July 17, 2025 • 29 mins
Chronicles the exploits of a charismatic con artist, offering a glimpse into his schemes and the moral ambiguities of his adventures. The narratives blend wit with suspense.
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Episode Transcript
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Speaker 1 (00:24):
Presenting Orson Welles as the Third Man and the lives
of Harry Lyon, the fabulous stories of the immortal character
originally created in the motion picture of The Third Man
with souther music by Anton Tallis.
Speaker 2 (00:55):
That was the shot that killed Harry Lyon. He died
in a sewer beneath Fienna. Those of you know who
saw the movie The Third Man, Yes, that was the
end of Harry Lime, but it's not the beginning. Harry
Lime had many lines, and I can recount all of them.
Speaker 3 (01:15):
How do I know? Listen because my name is Harry Light.
Speaker 4 (01:33):
Yes, yes, yes, come on, speak of Oh yes, he well,
you can tell Corporam. I want to see him right now.
Speaker 2 (01:46):
You know it's funny, But all during my military career,
I've never seen to be able to force myself to
be very fond of the brats. You've got to have
an army, you've got to have the brass, I suppose, but.
Speaker 3 (01:58):
I don't honestly see.
Speaker 1 (01:59):
What And now Orson Welles as Harry Lyme the third
(02:57):
man in today's story the Third Woman.
Speaker 4 (03:05):
You know something Copper lines, No, sir, if we could
prove half of this stuff in this file, you'd be
celebrating your hundredth birthday in a military prison.
Speaker 2 (03:12):
Yes, sir, yes, shut up and listen.
Speaker 4 (03:15):
You report to the address on this slip of paper.
It's a tailor on Sava Road. The tailor has his instructions.
He used to make your three suits, including the full
soup and fish and the whole outfense, to be ready
in forty eight hours. Isn't that awful? Yes, sir, Wait
a minute, it gets worse. You go to the Savoy Hotel.
You know where that is, Yes, sir, a room is
reserved there for you. Your register's a civilian for purpose
(03:35):
is a cut in red tape.
Speaker 3 (03:36):
You're going to be a civilian.
Speaker 4 (03:37):
But here are your papers. You'd be taking a trip
pretty soon. Yes, we're sending you away from all these bombs.
It's discouraging sell you. This whole arm is as nutty
as a fruitcake. I didn't say that. I did our line.
Don't see you didn't look at these papers, Yes, sir,
see how you're traveling?
Speaker 3 (03:53):
Right? Yeah? Yes, but this must be a joke. Oh,
it's funny, all right, but it's true.
Speaker 4 (03:58):
There's an Allied command and then you were on our
holiday corporate life, and you're traveling as a civilian with
the rank of full colonel.
Speaker 2 (04:12):
That's what I mean about brass an unfriendly attitude, unnecessary,
I call it mine.
Speaker 3 (04:16):
Couldn't the major been nice?
Speaker 2 (04:19):
Well, I don't know if he wanted. I guess it
wouldn't have been a major, cause you look at it
that way. I was gonna have to begin changing my
loyalties because according to my new papers, I was part
of the brass now like so, I got my new
suits and then they sent me to see a certain
Captain Smith.
Speaker 3 (04:32):
And I don't think that was his real name.
Speaker 2 (04:34):
It was something very high in the hush hush departments,
and that was the name I was to call him
by when we met. This was all set up for
midnight on the right side of Cleopatra's needle. When I
tell you, the whole thing was so close could and
dagger and maybe they wanted a giggle, But of course
I didn't, uh huh, very careful to play it straight.
I didn't wanna lose my nice new wardrobe. I say,
(04:57):
couldn't you give me a light way months of a
to show aize?
Speaker 3 (05:01):
Let's correct? And what was in the bottle Jenkins's ears? Good? Oh?
How did Morgan die, he died.
Speaker 5 (05:09):
A governor, splendid mister Limon all the answers perfectly correct
silly question. Silly answers too, come to think of it.
But the silliness makes it easier to remember. I always
think that the monics engineer that's right.
Speaker 6 (05:23):
Were all right if you say so, Captain Smith. Now
let's get down to cases.
Speaker 5 (05:27):
We've borrowed you from your people, Lime, because of your
special qualifications, languages looks certain rather celebrated aptitude for the
opposite six and the fair show of unmitigated ball. Yes,
don't call me sir. Remember this is in the army.
Not strictly speaking, this is another show. What do you
think of spying, Lime, I do know.
Speaker 3 (05:47):
I never try.
Speaker 5 (05:48):
It's a dirty business, of course, absolutely filthy. But then
it's a professional like anything else, sir. But I suppose
for one thing, the payers are abominable and as less so
many of the regular pros turn double agent on it.
You know what a double agent is, don't you.
Speaker 2 (06:02):
Well that's an age who sells out to another powers
in years, but on the most of that not.
Speaker 3 (06:08):
Of course, we use them when we can, but it's.
Speaker 5 (06:10):
Always sticky, no doubt about that sticky Well. First of all,
of course, we're not dealing with soldiers or patriots, and
no money arrangement as ever, rarely final or binding, and
that's why we have to use pressure. There are different
sorts of pressure, don't you know. There's black veiled listen
another one of those vv too's, and that was in Chelsea.
(06:30):
Balling weapons, aren't they guided miss isles. I'll tell you
something lying because it's going to be part of your job.
Speaker 3 (06:36):
This feed too is nothing.
Speaker 6 (06:37):
Jetty's getting ready with something a good deal worse. In
the same line, there ten times worse. According to our information.
They's somewhere in Europe, more than a hundred feet underground.
There's a factory where they're busy perfecting quite a new thing.
Speaker 3 (06:50):
We've got to stop. Some lime want to help.
Speaker 5 (06:53):
Oh sure you didn't ever happen to meet a female
named Brunel ditto?
Speaker 3 (06:58):
I don't think so. Brunell also brown, also broom, But
that doesn't bring any bills.
Speaker 6 (07:04):
No, well, maybe when you see her, there'll be a
small chime or two. She's been around, and so I gather,
have you right, I've been around a bit.
Speaker 2 (07:12):
Chapters says that I don't know you're Brunel.
Speaker 5 (07:15):
Brown or Brune reddish blond, sometimes auburn, gray eyes. Rabitt
Toall's beata language is perfectly five or six more well another.
She's been a professional agent for more than fifteen years.
Good at her work too. Yes, she's quite valuable to us.
Off and on this it appears as one of the
off times, very much of she was due to send
us something rather important.
Speaker 3 (07:35):
You know, I give you a hint about that.
Speaker 2 (07:37):
By you mean the new rocket fact, Brunel has information
about where it is, and she won't said it.
Speaker 3 (07:42):
Worse, she's given us false information.
Speaker 7 (07:45):
We think she really did manage to find out.
Speaker 3 (07:46):
Where this new guided missile of.
Speaker 5 (07:48):
Thing is being bud And we guess she isn't telling
us the truth because the Germans have some sort of
hold over her blackmail or something paste And we'd like
you to see if you can't get some sort of
line on.
Speaker 3 (07:58):
Just what it is. We don't really expect you succeed,
but not go down and have a try, won't you? Yes?
But what do I do? Where do I go?
Speaker 5 (08:04):
We'll receive sealed instructions when you get on the plane
on the details background all.
Speaker 3 (08:08):
That sort of thing.
Speaker 6 (08:09):
Yes, but what do you mean to see that car
across the way? I see a car I was waiting
to take you to the airport.
Speaker 3 (08:15):
Well, good hunting pilot. Pilot is that doesn't look like
the Pasporus to me?
Speaker 7 (08:29):
It looks like the Atlantic.
Speaker 3 (08:30):
Ghostani Stust, doesn't it.
Speaker 7 (08:31):
But don't you already says in my instruction asn't.
Speaker 8 (08:33):
Tell that you know those constructions first to see I
told very well, but I'm under orgist.
Speaker 3 (08:37):
We see this stambul and.
Speaker 6 (08:38):
Here we are?
Speaker 7 (08:40):
Where are we anywhere else?
Speaker 3 (08:41):
Is flights some part of your show at all? It
just happened to be getting you see what I mean.
It's a little out of your way.
Speaker 6 (08:47):
Of course, it's an awful lot of red tape attached
to getting in and out of these new instructions. One
there's going to be someone at your chat's waiting to
take your rest to your journey tomorrow morning.
Speaker 3 (08:55):
Mean, why I relax and enjoy Lisbon.
Speaker 6 (08:56):
We're coming in there.
Speaker 9 (08:57):
So that's where we are.
Speaker 3 (08:58):
Yes, you've read to pass me your seat belt, which
that dass been sure enough?
Speaker 2 (09:12):
There, I mean, all fix it up for a flight
to Turkey in the morning. I wasn't complaining. Uh, there
weren't ney rockets falling on Lisbon? Anyway, It's always been
one of my favorite places for having a good time.
I checked into the hotel, changed into my nice new
white tie and tails, and took a camp out to
the casino at this to reel, what are you doing
(09:37):
in Lisbon?
Speaker 10 (09:37):
My dear and I two things a trip the first
day is never and that it's absolutely necessary to address
a friend by name.
Speaker 6 (09:45):
After all, you know one's name and not see one's
name any load.
Speaker 3 (09:47):
I don't find out that. What's the second rule, which
is the most psychone you observe? It's very kept.
Speaker 2 (09:52):
Find that your conciers expect me to obey the laws.
Speaker 3 (09:55):
I don't know it. You asked me what I was
doing in Lisbon? Oh, well that's it sharing.
Speaker 10 (10:00):
No matter what's the publication, we never, never, under any circumstances,
ask each other what we are doing in Lisbon.
Speaker 3 (10:07):
I'm what I'm doing, don't for why not? It's a job.
Speaker 2 (10:11):
Oh yes, I represent the biggest Swedish manufacturers at Ball Bearings,
and tomorrow I'm going up to.
Speaker 11 (10:17):
Stockholm to stop by way of the snowboo.
Speaker 3 (10:20):
You mean you know?
Speaker 10 (10:21):
Surely in Lisbon these days everyone knows everything about everybody,
and no one asks anybody anything. The first is a
question of pride and the second of polifts. It's very
warm in here. Should we go out on the terrace and.
Speaker 3 (10:34):
Allow answer that I wanna? Lest I tell you in code?
Do you like it here in Lisbon?
Speaker 9 (10:40):
Or?
Speaker 2 (10:41):
Am I breaking the rules again? I have my work,
and of course I mustn't ask you what the work is.
Speaker 3 (10:46):
You know, I remember when you used to be and.
Speaker 2 (10:47):
I said, well, I'm working conference during in Cairo and
try to avoid the council with these five different countries.
Speaker 3 (10:52):
But you were nearly so secret. Okay, okay, well we're
allowed to talk about now. Yeah, why should we talk?
That's true, I shouldn't.
Speaker 9 (11:06):
That was a nice kiss.
Speaker 3 (11:07):
You still do that very nicely, Eric, But what's the joke?
You are such a terrible spine. Listen. I've always liked
to I'm not working for your people, but I know
what you have to.
Speaker 6 (11:22):
Don't call to stamboul I haven't got me a choice one.
I think i'd go anywhere, you know, make sure as
as a cat. Why shouldn't I go?
Speaker 8 (11:29):
They put you onto something terribly big.
Speaker 3 (11:31):
It's terribly important. Oh, it's very flattering, isn't it? Tell me?
What do you know about a woman called Bruneo?
Speaker 10 (11:37):
She's been an agent a long time. I don't know her,
but I've seen her once in some of it and
again in the real I hear she's clever. They're watching
from the terrace. I must go back now, but please,
I do not go to Wistonboo. It's not the woman
brune It is the situation. I'll tell you how.
Speaker 3 (11:54):
It's too big for an Amat, It's too big for anyone.
I would they give me a chance? Why why have
sent you?
Speaker 6 (12:00):
Because you are so experienced less, you know, you.
Speaker 3 (12:03):
Know, you know what.
Speaker 10 (12:05):
People like you are sent on missions like this because
you don't matter at all, that is why. Because they
don't care what happens to you, not one little bit,
because you are how you're saying expendables.
Speaker 7 (12:31):
Wis and Wells returns in just a moment as the third.
Speaker 1 (12:34):
Man Awson Wells As the third man continues to today's story,
(13:25):
the third woman.
Speaker 2 (13:30):
We made good time is Tembul and only a few
nastyness and I've got a couple of messagements.
Speaker 3 (13:35):
Are going to get on that sales to.
Speaker 6 (13:36):
Five eleven o'clock.
Speaker 3 (13:37):
That evening.
Speaker 2 (13:37):
All my arrangements were made, and I was carefully dressed
once again in my nice new English white tie and tails.
I made my way straight to georgeis and upholstered sewer
masquerading as a nightclub, left my top half of the
check girl and called for the headwaiter.
Speaker 8 (13:54):
Good evening, sir, you are lone messieurs times.
Speaker 3 (13:56):
I can get my year.
Speaker 7 (13:57):
Table near the floor.
Speaker 3 (13:59):
Ten yours, Georgia.
Speaker 2 (14:00):
I beg, pardon you hurt me?
Speaker 3 (14:02):
George? George yet? Yes, where is he? That's no one
here by that name, sir. It's just for you. How
thank you, sir, Thank you very much. Please come this way.
Speaker 6 (14:13):
Oh yes, sir, thanks, if you.
Speaker 3 (14:17):
Will step through the kitchen, sir.
Speaker 7 (14:21):
Yeah, we are to step up with the man.
Speaker 3 (14:26):
That's what's easy.
Speaker 9 (14:27):
It's a gentleman here who says he knows you.
Speaker 3 (14:29):
Oh yes, Harry, h Joe, Well Harry, in just.
Speaker 10 (14:36):
A minute, who read the man who come down between me?
Speaker 4 (14:39):
We are right?
Speaker 2 (14:42):
Well, oh Harry.
Speaker 6 (14:44):
Yeah, I won't be able to stop you. But you're
after information, willing to pay for it with money, with
money top market price. You know an agent Coral Bruneo
who's shaking it down who wants to know people with
the money.
Speaker 8 (14:56):
Jeorge, there's a lovely American Cadillac, Harry.
Speaker 2 (14:59):
And just and made body.
Speaker 1 (15:00):
I'll give you the address to the man who wants
to say.
Speaker 3 (15:02):
Drive it over to your place tomorrow. That's your dress,
not my address. Heady, I wouldn't be able to screek.
Speaker 6 (15:08):
There's a new nightclub out by the Pinnabu strings to
get around.
Speaker 3 (15:11):
Don't you want the cry of the Spring? Yes? Leave
it in the parking lot about midnight tomorrow and give
the key to.
Speaker 7 (15:16):
The job man.
Speaker 8 (15:16):
Then what I'll have a table reserve press inside.
Speaker 3 (15:19):
If you don't like what attend you, you can take
back the key. Otherwise I drive a new cabinet. Okay.
The next day I bought the car. That night I
left it in the parking lot. Brother Sphinx.
Speaker 2 (15:34):
I got a nice big seal arm from the Senegalese
door man when I get him the k key, and
inside I found Georgie waiting for me in the rink.
Speaker 6 (15:41):
Sign table.
Speaker 3 (15:46):
That's a nice price, isn't it? Free bag of yours?
What are you drinking? Make mine a double scotch? Oh,
then let's have the dope. You need to do this
against Georgia. Boy, let's get down in case I thought.
Speaker 8 (15:58):
You were asking about as a sister, a younger sister us.
Speaker 3 (16:03):
You know she's in a stamboul to.
Speaker 8 (16:06):
She hasn't treating a gard it's a snatch, you might say,
she's doing hell, there's a hostage. She was doing up
holding the young lady, whose name, by the way is Julie. Right,
and take you a three weeks ago for holidays. She's
she's going again to school and switching. I haven't seen
her older sister three. Yeah, come on the generation you
might see you. She's against and the sist nambas scene members.
(16:27):
I prefare not to use proper names. Hey, that's the
interns that's told you not to use any names. Henry's
not ganging. Understand the reason for nazis ever since on
top of.
Speaker 3 (16:40):
Her not by cars. We don't have to key the
doorman holding the crusting me up as usual at all.
Speaker 2 (16:46):
He's the real key. You get it when you're finished.
You told me Brunell's sisters and kidnapper the joint. Okay,
sister's being held in the German embassy. How long do
you think they can keep it?
Speaker 3 (16:59):
Is as good as name I'd say for as long
as Brunella self can be forced to functionately too. You
mean it's a double h.
Speaker 8 (17:04):
Of course she must have got onto something good and
James must be but hear ye, and she's going on
to spin it. They're probably hoping to use it to
lead your people just as far away from the truth
as possible, and as long as.
Speaker 3 (17:15):
And what happens when Brunel gets kind of cooperator? She's
any fun than that kid sister? So what happens for
finally that Julian the killer? Won't they? Yes, here's you think?
Speaker 4 (17:27):
So waiter wait to bring me another and is here?
Speaker 11 (17:36):
Yeah?
Speaker 1 (17:37):
What is it?
Speaker 3 (17:37):
Miss Brune?
Speaker 4 (17:38):
What do you want?
Speaker 3 (17:39):
I came here to see you about Captain Jenkins? What
about him? His ear is in a bottle?
Speaker 6 (17:44):
Also there's Governor Morgan, come in, come in, okay, let me.
Speaker 9 (17:48):
Saw that with Morolan?
Speaker 4 (17:50):
Know who you are? Your hell?
Speaker 10 (17:51):
Alan used to run contraband out of Mars, say at
thirty seven, and then she wants in Monte Carlo.
Speaker 7 (17:55):
Now they've sent you from London.
Speaker 3 (17:56):
What's sorry? I haven't got a message.
Speaker 6 (17:58):
You had to tell me something was if the message
is supposed to come from you, Miss Brunel, and it's
about five hundred if trains waiting for the address of
a certain rocket factory.
Speaker 3 (18:08):
The information is past you.
Speaker 10 (18:09):
I've sent the information to the regular channel.
Speaker 4 (18:11):
It was an information.
Speaker 6 (18:12):
The London people took the trouble to check up on it.
What you sent was the location and description of a shoe.
Speaker 3 (18:17):
Factory in Norway. And miss Brunel, do you know what
they're actually making in that factory? No shoes. London people
think you have another address. Brunell. It sent me to
get it from him.
Speaker 10 (18:29):
I've always given the prepture detection.
Speaker 2 (18:33):
Let's get the whole thing down to fact pack One.
You know why that rocket factory really is packed. Two,
I know where your kid's sister he is packed. Three
get me the rocket factory and I'll deliver Julie.
Speaker 3 (18:46):
How can you do that?
Speaker 10 (18:47):
There are the sixty people in the Nissy, she's up
in the ted Florida.
Speaker 2 (18:50):
I'm god during a reception on toy tomorrow night. Who
a German embassy? And they don't go stupid on me?
I want an invitation?
Speaker 3 (18:56):
How can I do that? You can do what you're
working for?
Speaker 2 (18:58):
Ants the name Gud with the his Tanbul police he's
gone from there. Getting the invitation of that party, and
get yourself two tickets for Switzerland, plainly use at four
point thirty in the morning, bring all the information from.
Speaker 3 (19:10):
That rocket factory to the airport. I'll bring Julie.
Speaker 7 (19:15):
Well, goodbye, I'll side, but I've got to run.
Speaker 2 (19:19):
I'm going to play Peanapple with a chief of the
Turkish fire department. Well, goodbye for now. Promptly, at ten
(19:40):
the next night, bearing my invitation from the Nazi embassy
courtesy of Miss Brunel, and wearing the best ever row
white tie and tails courtesy of the Allied command, I
paid my respects to his excellency the German Ambassador.
Speaker 11 (19:57):
Good evening, mister Cotton.
Speaker 6 (19:59):
Dre yes, I reas it is the name, mister Carton,
is the name, Yes, sir, good eating.
Speaker 3 (20:04):
It's all the nice you know. It is our tasure.
Speaker 4 (20:06):
Mister Copton, so German life. He's particularly interested in the
development of industry.
Speaker 6 (20:11):
Oh yes, indeed, I would like to put a few
questions to privately, mister Copton.
Speaker 3 (20:15):
Three steps this way, we want to.
Speaker 4 (20:18):
I won't keep you long.
Speaker 6 (20:19):
If you will just step into the elevator all right
after you clea.
Speaker 3 (20:28):
I have to talk here your business and large public gathering.
We will be much clisher in might study.
Speaker 2 (20:33):
Yes, sir, yes, sir, absolutely.
Speaker 3 (20:40):
To hear mister lime.
Speaker 7 (20:43):
Hey, put up your hands for line.
Speaker 3 (20:45):
Alright, keep from sir.
Speaker 8 (20:46):
This gentleman, as you can see, is armed, and this room.
Speaker 4 (20:49):
Is quite sound pool if you're not hesitating to use
his gum.
Speaker 3 (20:53):
Okay happens, you will discuss that a bit less, mister Lyon.
Now I must return to my guests.
Speaker 4 (21:00):
Being viral.
Speaker 3 (21:00):
Gearhart here, you'll keep you company.
Speaker 2 (21:08):
Well, oh, Gearhart, here we are, keep your hands up.
The ambassador says, I'm stupid, Gearhart.
Speaker 3 (21:16):
Do you agree with him? All the amberton a stoopid?
Speaker 6 (21:19):
Do you need to be stupid for me to try
to get that run away from you?
Speaker 2 (21:22):
Gearha, Well, I suppose his words, but anyway I'm gonna try.
Speaker 4 (21:30):
Sorry, I only got you in the leg, old man,
but I never want much of a.
Speaker 3 (21:33):
Shot, heap.
Speaker 6 (21:34):
What I what I need today is to practice my marksmanship.
And since this is such a nice sound proof.
Speaker 7 (21:39):
What are you fooye?
Speaker 6 (21:40):
What shall I try for?
Speaker 2 (21:41):
Gearhart?
Speaker 6 (21:42):
And arm or the other leg?
Speaker 7 (21:44):
All right, Dan, where's the girl?
Speaker 4 (21:45):
What?
Speaker 7 (21:48):
What's your right hand? What's the Garhart now and let's
try for a foot.
Speaker 3 (21:50):
Oh no, she's been there.
Speaker 7 (21:52):
That's okay, surely, truly, I'm not.
Speaker 3 (21:57):
One of the Nazis to you have to take my
word for them. Your sister friend.
Speaker 11 (22:03):
Bull door, he told if any way out.
Speaker 3 (22:07):
There's the window. The windows locked, isn't it.
Speaker 11 (22:13):
Yeah, give me that chair with.
Speaker 1 (22:15):
No use one two three, He'll be downed on the
side of the hall.
Speaker 4 (22:21):
No one will hear, and be tied the embassy gown.
Speaker 6 (22:24):
And I starting your breaks down on the door.
Speaker 11 (22:26):
Jumped Julie through the window.
Speaker 7 (22:28):
Through the window. Well out, your little mark, it's.
Speaker 4 (22:31):
Going to the door.
Speaker 3 (22:31):
Shut up and jump.
Speaker 2 (22:33):
That's the girl.
Speaker 3 (22:36):
Well sown.
Speaker 1 (22:36):
That's gun.
Speaker 7 (22:37):
Look up for Julie.
Speaker 4 (22:39):
I'm coming after you.
Speaker 6 (22:40):
Horse doll is life if mission to kill yoursel mister abassady,
you told me I was stupid, I'll.
Speaker 7 (22:44):
Feed it there.
Speaker 6 (22:53):
That night, I was seen in the streets of Istambul,
one of the stranger sights in the history of that
historic city. A procession a procession of fireman. Fireman bearing
two bungles wrapped in canvas, rushed out of the German
compounds and boarded a fire truck. A gigantic Cocan lader.
(23:15):
Out of the bundles, which were of.
Speaker 3 (23:16):
Course firemen's jumping.
Speaker 6 (23:18):
That's their emerged two figures, a young.
Speaker 2 (23:20):
Lady by the name of Julie and a gentleman or
Kelly Lyon.
Speaker 7 (23:23):
We too is the line? Where do we take you
to the airport and stamp on it?
Speaker 3 (23:39):
Yes?
Speaker 4 (23:41):
Yes, yes, come on speaker over, Oh yes, is he well?
You can tell Copralam. I want to see him right now.
Speaker 2 (23:50):
Here I was back in round here was my old friends,
the Major and Captain Smith. Only the sign of Major
of a new sheet of papers concerning my exploits on
the desk in front of the less about black market
this time and more about Harry.
Speaker 3 (24:05):
Lyon the hero. I came to attention, saluted smartly. I've
been reading your report you.
Speaker 5 (24:12):
Oh there's just one thing, yes, Kevin Smith, and Turkey
is a neutral country.
Speaker 7 (24:16):
How did you manage to get all that cooperation out
of the fire department?
Speaker 2 (24:18):
But I used persuasion. You will find it all down
on the expensive town nature.
Speaker 6 (24:23):
I thought you might like to know, Corporal, that there
was quite an air raid the other night over a
certain factory on the Baltic scene.
Speaker 3 (24:29):
The Germans won't be making that new rocket. Corporal, not
for some time. I won't glad to hear it, said.
Speaker 4 (24:33):
Said, I suppose you think we know the whole thing
to you, don't, your corporal well with jove no sense
that air raid was held.
Speaker 3 (24:40):
Three nights ago when you were in Elizabeth three minutes.
Speaker 4 (24:43):
But Sarah now wasn't the only social information, not by
a long shot.
Speaker 5 (24:47):
I'm instructed to tell you that the facts we were
looking for were senter us from Portugal from an agent,
but the name of Genevieve. However, we're most grateful to
your health.
Speaker 4 (24:55):
I've been asked to give you this. To put it sometimes,
I think this is an award over a I thank
conventional lunatics. I didn't say that I did.
Speaker 3 (25:02):
I cough, and I'll say you didn't.
Speaker 4 (25:03):
I didn't think I did.
Speaker 3 (25:05):
Here you are. This is from the British, with their
compliments on thank you, sir. What is it? It's an
address we thought you might have lost it. It's that
Taylor and Cyril row. Yeah, they want you to return
the suit.
Speaker 7 (25:29):
Harry Lyon returns in just a moment. And now Harry lte.
Speaker 3 (26:32):
One thing about genitive. She taught me a lesson.
Speaker 2 (26:36):
Now I understand why women make better spies than men.
They're so obviously more honest. You always presume they're lying,
never even suspect that they might be telling the truth.
Speaker 9 (27:00):
In it, Scouts.
Speaker 11 (27:26):
In instant.
Speaker 3 (27:52):
And in it, in
Speaker 9 (28:21):
Expect it,
Presenting Orson Welles as the Third Man and the lives
of Harry Lyon, the fabulous stories of the immortal character
originally created in the motion picture of The Third Man
with souther music by Anton Tallis.
Speaker 2 (00:55):
That was the shot that killed Harry Lyon. He died
in a sewer beneath Fienna. Those of you know who
saw the movie The Third Man, Yes, that was the
end of Harry Lime, but it's not the beginning. Harry
Lime had many lines, and I can recount all of them.
Speaker 3 (01:15):
How do I know? Listen because my name is Harry Light.
Speaker 4 (01:33):
Yes, yes, yes, come on, speak of Oh yes, he well,
you can tell Corporam. I want to see him right now.
Speaker 2 (01:46):
You know it's funny, But all during my military career,
I've never seen to be able to force myself to
be very fond of the brats. You've got to have
an army, you've got to have the brass, I suppose, but.
Speaker 3 (01:58):
I don't honestly see.
Speaker 1 (01:59):
What And now Orson Welles as Harry Lyme the third
(02:57):
man in today's story the Third Woman.
Speaker 4 (03:05):
You know something Copper lines, No, sir, if we could
prove half of this stuff in this file, you'd be
celebrating your hundredth birthday in a military prison.
Speaker 2 (03:12):
Yes, sir, yes, shut up and listen.
Speaker 4 (03:15):
You report to the address on this slip of paper.
It's a tailor on Sava Road. The tailor has his instructions.
He used to make your three suits, including the full
soup and fish and the whole outfense, to be ready
in forty eight hours. Isn't that awful? Yes, sir, Wait
a minute, it gets worse. You go to the Savoy Hotel.
You know where that is, Yes, sir, a room is
reserved there for you. Your register's a civilian for purpose
(03:35):
is a cut in red tape.
Speaker 3 (03:36):
You're going to be a civilian.
Speaker 4 (03:37):
But here are your papers. You'd be taking a trip
pretty soon. Yes, we're sending you away from all these bombs.
It's discouraging sell you. This whole arm is as nutty
as a fruitcake. I didn't say that. I did our line.
Don't see you didn't look at these papers, Yes, sir,
see how you're traveling?
Speaker 3 (03:53):
Right? Yeah? Yes, but this must be a joke. Oh,
it's funny, all right, but it's true.
Speaker 4 (03:58):
There's an Allied command and then you were on our
holiday corporate life, and you're traveling as a civilian with
the rank of full colonel.
Speaker 2 (04:12):
That's what I mean about brass an unfriendly attitude, unnecessary,
I call it mine.
Speaker 3 (04:16):
Couldn't the major been nice?
Speaker 2 (04:19):
Well, I don't know if he wanted. I guess it
wouldn't have been a major, cause you look at it
that way. I was gonna have to begin changing my
loyalties because according to my new papers, I was part
of the brass now like so, I got my new
suits and then they sent me to see a certain
Captain Smith.
Speaker 3 (04:32):
And I don't think that was his real name.
Speaker 2 (04:34):
It was something very high in the hush hush departments,
and that was the name I was to call him
by when we met. This was all set up for
midnight on the right side of Cleopatra's needle. When I
tell you, the whole thing was so close could and
dagger and maybe they wanted a giggle, But of course
I didn't, uh huh, very careful to play it straight.
I didn't wanna lose my nice new wardrobe. I say,
(04:57):
couldn't you give me a light way months of a
to show aize?
Speaker 3 (05:01):
Let's correct? And what was in the bottle Jenkins's ears? Good? Oh?
How did Morgan die, he died.
Speaker 5 (05:09):
A governor, splendid mister Limon all the answers perfectly correct
silly question. Silly answers too, come to think of it.
But the silliness makes it easier to remember. I always
think that the monics engineer that's right.
Speaker 6 (05:23):
Were all right if you say so, Captain Smith. Now
let's get down to cases.
Speaker 5 (05:27):
We've borrowed you from your people, Lime, because of your
special qualifications, languages looks certain rather celebrated aptitude for the
opposite six and the fair show of unmitigated ball. Yes,
don't call me sir. Remember this is in the army.
Not strictly speaking, this is another show. What do you
think of spying, Lime, I do know.
Speaker 3 (05:47):
I never try.
Speaker 5 (05:48):
It's a dirty business, of course, absolutely filthy. But then
it's a professional like anything else, sir. But I suppose
for one thing, the payers are abominable and as less so
many of the regular pros turn double agent on it.
You know what a double agent is, don't you.
Speaker 2 (06:02):
Well that's an age who sells out to another powers
in years, but on the most of that not.
Speaker 3 (06:08):
Of course, we use them when we can, but it's.
Speaker 5 (06:10):
Always sticky, no doubt about that sticky Well. First of all,
of course, we're not dealing with soldiers or patriots, and
no money arrangement as ever, rarely final or binding, and
that's why we have to use pressure. There are different
sorts of pressure, don't you know. There's black veiled listen
another one of those vv too's, and that was in Chelsea.
(06:30):
Balling weapons, aren't they guided miss isles. I'll tell you
something lying because it's going to be part of your job.
Speaker 3 (06:36):
This feed too is nothing.
Speaker 6 (06:37):
Jetty's getting ready with something a good deal worse. In
the same line, there ten times worse. According to our information.
They's somewhere in Europe, more than a hundred feet underground.
There's a factory where they're busy perfecting quite a new thing.
Speaker 3 (06:50):
We've got to stop. Some lime want to help.
Speaker 5 (06:53):
Oh sure you didn't ever happen to meet a female
named Brunel ditto?
Speaker 3 (06:58):
I don't think so. Brunell also brown, also broom, But
that doesn't bring any bills.
Speaker 6 (07:04):
No, well, maybe when you see her, there'll be a
small chime or two. She's been around, and so I gather,
have you right, I've been around a bit.
Speaker 2 (07:12):
Chapters says that I don't know you're Brunel.
Speaker 5 (07:15):
Brown or Brune reddish blond, sometimes auburn, gray eyes. Rabitt
Toall's beata language is perfectly five or six more well another.
She's been a professional agent for more than fifteen years.
Good at her work too. Yes, she's quite valuable to us.
Off and on this it appears as one of the
off times, very much of she was due to send
us something rather important.
Speaker 3 (07:35):
You know, I give you a hint about that.
Speaker 2 (07:37):
By you mean the new rocket fact, Brunel has information
about where it is, and she won't said it.
Speaker 3 (07:42):
Worse, she's given us false information.
Speaker 7 (07:45):
We think she really did manage to find out.
Speaker 3 (07:46):
Where this new guided missile of.
Speaker 5 (07:48):
Thing is being bud And we guess she isn't telling
us the truth because the Germans have some sort of
hold over her blackmail or something paste And we'd like
you to see if you can't get some sort of
line on.
Speaker 3 (07:58):
Just what it is. We don't really expect you succeed,
but not go down and have a try, won't you? Yes?
But what do I do? Where do I go?
Speaker 5 (08:04):
We'll receive sealed instructions when you get on the plane
on the details background all.
Speaker 3 (08:08):
That sort of thing.
Speaker 6 (08:09):
Yes, but what do you mean to see that car
across the way? I see a car I was waiting
to take you to the airport.
Speaker 3 (08:15):
Well, good hunting pilot. Pilot is that doesn't look like
the Pasporus to me?
Speaker 7 (08:29):
It looks like the Atlantic.
Speaker 3 (08:30):
Ghostani Stust, doesn't it.
Speaker 7 (08:31):
But don't you already says in my instruction asn't.
Speaker 8 (08:33):
Tell that you know those constructions first to see I
told very well, but I'm under orgist.
Speaker 3 (08:37):
We see this stambul and.
Speaker 6 (08:38):
Here we are?
Speaker 7 (08:40):
Where are we anywhere else?
Speaker 3 (08:41):
Is flights some part of your show at all? It
just happened to be getting you see what I mean.
It's a little out of your way.
Speaker 6 (08:47):
Of course, it's an awful lot of red tape attached
to getting in and out of these new instructions. One
there's going to be someone at your chat's waiting to
take your rest to your journey tomorrow morning.
Speaker 3 (08:55):
Mean, why I relax and enjoy Lisbon.
Speaker 6 (08:56):
We're coming in there.
Speaker 9 (08:57):
So that's where we are.
Speaker 3 (08:58):
Yes, you've read to pass me your seat belt, which
that dass been sure enough?
Speaker 2 (09:12):
There, I mean, all fix it up for a flight
to Turkey in the morning. I wasn't complaining. Uh, there
weren't ney rockets falling on Lisbon? Anyway, It's always been
one of my favorite places for having a good time.
I checked into the hotel, changed into my nice new
white tie and tails, and took a camp out to
the casino at this to reel, what are you doing
(09:37):
in Lisbon?
Speaker 10 (09:37):
My dear and I two things a trip the first
day is never and that it's absolutely necessary to address
a friend by name.
Speaker 6 (09:45):
After all, you know one's name and not see one's
name any load.
Speaker 3 (09:47):
I don't find out that. What's the second rule, which
is the most psychone you observe? It's very kept.
Speaker 2 (09:52):
Find that your conciers expect me to obey the laws.
Speaker 3 (09:55):
I don't know it. You asked me what I was
doing in Lisbon? Oh, well that's it sharing.
Speaker 10 (10:00):
No matter what's the publication, we never, never, under any circumstances,
ask each other what we are doing in Lisbon.
Speaker 3 (10:07):
I'm what I'm doing, don't for why not? It's a job.
Speaker 2 (10:11):
Oh yes, I represent the biggest Swedish manufacturers at Ball Bearings,
and tomorrow I'm going up to.
Speaker 11 (10:17):
Stockholm to stop by way of the snowboo.
Speaker 3 (10:20):
You mean you know?
Speaker 10 (10:21):
Surely in Lisbon these days everyone knows everything about everybody,
and no one asks anybody anything. The first is a
question of pride and the second of polifts. It's very
warm in here. Should we go out on the terrace and.
Speaker 3 (10:34):
Allow answer that I wanna? Lest I tell you in code?
Do you like it here in Lisbon?
Speaker 9 (10:40):
Or?
Speaker 2 (10:41):
Am I breaking the rules again? I have my work,
and of course I mustn't ask you what the work is.
Speaker 3 (10:46):
You know, I remember when you used to be and.
Speaker 2 (10:47):
I said, well, I'm working conference during in Cairo and
try to avoid the council with these five different countries.
Speaker 3 (10:52):
But you were nearly so secret. Okay, okay, well we're
allowed to talk about now. Yeah, why should we talk?
That's true, I shouldn't.
Speaker 9 (11:06):
That was a nice kiss.
Speaker 3 (11:07):
You still do that very nicely, Eric, But what's the joke?
You are such a terrible spine. Listen. I've always liked
to I'm not working for your people, but I know
what you have to.
Speaker 6 (11:22):
Don't call to stamboul I haven't got me a choice one.
I think i'd go anywhere, you know, make sure as
as a cat. Why shouldn't I go?
Speaker 8 (11:29):
They put you onto something terribly big.
Speaker 3 (11:31):
It's terribly important. Oh, it's very flattering, isn't it? Tell me?
What do you know about a woman called Bruneo?
Speaker 10 (11:37):
She's been an agent a long time. I don't know her,
but I've seen her once in some of it and
again in the real I hear she's clever. They're watching
from the terrace. I must go back now, but please,
I do not go to Wistonboo. It's not the woman
brune It is the situation. I'll tell you how.
Speaker 3 (11:54):
It's too big for an Amat, It's too big for anyone.
I would they give me a chance? Why why have
sent you?
Speaker 6 (12:00):
Because you are so experienced less, you know, you.
Speaker 3 (12:03):
Know, you know what.
Speaker 10 (12:05):
People like you are sent on missions like this because
you don't matter at all, that is why. Because they
don't care what happens to you, not one little bit,
because you are how you're saying expendables.
Speaker 7 (12:31):
Wis and Wells returns in just a moment as the third.
Speaker 1 (12:34):
Man Awson Wells As the third man continues to today's story,
(13:25):
the third woman.
Speaker 2 (13:30):
We made good time is Tembul and only a few
nastyness and I've got a couple of messagements.
Speaker 3 (13:35):
Are going to get on that sales to.
Speaker 6 (13:36):
Five eleven o'clock.
Speaker 3 (13:37):
That evening.
Speaker 2 (13:37):
All my arrangements were made, and I was carefully dressed
once again in my nice new English white tie and tails.
I made my way straight to georgeis and upholstered sewer
masquerading as a nightclub, left my top half of the
check girl and called for the headwaiter.
Speaker 8 (13:54):
Good evening, sir, you are lone messieurs times.
Speaker 3 (13:56):
I can get my year.
Speaker 7 (13:57):
Table near the floor.
Speaker 3 (13:59):
Ten yours, Georgia.
Speaker 2 (14:00):
I beg, pardon you hurt me?
Speaker 3 (14:02):
George? George yet? Yes, where is he? That's no one
here by that name, sir. It's just for you. How
thank you, sir, Thank you very much. Please come this way.
Speaker 6 (14:13):
Oh yes, sir, thanks, if you.
Speaker 3 (14:17):
Will step through the kitchen, sir.
Speaker 7 (14:21):
Yeah, we are to step up with the man.
Speaker 3 (14:26):
That's what's easy.
Speaker 9 (14:27):
It's a gentleman here who says he knows you.
Speaker 3 (14:29):
Oh yes, Harry, h Joe, Well Harry, in just.
Speaker 10 (14:36):
A minute, who read the man who come down between me?
Speaker 4 (14:39):
We are right?
Speaker 2 (14:42):
Well, oh Harry.
Speaker 6 (14:44):
Yeah, I won't be able to stop you. But you're
after information, willing to pay for it with money, with
money top market price. You know an agent Coral Bruneo
who's shaking it down who wants to know people with
the money.
Speaker 8 (14:56):
Jeorge, there's a lovely American Cadillac, Harry.
Speaker 2 (14:59):
And just and made body.
Speaker 1 (15:00):
I'll give you the address to the man who wants
to say.
Speaker 3 (15:02):
Drive it over to your place tomorrow. That's your dress,
not my address. Heady, I wouldn't be able to screek.
Speaker 6 (15:08):
There's a new nightclub out by the Pinnabu strings to
get around.
Speaker 3 (15:11):
Don't you want the cry of the Spring? Yes? Leave
it in the parking lot about midnight tomorrow and give
the key to.
Speaker 7 (15:16):
The job man.
Speaker 8 (15:16):
Then what I'll have a table reserve press inside.
Speaker 3 (15:19):
If you don't like what attend you, you can take
back the key. Otherwise I drive a new cabinet. Okay.
The next day I bought the car. That night I
left it in the parking lot. Brother Sphinx.
Speaker 2 (15:34):
I got a nice big seal arm from the Senegalese
door man when I get him the k key, and
inside I found Georgie waiting for me in the rink.
Speaker 6 (15:41):
Sign table.
Speaker 3 (15:46):
That's a nice price, isn't it? Free bag of yours?
What are you drinking? Make mine a double scotch? Oh,
then let's have the dope. You need to do this
against Georgia. Boy, let's get down in case I thought.
Speaker 8 (15:58):
You were asking about as a sister, a younger sister us.
Speaker 3 (16:03):
You know she's in a stamboul to.
Speaker 8 (16:06):
She hasn't treating a gard it's a snatch, you might say,
she's doing hell, there's a hostage. She was doing up
holding the young lady, whose name, by the way is Julie. Right,
and take you a three weeks ago for holidays. She's
she's going again to school and switching. I haven't seen
her older sister three. Yeah, come on the generation you
might see you. She's against and the sist nambas scene members.
(16:27):
I prefare not to use proper names. Hey, that's the
interns that's told you not to use any names. Henry's
not ganging. Understand the reason for nazis ever since on
top of.
Speaker 3 (16:40):
Her not by cars. We don't have to key the
doorman holding the crusting me up as usual at all.
Speaker 2 (16:46):
He's the real key. You get it when you're finished.
You told me Brunell's sisters and kidnapper the joint. Okay,
sister's being held in the German embassy. How long do
you think they can keep it?
Speaker 3 (16:59):
Is as good as name I'd say for as long
as Brunella self can be forced to functionately too. You
mean it's a double h.
Speaker 8 (17:04):
Of course she must have got onto something good and
James must be but hear ye, and she's going on
to spin it. They're probably hoping to use it to
lead your people just as far away from the truth
as possible, and as long as.
Speaker 3 (17:15):
And what happens when Brunel gets kind of cooperator? She's
any fun than that kid sister? So what happens for
finally that Julian the killer? Won't they? Yes, here's you think?
Speaker 4 (17:27):
So waiter wait to bring me another and is here?
Speaker 11 (17:36):
Yeah?
Speaker 1 (17:37):
What is it?
Speaker 3 (17:37):
Miss Brune?
Speaker 4 (17:38):
What do you want?
Speaker 3 (17:39):
I came here to see you about Captain Jenkins? What
about him? His ear is in a bottle?
Speaker 6 (17:44):
Also there's Governor Morgan, come in, come in, okay, let me.
Speaker 9 (17:48):
Saw that with Morolan?
Speaker 4 (17:50):
Know who you are? Your hell?
Speaker 10 (17:51):
Alan used to run contraband out of Mars, say at
thirty seven, and then she wants in Monte Carlo.
Speaker 7 (17:55):
Now they've sent you from London.
Speaker 3 (17:56):
What's sorry? I haven't got a message.
Speaker 6 (17:58):
You had to tell me something was if the message
is supposed to come from you, Miss Brunel, and it's
about five hundred if trains waiting for the address of
a certain rocket factory.
Speaker 3 (18:08):
The information is past you.
Speaker 10 (18:09):
I've sent the information to the regular channel.
Speaker 4 (18:11):
It was an information.
Speaker 6 (18:12):
The London people took the trouble to check up on it.
What you sent was the location and description of a shoe.
Speaker 3 (18:17):
Factory in Norway. And miss Brunel, do you know what
they're actually making in that factory? No shoes. London people
think you have another address. Brunell. It sent me to
get it from him.
Speaker 10 (18:29):
I've always given the prepture detection.
Speaker 2 (18:33):
Let's get the whole thing down to fact pack One.
You know why that rocket factory really is packed. Two,
I know where your kid's sister he is packed. Three
get me the rocket factory and I'll deliver Julie.
Speaker 3 (18:46):
How can you do that?
Speaker 10 (18:47):
There are the sixty people in the Nissy, she's up
in the ted Florida.
Speaker 2 (18:50):
I'm god during a reception on toy tomorrow night. Who
a German embassy? And they don't go stupid on me?
I want an invitation?
Speaker 3 (18:56):
How can I do that? You can do what you're
working for?
Speaker 2 (18:58):
Ants the name Gud with the his Tanbul police he's
gone from there. Getting the invitation of that party, and
get yourself two tickets for Switzerland, plainly use at four
point thirty in the morning, bring all the information from.
Speaker 3 (19:10):
That rocket factory to the airport. I'll bring Julie.
Speaker 7 (19:15):
Well, goodbye, I'll side, but I've got to run.
Speaker 2 (19:19):
I'm going to play Peanapple with a chief of the
Turkish fire department. Well, goodbye for now. Promptly, at ten
(19:40):
the next night, bearing my invitation from the Nazi embassy
courtesy of Miss Brunel, and wearing the best ever row
white tie and tails courtesy of the Allied command, I
paid my respects to his excellency the German Ambassador.
Speaker 11 (19:57):
Good evening, mister Cotton.
Speaker 6 (19:59):
Dre yes, I reas it is the name, mister Carton,
is the name, Yes, sir, good eating.
Speaker 3 (20:04):
It's all the nice you know. It is our tasure.
Speaker 4 (20:06):
Mister Copton, so German life. He's particularly interested in the
development of industry.
Speaker 6 (20:11):
Oh yes, indeed, I would like to put a few
questions to privately, mister Copton.
Speaker 3 (20:15):
Three steps this way, we want to.
Speaker 4 (20:18):
I won't keep you long.
Speaker 6 (20:19):
If you will just step into the elevator all right
after you clea.
Speaker 3 (20:28):
I have to talk here your business and large public gathering.
We will be much clisher in might study.
Speaker 2 (20:33):
Yes, sir, yes, sir, absolutely.
Speaker 3 (20:40):
To hear mister lime.
Speaker 7 (20:43):
Hey, put up your hands for line.
Speaker 3 (20:45):
Alright, keep from sir.
Speaker 8 (20:46):
This gentleman, as you can see, is armed, and this room.
Speaker 4 (20:49):
Is quite sound pool if you're not hesitating to use
his gum.
Speaker 3 (20:53):
Okay happens, you will discuss that a bit less, mister Lyon.
Now I must return to my guests.
Speaker 4 (21:00):
Being viral.
Speaker 3 (21:00):
Gearhart here, you'll keep you company.
Speaker 2 (21:08):
Well, oh, Gearhart, here we are, keep your hands up.
The ambassador says, I'm stupid, Gearhart.
Speaker 3 (21:16):
Do you agree with him? All the amberton a stoopid?
Speaker 6 (21:19):
Do you need to be stupid for me to try
to get that run away from you?
Speaker 2 (21:22):
Gearha, Well, I suppose his words, but anyway I'm gonna try.
Speaker 4 (21:30):
Sorry, I only got you in the leg, old man,
but I never want much of a.
Speaker 3 (21:33):
Shot, heap.
Speaker 6 (21:34):
What I what I need today is to practice my marksmanship.
And since this is such a nice sound proof.
Speaker 7 (21:39):
What are you fooye?
Speaker 6 (21:40):
What shall I try for?
Speaker 2 (21:41):
Gearhart?
Speaker 6 (21:42):
And arm or the other leg?
Speaker 7 (21:44):
All right, Dan, where's the girl?
Speaker 4 (21:45):
What?
Speaker 7 (21:48):
What's your right hand? What's the Garhart now and let's
try for a foot.
Speaker 3 (21:50):
Oh no, she's been there.
Speaker 7 (21:52):
That's okay, surely, truly, I'm not.
Speaker 3 (21:57):
One of the Nazis to you have to take my
word for them. Your sister friend.
Speaker 11 (22:03):
Bull door, he told if any way out.
Speaker 3 (22:07):
There's the window. The windows locked, isn't it.
Speaker 11 (22:13):
Yeah, give me that chair with.
Speaker 1 (22:15):
No use one two three, He'll be downed on the
side of the hall.
Speaker 4 (22:21):
No one will hear, and be tied the embassy gown.
Speaker 6 (22:24):
And I starting your breaks down on the door.
Speaker 11 (22:26):
Jumped Julie through the window.
Speaker 7 (22:28):
Through the window. Well out, your little mark, it's.
Speaker 4 (22:31):
Going to the door.
Speaker 3 (22:31):
Shut up and jump.
Speaker 2 (22:33):
That's the girl.
Speaker 3 (22:36):
Well sown.
Speaker 1 (22:36):
That's gun.
Speaker 7 (22:37):
Look up for Julie.
Speaker 4 (22:39):
I'm coming after you.
Speaker 6 (22:40):
Horse doll is life if mission to kill yoursel mister abassady,
you told me I was stupid, I'll.
Speaker 7 (22:44):
Feed it there.
Speaker 6 (22:53):
That night, I was seen in the streets of Istambul,
one of the stranger sights in the history of that
historic city. A procession a procession of fireman. Fireman bearing
two bungles wrapped in canvas, rushed out of the German
compounds and boarded a fire truck. A gigantic Cocan lader.
(23:15):
Out of the bundles, which were of.
Speaker 3 (23:16):
Course firemen's jumping.
Speaker 6 (23:18):
That's their emerged two figures, a young.
Speaker 2 (23:20):
Lady by the name of Julie and a gentleman or
Kelly Lyon.
Speaker 7 (23:23):
We too is the line? Where do we take you
to the airport and stamp on it?
Speaker 3 (23:39):
Yes?
Speaker 4 (23:41):
Yes, yes, come on speaker over, Oh yes, is he well?
You can tell Copralam. I want to see him right now.
Speaker 2 (23:50):
Here I was back in round here was my old friends,
the Major and Captain Smith. Only the sign of Major
of a new sheet of papers concerning my exploits on
the desk in front of the less about black market
this time and more about Harry.
Speaker 3 (24:05):
Lyon the hero. I came to attention, saluted smartly. I've
been reading your report you.
Speaker 5 (24:12):
Oh there's just one thing, yes, Kevin Smith, and Turkey
is a neutral country.
Speaker 7 (24:16):
How did you manage to get all that cooperation out
of the fire department?
Speaker 2 (24:18):
But I used persuasion. You will find it all down
on the expensive town nature.
Speaker 6 (24:23):
I thought you might like to know, Corporal, that there
was quite an air raid the other night over a
certain factory on the Baltic scene.
Speaker 3 (24:29):
The Germans won't be making that new rocket. Corporal, not
for some time. I won't glad to hear it, said.
Speaker 4 (24:33):
Said, I suppose you think we know the whole thing
to you, don't, your corporal well with jove no sense
that air raid was held.
Speaker 3 (24:40):
Three nights ago when you were in Elizabeth three minutes.
Speaker 4 (24:43):
But Sarah now wasn't the only social information, not by
a long shot.
Speaker 5 (24:47):
I'm instructed to tell you that the facts we were
looking for were senter us from Portugal from an agent,
but the name of Genevieve. However, we're most grateful to
your health.
Speaker 4 (24:55):
I've been asked to give you this. To put it sometimes,
I think this is an award over a I thank
conventional lunatics. I didn't say that I did.
Speaker 3 (25:02):
I cough, and I'll say you didn't.
Speaker 4 (25:03):
I didn't think I did.
Speaker 3 (25:05):
Here you are. This is from the British, with their
compliments on thank you, sir. What is it? It's an
address we thought you might have lost it. It's that
Taylor and Cyril row. Yeah, they want you to return
the suit.
Speaker 7 (25:29):
Harry Lyon returns in just a moment. And now Harry lte.
Speaker 3 (26:32):
One thing about genitive. She taught me a lesson.
Speaker 2 (26:36):
Now I understand why women make better spies than men.
They're so obviously more honest. You always presume they're lying,
never even suspect that they might be telling the truth.
Speaker 9 (27:00):
In it, Scouts.
Speaker 11 (27:26):
In instant.
Speaker 3 (27:52):
And in it, in
Speaker 9 (28:21):
Expect it,
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