May 2, 2025 • 27 mins
Chronicles the exploits of a charismatic con artist, offering a glimpse into his schemes and the moral ambiguities of his adventures. The narratives blend wit with suspense.
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Episode Transcript
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Speaker 1 (00:25):
It's a orful wells as The Third Man, The Lies
of Harry Lions, the Fabulous.
Speaker 2 (00:39):
Stories of the Immortal Character originally created in the Morchan pictures.
The Third Man with the Zipper music by Anton kra.
Speaker 3 (00:52):
I once thought I knew all about women, so I
was pretty young at the time. Now that I didn't
know that Lacy was who you on me. So I
soon grew up. And for example, then a few simple rules.
Blondes cannot be trusted, red ReBs aren't reliable, and if
you wanted to write trouble, never get mixed up with
(01:13):
a brunette. And if you follow these rules, life is
much more simple. There only want trouble. Isn't any fun
in my life? I'm glad that I've had to love
it from.
Speaker 4 (01:24):
At that one.
Speaker 3 (01:25):
Now he is some people feel to live in the
ways that I for want prefer to learn and to live.
Speaker 1 (02:15):
And now orphan wells as Harry Lyon, The Third Man
in the Dark.
Speaker 3 (02:20):
And Tempus high ol DearS, how years we've all heard
of it? Now heres The Border, Mystery and Intrigue and
Baby by the Tunisian is about the Junians Roman gamble
delving games. They have the bis the French and Harry
Lyons Alger, all hers and c. It is all things
(02:40):
to all men, Algiers the indianapolis of North Africa that
as the causer made so popular some seasons ago. And
it's the childs Bloyer, which the there's a place there
where could definitely at invited and where I'm welcome or
at least permitted to end it. And it's called the Queens.
Speaker 4 (03:05):
Long is coming back to the half back, I think,
staying her face over here for how long is it?
Speaker 3 (03:12):
How long? All too long to do? I see the
Barbary Queen has the same same sight, same smells, and Jacustomer.
Speaker 4 (03:18):
Gone home as well as me, Liz. I mean, it's
not that much like the old days anymore.
Speaker 1 (03:23):
The baby Queen is becoming almost gone.
Speaker 4 (03:25):
Nothing ever happened.
Speaker 1 (03:36):
Almost goller do who?
Speaker 4 (03:38):
Nothing ever happens?
Speaker 3 (03:40):
How many close to split on a nice things do happen?
Speaker 4 (03:43):
Family becoming study stopping on stereo?
Speaker 3 (03:53):
All right?
Speaker 4 (03:53):
The five the city, the probably is over.
Speaker 5 (03:58):
You have not been so good?
Speaker 3 (04:00):
You mm too? Two is wrong as it pious. The
trouble is just beginning.
Speaker 6 (04:06):
That depends on what you call trouble. Hey, I join
you well, I mean answer you haven't been to the
Barbary Queen before?
Speaker 7 (04:15):
Uh?
Speaker 3 (04:16):
Not recently. I think you've joined the staff.
Speaker 4 (04:18):
Ah, I go, I've got you discovered my son.
Speaker 1 (04:21):
It's hardy live.
Speaker 3 (04:23):
You say, didn't. God, he's a.
Speaker 4 (04:24):
Fine man, prist do my best tutor? No, I say no,
But two drains on my house?
Speaker 3 (04:31):
Two is a busy little bit.
Speaker 6 (04:32):
You'll spend the tutu when you're an American. You Americans
ever comes here and none of them are friends with tutors.
Speaker 3 (04:39):
Oh, we are exactly boysom charms to join. I haven't
we spend partners in a couple of years. Yes, So
that's it.
Speaker 5 (04:46):
I knew you must be valuable to him.
Speaker 3 (04:48):
You imagine that's how valuable are you to you? Oh
we'll take that up in a minute. What's your connection
with two three? I think I entertained the cutting. That's
what it says on your pack for your looks. She's
gonna have a couple of rackets. Maybe I can help them.
Speaker 4 (05:02):
When you, Harry Lyon, you are one of those many professed.
Speaker 3 (05:05):
To know women to wear. Not me, honey, that profess
to know nothing whatsoever about your sex. I just enjoy it, you.
Speaker 6 (05:13):
Know, Harry Lion I'm a little sad for the years
I didn't know you.
Speaker 3 (05:18):
No, don't burst into tears, honey. Remember to know me
better is to like me less. Is that a warmer? Right?
Speaker 5 (05:24):
I like her very much?
Speaker 4 (05:26):
You are?
Speaker 2 (05:26):
How you lying?
Speaker 3 (05:27):
A last man? That's about time to do your your
mad dad me back Toto a corner. WHI not to
work and I after you finish the drink.
Speaker 4 (05:36):
And I'm a sound deaden gostus.
Speaker 3 (05:39):
But now joys enjoy your sad not what will we say?
I believe I was warning you about me.
Speaker 5 (05:47):
Oh yes, they're not.
Speaker 8 (05:47):
I was, Oh yeah, j t right, I found you.
Speaker 4 (05:51):
I was sure, yet I thought perhaps you've gone home
and children say.
Speaker 3 (05:55):
The barbary clean is turning into regular grab bag of
surprises since went to high school? Just to bot about it?
That a band of inquity. You're an American? Do you
think you were the only one? You don't have to
be nasty about it, Susan. I thought I told you
never to come to the Queen. Oh no, I want
to be here.
Speaker 2 (06:11):
You see, you have no business in the covert all.
Speaker 4 (06:14):
It's stangeous for tourist.
Speaker 3 (06:15):
You're taking for younger like you.
Speaker 4 (06:18):
Oh it was all right, now I did.
Speaker 6 (06:19):
Nobody paid any attention to me, and I arrived here
just in time to see the last of the fight.
Speaker 7 (06:24):
But it true.
Speaker 9 (06:25):
You must leave through ill time.
Speaker 6 (06:26):
Toue any time tonight, and you see I'm working, Go
back to your hotel.
Speaker 5 (06:31):
I'll see you tomorrow.
Speaker 4 (06:32):
That's the way you want it, That's the way I
want it.
Speaker 8 (06:35):
You're not angry, no, no, of course not no.
Speaker 5 (06:37):
Now, Susan like a good girl right then.
Speaker 4 (06:41):
I hope I didn't cause you any trouble. Margy, who
see the mansions would try to be nice if they
show them around.
Speaker 5 (06:47):
I'm an American.
Speaker 4 (06:49):
You they're not an American or a European or anything.
You're Harry lying Hidrid, try long senship.
Speaker 3 (06:59):
Thanks. I think that I go singing a little song.
I've got something to attend to, Susan, I said, drug
go into attendant. They are a mindrated.
Speaker 4 (07:06):
That's school good.
Speaker 3 (07:07):
Any wrong with getting an education? School girls are okay.
It was me to take you when I queue to
the Redhead. But I don't think there's not much business
in the cars out on the start of it, not
as late at night. It just you could me that
your friends, Susan, they have more trouble getting out of
the towns here coming in very well, Harry Lyon.
Speaker 4 (07:21):
If you wish to be down when you tire of her,
then you know where to five me.
Speaker 3 (07:26):
I'm always here or in my room. It's above attesting, Okay,
I mean, I excuse me.
Speaker 4 (07:32):
Very instulting, Harry lin And now I'll tell you something.
I don't care whether you.
Speaker 3 (07:36):
Come to see me or not.
Speaker 4 (07:37):
I don't care whether I ever see you again, my John.
Speaker 3 (07:40):
They don't say I didn't warn you. Remember to know
me is to loathe me. I mean I got hilarities
of this world and an old story. I think to
this particular one had an interesting h agenda. When I
couldn't quite TI on the jet, so I gave it
time to starve it for me. Meanwhile, there was this
young cus. I found her at the doorway with the
(08:02):
Bobary Queen, hearing someone. I'm certainly on the Narricabo street
to the continent. No, he was waiting for a street cars.
Speaker 4 (08:11):
You're the man who would mind.
Speaker 3 (08:12):
Yes, I was just leaving the boys. We climb out
here together, thank you.
Speaker 4 (08:17):
But I'll be be pare of myself.
Speaker 5 (08:21):
I can take care of myself.
Speaker 3 (08:22):
So many a title, so many dagable stories of girls
like you.
Speaker 4 (08:27):
You're going to start with ideas.
Speaker 3 (08:28):
There's an a lecture, there's the firest things in my mind.
If you want to get hitting out each other business,
I'm mind.
Speaker 4 (08:33):
I think it's killing.
Speaker 3 (08:35):
No.
Speaker 2 (08:36):
No, I's going to do some.
Speaker 3 (08:37):
Mond said, I thought you hailed from San Francisco and hobby.
He'll no time. That's right? Shows? Is that shows? Even
the dusty chatter is the cause.
Speaker 4 (08:45):
Don't your parents worry about you? You never mind my parents.
Speaker 3 (08:48):
I never minded my own old all right, I'll go
with you. Okay. A routine was in park Man.
Speaker 7 (09:02):
I know what is good?
Speaker 3 (09:02):
It was, and I smelled money from the first moment,
I said, eyes on susan well known the lime locker
was in. Just how it would pay off? I had
no idea, so I took suit into the edge of
the cars. I was out a cab for I was
just sending off home to mother, and I noticed a
bulky individual of birding and said, it's cool. Too close
to me. He caught my eye and then left the
neighborhood fast. I pondered this over a cup of so
(09:24):
called coffee at the Friendly Cabin, and then went around
to my own hotel. I am elly lion. Well no,
this is uh. I was surprised us.
Speaker 5 (09:38):
Who are you?
Speaker 3 (09:39):
It only might know him? Oh you're a detestive right
down the upon mister lion. What do you want for
the prize? A QP doll, Madia a genuine plaster Apparican genaica.
I don't want me to call the manager. And never
you heard about invasion of privacy? Seems there's something long
you always to spike the manicure landers in Magia's line.
Next thing, I know your shepherds and Susan Clama. Oh,
(10:00):
it's pretty first word.
Speaker 5 (10:01):
He's for you.
Speaker 3 (10:02):
It's you to be speaking English know him? And I
don't get it. Passing over the fact that I'm suspect
to your brough it just who is Susan trim Oh, well, Susan.
Speaker 7 (10:10):
He's a lighte mised line.
Speaker 4 (10:12):
That girl I put him in Canda may interust?
Speaker 3 (10:14):
Do him know that her father answers to keep an
eye on his daughter. He's worried.
Speaker 5 (10:17):
It seems he's taken up with.
Speaker 7 (10:19):
The wrong friends.
Speaker 3 (10:20):
Analogy. M hm, that's manicane. Why sounds like he has money?
Mister money banks himself and if you didn't know, it
isn't but think it's the same, and you may tell
the astory is that I was merely escorting in it's
cramount to safety you. And they also advised their father
to his daughter that went into the coso quite alone,
if he's so concerned about her welfare, and I devote
(10:40):
more time to a whereabouts but ninas to know him
only engaged a single hears O's just I'm saying, I
have to notify the management. Of course, he will say
the additional fee for you're saying what. Ah well, he
warned me you're worship for your life. But if you
try any funny be get remember we're white, good good.
I expect the same protective interest in the authority is
(11:02):
that they stand to other American juries. Okay, why I
would watch it, and if might know them in my
business twists the state or a specialty, I usually know
how to keep the police wondering where I am during
working hours. But just I think the a vacation and
all the authorities in town are suddenly it's very busy
(11:23):
in this case, the cops worrying about Susan. Only what
is my interest? So I haven't a notion of the
spots you got itself in an exception.
Speaker 5 (11:30):
And three fifty two p oh, I think that's what
(11:51):
la uh graduate as turning us. I know that's how
the wrong address?
Speaker 3 (11:58):
How far is the mus collars?
Speaker 4 (12:00):
But the course you asked me that not just telling
me to expect you. Oh then I am in the
rite play may read let me come in, mademoiselle. Not
the would be somewhat delayed. But they tell me to
amuse you after all?
Speaker 9 (12:16):
She flam his rodzou fire.
Speaker 3 (12:31):
Really that's gonna be gonna habit? No, no, thank you, No,
you yourself troubles Susan. Just just go your own sweet
away and I'll go much us. Hey, wait a minute,
what's wrong? She's been drugged? You know she's done it? Well,
I need some might. No want to walk by and
see Susan draping my arms like.
Speaker 2 (12:50):
Said enough taxi taxi?
Speaker 4 (12:54):
Yes me, say you are.
Speaker 3 (12:55):
Now want a taxi? No taxi need re firect. I
don't want to rug, get me a horse and carry
s anomity like to see some pretty good fancy gar.
I got my own goody girl, and I'm going down
thing she's unconscious. I want to get get her home quick.
Give me a donkey or something and get me a camel,
get me a helocopter, get me out of here.
Speaker 7 (13:27):
Orson Wells returns.
Speaker 3 (13:28):
In just a moment, there's the third man.
Speaker 1 (13:34):
And now Orton Wells.
Speaker 3 (14:15):
As the third man continues with the dark in chaster.
I didn't dare take Susan to my place, which is
possible she was a police plan, so I told her
the last day I ever thought howry Line would enter
the convent of the Little Sisters of Charity just as.
Speaker 5 (14:30):
The content the poor child.
Speaker 4 (14:34):
This is a terrible thing to Line.
Speaker 3 (14:39):
You are christ my child. Thank you, Susan. I brought
you to this convent.
Speaker 4 (14:44):
There is no one here by that name.
Speaker 1 (14:49):
What a fool.
Speaker 3 (14:49):
I would you like to tell us just what happened? Susan,
Oh nose, leave me alone.
Speaker 4 (14:55):
I had you should take this metal to the police.
Speaker 3 (14:58):
I think her parents are the one to judge that, sister.
Speaker 4 (15:01):
Oh no, they mustn't know. I'll get the money from
dad somehow.
Speaker 3 (15:04):
Money.
Speaker 7 (15:05):
Come, come, my child, tell us what happened?
Speaker 4 (15:09):
Matthew means so bad.
Speaker 7 (15:10):
That the Nettle understanding won't see well.
Speaker 2 (15:14):
I went to Magage's apartment to me here, I thought,
but he was there instead.
Speaker 3 (15:19):
You see.
Speaker 2 (15:20):
His name was Child.
Speaker 3 (15:20):
Don't care. He was very good looking, about my height, doc.
He said Magde had arranged the meeting and he served cocktails.
And it was after that the thingsrazy and I don't
really Nicky has watched me to mad Susan E wanna
lead drugs sister that the cocktails boom. Oh yes.
Speaker 4 (15:41):
It came to Child was very different, he said.
Speaker 6 (15:44):
If I didn't get him five thousand times to tell
my parents I'd done along with them.
Speaker 4 (15:47):
We said, man about me?
Speaker 8 (15:48):
Where were we saying?
Speaker 3 (15:49):
Every how did you manage to get from magest rooms
go over to the Barbary Queen to where I ran
into You see, the coinian said he didn't more of her.
The magic doesn't live above the cafe.
Speaker 4 (16:01):
She said she was staying at three fifty six men mane,
I start with Child under street.
Speaker 2 (16:08):
I didn't know what I was doing.
Speaker 5 (16:11):
This is really man.
Speaker 4 (16:12):
That's three five six acts or on across the streets,
and he he's been on the CONTI keeps two establishments.
Speaker 3 (16:19):
She must have given me the role with dress. Who
I do tell all? That's what you do. The only
way suit is unless you prefer the police know you
happened into an unscrupulous black bel and and that's why
the troubles to inform your parents what has happened and
then leave the rest to me.
Speaker 2 (16:35):
You do that to me?
Speaker 3 (16:36):
I find I do have an achilles Field idea.
Speaker 8 (16:40):
How can I ever thank you?
Speaker 3 (16:42):
No, no, no, I'll start weeping again, and we'll floot
out the little sisters of Chara there, Come on to them.
Let's get your parents. How far I change my plans?
I turn this clam out exactly what I'd expected, wealthy,
well meaning and incredibly stupid about the realities of life.
(17:04):
All they shot it into my plant perfectly. And there's
mother Crammont bussels a child into the boodoor. Father Crammon,
that I discussed business. But there there's a terrible thing.
Mister lyme. Why is such a scander that wreck my
daughter's reputation? I can't understand.
Speaker 2 (17:18):
How's he going to allow herself to get into such
a predicament.
Speaker 3 (17:20):
I don't having all the time and all of such things,
having the beautiful young girls, who decides to point now
to Grammont? The important thing is how to deal with it?
Charnald Plancy, I'd like to beat him to our part,
make and put the headline to the chronic or tendancy
a manhandle daughter's black man. Please just us never get
to the prince. And that's why I suggest you keep
the police out of it. Why so I do with
the lamad. You trust me, you are cost mister Lyon.
Why you save my little girls? Then give me the
(17:43):
five thousand in cash. Allow me to pay off here
a black manor and see that he doesn't come back
from moment to Grandma. He see, uh, I understand these
see the pieces of the punt where we're.
Speaker 4 (17:59):
Dropping nicely to play.
Speaker 3 (18:01):
I could see away a few games if there on cash,
and also getting a little more of one care for
my timent, if you understand the one a dollar in
my seat. So I went back to my data and
that I called up with math Chase, just getting ready
to start for the mysterious address on real Madelon. When yes,
yes I want him. Thank you well you come in
(18:27):
my sure park here. Thank you need I say, I
hardly expected you very more.
Speaker 4 (18:35):
But since I realized it was nearly a matter of
time until you visited my quarters next year, I thought
I would save you the trouble.
Speaker 3 (18:43):
Right then, I thought, man, I'm sure I.
Speaker 4 (18:45):
Followed to go into the street when she played. I
saw her approach.
Speaker 3 (18:48):
It as simple as that, right, And from said meeting,
you knew my identity, that Susan would tell me.
Speaker 4 (18:54):
All, and that you would offer to aid the district
family that you haven't set my five thousand and I see.
Speaker 3 (19:01):
Your parers of observation amaze me. Mister Frankierns called Mark
and consided in her, and you and my birds of
a feather.
Speaker 4 (19:10):
Even if you are learning this much from Susan, mudget
took the trouble to learn more about you.
Speaker 3 (19:16):
I see I underestimated the lady.
Speaker 5 (19:17):
You're not the first one, and now my money.
Speaker 3 (19:21):
First, tell me one thing. Wait, even though I am
a bird of your feather, varnt here, what's to stop
me from going to police.
Speaker 1 (19:28):
With all story?
Speaker 4 (19:28):
We did not think I would allow you to continue living.
Speaker 3 (19:31):
Miss Well, No, I'm in asking. So this is a picture.
I hand over the loot and you disposed of me.
That is.
Speaker 4 (19:40):
Again where the silence is a beautiful way to end
such a life. Your body will be found that the
world will be most happy to.
Speaker 3 (19:47):
Be rid of.
Speaker 4 (19:47):
Harry Lyon there's doing un worry.
Speaker 3 (19:50):
About who did it? It sounds well you're enjoying this.
I am. That's why I have no choice, no, no matter,
even though I found out to get much more revenue.
Mister Claron fifty thousand has decided and this time no
one will tell my we split.
Speaker 4 (20:05):
The take you and I'm not closing this year.
Speaker 3 (20:08):
I was just going to deliver this down payment. Missed
me and the eye track of buckets there though let
me no, oh, no, make good. He was too good
at joking. It will call you you five thousands oct Well, well,
(20:30):
Mike Nolan again.
Speaker 2 (20:31):
This the guy Mike was my final explain where govern
This looks like the end of the story.
Speaker 3 (20:36):
The clock struck twelve. The coach has turned into a
punkin and the turns who changed into cineream? What are
you talking about? If you will take this lady on
my hands? No, and I'll attend to explain him, exact
him or my dog? All it all that tam I
know from me to introduced mac deplaeo, you fool unbol
makes Claire one of the same mister Clama. She assumes
(20:59):
masculine guys to blackmail her own sex and used their
own devastating visionality in the parents to hympnaesize the masculine.
Quite a girl, I should say, no one leaves, and
he's trying to tell me to getting more money from you.
Speaker 2 (21:10):
Claim my back. I believe white guys said when.
Speaker 3 (21:12):
Claremont told me you were helping him line, he was
jumping from the frying pant of the fire. Looks why
we got a editentime. I has always detected Nolan. You
have performed magnifies. What are you trying to give me limes?
Nothing but praise you, flat foot. But mister Claremont, I
give the five thousand dollars the blackmail peeve for which
I did not have to pay. I can't find worse,
So thank you, mister Lee. Why am I mister Lammont.
Speaker 2 (21:33):
This guy's flying away a lout of a fast deal.
I believe what this magazine said. He was in the opener,
and he's hungry for more. Mister Nolan, I asked the
authorities to watch my daughter's activities, yet he's set into
the worst kind of trouble. Mister Lyme was the one
who say you don't just me get angled. He was
flying I came here with you to prove to you
his heroesnce. But that wasn't necessary. Mister Lime has peeded
(21:53):
his own case. I don't want what he's jussy. I
tell you it's Jersey's bios. He's this woman away officer.
I'll be down later to prefer charges.
Speaker 5 (22:01):
Whatever you saying that check on?
Speaker 3 (22:03):
Come on you you.
Speaker 2 (22:06):
It takes thousand years.
Speaker 3 (22:10):
I don't know how to thank you, mister lyme. Now
I'm doub in your debt.
Speaker 2 (22:14):
Won't you accept a more substantial expression of my gratitude?
Speaker 3 (22:17):
This five thousand dollars for a thousand dollars repression famine
present off? What's the game now? I'm what do you
think that money for parody? Old man? Charity?
Speaker 7 (22:27):
Charity that's done?
Speaker 3 (22:29):
Yes, as a matter of fact, it is entirely I'm
surprising myself old man then, and I'm a surprising kind
of guy. I swore a solemn old years and don't
ever do anything fundamentally decent if I could possibly avoid it.
And look what, I'm not shooting money again. That's all
them as a reward up the MAGNI isn't there a reward? Well,
don't try to chisel in. The reward goes to me. Man,
I don't want to be greedy, old man that I've
(22:50):
got my expenses to cover. But you got five thousand dollars.
Speaker 5 (22:54):
But that isn't for me.
Speaker 3 (22:55):
No, no, man, non, believe it or not. This is
five thousand is going to become those little sisters of Jersey.
It's quine of right, all right. That ought to help
more for thanksuy, if someone else's wandering daughters, well now
I've heard it. Tell you what, oh man, I'll cut
you in on the reward. You off your rocker. Now
I'm not well.
Speaker 4 (23:12):
I'm giving door to.
Speaker 3 (23:13):
A command, splitting the reward with you know them. The
reward is small percentage. You promised never to tell about
this about the convent. After all, I've got my reputation
to think of.
Speaker 7 (23:49):
Hary Lyme returns in just a month. And now Harry Lyon.
Speaker 3 (24:40):
And our friends, you know all, Harry Lyon, who started
his career by putting his hand in the board box,
slipped so far that he even gave some money to
a consant. Believe me, I was so depressed after doing it.
I got right out of town, took a trams seamer
that night. So I think the Lamlership was the SS
polaris M yes, she had been a beautiful crash m
(25:05):
well well, having helped before working Girl And so the try.
Speaker 8 (25:09):
Line assist, attack and sup at different statists in at.
Speaker 3 (27:03):
The far side and Unn
It's a orful wells as The Third Man, The Lies
of Harry Lions, the Fabulous.
Speaker 2 (00:39):
Stories of the Immortal Character originally created in the Morchan pictures.
The Third Man with the Zipper music by Anton kra.
Speaker 3 (00:52):
I once thought I knew all about women, so I
was pretty young at the time. Now that I didn't
know that Lacy was who you on me. So I
soon grew up. And for example, then a few simple rules.
Blondes cannot be trusted, red ReBs aren't reliable, and if
you wanted to write trouble, never get mixed up with
(01:13):
a brunette. And if you follow these rules, life is
much more simple. There only want trouble. Isn't any fun
in my life? I'm glad that I've had to love
it from.
Speaker 4 (01:24):
At that one.
Speaker 3 (01:25):
Now he is some people feel to live in the
ways that I for want prefer to learn and to live.
Speaker 1 (02:15):
And now orphan wells as Harry Lyon, The Third Man
in the Dark.
Speaker 3 (02:20):
And Tempus high ol DearS, how years we've all heard
of it? Now heres The Border, Mystery and Intrigue and
Baby by the Tunisian is about the Junians Roman gamble
delving games. They have the bis the French and Harry
Lyons Alger, all hers and c. It is all things
(02:40):
to all men, Algiers the indianapolis of North Africa that
as the causer made so popular some seasons ago. And
it's the childs Bloyer, which the there's a place there
where could definitely at invited and where I'm welcome or
at least permitted to end it. And it's called the Queens.
Speaker 4 (03:05):
Long is coming back to the half back, I think,
staying her face over here for how long is it?
Speaker 3 (03:12):
How long? All too long to do? I see the
Barbary Queen has the same same sight, same smells, and Jacustomer.
Speaker 4 (03:18):
Gone home as well as me, Liz. I mean, it's
not that much like the old days anymore.
Speaker 1 (03:23):
The baby Queen is becoming almost gone.
Speaker 4 (03:25):
Nothing ever happened.
Speaker 1 (03:36):
Almost goller do who?
Speaker 4 (03:38):
Nothing ever happens?
Speaker 3 (03:40):
How many close to split on a nice things do happen?
Speaker 4 (03:43):
Family becoming study stopping on stereo?
Speaker 3 (03:53):
All right?
Speaker 4 (03:53):
The five the city, the probably is over.
Speaker 5 (03:58):
You have not been so good?
Speaker 3 (04:00):
You mm too? Two is wrong as it pious. The
trouble is just beginning.
Speaker 6 (04:06):
That depends on what you call trouble. Hey, I join
you well, I mean answer you haven't been to the
Barbary Queen before?
Speaker 7 (04:15):
Uh?
Speaker 3 (04:16):
Not recently. I think you've joined the staff.
Speaker 4 (04:18):
Ah, I go, I've got you discovered my son.
Speaker 1 (04:21):
It's hardy live.
Speaker 3 (04:23):
You say, didn't. God, he's a.
Speaker 4 (04:24):
Fine man, prist do my best tutor? No, I say no,
But two drains on my house?
Speaker 3 (04:31):
Two is a busy little bit.
Speaker 6 (04:32):
You'll spend the tutu when you're an American. You Americans
ever comes here and none of them are friends with tutors.
Speaker 3 (04:39):
Oh, we are exactly boysom charms to join. I haven't
we spend partners in a couple of years. Yes, So
that's it.
Speaker 5 (04:46):
I knew you must be valuable to him.
Speaker 3 (04:48):
You imagine that's how valuable are you to you? Oh
we'll take that up in a minute. What's your connection
with two three? I think I entertained the cutting. That's
what it says on your pack for your looks. She's
gonna have a couple of rackets. Maybe I can help them.
Speaker 4 (05:02):
When you, Harry Lyon, you are one of those many professed.
Speaker 3 (05:05):
To know women to wear. Not me, honey, that profess
to know nothing whatsoever about your sex. I just enjoy it, you.
Speaker 6 (05:13):
Know, Harry Lion I'm a little sad for the years
I didn't know you.
Speaker 3 (05:18):
No, don't burst into tears, honey. Remember to know me
better is to like me less. Is that a warmer? Right?
Speaker 5 (05:24):
I like her very much?
Speaker 4 (05:26):
You are?
Speaker 2 (05:26):
How you lying?
Speaker 3 (05:27):
A last man? That's about time to do your your
mad dad me back Toto a corner. WHI not to
work and I after you finish the drink.
Speaker 4 (05:36):
And I'm a sound deaden gostus.
Speaker 3 (05:39):
But now joys enjoy your sad not what will we say?
I believe I was warning you about me.
Speaker 5 (05:47):
Oh yes, they're not.
Speaker 8 (05:47):
I was, Oh yeah, j t right, I found you.
Speaker 4 (05:51):
I was sure, yet I thought perhaps you've gone home
and children say.
Speaker 3 (05:55):
The barbary clean is turning into regular grab bag of
surprises since went to high school? Just to bot about it?
That a band of inquity. You're an American? Do you
think you were the only one? You don't have to
be nasty about it, Susan. I thought I told you
never to come to the Queen. Oh no, I want
to be here.
Speaker 2 (06:11):
You see, you have no business in the covert all.
Speaker 4 (06:14):
It's stangeous for tourist.
Speaker 3 (06:15):
You're taking for younger like you.
Speaker 4 (06:18):
Oh it was all right, now I did.
Speaker 6 (06:19):
Nobody paid any attention to me, and I arrived here
just in time to see the last of the fight.
Speaker 7 (06:24):
But it true.
Speaker 9 (06:25):
You must leave through ill time.
Speaker 6 (06:26):
Toue any time tonight, and you see I'm working, Go
back to your hotel.
Speaker 5 (06:31):
I'll see you tomorrow.
Speaker 4 (06:32):
That's the way you want it, That's the way I
want it.
Speaker 8 (06:35):
You're not angry, no, no, of course not no.
Speaker 5 (06:37):
Now, Susan like a good girl right then.
Speaker 4 (06:41):
I hope I didn't cause you any trouble. Margy, who
see the mansions would try to be nice if they
show them around.
Speaker 5 (06:47):
I'm an American.
Speaker 4 (06:49):
You they're not an American or a European or anything.
You're Harry lying Hidrid, try long senship.
Speaker 3 (06:59):
Thanks. I think that I go singing a little song.
I've got something to attend to, Susan, I said, drug
go into attendant. They are a mindrated.
Speaker 4 (07:06):
That's school good.
Speaker 3 (07:07):
Any wrong with getting an education? School girls are okay.
It was me to take you when I queue to
the Redhead. But I don't think there's not much business
in the cars out on the start of it, not
as late at night. It just you could me that
your friends, Susan, they have more trouble getting out of
the towns here coming in very well, Harry Lyon.
Speaker 4 (07:21):
If you wish to be down when you tire of her,
then you know where to five me.
Speaker 3 (07:26):
I'm always here or in my room. It's above attesting, Okay,
I mean, I excuse me.
Speaker 4 (07:32):
Very instulting, Harry lin And now I'll tell you something.
I don't care whether you.
Speaker 3 (07:36):
Come to see me or not.
Speaker 4 (07:37):
I don't care whether I ever see you again, my John.
Speaker 3 (07:40):
They don't say I didn't warn you. Remember to know
me is to loathe me. I mean I got hilarities
of this world and an old story. I think to
this particular one had an interesting h agenda. When I
couldn't quite TI on the jet, so I gave it
time to starve it for me. Meanwhile, there was this
young cus. I found her at the doorway with the
(08:02):
Bobary Queen, hearing someone. I'm certainly on the Narricabo street
to the continent. No, he was waiting for a street cars.
Speaker 4 (08:11):
You're the man who would mind.
Speaker 3 (08:12):
Yes, I was just leaving the boys. We climb out
here together, thank you.
Speaker 4 (08:17):
But I'll be be pare of myself.
Speaker 5 (08:21):
I can take care of myself.
Speaker 3 (08:22):
So many a title, so many dagable stories of girls
like you.
Speaker 4 (08:27):
You're going to start with ideas.
Speaker 3 (08:28):
There's an a lecture, there's the firest things in my mind.
If you want to get hitting out each other business,
I'm mind.
Speaker 4 (08:33):
I think it's killing.
Speaker 3 (08:35):
No.
Speaker 2 (08:36):
No, I's going to do some.
Speaker 3 (08:37):
Mond said, I thought you hailed from San Francisco and hobby.
He'll no time. That's right? Shows? Is that shows? Even
the dusty chatter is the cause.
Speaker 4 (08:45):
Don't your parents worry about you? You never mind my parents.
Speaker 3 (08:48):
I never minded my own old all right, I'll go
with you. Okay. A routine was in park Man.
Speaker 7 (09:02):
I know what is good?
Speaker 3 (09:02):
It was, and I smelled money from the first moment,
I said, eyes on susan well known the lime locker
was in. Just how it would pay off? I had
no idea, so I took suit into the edge of
the cars. I was out a cab for I was
just sending off home to mother, and I noticed a
bulky individual of birding and said, it's cool. Too close
to me. He caught my eye and then left the
neighborhood fast. I pondered this over a cup of so
(09:24):
called coffee at the Friendly Cabin, and then went around
to my own hotel. I am elly lion. Well no,
this is uh. I was surprised us.
Speaker 5 (09:38):
Who are you?
Speaker 3 (09:39):
It only might know him? Oh you're a detestive right
down the upon mister lion. What do you want for
the prize? A QP doll, Madia a genuine plaster Apparican genaica.
I don't want me to call the manager. And never
you heard about invasion of privacy? Seems there's something long
you always to spike the manicure landers in Magia's line.
Next thing, I know your shepherds and Susan Clama. Oh,
(10:00):
it's pretty first word.
Speaker 5 (10:01):
He's for you.
Speaker 3 (10:02):
It's you to be speaking English know him? And I
don't get it. Passing over the fact that I'm suspect
to your brough it just who is Susan trim Oh, well, Susan.
Speaker 7 (10:10):
He's a lighte mised line.
Speaker 4 (10:12):
That girl I put him in Canda may interust?
Speaker 3 (10:14):
Do him know that her father answers to keep an
eye on his daughter. He's worried.
Speaker 5 (10:17):
It seems he's taken up with.
Speaker 7 (10:19):
The wrong friends.
Speaker 3 (10:20):
Analogy. M hm, that's manicane. Why sounds like he has money?
Mister money banks himself and if you didn't know, it
isn't but think it's the same, and you may tell
the astory is that I was merely escorting in it's
cramount to safety you. And they also advised their father
to his daughter that went into the coso quite alone,
if he's so concerned about her welfare, and I devote
(10:40):
more time to a whereabouts but ninas to know him
only engaged a single hears O's just I'm saying, I
have to notify the management. Of course, he will say
the additional fee for you're saying what. Ah well, he
warned me you're worship for your life. But if you
try any funny be get remember we're white, good good.
I expect the same protective interest in the authority is
(11:02):
that they stand to other American juries. Okay, why I
would watch it, and if might know them in my
business twists the state or a specialty, I usually know
how to keep the police wondering where I am during
working hours. But just I think the a vacation and
all the authorities in town are suddenly it's very busy
(11:23):
in this case, the cops worrying about Susan. Only what
is my interest? So I haven't a notion of the
spots you got itself in an exception.
Speaker 5 (11:30):
And three fifty two p oh, I think that's what
(11:51):
la uh graduate as turning us. I know that's how
the wrong address?
Speaker 3 (11:58):
How far is the mus collars?
Speaker 4 (12:00):
But the course you asked me that not just telling
me to expect you. Oh then I am in the
rite play may read let me come in, mademoiselle. Not
the would be somewhat delayed. But they tell me to
amuse you after all?
Speaker 9 (12:16):
She flam his rodzou fire.
Speaker 3 (12:31):
Really that's gonna be gonna habit? No, no, thank you, No,
you yourself troubles Susan. Just just go your own sweet
away and I'll go much us. Hey, wait a minute,
what's wrong? She's been drugged? You know she's done it? Well,
I need some might. No want to walk by and
see Susan draping my arms like.
Speaker 2 (12:50):
Said enough taxi taxi?
Speaker 4 (12:54):
Yes me, say you are.
Speaker 3 (12:55):
Now want a taxi? No taxi need re firect. I
don't want to rug, get me a horse and carry
s anomity like to see some pretty good fancy gar.
I got my own goody girl, and I'm going down
thing she's unconscious. I want to get get her home quick.
Give me a donkey or something and get me a camel,
get me a helocopter, get me out of here.
Speaker 7 (13:27):
Orson Wells returns.
Speaker 3 (13:28):
In just a moment, there's the third man.
Speaker 1 (13:34):
And now Orton Wells.
Speaker 3 (14:15):
As the third man continues with the dark in chaster.
I didn't dare take Susan to my place, which is
possible she was a police plan, so I told her
the last day I ever thought howry Line would enter
the convent of the Little Sisters of Charity just as.
Speaker 5 (14:30):
The content the poor child.
Speaker 4 (14:34):
This is a terrible thing to Line.
Speaker 3 (14:39):
You are christ my child. Thank you, Susan. I brought
you to this convent.
Speaker 4 (14:44):
There is no one here by that name.
Speaker 1 (14:49):
What a fool.
Speaker 3 (14:49):
I would you like to tell us just what happened? Susan,
Oh nose, leave me alone.
Speaker 4 (14:55):
I had you should take this metal to the police.
Speaker 3 (14:58):
I think her parents are the one to judge that, sister.
Speaker 4 (15:01):
Oh no, they mustn't know. I'll get the money from
dad somehow.
Speaker 3 (15:04):
Money.
Speaker 7 (15:05):
Come, come, my child, tell us what happened?
Speaker 4 (15:09):
Matthew means so bad.
Speaker 7 (15:10):
That the Nettle understanding won't see well.
Speaker 2 (15:14):
I went to Magage's apartment to me here, I thought,
but he was there instead.
Speaker 3 (15:19):
You see.
Speaker 2 (15:20):
His name was Child.
Speaker 3 (15:20):
Don't care. He was very good looking, about my height, doc.
He said Magde had arranged the meeting and he served cocktails.
And it was after that the thingsrazy and I don't
really Nicky has watched me to mad Susan E wanna
lead drugs sister that the cocktails boom. Oh yes.
Speaker 4 (15:41):
It came to Child was very different, he said.
Speaker 6 (15:44):
If I didn't get him five thousand times to tell
my parents I'd done along with them.
Speaker 4 (15:47):
We said, man about me?
Speaker 8 (15:48):
Where were we saying?
Speaker 3 (15:49):
Every how did you manage to get from magest rooms
go over to the Barbary Queen to where I ran
into You see, the coinian said he didn't more of her.
The magic doesn't live above the cafe.
Speaker 4 (16:01):
She said she was staying at three fifty six men mane,
I start with Child under street.
Speaker 2 (16:08):
I didn't know what I was doing.
Speaker 5 (16:11):
This is really man.
Speaker 4 (16:12):
That's three five six acts or on across the streets,
and he he's been on the CONTI keeps two establishments.
Speaker 3 (16:19):
She must have given me the role with dress. Who
I do tell all? That's what you do. The only
way suit is unless you prefer the police know you
happened into an unscrupulous black bel and and that's why
the troubles to inform your parents what has happened and
then leave the rest to me.
Speaker 2 (16:35):
You do that to me?
Speaker 3 (16:36):
I find I do have an achilles Field idea.
Speaker 8 (16:40):
How can I ever thank you?
Speaker 3 (16:42):
No, no, no, I'll start weeping again, and we'll floot
out the little sisters of Chara there, Come on to them.
Let's get your parents. How far I change my plans?
I turn this clam out exactly what I'd expected, wealthy,
well meaning and incredibly stupid about the realities of life.
(17:04):
All they shot it into my plant perfectly. And there's
mother Crammont bussels a child into the boodoor. Father Crammon,
that I discussed business. But there there's a terrible thing.
Mister lyme. Why is such a scander that wreck my
daughter's reputation? I can't understand.
Speaker 2 (17:18):
How's he going to allow herself to get into such
a predicament.
Speaker 3 (17:20):
I don't having all the time and all of such things,
having the beautiful young girls, who decides to point now
to Grammont? The important thing is how to deal with it?
Charnald Plancy, I'd like to beat him to our part,
make and put the headline to the chronic or tendancy
a manhandle daughter's black man. Please just us never get
to the prince. And that's why I suggest you keep
the police out of it. Why so I do with
the lamad. You trust me, you are cost mister Lyon.
Why you save my little girls? Then give me the
(17:43):
five thousand in cash. Allow me to pay off here
a black manor and see that he doesn't come back
from moment to Grandma. He see, uh, I understand these
see the pieces of the punt where we're.
Speaker 4 (17:59):
Dropping nicely to play.
Speaker 3 (18:01):
I could see away a few games if there on cash,
and also getting a little more of one care for
my timent, if you understand the one a dollar in
my seat. So I went back to my data and
that I called up with math Chase, just getting ready
to start for the mysterious address on real Madelon. When yes,
yes I want him. Thank you well you come in
(18:27):
my sure park here. Thank you need I say, I
hardly expected you very more.
Speaker 4 (18:35):
But since I realized it was nearly a matter of
time until you visited my quarters next year, I thought
I would save you the trouble.
Speaker 3 (18:43):
Right then, I thought, man, I'm sure I.
Speaker 4 (18:45):
Followed to go into the street when she played. I
saw her approach.
Speaker 3 (18:48):
It as simple as that, right, And from said meeting,
you knew my identity, that Susan would tell me.
Speaker 4 (18:54):
All, and that you would offer to aid the district
family that you haven't set my five thousand and I see.
Speaker 3 (19:01):
Your parers of observation amaze me. Mister Frankierns called Mark
and consided in her, and you and my birds of
a feather.
Speaker 4 (19:10):
Even if you are learning this much from Susan, mudget
took the trouble to learn more about you.
Speaker 3 (19:16):
I see I underestimated the lady.
Speaker 5 (19:17):
You're not the first one, and now my money.
Speaker 3 (19:21):
First, tell me one thing. Wait, even though I am
a bird of your feather, varnt here, what's to stop
me from going to police.
Speaker 1 (19:28):
With all story?
Speaker 4 (19:28):
We did not think I would allow you to continue living.
Speaker 3 (19:31):
Miss Well, No, I'm in asking. So this is a picture.
I hand over the loot and you disposed of me.
That is.
Speaker 4 (19:40):
Again where the silence is a beautiful way to end
such a life. Your body will be found that the
world will be most happy to.
Speaker 3 (19:47):
Be rid of.
Speaker 4 (19:47):
Harry Lyon there's doing un worry.
Speaker 3 (19:50):
About who did it? It sounds well you're enjoying this.
I am. That's why I have no choice, no, no matter,
even though I found out to get much more revenue.
Mister Claron fifty thousand has decided and this time no
one will tell my we split.
Speaker 4 (20:05):
The take you and I'm not closing this year.
Speaker 3 (20:08):
I was just going to deliver this down payment. Missed
me and the eye track of buckets there though let
me no, oh, no, make good. He was too good
at joking. It will call you you five thousands oct Well, well,
(20:30):
Mike Nolan again.
Speaker 2 (20:31):
This the guy Mike was my final explain where govern
This looks like the end of the story.
Speaker 3 (20:36):
The clock struck twelve. The coach has turned into a
punkin and the turns who changed into cineream? What are
you talking about? If you will take this lady on
my hands? No, and I'll attend to explain him, exact
him or my dog? All it all that tam I
know from me to introduced mac deplaeo, you fool unbol
makes Claire one of the same mister Clama. She assumes
(20:59):
masculine guys to blackmail her own sex and used their
own devastating visionality in the parents to hympnaesize the masculine.
Quite a girl, I should say, no one leaves, and
he's trying to tell me to getting more money from you.
Speaker 2 (21:10):
Claim my back. I believe white guys said when.
Speaker 3 (21:12):
Claremont told me you were helping him line, he was
jumping from the frying pant of the fire. Looks why
we got a editentime. I has always detected Nolan. You
have performed magnifies. What are you trying to give me limes?
Nothing but praise you, flat foot. But mister Claremont, I
give the five thousand dollars the blackmail peeve for which
I did not have to pay. I can't find worse,
So thank you, mister Lee. Why am I mister Lammont.
Speaker 2 (21:33):
This guy's flying away a lout of a fast deal.
I believe what this magazine said. He was in the opener,
and he's hungry for more. Mister Nolan, I asked the
authorities to watch my daughter's activities, yet he's set into
the worst kind of trouble. Mister Lyme was the one
who say you don't just me get angled. He was
flying I came here with you to prove to you
his heroesnce. But that wasn't necessary. Mister Lime has peeded
(21:53):
his own case. I don't want what he's jussy. I
tell you it's Jersey's bios. He's this woman away officer.
I'll be down later to prefer charges.
Speaker 5 (22:01):
Whatever you saying that check on?
Speaker 3 (22:03):
Come on you you.
Speaker 2 (22:06):
It takes thousand years.
Speaker 3 (22:10):
I don't know how to thank you, mister lyme. Now
I'm doub in your debt.
Speaker 2 (22:14):
Won't you accept a more substantial expression of my gratitude?
Speaker 3 (22:17):
This five thousand dollars for a thousand dollars repression famine
present off? What's the game now? I'm what do you
think that money for parody? Old man? Charity?
Speaker 7 (22:27):
Charity that's done?
Speaker 3 (22:29):
Yes, as a matter of fact, it is entirely I'm
surprising myself old man then, and I'm a surprising kind
of guy. I swore a solemn old years and don't
ever do anything fundamentally decent if I could possibly avoid it.
And look what, I'm not shooting money again. That's all
them as a reward up the MAGNI isn't there a reward? Well,
don't try to chisel in. The reward goes to me. Man,
I don't want to be greedy, old man that I've
(22:50):
got my expenses to cover. But you got five thousand dollars.
Speaker 5 (22:54):
But that isn't for me.
Speaker 3 (22:55):
No, no, man, non, believe it or not. This is
five thousand is going to become those little sisters of Jersey.
It's quine of right, all right. That ought to help
more for thanksuy, if someone else's wandering daughters, well now
I've heard it. Tell you what, oh man, I'll cut
you in on the reward. You off your rocker. Now
I'm not well.
Speaker 4 (23:12):
I'm giving door to.
Speaker 3 (23:13):
A command, splitting the reward with you know them. The
reward is small percentage. You promised never to tell about
this about the convent. After all, I've got my reputation
to think of.
Speaker 7 (23:49):
Hary Lyme returns in just a month. And now Harry Lyon.
Speaker 3 (24:40):
And our friends, you know all, Harry Lyon, who started
his career by putting his hand in the board box,
slipped so far that he even gave some money to
a consant. Believe me, I was so depressed after doing it.
I got right out of town, took a trams seamer
that night. So I think the Lamlership was the SS
polaris M yes, she had been a beautiful crash m
(25:05):
well well, having helped before working Girl And so the try.
Speaker 8 (25:09):
Line assist, attack and sup at different statists in at.
Speaker 3 (27:03):
The far side and Unn
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