June 18, 2025 • 24 mins
Chronicles the exploits of a charismatic con artist, offering a glimpse into his schemes and the moral ambiguities of his adventures. The narratives blend wit with suspense.
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Episode Transcript
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Speaker 1 (00:20):
Resting Horse and world as the Third Man, The rhymes
of Harry Lyon The Fabulous Stories of the Immortal Characters,
originally edd of the Motion Picture of the Third Man,
with the music by Anson Gallas.
Speaker 2 (00:46):
A third while ago, I decided to say, there's a degree.
I've always been.
Speaker 3 (00:51):
Interested in adoptic.
Speaker 2 (00:53):
That's the expensive, easily exportable thought, and that's why sculpture
isn't normally in my life. This time, however, I was
making exception. I have my eye on something and I
wanted to have my hands on a two, so I
went to greet. Unfortunately, the odd wasn't the only bug
that sp me there stick around.
Speaker 3 (01:12):
I'll sing you about it, say.
Speaker 2 (01:32):
Ah ah again, oh say twenty two tunic set, okay,
twenty two.
Speaker 3 (01:42):
But you have you have measles?
Speaker 2 (01:44):
For these kids? I can't live these already have need
therese over what kids that I don't have? Meso, you
don't have nesles?
Speaker 3 (01:51):
I must informed the public Health Departy.
Speaker 4 (01:53):
Fortunately done on my office.
Speaker 2 (01:54):
Two notes.
Speaker 3 (01:55):
Can I have a quarantine sign? I'll have to put
the sign up.
Speaker 2 (01:58):
You're in quarn I'll in at them, doc are in quarantine?
Speaker 4 (02:02):
Do we want a Meso's epidemic all over.
Speaker 2 (02:03):
The entire port of sirus. We do not you are
in quarantine, and stared again in room pay four on
the second frol the Hotel Olympus and the set of
theirs outside of Athens Greek. Shouldn't happen to a dog,
(02:25):
but it was happening to me, Harry Lyon, I said.
The hotel doctord left the room. I was in an
absolute fury. I even kicked a small fuel all the
ways in the couch to the winter. It was too
much us. The doctor said something you want a public
health officer. I had to to tell that public health
officer led, why don't they give your mesal germs under control?
(02:45):
What's the idea of letting a pert of your respective.
Speaker 3 (02:46):
Individual catch up the founded kids disease?
Speaker 2 (02:49):
And they clapped this.
Speaker 3 (02:51):
And further off.
Speaker 2 (02:52):
You don't use a little dd around.
Speaker 3 (02:53):
This thinking for I beg your pardon, I.
Speaker 2 (02:59):
Certainly doing them may not come in. There's room a clarentine.
Speaker 5 (03:02):
I'm wonderful quarantine, how absolutely splendid.
Speaker 2 (03:06):
Why is no sign in the door because there hasn't
been time and you aren't allowed to come in?
Speaker 3 (03:11):
What did you got? Ls?
Speaker 2 (03:13):
Go on? Gone?
Speaker 5 (03:15):
You mustn't touching. I've never had measles.
Speaker 2 (03:17):
Go on, get out of here.
Speaker 5 (03:18):
No, you cannot send me out.
Speaker 2 (03:20):
You don't know.
Speaker 5 (03:20):
Please listen to me. If you send me out there
in that hall again, I'll be killed.
Speaker 3 (03:24):
Oh come on, I'm not feeling to it, and I
don't want any of these. Don't whatever it is South
falk and romantic disease.
Speaker 2 (03:30):
Excuse it's just running along. That's a good girl.
Speaker 4 (03:32):
Please you want pool proof of what iwa beat it.
Speaker 2 (03:37):
A public health office is on his way here and
then a minute, come.
Speaker 4 (03:40):
Next door, will you?
Speaker 2 (03:41):
Why should I come next door to look.
Speaker 5 (03:43):
At the proof that you must give me sanctuary? Here
behind your clarentine son?
Speaker 3 (03:46):
You kidding?
Speaker 5 (03:47):
Quick, quick before the doctor comes. Tell me now.
Speaker 3 (03:53):
You're sure there's no one in the Oh, come on,
I'll cut it out.
Speaker 5 (03:59):
You see right next door to yours tree, say.
Speaker 2 (04:02):
Look, spread eagled in the middle of the room. On
the floor lay a man his head had never even
cut off.
Speaker 5 (04:19):
You see now, I believe me?
Speaker 2 (04:21):
Yes?
Speaker 5 (04:22):
You you taking you behind your quarantine times like.
Speaker 3 (04:24):
Let's get out here.
Speaker 2 (04:28):
Back in my room, She sat tense in her chair,
and on her eyes showed a fear. She couldn't have
been more than twenty five or six. Hair was reddish,
golden faces, and I couldn't think about how lovely she looked.
Might even have been the one who cut that man's throat. Okay,
names are good, play starts.
Speaker 3 (04:49):
Mine is Harry lyme. What's yours?
Speaker 5 (04:51):
I'm called Andrea?
Speaker 3 (04:53):
Andrea? Okay, Andrey? Did you do it that? There?
Speaker 4 (04:58):
Oh?
Speaker 2 (04:59):
No, I don' I call the police.
Speaker 4 (05:00):
Oh no, no, you can't do that.
Speaker 2 (05:02):
I'll tell me all about then I'll judge, and I should.
Speaker 3 (05:05):
Call the police.
Speaker 5 (05:06):
You're an American, not a tourist.
Speaker 3 (05:08):
No, no, I'm a nod lover. Never mind that.
Speaker 2 (05:11):
No, not tell me, yes, that's right.
Speaker 5 (05:14):
Oh tell me, mister n What do you know about
Greek politics?
Speaker 2 (05:17):
Greek politics?
Speaker 5 (05:19):
Why so let me tell you. Yes, that man in there, yes,
he was called a girl. Well, I was to give
him a certain patience. Documents proving that Grief was to
be a tax boss. You may well be astonished. So
it was announced yesterday on the radio.
Speaker 4 (05:35):
But I I never never knew about.
Speaker 2 (05:37):
Him looking a hide hide the bathroom, that's come, get
in the door quick tell me, oh, for they're good.
Speaker 4 (05:48):
Then we's a sign you have police to put on
the door, and oh, they's the.
Speaker 2 (05:51):
Side of the door.
Speaker 4 (05:52):
Yeah, I'm gonna ask me the biggest Yeah.
Speaker 2 (05:53):
Thanks sir, just saying it there you were, didn't need.
Speaker 3 (05:56):
To knock here, no sense.
Speaker 4 (05:58):
I'm sorry if I said I.
Speaker 2 (06:01):
As a matter of fact, I h I see you
as a lady visitor. Who as a lady visitor? Well,
I said, I'll put it on the quarantine yes, sir,
So what gives.
Speaker 3 (06:12):
You an idea like that?
Speaker 2 (06:13):
That I have a lady there, a lady's handbag on
the mantles.
Speaker 4 (06:17):
The lady's handbag and a good day here, I will
with the hand to the sign on the door. Thank you, Okay,
he's going he like it.
Speaker 2 (06:29):
Oh that's some kind of a hotel part with a
quarantine side.
Speaker 5 (06:32):
Did you need to come in for the know what
he did? Why do you be come in?
Speaker 4 (06:36):
It's only wanted, was it?
Speaker 5 (06:38):
He wanted to see if I was here?
Speaker 2 (06:39):
All stopped it at the hotel porter.
Speaker 4 (06:41):
I tell you don't understand.
Speaker 5 (06:43):
I don't know what I left my purse on the mantor. Please,
mister mine, I've got to sink now.
Speaker 4 (06:50):
They must know I'm here, so now they must know.
So for me I knew which.
Speaker 2 (06:55):
Oh she's sands heaving her hands, thinking, thanks for coming
a little fast for me.
Speaker 3 (07:02):
That man next door, and that at least to the stack,
the first story that is going on. I just he
goes straight to the copt.
Speaker 2 (07:12):
Hey and there, M that's all I was taking up
late of the police.
Speaker 5 (07:17):
Please, I'm trying to think, okay, oh my goodness.
Speaker 3 (07:22):
Just trying to take your.
Speaker 2 (07:23):
Pocket book right now one minute.
Speaker 4 (07:27):
Yes, I am the public kiss officer. Oh good afternoon.
That most easy.
Speaker 3 (07:34):
Coming.
Speaker 2 (07:35):
H yes, please do I am being the first uh
doctor prop properly to us my name, Yes, excuse me?
Please to take your coat, your tie, your shirt all
up that job.
Speaker 3 (07:49):
Thanks, Here we go. Well, I supposed to have his medles,
you know.
Speaker 2 (07:52):
And yeah, and shirt that's no matter.
Speaker 3 (07:59):
Why this thing, old man?
Speaker 4 (08:00):
You persume I may be perfume.
Speaker 2 (08:03):
Maybe I like the smell perfume.
Speaker 3 (08:05):
Oh man, I'm not fat. That's my name or what
your public house officer?
Speaker 2 (08:10):
Yeah, and your job is prevent the head of an accident,
to prevent and he cracks without persual I'm sorry.
Speaker 4 (08:17):
Every man.
Speaker 2 (08:18):
Say ah, I've already said. Uh, let's tell me how
long I have to be in quality lead looks tough.
Speaker 4 (08:28):
No right light bothering you? No, he like a code.
No German, German good good? May clear up when you're
noticing first the.
Speaker 2 (08:41):
Rush, When I'm noticing the rash with.
Speaker 3 (08:44):
Them for yesterday?
Speaker 2 (08:45):
You mean clear up?
Speaker 3 (08:46):
Tomorrow?
Speaker 4 (08:47):
Makes my pop call me?
Speaker 2 (08:51):
That's all?
Speaker 3 (08:52):
What is else?
Speaker 2 (08:54):
What is else?
Speaker 3 (08:54):
Well?
Speaker 4 (08:55):
I could leave tomorrow, it could be possibly.
Speaker 3 (08:58):
What the hell?
Speaker 2 (09:00):
How about that?
Speaker 4 (09:02):
I presume.
Speaker 2 (09:05):
You, Sash, I know, I suppose doing Greek.
Speaker 3 (09:09):
You hate all Americans, now, don't you ever?
Speaker 4 (09:14):
We stopped sending you military aid, yes to story like these,
stop sending military the Americans still goodbye? So you're sure
the Americans are still why the speaking see? Okay, well
you're quite sure the Americans are not?
Speaker 2 (09:36):
Said you stop spending on the degree?
Speaker 4 (09:39):
Never never speiculous.
Speaker 2 (09:47):
And then and the man who told me that you
lie when you send the Americans who stopped sending military
a degree? Yeah, there's republic Health Office idea, Andrea, and
I sed to know that. I I was suspected your story.
I never believed it.
Speaker 4 (10:02):
And I am now going to what what are you
gonna do?
Speaker 2 (10:05):
Call the cops and tell him about this greg Or
if that's his name, which I don't.
Speaker 3 (10:09):
Let's all. I wanna get the fall.
Speaker 4 (10:10):
Please tell your most please please? Oh that's that's in
the window.
Speaker 2 (10:17):
You want me here?
Speaker 5 (10:19):
The river goes to see sweet the winter couldn't say pop.
Speaker 2 (10:24):
They can't.
Speaker 3 (10:26):
Now that it's it's getting dark.
Speaker 5 (10:30):
Now, then you were the same.
Speaker 2 (10:32):
There's two bullets and the platt were we here?
Speaker 5 (10:37):
I believe you said you were going to call the.
Speaker 2 (10:38):
Cop not no? Oh well I'm calling Rome say this.
Speaker 4 (10:44):
Oh I want to drink hotel food. I'm hungry, yes,
see what is it?
Speaker 3 (10:52):
Oh?
Speaker 5 (10:52):
I keep forgetting your sweet me.
Speaker 2 (10:57):
That's a joke.
Speaker 4 (11:00):
You just being dead? What's the matter?
Speaker 2 (11:04):
Oh yeah, I think you did top that matter, sir.
Oh you lied to me? Oh is he who killed him?
Speaker 5 (11:09):
Why you don't believe it?
Speaker 4 (11:14):
Alright?
Speaker 5 (11:16):
M you really didn't give me time to think of
a proper story. Now, I guess I'll have to tell
you the truth. And I did show what not to
go on first beginning.
Speaker 2 (11:28):
I'll take you you more time. Well, I mean, you
think that's when I love it you.
Speaker 3 (11:34):
I can't believe that you should be involved in anything evil,
not even when bullets. I think it was my window.
Speaker 4 (11:42):
You're very sweety.
Speaker 2 (11:43):
No, I'm very tall, room service. I'm sorry, I'm ry me.
Then after two well, talk about the great eyes was easing.
Speaker 4 (12:06):
Harryli returns and topped the moment.
Speaker 2 (12:13):
Was it my fever and the neighbors?
Speaker 3 (12:17):
Was it the cocktails?
Speaker 2 (12:18):
Was it that rare the looks she'd give me every
now and then?
Speaker 3 (12:21):
Or was it all three?
Speaker 2 (12:23):
I don't know whether time he.
Speaker 3 (12:24):
Put the tray and they answer, is she's back in
the hole.
Speaker 2 (12:27):
It was getting the point where you forget every now
and then that man in the room next door. There
was two pock marks in the plaster where bullets had
been buried.
Speaker 4 (12:37):
No, no, what were the question you?
Speaker 5 (12:41):
Oh, I'm so sleepy.
Speaker 2 (12:43):
Question number one?
Speaker 3 (12:45):
Who was Gregor? Question number two? Who killed him? Three?
Speaker 2 (12:48):
Fine? Not come on right?
Speaker 4 (12:51):
He was my lover's dad. Oh my husband killed him?
Speaker 6 (12:55):
My sing?
Speaker 4 (12:57):
Three?
Speaker 5 (12:58):
He killed him because he knouldn't helping me to run
away to join my lover.
Speaker 2 (13:05):
Oh that's the matter, thank you?
Speaker 3 (13:10):
You mean?
Speaker 2 (13:10):
So? Then he bribed the hotels order to find out
where you were. Besides, you were here hide a room
across the street, took a look over here, and then
decides that I was your lover.
Speaker 3 (13:18):
And.
Speaker 2 (13:20):
Then fired two shots at.
Speaker 5 (13:21):
Me and shots you not to be very jealous, more cancergic.
Speaker 3 (13:28):
This is another live, isn't it?
Speaker 2 (13:32):
For the truth is that anyone coming right in here
and shooting me point blank? And you too, Hey, listen,
what do you know? And Gray.
Speaker 4 (13:41):
Start treating it like a joke. Mike God, I'm good
to go.
Speaker 2 (13:45):
Sure, I'm getting to think it is Gregor's a bullet,
little prophet.
Speaker 3 (13:48):
No one's been.
Speaker 4 (13:49):
Killed the way you act about it, I can are
you crazy? Listen to me?
Speaker 5 (13:55):
So long as that's trying to go, they won't.
Speaker 4 (13:58):
Answer, they won't fool And if they do, hey, what's
out of way? Where'd you get that?
Speaker 5 (14:05):
And there's six targeges in the changes? And I assert
you some more in this little box. They won't come
in to night sor to bags, go to sleep.
Speaker 2 (14:15):
Are you gonna sit up your huh?
Speaker 5 (14:17):
I'll I only it's time to catch up on nice sleep.
Speaker 3 (14:19):
Tomorrow? Oh what happens tomorrow?
Speaker 4 (14:21):
The ship comes into the port, just comes into the
worst to the dock.
Speaker 5 (14:25):
But you can see from your window if you wanna
give my husband another shot at two, when the signal
comes from that ship, I will leave.
Speaker 2 (14:32):
Are you serious about stir of a lover and a
jealous husband.
Speaker 4 (14:36):
What's wrong with it?
Speaker 2 (14:39):
It's just incredible because it's a line of the least
I believe it's I could believe.
Speaker 3 (14:43):
The others so.
Speaker 2 (14:45):
But it'll be mixed up with the Red agents and
secret documents in that pionize They not you here? No
sounds that time.
Speaker 5 (14:51):
I can tell I said your sleep Mmm, sorry, m
stort bag swore to tree.
Speaker 3 (15:00):
You watch it.
Speaker 5 (15:01):
Don't worry anymore. It'll be all right, And I'm sorry
that I put all my troubles in your lap.
Speaker 3 (15:10):
You do seever, and talk to him your you seek.
Speaker 5 (15:15):
I'll be awake now.
Speaker 6 (15:17):
Everything more happened to night tonight?
Speaker 2 (15:21):
You wake me, Wake me up if I don't start trapping.
Speaker 4 (15:25):
I cross, m h.
Speaker 2 (15:32):
There there.
Speaker 3 (15:39):
Still dark.
Speaker 2 (15:40):
I look at my watch.
Speaker 3 (15:42):
Five in the morning.
Speaker 2 (15:45):
There whos Oh?
Speaker 5 (15:50):
Carry I fright you?
Speaker 6 (15:51):
I'm sorry?
Speaker 2 (15:52):
Oh?
Speaker 4 (15:53):
Were you down to the docks?
Speaker 3 (15:55):
Is your part? Well?
Speaker 2 (15:56):
You mean your lover's arrived? Is that it?
Speaker 5 (15:58):
You don't believe you yet?
Speaker 2 (15:59):
Do it?
Speaker 3 (16:00):
Five o'clock?
Speaker 2 (16:01):
Getting that gun? You take her lap, I'll set up
with one.
Speaker 5 (16:05):
I might take you up on that.
Speaker 2 (16:06):
A good She gave me the gun. She was asleep
almost immediately almost before I turned a right up and
sleep shoes even lovely. I stand out of the window
under the dawn.
Speaker 3 (16:25):
I could see a ship and prates on the pier
next to.
Speaker 2 (16:28):
Her around seven and longshoreman started floading the crates into
the ship.
Speaker 3 (16:35):
Seven thirties and oh oho, you startled me.
Speaker 5 (16:39):
What are you looking at?
Speaker 2 (16:41):
Anything? Uh? Which one of your dog?
Speaker 3 (16:43):
Boy? To come there?
Speaker 2 (16:45):
I'll come on a Uh what's it about? Lee of 'em? Is?
Speaker 3 (16:48):
Ay? Why which great or killed?
Speaker 2 (16:51):
I don't know?
Speaker 4 (16:53):
Maybe hm, maybe you talk too much?
Speaker 3 (16:57):
Talked about what?
Speaker 6 (16:59):
Wh what?
Speaker 5 (17:00):
Shine you in there?
Speaker 3 (17:06):
What time is it o'clock? That's crazy?
Speaker 2 (17:09):
That's the way they move just a minute ago, and
how they into the back. Yeah, started supping up there
you okay, come in.
Speaker 3 (17:23):
Herr.
Speaker 2 (17:26):
You're not doctor pupping up.
Speaker 3 (17:29):
In resistance.
Speaker 2 (17:30):
He's simply over instead to give you medicine.
Speaker 3 (17:33):
Yeah, this is the benetident If you would roll up
your tree s from Maso sentence it, we cannot lift
the clients.
Speaker 2 (17:39):
And unless you get this rejection with the line, okay,
what's what's that in alcohol? Or what?
Speaker 6 (17:49):
Wasn't a bad idea?
Speaker 5 (17:51):
Tending to be a doctor.
Speaker 4 (17:52):
But I'm not sure that you're making your tie his hands.
Speaker 5 (17:57):
You will never be able to ado he's in. It's
gonna has a silence for two you see.
Speaker 4 (18:03):
Time good Harry, the pillow case for a gag.
Speaker 2 (18:05):
Listen to me lying you know what she says, he
would be a dead man before another hour was out.
Speaker 5 (18:09):
One more off shoot.
Speaker 2 (18:10):
And I knew that, I said, I knew why I
was doing this. Is here, husband him, now the pillow case.
Speaker 3 (18:16):
Quick.
Speaker 4 (18:17):
It's getting later than quick.
Speaker 5 (18:18):
The signal's gone up from the ship.
Speaker 2 (18:20):
Harry.
Speaker 5 (18:21):
If you're worried, this is why you're doing this, Just
remember what would have happened to you if I hadn't
come in this room.
Speaker 4 (18:27):
Smell this word more feenius and that can kill.
Speaker 5 (18:32):
Okay, fine for a while, did you bag pack? Harry?
Speaker 3 (18:35):
Oh?
Speaker 2 (18:35):
Say what one of us? And now I throssed away.
When you hear came out on the streets.
Speaker 5 (18:41):
I said, I'll figured out what did you think I
was doing it?
Speaker 4 (18:44):
Five this morning?
Speaker 3 (18:46):
Come on.
Speaker 2 (18:53):
To the way the freight elevator, the seller. I would
delivery entrance into an alley down the hollyffoliation and would
be set so that yard got to another thing. Can
you hear through the shad the end. There we were
again right in front of if we scrambled up in
a lady blue you have so stood waiting.
Speaker 3 (19:14):
Oh count If you're pumped and.
Speaker 4 (19:15):
This is jagle, Captain, you'll never know how glad I was.
Speaker 3 (19:18):
Do you say that everything's ready.
Speaker 4 (19:20):
Your create harboard, Yes, and the envelope for you?
Speaker 3 (19:23):
He started to hand an end there for.
Speaker 4 (19:24):
It, perhaps to make sure we should spot, to make
sure that the consignment is re ordered.
Speaker 5 (19:30):
No, personally you.
Speaker 4 (19:32):
Were come this open one should be enough.
Speaker 3 (19:36):
The rat ray of the seamen pries the pancos.
Speaker 5 (19:38):
From a big crap in side catifestory used to be.
Speaker 2 (19:43):
I should see the dull gleam of gunment work, the
lot right machine gun.
Speaker 5 (19:48):
The envelope. Here you are fans and your drops of
a creedy is agreement, or you'll wake me just before
we learn. Increase m captain if I don't see you.
Speaker 4 (19:58):
Always a pleasure to the businesses you encounter.
Speaker 6 (20:03):
Dredful, Yeah, do you mind if I pull you Dug
or Harry m R.
Speaker 5 (20:15):
For a few minutes more?
Speaker 6 (20:17):
He'll be London creet.
Speaker 5 (20:20):
It's the matter, Harry Well, I hope it's both face.
The guns you need and you too, I need any
of blood money. I suppose that's what was in the envelope,
the payoffer. Yes, path yours of course, and let the
counter sits the last and saw. It always is when
they can get away with it.
Speaker 2 (20:40):
H You already see you can play with captain. So
you're a six shooter.
Speaker 5 (20:44):
H I don't think it would be a good idea
for me to complain, Harry, you might decide to examine
my crates more pitifully if I complain about his money.
Why you might find out the ammunition and I sold
them gunns to there's guns.
Speaker 4 (20:57):
I'm a woman, Harry.
Speaker 3 (20:59):
I don't like killing this time, like.
Speaker 2 (21:03):
You're speaking the truth, aunt you.
Speaker 4 (21:05):
It's always a pledge, it's a double cross killers. Oh
m p Gregor Gregor?
Speaker 2 (21:11):
Is that neither time?
Speaker 3 (21:12):
No, Gregor's the real one.
Speaker 4 (21:14):
He always talked a lot, you know.
Speaker 5 (21:16):
I was never sure until the last moment whether he's
been killed by the people who didn't.
Speaker 4 (21:20):
Want us to sell these worseless guns or by our
employers who discovered they were worse.
Speaker 2 (21:24):
Doesn't When he came out of both his mornies, it was.
Speaker 5 (21:26):
Always a possibility. But when the Captain vid it was Gregor,
it was quite a load of Yes. I had become
quite cynical because of all the treachery and double dealing
I've seen, even you you were double bruss me went.
But quite honestly, I always try to make up for it.
For example, to make up for it this time, like
(21:49):
this act, just present you with the order of the
course of rubio as. What's that rubilas something that's come
into both bays.
Speaker 6 (21:58):
We both had it.
Speaker 2 (22:00):
I told you, why hadn't ruby Luba It was all
riddles still legels, leabels.
Speaker 5 (22:06):
If you'd lean down just to the autems.
Speaker 4 (22:08):
For the order on hm.
Speaker 2 (22:13):
Hm, now that's uh decide. I was until we wound
(22:41):
up in Creeks. I felt the time had come to
let Andrea know that my love for id wasn't entirely
uh m patonic. We decided that, uh as we had
so much in common in my tried business partnership, and
there had I set the great natural talent which needs
to belope on the right lines. And fortunately out of
the partnership didn't last any fact, just long enough for
(23:04):
one big deal.
Speaker 3 (23:05):
I found out that I'm there. I just said it
was too much in common with me. She believed in
a hundred percent of everything, including the prophet still looking
for in there, and the prophet maybe the Greeks that
have worked for her to hm uh
Resting Horse and world as the Third Man, The rhymes
of Harry Lyon The Fabulous Stories of the Immortal Characters,
originally edd of the Motion Picture of the Third Man,
with the music by Anson Gallas.
Speaker 2 (00:46):
A third while ago, I decided to say, there's a degree.
I've always been.
Speaker 3 (00:51):
Interested in adoptic.
Speaker 2 (00:53):
That's the expensive, easily exportable thought, and that's why sculpture
isn't normally in my life. This time, however, I was
making exception. I have my eye on something and I
wanted to have my hands on a two, so I
went to greet. Unfortunately, the odd wasn't the only bug
that sp me there stick around.
Speaker 3 (01:12):
I'll sing you about it, say.
Speaker 2 (01:32):
Ah ah again, oh say twenty two tunic set, okay,
twenty two.
Speaker 3 (01:42):
But you have you have measles?
Speaker 2 (01:44):
For these kids? I can't live these already have need
therese over what kids that I don't have? Meso, you
don't have nesles?
Speaker 3 (01:51):
I must informed the public Health Departy.
Speaker 4 (01:53):
Fortunately done on my office.
Speaker 2 (01:54):
Two notes.
Speaker 3 (01:55):
Can I have a quarantine sign? I'll have to put
the sign up.
Speaker 2 (01:58):
You're in quarn I'll in at them, doc are in quarantine?
Speaker 4 (02:02):
Do we want a Meso's epidemic all over.
Speaker 2 (02:03):
The entire port of sirus. We do not you are
in quarantine, and stared again in room pay four on
the second frol the Hotel Olympus and the set of
theirs outside of Athens Greek. Shouldn't happen to a dog,
(02:25):
but it was happening to me, Harry Lyon, I said.
The hotel doctord left the room. I was in an
absolute fury. I even kicked a small fuel all the
ways in the couch to the winter. It was too
much us. The doctor said something you want a public
health officer. I had to to tell that public health
officer led, why don't they give your mesal germs under control?
(02:45):
What's the idea of letting a pert of your respective.
Speaker 3 (02:46):
Individual catch up the founded kids disease?
Speaker 2 (02:49):
And they clapped this.
Speaker 3 (02:51):
And further off.
Speaker 2 (02:52):
You don't use a little dd around.
Speaker 3 (02:53):
This thinking for I beg your pardon, I.
Speaker 2 (02:59):
Certainly doing them may not come in. There's room a clarentine.
Speaker 5 (03:02):
I'm wonderful quarantine, how absolutely splendid.
Speaker 2 (03:06):
Why is no sign in the door because there hasn't
been time and you aren't allowed to come in?
Speaker 3 (03:11):
What did you got? Ls?
Speaker 2 (03:13):
Go on? Gone?
Speaker 5 (03:15):
You mustn't touching. I've never had measles.
Speaker 2 (03:17):
Go on, get out of here.
Speaker 5 (03:18):
No, you cannot send me out.
Speaker 2 (03:20):
You don't know.
Speaker 5 (03:20):
Please listen to me. If you send me out there
in that hall again, I'll be killed.
Speaker 3 (03:24):
Oh come on, I'm not feeling to it, and I
don't want any of these. Don't whatever it is South
falk and romantic disease.
Speaker 2 (03:30):
Excuse it's just running along. That's a good girl.
Speaker 4 (03:32):
Please you want pool proof of what iwa beat it.
Speaker 2 (03:37):
A public health office is on his way here and
then a minute, come.
Speaker 4 (03:40):
Next door, will you?
Speaker 2 (03:41):
Why should I come next door to look.
Speaker 5 (03:43):
At the proof that you must give me sanctuary? Here
behind your clarentine son?
Speaker 3 (03:46):
You kidding?
Speaker 5 (03:47):
Quick, quick before the doctor comes. Tell me now.
Speaker 3 (03:53):
You're sure there's no one in the Oh, come on,
I'll cut it out.
Speaker 5 (03:59):
You see right next door to yours tree, say.
Speaker 2 (04:02):
Look, spread eagled in the middle of the room. On
the floor lay a man his head had never even
cut off.
Speaker 5 (04:19):
You see now, I believe me?
Speaker 2 (04:21):
Yes?
Speaker 5 (04:22):
You you taking you behind your quarantine times like.
Speaker 3 (04:24):
Let's get out here.
Speaker 2 (04:28):
Back in my room, She sat tense in her chair,
and on her eyes showed a fear. She couldn't have
been more than twenty five or six. Hair was reddish,
golden faces, and I couldn't think about how lovely she looked.
Might even have been the one who cut that man's throat. Okay,
names are good, play starts.
Speaker 3 (04:49):
Mine is Harry lyme. What's yours?
Speaker 5 (04:51):
I'm called Andrea?
Speaker 3 (04:53):
Andrea? Okay, Andrey? Did you do it that? There?
Speaker 4 (04:58):
Oh?
Speaker 2 (04:59):
No, I don' I call the police.
Speaker 4 (05:00):
Oh no, no, you can't do that.
Speaker 2 (05:02):
I'll tell me all about then I'll judge, and I should.
Speaker 3 (05:05):
Call the police.
Speaker 5 (05:06):
You're an American, not a tourist.
Speaker 3 (05:08):
No, no, I'm a nod lover. Never mind that.
Speaker 2 (05:11):
No, not tell me, yes, that's right.
Speaker 5 (05:14):
Oh tell me, mister n What do you know about
Greek politics?
Speaker 2 (05:17):
Greek politics?
Speaker 5 (05:19):
Why so let me tell you. Yes, that man in there, yes,
he was called a girl. Well, I was to give
him a certain patience. Documents proving that Grief was to
be a tax boss. You may well be astonished. So
it was announced yesterday on the radio.
Speaker 4 (05:35):
But I I never never knew about.
Speaker 2 (05:37):
Him looking a hide hide the bathroom, that's come, get
in the door quick tell me, oh, for they're good.
Speaker 4 (05:48):
Then we's a sign you have police to put on
the door, and oh, they's the.
Speaker 2 (05:51):
Side of the door.
Speaker 4 (05:52):
Yeah, I'm gonna ask me the biggest Yeah.
Speaker 2 (05:53):
Thanks sir, just saying it there you were, didn't need.
Speaker 3 (05:56):
To knock here, no sense.
Speaker 4 (05:58):
I'm sorry if I said I.
Speaker 2 (06:01):
As a matter of fact, I h I see you
as a lady visitor. Who as a lady visitor? Well,
I said, I'll put it on the quarantine yes, sir,
So what gives.
Speaker 3 (06:12):
You an idea like that?
Speaker 2 (06:13):
That I have a lady there, a lady's handbag on
the mantles.
Speaker 4 (06:17):
The lady's handbag and a good day here, I will
with the hand to the sign on the door. Thank you, Okay,
he's going he like it.
Speaker 2 (06:29):
Oh that's some kind of a hotel part with a
quarantine side.
Speaker 5 (06:32):
Did you need to come in for the know what
he did? Why do you be come in?
Speaker 4 (06:36):
It's only wanted, was it?
Speaker 5 (06:38):
He wanted to see if I was here?
Speaker 2 (06:39):
All stopped it at the hotel porter.
Speaker 4 (06:41):
I tell you don't understand.
Speaker 5 (06:43):
I don't know what I left my purse on the mantor. Please,
mister mine, I've got to sink now.
Speaker 4 (06:50):
They must know I'm here, so now they must know.
So for me I knew which.
Speaker 2 (06:55):
Oh she's sands heaving her hands, thinking, thanks for coming
a little fast for me.
Speaker 3 (07:02):
That man next door, and that at least to the stack,
the first story that is going on. I just he
goes straight to the copt.
Speaker 2 (07:12):
Hey and there, M that's all I was taking up
late of the police.
Speaker 5 (07:17):
Please, I'm trying to think, okay, oh my goodness.
Speaker 3 (07:22):
Just trying to take your.
Speaker 2 (07:23):
Pocket book right now one minute.
Speaker 4 (07:27):
Yes, I am the public kiss officer. Oh good afternoon.
That most easy.
Speaker 3 (07:34):
Coming.
Speaker 2 (07:35):
H yes, please do I am being the first uh
doctor prop properly to us my name, Yes, excuse me?
Please to take your coat, your tie, your shirt all
up that job.
Speaker 3 (07:49):
Thanks, Here we go. Well, I supposed to have his medles,
you know.
Speaker 2 (07:52):
And yeah, and shirt that's no matter.
Speaker 3 (07:59):
Why this thing, old man?
Speaker 4 (08:00):
You persume I may be perfume.
Speaker 2 (08:03):
Maybe I like the smell perfume.
Speaker 3 (08:05):
Oh man, I'm not fat. That's my name or what
your public house officer?
Speaker 2 (08:10):
Yeah, and your job is prevent the head of an accident,
to prevent and he cracks without persual I'm sorry.
Speaker 4 (08:17):
Every man.
Speaker 2 (08:18):
Say ah, I've already said. Uh, let's tell me how
long I have to be in quality lead looks tough.
Speaker 4 (08:28):
No right light bothering you? No, he like a code.
No German, German good good? May clear up when you're
noticing first the.
Speaker 2 (08:41):
Rush, When I'm noticing the rash with.
Speaker 3 (08:44):
Them for yesterday?
Speaker 2 (08:45):
You mean clear up?
Speaker 3 (08:46):
Tomorrow?
Speaker 4 (08:47):
Makes my pop call me?
Speaker 2 (08:51):
That's all?
Speaker 3 (08:52):
What is else?
Speaker 2 (08:54):
What is else?
Speaker 3 (08:54):
Well?
Speaker 4 (08:55):
I could leave tomorrow, it could be possibly.
Speaker 3 (08:58):
What the hell?
Speaker 2 (09:00):
How about that?
Speaker 4 (09:02):
I presume.
Speaker 2 (09:05):
You, Sash, I know, I suppose doing Greek.
Speaker 3 (09:09):
You hate all Americans, now, don't you ever?
Speaker 4 (09:14):
We stopped sending you military aid, yes to story like these,
stop sending military the Americans still goodbye? So you're sure
the Americans are still why the speaking see? Okay, well
you're quite sure the Americans are not?
Speaker 2 (09:36):
Said you stop spending on the degree?
Speaker 4 (09:39):
Never never speiculous.
Speaker 2 (09:47):
And then and the man who told me that you
lie when you send the Americans who stopped sending military
a degree? Yeah, there's republic Health Office idea, Andrea, and
I sed to know that. I I was suspected your story.
I never believed it.
Speaker 4 (10:02):
And I am now going to what what are you
gonna do?
Speaker 2 (10:05):
Call the cops and tell him about this greg Or
if that's his name, which I don't.
Speaker 3 (10:09):
Let's all. I wanna get the fall.
Speaker 4 (10:10):
Please tell your most please please? Oh that's that's in
the window.
Speaker 2 (10:17):
You want me here?
Speaker 5 (10:19):
The river goes to see sweet the winter couldn't say pop.
Speaker 2 (10:24):
They can't.
Speaker 3 (10:26):
Now that it's it's getting dark.
Speaker 5 (10:30):
Now, then you were the same.
Speaker 2 (10:32):
There's two bullets and the platt were we here?
Speaker 5 (10:37):
I believe you said you were going to call the.
Speaker 2 (10:38):
Cop not no? Oh well I'm calling Rome say this.
Speaker 4 (10:44):
Oh I want to drink hotel food. I'm hungry, yes,
see what is it?
Speaker 3 (10:52):
Oh?
Speaker 5 (10:52):
I keep forgetting your sweet me.
Speaker 2 (10:57):
That's a joke.
Speaker 4 (11:00):
You just being dead? What's the matter?
Speaker 2 (11:04):
Oh yeah, I think you did top that matter, sir.
Oh you lied to me? Oh is he who killed him?
Speaker 5 (11:09):
Why you don't believe it?
Speaker 4 (11:14):
Alright?
Speaker 5 (11:16):
M you really didn't give me time to think of
a proper story. Now, I guess I'll have to tell
you the truth. And I did show what not to
go on first beginning.
Speaker 2 (11:28):
I'll take you you more time. Well, I mean, you
think that's when I love it you.
Speaker 3 (11:34):
I can't believe that you should be involved in anything evil,
not even when bullets. I think it was my window.
Speaker 4 (11:42):
You're very sweety.
Speaker 2 (11:43):
No, I'm very tall, room service. I'm sorry, I'm ry me.
Then after two well, talk about the great eyes was easing.
Speaker 4 (12:06):
Harryli returns and topped the moment.
Speaker 2 (12:13):
Was it my fever and the neighbors?
Speaker 3 (12:17):
Was it the cocktails?
Speaker 2 (12:18):
Was it that rare the looks she'd give me every
now and then?
Speaker 3 (12:21):
Or was it all three?
Speaker 2 (12:23):
I don't know whether time he.
Speaker 3 (12:24):
Put the tray and they answer, is she's back in
the hole.
Speaker 2 (12:27):
It was getting the point where you forget every now
and then that man in the room next door. There
was two pock marks in the plaster where bullets had
been buried.
Speaker 4 (12:37):
No, no, what were the question you?
Speaker 5 (12:41):
Oh, I'm so sleepy.
Speaker 2 (12:43):
Question number one?
Speaker 3 (12:45):
Who was Gregor? Question number two? Who killed him? Three?
Speaker 2 (12:48):
Fine? Not come on right?
Speaker 4 (12:51):
He was my lover's dad. Oh my husband killed him?
Speaker 6 (12:55):
My sing?
Speaker 4 (12:57):
Three?
Speaker 5 (12:58):
He killed him because he knouldn't helping me to run
away to join my lover.
Speaker 2 (13:05):
Oh that's the matter, thank you?
Speaker 3 (13:10):
You mean?
Speaker 2 (13:10):
So? Then he bribed the hotels order to find out
where you were. Besides, you were here hide a room
across the street, took a look over here, and then
decides that I was your lover.
Speaker 3 (13:18):
And.
Speaker 2 (13:20):
Then fired two shots at.
Speaker 5 (13:21):
Me and shots you not to be very jealous, more cancergic.
Speaker 3 (13:28):
This is another live, isn't it?
Speaker 2 (13:32):
For the truth is that anyone coming right in here
and shooting me point blank? And you too, Hey, listen,
what do you know? And Gray.
Speaker 4 (13:41):
Start treating it like a joke. Mike God, I'm good
to go.
Speaker 2 (13:45):
Sure, I'm getting to think it is Gregor's a bullet,
little prophet.
Speaker 3 (13:48):
No one's been.
Speaker 4 (13:49):
Killed the way you act about it, I can are
you crazy? Listen to me?
Speaker 5 (13:55):
So long as that's trying to go, they won't.
Speaker 4 (13:58):
Answer, they won't fool And if they do, hey, what's
out of way? Where'd you get that?
Speaker 5 (14:05):
And there's six targeges in the changes? And I assert
you some more in this little box. They won't come
in to night sor to bags, go to sleep.
Speaker 2 (14:15):
Are you gonna sit up your huh?
Speaker 5 (14:17):
I'll I only it's time to catch up on nice sleep.
Speaker 3 (14:19):
Tomorrow? Oh what happens tomorrow?
Speaker 4 (14:21):
The ship comes into the port, just comes into the
worst to the dock.
Speaker 5 (14:25):
But you can see from your window if you wanna
give my husband another shot at two, when the signal
comes from that ship, I will leave.
Speaker 2 (14:32):
Are you serious about stir of a lover and a
jealous husband.
Speaker 4 (14:36):
What's wrong with it?
Speaker 2 (14:39):
It's just incredible because it's a line of the least
I believe it's I could believe.
Speaker 3 (14:43):
The others so.
Speaker 2 (14:45):
But it'll be mixed up with the Red agents and
secret documents in that pionize They not you here? No
sounds that time.
Speaker 5 (14:51):
I can tell I said your sleep Mmm, sorry, m
stort bag swore to tree.
Speaker 3 (15:00):
You watch it.
Speaker 5 (15:01):
Don't worry anymore. It'll be all right, And I'm sorry
that I put all my troubles in your lap.
Speaker 3 (15:10):
You do seever, and talk to him your you seek.
Speaker 5 (15:15):
I'll be awake now.
Speaker 6 (15:17):
Everything more happened to night tonight?
Speaker 2 (15:21):
You wake me, Wake me up if I don't start trapping.
Speaker 4 (15:25):
I cross, m h.
Speaker 2 (15:32):
There there.
Speaker 3 (15:39):
Still dark.
Speaker 2 (15:40):
I look at my watch.
Speaker 3 (15:42):
Five in the morning.
Speaker 2 (15:45):
There whos Oh?
Speaker 5 (15:50):
Carry I fright you?
Speaker 6 (15:51):
I'm sorry?
Speaker 2 (15:52):
Oh?
Speaker 4 (15:53):
Were you down to the docks?
Speaker 3 (15:55):
Is your part? Well?
Speaker 2 (15:56):
You mean your lover's arrived? Is that it?
Speaker 5 (15:58):
You don't believe you yet?
Speaker 2 (15:59):
Do it?
Speaker 3 (16:00):
Five o'clock?
Speaker 2 (16:01):
Getting that gun? You take her lap, I'll set up
with one.
Speaker 5 (16:05):
I might take you up on that.
Speaker 2 (16:06):
A good She gave me the gun. She was asleep
almost immediately almost before I turned a right up and
sleep shoes even lovely. I stand out of the window
under the dawn.
Speaker 3 (16:25):
I could see a ship and prates on the pier
next to.
Speaker 2 (16:28):
Her around seven and longshoreman started floading the crates into
the ship.
Speaker 3 (16:35):
Seven thirties and oh oho, you startled me.
Speaker 5 (16:39):
What are you looking at?
Speaker 2 (16:41):
Anything? Uh? Which one of your dog?
Speaker 3 (16:43):
Boy? To come there?
Speaker 2 (16:45):
I'll come on a Uh what's it about? Lee of 'em? Is?
Speaker 3 (16:48):
Ay? Why which great or killed?
Speaker 2 (16:51):
I don't know?
Speaker 4 (16:53):
Maybe hm, maybe you talk too much?
Speaker 3 (16:57):
Talked about what?
Speaker 6 (16:59):
Wh what?
Speaker 5 (17:00):
Shine you in there?
Speaker 3 (17:06):
What time is it o'clock? That's crazy?
Speaker 2 (17:09):
That's the way they move just a minute ago, and
how they into the back. Yeah, started supping up there
you okay, come in.
Speaker 3 (17:23):
Herr.
Speaker 2 (17:26):
You're not doctor pupping up.
Speaker 3 (17:29):
In resistance.
Speaker 2 (17:30):
He's simply over instead to give you medicine.
Speaker 3 (17:33):
Yeah, this is the benetident If you would roll up
your tree s from Maso sentence it, we cannot lift
the clients.
Speaker 2 (17:39):
And unless you get this rejection with the line, okay,
what's what's that in alcohol? Or what?
Speaker 6 (17:49):
Wasn't a bad idea?
Speaker 5 (17:51):
Tending to be a doctor.
Speaker 4 (17:52):
But I'm not sure that you're making your tie his hands.
Speaker 5 (17:57):
You will never be able to ado he's in. It's
gonna has a silence for two you see.
Speaker 4 (18:03):
Time good Harry, the pillow case for a gag.
Speaker 2 (18:05):
Listen to me lying you know what she says, he
would be a dead man before another hour was out.
Speaker 5 (18:09):
One more off shoot.
Speaker 2 (18:10):
And I knew that, I said, I knew why I
was doing this. Is here, husband him, now the pillow case.
Speaker 3 (18:16):
Quick.
Speaker 4 (18:17):
It's getting later than quick.
Speaker 5 (18:18):
The signal's gone up from the ship.
Speaker 2 (18:20):
Harry.
Speaker 5 (18:21):
If you're worried, this is why you're doing this, Just
remember what would have happened to you if I hadn't
come in this room.
Speaker 4 (18:27):
Smell this word more feenius and that can kill.
Speaker 5 (18:32):
Okay, fine for a while, did you bag pack? Harry?
Speaker 3 (18:35):
Oh?
Speaker 2 (18:35):
Say what one of us? And now I throssed away.
When you hear came out on the streets.
Speaker 5 (18:41):
I said, I'll figured out what did you think I
was doing it?
Speaker 4 (18:44):
Five this morning?
Speaker 3 (18:46):
Come on.
Speaker 2 (18:53):
To the way the freight elevator, the seller. I would
delivery entrance into an alley down the hollyffoliation and would
be set so that yard got to another thing. Can
you hear through the shad the end. There we were
again right in front of if we scrambled up in
a lady blue you have so stood waiting.
Speaker 3 (19:14):
Oh count If you're pumped and.
Speaker 4 (19:15):
This is jagle, Captain, you'll never know how glad I was.
Speaker 3 (19:18):
Do you say that everything's ready.
Speaker 4 (19:20):
Your create harboard, Yes, and the envelope for you?
Speaker 3 (19:23):
He started to hand an end there for.
Speaker 4 (19:24):
It, perhaps to make sure we should spot, to make
sure that the consignment is re ordered.
Speaker 5 (19:30):
No, personally you.
Speaker 4 (19:32):
Were come this open one should be enough.
Speaker 3 (19:36):
The rat ray of the seamen pries the pancos.
Speaker 5 (19:38):
From a big crap in side catifestory used to be.
Speaker 2 (19:43):
I should see the dull gleam of gunment work, the
lot right machine gun.
Speaker 5 (19:48):
The envelope. Here you are fans and your drops of
a creedy is agreement, or you'll wake me just before
we learn. Increase m captain if I don't see you.
Speaker 4 (19:58):
Always a pleasure to the businesses you encounter.
Speaker 6 (20:03):
Dredful, Yeah, do you mind if I pull you Dug
or Harry m R.
Speaker 5 (20:15):
For a few minutes more?
Speaker 6 (20:17):
He'll be London creet.
Speaker 5 (20:20):
It's the matter, Harry Well, I hope it's both face.
The guns you need and you too, I need any
of blood money. I suppose that's what was in the envelope,
the payoffer. Yes, path yours of course, and let the
counter sits the last and saw. It always is when
they can get away with it.
Speaker 2 (20:40):
H You already see you can play with captain. So
you're a six shooter.
Speaker 5 (20:44):
H I don't think it would be a good idea
for me to complain, Harry, you might decide to examine
my crates more pitifully if I complain about his money.
Why you might find out the ammunition and I sold
them gunns to there's guns.
Speaker 4 (20:57):
I'm a woman, Harry.
Speaker 3 (20:59):
I don't like killing this time, like.
Speaker 2 (21:03):
You're speaking the truth, aunt you.
Speaker 4 (21:05):
It's always a pledge, it's a double cross killers. Oh
m p Gregor Gregor?
Speaker 2 (21:11):
Is that neither time?
Speaker 3 (21:12):
No, Gregor's the real one.
Speaker 4 (21:14):
He always talked a lot, you know.
Speaker 5 (21:16):
I was never sure until the last moment whether he's
been killed by the people who didn't.
Speaker 4 (21:20):
Want us to sell these worseless guns or by our
employers who discovered they were worse.
Speaker 2 (21:24):
Doesn't When he came out of both his mornies, it was.
Speaker 5 (21:26):
Always a possibility. But when the Captain vid it was Gregor,
it was quite a load of Yes. I had become
quite cynical because of all the treachery and double dealing
I've seen, even you you were double bruss me went.
But quite honestly, I always try to make up for it.
For example, to make up for it this time, like
(21:49):
this act, just present you with the order of the
course of rubio as. What's that rubilas something that's come
into both bays.
Speaker 6 (21:58):
We both had it.
Speaker 2 (22:00):
I told you, why hadn't ruby Luba It was all
riddles still legels, leabels.
Speaker 5 (22:06):
If you'd lean down just to the autems.
Speaker 4 (22:08):
For the order on hm.
Speaker 2 (22:13):
Hm, now that's uh decide. I was until we wound
(22:41):
up in Creeks. I felt the time had come to
let Andrea know that my love for id wasn't entirely
uh m patonic. We decided that, uh as we had
so much in common in my tried business partnership, and
there had I set the great natural talent which needs
to belope on the right lines. And fortunately out of
the partnership didn't last any fact, just long enough for
(23:04):
one big deal.
Speaker 3 (23:05):
I found out that I'm there. I just said it
was too much in common with me. She believed in
a hundred percent of everything, including the prophet still looking
for in there, and the prophet maybe the Greeks that
have worked for her to hm uh
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