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October 22, 2024 6 mins
Greetings, tomb raiders and curse enthusiasts! Gather round the sarcophagus as we unravel the bandaged biography of everyone's favorite walking medical supply closet – The Mummy. So grab your khaki shorts, dust off your pith helmet, and for the love of Ra, don't read that ancient scroll out loud. We're about to take a sand-filled journey through the life, death, and afterlife of cinema's most stylish corpse.


Our tale begins in ancient Egypt, a land of pyramids, pharaohs, and really complicated funeral arrangements. Picture this: it's around 3000 BCE, and the Egyptians have just invented the concept of preserving bodies for the afterlife. Talk about a growth industry. Suddenly, "eternal rest" went from a figurative concept to a very literal, very mummified reality.


Now, let's clear up a common misconception right off the bat. Mummification wasn't just for pharaohs and their pampered pets. If you had the cash, you too could be wrapped up tighter than a burrito for your journey to the afterlife. It was like the ancient Egyptian version of cryogenic freezing, but with more bandages and less Walt Disney.


The process of mummification was, to put it mildly, intense. First, they'd remove all the squishy bits (organs, brain, dignity) and store them in fancy jars called canopic jars. The heart, however, was left in place because it was believed to be the center of intelligence and emotion. Then, they'd dry out the body using a salt called natron, stuff it with linen and sawdust (ancient Egyptian Spanx), and wrap it up in more linen than a Bed Bath & Beyond warehouse.


But wait, there's more. They'd then deck out the mummy with amulets, place it in a series of nested coffins, and finally, into a sarcophagus. It was like those Russian nesting dolls, but with more curse potential. The whole process took about 70 days, which is coincidentally how long it feels waiting in line at the DMV.


You might be thinking, "That's all very interesting, but how did we get from respectful burial practices to bandaged monsters chasing Brendan Fraser through the desert?" For that, we need to fast forward a few thousand years to the 19th century, when Europe suddenly developed an unhealthy obsession with all things Egyptian.


It all started with Napoleon's expedition to Egypt in 1798. Alongside his army, Napoleon brought a team of scholars to study Egyptian culture. This led to the discovery of the Rosetta Stone, which allowed for the translation of hieroglyphics. Suddenly, everyone wanted a piece of Egypt.


This period, known as Egyptomania, saw a flood of mummies and artifacts making their way to Europe. Victorian England went nuts for these wrapped wonders. They'd have "unwrapping parties" where a mummy would be unveiled in front of an audience. It was like a macabre version of a gender reveal party, but with more risk of ancient curses.


It was in this climate of fascination with ancient Egypt that our modern conception of the mummy as a horror monster was born. In 1827, Jane Webb published "The Mummy A Tale of the Twenty-Second Century," featuring a reanimated mummy. But the mummy really hit the big time in 1892 with Sir Arthur Conan Doyle's short story "Lot No. 249," which featured a mummy brought back to life through ancient magic.


However, it wasn't until 1932 that the mummy truly shuffled into horror icon status with Universal's film "The Mummy," starring Boris Karloff. Karloff played Imhotep, an ancient Egyptian priest who was mummified alive for trying to resurrect his forbidden love. Millennia later, he's accidentally revived by a bumbling archaeologist. Imhotep then spends the rest of the movie trying to reunite with the reincarnation of his long-lost love, while also killing anyone who gets in his way.


The success of "The Mummy" launched a franchise of films, establishing the mummy as a staple of the Universal Monsters lineup, alongside Dracula, Frankenstein's monster, and the Wolf Man.


Now, let's talk about the mummy's characteristics. First, there's the walk. Arms outstretched, legs stiff, moving at a pace that would make a sloth say, "Pick up the pace, buddy." Then there's the whole bandage situation. Despite thousands of years, movie mummies always seem to have perfectly intact bandages. And let's not forget their aversion to fire. Wave a torch, and they recoil like you've just offered them a kale smoothie.


Over the years, the mummy has been reimagined in many ways. In 1999, "The Mummy" starring Brendan Fraser brought the character back into the mainstream. This version of the mummy, named Imhotep, had powers over sand, bugs, and even the laws of physics. He could turn into a sandstorm, regenerate his body, and even split his jaw in ways that would make a snake jealous.


This film introduced the concept o
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Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Greetings, tomb raiders and curse enthusiasts gather around the sarcophagus
as we unravel the bandaged biography of everyone's favorite walking
medical supply closet, the Mummy. So grab your khaki shorts,
dust off your pith helmet, and for the love of raw,
don't read that ancient scroll out loud. We're about to
take a sand filled journey through the life, death, and
afterlife of cinema's most stylish corpse. Our tale begins in

(00:23):
ancient Egypt, a land of pyramids, pharaohs, and really complicated
funeral arrangements. Picture this. It's around three thousand BCE and
the Egyptians have just invented the concept of preserving bodies
for the afterlife. Talk about a growth industry. Suddenly, eternal
rest went from a figurative concept to a very literal,
very mummified reality. Now let's clear up a common misconception

(00:46):
right off the bat. Mummification wasn't just for pharaohs and
their pampered pets. If you had the cash, you too
could be wrapped up tighter than a burrito for your
journey to the afterlife. It was like the ancient Egyptian
version of cryogenic freezing, but with more bandages and less
Walt Disney. The process of mummification was to put it

(01:06):
mildly in tents. First, they'd remove all the squishy bits organs, brain,
dignity and store them in fancy jars called canopic jars.
The heart, however, was left in place because it was
believed to be the center of intelligence and emotion. Then
they'd dry out the body using a salt called natron,
stuff it with linen and sawdust ancient Egyptian spanks, and

(01:29):
wrap it up in more linen than a bed bath
and beyond warehouse. But wait, there's more. They'd then deck
out the mummy with amulets, place it in a series
of nested coffins, and finally into a sarcophagus. It was
like those Russian nesting dolls, but with more curse potential.
The whole process took about seventy days, which is coincidentally
how long it feels waiting in line at the DMV.

(01:51):
You might be thinking, that's all very interesting, but how
did we get from respectful burial practices to bandaged monsters
chasing Brendan Fraser through the desert. For that, we need
to fast forward a few thousand years to the nineteenth century,
when Europe suddenly developed an unhealthy obsession with all things Egyptian.
It all started with Napoleon's expedition to Egypt in seventeen
ninety eight. Alongside his army, Napoleon brought a team of

(02:14):
scholars to study Egyptian culture. This led to the discovery
of the Rosetta Stone, which allowed for the translation of hieroglyphics.
Suddenly everyone wanted a piece of Egypt. This period, known
as Egyptomania, saw a flood of mummies and artifacts making
their way to Europe. Victorian England went nuts for these
rapped wonders. They'd have unwrapping parties where a mummy would

(02:35):
be unveiled in front of an audience. It was like
a macabre version of a gender reveal party, but with
more risk of ancient curses. It was in this climate
of fascination with ancient Egypt that our modern conception of
the mummy as a horror monster was born. In eighteen
twenty seven, Jane Webb published The Mummy, a Tale of
the twenty second century, featuring a reanimated mummy. But the

(02:58):
Mummy really hit the big time in Ai eighteen ninety
two with Sir Arthur Conan Doyle's short story Lot Number
two forty nine, which featured a mummy brought back to
life through ancient magic. However, it wasn't until nineteen thirty
two that the Mummy truly shuffled into horror icon status
with Universal's film The Mummy, starring Boris Karloff. Karloff played Imhotep,

(03:20):
an ancient Egyptian priest who was mummified alive for trying
to resurrect his forbidden love millennia later, he's accidentally revived
by a bumbling archaeologist. Imhotep then spends the rest of
the movie trying to reunite with the reincarnation of his
long lost love, while also killing anyone who gets in
his way. The success of The Mummy launched a franchise
of films, establishing the Mummy as a staple of the

(03:43):
Universal Monster's lineup, alongside Dracula, Frankenstein's Monster, and The Wolf Man.
Now let's talk about the Mummy's characteristics. First, there's the walk,
arms outstretched, legs stiff, moving at a pace that would
make a sloth say, pick up the pace, buddy. Then
there's the whole bandage situation. Despite thousands of years, movie

(04:04):
mummies always seem to have perfectly intact bandages. And let's
not forget their aversion to fire wave a torch and
they recoil like you've just offered them a kale smoothie.
Over the years, the Mummy has been reimagined in many ways.
In nineteen ninety nine, The Mummy, starring Brendan Fraser, brought
the character back into the mainstream. This version of the Mummy,

(04:24):
named Imhotep, had powers over sand bugs and even the
laws of physics. He could turn into a sandstorm, regenerate
his body, and even split his jaw in ways that
would make a snake jealous. This film introduced the concept
of Mummy priests, who guard the Mummy's tomb, Sworn to
prevent its resurrection. These guys have the worst job security ever.

(04:46):
The success of the Fraser film spawned sequels, prequels, and
even a spinoff series featuring the Rock as the Scorpion King.
In recent years, we've seen more variations on the Mummy theme.
In twenty seventeen, Tom Cruise faced off against a female
mem Mummy and Universal's attempt to launch a dark universe
of monster movies. Despite the film's mixed reception, it reminded

(05:06):
us that the Mummy remains a fascinating figure in horror
and adventure films. So what is it about the Mummy
that keeps us coming back for more. Perhaps it's the
blend of history and horror, the idea that the past
can quite literally come back to haunt us. Or maybe
it's the Mummy's tragic backstory. Often portrayed as victims of
cruel fate or forbidden love. In our modern world, the

(05:27):
Mummy represents a link to an ancient past, a time
of mystery and magic that we can barely comprehend. They're
a walking reminder of humanity's age old desire for immortality
and the potential consequences of achieving it. Plus, let's face it,
they're the only movie monster you can defeat with a
sprinkler system. So the next time you're wandering through a

(05:48):
museum and spot a Mummy exhibit, take a moment to
appreciate this bandaged battie. Just don't read any ancient incantations
out loud, don't remove any cursed accessories, and don't open
any sarcophag eye. Remember in the world of the Mummy.
What happens in the tomb stays in the tomb until
some archaeologist inevitably messes it up. And there you have it, folks,

(06:09):
the rapt and unraveled Tale of the Mummy. From ancient
Egyptian burial rights to Hollywood horror icon. The Mummy has
shuffled its way into our hearts and nightmares. So the
next time someone tells you to wrap it up, just
remember the Mummy did it first and best. This is
your host signing off. May your bandages stay tight, your
curses remain dormant, and your canopic jars always match your decor.

(06:33):
Good night and sweet mummies. And this has been a
quiet please production head over to quiet. Please dot ai
to hear what matters.
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