was picular.
Speaker 3 (08:08):
What are we doing there?
Speaker 2 (08:09):
I'll ring? So that's what lum of a butler I
think her called.
Speaker 3 (08:11):
A copper you create.
Speaker 2 (08:13):
I don't like the cops game on you do cop
It's a particulous thing he's doing with that gotten given
here the camera? What do you want with a John Thomas?
Speaker 3 (08:20):
What do you want?
Speaker 2 (08:20):
You got to which reminds me I stop, and it's
making that drink.
Speaker 3 (08:24):
You can help me out drinking the second.
Speaker 2 (08:32):
We're after the big game. Help you do what.
Speaker 1 (08:37):
Dan?
Speaker 2 (08:38):
But after a few weeks he made become a track
and noticeable shout. Then you've got to do a little Clint.
Speaker 1 (08:44):
Came.
Speaker 2 (08:45):
He's got a couple of works. All right, now, what
are you doing? Yes? But what happened to me? I
mean about the car, not the camera. You are spending
it away? Are you the car? I take it back?
We get the chances I getting thrown So we're thinking
(09:06):
four times, oh hey, hey, let's have that truth and
take it the fellow, but you know what's going on.
Take myself a drink. What the CAP's doing out there?
But they're all around the house. I'm telling how well,
it's just that's what I want you.
Speaker 3 (09:21):
This is.
Speaker 2 (09:24):
The core of the road.
Speaker 4 (09:27):
Actually I am in detail.
Speaker 2 (09:28):
You're not too. That's the fairness thing. You take each
other around here. That's the thing that says that's correct.
Speaker 3 (09:34):
Very dangerous man.
Speaker 2 (09:35):
He's been reported in the tap, the tape of Danny
my house. That's not that's just because I'm not reproducing you.
I'll shut up, okay.
Speaker 3 (09:44):
Before I write you.
Speaker 2 (09:45):
The pleasure I wis the chance to guy who's back
to the both.
Speaker 3 (09:48):
Players, but the first ons you want to see how
you're fellow chout be sure he you're doing.
Speaker 2 (09:52):
To them after all the trouble I got, Okilver, I'm
my good. You know why I can't how good I
am from me? I'm I want to win the picture
and I want to take a hold pictures. Publicity. Shut
up just cleaning alone pictures as fast as impressed. I
want to be in that.
Speaker 3 (10:10):
I would just be into you know it.
Speaker 2 (10:12):
James Little, Hey, you know what that prodent's coming out
from under this here, so for some of that. Sure
lucky you know, come on grand one of his lake
tell me we are now, I'll say another touchhow you
needn't me? And the give you drinking? It was just fread.
(10:38):
We don't tell us an another. The friend is not this.
The band is Talma Sino. I seen and I get
him out of my house quick, and I want no
fan to him that you yeah, hur's me? Daddy, No
thinks he done? When when did you take any pictures?
Speaker 3 (10:58):
Oh no, daddy, I dream potass didn't hear. The rooms
would throw up very nicely.
Speaker 2 (11:07):
Where pray my friend?
Speaker 3 (11:10):
That camera halfway back to the first and I've got.
Speaker 2 (11:13):
Another camera actually a mic drawing room and a hot
ans but nobody need he put down that camera just then.
Speaker 3 (11:25):
The night.
Speaker 2 (11:28):
Right now, darling, thank you. So that's party to pose
all the exist you may have been complain. That's also
the story didn't stand. The comatina fell into the hands
of the camp diseason is a strange honey. Well, the
(11:57):
terms and just moments as the third is man m
(12:45):
I mean sisterly was made. There was a uncoupling hotel
German Jeans American think kids. The traffic hunting, and I
think German wants the kids joy.
Speaker 3 (12:54):
How comes a really big bring it off?
Speaker 2 (12:56):
As? I got a prismas. Wait a minute, that said,
fire stumpers, what's the job? And anyway, what do you
get this tub about weed?
Speaker 3 (13:01):
Tis dollars waiting for?
Speaker 2 (13:03):
It depends where if we succeed money. That's go back
to my first question, what the job?
Speaker 3 (13:06):
Money's all right? He gave me the code and I
said to why it depends you.
Speaker 2 (13:10):
I don't like to know what we have to do
for tell me the pot, darling, for twenty thousand dollars.
Do do anything true, I'm going to be draw we
leave the bride that I thought you said, who's the
lucky group? Is that what I have to do for
my money? Marry you?
Speaker 3 (13:23):
Nobody's getting We're not going to the gett No that way.
Speaker 2 (13:26):
After all, what mesas is a couple of coney that
all depends on what we're expected to do.
Speaker 3 (13:30):
Oh yeah, not Bursday. Part of the coney knows Dolly,
you's all along in the.
Speaker 4 (13:33):
Train as a sort of the real job is office
pittals and also to night you're the one who drive
up and get.
Speaker 2 (13:38):
Him in the hills.
Speaker 3 (13:40):
The past and they'll be waiting to sight often get
who I'm don't stupid darling, Who do you think Tomsinos
called Fino kidding?
Speaker 2 (13:46):
I couldn't do you realize, said two thousands sos is
in common. They combing the country for him. There's a
price on it and desert alives twenty thousand and gold.
Speaker 3 (13:54):
There's the sight for him alive. That like.
Speaker 2 (14:14):
The honeymoon, and it leaves Tony in the other day
when I stopped his mateenae hours till later, and then
they might a couple of thousands Sam, she dressed drag capture.
Thought she just looked closer to it might convince ideas
that nobody expects the hot dander to go away on
a hun Cabby of Strup. But that but now I
was beginning to give her credit for being even modered,
and I thought I wasn't touched down the game. Somebody
(14:36):
wasn't going to do that twenty thousand and any good
at all. General Rooks, Yet he nodded my long time,
I can talk about much flat next day and was
fought him the car talking some characters looked like company
out of the situation, and went back into the pot
and sat down office. See brought the group sing. He
cou on a female folks them Ptilian stie like. She
(14:57):
was probably explaining on the way, but she sometimes it
sitting and tasting. That's funny topic. Definitely a look.
Speaker 3 (15:05):
So worrying, Harry. You're almost as bad as.
Speaker 2 (15:06):
A blacking bot. I'm sure I saw a Rocker get
on the train. What what is the shoe on side?
Shoose to kill your friend? Here is no'm is he?
Speaker 3 (15:17):
I made that a conditions appeal you. I'm disappointed you.
I wouldn't got to be scared of a little gun.
Or is it twenty thousand your wife?
Speaker 2 (15:26):
Maybe?
Speaker 3 (15:27):
Good evening, Colonel I lost up.
Speaker 2 (15:29):
There was in the doorway the black colonel Rocker. He
wasn't pulling a gun. Such a figurette believing I don't
have to do that's very big polklad.
Speaker 3 (15:39):
So your friends as followed up. Certainly, Colonel. I won't
indition you know.
Speaker 2 (15:44):
Harry already for my young husband.
Speaker 4 (15:46):
The important point is that your husband doesn't know you,
even his litten you may make. Do you tell me
your hist in that villa was unconsciable.
Speaker 3 (15:55):
So I think we can distintly shoot.
Speaker 2 (15:59):
Has not this idea that it is obviously that in
situation comes with think the three I never exactly have
my ease, can't you know he's been playing for and
carries an army rank in the situation proper?
Speaker 4 (16:14):
But it is interesting in the extreme gentlemen in front
of me has a long history of life, because it's
nothing once that murder.
Speaker 3 (16:22):
Yes, I think it's a price, even with his best hands.
Speaker 2 (16:25):
You expectly what you have, retort and exactly what do
we has a sort plne remember you know, to capture them.
Speaker 4 (16:37):
Now that but it's just three minutes left before we
got into let us be sure we are clear enough.
Speaker 2 (16:42):
Excuse me, but surely the country is explained the very
thing to you by now.
Speaker 3 (16:46):
No, I haven't see there hasn't really been time.
Speaker 4 (16:49):
Well that is not time now, it's the line that
just better be put as near the train properly.
Speaker 2 (16:55):
That would be difficult thing to the south end of
the platform.
Speaker 3 (16:58):
WI get sar a pack most of my many it's
about thirty did this guy?
Speaker 2 (17:03):
That is the machine done behind the black machines. The
first thing to be sure about is that all tact
in this are well out of the lineified line of fire.
But he's norms and we're going to gather that you're
planning to arrest this man in the station, but why
lie just believe a strange country.
Speaker 5 (17:19):
This man is taked.
Speaker 2 (17:21):
It's a grateful step.
Speaker 4 (17:23):
There are very few men's deliberately the.
Speaker 2 (17:25):
Life of the police and arrest. You see the police
as a guy with fear and supersize that they're coming
into the station. I'm not going out.
Speaker 4 (17:33):
Remember the plant and the signals. After you have led
him out out of the platform, d you're not conclosure
than twenty.
Speaker 2 (17:40):
Three because he not only why repos so now I
had the whole thing traded on. That was the deal
Taddy was sending into on her own and send whatever
she could gather pictures while come down here. Congratulation, thank you.
(18:03):
So now you're going to be a famous postagist in
this room here, I suppose it's going to be a
famous port. The fashion is being credit to the other invitation.
She let him down out of the train. He was
desicious and succeeding. Its not accessive common being the bringing to.
Speaker 3 (18:23):
A right.
Speaker 2 (18:27):
You don't forgotten about, dohn con can't be put in
a camera case, but done of if they managed to
sneak it away.
Speaker 1 (18:34):
I'll come to stock.
Speaker 2 (18:39):
That's right. Did you get that nuggage? How are you get?
Speaker 5 (18:52):
You?
Speaker 2 (18:52):
On my other camera? Where is is he dying? He
looks he's dying out of here is the other camera.
I don't have to no, you have this want to
be you for every Oh no, no, no, what you lady?
Die on me?
Speaker 3 (19:05):
Give me the other camera. Question camera, I gave it
a whole I didn't have time to reload, so I
just switch camera. I know it was all about the
time I started him. Was the second one mess?
Speaker 2 (19:14):
I've got the whole thing in the first one.
Speaker 3 (19:16):
But where is it?
Speaker 1 (19:16):
Oh?
Speaker 2 (19:17):
Well, that was a camera was.
Speaker 3 (19:19):
Trying to be funny. I parted was a camera right
out to think.
Speaker 2 (19:26):
The camera? You language here another noise use candidates nothing
that you didn't notice this as the train went by
on the other track into.
Speaker 3 (19:37):
The other pace.
Speaker 2 (19:38):
That means to suck.
Speaker 3 (19:39):
You can't do it any easy. If you had something,
you've got to have a place.
Speaker 2 (19:46):
And I tell everything. Contake that on the other night,
Daddy that I've never done a decent thing in my
line through a compliment. Now I'm afraid I spoiled the rest.
Nobody's telling the pure daddy, nothing to spell. See I
through your camera and m remember the other camera.
Speaker 5 (20:21):
Harry Lion returns in just a moment, No, Harry Lot.
Speaker 2 (21:12):
Maybe you'd like to know what happens to different people
in or Thomasinos who was dead. Another came up. Pansie
was coming from him and he was born saint and
brought it a lot of flips blinks round a big
picture right now the funeral, he probably saw it. Pictures
went by campage and she never brought another camp quit journalist.
And now was that time she met that Mohage. He
sailed into the harbor of tom You know, was the
biggest job of anybody, even Caddy had everything. Who do
(21:34):
you think they was away with him and not Flucky
man Yellow. Sure he's a business man now, of course.
And he said he just couldn't get away from his desk.
Another Maharaja's new passag before it was a little Cathy
the last side. They were on their way around there.
No one didn't know exactly how h she's been
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