Melissa Tittle

For more than a decade, Melissa has been developing and producing motion pictures and television. Her particular expertise is to create narrative stories around non-fiction subjects. Truth is stranger than fiction.
Currently, Melissa is the Creative CEO for Hathor Studios. Hathor Studios specializes in Films, TV shows and short form content that helps form a new narrative. Hathor Studios covers topics such as meditation, human potential, aliens, sci fi and ancient civilizations and much more. Formally, she served as Head of Content and Development for a new network called GAIA. GAIA is the "Netflix" of consciousness with thousands of acquired titles and original content the pushes the boundaries on our current reality. Melissa has written, developed and created new formats for this growing market. GAIA went from 100,000 subscribers when she started to 700,000 subscribers currently. The company has now launched in 5 different languages and in over 100 countries.
Melissa can be considered an investigative journalist in ancient civilizations, sci-fi and the science fields but she also produces transformation content with some of the biggest names in that space. She has produced and written TV shows for several major networks. A few examples of shows she has written and produced are Chelsea Does, Escaping the prophet, Ancient Aliens, The Universe and Hangar One. In the past she dabbled in Film, served as assistant to the Head of Production at Paramount Studios, assigned to such features as Star Trek, Cloverfield and Mission Impossible 2. Melissa has produced behind the scenes mini docs for features films such as Standoff with Samuel L. Jackson. She is well versed in all facets of the industry from pre-production to post. In addition to her production work she also writes graphic novels, screenplays and has become a consultant for new film makers in the investigative space.

Melissa's philosophy has always been to push the envelope of thought. For her, it’s not just about producing entertainment that fits an already saturated market but producing TV and Film that leaves an impression. She believes this translates into a successful product, more revenue and great entertainment that inspires people to think. As a producer she is able to write, produce, shoot in the field and see projects through post-production. She has also been featured and interviewed for several TV shows on her expertise on these topics.

A member of the Producer's Guild of America, Melissa is also a member of Women In Film and the International Documentary Association. Melissa graduated with a degree in TV and Film from the University of Wisconsin Stevens Point.

Episode Transcript

(00:00):
The Paranormal Project radio show. Carare your hosts Scott Allen and Christina Bowen.

(00:42):
Hello, everyone, welcome back toThe Paranormal Project. My name is
Scott Allen and I am here withmy lovely co host, Christina Bowen.
How are you, my dear,I'm good. How are you? I'm
going to Halloween hangover? I know, right, it was very good last
night. I didn't eat all myson's candy. He got a stash.
I gotta tell you. Usually wherewe are, we get if we're lucky,

(01:03):
you might find four places that havetheir lights on to go trick or
treating. And he was invited byfriends to go to a different neighborhood and
it was all the difference in theworld. He had a blast. People
were outside making s'mores, they werethey had bonfires. They Oh, it
was just like the best neighborhood.I love that. Yeah, it was

(01:26):
really good. We only had afew kids in the neighborhood. Now I
know on some of the other sideroads are the main road coming in.
You could see the hordes that movedthrough. We've got some neighbors that really
do it up. And do youknow big stuff in the yard, I
do a little bit. I gotto have my pumpkin out there though.

(01:46):
Yeah. It's well, it's funnybecause I have a ten year old and
he has never enjoyed carving a pumpkin. So every time we'd do it,
he was all gung ho, andI'm the one with my hands in the
guts fulling the seeds out. Andthis year I didn't even and he doesn't
ask us. He doesn't like it, So what kind of a kidness.
It's a weirdo. I've done it. It's I've been doing this forever my

(02:08):
son. I have tortured him andmade him do it as an adult,
and I had my granddaughter so Imade her do it. Yeah, there
you go. Now they have andof course me being a blind person with
a knife maybe not the safest thing. They've got these new they're like metal
cookie cutters and they're really thick stencilsand they come with a rubber mallet and

(02:34):
you just speak them on the frontand bang them in. And it was
the best thing. She had,the best time sitting there beaten on that
pumpkin. It's really good. Iwant to say low to Melissa Blackman,
hello there. And also Gregory Nicholas. Gregory Nicholas is another psychic medium,
and we met him, well,I met Do you know Greg? Do

(02:54):
you have you met him? He'sa friend of Kathy's and I met him.
I didn't get to actually meet Greg. He came through and I was
busy with somebody at the table andI tried to get away and I wasn't
able to. But I hope toeventually meet in person. Greg. I
hope you're coming to Paris Icon becausewe'll be there again. He is because

(03:15):
I asked him, and he's comingon our show in a few weeks,
so we're going to get to chatwith him too. I can't remember the
date, but he's going to comeon and talk about all the stuff he's
got going on. So I'm veryvery excited for today's show. We have
a lovely woman here with us today. Melissa Tiddle is the CEO of Think
I hope I'm saying it right,Hater Studios. She was also the director

(03:37):
of content and development for Gaya.She has a new movie out called Code
twelve and a bunch of other thingsto her name, and you and I
have both met her. We hada chance to chat with her quite a
bit you very happy, very veryhappy to have her here on the show
tonight. So without further ado,Melissa, come on out there you are

(04:00):
wow you so good to see youagain. You too. I'm in I'm
in my basement right now, sodisregard there you go by a place to
go? You know what you needa green screen. I'm in a closet,
but you never know it my bedroom, right, some kind of a

(04:24):
virtual background. How have you beensince we've seen you? It was last
spring when we last chatted. Good, good, really busy, yeah,
really busy. Yeah, it's crazy. It's the end of the year.
I don't know what happened, Likesomething happened between the beginning of the year
and now it's just like a blur. Honestly, where has it gone?

(04:46):
Right? We were just saying thatthe year has just low. Yeah,
now we're talking Thanksgiving in the holidays. It's crazy. Yeah. Did I
say it right? Is it Hayteror half or half or like okay half
our studio? Yeah, that's great. And in your movie Code twelve was
produced with Halthor. Right. Wehad a chance to watch it yesterday,

(05:11):
so we sat down and buried ourselvesinto it, and I tell you it
makes you think, yes, definitely, I know it's some parts are complicated,
but so half Or Studios I found. I I founded because I have
worked for every mainstream network and thenI left LA to then become head of

(05:36):
content for Gaya and when when Idid, and I was there for five
and a half years, so youknow, it was definitely in the space
a lot. And then I createdhalth Or Studios because I kind of I
wanted to have something independent away frommainstream, away from Guaya because they have

(05:57):
their own narrative of things too,and be more of a channel for new
ideas to get out there. Andthen I can use my means to go
into the mainstream and and and makeit happen. So and you know that's
and that is the purpose of howour studios is to is to create new
concepts and then get them into themainstream. It's a difficult job, but

(06:20):
but I just feel that it's timeand people are ready. You know,
they've watched the same kind of shows. It's time for like a little bit
of a little bit different programming.I think. So you have a nice
approach to it too. I meanit's really, like I said, very
very thoughtfully done. I think Idon't know how you research all of this
stuff and get all the information youget. It was fascinating to watch.

(06:45):
How long did it take you toput that movie together? I mean,
is it years of research that youjust sort of put together or yes?
So basically it's been like ten yearsof researching. So it kind of started.
I mean, I've always had adifferent outlook on life, you know,
which is why I fell into thecategory that I did. If it

(07:09):
wasn't that, it was it wasscience, it was space. Like I
was always fascinated with that, whichis why I did a lot of you
know, I worked on Star Trekfor Paramount Studios, you know, like
and I did the Universe show atHistory on History Channel, which is their
first attempt on explaining you know,big concepts to people on History Channel.

(07:29):
Right, So I love that stuff. But once I started with ancient Aliens
million years ago, I just everythingin me. Yeah, There's just something
in me that was like, somethingseems so familiar and it's not what I'm
writing about. There's something going onunderneath it all that that I want to

(07:53):
figure out, and that just piquedmy interest. And then throughout this time,
all of a sudden I started topiece all these pieces together. You
know, these different people with differentresearch and what they're doing and what they're
unraveling. And one of the thingsthat I think that a narrative will take
you, whatever the narrative is,whether it's an alternative narrative or mainstream narrative,
is that everybody wants you to lookin one direction, this way over

(08:16):
here, and I'm always like,what's over here? While everyone's looking over
there, what are we missing?And so, you know, over ten
years of kind of gathering stuff,this film I think took me about two
years to finally put together because therewas pieces of it. While I was
filming, I'm like, I needsomething, There's something else I'm missing,
And then all of a sudden somebodywould reach out to me, or I

(08:39):
would come across somebody's research and I'dbe like, all right, we're good
now. So what was your bigaha moment? Was there a big aha
moment for this big aha moment?I think there are several. There's just
there's there's this thing I have whereI started to to merge the personal part

(09:05):
of this, which is and Ithink a lot of you listening maybe the
reason you're listening is that you're havinga personal experience, whether it's paranormal or
it's alien, or you're having somekind of psychic intuition. Right, we
all have these stories of something thatkind of haunts us. It doesn't have
to be bad, it could justbe this is something that that was getting

(09:28):
our attention, right, And minewas these symbols, the circles, concentric
circles, the well pointed star situation, this this uh, this, this
this thing with the center. I'mlike, what is this? You know?
And I kept seeing these numbers andI guess this was the thing that

(09:50):
haunted me, and I and Idove deeper, and really, what all
haunts us is a piece of whatour soul is trying to get out,
our contribution to the whole of consciousnessand what that means, and our morphogenic
field that we all share, andeach of it is different and it's all
important. And I guess this ismy piece into that contribution that I wanted

(10:15):
to give from me personally, becauseI usually write for other people, or
I do their shows, or Iwrite their questions, or I make them
look the way they're supposed to look. But this was me saying I'm running
this studio. This is something Iwant to contribute to the world, and
the studio is covering lots of people'sthings that are doing the same thing.

(10:39):
You know. I think for mein watching it is is you get this
understanding that everything is so organized,for the lack of a better word,
planned, planned, And how isit that people millennia before us knew this?

(11:01):
And where did it go? Whydid we lose it? How did
we lose it? I think youeven said that at one point in in
the movie, you know, howdid we lose this? I think that
catastrophe when it happens, not onlydoes it wipe out a certain amount of

(11:26):
the human race, but it alsodis rupts our mechanism, and so we
become in survival mode, right,and so there's these kind of lost sciences.
But what's gonna what's gonna happen,what's gonna help us right now?
Right? Kind of construction? Andso I think that in those processes of

(11:48):
human disaster, I think some ofthis stuff has been lost. I mean,
we talk about the fall of Atlantis, and I do definitely that in
this documentary. I would love ifyou would dig a little deeper on that
because that when that was presented inthe movie, my mind was just blown.
I've never seen it presented with thattheory. Yeah, you know,

(12:13):
I started this journey. I meanwell, I mean, as you know,
the journey started a while. ButI started looking at Atlantis, like
what does atlattice really mean? Likeeveryone's looking for it, you know,
and where are these patterns either natural? Like the way that Plato describes it
as this city with the concentric circles. It's in the in a body of

(12:35):
what's at island with concentric circles.It talks about the beings there being highly
advanced and then something they misuse theirpower. Right, we all know this
story, right, And I thoughtto myself, Okay, everything in mythology
is symbols. It's it's a representationof an event. When we talk about

(12:58):
the gods, the goddesses and andyou know the Sun of Apollo coming down
with the chariot and burning half theearth. That's there's no chariot. There's
there's probably a solar flare that thatthat burned through the earth, right,
Right. We think of things oflike how they're explaining things to and so
when I think of Atlantis. Ido think that it existed, but the

(13:22):
symbolism to me is part of theunderstanding of what the Atlantian people understood.
So the concentric circle line, theway that the Beans use the technology,
like the idea of Atlantis is partof the technology. And what we learn
about Atlantis is that there's a fallfrom grace. The island is destroyed,

(13:43):
right and and all the beans fromAtlantis perish. Some people believe that it
wasn't that they all died, theyjust fall. They fell interdimensionally. So
it's as if that wherever we werein that place and time, there's Atlantis

(14:05):
being represented by a moment in timewhere we fell from the amount of dimensions
that we could access to three insteadof using you know, this is arguable,
right like seven, eight, ten, twelve, whatever, what was
where Atlantis was at and that hadto do with some kind of technology.

(14:26):
Now we don't know anything about thistechnology. There's the idea of this kind
of cosmic egg in the center ofthe concentric circles. This is represented by
William Henry's work that he talks aboutthat he was researching in the Temple of
Seti and Abados. But that's it. So could atlanis itself the understanding of

(14:50):
the beans in the concentric circles bepart of an actual symbol of a technology,
and that the great fall. Itis not just the island, but
the great fall of all of usdescending into another dimension. I'm gonna have
to sit and rewatch this like fivetimes, and I said the same thing,

(15:13):
I've got to go back and watchit again because it was so literally
literally got a review that said Iwatched it four times and every time,
and I'm like, that's good.Then, I mean, I just I
mean, I don't want it tobe boring, but I mean I want
to present something new so people cancome up with how this is their truth?
You know. And circles, Ohsorry, yeah, I can see

(15:37):
these concentric circles that are everywhere andjust fall. You know, they just
applied on so many things. Andyou know Stonehenge to to even artwork.
You know, you talked about DaVinci and all of that, and I
don't know, it's just sort ofon the same. But a little aside
Stonehenge. Have you ever been toNew Hampshire to the Stone Hinge here America's

(16:00):
Stonehenge? No, I haven't.I haven't. That's on my list.
That is about it's just thinking thatall right, ten to fifteen minutes from
where I live. I actually ranan event there last year and it's fascinating.
It's different than the Stonehenge in England, at least in how it looks,

(16:22):
and they uncovered all of this,they've been excavating it, but everything
like Stonehenge in England is perfectly aligned. There are these quote unquote windows that
you look through when they're lined upperfectly with you know, certain the sunrise,
the sunset, the astrological signs,and it's absolutely fascinating and it's right

(16:45):
up the road. And so ifyou've ever come out to New Hampshire,
of course I'd love to take youup and show you. But it's really
very very interesting because it's the samething and it's all this the circles,
it's it's just different in the waythat it looks. But some people,
some organization or civilization I should say, many many many years ago, set

(17:07):
this up in very much the sameway. Yeah, and why and why
and same thing with the pyramids inEngland. You know, why are they
the way they are? And youknow you talked about them being these these
I don't know, lack of abetter word, there's a purpose to them

(17:27):
other than there's a place that wecould crawl into and put people and others.
I mean, there's a purpose forthis. You know, energy is
creating energy and all these other thingsand how and I don't know how it
works. It's it's just a fascinating, fascinating thing. Really. Just looking

(17:48):
here, we get a saying Hifrom New England. Love you Christina Medium
Sky Arrays have to catch you alla great show. Oh that's nice,
thanks for joining us. I'll payyou later, Amy, Yeah, right,
yeah, I didn't think about that. I should pay some people there

(18:08):
you go. It's amazing what twentybucks will buy you these days. Yeah,
I think it's totally fascinating. Ithink that one of the things that
that I present in this film isa theory that a lot of people talk
about. But the idea of thehundredth monkey theory and the hundredth monkey theory,

(18:30):
if you're not familiar anybody who's listening, is that it's it's it's a
scientific study that was done on inJapan and there was at there's an island
outside the coast of Japan, andthey were they were watching and observing these
monkeys, and one monkey had figuredout they weren't eating these sweet potatoes because
they didn't know how to eat them, so they just kept leaving them.

(18:52):
They already kept poking at them,and one monkey figured out how to kind
of peel it, wash it andpeel it, and then that cut on.
And then once one hundred monkeys onthe island figured out how to do
this, they're all eating sweet potatoesright, all of a sudden, simultaneously,
the same species of monkeys on themainland are doing the same thing.
Now, nobody came over in alittle boat and said this I do the

(19:15):
sweet potatoes and taught them how todo it, or showed them. They
picked it up from a morphogenic field. This is the scientific study. So
the the kind of idea is thatthen we as a species, as humans,
are sharing that morphogenic field. We'resharing our own morphogenic field, so
we're constantly putting things in there thatthen we are grabbing from to take down

(19:36):
as information. So the idea ofthe concentric circles and the stone circles as
you were talking about New Hampshire kindof mimic the stone circles in England and
some other places. This I feelis in the frequency. This has been
downloaded by the Shamans or the peoplethat are really in touch with that there,

(19:56):
and they're like, we have tomake the circle and we have to
align it to the equal or wehave to align it to the summer solstice
or whatever the meaning was the thingthat they had to But as you said,
all of them have almost the samealignments, right, whether it's the
summer soulstice or or the equinox,they all have a purpose and they're specific.

(20:18):
So here we are with this idea, like, think about all the
things in your life, like,yes, we have all these monuments their
representations of something, think about everythingthat you do. Where are we taking
that information from these ideas from Ifwe're just recycling these things together, we're
saying they're either original or we say, you know, that's old, this

(20:44):
is the new. But but youknow, the idea of a morphogenic field
is that it does trap us intoour one thing that becomes their consciousness.
But we can change it, sowe are active participating in our own prison
right and we can change it tograb different things down from the field.

(21:08):
And I think a lot of youlistening. You know, you're obviously on
this podcast because you're into things thatare a little bit different. You're into
kind of asking bigger questions about theunseen. And I think the more people
asking those questions, the more thingsappear in our morphogenic field, and we
have more answers, and I thinkwe're contributing to that. So it's a

(21:29):
bigger concept to think about. ButI think that the unknown is where all
the all the most amazing information isthat the further we can go in our
minds and discover the things we can'tsee, the more we discover about what
it means to be human. Right. And you know that's such a good

(21:51):
thought too, because you when Iwas thinking this as as I was telling
you about the New Hampshire Stonehenge.It's fascinating that although it's different, it's
very much the same in many,many, many ways. But it's not
the same people that said, Okay, we've built one in England, now
let's go over to you know,America and build one there. I mean,
there were people doing this independent ofeach other, on two different continents,

(22:17):
and yet there was no Google,There was no interne Google, there
was no plan. It was justthat's what was happening, and the fact
that it was happening is fascinating tome. Yeah know, it's just absolutely
fascinating that people would think of doingthat. Right. Well, I mean,
I think I was reading the otherday that they found the first like

(22:40):
carved circle that's like two hundred andfifty thousand years old. Somebody purposely like
took a stick and split it andlike created a center and then did a
perfect circle and like carved it,you know what I mean, like that
kind of perfect and you know thatmight not be a big deal for everybody,
but but why did they car Likewhy why the circle? Why not

(23:03):
the square? Nobody like squares?Just circles? Isn't that the truth?
Well, you know stick it's odd? Yeah, why And you know,
speaking of circles, let's I mean, you want to talk about circle,
let's talk about crop circles. Youknow, how much have you how much
experience have you had with that?That's about your Yeah, I mean I've

(23:25):
covered stories on crop circles, I'veincorporated some people's research onto it. I've
never been to one. I'd loveto. My understanding is, you know,
the ones that are really unknown.They're sacred geometry shapes, but also
when you're in the presence of them, they have a frequency, and a

(23:47):
lot of them, a lot ofthem are concentric circles, not all of
them, of course, there's allsorts of shapes out there, sacred geometry
patterns and stuff like that, butthere's some kind of power inside of them.
So, you know, let's talkabout that for a second, because
who made the crop circles? Right? That's been the question, hadn't it?

(24:11):
Like nobody knows hurt in the morning, who gets up super early and
you know somehow cuts in, somehowperfectly. Did you just hear that?
Did you just hear that? No? What happened? A voice just came
through. Now, I heard itin my ear And this sometimes will happen,
because this is what happens when youget sensitive people talking together about stuff.

(24:32):
A voice just came through. Aman just said nobody does oh wow?
And I think when we play itback, you'll hear it. It
wasn't me, no, but Iheard it, and you two are much
too dainty to sound like that,so it's not Is there anybody else around
you? I don't know. That'snot a word used for me very often.

(24:56):
I enjoy it. It's a compliment. I'm reaching out here. Did
anybody else hear that? On yourend? I know you were. It's
hard when you're talking to hear it. But if anybody who's listening actually heard
that, would you just write somethingin the in the chat, we definitely
heard what I think may have beenan e VP or something. And this
is not the first time this hashappened on the show. We'll have to

(25:21):
do a replay right away. Idid, yeah, Bobby, Yeah.
Bobby says she heard it too.Rachel says she heard it as well.
How strange, Scott, I thoughtit was you. No, no,
not at all. A fancy boys. It would have been better if you
would have just told us who theyare. Now, whoever's there, come
on and give us a name.That's fascinating, like I mean, come

(25:45):
on, don't be captain obvious.Hi Joe, nice to see you.
Yeah, you know, it's it'sfunny though. I will look back on
that after because I think it's fascinating. But I think that the crop circles
and why have we never on oncamera? I mean people have surveillance cameras
everywhere nowadays. Seriously, there arecameras on everything all the time. How

(26:07):
come we haven't caught anything happening.Yeah, that does give the kids or
the farmer waking up really early atone o'clock in the morning to make a
pattern of aliens kind of out ifnobody can verify any footage ever unless they're
that good. But yeah, there'sjust something really interesting about that. So

(26:33):
the concept of aliens, right,or some other otherworldly being creating these and
leaving them behind again poses the samequestions you have with any beings that aren't
human. Why would they do this? And what do they want? Right?
Where do they come from? What'sthe point? You know? I

(26:53):
was just about to say something theysay in ancient aliens all the time.
I was like, could it be? But could it be for real?
Could it be that that they're creatingthis in another dimension and it's lasting imprint
is just is kind of the twoD version in our three D reality in

(27:18):
a crop circle? And then whywhat are they trying to tell us?
Are they trying to communicate with ussomething? And I think that the presence
of paranormal activity and aliens, Ithink is poking us to really understand how

(27:41):
the universe works because we are notlacking the ability to see them. Right.
You two are very intuitive, soyou can see more than I can.
I can see patterns of numbers andstuff like that. But but we
all have this ability, like wecan travel into dimensionally. We just haven't
figured out how the universe works.And I think that their existence is constantly

(28:02):
poking us to go further to understandhow, not just through physics, but
through consciousness, how the universe works. And so these events just with the
crop circles, it's again, it'slike, I mean, besides saying hi
and leaving an imprint, like,what would be the point unless what is
the point? Right? Exactly whatis the point? And I don't know,

(28:25):
have you ever heard of them happeninghere in the States or is it
mostly all over in England and Scotland? South South Africa? The somebody typed
in some yeah, Robert had said, in the geometric patterns in South Africa.
Yeah, guys, I'm blind thatSouth America, South America. Sorry,

(28:47):
you're the blind one. And Iwas talking, so I was like
only grabbing it for a second.Robert is actually right here in the studio
with me. It's on the otherside, just as an asside. Robert
and I have a show tomorrow.Robert is a filmmaker producer himself, and

(29:08):
we've written a show and I'd loveto tell you about it when we're off
the here, because I don't wantto usurp your time, but we're talking.
Our show is called Providence of theHeart and it is about these little
coincidences, synchronicities. It's about theopening to mediumship and the and the and
the ghostly apparitions and the near deathexperiences and all of that. And we
go live tomorrow night at the AlleyTheater in Middleborough, Massachusetts. So this

(29:30):
is the first time it's been seenanywhere. So he's sitting over here while
then he's texting, so anyway,he's watching the show on his iPad or
his phone. Al but anyway,So yeah, so I think that it's
a it's a fascinating thing. Really, I think it's absolutely fascinating. This.

(29:52):
I don't understand where they're coming from. Do you believe I mean,
do you have a feeling on whetherit's aliens or what. I know people
have tried to debunk this and youknow that kind of stuff, And I
suppose that's important. But I dothink there is such a supernatural element to
this. Are we just talking aboutcrop circles or the crop circles, you

(30:15):
know? Still continuing on with that, I think, I mean, some
of them can be some of themcan be debated, right so, and
some of them just can't. SoI think that the idea that we're always
we're always trying to trying to quantifythem by the science that we do understand

(30:36):
is really important. I here's thething. I think that there are many
truths. So when you're always lookingfor the truth, you find the one
that resonates with your belief systems andhow you feel. And I and I
feel that in this field, forme to stay a journalist, I have

(30:57):
to accept that there are many truths. So in that process of interviewing people
and investigating things, I look atthee I look at the the person and
the place and the time and thethings, and I, you know,
I analyze it from a journalistic point, But I never to myself say this
is so crazy it can't be true. Because in every crazy story, no

(31:21):
matter if you believe it or not, or if they did it themselves,
well, he is the brain oftruth. In there and what that is
is the most important part. Andso what I can say from all the
investigations I have done, not necessarilycrop circles, but I would say alien
activity. And you know, Ithink paranormal activity fits in that because we're

(31:41):
not quite sure you know, whatdimension they're in, uh, possibly,
but they can travel in and outand communicate that there is a phenomenon happening.
There is one hundred percent of phenomenonhappening. And why it's happening.
There are many different people that havedifferent ideas of why it's happening. But

(32:02):
I but if I look at itfrom a really big view and I take
all those truths together, I wouldsay something is trying to get us to
join in in the universal understanding ofof of of what it means to be
human. We are we only likethis much of what it means to be

(32:23):
human. We think that we haveto be trapped in this situation in our
in our meat lockers called our bodiesand all this kind of stucher. I
like that I'm stealing that it's alittle morbid, But I honestly think,
you know, even there's some terriblethings that happen to people they get they

(32:44):
get haunted by you know, terribledemonic creatures, or they have awful abduction
stories. Right, But there seemsto be like this challenge, like you
know, join us, like notjoin them, be part of their cult
if you will, or their groupor whatever is happening out there, but

(33:04):
that we like we had there's somethingthat we need to understand about us that
seems to be just that they wouldwaste their time poking us this much,
and what is that thing? Idon't really have answers for people. I
have tons of ideas, but thatthat doesn't mean I have an answer for
somebody. I just think that whywould all of these things evil, good,

(33:29):
possibly enlightening, possibly wanting something fromus? Why spend all this time
poking through dimensions to find us?Unless there's something we have that we just
don't know what we have, Idon't know. That keeps me going some
theory, it is a theory.It's fascinating. I don't know. I
don't know why, you know,unless they're I don't know. I know

(33:52):
a man who is he's a clientof Mind. He's coming on the show
in a few weeks. He's analien abductee and he has been and since
he was a child, and hesays, you know, I don't really
trust them. They seem all kindof benign, he says, But I
think of them like the vet.You know, it's nice dog, nice
dog. Here's a shod die,you know. And he worries someday that

(34:14):
that's you know, what is theirpoint? What is their point? What
is the purpose? And why areyou here doing what you're doing? You
know? Yeah. They never tellhim, they never they never tell this.
You know. It's this experiment andit's that experiment, and you know,
but but at the end of theday, he doesn't really understand it.

(34:35):
Yeah, you know, he doesn'tunderstand it. My own theory on
that is that I do believe obviously. I mean, I am one of
the weirdos. I believe in allof this. But I don't think all
the aliens are necessarily all that sunshineand roses either. Yeah. I think

(34:59):
you know that there's some that areobserving and helpful, right, but then
there's those that aren't. That's justmy own theory. Well, if you
believe good and bad exists, itwould exist everywhere. I would imagine It's
about balance. Yeah, and alsoGod I was reading something the other day,

(35:22):
so I'm not gonna say I'm gonnaruin it, but like totally botch
what it was. But the ideaof duality is a form of defining our
third dimensional existence. And it makessense because we live in that, right,
But there's so much more beyond thatthat that that we can't define because

(35:51):
we don't understand it within this matterfilled world, right, And and I
know that that when I talk likethis, my movie's very scientific because I
didn't want to go far into thespiritual stuff. But this is like spiritual
talk about this idea that there's onlyone frequency and there's all these different bands
of it kind of existing at thesame time, that there is no separation

(36:14):
between this guy and his experience,right, experiencers that are having this thing
with him. It's it's like whatis that frequent? Like what is he
tapping into that's that's allowing you tokeep happening? And then the why is
really are like are you if youif there's only one frequency and there's all

(36:37):
these different bands, right, there'severyone's going the same way that if you
just switch are then you're going You'regoing in the same direction as everybody else.
You're not avoiding it, but youare now tapping into something totally different.
And I know that from a quantumphysics standpoint. This is something that's
been talked about a lot. Theunified theory, the the unders yan of

(37:01):
the unified frequency model was the originalmodel and then it turned into multidimensionality so
that we can make more sense outof it. So this this, That's
what I'm saying, Like, ifwe really understood where these things were coming
in, how they were infiltrating oursystem, we could change that frequency completely

(37:22):
so that we weren't having infiltrations.Yeah, and you know, I think,
you know, speaking of frequencies too, I think a lot of this.
Soon we talk about people who aremediums. I liken it to a
dog whistle. Really, you know, you can blow a dog whistle,
it's on a different frequency and thedog can hear it. They're capable of

(37:42):
picking it up and we're not.And I think it's that way with mediums
and people who are sensitive. Youcan tap into a different frequency. You
know, I think it's all righthere. I think it's all right here.
It's just what you're capable of perceiving. I believe. Yeah ahead,
Oh, no, you go ahead. I would ask you because in your

(38:04):
movie you talk about that you've hadthis vision in this dream over and over
and over again. Is it alwaysthe same? How long has this been
going on? Has there been anychanges since you made the movie? Oh?
Very good question. So i'd sayabout since I was ten, and
it kind of went on until mylate twenties. But by that point it

(38:29):
was like ingrained in my head.So and I don't yeah, so I
don't like I haven't had that dreamsince, but it was so vivid,
and the more that I found aplace for me to tap into in my
meditations. When it kind of ended, it was it was like, okay,

(38:50):
well, and I don't even thinkit was something else. I think
it was really just my higher selfor or something I was tapping into that
was creating an experience that I wasexperiencing so I would understand something. I
don't think it was like a pastlife or anything like that. I think
it was just very like, verylike understanding this be the point of view
of this, right, and thatthat. Yeah, I'm glad you said,

(39:16):
because I was going to ask youif you felt like maybe this was
past life kind of thing that wascoming back you were remembering, So you
didn't feel that way at all.Well, I mean I think when I
was younger, I defined it asthat and I and I because of course

(39:37):
I've probably had other lifetimes on Earthwhere I was doing stuff like that.
I mean, we kind of gravitatetowards the same thing. We probably all
were having a conversation in a templeat one point, and now we're back
I'm in a basement. But youknow, I think that that power or

(40:00):
that I understood was definitely in apast left tip. Whether that scene from
the dream that was just the exactsame way all the time happened, I
don't know about that, but Ithink that what I understood in a past
life definitely existed and it was bringingit back. It was like, you
understand this, this is how itworks. It is. I have one

(40:21):
more question and then I'm gonna letScott finish off. But I got it.
Do you really ride that bike?And was that car yours? Okay?
I did ride the bike. Ilove Triumphs, I don't do not
own one, and I wouldn't putmyself on on a road trip or anything
like that. And the car Irented because I love old Mustangs. I

(40:45):
was honestome, I just I justthink that sometimes we talk about all this
like really heady stuff and it's likesuper boring and just people are talking to
you on a screen and they havethey have, they have something better,
like they have they have like youknow, they have like a green screen
behind them, and they're talking aboutall this really deep stuff. I was

(41:07):
like, I'm going to get motorcyclesand fast cars and we're going on a
journey. That's great. But youwon my heart that way, so yeah,
and I am going to go backand watch it. That was really
hard to drive, have you guysever there's I mean, I'm sure people
have like old cars to stuff it, but I love the old nineteen sixty

(41:30):
five sixty eight Mustang. I'm superfan. Right, but we forget that
power steering is really cool. There'sno power steering right right, right effort.
Now. I was in a wewere shooting in a desert and it
was August, so it was likeover one hundred degrees and I totally forgot

(41:51):
there's no air conditioning. Like itjust was. It was more up about
than I thought you could have done. That was yeah, that's funny.
Rachel is asking what is the nameof the documentary. It's Code twelve,
is that right? Yeah? Codetwelve, And right now it's on Amazon

(42:12):
Prime. It should be on Applein about eight weeks, but right now
Amazon Prime you can watch the movie. We will be coming out with a
Summit, and the Summer will basicallybe the movie on a platform that you
can access from anywhere and if youhave a smart TV, you can hook
it up. You know, youaccess the Summit from like a platform,

(42:35):
and then you know, you canput it on your big TV everything.
But it'll have the movie and thenit'll have all the extended interviews. So
the movie only has you know,eight minutes of each person, right because
it's a movie, you don't putso much of each person in there.
But there's two hours of interview foreach person really explaining their work, their
devices, they created, the stuffthat they do, you know, that

(42:57):
kind of stuff. So and peoplelike are like, what's going on here?
This is your deep dive. You'vegot like over twelve hours of concept.
When you say a platform, givemean a platform like Gaya has a
platform and that type of a thing. No, kind of like a like
a Vimeo platform where they can justdownload it. Oh, I got you.
Okay, okay, I wasn't sureif you were doing your own network

(43:19):
kind of thing. No, no, no, no, okay, good.
I do not want to do that. That's a lot. That's a
lot making really strong a network.No, thank you, thank you,
thank you. So if you startedyour next project, what types of things
you like would you like to workon with this new Well, I definitely

(43:43):
want to get into the alien conversationfor sure, not that I haven't been
in it, but but to toget have a unique take on on what's
been happening from some of the theway that I do journalistic cover I am.
There's another documentary that I'm working onthat will be coming out soon,

(44:06):
if not by the end of thisyear, definitely by January. And that
is a scientific study that's happening allover the world based on meditation. Oh
wow, meditation. Wow. Yeah, I'm a huge fan. I love
it. It can do so much. Yeah, it's it's gonna be pretty
exciting. I'm excited about that one. We've just started getting that out so

(44:31):
and then yeah, yeah, soI'm just I'm pretty open. But those
are the kind of things that I'mthat I'm going to be working on,
and then I definitely want to doa series of Code twelve the movie,
so it's ninety minutes on Amazon Prime, but I really want to do an
actual series where we can spend fortyfive minutes in you know, the Temple

(44:55):
of Seti or the Tomb of Seti, which we talk about out in this
documentary that reveals something very important twelvegates, and really get into that and
interview people and just be there asa cog in the wheel for the bigger
concept. I'm really working on thatbecause I think that would be mind blowing
and more information slower. Mone Ithink too where you talked about getting into

(45:17):
the whole alien contact thing too,because you do have a podcast still Cosmic
cant Where where can people uh lookfor that Cosmic Cantina Spotify, iTunes,
iHeartRadio, and then I think we'vebeen acquired by some other platforms too.
But yeah, we have It's meand two other sci fi writers and we

(45:40):
we uh, we have a goodtime, very serious stories. We talk
about everything from paranormal to aliens,Bigfoot to two crazy matrix stuff, you
know, like all sorts of stuff. But we had, we have a
couple of drinks, and and wekind of give each other ship. But
I think it's good sometimes here.Yeah, it's good. We have a

(46:06):
good time here too, don't we. Huh oh yeah, yeah. Nobody
knows what's in the cup. Nobodyknows. Nobody knows. It's a secret
on your show, not mine,really talking about all of our alcohol drinks.
Is the person sure it's water?She's lying, she doesn't know,

(46:29):
you know, yeah, my gosh, my finger in the cup. And
then when it hits it, Iknow to stop. You know you're done,
you know you're done. Perfect loveit. I don't know, And
sometimes I would love to chat withyou, I think, I think,
Melissa. I mean, obviously wedid spend a little bit of time together
in Ohio with Greta having having dinnerthat night, and I don't remember if

(46:52):
I told you, But for me, all of this started a while back
to with an alien experience, whichI love to chat with you about some
time, because I think it's Ireally think that although the experience itself is
somewhat insignificant because it was just thatone time and it was over before it

(47:13):
started, but I do think alot of the mediumistic slash psychic stuff happened
right at that point. It startedto kick up a little bit, and
I think that that's fascinating, andI didn't think about it until years later.
You know, when did this startto really take off? I mean
there was you know, empathic thingsgrowing up, but at that moment things

(47:36):
changed. That's you know, askyourself, is it because your perception of
reality then expanded? You were actuallyable to receive the gifts you already had
before that. You're like, theidea or the concepts you couldn't even grab,
but just think of it like you'relike, that's not a human what

(47:57):
is that? And then it nevercame back right, never happened again,
So learn your lesson you. Youwere able to gravitate you were you gravitated
towards the things that you already havethat you were supposed to acquire. So
that's what I mean about them pokingus all the time, like trying to
get us like understand literally poking poking. I heard someone explain it the other

(48:21):
day, like they whoever they is, think of like a kindergarten teacher.
We're the kindergarteners and they keep shovingus toward the answers and trying to show
us these things and want us tofigure it out for ourselves so that we
can grow. But are we well? I would say eighty percent of the

(48:45):
people that have these alien encounters doacquire some kind of gifts. There's some
like I like, yeah, I'mthere's some people I don't know about the
guy who's coming on your show.Actually he did say that to me as
well, because I've had this conversationwith him and he said that that was
common. But to hear it fromsomebody else, you know, is it
reaffirms that I don't. When Isay eighty percent, it might be higher,

(49:07):
But I would say eighty percent ofthe people are all of a sudden
they are clairvoyant. All of asudden, they can they can see stuff,
or they've there's things that they're youknow, they like. There's one
woman who had multiple abductions. Shehad an implant, she had it removed.
It was a whole thing, right, She all of a sudden was

(49:30):
downloading quantum physics like you know,she was grooming dogs for living. She
wasn't interested in quantum physics, andall of a sudden she had like her
mind was full of just information thatshe never had read or looked at,
you know. So again it's there'sthings that are I feel each individual person

(49:52):
is supposed to bring through their truthto make up the many truths and the
there's things constantly poking us to geta little bit closer to the unknown,
to what that is. And andso I just think these experiences are constantly
reminding us. All right, thatwoman now she's writing about quantum physics,

(50:17):
that it's incredible. So, Melissa, we we've hit just about the end
of our time. You know,we have a couple which is I'm telling
you, it's always great. Wehave a good guess, it just flies
by. I do want to say, I want to give you a minute
just to let people know where theycan see more about you, your website
and where they can hear you andand and whatever else you've got going on.

(50:39):
Great. Yes, So my websitefor half Or Studios like the Goddess
ww dot halflor Studios dot com.So it's h A T h O R
Studios dot com. And you canfind out about all of our stuff.
You can see all those things we'redoing and who we are and all that
kind of stuff and then code twelvethe movie. If you're if you just

(51:04):
want to learn more about it,and you're like, I'm not sure,
if I want to watch it onAmazon Prime, you can type in code
twelvethmovie dot com and you can watchthe trailer. You can see who's all
in it. You know, youcan get all the information you need.
Uh If if you're not sure,if you want to go to Amazon Prime
and watch it. And then Ihave my own wife website, Melissa Tittle
dot com. There's a couple ofthings on there. It's a bit old,

(51:24):
but you know you can find methere. And you spell you spell
your last name a little bit differentjust so that they can find you.
It's t I T T L noE. Correct e. I know it's
very weird tittle, but no e. So Melissa Tittle t I T T
L no E. That's right,no e, but don't type no e.

(51:46):
Just it. Yeah. I wantto thank you so much. Cantina.
Check out Cosmic Canteen Spotify and alsotype in that the Cosmic Cantina If
you want to find out more aboutall of our stuff, Let's see do
I have anything else? I thinkthat's it, and then well we'll let

(52:07):
your audience know when we do whenwe've sat the summit. So if people
are really interested in the last yesand the watch all the extended interviews from
everybody, that will be it.So I want to thank you for being
here today. I just like toremind everyone that tomorrow is opening night for
Providence of the Heart with myself andRobert Neil Marshall at the Alley Theater in

(52:27):
Middleborough, Massachusetts. Tickets are stillavailable and there is a promo code.
It's POH like Providence of the HeartPOH ten the number ten and you can
go to Providence of Theeheart dot comand get tickets there, or go on
my website Mediumscott Allen dot com alaand you can get your tickets there and

(52:52):
save yourself. So tickets are reallyaffordable. I think they're twenty five dollars
worth a ten dollars dollars off.They're only fifteen dollars to come to the
show. Our seats available to ourrownight. We would love to see you,
and there's a few other events comingup too. We'll be at the
new Bedford Kilburn Events Center in Decemberand in January we are at the These

(53:16):
are galleries. By the way,these are not these are not the Providence
of the Heart. But we're goingto be at the Bull Run in Shirley,
Massachusetts. I'm going to be inNaples, Florida at the end of
February. I've also got a coupleof more events coming up around Valentine's Day.
We'll tell you later on at thetime. But I cannot thank you
enough Melissa for being here. Ithas been an absolute pleasure. Please hang

(53:38):
on after the show so we cansay goodbye and everyone else. Thank you,
Christina, and we will see younext week right here on the Paranormal
Have a good week, everybody.Thank you again. You've been listening to
The Paranormal Project radio show with ScottIsland and Christina Bowen. Be sure to

(54:02):
subscribe so you don't miss the nextepisode. While you're there, leave us
a rating and review. We'll beback next week with more exciting guests.
Now go out there and explore theparanormal