May 22, 2025 • 27 mins
Chronicles the exploits of a charismatic con artist, offering a glimpse into his schemes and the moral ambiguities of his adventures. The narratives blend wit with suspense.
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Speaker 1 (00:21):
Presenting Orson Wells as the third Man the lives of
Harry Lyon, the fabulous stories of the immortal character, originally
created in the motion picture The Third Man with Zipper
(00:42):
music by Anton kra.
Speaker 2 (00:49):
Now here's a little aniore taking place in the city
of Bordeaux. It has to do with the phase of
my hectic career, which.
Speaker 3 (00:55):
Was almost exclusively a chase. I was a big boy
by then. But there's a school teacher in the story
all the same. His name is Professor Sampierre.
Speaker 2 (01:05):
He didn't mean any harm, but he caused me plenty
before it was over.
Speaker 1 (01:57):
And now Orson Wells as her way, I'm the third
man in Blue Bride.
Speaker 3 (02:11):
Now, this little cautionary tail.
Speaker 2 (02:14):
Took place a couple of years ago in the French
port of Bordeaux. I'd taken lodgings above one of the
choicest dives.
Speaker 3 (02:22):
That the place has to offer.
Speaker 2 (02:25):
The proprietress is an enormous woman, called affectionately by the
sailors la grosse fiffite, a formidable female that I ever
saw one. I found the location a convenient base for
certain of my business transactions.
Speaker 3 (02:39):
I'd circulated the.
Speaker 2 (02:40):
Rumor that I was writing a book about the waterfront. Unfortunately,
Saint Pierre got winded it evidently likes female, struck the
little teacher of one of my clients and led him up.
And I was going over some accounts when there was
a knock on my door.
Speaker 3 (02:53):
Over there, Did you see Sat Pierre? Will you okay, okay?
What is it?
Speaker 4 (03:08):
Those papers on your desk, the notes for your book?
Speaker 2 (03:10):
Not that? Oh yes, yes, a matter of fact, they
are just gather the muffle football away.
Speaker 5 (03:14):
Oh no, please, I do not mean.
Speaker 4 (03:16):
To interpact your work.
Speaker 3 (03:17):
Lime.
Speaker 6 (03:18):
I have long thought that some scholar should I had
a book on the waterfront of our the loved the border,
not such a wealth of material mixture your next different
of issues, songs and stories of the sailors. I cannot
tell you how happy I am that someone like.
Speaker 2 (03:32):
Yourself at the time to devote to this project.
Speaker 6 (03:36):
Doctor Lime, with all the difference to a scholar like yourself,
I must make a contest.
Speaker 4 (03:40):
You know, I'm only a humble teacher. But for many
years I have dreamed of doing just.
Speaker 5 (03:46):
What you haveing give.
Speaker 6 (03:47):
I wanted to write a book about the water fund
the border. Why I have neither the time nor the money.
Speaker 4 (03:53):
All winter time must teach at the VC and giving
the summer months.
Speaker 6 (03:55):
I acted the tutor to make a little excite you do,
I would like you to have the youth.
Speaker 4 (04:00):
So these notes of mine here I happen in my
briefcase many under the pages. You see.
Speaker 6 (04:05):
The language is my speciality, and I have noted down
specimens of all the difference alect be found here.
Speaker 4 (04:11):
I say, I would like you to have them here.
Speaker 2 (04:13):
Well that's there, and I'm then indeed you Professor.
Speaker 3 (04:17):
Sad thank you. I'll return your notes when I when
I finished with them. And now I hate to see
him rude, because I.
Speaker 6 (04:23):
Understand you're you're aisy to get on with your work.
Speaker 4 (04:26):
It is that noise it seems to be coming up.
Speaker 3 (04:30):
It sounds like someone on the roof. Thank you repairs.
Speaker 6 (04:33):
I guess it seems strange to be making repairs at night,
are you.
Speaker 2 (04:38):
Yes, it's nothing to worry about on that now, good night,
Professor s Pierre.
Speaker 3 (04:42):
You really must.
Speaker 4 (04:43):
Excuse yes, it is just one mate, I.
Speaker 3 (04:51):
Just see the professor jumped out of the way just
in time.
Speaker 2 (04:54):
The body of the man half fell half jumped into
the room and then crumpled at our feet.
Speaker 5 (04:58):
Just business man.
Speaker 2 (05:04):
It's one of the workmen around the place. I'm phra
has been hurt.
Speaker 7 (05:07):
He is that he is glad he's here.
Speaker 3 (05:09):
I wish get a doctor. I wonder if you of
course I will go. That's very very good. I'll do
what I can't from in the meantime. That's very much man. Good.
Now I'll get you fool.
Speaker 2 (05:20):
They're not good.
Speaker 3 (05:21):
Prawl prow you hear me? Are you hit cut from
the glass? We'll fixipating you live not, but you deserve
you be anythe come up here?
Speaker 2 (05:37):
We shrey browse in you had a little activiom but
hod he oh the sky light?
Speaker 3 (05:44):
You will say for the glass, Yes, I'll pay for
the glass. He's no, he's not dead. Only rest. That's
what I want you to do for me. You know
that little managers left year. We the little wire. He's
coming back in a few minutes, and you are not to
let him in here. You understand we messieur. I am god.
Speaker 8 (06:00):
He tries to come up again, I will crack a
bottle over his head.
Speaker 3 (06:05):
I adore you all right round. I'll tell me what
this is all about. Did anyone follow here?
Speaker 9 (06:12):
Yes?
Speaker 3 (06:12):
But I lost him six blocks away.
Speaker 4 (06:14):
I was afraid of the street, so I took to
the roofs. I had to hide somewhere.
Speaker 3 (06:17):
I came here the picture fine time. What happened?
Speaker 2 (06:20):
Did you get into another fight? I told you, old man,
anymore brawling and our deal was off.
Speaker 4 (06:24):
This time it was no fight.
Speaker 10 (06:25):
Bara knows about.
Speaker 3 (06:26):
That because police how could he know? Talk you fool?
Speaker 5 (06:31):
Fuck Please, monsieur, do not shake me my head.
Speaker 3 (06:33):
You'll be worse up if you don't tell me. How
do you know about that nose? Are you sure? He
isn't sure?
Speaker 5 (06:38):
I passed four of the five thousand francs, not to myself.
Speaker 3 (06:40):
We have so many.
Speaker 5 (06:42):
Please, it's that people. Mariande, she said, wanted me to
buy your key.
Speaker 3 (06:46):
I gave you what is the noun of that? Money?
Is to use in France, but for.
Speaker 8 (06:48):
Man to carry that but money around and not to
be able to use just a little.
Speaker 11 (06:51):
I never put in today's The shopkeeper turned in an alarm,
and before I knew it, I am being cheap.
Speaker 3 (06:56):
Listen, old man, another stunt like this and the police
won't have to change it. I'll get out. I'll call
you when I want to go over and watch the
blood off.
Speaker 2 (07:06):
Now are the only man I really was scared of
in the whole city of Baudeaux that I have a young,
dynamic comments of police. You had a reputation of fanassage
and integrity, which made jobs like.
Speaker 3 (07:15):
Mine very far from easy. You see, I was in
competition with the French government, who were both printing money.
Speaker 2 (07:22):
I was selling my currencies as sailors and traders on
the way to French West Africa are chances of detection
were much less. In a few days, I had the
point where the trader on his way down there, which
promised to be my biggest deal. But how much did
this man that I know? I had to find out
and made some inquiries.
Speaker 3 (07:45):
I can't understand how a girl like you could be
satisfied to be just a maid.
Speaker 2 (07:48):
Why with your looks and intelligence and personality you should
be on the stage, on the stage.
Speaker 5 (07:56):
No, I would tell you one thing at it. If
I were on the stage, I would be so than
she ever was. I never saw her, but to hear
her talk sometimes you don't think she was writer than
Evan Phantom.
Speaker 3 (08:06):
Who is this oh on my mistress?
Speaker 5 (08:08):
Of course, Madame Sophie Darrah.
Speaker 3 (08:10):
Is she an actress?
Speaker 5 (08:11):
But she was before she married monsieur Dara. She went
by the name of Sophie Avon.
Speaker 3 (08:16):
But if you ask her, how long have you worked
for Madam Bara? Oh? Listen?
Speaker 6 (08:19):
She is married two months ago, two months ago, and
she's still a bride, not a very act one.
Speaker 5 (08:24):
Sometimes I beat you so is terrible.
Speaker 3 (08:27):
I'm telling not terrible. Does it beat? No?
Speaker 5 (08:29):
It does nothing all the time. It is work, work works,
That is what she said to him last night. I
loved them as I was clearing the table.
Speaker 8 (08:38):
What's it all?
Speaker 4 (08:39):
I ever?
Speaker 2 (08:40):
Yet?
Speaker 9 (08:40):
Oh?
Speaker 3 (08:40):
I'm sorry.
Speaker 5 (08:41):
Day you never go anywhere together.
Speaker 8 (08:43):
Half the time, we don't even dine together. Is this
the way you treat your bride? Sometimes I'm not even
sure that you loved Sophie.
Speaker 3 (08:50):
This is not fair.
Speaker 4 (08:51):
Would I have married you?
Speaker 5 (08:52):
And if I did not love yours?
Speaker 3 (08:53):
See?
Speaker 5 (08:54):
You are ready your voice to me already.
Speaker 4 (08:55):
But I am only trying.
Speaker 6 (08:57):
I am only trying to tell you that I must
I loved you, as I would say.
Speaker 5 (09:01):
How you speaking the past? That means you no longer
love me?
Speaker 3 (09:04):
In the pray all?
Speaker 5 (09:04):
But I do, I do my little ones?
Speaker 6 (09:07):
Come here.
Speaker 3 (09:12):
Now? Do you believe me? My weisure? Sush, yes, my sweetness, Perhaps.
Speaker 8 (09:18):
We could go somewhere we seven, somewhere with music and
just a few people, and then what comes slowly.
Speaker 5 (09:23):
Together, just as we used to walk last spring in time.
Speaker 6 (09:26):
I wish, I wish we could, but I have to
go over some reports.
Speaker 5 (09:30):
No, you make me angry. You think you could set
my mind A he is with only one kid.
Speaker 3 (09:34):
Don't a kiss.
Speaker 5 (09:35):
It doesn't take up more than a few seconds of
your official time.
Speaker 3 (09:38):
Alsophie. You've got to try to understand.
Speaker 6 (09:41):
There are some things which I cannot think as to
anyone else, and this is one of them. The vicious
ring of counterfeitals has evidently decended on Bordeaux. We almost
got him in today, but we disappeared down in the waterfront.
But next time we will not fail. Meantime, I must
try to trace the blues to their sauceage.
Speaker 5 (09:56):
Is all very well, but it seems to me that
you are more concerned with your work when you why
was your door?
Speaker 4 (10:00):
Why you refuse to refuse to understand?
Speaker 5 (10:04):
You need to refuse to tell the truth. You say
you love me and you want to be with me,
and then.
Speaker 4 (10:08):
You don't don't want to get any more.
Speaker 1 (10:11):
I'm going to the office.
Speaker 5 (10:22):
See how it is. I hope you never opead me
like this.
Speaker 3 (10:27):
Don't worry about that.
Speaker 5 (10:28):
Surely you do not find this a depressing.
Speaker 3 (10:30):
I can't say that I do. In fact, I find
it quite inspiring.
Speaker 2 (10:33):
You have a good ear for you know good I
should almos appear them talking well, listening.
Speaker 5 (10:37):
It's the only thing that makes it interesting, to be amazing.
Speaker 3 (10:40):
You know, you're a very bright girl, even rater than
I thought.
Speaker 2 (10:42):
Supposing I put you and your packages into a cab tatoo.
Speaker 3 (10:46):
But all they do when they have money. You close
your warm little hand around this.
Speaker 2 (10:53):
So much.
Speaker 3 (10:55):
That's much as you deserve. A wrong idea.
Speaker 2 (10:58):
Keep those think little ears open, and tomorrow, if you
have some information for me, I give each one of
those things that he is a little kiss.
Speaker 3 (11:25):
Horse.
Speaker 1 (11:26):
And Wells returns. In just a moment is the third
man orson well As the third man continues with the Blue.
Speaker 2 (12:18):
Bride back at Latoire, he told me that a gentleman
was waiting in the back room, and it proved to
be the venerable Blackgun, who went by the aristocratic name
of Captain Dominique de Chateaubrion. Captain was engaged in trade
(12:40):
the natives of French West Africa. It was on him
that I hope to unload a large amount of my
counterfeit stuck change chance.
Speaker 3 (12:49):
What can I do with your captain?
Speaker 4 (12:50):
As you know, I am giving some natives in the interior, some.
Speaker 6 (12:54):
Visionaries has told them the value of their elect dies,
which I.
Speaker 4 (12:58):
Used to die for next to native how they want cash?
Speaker 2 (13:01):
In example, they are good and I value.
Speaker 6 (13:04):
If your money is as good as a year it is,
they will be quite happy with it until they try
to spend it off cloth. But by that time I
will be well out.
Speaker 3 (13:13):
Of the way. You agree with me, I a should
be happy with services.
Speaker 6 (13:18):
What is your denomination?
Speaker 3 (13:19):
Now that sounds like a personal question.
Speaker 4 (13:21):
I mean how large I've account of the bills?
Speaker 3 (13:23):
Five thousand trying outs? I mean I see one place
one here?
Speaker 6 (13:28):
Oh, very good or good enough for the clock your name,
I will need at least the fifty thousand of these notes.
Speaker 3 (13:36):
That's a lot of money.
Speaker 2 (13:36):
Captains, Well, that wasn't the in fact that I can
get the rest for my source and thirst even wait
the weakest.
Speaker 6 (13:41):
Yes, I can wait if you will guarantee to have
it here with new week, And that's a regular right.
Speaker 3 (13:46):
I agree, Priby. I am sure of what with you?
Speaker 2 (13:56):
So this big deal and they are thinking it became
necessary to show that I also for at least a
week or so.
Speaker 3 (14:01):
So the next morning I found.
Speaker 2 (14:02):
Out from my little friend Pauline at madame and I
spent most of her lonely afternoons sitting by herself in
a small cafe on the laver Rouge. That afternoon I
had to be sitting in lave Rouge when she arrived,
so I went over to a table and took my
head bad. But are you not Madame Sophie arbar of
the stage?
Speaker 3 (14:21):
Why here?
Speaker 5 (14:23):
I am got How did you know my name?
Speaker 3 (14:25):
Ah?
Speaker 2 (14:26):
I've often admired your work, yes, but a last I
never had the courage to come backstage and meet too
much as I wanted to.
Speaker 8 (14:33):
Well, this is marvelous to find someone who actually remembers
my name.
Speaker 3 (14:37):
And say, well, it's not a face to forget easily, maemoiselle.
Speaker 5 (14:41):
I am madam. Now it's your madame para.
Speaker 3 (14:44):
I beg your pardner did not know? That's quite all right?
Speaker 5 (14:48):
Want to see down.
Speaker 3 (14:49):
Well for just a minute, yes, if I'm not.
Speaker 5 (14:52):
Intruding now now, Jan what shows did you see me?
Speaker 3 (14:56):
At first? I'd be ask you a question, if you'll
forgive me? What are you doing in Bodo?
Speaker 2 (15:01):
You and I always imagine surrounded by the bride lights and.
Speaker 3 (15:04):
All the area.
Speaker 5 (15:05):
I came here with my husband.
Speaker 3 (15:07):
This is his zoom.
Speaker 5 (15:08):
I see he's a committee of.
Speaker 4 (15:10):
Police, a bottom.
Speaker 3 (15:11):
You don't say it must be a very interesting job
for him.
Speaker 5 (15:14):
It is interesting for me.
Speaker 3 (15:15):
It is dull, a great fellow.
Speaker 2 (15:18):
I'm right to talk this way to a stranger, just
that I'm a stranger who has known new I've been
interested in you for a long long time now.
Speaker 8 (15:24):
It is not fair to burden you with my troubles,
But today I am I'm just say blue.
Speaker 3 (15:29):
Oh, a blue bride, or if I can help it anyway, missie,
I'm so unhappy.
Speaker 5 (15:35):
I don't know what to do, a way to tell.
Speaker 3 (15:37):
Are you sure your husband loves you? Madam?
Speaker 6 (15:40):
Oh?
Speaker 8 (15:41):
Yes, I'm sure of this, and I know I just
love him. But at least something is unlike the way
the marriage will not last.
Speaker 3 (15:47):
Doesn't mean enough to you to try to say it. Yes, yes,
you're young and beautiful. You should be able to lure
any man away.
Speaker 5 (15:54):
From his JUDI, but my husband is not any man.
Speaker 2 (15:57):
Nonsense, nonsense, all you like confidence. You need to feel
more sure of yourself. And believe me, madame, you have
every right too. But what can I seems to me
that the only hope for both of you is to
get away from God over, away from everything that reminds
him of his work.
Speaker 3 (16:15):
Surely he has comfortable as systems to turn things over
is too weak or so?
Speaker 5 (16:18):
And see how I can get him to come away?
Do you have even at to postpone our.
Speaker 8 (16:22):
Animoon last spring because he was so big?
Speaker 3 (16:24):
More as your answer? Honeymoon true, and the sooner the better.
Speaker 5 (16:28):
But I know he won't leave his work, especially right now.
Speaker 2 (16:31):
He will if you forced the issue once and for all,
and if his marriage means anything to him?
Speaker 5 (16:36):
What do you mean false?
Speaker 2 (16:37):
I mean suppose you patch your bags. We're ready to
leave with all without it. Tell her if there's no honeymoon,
you're on your way back to Paris. For God they
are show you and.
Speaker 3 (16:46):
Your husband be enjoying a nice little crew somewhere.
Speaker 5 (16:49):
And oneerful all. I wish he could come through.
Speaker 2 (16:52):
Well, it can come true if only you won't lose
your courage.
Speaker 11 (16:55):
But I don't really want to leave him, even if
he will not do what I want but you to
make him believe that you would actually be Do you
think I can my idea, Sophia, you are an actress.
Speaker 5 (17:07):
Of course I am.
Speaker 3 (17:08):
I shall do it.
Speaker 5 (17:09):
I'll do it this very evenings. I can't tell you
how grateful.
Speaker 4 (17:13):
I am to you.
Speaker 5 (17:14):
And now I must go home and make preparations.
Speaker 3 (17:16):
Look out, it started raining again. You have umbrella?
Speaker 8 (17:18):
No no, I ran out the house without one taken.
Speaker 5 (17:20):
Oh no, I cried, Oh thank you, Monsieur.
Speaker 3 (17:24):
You are a true print, and I wish you both
much happiness. My parents were going well.
Speaker 2 (17:40):
The next morning, Pulleine told me that Monsieur and Madame
Bara had certainly decided to take a little trip.
Speaker 3 (17:45):
They were leaving the next day for a week or so.
Speaker 2 (17:46):
Believe me, I breathed a sigh of relief. The day
after their schedule departure on the Old Duke Honeymoon, I
got a wire from Tennis and to pick up a
ship full of money from my carrier with a rash
short at the airport. So I met the carrier, take
up the suitcase full of phony five thousand francs knows
and nail the cab sail past. I tried another and
I started to walk back to the city. I didn't
know at the time. That's in a black police limousine
(18:08):
not far away. A conversation or something like this.
Speaker 3 (18:11):
Was going on.
Speaker 5 (18:12):
Oh, I'm so happy you will really be alone time.
Speaker 6 (18:16):
I must confess. I am not sorry you past me
into this position. I'm happy myself.
Speaker 3 (18:20):
This little vacation will be so good for us.
Speaker 4 (18:22):
Well, who was there here?
Speaker 3 (18:27):
Who is it?
Speaker 5 (18:28):
Is he the kind gentleman from the cafie. I don't
even know his name, but we owe everything to.
Speaker 3 (18:33):
Him because I have no idea what you're talking about?
Speaker 5 (18:35):
Oh he sure, lip stop? I must speak to him.
Speaker 6 (18:37):
For oh you you mean the man with the suit
kill what he's going in the other direction?
Speaker 5 (18:43):
We have time? Will please? It means so much to
me as a driver, and follow.
Speaker 6 (18:47):
Him or I don't know what feminine madness this is,
but today I can refuse you, not.
Speaker 5 (18:53):
Me, you know the madness.
Speaker 8 (18:54):
I just want to see a few words with him
and return a piece of his property, probably.
Speaker 5 (18:58):
Put it among your things.
Speaker 2 (18:59):
Fine, Oh why dupo turning around and follow the man
with a suitcase.
Speaker 4 (19:05):
Call him on him? Maybe you stopped there, you with
the suitcase?
Speaker 10 (19:08):
Stop only walking?
Speaker 3 (19:11):
Oh?
Speaker 5 (19:11):
Time, big gets through this traffic somehow and just learned better.
Speaker 4 (19:14):
Dupot, turn on the sign.
Speaker 3 (19:18):
I think the boy shouting at you stop.
Speaker 2 (19:21):
I could only think of getting away, and actually and
then when I heard the siren, that was the end.
I turned a car and I cracked and started to run,
and after all one was carrying a fortune and drown
to the bills and a police car with a sirens
close behind.
Speaker 3 (19:32):
And I cut across a little park to the other
side of town, and I over the shoulder off the
first end.
Speaker 2 (19:39):
Oh, you smack into a little man in a white suit.
The heavy bager was carrying through me a balanced room
and a drama enough for him to grab.
Speaker 3 (19:47):
Me by the lapels with a broad smile.
Speaker 2 (19:49):
I thought about dismay that it was the event helpful
professors and people.
Speaker 4 (19:54):
Lime, How fortunate that I should have done in follow
It was really you, I.
Speaker 2 (19:57):
Mean to me. I'm in her office and I want
to ask.
Speaker 6 (20:01):
You about that workman who felt through the roof the
other How easy if I could be other n I
to them, or if anything, you get out of my way.
Speaker 4 (20:12):
I'm surprised that you.
Speaker 3 (20:13):
I know you are a busy man, but I pushed
him roughly out of my way and ran on the daniable.
Seconds has been lost.
Speaker 2 (20:19):
I reached the other side of the party I call
a day. A long black car round at the corner
and I recognized him, so I started to run again.
I ran up the steps of a large building. I
realized it was the public driver and decided to seek
refuge there. But the weight I was carrying made me
trip on one of the stone steps, and I lost
my balance and the suitcase went flying skinned my knee
and my palms of my hands were all bruised. Old
man insisted on helping me. He might be fussing over me.
(20:41):
My suitcase had rolled down the steps. The old man
chased it.
Speaker 3 (20:43):
I couldn't wait.
Speaker 2 (20:44):
The only thing in my mind at the moment is escape.
I have an aversion in the French jails. I ran
up with the big brass doors at the top of
the steps. So just as I reached the entrance, a
uniform gard was stretching a metal grill work across it.
Speaker 3 (20:55):
He was most polite.
Speaker 6 (20:56):
Sis the day you will have to wait and do them.
Speaker 3 (21:00):
I ran down the steps again.
Speaker 2 (21:02):
Nicole sweat I heard in the street, heard the shriek
of breaks the narrowness by truck, rid On ran smack
into the arms of a traffic policeman. Gandan held my
arm firmly and stopped the truck to ball out the driver.
Speaker 5 (21:16):
I'm familiar with you. Didn't you see this man who
almost kill him?
Speaker 4 (21:20):
Where against you?
Speaker 5 (21:22):
Not against him? You're managed to pedestriate this poor man here.
Speaker 9 (21:25):
Let me officer.
Speaker 7 (21:26):
It's quite already your part, monsieur, but I am here
to protict. You're right, I must be total listen.
Speaker 2 (21:31):
So I was forced to stand there with a policeman
in the middle of the busy street while he upbraided
the driver.
Speaker 3 (21:36):
The siren grew closer and closer.
Speaker 2 (21:38):
When the Gandan finally released me and I reached the
other side of the street, another whistled with all that man.
In a flash, I felt to Gendane Scader in my
arm again and we were standing beside the black.
Speaker 4 (21:50):
Please, well, sir, you'll give us a medy.
Speaker 3 (21:53):
Jason, what was all?
Speaker 8 (21:55):
Where did you when it's your you? Yes, it is
I whom you advised to see. You can remember I
saw you from the carn.
Speaker 5 (22:02):
I wanted to say thank you and give you the your.
Speaker 2 (22:05):
Umbressa my umbrella did you that.
Speaker 9 (22:11):
Oh, now, perhaps you will explain your anxiety to avoid
usn't well, And this is very embarrassing, really, especially since
this is a police card.
Speaker 3 (22:23):
See it was the siren.
Speaker 2 (22:25):
I have a phoby about siren ever since I was
a child and had to run from.
Speaker 3 (22:29):
A buriding house and had the same unreasoning fear. No
matter how much I analyzed it, it's it's something I
just can't control. I have to run. Yes, I feel
like a fool, but that's the way it is.
Speaker 2 (22:39):
Every time there's a fire in the neighborhood.
Speaker 3 (22:40):
I have one of these same running fits. All sirens
sound alike to me, Professor.
Speaker 6 (22:49):
When I saw you from the other side of the
street and I came over to see, what was the matter?
Speaker 3 (22:55):
Do you know these men? I do?
Speaker 4 (22:57):
This is up lime a little scholar who is even
bord for such Oh?
Speaker 2 (23:01):
Yes, that's right, Yes, well, perhaps you are right. This
was a stroke of black. For once, the helpful professor
really helped. He continued to talk to about me until
the policeman's suspicions abated. I was finally able to say
my goodbyes and start walking away from the group, and
Sophia Barah called after me you headed your kids.
Speaker 7 (23:22):
I must have dropped it well, which we will help
you to find. Oh no, don't bother, I'll get it.
Speaker 1 (23:45):
Harry Lyme returns in just a month, and now Harry lying.
Speaker 2 (24:47):
By this time I was running again. I glanced back
over my shoulder, just in time to see the old
man gesticulating excitedly of the suitcase and holding up a
fat packet of cricke notes. I can imagine that the
last fury, when he realized he let the price slip
through his fingers, was equaled only by Sophies when she
realized the identity of her friendly family counselor. I wonder
(25:08):
whether she ever got her honeymoon. I heard the siren
again in a few seconds, but this time I made
good bye head start, and as the sun sank over
the CEI bet farewell to beautiful Bordeaux, to my beautiful
little waterfront business, to the beautiful blue bride.
Speaker 3 (26:01):
In it, and.
Speaker 10 (26:29):
In its intent to schools in exact an
Presenting Orson Wells as the third Man the lives of
Harry Lyon, the fabulous stories of the immortal character, originally
created in the motion picture The Third Man with Zipper
(00:42):
music by Anton kra.
Speaker 2 (00:49):
Now here's a little aniore taking place in the city
of Bordeaux. It has to do with the phase of
my hectic career, which.
Speaker 3 (00:55):
Was almost exclusively a chase. I was a big boy
by then. But there's a school teacher in the story
all the same. His name is Professor Sampierre.
Speaker 2 (01:05):
He didn't mean any harm, but he caused me plenty
before it was over.
Speaker 1 (01:57):
And now Orson Wells as her way, I'm the third
man in Blue Bride.
Speaker 3 (02:11):
Now, this little cautionary tail.
Speaker 2 (02:14):
Took place a couple of years ago in the French
port of Bordeaux. I'd taken lodgings above one of the
choicest dives.
Speaker 3 (02:22):
That the place has to offer.
Speaker 2 (02:25):
The proprietress is an enormous woman, called affectionately by the
sailors la grosse fiffite, a formidable female that I ever
saw one. I found the location a convenient base for
certain of my business transactions.
Speaker 3 (02:39):
I'd circulated the.
Speaker 2 (02:40):
Rumor that I was writing a book about the waterfront. Unfortunately,
Saint Pierre got winded it evidently likes female, struck the
little teacher of one of my clients and led him up.
And I was going over some accounts when there was
a knock on my door.
Speaker 3 (02:53):
Over there, Did you see Sat Pierre? Will you okay, okay?
What is it?
Speaker 4 (03:08):
Those papers on your desk, the notes for your book?
Speaker 2 (03:10):
Not that? Oh yes, yes, a matter of fact, they
are just gather the muffle football away.
Speaker 5 (03:14):
Oh no, please, I do not mean.
Speaker 4 (03:16):
To interpact your work.
Speaker 3 (03:17):
Lime.
Speaker 6 (03:18):
I have long thought that some scholar should I had
a book on the waterfront of our the loved the border,
not such a wealth of material mixture your next different
of issues, songs and stories of the sailors. I cannot
tell you how happy I am that someone like.
Speaker 2 (03:32):
Yourself at the time to devote to this project.
Speaker 6 (03:36):
Doctor Lime, with all the difference to a scholar like yourself,
I must make a contest.
Speaker 4 (03:40):
You know, I'm only a humble teacher. But for many
years I have dreamed of doing just.
Speaker 5 (03:46):
What you haveing give.
Speaker 6 (03:47):
I wanted to write a book about the water fund
the border. Why I have neither the time nor the money.
Speaker 4 (03:53):
All winter time must teach at the VC and giving
the summer months.
Speaker 6 (03:55):
I acted the tutor to make a little excite you do,
I would like you to have the youth.
Speaker 4 (04:00):
So these notes of mine here I happen in my
briefcase many under the pages. You see.
Speaker 6 (04:05):
The language is my speciality, and I have noted down
specimens of all the difference alect be found here.
Speaker 4 (04:11):
I say, I would like you to have them here.
Speaker 2 (04:13):
Well that's there, and I'm then indeed you Professor.
Speaker 3 (04:17):
Sad thank you. I'll return your notes when I when
I finished with them. And now I hate to see
him rude, because I.
Speaker 6 (04:23):
Understand you're you're aisy to get on with your work.
Speaker 4 (04:26):
It is that noise it seems to be coming up.
Speaker 3 (04:30):
It sounds like someone on the roof. Thank you repairs.
Speaker 6 (04:33):
I guess it seems strange to be making repairs at night,
are you.
Speaker 2 (04:38):
Yes, it's nothing to worry about on that now, good night,
Professor s Pierre.
Speaker 3 (04:42):
You really must.
Speaker 4 (04:43):
Excuse yes, it is just one mate, I.
Speaker 3 (04:51):
Just see the professor jumped out of the way just
in time.
Speaker 2 (04:54):
The body of the man half fell half jumped into
the room and then crumpled at our feet.
Speaker 5 (04:58):
Just business man.
Speaker 2 (05:04):
It's one of the workmen around the place. I'm phra
has been hurt.
Speaker 7 (05:07):
He is that he is glad he's here.
Speaker 3 (05:09):
I wish get a doctor. I wonder if you of
course I will go. That's very very good. I'll do
what I can't from in the meantime. That's very much man. Good.
Now I'll get you fool.
Speaker 2 (05:20):
They're not good.
Speaker 3 (05:21):
Prawl prow you hear me? Are you hit cut from
the glass? We'll fixipating you live not, but you deserve
you be anythe come up here?
Speaker 2 (05:37):
We shrey browse in you had a little activiom but
hod he oh the sky light?
Speaker 3 (05:44):
You will say for the glass, Yes, I'll pay for
the glass. He's no, he's not dead. Only rest. That's
what I want you to do for me. You know
that little managers left year. We the little wire. He's
coming back in a few minutes, and you are not to
let him in here. You understand we messieur. I am god.
Speaker 8 (06:00):
He tries to come up again, I will crack a
bottle over his head.
Speaker 3 (06:05):
I adore you all right round. I'll tell me what
this is all about. Did anyone follow here?
Speaker 9 (06:12):
Yes?
Speaker 3 (06:12):
But I lost him six blocks away.
Speaker 4 (06:14):
I was afraid of the street, so I took to
the roofs. I had to hide somewhere.
Speaker 3 (06:17):
I came here the picture fine time. What happened?
Speaker 2 (06:20):
Did you get into another fight? I told you, old man,
anymore brawling and our deal was off.
Speaker 4 (06:24):
This time it was no fight.
Speaker 10 (06:25):
Bara knows about.
Speaker 3 (06:26):
That because police how could he know? Talk you fool?
Speaker 5 (06:31):
Fuck Please, monsieur, do not shake me my head.
Speaker 3 (06:33):
You'll be worse up if you don't tell me. How
do you know about that nose? Are you sure? He
isn't sure?
Speaker 5 (06:38):
I passed four of the five thousand francs, not to myself.
Speaker 3 (06:40):
We have so many.
Speaker 5 (06:42):
Please, it's that people. Mariande, she said, wanted me to
buy your key.
Speaker 3 (06:46):
I gave you what is the noun of that? Money?
Is to use in France, but for.
Speaker 8 (06:48):
Man to carry that but money around and not to
be able to use just a little.
Speaker 11 (06:51):
I never put in today's The shopkeeper turned in an alarm,
and before I knew it, I am being cheap.
Speaker 3 (06:56):
Listen, old man, another stunt like this and the police
won't have to change it. I'll get out. I'll call
you when I want to go over and watch the
blood off.
Speaker 2 (07:06):
Now are the only man I really was scared of
in the whole city of Baudeaux that I have a young,
dynamic comments of police. You had a reputation of fanassage
and integrity, which made jobs like.
Speaker 3 (07:15):
Mine very far from easy. You see, I was in
competition with the French government, who were both printing money.
Speaker 2 (07:22):
I was selling my currencies as sailors and traders on
the way to French West Africa are chances of detection
were much less. In a few days, I had the
point where the trader on his way down there, which
promised to be my biggest deal. But how much did
this man that I know? I had to find out
and made some inquiries.
Speaker 3 (07:45):
I can't understand how a girl like you could be
satisfied to be just a maid.
Speaker 2 (07:48):
Why with your looks and intelligence and personality you should
be on the stage, on the stage.
Speaker 5 (07:56):
No, I would tell you one thing at it. If
I were on the stage, I would be so than
she ever was. I never saw her, but to hear
her talk sometimes you don't think she was writer than
Evan Phantom.
Speaker 3 (08:06):
Who is this oh on my mistress?
Speaker 5 (08:08):
Of course, Madame Sophie Darrah.
Speaker 3 (08:10):
Is she an actress?
Speaker 5 (08:11):
But she was before she married monsieur Dara. She went
by the name of Sophie Avon.
Speaker 3 (08:16):
But if you ask her, how long have you worked
for Madam Bara? Oh? Listen?
Speaker 6 (08:19):
She is married two months ago, two months ago, and
she's still a bride, not a very act one.
Speaker 5 (08:24):
Sometimes I beat you so is terrible.
Speaker 3 (08:27):
I'm telling not terrible. Does it beat? No?
Speaker 5 (08:29):
It does nothing all the time. It is work, work works,
That is what she said to him last night. I
loved them as I was clearing the table.
Speaker 8 (08:38):
What's it all?
Speaker 4 (08:39):
I ever?
Speaker 2 (08:40):
Yet?
Speaker 9 (08:40):
Oh?
Speaker 3 (08:40):
I'm sorry.
Speaker 5 (08:41):
Day you never go anywhere together.
Speaker 8 (08:43):
Half the time, we don't even dine together. Is this
the way you treat your bride? Sometimes I'm not even
sure that you loved Sophie.
Speaker 3 (08:50):
This is not fair.
Speaker 4 (08:51):
Would I have married you?
Speaker 5 (08:52):
And if I did not love yours?
Speaker 3 (08:53):
See?
Speaker 5 (08:54):
You are ready your voice to me already.
Speaker 4 (08:55):
But I am only trying.
Speaker 6 (08:57):
I am only trying to tell you that I must
I loved you, as I would say.
Speaker 5 (09:01):
How you speaking the past? That means you no longer
love me?
Speaker 3 (09:04):
In the pray all?
Speaker 5 (09:04):
But I do, I do my little ones?
Speaker 6 (09:07):
Come here.
Speaker 3 (09:12):
Now? Do you believe me? My weisure? Sush, yes, my sweetness, Perhaps.
Speaker 8 (09:18):
We could go somewhere we seven, somewhere with music and
just a few people, and then what comes slowly.
Speaker 5 (09:23):
Together, just as we used to walk last spring in time.
Speaker 6 (09:26):
I wish, I wish we could, but I have to
go over some reports.
Speaker 5 (09:30):
No, you make me angry. You think you could set
my mind A he is with only one kid.
Speaker 3 (09:34):
Don't a kiss.
Speaker 5 (09:35):
It doesn't take up more than a few seconds of
your official time.
Speaker 3 (09:38):
Alsophie. You've got to try to understand.
Speaker 6 (09:41):
There are some things which I cannot think as to
anyone else, and this is one of them. The vicious
ring of counterfeitals has evidently decended on Bordeaux. We almost
got him in today, but we disappeared down in the waterfront.
But next time we will not fail. Meantime, I must
try to trace the blues to their sauceage.
Speaker 5 (09:56):
Is all very well, but it seems to me that
you are more concerned with your work when you why
was your door?
Speaker 4 (10:00):
Why you refuse to refuse to understand?
Speaker 5 (10:04):
You need to refuse to tell the truth. You say
you love me and you want to be with me,
and then.
Speaker 4 (10:08):
You don't don't want to get any more.
Speaker 1 (10:11):
I'm going to the office.
Speaker 5 (10:22):
See how it is. I hope you never opead me
like this.
Speaker 3 (10:27):
Don't worry about that.
Speaker 5 (10:28):
Surely you do not find this a depressing.
Speaker 3 (10:30):
I can't say that I do. In fact, I find
it quite inspiring.
Speaker 2 (10:33):
You have a good ear for you know good I
should almos appear them talking well, listening.
Speaker 5 (10:37):
It's the only thing that makes it interesting, to be amazing.
Speaker 3 (10:40):
You know, you're a very bright girl, even rater than
I thought.
Speaker 2 (10:42):
Supposing I put you and your packages into a cab tatoo.
Speaker 3 (10:46):
But all they do when they have money. You close
your warm little hand around this.
Speaker 2 (10:53):
So much.
Speaker 3 (10:55):
That's much as you deserve. A wrong idea.
Speaker 2 (10:58):
Keep those think little ears open, and tomorrow, if you
have some information for me, I give each one of
those things that he is a little kiss.
Speaker 3 (11:25):
Horse.
Speaker 1 (11:26):
And Wells returns. In just a moment is the third
man orson well As the third man continues with the Blue.
Speaker 2 (12:18):
Bride back at Latoire, he told me that a gentleman
was waiting in the back room, and it proved to
be the venerable Blackgun, who went by the aristocratic name
of Captain Dominique de Chateaubrion. Captain was engaged in trade
(12:40):
the natives of French West Africa. It was on him
that I hope to unload a large amount of my
counterfeit stuck change chance.
Speaker 3 (12:49):
What can I do with your captain?
Speaker 4 (12:50):
As you know, I am giving some natives in the interior, some.
Speaker 6 (12:54):
Visionaries has told them the value of their elect dies,
which I.
Speaker 4 (12:58):
Used to die for next to native how they want cash?
Speaker 2 (13:01):
In example, they are good and I value.
Speaker 6 (13:04):
If your money is as good as a year it is,
they will be quite happy with it until they try
to spend it off cloth. But by that time I
will be well out.
Speaker 3 (13:13):
Of the way. You agree with me, I a should
be happy with services.
Speaker 6 (13:18):
What is your denomination?
Speaker 3 (13:19):
Now that sounds like a personal question.
Speaker 4 (13:21):
I mean how large I've account of the bills?
Speaker 3 (13:23):
Five thousand trying outs? I mean I see one place
one here?
Speaker 6 (13:28):
Oh, very good or good enough for the clock your name,
I will need at least the fifty thousand of these notes.
Speaker 3 (13:36):
That's a lot of money.
Speaker 2 (13:36):
Captains, Well, that wasn't the in fact that I can
get the rest for my source and thirst even wait
the weakest.
Speaker 6 (13:41):
Yes, I can wait if you will guarantee to have
it here with new week, And that's a regular right.
Speaker 3 (13:46):
I agree, Priby. I am sure of what with you?
Speaker 2 (13:56):
So this big deal and they are thinking it became
necessary to show that I also for at least a
week or so.
Speaker 3 (14:01):
So the next morning I found.
Speaker 2 (14:02):
Out from my little friend Pauline at madame and I
spent most of her lonely afternoons sitting by herself in
a small cafe on the laver Rouge. That afternoon I
had to be sitting in lave Rouge when she arrived,
so I went over to a table and took my
head bad. But are you not Madame Sophie arbar of
the stage?
Speaker 3 (14:21):
Why here?
Speaker 5 (14:23):
I am got How did you know my name?
Speaker 3 (14:25):
Ah?
Speaker 2 (14:26):
I've often admired your work, yes, but a last I
never had the courage to come backstage and meet too
much as I wanted to.
Speaker 8 (14:33):
Well, this is marvelous to find someone who actually remembers
my name.
Speaker 3 (14:37):
And say, well, it's not a face to forget easily, maemoiselle.
Speaker 5 (14:41):
I am madam. Now it's your madame para.
Speaker 3 (14:44):
I beg your pardner did not know? That's quite all right?
Speaker 5 (14:48):
Want to see down.
Speaker 3 (14:49):
Well for just a minute, yes, if I'm not.
Speaker 5 (14:52):
Intruding now now, Jan what shows did you see me?
Speaker 3 (14:56):
At first? I'd be ask you a question, if you'll
forgive me? What are you doing in Bodo?
Speaker 2 (15:01):
You and I always imagine surrounded by the bride lights and.
Speaker 3 (15:04):
All the area.
Speaker 5 (15:05):
I came here with my husband.
Speaker 3 (15:07):
This is his zoom.
Speaker 5 (15:08):
I see he's a committee of.
Speaker 4 (15:10):
Police, a bottom.
Speaker 3 (15:11):
You don't say it must be a very interesting job
for him.
Speaker 5 (15:14):
It is interesting for me.
Speaker 3 (15:15):
It is dull, a great fellow.
Speaker 2 (15:18):
I'm right to talk this way to a stranger, just
that I'm a stranger who has known new I've been
interested in you for a long long time now.
Speaker 8 (15:24):
It is not fair to burden you with my troubles,
But today I am I'm just say blue.
Speaker 3 (15:29):
Oh, a blue bride, or if I can help it anyway, missie,
I'm so unhappy.
Speaker 5 (15:35):
I don't know what to do, a way to tell.
Speaker 3 (15:37):
Are you sure your husband loves you? Madam?
Speaker 6 (15:40):
Oh?
Speaker 8 (15:41):
Yes, I'm sure of this, and I know I just
love him. But at least something is unlike the way
the marriage will not last.
Speaker 3 (15:47):
Doesn't mean enough to you to try to say it. Yes, yes,
you're young and beautiful. You should be able to lure
any man away.
Speaker 5 (15:54):
From his JUDI, but my husband is not any man.
Speaker 2 (15:57):
Nonsense, nonsense, all you like confidence. You need to feel
more sure of yourself. And believe me, madame, you have
every right too. But what can I seems to me
that the only hope for both of you is to
get away from God over, away from everything that reminds
him of his work.
Speaker 3 (16:15):
Surely he has comfortable as systems to turn things over
is too weak or so?
Speaker 5 (16:18):
And see how I can get him to come away?
Do you have even at to postpone our.
Speaker 8 (16:22):
Animoon last spring because he was so big?
Speaker 3 (16:24):
More as your answer? Honeymoon true, and the sooner the better.
Speaker 5 (16:28):
But I know he won't leave his work, especially right now.
Speaker 2 (16:31):
He will if you forced the issue once and for all,
and if his marriage means anything to him?
Speaker 5 (16:36):
What do you mean false?
Speaker 2 (16:37):
I mean suppose you patch your bags. We're ready to
leave with all without it. Tell her if there's no honeymoon,
you're on your way back to Paris. For God they
are show you and.
Speaker 3 (16:46):
Your husband be enjoying a nice little crew somewhere.
Speaker 5 (16:49):
And oneerful all. I wish he could come through.
Speaker 2 (16:52):
Well, it can come true if only you won't lose
your courage.
Speaker 11 (16:55):
But I don't really want to leave him, even if
he will not do what I want but you to
make him believe that you would actually be Do you
think I can my idea, Sophia, you are an actress.
Speaker 5 (17:07):
Of course I am.
Speaker 3 (17:08):
I shall do it.
Speaker 5 (17:09):
I'll do it this very evenings. I can't tell you
how grateful.
Speaker 4 (17:13):
I am to you.
Speaker 5 (17:14):
And now I must go home and make preparations.
Speaker 3 (17:16):
Look out, it started raining again. You have umbrella?
Speaker 8 (17:18):
No no, I ran out the house without one taken.
Speaker 5 (17:20):
Oh no, I cried, Oh thank you, Monsieur.
Speaker 3 (17:24):
You are a true print, and I wish you both
much happiness. My parents were going well.
Speaker 2 (17:40):
The next morning, Pulleine told me that Monsieur and Madame
Bara had certainly decided to take a little trip.
Speaker 3 (17:45):
They were leaving the next day for a week or so.
Speaker 2 (17:46):
Believe me, I breathed a sigh of relief. The day
after their schedule departure on the Old Duke Honeymoon, I
got a wire from Tennis and to pick up a
ship full of money from my carrier with a rash
short at the airport. So I met the carrier, take
up the suitcase full of phony five thousand francs knows
and nail the cab sail past. I tried another and
I started to walk back to the city. I didn't
know at the time. That's in a black police limousine
(18:08):
not far away. A conversation or something like this.
Speaker 3 (18:11):
Was going on.
Speaker 5 (18:12):
Oh, I'm so happy you will really be alone time.
Speaker 6 (18:16):
I must confess. I am not sorry you past me
into this position. I'm happy myself.
Speaker 3 (18:20):
This little vacation will be so good for us.
Speaker 4 (18:22):
Well, who was there here?
Speaker 3 (18:27):
Who is it?
Speaker 5 (18:28):
Is he the kind gentleman from the cafie. I don't
even know his name, but we owe everything to.
Speaker 3 (18:33):
Him because I have no idea what you're talking about?
Speaker 5 (18:35):
Oh he sure, lip stop? I must speak to him.
Speaker 6 (18:37):
For oh you you mean the man with the suit
kill what he's going in the other direction?
Speaker 5 (18:43):
We have time? Will please? It means so much to
me as a driver, and follow.
Speaker 6 (18:47):
Him or I don't know what feminine madness this is,
but today I can refuse you, not.
Speaker 5 (18:53):
Me, you know the madness.
Speaker 8 (18:54):
I just want to see a few words with him
and return a piece of his property, probably.
Speaker 5 (18:58):
Put it among your things.
Speaker 2 (18:59):
Fine, Oh why dupo turning around and follow the man
with a suitcase.
Speaker 4 (19:05):
Call him on him? Maybe you stopped there, you with
the suitcase?
Speaker 10 (19:08):
Stop only walking?
Speaker 3 (19:11):
Oh?
Speaker 5 (19:11):
Time, big gets through this traffic somehow and just learned better.
Speaker 4 (19:14):
Dupot, turn on the sign.
Speaker 3 (19:18):
I think the boy shouting at you stop.
Speaker 2 (19:21):
I could only think of getting away, and actually and
then when I heard the siren, that was the end.
I turned a car and I cracked and started to run,
and after all one was carrying a fortune and drown
to the bills and a police car with a sirens
close behind.
Speaker 3 (19:32):
And I cut across a little park to the other
side of town, and I over the shoulder off the
first end.
Speaker 2 (19:39):
Oh, you smack into a little man in a white suit.
The heavy bager was carrying through me a balanced room
and a drama enough for him to grab.
Speaker 3 (19:47):
Me by the lapels with a broad smile.
Speaker 2 (19:49):
I thought about dismay that it was the event helpful
professors and people.
Speaker 4 (19:54):
Lime, How fortunate that I should have done in follow
It was really you, I.
Speaker 2 (19:57):
Mean to me. I'm in her office and I want
to ask.
Speaker 6 (20:01):
You about that workman who felt through the roof the
other How easy if I could be other n I
to them, or if anything, you get out of my way.
Speaker 4 (20:12):
I'm surprised that you.
Speaker 3 (20:13):
I know you are a busy man, but I pushed
him roughly out of my way and ran on the daniable.
Seconds has been lost.
Speaker 2 (20:19):
I reached the other side of the party I call
a day. A long black car round at the corner
and I recognized him, so I started to run again.
I ran up the steps of a large building. I
realized it was the public driver and decided to seek
refuge there. But the weight I was carrying made me
trip on one of the stone steps, and I lost
my balance and the suitcase went flying skinned my knee
and my palms of my hands were all bruised. Old
man insisted on helping me. He might be fussing over me.
(20:41):
My suitcase had rolled down the steps. The old man
chased it.
Speaker 3 (20:43):
I couldn't wait.
Speaker 2 (20:44):
The only thing in my mind at the moment is escape.
I have an aversion in the French jails. I ran
up with the big brass doors at the top of
the steps. So just as I reached the entrance, a
uniform gard was stretching a metal grill work across it.
Speaker 3 (20:55):
He was most polite.
Speaker 6 (20:56):
Sis the day you will have to wait and do them.
Speaker 3 (21:00):
I ran down the steps again.
Speaker 2 (21:02):
Nicole sweat I heard in the street, heard the shriek
of breaks the narrowness by truck, rid On ran smack
into the arms of a traffic policeman. Gandan held my
arm firmly and stopped the truck to ball out the driver.
Speaker 5 (21:16):
I'm familiar with you. Didn't you see this man who
almost kill him?
Speaker 4 (21:20):
Where against you?
Speaker 5 (21:22):
Not against him? You're managed to pedestriate this poor man here.
Speaker 9 (21:25):
Let me officer.
Speaker 7 (21:26):
It's quite already your part, monsieur, but I am here
to protict. You're right, I must be total listen.
Speaker 2 (21:31):
So I was forced to stand there with a policeman
in the middle of the busy street while he upbraided
the driver.
Speaker 3 (21:36):
The siren grew closer and closer.
Speaker 2 (21:38):
When the Gandan finally released me and I reached the
other side of the street, another whistled with all that man.
In a flash, I felt to Gendane Scader in my
arm again and we were standing beside the black.
Speaker 4 (21:50):
Please, well, sir, you'll give us a medy.
Speaker 3 (21:53):
Jason, what was all?
Speaker 8 (21:55):
Where did you when it's your you? Yes, it is
I whom you advised to see. You can remember I
saw you from the carn.
Speaker 5 (22:02):
I wanted to say thank you and give you the your.
Speaker 2 (22:05):
Umbressa my umbrella did you that.
Speaker 9 (22:11):
Oh, now, perhaps you will explain your anxiety to avoid
usn't well, And this is very embarrassing, really, especially since
this is a police card.
Speaker 3 (22:23):
See it was the siren.
Speaker 2 (22:25):
I have a phoby about siren ever since I was
a child and had to run from.
Speaker 3 (22:29):
A buriding house and had the same unreasoning fear. No
matter how much I analyzed it, it's it's something I
just can't control. I have to run. Yes, I feel
like a fool, but that's the way it is.
Speaker 2 (22:39):
Every time there's a fire in the neighborhood.
Speaker 3 (22:40):
I have one of these same running fits. All sirens
sound alike to me, Professor.
Speaker 6 (22:49):
When I saw you from the other side of the
street and I came over to see, what was the matter?
Speaker 3 (22:55):
Do you know these men? I do?
Speaker 4 (22:57):
This is up lime a little scholar who is even
bord for such Oh?
Speaker 2 (23:01):
Yes, that's right, Yes, well, perhaps you are right. This
was a stroke of black. For once, the helpful professor
really helped. He continued to talk to about me until
the policeman's suspicions abated. I was finally able to say
my goodbyes and start walking away from the group, and
Sophia Barah called after me you headed your kids.
Speaker 7 (23:22):
I must have dropped it well, which we will help
you to find. Oh no, don't bother, I'll get it.
Speaker 1 (23:45):
Harry Lyme returns in just a month, and now Harry lying.
Speaker 2 (24:47):
By this time I was running again. I glanced back
over my shoulder, just in time to see the old
man gesticulating excitedly of the suitcase and holding up a
fat packet of cricke notes. I can imagine that the
last fury, when he realized he let the price slip
through his fingers, was equaled only by Sophies when she
realized the identity of her friendly family counselor. I wonder
(25:08):
whether she ever got her honeymoon. I heard the siren
again in a few seconds, but this time I made
good bye head start, and as the sun sank over
the CEI bet farewell to beautiful Bordeaux, to my beautiful
little waterfront business, to the beautiful blue bride.
Speaker 3 (26:01):
In it, and.
Speaker 10 (26:29):
In its intent to schools in exact an
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