June 18, 2025 • 27 mins
Chronicles the exploits of a charismatic con artist, offering a glimpse into his schemes and the moral ambiguities of his adventures. The narratives blend wit with suspense.
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Speaker 1 (00:23):
Presenting awesome wells as The Third Man, The Lives of
Harry Lyons the fabulous stories of the immortal characters originally
created in the stories The Third Man with Zipper music
(00:44):
by Anton Karen.
Speaker 2 (00:51):
I don't know if you know the Republic of San Marino.
It's one of the smallest countries in the world, right
up on a mountaintop in Italy, at its own frontier
and its own laws. Some people find out a convenience.
For instance, if you have to be wanted by the
Italian police, they can't come into San Marino and get you.
Speaker 3 (01:08):
I wasn't exactly in San Marino.
Speaker 2 (01:10):
One particular Wednesday, but I wasn't far away, about twenty
miles away down in the Italian town of Arimane, at
the bar of my hotel. The LDO had the astico
right on the beach.
Speaker 3 (01:19):
Many or the bartender that makes is as good as
Tom Collins, as anybody this side of the States.
Speaker 2 (01:23):
And I was just about at the bottom of my
glass when it was a cuter little character sidled up
to me. Had popeyes like the ends of hard boiled eggs,
and a couple of shaky hands. He kept lace together
across his chest, most of the time. This wasn't enough
to make me think of a little less than legitimate.
And I just caught on from the quick way he
pounced on the shell of fruit. I'd take it out
of my Tom Collins glass and put on the ashtray lime.
Speaker 3 (01:46):
He said, now, what does this lime rind make me
think of? Senior? Couldn't have anything to do with you,
He said, he was a fortune fella, and that was
how he began to pitch.
Speaker 2 (01:56):
I gave him a thousand liver and he went on.
He didn't this at a job except address toward the ends,
he made one big mistake. That little portune fellas that
(03:07):
came up to my table at the bar of the
hotel Leedo adratic on rhym and it was the first
one that mentioned the blue Cariboo. He got the best
of pilitary minutes at the side. He sat holding the
lime rhyme for my top collar.
Speaker 3 (03:23):
The way he popped his.
Speaker 2 (03:24):
Eyes at it, you'd think he was trying to read
my portrait in the sea. All right, I told him,
you're on the right track with that lime rush. Stop
gazing at it and put it down, Senori.
Speaker 3 (03:35):
Put it down. My name is lime. Harry lyme, I
guess if you knew there, sir, Now that.
Speaker 4 (03:43):
We're getting acquainted, what's your name?
Speaker 5 (03:45):
Oh?
Speaker 4 (03:47):
Is that August Petro?
Speaker 3 (03:48):
Time known? Okay, Pietro? How to go at that? I
gave you a thousand ears to tell my fortune? So
if I only told me my name, I knew that already, Signori.
If you will let me look at the palm of
your head, why that's.
Speaker 6 (04:02):
A nice line of your hands and the love line.
Speaker 3 (04:06):
Because just one old man.
Speaker 7 (04:08):
Tomorrow, SIGNIORI, you will receive a letter from a lady.
It will come to the desk here in the hotel.
Speaker 3 (04:13):
Go on. This interests me very much. I see she's beautiful,
very beautiful.
Speaker 4 (04:20):
Better, she's looking for something. She's taking a carriboo. What
wait a minute, what did you say, carry boom? I
know the kind of deer, A very large one.
Speaker 3 (04:31):
He looks for it in Really, the carriboo is blue, Senor.
You know I should have guessed that myself.
Speaker 7 (04:37):
You'll joke with me, but the carribboo it is blue. Tomorrow, Wednesday,
you will receive a letter from a lady. She will
ask you to meet her. She will offer you money. Accept, Senor,
if you'll bring you forth to the lady's name.
Speaker 3 (04:50):
I must have on the psychic power that night.
Speaker 4 (04:52):
The name, by any chance to be Jennifer Chase.
Speaker 3 (04:55):
Si, how can you know that? Okay, old man, you.
Speaker 2 (04:57):
Don't put on a bad performance.
Speaker 3 (04:59):
You know, he one big messa.
Speaker 4 (05:00):
I do not understand. I'm gonna get a letter from.
Speaker 3 (05:02):
A beautiful woman tomorrow Wednesday. You read that in my future.
Speaker 2 (05:06):
That's right, yeah, crystal balls, all right, picture, but your
calendar a little out of whack.
Speaker 3 (05:10):
Cut What day of the week you think this is?
Is this jues? I thought that's what you thought. It
just happens to be wedding.
Speaker 2 (05:16):
To man, you're a day behind the times picture and
these days that won't do things.
Speaker 3 (05:21):
Happened too fast that letters and a beautiful lady reached
me this morning. It's a hotel. DA's just as you said.
Speaker 2 (05:28):
Child, Yet be on my way to meet Jennifer Chase. Now,
I wouldn't want to be late.
Speaker 3 (05:44):
Chow chow. That uh chow is the.
Speaker 2 (05:49):
Italian way of saying so long, But to my American
stomach has had another meaning food. That was all right,
because Jennifer Chase is suggesting the letter we need for
suffered a little pizza place I knew about up in
the town, so I left petrol consoling his own future.
Would Jennifer Chase pay him or not? Now that he
boggled his job, I walked back from the beach and
(06:13):
across the railroad tracks in the middle of the town.
Jennifer Chase had feathery blonde hair and blue eyes and
the curtain door boot reserve as the bag of pizza
rest turn of the sense of the humorous side.
Speaker 3 (06:25):
Of the group's head.
Speaker 8 (06:27):
Of that poor poor little man. How sad and funny
he must have looked when you told him it wasn't Tuesday.
Speaker 9 (06:34):
Yeah, you could see the light going out of his
eyes at a hundred liras a minute.
Speaker 8 (06:38):
Of course, I'll pay him anyhow, he surd his purt,
which was exactly once to get you to come here
and meet me. Eh, I didn't know if just to
let her alone would do you. I knew Harry Lyon
was a man of imagination, and I thought you might
be intrigued. Were you in Trea?
Speaker 4 (06:55):
I am now, oh with me, you mean.
Speaker 3 (06:58):
That's what I mean. I'm only trying to set the
right example.
Speaker 8 (07:04):
So the time being, will a kid to a business.
Speaker 2 (07:07):
Base five hundred dollars or two thousand Swiss fan exture.
I prefer as you said in your.
Speaker 8 (07:11):
Letter, it works out for the same thing. You need
a case, I have a bank accounting the good, then
you'll help me. I didn't say that, but you much
who else inmy can something very valuable has been stolen
from me?
Speaker 3 (07:22):
So the police don't curse your saying I can't.
Speaker 8 (07:24):
I really can't. Oh, don't joke about it. I might
be extremely sorry if I went to the police and well,
when I heard you in ruminy, then I thought, Harry
Lyme is the man to help me. See, I know
about you.
Speaker 3 (07:36):
Tell me a few things about you. Tell me to
help you on it.
Speaker 8 (07:39):
Yes, I'm in New York.
Speaker 2 (07:43):
So she talked for a while. The girl from New York,
she's been answer me about a month. When I asked
her what it was that had been stolen from her,
she wanted me to recover. She said it was a
blue cariboo. Blue cariboo stolen from here in the back
breeding reminy.
Speaker 8 (08:01):
Please don't laugh. You see I buy antiques art objects
for a for a firm in New York, h and
the blue curve. But it was the finest antique pottery
piece I've ever seen.
Speaker 3 (08:12):
Mm, So that was it an antique pottery that was stolen?
Speaker 6 (08:15):
In me?
Speaker 3 (08:15):
Was or how did you get it in the first place?
Speaker 8 (08:18):
Have you ever noticed the antique shop on the main patin?
Speaker 3 (08:21):
M sure it's fall of junk, phoney, cop of the
longs and stuff like that. I know the play well.
Speaker 8 (08:26):
I went in there. Did you say the wars are worthless?
But while I was there a customer came in, a
large fat man.
Speaker 3 (08:33):
You seemed to remembering very well when.
Speaker 8 (08:35):
I saw him once again. He came into the shop
and the troop showed him a pottery piece. I heard
the price mentioned it wasn't the thirtiest part of what
the piece was in that crummy little shop they had
a piece worth thousands of dollars and it went to
the fat man for a few thousand lire.
Speaker 3 (08:51):
And was that the blue cabin.
Speaker 8 (08:53):
No, but there was a companion piece, and that was
a blue cabble.
Speaker 3 (08:57):
So you're showing your chants and boss m.
Speaker 8 (08:58):
Mm I also the same amount of money the fat
man had just paid.
Speaker 3 (09:03):
Well.
Speaker 8 (09:03):
The clerk hesitated, but then he shold me the blue cariboo.
I was walking back to my hotel at the beach,
and then the side street. The large fat man knocked
against me and took the cariboo.
Speaker 2 (09:13):
Well, well, let's finished supper and then retrace your steps.
Speaker 3 (09:16):
Huh, that's where it begins.
Speaker 8 (09:18):
Do you think we'll get anywhere?
Speaker 3 (09:20):
We might?
Speaker 2 (09:20):
We might if we retrace your steps far enough. He said,
you were walking out the beach. The moon ought to
be up out there. You know, it's one of the
nicest beaches in the air.
Speaker 10 (09:32):
Dratic, Oh, Harry, shouldn't we think about the blue cariboos?
Speaker 3 (09:54):
Should we?
Speaker 8 (09:56):
No?
Speaker 3 (09:58):
No, that moon was alright, Hm, ten was alright too.
It's only one thing wrong. A shadow we all took
had two shadows.
Speaker 2 (10:09):
And even if you were standing too close together that
the shadow shouldn't have been so short and small when
the moonlight caught it a certain way. They shouldn't have
been that glint from two hot boiled egg and eyes.
I took Jenning into a hotel and said good nights.
It was always tomorrow, and I went back out on
the sidewalk, strode along the beach.
Speaker 3 (10:32):
Got a care in the world. See the.
Speaker 5 (10:37):
Moon?
Speaker 3 (10:42):
All right? All right, Rose Brown? What do you want me? Means?
Speaker 2 (10:50):
You tell me as I know the fortune tellers, and
said you the night, what's gonna happen this morning?
Speaker 3 (10:54):
Well, what do you think is gonna happen now? Shadow?
You know you ought to follow people around at night
to make you nervous money? All right? Said well, she
said she would. Maybe she will if I can make
some money. Now, if you know the antique shop on
the main, chatter I know he generally, or you'll know
about it.
Speaker 2 (11:14):
If you know anything but a couple of thousands, they're in.
Speaker 3 (11:16):
It for you.
Speaker 4 (11:17):
No, I can tell you nothing.
Speaker 3 (11:25):
Ran off as his life for a stick?
Speaker 8 (11:27):
What was it all about?
Speaker 3 (11:29):
What was wrong about that.
Speaker 2 (11:30):
Antique shop on the room in Maine piazza? I stood there, well,
just me and the Adriatic. But I said, half an
hour I didn't know any more than I had before.
A large fat man had stolen a blue Cara wood
melded into the Italian crowd.
Speaker 3 (11:44):
That seemed to be it.
Speaker 2 (11:46):
I decided to see if I couldn't help Jenna out.
Beside two thousand Swiss francs in my banking joy.
Speaker 3 (11:51):
It could help me out. So in the morning I
dropped into the antique shop on the main Jazza.
Speaker 11 (11:58):
May I help yourself. I speak you're English, I judge
from the al pears you're an American? What about yourself?
International self? No nationality?
Speaker 3 (12:05):
No, not anymore. I use the name of content or
condone if you like. The Italian clown, and I doubt
if you ever heard of it before. Now, may I
help you?
Speaker 2 (12:16):
If you don't mind my saying so, you're not to
use your phrase quite what I'd expect in the style
of an Italian salesburg.
Speaker 11 (12:24):
No, but I am simply not the sales clerk, you know. No,
I'm the shunk manager, owner manager, unfortunately not. But since
you're an American, the name of the owner will very
likely surprised.
Speaker 3 (12:35):
Try me Louis de Julia. Are you surprised? I'm sorry
to say I'm not. The name means nothing for you
when you are very sheltered American. I've been a broad
long time, No doubt that explains it. Now, may I
help you? I bought a piece of breaker bread up
(13:00):
the shop at the plot.
Speaker 2 (13:01):
Had thickened, As he sometimes said, I knew the name
Louis to Julia or right, so who doesn't. Used to
be the head of the rackets in New York District
attorney couldn't seem to prove any of the things every
school boy knew. But Louis wasn't a citizen, and they
deported him, and he got in trouble with.
Speaker 3 (13:18):
The Italian police.
Speaker 2 (13:19):
And I heard he was living in San Marino in
the streets there in Rymony. I just threw up to
see the little republic of San Marino, and it's mountaintop
twenty miles away.
Speaker 1 (13:45):
In a moment, Austin Wells returns as Harry Lyme the
third man.
Speaker 4 (14:25):
Jennifer Chase and I.
Speaker 2 (14:26):
Had a knight ride up to Saint Marino that afternoon.
There's only a bus between Reminy and San Marineo. It's
not very frequent. The railroad was thrown up during the war.
We had dinner, taught Arry.
Speaker 8 (14:37):
I'm glad I lost the blue Cariboo. Why what if
I hadn't lost the cariboo, I never would have met you?
Speaker 3 (14:43):
Glad I met you too, Why?
Speaker 2 (14:46):
Oh thousands of reasons.
Speaker 8 (14:48):
Two thousand.
Speaker 3 (14:49):
Let's forget money now breakfast, don't forget it, but.
Speaker 2 (14:53):
Just mislay it for an hour.
Speaker 3 (14:55):
So anyway, see that.
Speaker 4 (14:57):
Man over there just trying a waiter.
Speaker 2 (15:00):
Came in a few minutes after us here and stopped
watching us since then, I don't think he's come up
here to admire the view.
Speaker 8 (15:04):
Well, let's forget him, Harry, together with everything else that's unpleasant.
Let's have another bottle of wine. I'm beginning to enjoy myself.
Speaker 2 (15:20):
So we sat there and admired the view. It was
late when we finally left. The character had been watching
us all evening. Disappeared into the dock just ahead of
us and walked out of the restaurant. I made inquiries
and found we'd missed the last bus back to Lemony.
Speaker 8 (15:34):
What do we do now, Harry?
Speaker 3 (15:36):
Stay there for the night, dance for several.
Speaker 8 (15:38):
Hotels, one for you and one for me.
Speaker 3 (15:40):
Couldn't think of a better arrangement.
Speaker 8 (15:42):
Where do we go from here, Harry?
Speaker 2 (15:44):
Well to your hotel, I suppose. So we walked down
the streets. Canny checked into her hotel. Before she went upstairs,
we had a nightcap together.
Speaker 8 (15:58):
I can't help wondering about that man who was watching.
Speaker 4 (16:01):
Us in the restaurant, Harry Risenaladhim.
Speaker 3 (16:03):
It was fairly obvious why he was there. Why right,
Like most Firry stories, the.
Speaker 9 (16:08):
Good and the bad errs and there to keep an
eye on the other characters, just to make sure they
go where.
Speaker 3 (16:12):
The plot directs them. Otherwise there'd be no end of
the story.
Speaker 8 (16:15):
And you mean we were both meant to come here
to San Marinos to find me.
Speaker 3 (16:19):
Perhaps the blue caribou. Maybe the end of the story.
Speaker 8 (16:23):
Maybe you right oohing very late, good night, hurry and
thanks for a wonderful evening.
Speaker 2 (16:42):
Yes, it had been a wonderful evening. I wasn't over yet.
I kissed Jenny good night, walked out of a hotel
down the street to the place where I was staying.
My footsteps rang out of the empty street. Couldn't help
feeling that the echo of my footsteps was a little
more substantial, and an echo ought to be.
Speaker 3 (17:03):
Upstairs. Open the door, switched on a light, and found it.
Speaker 2 (17:07):
Although I had booked a single room, I had company,
a large fat man. Oh, we sharing this room, so
I've rented it all for myself. It is not necessary
to be funny, So it's present, I don't you think.
So you need to stand there holding that heavy revolver,
old man.
Speaker 3 (17:26):
He looked uncomfortable. Make it easy into them.
Speaker 11 (17:29):
I have a message, Luis de Julio says, to get
out of some Marino.
Speaker 3 (17:33):
He says, to get out of Italy. You work for him.
That's right, all right, but I can't go till morning.
Didn't any body hire a car? So long? How old man?
He's a gentleman.
Speaker 2 (17:52):
A few words, but he said a lot. I phoned
Jennifer's be ready, and then I went out of the streets.
Speaker 3 (17:57):
See if i'd hire a car. I didn't have a
hotel port to get one for me.
Speaker 2 (18:00):
See, I'd ask one or two people, and I hadn't
been hired to find out where Louis and Julia lives.
He was the most famous man at San Marino when
the place wasn't big. Luck would have it, I hadn't
walked along when I was.
Speaker 3 (18:10):
In front of his house. Again, as luck would have it,
I walked up his front steps. My name's Harry Lyon. Okay,
come in. You're expecting me? No, but I've heard of you.
Speaker 9 (18:23):
Sit down in here? What's on your mind? Think I
got good scot h huh, I fine.
Speaker 2 (18:28):
Say a lot more hospitable mood than you're a henchman
or man hempschmann.
Speaker 9 (18:33):
I haven't gotten me a henchman that's finished washed up.
I'm a peaceful San Marina citizen.
Speaker 3 (18:38):
Here. This will do you. Thanks, Well, that's all over.
No Hemschmann, no nothing.
Speaker 9 (18:42):
Scotman teach shop down in revenue, Omne I gotta live
brings him peanuts.
Speaker 3 (18:46):
You're looking down there.
Speaker 2 (18:48):
Only today I met a fellow named Kondera Condoni's I'm like.
Speaker 9 (18:52):
Yeah, that's what it calls himself, really named something Bulgarian
or Polish.
Speaker 3 (18:56):
He runs a place for me.
Speaker 9 (18:57):
I can't go down in myself minute. I'm not of
San Marina, Italian capital.
Speaker 3 (19:01):
Get me and the large fat man, we'll see. I
don't know.
Speaker 2 (19:05):
Any large fat man. Everybody knows a large fat man.
Speaker 3 (19:08):
Your tone said something special. Well, oh man, you're right.
Speaker 2 (19:11):
I mean the one you sent over to my hotel,
and I tell you get out of San Marino, out
of Italy.
Speaker 9 (19:16):
You have had a lime and I've had talk about you.
Speaker 3 (19:19):
So I asked you and to have a drink.
Speaker 9 (19:20):
But I don't know any large fat man, and I
haven't got any.
Speaker 4 (19:24):
Hair, and he didn't send anybody to my hotel.
Speaker 3 (19:26):
You're learning it, lion, that's right. Well, like to drink.
Speaker 2 (19:30):
I was just looking around to see if I couldn't
find a car. That's gone away believing bad things of
lud Julia that he told lines instance, Just then alive
fat man came in. Louie must have rested front door online.
(19:52):
That was careless of Louis.
Speaker 3 (19:54):
I followed you here Lime. If I'm out, shut whoever
you are? I talked to Lyme.
Speaker 9 (20:00):
He Julio tells you to get out of the country.
Speaker 3 (20:02):
You work for him. You know him. I work for him.
I know him.
Speaker 9 (20:06):
And who do you think this fellow is already a
pursuing me, Louis? If you plugged this lib sat man,
he goes around this.
Speaker 3 (20:12):
Representing you saith your education. No, I can't plug him.
You haven't got a gun. I cat one.
Speaker 9 (20:17):
I always carry one, and I don't want to get
into trouble with San Marino. This is the last country
I've got left, Louie.
Speaker 3 (20:22):
I's an outlaw like you. Doesn't know the law? Who does?
The man told me this castle in any country.
Speaker 2 (20:27):
This man's guilty of breaking and entering. You've got a
right to defend yourself, and you're all right.
Speaker 3 (20:30):
I'll knock over this lab now that draws his fire
in the dark. Maybe is right?
Speaker 8 (20:51):
Who dands?
Speaker 3 (20:51):
Well?
Speaker 8 (20:52):
Did you learn it by corresponding, right, the truth you
tell me a lie, they're usually nice.
Speaker 3 (20:57):
Of the truth. You're the icy on this cake walk.
Speaker 4 (21:00):
You're a nice I think nice from the dialogue, huh.
Speaker 8 (21:04):
I wouldn't have guessed from what i'd heard about you.
Speaker 4 (21:06):
What did you hear that you were well the AFA
crux to the A and.
Speaker 8 (21:12):
Something like that.
Speaker 6 (21:15):
Oh.
Speaker 8 (21:15):
I didn't want to go to the police about the
stolen cariboo. I was afraid there was something wrong in
such a valuable police being.
Speaker 4 (21:21):
Told to cheat right like there was something so.
Speaker 8 (21:23):
I was afraid that if there was a police investigation,
I might never get the cariboo back to you.
Speaker 3 (21:29):
And you haven't got the caribou back. No, I'd star
out time. Nowhere else happened here in remedy. The move
goes on.
Speaker 2 (21:37):
It nice idea that Hotel Veranda dies and an fellers
the vine her aromatic means.
Speaker 6 (21:50):
What did the Riemeny's police say this afternoon, the same as.
Speaker 2 (21:53):
The sam Marino police last night after shooting the corpus
DELECTI was seemed cognitive, that is, if he had a
pat befoor he buried at something.
Speaker 8 (22:01):
They didn't even know who he was.
Speaker 2 (22:03):
I'll tell name around around some papers and the hotel room,
down ing room, and they probably assumed no blue caribou
on the premises, which is the uh hurtful front of it.
Speaker 3 (22:11):
But he did take it from them, probably passed it
on to somebody else.
Speaker 8 (22:14):
Oh, I so hate to lose it.
Speaker 2 (22:16):
I so hate to lose two thousand tranks. But I'm
getting your back for your honey. Sure we console each other.
Speaker 8 (22:24):
Sally, two kissers, nicely? Who dies?
Speaker 4 (22:29):
Sall ree hmm?
Speaker 6 (22:31):
What is it?
Speaker 8 (22:33):
Tell that blue on the land on the law?
Speaker 3 (22:34):
Do you see him now? Why is it every time we.
Speaker 2 (22:36):
Get closing us together that one shadow with the petrol petrol, No,
don't run off calling up here?
Speaker 3 (22:42):
That stepped at the signs, say little man.
Speaker 8 (22:44):
I suppose he was.
Speaker 3 (22:46):
He paid him after that put up fortune telling the
other night. No, no, I haven't seen him, And I
suppose that's be one and it was Jennifer paid.
Speaker 2 (23:02):
When I convinced that Louis to Julia was a peaceful
famirator citizen.
Speaker 3 (23:05):
Now he was willing to take some money for something else.
You see, when I'd asked him about the antique.
Speaker 2 (23:09):
Shop on the room and he named Piazza. Time before
he'd run off because he was afraid of anything, and
he'll do with the Julia. Now he took a couple
of thousands of ars in those nervous hands. It is
he said, He said, one very interesting thing.
Speaker 6 (23:22):
CONDONI do you manage at the anti shop? If he
said he has no friends, you leave the launch. But
I have seen him sometimes, yes, I have seen him
with a large fast man.
Speaker 1 (23:52):
Harry Lyme returns in just a moment, and.
Speaker 3 (23:56):
Now Harry Lyme.
Speaker 2 (24:07):
Well before the antique shop opened the next morning, I
placed that name can done cause after the war there
was an Italian syndicates had made up phony American cigarettes
in Lisbon and put one of the transatatic plants for
italyises that had been found from the States. A cigarette
got good prices in the Italian black market. One of
those who lined his pockets at her it was a
certain condone and dropped telling him and what was one
thing and another he thought the best produced the blue
(24:28):
caribou from the back of the shop and discovered some.
Speaker 3 (24:31):
Valuable pieces and the job lots of chief stuff.
Speaker 2 (24:33):
He was selling for Louis to Julia. And instead of
pinching him out right because.
Speaker 3 (24:36):
He was scared of Louis.
Speaker 2 (24:37):
He was selling him for a song to a friend
as his a large fat man. Jennifer had walked in
at just the wrong moment, at the right moment from
her point of view, as that finally turned out, because
she got her blue caniboo in CONDONI well, I told him,
when he told a large fat man to tell me
to get out of Italy, why not give.
Speaker 3 (24:54):
Louis to Julia a little help straightening his life out?
Speaker 2 (24:56):
Up there on the mountain stop of Santa Marina, Jane
and I found I have a little skiing in Switzerland.
The season was just turning. Was fine up there. That
bit into my two thousand Switz francs, because when it
was over, I had a few francs left and my memories.
I guess Jan had memories too, and the blue kendal.
Speaker 3 (25:15):
Interest in.
Speaker 5 (25:41):
Him sid as as fans, statist as a dot, as
(26:36):
something that d content or sass set a consent or
that day, passion of the past and of the asia
(27:06):
pastic as, of the uncertain and sad, and of the man.
The anius
Presenting awesome wells as The Third Man, The Lives of
Harry Lyons the fabulous stories of the immortal characters originally
created in the stories The Third Man with Zipper music
(00:44):
by Anton Karen.
Speaker 2 (00:51):
I don't know if you know the Republic of San Marino.
It's one of the smallest countries in the world, right
up on a mountaintop in Italy, at its own frontier
and its own laws. Some people find out a convenience.
For instance, if you have to be wanted by the
Italian police, they can't come into San Marino and get you.
Speaker 3 (01:08):
I wasn't exactly in San Marino.
Speaker 2 (01:10):
One particular Wednesday, but I wasn't far away, about twenty
miles away down in the Italian town of Arimane, at
the bar of my hotel. The LDO had the astico
right on the beach.
Speaker 3 (01:19):
Many or the bartender that makes is as good as
Tom Collins, as anybody this side of the States.
Speaker 2 (01:23):
And I was just about at the bottom of my
glass when it was a cuter little character sidled up
to me. Had popeyes like the ends of hard boiled eggs,
and a couple of shaky hands. He kept lace together
across his chest, most of the time. This wasn't enough
to make me think of a little less than legitimate.
And I just caught on from the quick way he
pounced on the shell of fruit. I'd take it out
of my Tom Collins glass and put on the ashtray lime.
Speaker 3 (01:46):
He said, now, what does this lime rind make me
think of? Senior? Couldn't have anything to do with you,
He said, he was a fortune fella, and that was
how he began to pitch.
Speaker 2 (01:56):
I gave him a thousand liver and he went on.
He didn't this at a job except address toward the ends,
he made one big mistake. That little portune fellas that
(03:07):
came up to my table at the bar of the
hotel Leedo adratic on rhym and it was the first
one that mentioned the blue Cariboo. He got the best
of pilitary minutes at the side. He sat holding the
lime rhyme for my top collar.
Speaker 3 (03:23):
The way he popped his.
Speaker 2 (03:24):
Eyes at it, you'd think he was trying to read
my portrait in the sea. All right, I told him,
you're on the right track with that lime rush. Stop
gazing at it and put it down, Senori.
Speaker 3 (03:35):
Put it down. My name is lime. Harry lyme, I
guess if you knew there, sir, Now that.
Speaker 4 (03:43):
We're getting acquainted, what's your name?
Speaker 5 (03:45):
Oh?
Speaker 4 (03:47):
Is that August Petro?
Speaker 3 (03:48):
Time known? Okay, Pietro? How to go at that? I
gave you a thousand ears to tell my fortune? So
if I only told me my name, I knew that already, Signori.
If you will let me look at the palm of
your head, why that's.
Speaker 6 (04:02):
A nice line of your hands and the love line.
Speaker 3 (04:06):
Because just one old man.
Speaker 7 (04:08):
Tomorrow, SIGNIORI, you will receive a letter from a lady.
It will come to the desk here in the hotel.
Speaker 3 (04:13):
Go on. This interests me very much. I see she's beautiful,
very beautiful.
Speaker 4 (04:20):
Better, she's looking for something. She's taking a carriboo. What
wait a minute, what did you say, carry boom? I
know the kind of deer, A very large one.
Speaker 3 (04:31):
He looks for it in Really, the carriboo is blue, Senor.
You know I should have guessed that myself.
Speaker 7 (04:37):
You'll joke with me, but the carribboo it is blue. Tomorrow, Wednesday,
you will receive a letter from a lady. She will
ask you to meet her. She will offer you money. Accept, Senor,
if you'll bring you forth to the lady's name.
Speaker 3 (04:50):
I must have on the psychic power that night.
Speaker 4 (04:52):
The name, by any chance to be Jennifer Chase.
Speaker 3 (04:55):
Si, how can you know that? Okay, old man, you.
Speaker 2 (04:57):
Don't put on a bad performance.
Speaker 3 (04:59):
You know, he one big messa.
Speaker 4 (05:00):
I do not understand. I'm gonna get a letter from.
Speaker 3 (05:02):
A beautiful woman tomorrow Wednesday. You read that in my future.
Speaker 2 (05:06):
That's right, yeah, crystal balls, all right, picture, but your
calendar a little out of whack.
Speaker 3 (05:10):
Cut What day of the week you think this is?
Is this jues? I thought that's what you thought. It
just happens to be wedding.
Speaker 2 (05:16):
To man, you're a day behind the times picture and
these days that won't do things.
Speaker 3 (05:21):
Happened too fast that letters and a beautiful lady reached
me this morning. It's a hotel. DA's just as you said.
Speaker 2 (05:28):
Child, Yet be on my way to meet Jennifer Chase. Now,
I wouldn't want to be late.
Speaker 3 (05:44):
Chow chow. That uh chow is the.
Speaker 2 (05:49):
Italian way of saying so long, But to my American
stomach has had another meaning food. That was all right,
because Jennifer Chase is suggesting the letter we need for
suffered a little pizza place I knew about up in
the town, so I left petrol consoling his own future.
Would Jennifer Chase pay him or not? Now that he
boggled his job, I walked back from the beach and
(06:13):
across the railroad tracks in the middle of the town.
Jennifer Chase had feathery blonde hair and blue eyes and
the curtain door boot reserve as the bag of pizza
rest turn of the sense of the humorous side.
Speaker 3 (06:25):
Of the group's head.
Speaker 8 (06:27):
Of that poor poor little man. How sad and funny
he must have looked when you told him it wasn't Tuesday.
Speaker 9 (06:34):
Yeah, you could see the light going out of his
eyes at a hundred liras a minute.
Speaker 8 (06:38):
Of course, I'll pay him anyhow, he surd his purt,
which was exactly once to get you to come here
and meet me. Eh, I didn't know if just to
let her alone would do you. I knew Harry Lyon
was a man of imagination, and I thought you might
be intrigued. Were you in Trea?
Speaker 4 (06:55):
I am now, oh with me, you mean.
Speaker 3 (06:58):
That's what I mean. I'm only trying to set the
right example.
Speaker 8 (07:04):
So the time being, will a kid to a business.
Speaker 2 (07:07):
Base five hundred dollars or two thousand Swiss fan exture.
I prefer as you said in your.
Speaker 8 (07:11):
Letter, it works out for the same thing. You need
a case, I have a bank accounting the good, then
you'll help me. I didn't say that, but you much
who else inmy can something very valuable has been stolen
from me?
Speaker 3 (07:22):
So the police don't curse your saying I can't.
Speaker 8 (07:24):
I really can't. Oh, don't joke about it. I might
be extremely sorry if I went to the police and well,
when I heard you in ruminy, then I thought, Harry
Lyme is the man to help me. See, I know
about you.
Speaker 3 (07:36):
Tell me a few things about you. Tell me to
help you on it.
Speaker 8 (07:39):
Yes, I'm in New York.
Speaker 2 (07:43):
So she talked for a while. The girl from New York,
she's been answer me about a month. When I asked
her what it was that had been stolen from her,
she wanted me to recover. She said it was a
blue cariboo. Blue cariboo stolen from here in the back
breeding reminy.
Speaker 8 (08:01):
Please don't laugh. You see I buy antiques art objects
for a for a firm in New York, h and
the blue curve. But it was the finest antique pottery
piece I've ever seen.
Speaker 3 (08:12):
Mm, So that was it an antique pottery that was stolen?
Speaker 6 (08:15):
In me?
Speaker 3 (08:15):
Was or how did you get it in the first place?
Speaker 8 (08:18):
Have you ever noticed the antique shop on the main patin?
Speaker 3 (08:21):
M sure it's fall of junk, phoney, cop of the
longs and stuff like that. I know the play well.
Speaker 8 (08:26):
I went in there. Did you say the wars are worthless?
But while I was there a customer came in, a
large fat man.
Speaker 3 (08:33):
You seemed to remembering very well when.
Speaker 8 (08:35):
I saw him once again. He came into the shop
and the troop showed him a pottery piece. I heard
the price mentioned it wasn't the thirtiest part of what
the piece was in that crummy little shop they had
a piece worth thousands of dollars and it went to
the fat man for a few thousand lire.
Speaker 3 (08:51):
And was that the blue cabin.
Speaker 8 (08:53):
No, but there was a companion piece, and that was
a blue cabble.
Speaker 3 (08:57):
So you're showing your chants and boss m.
Speaker 8 (08:58):
Mm I also the same amount of money the fat
man had just paid.
Speaker 3 (09:03):
Well.
Speaker 8 (09:03):
The clerk hesitated, but then he shold me the blue cariboo.
I was walking back to my hotel at the beach,
and then the side street. The large fat man knocked
against me and took the cariboo.
Speaker 2 (09:13):
Well, well, let's finished supper and then retrace your steps.
Speaker 3 (09:16):
Huh, that's where it begins.
Speaker 8 (09:18):
Do you think we'll get anywhere?
Speaker 3 (09:20):
We might?
Speaker 2 (09:20):
We might if we retrace your steps far enough. He said,
you were walking out the beach. The moon ought to
be up out there. You know, it's one of the
nicest beaches in the air.
Speaker 10 (09:32):
Dratic, Oh, Harry, shouldn't we think about the blue cariboos?
Speaker 3 (09:54):
Should we?
Speaker 8 (09:56):
No?
Speaker 3 (09:58):
No, that moon was alright, Hm, ten was alright too.
It's only one thing wrong. A shadow we all took
had two shadows.
Speaker 2 (10:09):
And even if you were standing too close together that
the shadow shouldn't have been so short and small when
the moonlight caught it a certain way. They shouldn't have
been that glint from two hot boiled egg and eyes.
I took Jenning into a hotel and said good nights.
It was always tomorrow, and I went back out on
the sidewalk, strode along the beach.
Speaker 3 (10:32):
Got a care in the world. See the.
Speaker 5 (10:37):
Moon?
Speaker 3 (10:42):
All right? All right, Rose Brown? What do you want me? Means?
Speaker 2 (10:50):
You tell me as I know the fortune tellers, and
said you the night, what's gonna happen this morning?
Speaker 3 (10:54):
Well, what do you think is gonna happen now? Shadow?
You know you ought to follow people around at night
to make you nervous money? All right? Said well, she
said she would. Maybe she will if I can make
some money. Now, if you know the antique shop on
the main, chatter I know he generally, or you'll know
about it.
Speaker 2 (11:14):
If you know anything but a couple of thousands, they're in.
Speaker 3 (11:16):
It for you.
Speaker 4 (11:17):
No, I can tell you nothing.
Speaker 3 (11:25):
Ran off as his life for a stick?
Speaker 8 (11:27):
What was it all about?
Speaker 3 (11:29):
What was wrong about that.
Speaker 2 (11:30):
Antique shop on the room in Maine piazza? I stood there, well,
just me and the Adriatic. But I said, half an
hour I didn't know any more than I had before.
A large fat man had stolen a blue Cara wood
melded into the Italian crowd.
Speaker 3 (11:44):
That seemed to be it.
Speaker 2 (11:46):
I decided to see if I couldn't help Jenna out.
Beside two thousand Swiss francs in my banking joy.
Speaker 3 (11:51):
It could help me out. So in the morning I
dropped into the antique shop on the main Jazza.
Speaker 11 (11:58):
May I help yourself. I speak you're English, I judge
from the al pears you're an American? What about yourself?
International self? No nationality?
Speaker 3 (12:05):
No, not anymore. I use the name of content or
condone if you like. The Italian clown, and I doubt
if you ever heard of it before. Now, may I
help you?
Speaker 2 (12:16):
If you don't mind my saying so, you're not to
use your phrase quite what I'd expect in the style
of an Italian salesburg.
Speaker 11 (12:24):
No, but I am simply not the sales clerk, you know. No,
I'm the shunk manager, owner manager, unfortunately not. But since
you're an American, the name of the owner will very
likely surprised.
Speaker 3 (12:35):
Try me Louis de Julia. Are you surprised? I'm sorry
to say I'm not. The name means nothing for you
when you are very sheltered American. I've been a broad
long time, No doubt that explains it. Now, may I
help you? I bought a piece of breaker bread up
(13:00):
the shop at the plot.
Speaker 2 (13:01):
Had thickened, As he sometimes said, I knew the name
Louis to Julia or right, so who doesn't. Used to
be the head of the rackets in New York District
attorney couldn't seem to prove any of the things every
school boy knew. But Louis wasn't a citizen, and they
deported him, and he got in trouble with.
Speaker 3 (13:18):
The Italian police.
Speaker 2 (13:19):
And I heard he was living in San Marino in
the streets there in Rymony. I just threw up to
see the little republic of San Marino, and it's mountaintop
twenty miles away.
Speaker 1 (13:45):
In a moment, Austin Wells returns as Harry Lyme the
third man.
Speaker 4 (14:25):
Jennifer Chase and I.
Speaker 2 (14:26):
Had a knight ride up to Saint Marino that afternoon.
There's only a bus between Reminy and San Marineo. It's
not very frequent. The railroad was thrown up during the war.
We had dinner, taught Arry.
Speaker 8 (14:37):
I'm glad I lost the blue Cariboo. Why what if
I hadn't lost the cariboo, I never would have met you?
Speaker 3 (14:43):
Glad I met you too, Why?
Speaker 2 (14:46):
Oh thousands of reasons.
Speaker 8 (14:48):
Two thousand.
Speaker 3 (14:49):
Let's forget money now breakfast, don't forget it, but.
Speaker 2 (14:53):
Just mislay it for an hour.
Speaker 3 (14:55):
So anyway, see that.
Speaker 4 (14:57):
Man over there just trying a waiter.
Speaker 2 (15:00):
Came in a few minutes after us here and stopped
watching us since then, I don't think he's come up
here to admire the view.
Speaker 8 (15:04):
Well, let's forget him, Harry, together with everything else that's unpleasant.
Let's have another bottle of wine. I'm beginning to enjoy myself.
Speaker 2 (15:20):
So we sat there and admired the view. It was
late when we finally left. The character had been watching
us all evening. Disappeared into the dock just ahead of
us and walked out of the restaurant. I made inquiries
and found we'd missed the last bus back to Lemony.
Speaker 8 (15:34):
What do we do now, Harry?
Speaker 3 (15:36):
Stay there for the night, dance for several.
Speaker 8 (15:38):
Hotels, one for you and one for me.
Speaker 3 (15:40):
Couldn't think of a better arrangement.
Speaker 8 (15:42):
Where do we go from here, Harry?
Speaker 2 (15:44):
Well to your hotel, I suppose. So we walked down
the streets. Canny checked into her hotel. Before she went upstairs,
we had a nightcap together.
Speaker 8 (15:58):
I can't help wondering about that man who was watching.
Speaker 4 (16:01):
Us in the restaurant, Harry Risenaladhim.
Speaker 3 (16:03):
It was fairly obvious why he was there. Why right,
Like most Firry stories, the.
Speaker 9 (16:08):
Good and the bad errs and there to keep an
eye on the other characters, just to make sure they
go where.
Speaker 3 (16:12):
The plot directs them. Otherwise there'd be no end of
the story.
Speaker 8 (16:15):
And you mean we were both meant to come here
to San Marinos to find me.
Speaker 3 (16:19):
Perhaps the blue caribou. Maybe the end of the story.
Speaker 8 (16:23):
Maybe you right oohing very late, good night, hurry and
thanks for a wonderful evening.
Speaker 2 (16:42):
Yes, it had been a wonderful evening. I wasn't over yet.
I kissed Jenny good night, walked out of a hotel
down the street to the place where I was staying.
My footsteps rang out of the empty street. Couldn't help
feeling that the echo of my footsteps was a little
more substantial, and an echo ought to be.
Speaker 3 (17:03):
Upstairs. Open the door, switched on a light, and found it.
Speaker 2 (17:07):
Although I had booked a single room, I had company,
a large fat man. Oh, we sharing this room, so
I've rented it all for myself. It is not necessary
to be funny, So it's present, I don't you think.
So you need to stand there holding that heavy revolver,
old man.
Speaker 3 (17:26):
He looked uncomfortable. Make it easy into them.
Speaker 11 (17:29):
I have a message, Luis de Julio says, to get
out of some Marino.
Speaker 3 (17:33):
He says, to get out of Italy. You work for him.
That's right, all right, but I can't go till morning.
Didn't any body hire a car? So long? How old man?
He's a gentleman.
Speaker 2 (17:52):
A few words, but he said a lot. I phoned
Jennifer's be ready, and then I went out of the streets.
Speaker 3 (17:57):
See if i'd hire a car. I didn't have a
hotel port to get one for me.
Speaker 2 (18:00):
See, I'd ask one or two people, and I hadn't
been hired to find out where Louis and Julia lives.
He was the most famous man at San Marino when
the place wasn't big. Luck would have it, I hadn't
walked along when I was.
Speaker 3 (18:10):
In front of his house. Again, as luck would have it,
I walked up his front steps. My name's Harry Lyon. Okay,
come in. You're expecting me? No, but I've heard of you.
Speaker 9 (18:23):
Sit down in here? What's on your mind? Think I
got good scot h huh, I fine.
Speaker 2 (18:28):
Say a lot more hospitable mood than you're a henchman
or man hempschmann.
Speaker 9 (18:33):
I haven't gotten me a henchman that's finished washed up.
I'm a peaceful San Marina citizen.
Speaker 3 (18:38):
Here. This will do you. Thanks, Well, that's all over.
No Hemschmann, no nothing.
Speaker 9 (18:42):
Scotman teach shop down in revenue, Omne I gotta live
brings him peanuts.
Speaker 3 (18:46):
You're looking down there.
Speaker 2 (18:48):
Only today I met a fellow named Kondera Condoni's I'm like.
Speaker 9 (18:52):
Yeah, that's what it calls himself, really named something Bulgarian
or Polish.
Speaker 3 (18:56):
He runs a place for me.
Speaker 9 (18:57):
I can't go down in myself minute. I'm not of
San Marina, Italian capital.
Speaker 3 (19:01):
Get me and the large fat man, we'll see. I
don't know.
Speaker 2 (19:05):
Any large fat man. Everybody knows a large fat man.
Speaker 3 (19:08):
Your tone said something special. Well, oh man, you're right.
Speaker 2 (19:11):
I mean the one you sent over to my hotel,
and I tell you get out of San Marino, out
of Italy.
Speaker 9 (19:16):
You have had a lime and I've had talk about you.
Speaker 3 (19:19):
So I asked you and to have a drink.
Speaker 9 (19:20):
But I don't know any large fat man, and I
haven't got any.
Speaker 4 (19:24):
Hair, and he didn't send anybody to my hotel.
Speaker 3 (19:26):
You're learning it, lion, that's right. Well, like to drink.
Speaker 2 (19:30):
I was just looking around to see if I couldn't
find a car. That's gone away believing bad things of
lud Julia that he told lines instance, Just then alive
fat man came in. Louie must have rested front door online.
(19:52):
That was careless of Louis.
Speaker 3 (19:54):
I followed you here Lime. If I'm out, shut whoever
you are? I talked to Lyme.
Speaker 9 (20:00):
He Julio tells you to get out of the country.
Speaker 3 (20:02):
You work for him. You know him. I work for him.
I know him.
Speaker 9 (20:06):
And who do you think this fellow is already a
pursuing me, Louis? If you plugged this lib sat man,
he goes around this.
Speaker 3 (20:12):
Representing you saith your education. No, I can't plug him.
You haven't got a gun. I cat one.
Speaker 9 (20:17):
I always carry one, and I don't want to get
into trouble with San Marino. This is the last country
I've got left, Louie.
Speaker 3 (20:22):
I's an outlaw like you. Doesn't know the law? Who does?
The man told me this castle in any country.
Speaker 2 (20:27):
This man's guilty of breaking and entering. You've got a
right to defend yourself, and you're all right.
Speaker 3 (20:30):
I'll knock over this lab now that draws his fire
in the dark. Maybe is right?
Speaker 8 (20:51):
Who dands?
Speaker 3 (20:51):
Well?
Speaker 8 (20:52):
Did you learn it by corresponding, right, the truth you
tell me a lie, they're usually nice.
Speaker 3 (20:57):
Of the truth. You're the icy on this cake walk.
Speaker 4 (21:00):
You're a nice I think nice from the dialogue, huh.
Speaker 8 (21:04):
I wouldn't have guessed from what i'd heard about you.
Speaker 4 (21:06):
What did you hear that you were well the AFA
crux to the A and.
Speaker 8 (21:12):
Something like that.
Speaker 6 (21:15):
Oh.
Speaker 8 (21:15):
I didn't want to go to the police about the
stolen cariboo. I was afraid there was something wrong in
such a valuable police being.
Speaker 4 (21:21):
Told to cheat right like there was something so.
Speaker 8 (21:23):
I was afraid that if there was a police investigation,
I might never get the cariboo back to you.
Speaker 3 (21:29):
And you haven't got the caribou back. No, I'd star
out time. Nowhere else happened here in remedy. The move
goes on.
Speaker 2 (21:37):
It nice idea that Hotel Veranda dies and an fellers
the vine her aromatic means.
Speaker 6 (21:50):
What did the Riemeny's police say this afternoon, the same as.
Speaker 2 (21:53):
The sam Marino police last night after shooting the corpus
DELECTI was seemed cognitive, that is, if he had a
pat befoor he buried at something.
Speaker 8 (22:01):
They didn't even know who he was.
Speaker 2 (22:03):
I'll tell name around around some papers and the hotel room,
down ing room, and they probably assumed no blue caribou
on the premises, which is the uh hurtful front of it.
Speaker 3 (22:11):
But he did take it from them, probably passed it
on to somebody else.
Speaker 8 (22:14):
Oh, I so hate to lose it.
Speaker 2 (22:16):
I so hate to lose two thousand tranks. But I'm
getting your back for your honey. Sure we console each other.
Speaker 8 (22:24):
Sally, two kissers, nicely? Who dies?
Speaker 4 (22:29):
Sall ree hmm?
Speaker 6 (22:31):
What is it?
Speaker 8 (22:33):
Tell that blue on the land on the law?
Speaker 3 (22:34):
Do you see him now? Why is it every time we.
Speaker 2 (22:36):
Get closing us together that one shadow with the petrol petrol, No,
don't run off calling up here?
Speaker 3 (22:42):
That stepped at the signs, say little man.
Speaker 8 (22:44):
I suppose he was.
Speaker 3 (22:46):
He paid him after that put up fortune telling the
other night. No, no, I haven't seen him, And I
suppose that's be one and it was Jennifer paid.
Speaker 2 (23:02):
When I convinced that Louis to Julia was a peaceful
famirator citizen.
Speaker 3 (23:05):
Now he was willing to take some money for something else.
You see, when I'd asked him about the antique.
Speaker 2 (23:09):
Shop on the room and he named Piazza. Time before
he'd run off because he was afraid of anything, and
he'll do with the Julia. Now he took a couple
of thousands of ars in those nervous hands. It is
he said, He said, one very interesting thing.
Speaker 6 (23:22):
CONDONI do you manage at the anti shop? If he
said he has no friends, you leave the launch. But
I have seen him sometimes, yes, I have seen him
with a large fast man.
Speaker 1 (23:52):
Harry Lyme returns in just a moment, and.
Speaker 3 (23:56):
Now Harry Lyme.
Speaker 2 (24:07):
Well before the antique shop opened the next morning, I
placed that name can done cause after the war there
was an Italian syndicates had made up phony American cigarettes
in Lisbon and put one of the transatatic plants for
italyises that had been found from the States. A cigarette
got good prices in the Italian black market. One of
those who lined his pockets at her it was a
certain condone and dropped telling him and what was one
thing and another he thought the best produced the blue
(24:28):
caribou from the back of the shop and discovered some.
Speaker 3 (24:31):
Valuable pieces and the job lots of chief stuff.
Speaker 2 (24:33):
He was selling for Louis to Julia. And instead of
pinching him out right because.
Speaker 3 (24:36):
He was scared of Louis.
Speaker 2 (24:37):
He was selling him for a song to a friend
as his a large fat man. Jennifer had walked in
at just the wrong moment, at the right moment from
her point of view, as that finally turned out, because
she got her blue caniboo in CONDONI well, I told him,
when he told a large fat man to tell me
to get out of Italy, why not give.
Speaker 3 (24:54):
Louis to Julia a little help straightening his life out?
Speaker 2 (24:56):
Up there on the mountain stop of Santa Marina, Jane
and I found I have a little skiing in Switzerland.
The season was just turning. Was fine up there. That
bit into my two thousand Switz francs, because when it
was over, I had a few francs left and my memories.
I guess Jan had memories too, and the blue kendal.
Speaker 3 (25:15):
Interest in.
Speaker 5 (25:41):
Him sid as as fans, statist as a dot, as
(26:36):
something that d content or sass set a consent or
that day, passion of the past and of the asia
(27:06):
pastic as, of the uncertain and sad, and of the man.
The anius
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