May 22, 2025 • 28 mins
Chronicles the exploits of a charismatic con artist, offering a glimpse into his schemes and the moral ambiguities of his adventures. The narratives blend wit with suspense.
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Episode Transcript
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Speaker 1 (00:22):
Presenting Orson Wells as the Third Man, the lives of
Harry Lyon, the fabulous stories of the immortal character originally
created in the motion picture The Third Man with Zipper
(00:44):
music by Anton kra.
Speaker 2 (00:54):
I always say money isn't everything. That's what I say.
I mean it too.
Speaker 3 (01:00):
In fact, I've always considered a generous basis for a deal.
I take the money and you take the reddit. Once
that you don't agree, I listened to this story. It
all began on a boat, and there was a girl
involved the time. My doctor always tells me there's nothing
like a quiet sea voyage to put you on your feet,
(01:20):
and my experience is just the reverse. Besides, the sea
always makes me sick.
Speaker 1 (02:15):
And now Orson well as Harry Lyon the Third Man
in cher set La gem.
Speaker 3 (02:23):
It all began on a slow boat to China, and
I mean a slow boat to China, to like the song,
only without the music, but only a couple of days
out of San Francisco, and while I'd be Honolulu and
I'd be getting off but not yet, not the middle
of the Pacific, and I was so bored I was
almost tempted to try. That's how come I paid so
much attention to that couple. It's just another married couple.
He wasn't much face, very palo, It's not all he
(02:44):
could remember. But his young wife had a very attractive
manner among her other assets.
Speaker 2 (02:50):
We caught each other's.
Speaker 3 (02:51):
Eye once or twice, which didn't seem to bother much
except in a nice way, and we got acquainted the
next night. They were always quarreling, a couple of as cubes,
little thing and a mister peyo face. I don't know
why whenever I saw them over in the midst of
some kind of squabble. And now at the ship's bar,
mister bail faced, darn fool that he was, picked himself
up and walked off, leaving her there. And you've got
to say one thing for me. I let him get
(03:11):
out the door. Then I counted a fast three and
strolled over to her table.
Speaker 2 (03:15):
May I join you? I wish you would. Are you
drinking Ryan water?
Speaker 3 (03:20):
I wait there, Bryan water in a Scotch? Yes?
Speaker 2 (03:25):
At last, at last, What what a foolish girl we meet?
Speaker 4 (03:31):
Tell me a day and a half that you've been
giving me the one sober not so lightly.
Speaker 2 (03:35):
We've wasted a day and a half of our lives.
Speaker 5 (03:37):
Mm.
Speaker 2 (03:38):
You say the right things, mister h.
Speaker 3 (03:41):
Let's just get acquainted.
Speaker 2 (03:42):
Names can come.
Speaker 4 (03:42):
Later, you know what, what you say the right thing?
Speaker 2 (03:46):
He said that before. It's worth repeating her name.
Speaker 3 (03:51):
As a matter of fact, we just keep the record
straight with Anne and Bristy. She was blonde, kind of
likes to drink, and I didn't scourge by the time
I got up on the boat back and it was beginning.
Speaker 2 (04:03):
To feel the uh motion of the ship.
Speaker 3 (04:08):
Sorry, are you feelings me? You're feeling fine?
Speaker 5 (04:15):
HM?
Speaker 2 (04:15):
Say that one good HM, and I just keep holding on.
Speaker 4 (04:21):
It's all right with me to be man, Harry. Mm
got something to confess to you, but I can guess
what it is.
Speaker 2 (04:29):
You're not married to that guy you were fighting with. Oh, No,
I'm married for I'm all right.
Speaker 4 (04:33):
You wouldn't think, son, No, I wanted to confess something else.
Have got too much to drink, Harry?
Speaker 2 (04:41):
How about you?
Speaker 3 (04:42):
Oh, I've had too much of that move What do
you mean, bluck? A few more days it would be
full and I don't know what will happen to me,
and I.
Speaker 4 (04:49):
Just hope I'm around when it does.
Speaker 6 (04:51):
Harry, mm, my.
Speaker 3 (04:53):
Your romantic occasionally honey, occasionally when I have the time.
Speaker 4 (04:58):
See what made you think I wasn't married?
Speaker 2 (05:00):
Set it in him?
Speaker 3 (05:01):
I saw you're quarreling all over the boat.
Speaker 2 (05:03):
Should have known you?
Speaker 3 (05:04):
What?
Speaker 4 (05:05):
Yeah? You think that after a guy spends five.
Speaker 1 (05:08):
Years and Jay?
Speaker 2 (05:08):
Yeah?
Speaker 4 (05:10):
Yes, cause I shouldn't have told you that. Should I have,
I wouldn't accept that.
Speaker 2 (05:17):
So I where friends aren't waiting? That moon's nudging me again?
Speaker 4 (05:23):
Oh, Harry, I love your kisses.
Speaker 2 (05:26):
Uh, don't tell me your troubles on you. Let's just
be friends.
Speaker 4 (05:30):
If you're a friend, you should want.
Speaker 2 (05:31):
To listen to me. He's got a point.
Speaker 4 (05:34):
Why shouldn't I tell you more?
Speaker 2 (05:36):
Nice?
Speaker 4 (05:38):
Joe just got out and we're heading for Honolulu to
try to find his old power at james they put
a job together. Joe is caught, but Jameson got away
with seventy five thousand.
Speaker 2 (05:48):
Dollars and jewels. That's very interesting. Keep it to yourself, Harry.
Speaker 6 (05:53):
Oh sure, Joe's very suspicious and he can be mean.
Speaker 2 (05:55):
My middle name is mom.
Speaker 4 (05:57):
Joel's find him, let him trace the vallula.
Speaker 2 (06:01):
Jamison was always a second for warm Weather. Uh.
Speaker 3 (06:04):
Five years is a long time. Jemersonster Cashton, those.
Speaker 4 (06:07):
Jewish you know uh huh, they're still hot and Jameson
is a very cautious character. I want set oh who
at Jamison Sure opened my sir.
Speaker 3 (06:22):
H and I only looked at the picture of that.
Jenson also transferred it from her purse to my pocket.
She's probably frightened because of what she spilled and didn't
want to bump into me, so I didn't see her
for the rest of the trip. But I'll tell you
the truth, I didn't much care. I wasn't bored anymore.
I had an interest in life. When we got down Lula,
(06:49):
I didn't waste any time taking in the sights. I
knew Joe Racy wasn't wasting any either, and first come,
first served, no.
Speaker 2 (07:00):
Boat.
Speaker 3 (07:01):
I never seen the face before. I was taking all
the love I looky your father dove now sure?
Speaker 2 (07:06):
Sure he never eat my father shop?
Speaker 3 (07:09):
Sure not.
Speaker 2 (07:13):
Well? My com.
Speaker 6 (07:16):
My pasta to so many people in face I remember
not on twenty five, not saying.
Speaker 2 (07:23):
I had checked.
Speaker 3 (07:24):
But I don't know how many people and places but
ed Jennison didn't get around much your parents. I was
beginning to wonder if.
Speaker 2 (07:29):
This wasn't a wild boose chase. The fifth night of
my search. I was resting my.
Speaker 3 (07:32):
Tired legs in my hotel room and thinking this foundedly
of seventy five thousand dollars worth of jewels when.
Speaker 7 (07:42):
We come in, Harry Lyon, that's right. I guess you
know me and I've seen you, but I wouldn't say
I know you stopped playing games, kiddo, I said, I don't.
I'm Joe Bussy. The husband of the baby got tight
with on the boat.
Speaker 3 (07:59):
Happened to mine to get tired with wives? Which husband
to you? I mean, which wife was yours?
Speaker 2 (08:03):
A wise guy? Uh, listen to you.
Speaker 3 (08:06):
I carry a gun and I'm another skuy Interesting, it's
not important.
Speaker 2 (08:09):
Why I tell me?
Speaker 3 (08:10):
And asking around for Jamison.
Speaker 7 (08:11):
I heard somebody else was asking too, And I know
Anne talks too much when she drinks too.
Speaker 2 (08:16):
Much, so you twisted her arm in a manner of speaking.
And see this is it a gun?
Speaker 3 (08:21):
Papa.
Speaker 7 (08:22):
You'll stop looking for at Jamison or one of these
little slugs will get in your way.
Speaker 2 (08:26):
See I do have some dope on Jamison. Cut me in.
Speaker 3 (08:29):
I'll tell you I won't cut you in, and you'll
tell me only if you cut me in. There's a
silence around this gun.
Speaker 7 (08:35):
Line, and I'm com.
Speaker 2 (08:36):
Until three one two? Really would shoot me? Okay, okay,
can you doing that?
Speaker 3 (08:43):
Yesterday he was seeing surfboard riding in front of the
Royal Hawaiian Hotel.
Speaker 7 (08:47):
You lie through your teeth, kiddo. Jamison is a bad ticker.
You can no more ride a surfboard than.
Speaker 3 (08:54):
You can pull a fast one on me. Now listen
to hear mister line.
Speaker 7 (08:58):
Remember what I said, layoff, or you'll be a man
with a bullet hole through his head.
Speaker 2 (09:09):
Joe Grizzy's remark that Jamison.
Speaker 3 (09:11):
Had a bad hut gave me an idea and began.
Speaker 2 (09:14):
Checking hospitals and doctors and then one afternoon, are you
the nurse in charge? Yes?
Speaker 7 (09:20):
What can I do for you?
Speaker 3 (09:21):
If you will take a look at my badge, we'll
check you on someone. We only have this photograph to
go by.
Speaker 2 (09:27):
Here it is I know who he is or died
here several months ago. He left a white step.
Speaker 3 (09:34):
Do you know where they live? Yes, at least we.
Speaker 6 (09:36):
Probably have a record of their address.
Speaker 2 (09:38):
They around rooming house on King Street. If you'll wait
a monument, I'll get it for you. Yes, I'm looking
for a room and I have to see your sign outside.
Speaker 6 (10:01):
Won't you step in?
Speaker 4 (10:02):
Oh?
Speaker 2 (10:02):
Thank you?
Speaker 6 (10:04):
And my mother does all the vengings. I'll have to
see what's available.
Speaker 2 (10:08):
I'm disappointed in you.
Speaker 6 (10:09):
What do you mean?
Speaker 2 (10:11):
I was hoping you speak digion English.
Speaker 3 (10:13):
I'm getting to like it.
Speaker 6 (10:14):
I apologize, but four years at the university have knocked
it out of me.
Speaker 3 (10:18):
Well, occasionally a man gets bored, even with charming digion English.
Speaker 2 (10:22):
I like yours.
Speaker 6 (10:24):
Are you in the island for the king?
Speaker 2 (10:25):
Not for my health?
Speaker 6 (10:26):
You don't look seat.
Speaker 2 (10:27):
I'm not. I want to go on being healthy.
Speaker 6 (10:30):
How long are you staying?
Speaker 8 (10:32):
Oh?
Speaker 2 (10:33):
Depends on whether you let me take you to dinner
every night of every day.
Speaker 6 (10:37):
See you don't get any grass grow under your feet.
Speaker 2 (10:40):
Well, life is short. It's the longest. Am I right?
My mother would like you, and she's your mother, I'd
like her too.
Speaker 6 (10:47):
Where is she on the island of Hawaiian? Our family
is having a law and I'm joining them tomorrow.
Speaker 2 (10:52):
Absoluta, I forgot you knew here.
Speaker 6 (10:55):
It's a feat.
Speaker 3 (10:56):
Well, now, isn't mona lawa erupting on Hawaii?
Speaker 6 (10:59):
Yes, Sammy doesn't give me the book.
Speaker 3 (11:01):
You're part of wine.
Speaker 6 (11:03):
My father was Scotch. That makes me a happa hola.
That means half and half.
Speaker 2 (11:07):
Not if every girl was a half a while all,
like I say, is about a stunning world.
Speaker 6 (11:11):
We'd have take you easy, or I might expect your
invitation to dinner.
Speaker 3 (11:15):
If I say something, you'll be angry. I'll say it anyway.
You are the most beautiful girl I have ever seen.
Are you engaged?
Speaker 2 (11:23):
No? Married?
Speaker 6 (11:24):
Nope?
Speaker 2 (11:25):
Boyfriend? And those ear rings you're wearing they don't spoil
the scenery either.
Speaker 6 (11:30):
Oh, they own invitation m naturally.
Speaker 2 (11:33):
Naturally, I wouldn't expect them to be rubies or anything.
Speaker 6 (11:35):
Like that, though they do cost a few dollars.
Speaker 2 (11:39):
When we're all friends, let me introduce myself.
Speaker 3 (11:41):
I'm Harry Lyone.
Speaker 2 (11:42):
I'm pleased to meet you, like friend Moana. Were you
named after a?
Speaker 6 (11:50):
That's right?
Speaker 3 (11:51):
I give me a volcano every time.
Speaker 2 (11:52):
But I'll take you and leave mon A Loa to
the sight seers.
Speaker 6 (11:55):
But Mona Lord is much more exciting than that.
Speaker 2 (11:57):
Impossible.
Speaker 6 (11:58):
Let me pay you a compliment too. Sending you a
room is a positive delight.
Speaker 3 (12:04):
Don't answer it.
Speaker 6 (12:05):
Business is business.
Speaker 2 (12:06):
I'm fun.
Speaker 6 (12:07):
I still haven't accepted you invitation to dinner. What can
I do for you?
Speaker 3 (12:15):
I wanna run a room?
Speaker 6 (12:17):
Come in jee?
Speaker 2 (12:18):
Sure if you.
Speaker 6 (12:21):
Two gentlemen, well, just wait here. I'll go upstairs and
see what we have.
Speaker 3 (12:27):
He didn't take my warning. Seriously, did your kiddle kind
of man look for a room when he's living in a.
Speaker 2 (12:32):
Hotel to expense?
Speaker 7 (12:33):
It funny that you should just happen to pick the
family Jamison who was married to Yeah, I see you.
I have all the information all at kiddo, and now.
Speaker 3 (12:41):
Here's where your information won't do you a bit of good.
I'd put that gun away if I were.
Speaker 2 (12:45):
You, mister Brissy, but you ain't mean, mister Lyon. The
girls are a good look at you.
Speaker 3 (12:51):
I'll take care of her in the meantime, So long forever, kiddo.
Speaker 2 (12:56):
This is a rooming house.
Speaker 3 (12:57):
People are around.
Speaker 2 (12:58):
I don't hear them.
Speaker 3 (12:59):
They won't hear me. So I once told you that
there's silence around this gun.
Speaker 2 (13:05):
Why up? What's the right?
Speaker 6 (13:10):
What you done?
Speaker 3 (13:13):
It happens to be his. I just removed it from
him against his will. Get up, Get up, mister Brissey.
Speaker 6 (13:20):
What happened?
Speaker 2 (13:21):
Well? As soon as you left, this.
Speaker 3 (13:23):
Character began mumbling to himself. Before I knew what he
uipped up his gun put it into his head.
Speaker 2 (13:27):
Mister, what do you want to commit suicide for? You're
a fool, don't you.
Speaker 3 (13:30):
Know There's as much to worry about down theirs up here.
I'll beat it before I call the cops. Next time
you think you have trouble, that's the first person you
meet about theirs. Boy chef, that's the matter, Mona.
Speaker 6 (13:45):
I don't know. Just seeing that gun, he will be
all right.
Speaker 2 (13:49):
Tell you on, let's have lunch together. Two.
Speaker 3 (13:50):
I'm starve, all right?
Speaker 2 (13:53):
Is there room for me?
Speaker 3 (13:53):
I want to wash it.
Speaker 6 (13:56):
Upstairs to the life. How much two dollars a day?
Speaker 2 (13:58):
Make it three? I'm happy, but I'll order next to
do that. Morana. Get that look of fear out of
your eyes. It's a now. Besides, I like my girls
to look happy.
Speaker 3 (14:27):
Horse and Wells returns. In just a moment, there's the
third man.
Speaker 1 (15:21):
And now orson Wells as the third man continues with
Chershay log jam.
Speaker 3 (15:32):
Whenever you're ready, Mana.
Speaker 2 (15:34):
I sat down with a cigarette, said they had a
funny feeling.
Speaker 3 (15:40):
Manna.
Speaker 2 (15:43):
No answer went through the apartment fast, no mourner.
Speaker 3 (15:49):
I rushed outside, just some time to see her get
in the cab with the suitcase and drive on. She
probably suspected something as long as she had what I
was sure was in her grip.
Speaker 2 (15:56):
I didn't care.
Speaker 3 (15:57):
Luck would have it. There wasn't a cab around.
Speaker 8 (15:59):
But finally, hey, happy the waterfront and row it. I'll
make us speed you're rolling, mister, hang on? Is there
a boat leaving for a while?
Speaker 2 (16:10):
A flying fish? But I don't think you'll catch him.
I think he's gone already. Pib of though, one's next
boat tomorrow.
Speaker 3 (16:17):
And he pulled up to the pier, the flying fish
with one hundred jimes away and thinking up steam.
Speaker 2 (16:21):
I could swim, but not that fast. You'll just miss him.
A boat is a her. You want to go to Hawaii?
That's the general idea.
Speaker 3 (16:29):
A cab doesn't ride on water, does it?
Speaker 2 (16:31):
Airplane goes there soon?
Speaker 3 (16:33):
Okay, buster to the airport. The plane wasn't leaving for
a few hours, but it'll still beat the flying fish
to a wire. With plenty of time to spare. I
spent the afternoon being careful and staying outside. I didn't
want to thank with Joe Brissy again. The plane was crowded,
(16:55):
everybody wanted to see more, and a low an eruption
I sat back in my seat, watched the blue green
ocean below. Someone up the front moved and there was
something about his movement. Yes, I was Jege was seen.
Speaker 2 (17:13):
He pretended to be asleep.
Speaker 3 (17:15):
I knew then that this character would have to be
taken care of. I was first off the plane, managed
to give Joe the slip, hired a car and drove
to near the pier, where I waited for the flying
Fish to dock. Sure enough, Muana was on it. She
(17:37):
was met by a handsome Hawaiian woman, probably her mother,
and I drove off and I followed at a safe distance.
When we arrived at the beach, her family, laure was
in full swing. Oh weren't we having lunch together?
Speaker 2 (17:51):
I was angry with you, but then I said forgive
and forget. So I forget. But I couldn't forget. So
here I am. You came what EL would come here for.
Speaker 6 (18:01):
I'm sorry I ran off like that Harry. That man
got me all. I'm strong and I wanted to be
near my food.
Speaker 2 (18:06):
That's understandable.
Speaker 6 (18:07):
So will you forgive me again? Please?
Speaker 3 (18:10):
I forgive you again without a please? What are we
waiting for?
Speaker 8 (18:12):
It?
Speaker 6 (18:13):
For you to take me in your arm.
Speaker 2 (18:15):
That's the easiest thing I've ever done in all my life.
I'm the easiest by far.
Speaker 6 (18:23):
Yes, don't talk so.
Speaker 2 (18:25):
Much, all I get you.
Speaker 6 (18:28):
Hey, m hmm, I could really like you, just care me.
Speaker 2 (18:34):
Why what would happen if you really went for me?
Speaker 6 (18:39):
Monna me A friend of mine uncle said you are welcome, sir.
Speaker 2 (18:43):
And even if you are not a friend of Moanna's
but a friend of the people.
Speaker 6 (18:47):
You are welcome to.
Speaker 3 (18:48):
Oh, thank you.
Speaker 2 (18:49):
Come. We will give you to eat.
Speaker 7 (18:51):
Show any good things peep wrecked in palm leaves and
roasted in the ground, fish fruits and okay.
Speaker 9 (18:58):
Dohright, scept your invitation.
Speaker 3 (19:01):
But first I want to go back to Elo and
get some okaloo out to bring to your law.
Speaker 2 (19:06):
But that is not necess heavy. We have too much
now I feel.
Speaker 3 (19:10):
Better, though, I'd really like to bring you, so don't
you want me to feel good?
Speaker 6 (19:14):
All right, get in, I'll drive you.
Speaker 2 (19:20):
Oh.
Speaker 3 (19:21):
I don't want to take you away from your.
Speaker 2 (19:22):
Folks more honor either. The liquor stores are angel well,
I can ask, can I?
Speaker 6 (19:28):
Besides? I want to be with you someone jams. You
should have told you instead of your car.
Speaker 2 (19:36):
I was too anxious to see you always.
Speaker 6 (19:39):
Be that way for me, Harry, anxious.
Speaker 2 (19:43):
You can meet her the car.
Speaker 6 (19:44):
Yes, the mad w it's the same man who tried
to shoot himself.
Speaker 3 (19:48):
Looks, I cannot that step on you. Maybe has an
INTROMI followed me, and I can tell these people.
Speaker 8 (19:55):
And the same to you.
Speaker 2 (19:57):
John her I'm only doing on him as he would
do under me. I won't be following us anymore, flat tire.
I think we should report him tomorrow.
Speaker 3 (20:12):
Tomorrow, tonight, let's enjoy ourselves. Hey, you just passed the
liquor store.
Speaker 6 (20:24):
Did I?
Speaker 2 (20:25):
Where are you going?
Speaker 6 (20:27):
I don't really know, Harry.
Speaker 2 (20:28):
Let's stop the car, stop it, I said, all right,
let's hear it.
Speaker 3 (20:37):
That's the idea that.
Speaker 6 (20:38):
Two keys in the back of this car is the idea.
Speaker 2 (20:40):
Harry. Oh so you saw me put it there?
Speaker 3 (20:45):
Yes?
Speaker 6 (20:46):
And the man who followed us, he was after the
same thing. When you're both fought in my house. I
didn't believe your story.
Speaker 2 (20:52):
Why not? It was a It was a good story.
Speaker 6 (20:55):
You said you were a tourist. A tourist doesn't.
Speaker 3 (20:57):
Carry a gun MANA trouble with you is you have
a suspicious nature. Hey, Hey, where are you going to
look at the moon.
Speaker 6 (21:07):
There's a beautiful view on the cliff. Here, come out
of the car, Harry.
Speaker 3 (21:12):
Okay, honey, I'm as romantic as the next thing, I guess.
Speaker 2 (21:17):
But listen, honey, where do you stand about the jewels?
Speaker 6 (21:19):
Oh, Harry, I don't care about the jewels. Look at
this movie.
Speaker 2 (21:24):
It's a great moon. Kid. I don't know how I
saw a better one. But seventy five thousand bucks worth
of Hey, Hey, that's the break off a herd moment. Hey, good,
try to stop it.
Speaker 6 (21:32):
You cut, you cut, Harry.
Speaker 3 (21:34):
It's the pardon of the bee.
Speaker 2 (21:46):
Whew. That was a close one.
Speaker 3 (21:50):
I almost went over with it. I managed to save
this at the risk of my life. I grabbed at
the back seat, and this is what I came up with.
Speaker 2 (21:59):
I of scotch. Hey, you didn't tell me about the scotch.
Speaker 6 (22:03):
You didn't tell me about the Jews.
Speaker 2 (22:05):
Are at the bottle of the Pacific Ocean.
Speaker 4 (22:07):
That's all right.
Speaker 6 (22:08):
The car is probably insured.
Speaker 3 (22:09):
Oh, the car is probably insured.
Speaker 2 (22:11):
So everything's fine, isn't What about the jewels?
Speaker 3 (22:14):
We can't just stand here, all right? Gets it down
more on my honey, Honey, seventy five thousand dollars of
your money, it was as good as money just fell
into the sea.
Speaker 6 (22:25):
But it wasn't mine anymore, you take sure.
Speaker 2 (22:28):
Sure, but we could have worked something out.
Speaker 6 (22:31):
Sit down, Harry, hear next to me, and stop running.
The trouble with you is you haven't been long enough
on these irons.
Speaker 2 (22:39):
What happens if they stay?
Speaker 6 (22:41):
See the pause of the moon, Harry, partling underwater. Those
are the real jewels, a lot more real than those
other things.
Speaker 3 (22:51):
You know what I think.
Speaker 2 (22:52):
I think you slipped that brake intentional. I think you're
just crazy enough to do it.
Speaker 6 (22:56):
I hated them, really, I did my stepfather when he
told my mother about him the day before he died.
And then we would have turned them in, except that
we were afraid. We didn't know what to do. We
didn't want to bring shame on his head. He had
been good to it.
Speaker 2 (23:12):
I mean, your stepfather was a crook, honey, not in
his heart.
Speaker 6 (23:16):
In his heart, he was a good man like you, oh, Harry.
I wanted us to go on liking each other. That's
why I let the car slide off the cliff.
Speaker 3 (23:26):
Honey. Seventy five thousand dollars wouldn't make me like you
any less. But you okay, Okay, I haven't been on
the islands long enough.
Speaker 6 (23:37):
Don't you think you ought to kiss me?
Speaker 2 (23:40):
Harry?
Speaker 3 (23:41):
Neither that had to rush you in after the car Oh, Harry,
I sell for the kiss, but first you give me
some of that scotch.
Speaker 6 (23:48):
I needed to give you carriage to kiss me, No.
Speaker 3 (23:52):
To cheer me up after the shock of losing all
that door.
Speaker 6 (23:56):
Harry, look at the moon, look at me nothing.
Speaker 2 (24:03):
Money.
Speaker 6 (24:05):
Money can't buy your hands or happiness.
Speaker 2 (24:08):
No, But I have it around so I can choose
the type of misery that's most agreeable to me. Okay,
I know.
Speaker 9 (24:16):
When I'm elect, Harry, lime returns in just a moment,
(25:35):
and now Verry lie.
Speaker 3 (25:51):
You know, sometimes when I see the moonlight reflected on
the scene, I find myself thinking about that.
Speaker 2 (25:58):
She believed that.
Speaker 3 (25:59):
Goes where you find it.
Speaker 2 (26:01):
That's which we both agree.
Speaker 3 (26:04):
The only difference is that I made a career out
of looking for it in the most unlikely places.
Speaker 8 (26:10):
It in.
Speaker 5 (27:02):
Its man to disappoint them.
Presenting Orson Wells as the Third Man, the lives of
Harry Lyon, the fabulous stories of the immortal character originally
created in the motion picture The Third Man with Zipper
(00:44):
music by Anton kra.
Speaker 2 (00:54):
I always say money isn't everything. That's what I say.
I mean it too.
Speaker 3 (01:00):
In fact, I've always considered a generous basis for a deal.
I take the money and you take the reddit. Once
that you don't agree, I listened to this story. It
all began on a boat, and there was a girl
involved the time. My doctor always tells me there's nothing
like a quiet sea voyage to put you on your feet,
(01:20):
and my experience is just the reverse. Besides, the sea
always makes me sick.
Speaker 1 (02:15):
And now Orson well as Harry Lyon the Third Man
in cher set La gem.
Speaker 3 (02:23):
It all began on a slow boat to China, and
I mean a slow boat to China, to like the song,
only without the music, but only a couple of days
out of San Francisco, and while I'd be Honolulu and
I'd be getting off but not yet, not the middle
of the Pacific, and I was so bored I was
almost tempted to try. That's how come I paid so
much attention to that couple. It's just another married couple.
He wasn't much face, very palo, It's not all he
(02:44):
could remember. But his young wife had a very attractive
manner among her other assets.
Speaker 2 (02:50):
We caught each other's.
Speaker 3 (02:51):
Eye once or twice, which didn't seem to bother much
except in a nice way, and we got acquainted the
next night. They were always quarreling, a couple of as cubes,
little thing and a mister peyo face. I don't know
why whenever I saw them over in the midst of
some kind of squabble. And now at the ship's bar,
mister bail faced, darn fool that he was, picked himself
up and walked off, leaving her there. And you've got
to say one thing for me. I let him get
(03:11):
out the door. Then I counted a fast three and
strolled over to her table.
Speaker 2 (03:15):
May I join you? I wish you would. Are you
drinking Ryan water?
Speaker 3 (03:20):
I wait there, Bryan water in a Scotch? Yes?
Speaker 2 (03:25):
At last, at last, What what a foolish girl we meet?
Speaker 4 (03:31):
Tell me a day and a half that you've been
giving me the one sober not so lightly.
Speaker 2 (03:35):
We've wasted a day and a half of our lives.
Speaker 5 (03:37):
Mm.
Speaker 2 (03:38):
You say the right things, mister h.
Speaker 3 (03:41):
Let's just get acquainted.
Speaker 2 (03:42):
Names can come.
Speaker 4 (03:42):
Later, you know what, what you say the right thing?
Speaker 2 (03:46):
He said that before. It's worth repeating her name.
Speaker 3 (03:51):
As a matter of fact, we just keep the record
straight with Anne and Bristy. She was blonde, kind of
likes to drink, and I didn't scourge by the time
I got up on the boat back and it was beginning.
Speaker 2 (04:03):
To feel the uh motion of the ship.
Speaker 3 (04:08):
Sorry, are you feelings me? You're feeling fine?
Speaker 5 (04:15):
HM?
Speaker 2 (04:15):
Say that one good HM, and I just keep holding on.
Speaker 4 (04:21):
It's all right with me to be man, Harry. Mm
got something to confess to you, but I can guess
what it is.
Speaker 2 (04:29):
You're not married to that guy you were fighting with. Oh, No,
I'm married for I'm all right.
Speaker 4 (04:33):
You wouldn't think, son, No, I wanted to confess something else.
Have got too much to drink, Harry?
Speaker 2 (04:41):
How about you?
Speaker 3 (04:42):
Oh, I've had too much of that move What do
you mean, bluck? A few more days it would be
full and I don't know what will happen to me,
and I.
Speaker 4 (04:49):
Just hope I'm around when it does.
Speaker 6 (04:51):
Harry, mm, my.
Speaker 3 (04:53):
Your romantic occasionally honey, occasionally when I have the time.
Speaker 4 (04:58):
See what made you think I wasn't married?
Speaker 2 (05:00):
Set it in him?
Speaker 3 (05:01):
I saw you're quarreling all over the boat.
Speaker 2 (05:03):
Should have known you?
Speaker 3 (05:04):
What?
Speaker 4 (05:05):
Yeah? You think that after a guy spends five.
Speaker 1 (05:08):
Years and Jay?
Speaker 2 (05:08):
Yeah?
Speaker 4 (05:10):
Yes, cause I shouldn't have told you that. Should I have,
I wouldn't accept that.
Speaker 2 (05:17):
So I where friends aren't waiting? That moon's nudging me again?
Speaker 4 (05:23):
Oh, Harry, I love your kisses.
Speaker 2 (05:26):
Uh, don't tell me your troubles on you. Let's just
be friends.
Speaker 4 (05:30):
If you're a friend, you should want.
Speaker 2 (05:31):
To listen to me. He's got a point.
Speaker 4 (05:34):
Why shouldn't I tell you more?
Speaker 2 (05:36):
Nice?
Speaker 4 (05:38):
Joe just got out and we're heading for Honolulu to
try to find his old power at james they put
a job together. Joe is caught, but Jameson got away
with seventy five thousand.
Speaker 2 (05:48):
Dollars and jewels. That's very interesting. Keep it to yourself, Harry.
Speaker 6 (05:53):
Oh sure, Joe's very suspicious and he can be mean.
Speaker 2 (05:55):
My middle name is mom.
Speaker 4 (05:57):
Joel's find him, let him trace the vallula.
Speaker 2 (06:01):
Jamison was always a second for warm Weather. Uh.
Speaker 3 (06:04):
Five years is a long time. Jemersonster Cashton, those.
Speaker 4 (06:07):
Jewish you know uh huh, they're still hot and Jameson
is a very cautious character. I want set oh who
at Jamison Sure opened my sir.
Speaker 3 (06:22):
H and I only looked at the picture of that.
Jenson also transferred it from her purse to my pocket.
She's probably frightened because of what she spilled and didn't
want to bump into me, so I didn't see her
for the rest of the trip. But I'll tell you
the truth, I didn't much care. I wasn't bored anymore.
I had an interest in life. When we got down Lula,
(06:49):
I didn't waste any time taking in the sights. I
knew Joe Racy wasn't wasting any either, and first come,
first served, no.
Speaker 2 (07:00):
Boat.
Speaker 3 (07:01):
I never seen the face before. I was taking all
the love I looky your father dove now sure?
Speaker 2 (07:06):
Sure he never eat my father shop?
Speaker 3 (07:09):
Sure not.
Speaker 2 (07:13):
Well? My com.
Speaker 6 (07:16):
My pasta to so many people in face I remember
not on twenty five, not saying.
Speaker 2 (07:23):
I had checked.
Speaker 3 (07:24):
But I don't know how many people and places but
ed Jennison didn't get around much your parents. I was
beginning to wonder if.
Speaker 2 (07:29):
This wasn't a wild boose chase. The fifth night of
my search. I was resting my.
Speaker 3 (07:32):
Tired legs in my hotel room and thinking this foundedly
of seventy five thousand dollars worth of jewels when.
Speaker 7 (07:42):
We come in, Harry Lyon, that's right. I guess you
know me and I've seen you, but I wouldn't say
I know you stopped playing games, kiddo, I said, I don't.
I'm Joe Bussy. The husband of the baby got tight
with on the boat.
Speaker 3 (07:59):
Happened to mine to get tired with wives? Which husband
to you? I mean, which wife was yours?
Speaker 2 (08:03):
A wise guy? Uh, listen to you.
Speaker 3 (08:06):
I carry a gun and I'm another skuy Interesting, it's
not important.
Speaker 2 (08:09):
Why I tell me?
Speaker 3 (08:10):
And asking around for Jamison.
Speaker 7 (08:11):
I heard somebody else was asking too, And I know
Anne talks too much when she drinks too.
Speaker 2 (08:16):
Much, so you twisted her arm in a manner of speaking.
And see this is it a gun?
Speaker 3 (08:21):
Papa.
Speaker 7 (08:22):
You'll stop looking for at Jamison or one of these
little slugs will get in your way.
Speaker 2 (08:26):
See I do have some dope on Jamison. Cut me in.
Speaker 3 (08:29):
I'll tell you I won't cut you in, and you'll
tell me only if you cut me in. There's a
silence around this gun.
Speaker 7 (08:35):
Line, and I'm com.
Speaker 2 (08:36):
Until three one two? Really would shoot me? Okay, okay,
can you doing that?
Speaker 3 (08:43):
Yesterday he was seeing surfboard riding in front of the
Royal Hawaiian Hotel.
Speaker 7 (08:47):
You lie through your teeth, kiddo. Jamison is a bad ticker.
You can no more ride a surfboard than.
Speaker 3 (08:54):
You can pull a fast one on me. Now listen
to hear mister line.
Speaker 7 (08:58):
Remember what I said, layoff, or you'll be a man
with a bullet hole through his head.
Speaker 2 (09:09):
Joe Grizzy's remark that Jamison.
Speaker 3 (09:11):
Had a bad hut gave me an idea and began.
Speaker 2 (09:14):
Checking hospitals and doctors and then one afternoon, are you
the nurse in charge? Yes?
Speaker 7 (09:20):
What can I do for you?
Speaker 3 (09:21):
If you will take a look at my badge, we'll
check you on someone. We only have this photograph to
go by.
Speaker 2 (09:27):
Here it is I know who he is or died
here several months ago. He left a white step.
Speaker 3 (09:34):
Do you know where they live? Yes, at least we.
Speaker 6 (09:36):
Probably have a record of their address.
Speaker 2 (09:38):
They around rooming house on King Street. If you'll wait
a monument, I'll get it for you. Yes, I'm looking
for a room and I have to see your sign outside.
Speaker 6 (10:01):
Won't you step in?
Speaker 4 (10:02):
Oh?
Speaker 2 (10:02):
Thank you?
Speaker 6 (10:04):
And my mother does all the vengings. I'll have to
see what's available.
Speaker 2 (10:08):
I'm disappointed in you.
Speaker 6 (10:09):
What do you mean?
Speaker 2 (10:11):
I was hoping you speak digion English.
Speaker 3 (10:13):
I'm getting to like it.
Speaker 6 (10:14):
I apologize, but four years at the university have knocked
it out of me.
Speaker 3 (10:18):
Well, occasionally a man gets bored, even with charming digion English.
Speaker 2 (10:22):
I like yours.
Speaker 6 (10:24):
Are you in the island for the king?
Speaker 2 (10:25):
Not for my health?
Speaker 6 (10:26):
You don't look seat.
Speaker 2 (10:27):
I'm not. I want to go on being healthy.
Speaker 6 (10:30):
How long are you staying?
Speaker 8 (10:32):
Oh?
Speaker 2 (10:33):
Depends on whether you let me take you to dinner
every night of every day.
Speaker 6 (10:37):
See you don't get any grass grow under your feet.
Speaker 2 (10:40):
Well, life is short. It's the longest. Am I right?
My mother would like you, and she's your mother, I'd
like her too.
Speaker 6 (10:47):
Where is she on the island of Hawaiian? Our family
is having a law and I'm joining them tomorrow.
Speaker 2 (10:52):
Absoluta, I forgot you knew here.
Speaker 6 (10:55):
It's a feat.
Speaker 3 (10:56):
Well, now, isn't mona lawa erupting on Hawaii?
Speaker 6 (10:59):
Yes, Sammy doesn't give me the book.
Speaker 3 (11:01):
You're part of wine.
Speaker 6 (11:03):
My father was Scotch. That makes me a happa hola.
That means half and half.
Speaker 2 (11:07):
Not if every girl was a half a while all,
like I say, is about a stunning world.
Speaker 6 (11:11):
We'd have take you easy, or I might expect your
invitation to dinner.
Speaker 3 (11:15):
If I say something, you'll be angry. I'll say it anyway.
You are the most beautiful girl I have ever seen.
Are you engaged?
Speaker 2 (11:23):
No? Married?
Speaker 6 (11:24):
Nope?
Speaker 2 (11:25):
Boyfriend? And those ear rings you're wearing they don't spoil
the scenery either.
Speaker 6 (11:30):
Oh, they own invitation m naturally.
Speaker 2 (11:33):
Naturally, I wouldn't expect them to be rubies or anything.
Speaker 6 (11:35):
Like that, though they do cost a few dollars.
Speaker 2 (11:39):
When we're all friends, let me introduce myself.
Speaker 3 (11:41):
I'm Harry Lyone.
Speaker 2 (11:42):
I'm pleased to meet you, like friend Moana. Were you
named after a?
Speaker 6 (11:50):
That's right?
Speaker 3 (11:51):
I give me a volcano every time.
Speaker 2 (11:52):
But I'll take you and leave mon A Loa to
the sight seers.
Speaker 6 (11:55):
But Mona Lord is much more exciting than that.
Speaker 2 (11:57):
Impossible.
Speaker 6 (11:58):
Let me pay you a compliment too. Sending you a
room is a positive delight.
Speaker 3 (12:04):
Don't answer it.
Speaker 6 (12:05):
Business is business.
Speaker 2 (12:06):
I'm fun.
Speaker 6 (12:07):
I still haven't accepted you invitation to dinner. What can
I do for you?
Speaker 3 (12:15):
I wanna run a room?
Speaker 6 (12:17):
Come in jee?
Speaker 2 (12:18):
Sure if you.
Speaker 6 (12:21):
Two gentlemen, well, just wait here. I'll go upstairs and
see what we have.
Speaker 3 (12:27):
He didn't take my warning. Seriously, did your kiddle kind
of man look for a room when he's living in a.
Speaker 2 (12:32):
Hotel to expense?
Speaker 7 (12:33):
It funny that you should just happen to pick the
family Jamison who was married to Yeah, I see you.
I have all the information all at kiddo, and now.
Speaker 3 (12:41):
Here's where your information won't do you a bit of good.
I'd put that gun away if I were.
Speaker 2 (12:45):
You, mister Brissy, but you ain't mean, mister Lyon. The
girls are a good look at you.
Speaker 3 (12:51):
I'll take care of her in the meantime, So long forever, kiddo.
Speaker 2 (12:56):
This is a rooming house.
Speaker 3 (12:57):
People are around.
Speaker 2 (12:58):
I don't hear them.
Speaker 3 (12:59):
They won't hear me. So I once told you that
there's silence around this gun.
Speaker 2 (13:05):
Why up? What's the right?
Speaker 6 (13:10):
What you done?
Speaker 3 (13:13):
It happens to be his. I just removed it from
him against his will. Get up, Get up, mister Brissey.
Speaker 6 (13:20):
What happened?
Speaker 2 (13:21):
Well? As soon as you left, this.
Speaker 3 (13:23):
Character began mumbling to himself. Before I knew what he
uipped up his gun put it into his head.
Speaker 2 (13:27):
Mister, what do you want to commit suicide for? You're
a fool, don't you.
Speaker 3 (13:30):
Know There's as much to worry about down theirs up here.
I'll beat it before I call the cops. Next time
you think you have trouble, that's the first person you
meet about theirs. Boy chef, that's the matter, Mona.
Speaker 6 (13:45):
I don't know. Just seeing that gun, he will be
all right.
Speaker 2 (13:49):
Tell you on, let's have lunch together. Two.
Speaker 3 (13:50):
I'm starve, all right?
Speaker 2 (13:53):
Is there room for me?
Speaker 3 (13:53):
I want to wash it.
Speaker 6 (13:56):
Upstairs to the life. How much two dollars a day?
Speaker 2 (13:58):
Make it three? I'm happy, but I'll order next to
do that. Morana. Get that look of fear out of
your eyes. It's a now. Besides, I like my girls
to look happy.
Speaker 3 (14:27):
Horse and Wells returns. In just a moment, there's the
third man.
Speaker 1 (15:21):
And now orson Wells as the third man continues with
Chershay log jam.
Speaker 3 (15:32):
Whenever you're ready, Mana.
Speaker 2 (15:34):
I sat down with a cigarette, said they had a
funny feeling.
Speaker 3 (15:40):
Manna.
Speaker 2 (15:43):
No answer went through the apartment fast, no mourner.
Speaker 3 (15:49):
I rushed outside, just some time to see her get
in the cab with the suitcase and drive on. She
probably suspected something as long as she had what I
was sure was in her grip.
Speaker 2 (15:56):
I didn't care.
Speaker 3 (15:57):
Luck would have it. There wasn't a cab around.
Speaker 8 (15:59):
But finally, hey, happy the waterfront and row it. I'll
make us speed you're rolling, mister, hang on? Is there
a boat leaving for a while?
Speaker 2 (16:10):
A flying fish? But I don't think you'll catch him.
I think he's gone already. Pib of though, one's next
boat tomorrow.
Speaker 3 (16:17):
And he pulled up to the pier, the flying fish
with one hundred jimes away and thinking up steam.
Speaker 2 (16:21):
I could swim, but not that fast. You'll just miss him.
A boat is a her. You want to go to Hawaii?
That's the general idea.
Speaker 3 (16:29):
A cab doesn't ride on water, does it?
Speaker 2 (16:31):
Airplane goes there soon?
Speaker 3 (16:33):
Okay, buster to the airport. The plane wasn't leaving for
a few hours, but it'll still beat the flying fish
to a wire. With plenty of time to spare. I
spent the afternoon being careful and staying outside. I didn't
want to thank with Joe Brissy again. The plane was crowded,
(16:55):
everybody wanted to see more, and a low an eruption
I sat back in my seat, watched the blue green
ocean below. Someone up the front moved and there was
something about his movement. Yes, I was Jege was seen.
Speaker 2 (17:13):
He pretended to be asleep.
Speaker 3 (17:15):
I knew then that this character would have to be
taken care of. I was first off the plane, managed
to give Joe the slip, hired a car and drove
to near the pier, where I waited for the flying
Fish to dock. Sure enough, Muana was on it. She
(17:37):
was met by a handsome Hawaiian woman, probably her mother,
and I drove off and I followed at a safe distance.
When we arrived at the beach, her family, laure was
in full swing. Oh weren't we having lunch together?
Speaker 2 (17:51):
I was angry with you, but then I said forgive
and forget. So I forget. But I couldn't forget. So
here I am. You came what EL would come here for.
Speaker 6 (18:01):
I'm sorry I ran off like that Harry. That man
got me all. I'm strong and I wanted to be
near my food.
Speaker 2 (18:06):
That's understandable.
Speaker 6 (18:07):
So will you forgive me again? Please?
Speaker 3 (18:10):
I forgive you again without a please? What are we
waiting for?
Speaker 8 (18:12):
It?
Speaker 6 (18:13):
For you to take me in your arm.
Speaker 2 (18:15):
That's the easiest thing I've ever done in all my life.
I'm the easiest by far.
Speaker 6 (18:23):
Yes, don't talk so.
Speaker 2 (18:25):
Much, all I get you.
Speaker 6 (18:28):
Hey, m hmm, I could really like you, just care me.
Speaker 2 (18:34):
Why what would happen if you really went for me?
Speaker 6 (18:39):
Monna me A friend of mine uncle said you are welcome, sir.
Speaker 2 (18:43):
And even if you are not a friend of Moanna's
but a friend of the people.
Speaker 6 (18:47):
You are welcome to.
Speaker 3 (18:48):
Oh, thank you.
Speaker 2 (18:49):
Come. We will give you to eat.
Speaker 7 (18:51):
Show any good things peep wrecked in palm leaves and
roasted in the ground, fish fruits and okay.
Speaker 9 (18:58):
Dohright, scept your invitation.
Speaker 3 (19:01):
But first I want to go back to Elo and
get some okaloo out to bring to your law.
Speaker 2 (19:06):
But that is not necess heavy. We have too much
now I feel.
Speaker 3 (19:10):
Better, though, I'd really like to bring you, so don't
you want me to feel good?
Speaker 6 (19:14):
All right, get in, I'll drive you.
Speaker 2 (19:20):
Oh.
Speaker 3 (19:21):
I don't want to take you away from your.
Speaker 2 (19:22):
Folks more honor either. The liquor stores are angel well,
I can ask, can I?
Speaker 6 (19:28):
Besides? I want to be with you someone jams. You
should have told you instead of your car.
Speaker 2 (19:36):
I was too anxious to see you always.
Speaker 6 (19:39):
Be that way for me, Harry, anxious.
Speaker 2 (19:43):
You can meet her the car.
Speaker 6 (19:44):
Yes, the mad w it's the same man who tried
to shoot himself.
Speaker 3 (19:48):
Looks, I cannot that step on you. Maybe has an
INTROMI followed me, and I can tell these people.
Speaker 8 (19:55):
And the same to you.
Speaker 2 (19:57):
John her I'm only doing on him as he would
do under me. I won't be following us anymore, flat tire.
I think we should report him tomorrow.
Speaker 3 (20:12):
Tomorrow, tonight, let's enjoy ourselves. Hey, you just passed the
liquor store.
Speaker 6 (20:24):
Did I?
Speaker 2 (20:25):
Where are you going?
Speaker 6 (20:27):
I don't really know, Harry.
Speaker 2 (20:28):
Let's stop the car, stop it, I said, all right,
let's hear it.
Speaker 3 (20:37):
That's the idea that.
Speaker 6 (20:38):
Two keys in the back of this car is the idea.
Speaker 2 (20:40):
Harry. Oh so you saw me put it there?
Speaker 3 (20:45):
Yes?
Speaker 6 (20:46):
And the man who followed us, he was after the
same thing. When you're both fought in my house. I
didn't believe your story.
Speaker 2 (20:52):
Why not? It was a It was a good story.
Speaker 6 (20:55):
You said you were a tourist. A tourist doesn't.
Speaker 3 (20:57):
Carry a gun MANA trouble with you is you have
a suspicious nature. Hey, Hey, where are you going to
look at the moon.
Speaker 6 (21:07):
There's a beautiful view on the cliff. Here, come out
of the car, Harry.
Speaker 3 (21:12):
Okay, honey, I'm as romantic as the next thing, I guess.
Speaker 2 (21:17):
But listen, honey, where do you stand about the jewels?
Speaker 6 (21:19):
Oh, Harry, I don't care about the jewels. Look at
this movie.
Speaker 2 (21:24):
It's a great moon. Kid. I don't know how I
saw a better one. But seventy five thousand bucks worth
of Hey, Hey, that's the break off a herd moment. Hey, good,
try to stop it.
Speaker 6 (21:32):
You cut, you cut, Harry.
Speaker 3 (21:34):
It's the pardon of the bee.
Speaker 2 (21:46):
Whew. That was a close one.
Speaker 3 (21:50):
I almost went over with it. I managed to save
this at the risk of my life. I grabbed at
the back seat, and this is what I came up with.
Speaker 2 (21:59):
I of scotch. Hey, you didn't tell me about the scotch.
Speaker 6 (22:03):
You didn't tell me about the Jews.
Speaker 2 (22:05):
Are at the bottle of the Pacific Ocean.
Speaker 4 (22:07):
That's all right.
Speaker 6 (22:08):
The car is probably insured.
Speaker 3 (22:09):
Oh, the car is probably insured.
Speaker 2 (22:11):
So everything's fine, isn't What about the jewels?
Speaker 3 (22:14):
We can't just stand here, all right? Gets it down
more on my honey, Honey, seventy five thousand dollars of
your money, it was as good as money just fell
into the sea.
Speaker 6 (22:25):
But it wasn't mine anymore, you take sure.
Speaker 2 (22:28):
Sure, but we could have worked something out.
Speaker 6 (22:31):
Sit down, Harry, hear next to me, and stop running.
The trouble with you is you haven't been long enough
on these irons.
Speaker 2 (22:39):
What happens if they stay?
Speaker 6 (22:41):
See the pause of the moon, Harry, partling underwater. Those
are the real jewels, a lot more real than those
other things.
Speaker 3 (22:51):
You know what I think.
Speaker 2 (22:52):
I think you slipped that brake intentional. I think you're
just crazy enough to do it.
Speaker 6 (22:56):
I hated them, really, I did my stepfather when he
told my mother about him the day before he died.
And then we would have turned them in, except that
we were afraid. We didn't know what to do. We
didn't want to bring shame on his head. He had
been good to it.
Speaker 2 (23:12):
I mean, your stepfather was a crook, honey, not in
his heart.
Speaker 6 (23:16):
In his heart, he was a good man like you, oh, Harry.
I wanted us to go on liking each other. That's
why I let the car slide off the cliff.
Speaker 3 (23:26):
Honey. Seventy five thousand dollars wouldn't make me like you
any less. But you okay, Okay, I haven't been on
the islands long enough.
Speaker 6 (23:37):
Don't you think you ought to kiss me?
Speaker 2 (23:40):
Harry?
Speaker 3 (23:41):
Neither that had to rush you in after the car Oh, Harry,
I sell for the kiss, but first you give me
some of that scotch.
Speaker 6 (23:48):
I needed to give you carriage to kiss me, No.
Speaker 3 (23:52):
To cheer me up after the shock of losing all
that door.
Speaker 6 (23:56):
Harry, look at the moon, look at me nothing.
Speaker 2 (24:03):
Money.
Speaker 6 (24:05):
Money can't buy your hands or happiness.
Speaker 2 (24:08):
No, But I have it around so I can choose
the type of misery that's most agreeable to me. Okay,
I know.
Speaker 9 (24:16):
When I'm elect, Harry, lime returns in just a moment,
(25:35):
and now Verry lie.
Speaker 3 (25:51):
You know, sometimes when I see the moonlight reflected on
the scene, I find myself thinking about that.
Speaker 2 (25:58):
She believed that.
Speaker 3 (25:59):
Goes where you find it.
Speaker 2 (26:01):
That's which we both agree.
Speaker 3 (26:04):
The only difference is that I made a career out
of looking for it in the most unlikely places.
Speaker 8 (26:10):
It in.
Speaker 5 (27:02):
Its man to disappoint them.
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