August 4, 2025 • 43 mins
Uncover the essence of Neville Goddard’s teachings in "The Real Neville Goddard." This podcast delivers daily excerpts from his seminal books, focusing on practical applications of his philosophy to help you reshape your reality and achieve your dreams. Ideal for those eager to delve into the real power of the mind.
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Episode Transcript
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Speaker 1 (00:00):
Hm tonight. The law we're told you about it up
that God is not tongue can eat an of us,
(00:21):
for in him we look and loose and has our
des I would like to think that a little. I'm
tolding you that God is never so as to be
here for ms. The drive separation and God and by
(00:45):
our one man is all imagination, and God is man
and a good pen.
Speaker 2 (00:59):
God is known isdination, and that is go in do
you cannot do them? Do eat line that rate, I
get devil you and I go not a firth advertising the.
Speaker 3 (01:22):
Same by the universe.
Speaker 1 (01:24):
And the only wonder cons human emagination is God, that
that buying all things, do the right thing. That's not
even that does following this.
Speaker 3 (01:46):
Now to night, what is tong is you to tell
you that it's all your own under count human amagination,
you might word last starts got handle his song on
the count with boy boy type the sorrow I was
(02:10):
town and sty was sne and down onto them and
though they pass thy God sellers.
Speaker 1 (02:24):
And here and there between.
Speaker 4 (02:28):
Union to take that stir until it to his own
personal game and told his set hunted lost, killing all
at one hundred and seven, passing the boys, but you
would do the touch at.
Speaker 1 (02:46):
A thousand all that he did not prow thouve hundred
and fifteen thousand ns? Did they.
Speaker 4 (02:57):
Go three with the con fire? Hundred and sixty thousand
more time A tester imoginally.
Speaker 1 (03:08):
Plot by one what he had won in the film.
He asked Introduces to resure the film some TV and
that anymore. He refused to pay a spa.
Speaker 4 (03:31):
He was the classic sw to classic and the consume
regardles of Hunted to any other, for.
Speaker 1 (03:41):
There a number of people that may setter as a results.
I did not see in his regrets that he is
going to give the thing comes from his residuous to
Hunted to repay the five hundred and sixty thousand knowledge. No,
he didn't say the pay that that he wouldout make
(04:03):
to the Australian Airport. He's going to keep it. I
write another bout of mountain that he doesn't know what
you know that? Imagine create lece for God, imagainine creates
God is mon the man. Imagine there is no separation
(04:26):
between God and man. Well on, God became as we are,
that we may be as He allowing himself on this
level to make a mistakes in the world, and to
go the sis, and to imagine any stupid thing in
the world. Now, let me share with you of these stories,
(04:50):
these stories by William but Lagate. You can find them
in his volume called Good and Evil, the first Team
out of the term Attentive. It parted his collective works,
but the individual volume has been reprinted I think three
or four times. And this is the chapter with his name.
(05:13):
That's it is that I was sending a vocation in
Paris when I got up early, and I thought I
would go out and get the morning paper before my
host roll. And then I came through and I saw
a little maid laying the table for breakfast. And I
(05:40):
told myself one of those long scuted stories that one
tells only to one self. If something had happened which
had not happened, I would have hurt my arm. And
so I imagined myself with my arm in a sling.
(06:06):
As I passed by. I had so completely imagined myself
my arm in a sling. But I cast my imaginal
act upon that sensitive child, the little girl who can
be preparing the break the stable. When I returned with
my paper, my host st with the door and was
(06:28):
all in different inquiring about my arm. But she said
that the little girl the maid had told her that
mister Yates came down with his arm in a sling.
And I remembered what I had done. I can be
imagined I had I done what I had not done,
(06:48):
I would have hurt my arm, and my arm would
now be in a sling. For I cast my imaginal
act so intensely upon that maid, she saw it as
an actual fact. Now, he said, Just about the same time,
I sawt intentions of a fellow student and a message.
(07:12):
I wanted to give it, but I did not wish
it committed to paper. I wanted chellit him, but he
was not present. Two days later I got a letter
from the fellow students to several hundred miles away, and
(07:32):
just about the time that I had intensive thought of
him and the message, I had paid seemly in bodily form,
as though in the flesh, in a large hotail where
he was amidst a large crowd of people. And he
(07:52):
told me that he would like me to return after
the chowd was gone. And then I vanished and returned
that night at midnight and told him the message which
he told me in his lever. That is that I
have no hunteous knowledge of the projection. I only know
(08:16):
that I intense thought of my fellow students and the
message I wanted to convey. And there are appeared in
the midst of a huge crowd in a hotel several
hundred miles away, and he could tell me to return
later after the crowd dispersed, which I did at midnight,
(08:37):
and told him the message, That is that I could
tell you a number of stories of the power of imagination.
Then he tells the one of Joseph Glenkil which is
a very popular story, supposedly very very truth. That this
student at Oxford University, finding himself well without funds, could
(09:02):
not continue his studies. And so in the day that
he left Dolly because he could not afford the continuance,
he found no job and he joined himself to a
doune of gypsu have Lee Gypsy. One day two students
who knew him at college came upon him among the gypsu,
(09:27):
and he made a sign not to be identified, and
then came up afterwards and he told them, I'll lead
to in the inn that I will explain to you
why you find me among this, teld well. They were curious,
so they went to the inn, And when he came
into the inn, he told him they are not hyper
(09:48):
bankment that he would think they are. They have a
secret that is not known at Oxford. Gun of our
professor is known, and I never heard about it, said he.
So no one knows it. But I'll tell you what
they've taught me. I have learned all that they've taught
me so for and I've improved the funnel. I will
show you what I mean by it. I will leave
(10:10):
you two powers alone, and when I return, I will
tell you what you have discussed in my absence. And
so when he came back, he told them in detail
what they had discuss or everything is the fust And
they were curious that funded file because you had no
(10:30):
choice in the matter. I determined what you were dicis
my imagination, they view it. Their story is all about imagination,
and day by the complete control of their own imagination,
influences your behavior. That's what I learned from it. What
(10:52):
if God makes all of it? Well? In God, nothing
this human imagination. If a man could so control his
own imagination that he influence is your behavior and you
think that you initiate what to do, when it was
the man in control of his own imagination deliber Then
(11:13):
we understand what the posts. All things by a law
divine being one another being mingle. I see you, you
see being? Do we not intermingle? I couldn't perceive them.
If I couldn't penetrate your brains, you couldn't penetrate vine,
(11:35):
you couldn't perceive me. So all things by a law
divine in one another's being mingled. The man who is
in control of his own imagination penetrating the whole vast
world in which he is involved, could influence the world.
So that is the secret. But he tried to tell
(11:57):
these two scholars who graduated Muster, he could ill apport
to continue his study, so he quick because of the
lack of fun that he learned what no wanted opor
could teach him the control of his own wonderful human imagination.
But that is done. The imagination is death, none objective reality,
(12:24):
from with all objects pour forth, just like sudden senses
everything in the world. It comes out of one's own
wonderful human imagination. For death is gone, and there is
no other doe. I know in my own pace getting
(12:45):
in New York City in my apartment for the third
to comfort my sister two thousand miles away across water,
simply stretched out of my bed, I left the living room,
went to my room close to her and asked my
wife not to di stad. And in that interval I
(13:05):
assumed I was in barbadd and on the bed her
her son was dying of cancer. There was no hope
of recovery. He was listed at the age of seventeen
with cancer. And to comfort her, I assumed I was
her son, and actually felt I felt to be her.
(13:31):
I imagine that I saw my sister deathly come through
the door, and then she saw her brother Nepa rather
than her son did. She came over to looked at her.
I saw her, and then I awoke back in New
York City. Eight days later. This is before you head
(13:56):
to the thing as airmail. It came by slow breaks.
So eight days later I got a letter from my
sister death. Because never I don't understand she dated the
least the day that I did what I just did it.
I went to the room to see Billy. I entered
(14:17):
the room. It was you. I came over and I
looked to what should be Billy, and I'm looking at you.
I routed my eyes. I did everything to bring about
the normal vision, and I couldn't see my son Bill.
I am only seeing my brother Never, and I couldn't understand.
(14:40):
Now she began to feel through the superstitions of the world.
Because Billy was dying of cancer, the next one to
go would be her brother Never. That's how she interpreted.
She didn't know what I was doing to New York City,
but what I did did not. He died, He di
of them. But I succeeded in projecting myself two thousand
(15:04):
miles away. Under the bed. I knew so well it
was my father's room. It is my father and mother's
bed there. I knew that that's where Billy was deeping.
While soon I was on that date and I was
actip in the place of Billy. So when my sister
saw me, she will be encouraged to have faith, to
have hopes. But he was so disturbed because no matter
(15:28):
what to date, you have their eyes close and open,
posed and open, and you're still seeing Neville and you
can't see her. ChIL Now, when you hear these stories
from those who are not dying with me. You may
not understand it, and reason will deny it. Well, if
you have an experience, even though reasonable, Isaac, you can't
(15:50):
deny the experience. My sister cannot deny what to act exprimes,
and I could not deny what I did. Why I
came out that night into the living room. A faint
called at the cocktail hour, and she said, never, you
always seem so light and gay, and tonight you seem
so heavy a spirit. I told what I'd just done.
(16:13):
For eight days later, when the letter came, I gave
it to that same woman who was home again from
the cocktail hour, and show her what my sister hundreds
for my wife and my friend who writtenesses to what
I told him eight days in event I had done.
Then came the letter for my sister ask him for
(16:34):
some explanation of him. So I tell you I know
from experience, and imagine he ate the others on this
level we only learn. We're all students, we are simply
in kindergarten, and we go the stot as God certainly
so he made a fortune. Why do this job? And
(16:55):
it's still being shown all over on TV and you're
still get his residuous, and they take his risiduous and
pilot some maybe ivym stop or some other kind of stop.
He hasn't given it away. You write more nonsense, but
it's all now. But he doesn't realize what he's piling
(17:15):
up for himself. Be not deceived. God is not mocked
as a man's soul. So self. You see on the field,
the speciment was setting, and the corn was caun the
silence and the darkness, and so is a man's table,
(17:39):
so that no one thinks he's getting away with anything.
So you misuse your talent, and you'll read seeming rewards
today in dollars and ten tomorrow we will reaping in
another time of pain, another time of payment tomorrow and dollars.
(18:00):
Even saints cannot die, than tens cannot free you from it. Either.
You'll go to the experience of having misused the talent
that you receive. And the talent is the gift of
God himself. God actually became man, that man may become God.
(18:22):
So this is the law I would believe. Learn to
use your imagination, love it on, behalf of eight being
one in this world, because you're going to leap the
fruit off. Whether you use it lovingly or unloving, you're
going to leap the truth thoubands why those who use
a light. God is not a part from man. He
(18:46):
is never not in e geneity, so far off as
even to be male, because nearness in drives separations. That
statement from the seventeenth chapter of actual separation. He is
not even separated. You can't even be near because he
(19:07):
is your own eyes. And you say, oh, that is
and you say I am that his name forever and forever,
and there is no when did you say? Now, that's
a false start. If you're addressing a you, that's a
false start. The only God is I am. That is
(19:31):
my name forever, and by this name I must be
known throughout all generations. So do not misuseic. Now you
can set yourself a goal, any goal. And if you
really know exactly what things will be like, if you
(19:52):
have realized and then enter into that state, I tell
you it will become to you objective. At the moment,
it seems only a shadow, just a shadow, because you
have not entered into the sketch. When you enter into
(20:13):
the set, the set takes on a cubic reality and
becomes objective to you, not to whatever, but to you.
Now leave it alone. In time, it's good time, it
will flower and become what the world called an objective reality.
It was real the very moment you entered it, because
(20:36):
you are the reality. All things exist in the human
of agidacy, but all things you name it did exist
in you. But it exists in you only as a shadow.
It's shadowed. But if you enter into the so called
shadow and told yourself with it, it seems to be
(20:59):
a sketch, and it becomes acutic reality, just like this moon.
At this moment, your hope, you know so well, is
only a shadow. And this room that you do not
know very well, it seems so real because you are
in it. Now. Everything in this world, so called natural
(21:24):
effects is the natural effects has an imaginal cause. I'm
not a natural I'm not for cause. Only then it
is a delusion of the paving member our memory. Here
it's good, it's addoquate for sameness, but it's not perfect.
(21:49):
I'll show you when you go home tonight. Take an
ordinary bolt a magazine, take the cover a landscape or
a post and look at it and know exactly what
you're doing. You're looking at the postcards. Try to memorize it.
Paind as much time as you want on it. Spend
(22:10):
an hour if you want. Try to memorize that part
and you think you know it all right, you know it?
Or turn it over and try to reconstruct it from
your memory of it, and be honest with yourself, and
see how far you are from what you're objecting. Get
(22:32):
when you turn it over. Your memory picture of it
is good enough for sayingness you know the same part
because it is good enough, but it's not good enough
for the active picture. So our memory is all right,
it's good enough for the pall the same. And so
(22:52):
that's why man does not remember what he is imagined.
He forgets what he's imagined. He said to the motion
are when it confronts him as his harvest, he denies
he had anything to do with it. He can't remember
what he did. Now. Every imaginative man in this world
(23:14):
is forever passing I would say, glamors and influence in
the entire world of the passive unimaginative. They're forever falling
under the influence of those who are digit in their imagination.
(23:34):
They are reaping it. And you'll understand the cry on
the cross Father forgive them, for they know not what
they do. For some bigd imagination has compelled them to
act as the eggs. So forgiving the actors any condemnation,
go to the office. And that's the actor. Man condemns
(23:57):
the actors in the drama. Train reader, it is any condimation.
It is the author, not the actor. And the author
of the play is God. For God is your own
wonderful human imagination. This one that extorted five hundred and
sixty thousand dollars from quanted. He didn't conceive it. He
(24:22):
saw it on TV, and I gave him an idea,
and he thought, maybe I can get away with it.
Of who is the author of it? God stirring, there
is stirring. He is the one who conceived it. And
here is an actor who thought, give an idea to
(24:42):
get a half million dollars, and he got it because
there were one hundred and seven souls aboard that plane
and they couldn't run the risks. But it may not
be true. If at a certain all the t it
would go off, then they had to pay that extautness
(25:04):
is five hundred and fifty thousand dollars. And prayed the
lives of one hundred and seven thousand. Hold that play,
so he got the money and he was the actor.
If you catch him undoubted are send him up for life.
But who is the actual pulpit service he wrote it?
(25:27):
Until he's making all kinds of model out of that
that he wrote, and he continues to make it. You
ot to see that came well went for two or
three years at prime time, is now still telling at
other times called Twilight Lan all his bother's imagination. Doesn't
(25:54):
hurt anyone what he does in that way, but he
has letter force him using the talent. But if this
the misuse of challenge and his regrets does not alter
the fact. But in the end no one gets away
with any misuse of his talent. We paid it in
(26:16):
a way that money will never be able to compensate.
As the daughter. So your onnly wonderful human imagination is dull,
and that God is creating all the phenomena of the world.
As this Radi said, Man is not the creature of circumstances.
(26:40):
Circumstances are the creatures of names. We're creating this. We
are not the victim to circumcerni. We are creating circumpensis.
Man is not the creature of circumstances. Circumstances are the
features of names. Benjamin, let don't do something. There was
(27:04):
a man, unable, able, man who said Christianity is the
full pilment of Judaism. Never denied that he was a Jew.
His very name teled degree is Benjamin disgrays. Don't is
(27:31):
how business Benjamin of Israel, That's what is the real
name is never denied. He wasn't Israelized, but he knew
that the Christian faith is partly understood. Was but the flower,
the fruit on the tree of Israel, the full piument
(27:51):
of it. When God as became man and flowered in
man and the whole that's wonderful imagination. That is God
awakened in a man, and he knew that he was God,
and he tried to tell his word, and they denied
(28:12):
that was not what they were looking for, and buried
in every man is God, and in each man he
has to awaken. And when he awakens, he is God.
But before he awakens, oh does he go another If
(28:32):
you make mistakes, the terrible mistakes of the world. But
today will come and we're completely awakened with new man.
When he does he'll be governed by life and nothing
but love until he's completely governed by love. What horrors
(28:53):
we created with words? So the whole that objecting word
is created by the imaginal act of men. Everything now
proven in the world was one only imagine. Don't care
what it is, the simple to the thing you call address,
(29:16):
you wire, the hat, the house. Everything was only imagined
and the executed. It began all in the imagination of mind.
Everything in in this world. There's nothing more in the
imaginal act of men that good dead or in the
(29:44):
to tonight you take me to listen. I know that
you and you alone are responsible for the phenomena in
the world. If you're passive about alert who can be
influenced because all things by a Lord divine is one
(30:04):
another didn't mingle, but it's still the one being, and
so you can be influenced. You and I I tasted
that you could not be influenced to take a picture
shown on TV and it's short a half minkion dollars.
I trust your ethical code is beyond that, but not
everyone is beyond it. Do and I I hope or
(30:28):
the answer things. But there are a number of people
who are not and they will simply be influenced by
the powerful imagination of a writer, a very successful writer.
If it tonight he was invited by some university to
speak on the art of writing to the man maybe
two thousand, three thousand dollars for his a tern and
(30:53):
he knows nothing concerning the story of the Bible. But nothing.
Had he known it, he would not have done it.
So you know it, and he doesn't because he makes
to speek housing if he wants to take it. He
doesn't have to take it. He has so much money
he doesn't need it. But you have what he doesn't have.
(31:17):
You have to the point of knowing how to use
your imagination doesn't on the health of others. This is
the law of scripture from the suit of the law
and the promi. This is the law that your imagine
acts are creating facts in this world. Imagine creates reality.
(31:42):
So what's curitly what you are imagine. And you return
tonight and you're about to go the street, see that
your mind is filled with a love with it imaginal things,
and drop off into that state without let the sun
goes down upon your end. Actually resolve it within yourself
(32:03):
and speak as though things were as you were like
him to be. I'll make your lovely, make them altogether
marvels in your world. I tell it for your own good,
because in the north disconfusions, not only the little sound here,
but the whole datht world will have departed those who
(32:23):
are out taming themselves to be another generation and demanding
passive service. So in the non distitution the old people
who will vanish from this world. It's time that we
all woke up and touch on to what medis is
causing the phenomena of the world. And the phenomena of
(32:44):
the world is called by the imaginal acts of men.
For you take it too, and do not let one
day come to an end without revising and changing the
imaginal acts of the day. I'll make it conformed to
your dream, to your ideals, and literally, just as it
(33:04):
would tell you my only ex crit They will tell me.
You will sit and you will think of something that
is impressive. The world told that a magnet. If you
see something that is present, it's all that sense proceed at.
There you think of something that is not present, they
(33:27):
called that a magnetism. But you will know how to
enter that which is not pleasant to your senses and
your engine into this will give it to the reality,
and it will be just as real as the room.
Since it'sus, it become object to the whole dast world
(33:48):
is just like that. So that will be transcended by
the being that is singing or that beings will reach
to Egypt God Hi himself, which is God. He need
low did a human buyer when he awakes with God
(34:09):
in thinking and there's nothing that is absent for his omnipresence,
so he views everything from there. He is he does
anything else because he's omnipresence, the omnipresent. He sees every
be as they are, and they are not what they
(34:33):
are paid to be. Utlake for the world of saying,
they are what they are. In heart he sees exactly
what they are thinking, what they are feeling, what they
are talking, what they are planning. It is all the
thinking of the her. But when someone tells you will,
(34:53):
why did you happen to seem and not to that
one When he is so prombed to the world, look
what he indeed, he gave a hospital, he indelled it,
he gave a person. DoD he's a heart. He doesn't
see the forty he gave to the hospital, not even
(35:15):
to endow. He sees what no one on the surface.
He is the motive behind the this. He sees everything
behind the door, because he sees everything, because the omnipresent.
He sees everything as it is now. So when you're
(35:36):
told he called all before him and said, no, I
reject him. It is to pick out the one. He
called Jesus. He rejected his brother, but he said, man
judged after the appearance, and God sees only the heart.
So I rejected him. I rejected him. I reject him.
(35:59):
Call the other one than being David. There's a man
after my own heart who will do all my doings.
And so now you'll realize which it is. Seriously, what
is in store for all of us? The end is done.
(36:19):
The orgin of all was done in the interval we
go to first. He's run them up. But if you
know what you could be start doing. Don't wait. You
can be the man, you can be the woman that
(36:39):
you would like to do. Bobby wanting it is nothing
to do it. You must do it the fans I
would like to do it. You must assume that you
are it, and seep in the assumption that you are
it all the assumption, though at the moment denied, Are
(37:00):
your senses denied by everything wrong about is persisted in
with in detach So you dare to assume that you
are the man the woman that you want to be
a day after day leaving that or something as though
it would do that is something will become a reality
(37:23):
in go world, even if you go hundred doesn't matter.
But what happens door, But persist in the assumption that
assumption will objectify itself and become a reality in gover
Do not fall by the wayside for any little thing
(37:45):
on the side. I can't tell you how still I
am when I get your letters. For in your dream
you are teaching the door of imagination. When someone raises
your rays drillin adre have an argument, say with a
thief or a rabbi or a minister, and you are
(38:05):
instructing them in telling them now, a dream, you know
is egocentric, is yourself with self? But yet here you
are you're as taking the symbols of a thought and
simply bring them down to a certain level. You're no
longer in your thoughts. You are instructing now I'm telling then,
(38:27):
is you yourself they visible what you have discovered concerning
the cause of the phenomena of life. And when you
have these scenes and you tell them with you tell
them as you do. I can't tell you my fill.
Every one w one day awaken and when you're a
waiting to awaken, is the only face where God ever awakens,
(38:50):
He awakens in this colored them in gout of them
the human stud when you're awaking to come out of
that town. And there is a dog that is born,
drawn from about and then he goes through the normal
period of time, and he writes at that point where
(39:10):
is becoming twelve of age, this is the age of
perfect pupil. Then the father and the earthly Father disappears.
And when he reaches the age fell, Joseph disappeared from
(39:32):
the same Now he is now a creevance. He can
actually create his own image to create because he's the
age of perfect pupil, and so the earthly Father. This
is to be a part of the play when the
(39:52):
least in the temples each is the age of fell.
But he has four before and after. It's a fox affair.
It didn't say when he was about twelve years the
day they're talking and they wondered, why did you do
(40:15):
this to us? And he said, did you not know?
I still give about my father's business. And he was
talking to his post and his mother, and they did
not understand them, and they broke it, disappeared from the play.
He is no longer brought back into the play, but
he has become the father, and so the son becoming
(40:41):
the vault. He now creates God the father. But tonight
I wanted to be only on this level, the level,
oh well, the law. There are men. If he is
(41:03):
in control of his own amalgamation, he's in control of
the phenomena of his life. He's not a victim of circumstances.
Certain of the features of himself he creates if he
knows what he's doing. If he doesn't know what he's doing,
and it's passive in this world, he can be influenced
(41:25):
by the imaginator, the one who is in control as imagination.
So he doesn't know what he's doing by certain that
involved had he know only what he'd done it and
to this case deny. He only regets what he does,
but he doesn't know that he imagine is creating realopy.
He sees the evidence before him and still doesn't know it.
(41:49):
I tell you imagination to reality. So be careful what's
to imagine? Because you are setting emotions, and because all
the by a lord, the rhyme is one another thing
mingled your influence in everyone, even though they did not
see your pictures or read your books. How Japes again says,
(42:14):
having seen the operation of this law, who should never
be setting it? Was not some woman sading in the
wine press who parted at St. James. He made mind
all that the constance because of it, so many punkies
were given to the stores. Did not begin in the
(42:35):
mind of some shopping boy lighting up his eyes for
a moment before it ran up on its pay. Who
knows who this knight fears, reglected tears past peals wrongly accused,
And who are sitting alone and setting in the wine press,
(42:56):
who tomorrow would influence some critics, some shoveled boy dreaming
of some podoric pizza and thinking only in terms of
law that could bring him the sound of a hero.
And he, while tending his feet, he is simply dreaming
of being a hero and using his color with his dog,
(43:20):
using his imagination. In some destructive man even doesn't take
it a feat Why they do everyone know what is
Hm tonight. The law we're told you about it up
that God is not tongue can eat an of us,
(00:21):
for in him we look and loose and has our
des I would like to think that a little. I'm
tolding you that God is never so as to be
here for ms. The drive separation and God and by
(00:45):
our one man is all imagination, and God is man
and a good pen.
Speaker 2 (00:59):
God is known isdination, and that is go in do
you cannot do them? Do eat line that rate, I
get devil you and I go not a firth advertising the.
Speaker 3 (01:22):
Same by the universe.
Speaker 1 (01:24):
And the only wonder cons human emagination is God, that
that buying all things, do the right thing. That's not
even that does following this.
Speaker 3 (01:46):
Now to night, what is tong is you to tell
you that it's all your own under count human amagination,
you might word last starts got handle his song on
the count with boy boy type the sorrow I was
(02:10):
town and sty was sne and down onto them and
though they pass thy God sellers.
Speaker 1 (02:24):
And here and there between.
Speaker 4 (02:28):
Union to take that stir until it to his own
personal game and told his set hunted lost, killing all
at one hundred and seven, passing the boys, but you
would do the touch at.
Speaker 1 (02:46):
A thousand all that he did not prow thouve hundred
and fifteen thousand ns? Did they.
Speaker 4 (02:57):
Go three with the con fire? Hundred and sixty thousand
more time A tester imoginally.
Speaker 1 (03:08):
Plot by one what he had won in the film.
He asked Introduces to resure the film some TV and
that anymore. He refused to pay a spa.
Speaker 4 (03:31):
He was the classic sw to classic and the consume
regardles of Hunted to any other, for.
Speaker 1 (03:41):
There a number of people that may setter as a results.
I did not see in his regrets that he is
going to give the thing comes from his residuous to
Hunted to repay the five hundred and sixty thousand knowledge. No,
he didn't say the pay that that he wouldout make
(04:03):
to the Australian Airport. He's going to keep it. I
write another bout of mountain that he doesn't know what
you know that? Imagine create lece for God, imagainine creates
God is mon the man. Imagine there is no separation
(04:26):
between God and man. Well on, God became as we are,
that we may be as He allowing himself on this
level to make a mistakes in the world, and to
go the sis, and to imagine any stupid thing in
the world. Now, let me share with you of these stories,
(04:50):
these stories by William but Lagate. You can find them
in his volume called Good and Evil, the first Team
out of the term Attentive. It parted his collective works,
but the individual volume has been reprinted I think three
or four times. And this is the chapter with his name.
(05:13):
That's it is that I was sending a vocation in
Paris when I got up early, and I thought I
would go out and get the morning paper before my
host roll. And then I came through and I saw
a little maid laying the table for breakfast. And I
(05:40):
told myself one of those long scuted stories that one
tells only to one self. If something had happened which
had not happened, I would have hurt my arm. And
so I imagined myself with my arm in a sling.
(06:06):
As I passed by. I had so completely imagined myself
my arm in a sling. But I cast my imaginal
act upon that sensitive child, the little girl who can
be preparing the break the stable. When I returned with
my paper, my host st with the door and was
(06:28):
all in different inquiring about my arm. But she said
that the little girl the maid had told her that
mister Yates came down with his arm in a sling.
And I remembered what I had done. I can be
imagined I had I done what I had not done,
(06:48):
I would have hurt my arm, and my arm would
now be in a sling. For I cast my imaginal
act so intensely upon that maid, she saw it as
an actual fact. Now, he said, Just about the same time,
I sawt intentions of a fellow student and a message.
(07:12):
I wanted to give it, but I did not wish
it committed to paper. I wanted chellit him, but he
was not present. Two days later I got a letter
from the fellow students to several hundred miles away, and
(07:32):
just about the time that I had intensive thought of
him and the message, I had paid seemly in bodily form,
as though in the flesh, in a large hotail where
he was amidst a large crowd of people. And he
(07:52):
told me that he would like me to return after
the chowd was gone. And then I vanished and returned
that night at midnight and told him the message which
he told me in his lever. That is that I
have no hunteous knowledge of the projection. I only know
(08:16):
that I intense thought of my fellow students and the
message I wanted to convey. And there are appeared in
the midst of a huge crowd in a hotel several
hundred miles away, and he could tell me to return
later after the crowd dispersed, which I did at midnight,
(08:37):
and told him the message, That is that I could
tell you a number of stories of the power of imagination.
Then he tells the one of Joseph Glenkil which is
a very popular story, supposedly very very truth. That this
student at Oxford University, finding himself well without funds, could
(09:02):
not continue his studies. And so in the day that
he left Dolly because he could not afford the continuance,
he found no job and he joined himself to a
doune of gypsu have Lee Gypsy. One day two students
who knew him at college came upon him among the gypsu,
(09:27):
and he made a sign not to be identified, and
then came up afterwards and he told them, I'll lead
to in the inn that I will explain to you
why you find me among this, teld well. They were curious,
so they went to the inn, And when he came
into the inn, he told him they are not hyper
(09:48):
bankment that he would think they are. They have a
secret that is not known at Oxford. Gun of our
professor is known, and I never heard about it, said he.
So no one knows it. But I'll tell you what
they've taught me. I have learned all that they've taught
me so for and I've improved the funnel. I will
show you what I mean by it. I will leave
(10:10):
you two powers alone, and when I return, I will
tell you what you have discussed in my absence. And
so when he came back, he told them in detail
what they had discuss or everything is the fust And
they were curious that funded file because you had no
(10:30):
choice in the matter. I determined what you were dicis
my imagination, they view it. Their story is all about imagination,
and day by the complete control of their own imagination,
influences your behavior. That's what I learned from it. What
(10:52):
if God makes all of it? Well? In God, nothing
this human imagination. If a man could so control his
own imagination that he influence is your behavior and you
think that you initiate what to do, when it was
the man in control of his own imagination deliber Then
(11:13):
we understand what the posts. All things by a law
divine being one another being mingle. I see you, you
see being? Do we not intermingle? I couldn't perceive them.
If I couldn't penetrate your brains, you couldn't penetrate vine,
(11:35):
you couldn't perceive me. So all things by a law
divine in one another's being mingled. The man who is
in control of his own imagination penetrating the whole vast
world in which he is involved, could influence the world.
So that is the secret. But he tried to tell
(11:57):
these two scholars who graduated Muster, he could ill apport
to continue his study, so he quick because of the
lack of fun that he learned what no wanted opor
could teach him the control of his own wonderful human imagination.
But that is done. The imagination is death, none objective reality,
(12:24):
from with all objects pour forth, just like sudden senses
everything in the world. It comes out of one's own
wonderful human imagination. For death is gone, and there is
no other doe. I know in my own pace getting
(12:45):
in New York City in my apartment for the third
to comfort my sister two thousand miles away across water,
simply stretched out of my bed, I left the living room,
went to my room close to her and asked my
wife not to di stad. And in that interval I
(13:05):
assumed I was in barbadd and on the bed her
her son was dying of cancer. There was no hope
of recovery. He was listed at the age of seventeen
with cancer. And to comfort her, I assumed I was
her son, and actually felt I felt to be her.
(13:31):
I imagine that I saw my sister deathly come through
the door, and then she saw her brother Nepa rather
than her son did. She came over to looked at her.
I saw her, and then I awoke back in New
York City. Eight days later. This is before you head
(13:56):
to the thing as airmail. It came by slow breaks.
So eight days later I got a letter from my
sister death. Because never I don't understand she dated the
least the day that I did what I just did it.
I went to the room to see Billy. I entered
(14:17):
the room. It was you. I came over and I
looked to what should be Billy, and I'm looking at you.
I routed my eyes. I did everything to bring about
the normal vision, and I couldn't see my son Bill.
I am only seeing my brother Never, and I couldn't understand.
(14:40):
Now she began to feel through the superstitions of the world.
Because Billy was dying of cancer, the next one to
go would be her brother Never. That's how she interpreted.
She didn't know what I was doing to New York City,
but what I did did not. He died, He di
of them. But I succeeded in projecting myself two thousand
(15:04):
miles away. Under the bed. I knew so well it
was my father's room. It is my father and mother's
bed there. I knew that that's where Billy was deeping.
While soon I was on that date and I was
actip in the place of Billy. So when my sister
saw me, she will be encouraged to have faith, to
have hopes. But he was so disturbed because no matter
(15:28):
what to date, you have their eyes close and open,
posed and open, and you're still seeing Neville and you
can't see her. ChIL Now, when you hear these stories
from those who are not dying with me. You may
not understand it, and reason will deny it. Well, if
you have an experience, even though reasonable, Isaac, you can't
(15:50):
deny the experience. My sister cannot deny what to act exprimes,
and I could not deny what I did. Why I
came out that night into the living room. A faint
called at the cocktail hour, and she said, never, you
always seem so light and gay, and tonight you seem
so heavy a spirit. I told what I'd just done.
(16:13):
For eight days later, when the letter came, I gave
it to that same woman who was home again from
the cocktail hour, and show her what my sister hundreds
for my wife and my friend who writtenesses to what
I told him eight days in event I had done.
Then came the letter for my sister ask him for
(16:34):
some explanation of him. So I tell you I know
from experience, and imagine he ate the others on this
level we only learn. We're all students, we are simply
in kindergarten, and we go the stot as God certainly
so he made a fortune. Why do this job? And
(16:55):
it's still being shown all over on TV and you're
still get his residuous, and they take his risiduous and
pilot some maybe ivym stop or some other kind of stop.
He hasn't given it away. You write more nonsense, but
it's all now. But he doesn't realize what he's piling
(17:15):
up for himself. Be not deceived. God is not mocked
as a man's soul. So self. You see on the field,
the speciment was setting, and the corn was caun the
silence and the darkness, and so is a man's table,
(17:39):
so that no one thinks he's getting away with anything.
So you misuse your talent, and you'll read seeming rewards
today in dollars and ten tomorrow we will reaping in
another time of pain, another time of payment tomorrow and dollars.
(18:00):
Even saints cannot die, than tens cannot free you from it. Either.
You'll go to the experience of having misused the talent
that you receive. And the talent is the gift of
God himself. God actually became man, that man may become God.
(18:22):
So this is the law I would believe. Learn to
use your imagination, love it on, behalf of eight being
one in this world, because you're going to leap the
fruit off. Whether you use it lovingly or unloving, you're
going to leap the truth thoubands why those who use
a light. God is not a part from man. He
(18:46):
is never not in e geneity, so far off as
even to be male, because nearness in drives separations. That
statement from the seventeenth chapter of actual separation. He is
not even separated. You can't even be near because he
(19:07):
is your own eyes. And you say, oh, that is
and you say I am that his name forever and forever,
and there is no when did you say? Now, that's
a false start. If you're addressing a you, that's a
false start. The only God is I am. That is
(19:31):
my name forever, and by this name I must be
known throughout all generations. So do not misuseic. Now you
can set yourself a goal, any goal. And if you
really know exactly what things will be like, if you
(19:52):
have realized and then enter into that state, I tell
you it will become to you objective. At the moment,
it seems only a shadow, just a shadow, because you
have not entered into the sketch. When you enter into
(20:13):
the set, the set takes on a cubic reality and
becomes objective to you, not to whatever, but to you.
Now leave it alone. In time, it's good time, it
will flower and become what the world called an objective reality.
It was real the very moment you entered it, because
(20:36):
you are the reality. All things exist in the human
of agidacy, but all things you name it did exist
in you. But it exists in you only as a shadow.
It's shadowed. But if you enter into the so called
shadow and told yourself with it, it seems to be
(20:59):
a sketch, and it becomes acutic reality, just like this moon.
At this moment, your hope, you know so well, is
only a shadow. And this room that you do not
know very well, it seems so real because you are
in it. Now. Everything in this world, so called natural
(21:24):
effects is the natural effects has an imaginal cause. I'm
not a natural I'm not for cause. Only then it
is a delusion of the paving member our memory. Here
it's good, it's addoquate for sameness, but it's not perfect.
(21:49):
I'll show you when you go home tonight. Take an
ordinary bolt a magazine, take the cover a landscape or
a post and look at it and know exactly what
you're doing. You're looking at the postcards. Try to memorize it.
Paind as much time as you want on it. Spend
(22:10):
an hour if you want. Try to memorize that part
and you think you know it all right, you know it?
Or turn it over and try to reconstruct it from
your memory of it, and be honest with yourself, and
see how far you are from what you're objecting. Get
(22:32):
when you turn it over. Your memory picture of it
is good enough for sayingness you know the same part
because it is good enough, but it's not good enough
for the active picture. So our memory is all right,
it's good enough for the pall the same. And so
(22:52):
that's why man does not remember what he is imagined.
He forgets what he's imagined. He said to the motion
are when it confronts him as his harvest, he denies
he had anything to do with it. He can't remember
what he did. Now. Every imaginative man in this world
(23:14):
is forever passing I would say, glamors and influence in
the entire world of the passive unimaginative. They're forever falling
under the influence of those who are digit in their imagination.
(23:34):
They are reaping it. And you'll understand the cry on
the cross Father forgive them, for they know not what
they do. For some bigd imagination has compelled them to
act as the eggs. So forgiving the actors any condemnation,
go to the office. And that's the actor. Man condemns
(23:57):
the actors in the drama. Train reader, it is any condimation.
It is the author, not the actor. And the author
of the play is God. For God is your own
wonderful human imagination. This one that extorted five hundred and
sixty thousand dollars from quanted. He didn't conceive it. He
(24:22):
saw it on TV, and I gave him an idea,
and he thought, maybe I can get away with it.
Of who is the author of it? God stirring, there
is stirring. He is the one who conceived it. And
here is an actor who thought, give an idea to
(24:42):
get a half million dollars, and he got it because
there were one hundred and seven souls aboard that plane
and they couldn't run the risks. But it may not
be true. If at a certain all the t it
would go off, then they had to pay that extautness
(25:04):
is five hundred and fifty thousand dollars. And prayed the
lives of one hundred and seven thousand. Hold that play,
so he got the money and he was the actor.
If you catch him undoubted are send him up for life.
But who is the actual pulpit service he wrote it?
(25:27):
Until he's making all kinds of model out of that
that he wrote, and he continues to make it. You
ot to see that came well went for two or
three years at prime time, is now still telling at
other times called Twilight Lan all his bother's imagination. Doesn't
(25:54):
hurt anyone what he does in that way, but he
has letter force him using the talent. But if this
the misuse of challenge and his regrets does not alter
the fact. But in the end no one gets away
with any misuse of his talent. We paid it in
(26:16):
a way that money will never be able to compensate.
As the daughter. So your onnly wonderful human imagination is dull,
and that God is creating all the phenomena of the world.
As this Radi said, Man is not the creature of circumstances.
(26:40):
Circumstances are the creatures of names. We're creating this. We
are not the victim to circumcerni. We are creating circumpensis.
Man is not the creature of circumstances. Circumstances are the
features of names. Benjamin, let don't do something. There was
(27:04):
a man, unable, able, man who said Christianity is the
full pilment of Judaism. Never denied that he was a Jew.
His very name teled degree is Benjamin disgrays. Don't is
(27:31):
how business Benjamin of Israel, That's what is the real
name is never denied. He wasn't Israelized, but he knew
that the Christian faith is partly understood. Was but the flower,
the fruit on the tree of Israel, the full piument
(27:51):
of it. When God as became man and flowered in
man and the whole that's wonderful imagination. That is God
awakened in a man, and he knew that he was God,
and he tried to tell his word, and they denied
(28:12):
that was not what they were looking for, and buried
in every man is God, and in each man he
has to awaken. And when he awakens, he is God.
But before he awakens, oh does he go another If
(28:32):
you make mistakes, the terrible mistakes of the world. But
today will come and we're completely awakened with new man.
When he does he'll be governed by life and nothing
but love until he's completely governed by love. What horrors
(28:53):
we created with words? So the whole that objecting word
is created by the imaginal act of men. Everything now
proven in the world was one only imagine. Don't care
what it is, the simple to the thing you call address,
(29:16):
you wire, the hat, the house. Everything was only imagined
and the executed. It began all in the imagination of mind.
Everything in in this world. There's nothing more in the
imaginal act of men that good dead or in the
(29:44):
to tonight you take me to listen. I know that
you and you alone are responsible for the phenomena in
the world. If you're passive about alert who can be
influenced because all things by a Lord divine is one
(30:04):
another didn't mingle, but it's still the one being, and
so you can be influenced. You and I I tasted
that you could not be influenced to take a picture
shown on TV and it's short a half minkion dollars.
I trust your ethical code is beyond that, but not
everyone is beyond it. Do and I I hope or
(30:28):
the answer things. But there are a number of people
who are not and they will simply be influenced by
the powerful imagination of a writer, a very successful writer.
If it tonight he was invited by some university to
speak on the art of writing to the man maybe
two thousand, three thousand dollars for his a tern and
(30:53):
he knows nothing concerning the story of the Bible. But nothing.
Had he known it, he would not have done it.
So you know it, and he doesn't because he makes
to speek housing if he wants to take it. He
doesn't have to take it. He has so much money
he doesn't need it. But you have what he doesn't have.
(31:17):
You have to the point of knowing how to use
your imagination doesn't on the health of others. This is
the law of scripture from the suit of the law
and the promi. This is the law that your imagine
acts are creating facts in this world. Imagine creates reality.
(31:42):
So what's curitly what you are imagine. And you return
tonight and you're about to go the street, see that
your mind is filled with a love with it imaginal things,
and drop off into that state without let the sun
goes down upon your end. Actually resolve it within yourself
(32:03):
and speak as though things were as you were like
him to be. I'll make your lovely, make them altogether
marvels in your world. I tell it for your own good,
because in the north disconfusions, not only the little sound here,
but the whole datht world will have departed those who
(32:23):
are out taming themselves to be another generation and demanding
passive service. So in the non distitution the old people
who will vanish from this world. It's time that we
all woke up and touch on to what medis is
causing the phenomena of the world. And the phenomena of
(32:44):
the world is called by the imaginal acts of men.
For you take it too, and do not let one
day come to an end without revising and changing the
imaginal acts of the day. I'll make it conformed to
your dream, to your ideals, and literally, just as it
(33:04):
would tell you my only ex crit They will tell me.
You will sit and you will think of something that
is impressive. The world told that a magnet. If you
see something that is present, it's all that sense proceed at.
There you think of something that is not present, they
(33:27):
called that a magnetism. But you will know how to
enter that which is not pleasant to your senses and
your engine into this will give it to the reality,
and it will be just as real as the room.
Since it'sus, it become object to the whole dast world
(33:48):
is just like that. So that will be transcended by
the being that is singing or that beings will reach
to Egypt God Hi himself, which is God. He need
low did a human buyer when he awakes with God
(34:09):
in thinking and there's nothing that is absent for his omnipresence,
so he views everything from there. He is he does
anything else because he's omnipresence, the omnipresent. He sees every
be as they are, and they are not what they
(34:33):
are paid to be. Utlake for the world of saying,
they are what they are. In heart he sees exactly
what they are thinking, what they are feeling, what they
are talking, what they are planning. It is all the
thinking of the her. But when someone tells you will,
(34:53):
why did you happen to seem and not to that
one When he is so prombed to the world, look
what he indeed, he gave a hospital, he indelled it,
he gave a person. DoD he's a heart. He doesn't
see the forty he gave to the hospital, not even
(35:15):
to endow. He sees what no one on the surface.
He is the motive behind the this. He sees everything
behind the door, because he sees everything, because the omnipresent.
He sees everything as it is now. So when you're
(35:36):
told he called all before him and said, no, I
reject him. It is to pick out the one. He
called Jesus. He rejected his brother, but he said, man
judged after the appearance, and God sees only the heart.
So I rejected him. I rejected him. I reject him.
(35:59):
Call the other one than being David. There's a man
after my own heart who will do all my doings.
And so now you'll realize which it is. Seriously, what
is in store for all of us? The end is done.
(36:19):
The orgin of all was done in the interval we
go to first. He's run them up. But if you
know what you could be start doing. Don't wait. You
can be the man, you can be the woman that
(36:39):
you would like to do. Bobby wanting it is nothing
to do it. You must do it the fans I
would like to do it. You must assume that you
are it, and seep in the assumption that you are
it all the assumption, though at the moment denied, Are
(37:00):
your senses denied by everything wrong about is persisted in
with in detach So you dare to assume that you
are the man the woman that you want to be
a day after day leaving that or something as though
it would do that is something will become a reality
(37:23):
in go world, even if you go hundred doesn't matter.
But what happens door, But persist in the assumption that
assumption will objectify itself and become a reality in gover
Do not fall by the wayside for any little thing
(37:45):
on the side. I can't tell you how still I
am when I get your letters. For in your dream
you are teaching the door of imagination. When someone raises
your rays drillin adre have an argument, say with a
thief or a rabbi or a minister, and you are
(38:05):
instructing them in telling them now, a dream, you know
is egocentric, is yourself with self? But yet here you
are you're as taking the symbols of a thought and
simply bring them down to a certain level. You're no
longer in your thoughts. You are instructing now I'm telling then,
(38:27):
is you yourself they visible what you have discovered concerning
the cause of the phenomena of life. And when you
have these scenes and you tell them with you tell
them as you do. I can't tell you my fill.
Every one w one day awaken and when you're a
waiting to awaken, is the only face where God ever awakens,
(38:50):
He awakens in this colored them in gout of them
the human stud when you're awaking to come out of
that town. And there is a dog that is born,
drawn from about and then he goes through the normal
period of time, and he writes at that point where
(39:10):
is becoming twelve of age, this is the age of
perfect pupil. Then the father and the earthly Father disappears.
And when he reaches the age fell, Joseph disappeared from
(39:32):
the same Now he is now a creevance. He can
actually create his own image to create because he's the
age of perfect pupil, and so the earthly Father. This
is to be a part of the play when the
(39:52):
least in the temples each is the age of fell.
But he has four before and after. It's a fox affair.
It didn't say when he was about twelve years the
day they're talking and they wondered, why did you do
(40:15):
this to us? And he said, did you not know?
I still give about my father's business. And he was
talking to his post and his mother, and they did
not understand them, and they broke it, disappeared from the play.
He is no longer brought back into the play, but
he has become the father, and so the son becoming
(40:41):
the vault. He now creates God the father. But tonight
I wanted to be only on this level, the level,
oh well, the law. There are men. If he is
(41:03):
in control of his own amalgamation, he's in control of
the phenomena of his life. He's not a victim of circumstances.
Certain of the features of himself he creates if he
knows what he's doing. If he doesn't know what he's doing,
and it's passive in this world, he can be influenced
(41:25):
by the imaginator, the one who is in control as imagination.
So he doesn't know what he's doing by certain that
involved had he know only what he'd done it and
to this case deny. He only regets what he does,
but he doesn't know that he imagine is creating realopy.
He sees the evidence before him and still doesn't know it.
(41:49):
I tell you imagination to reality. So be careful what's
to imagine? Because you are setting emotions, and because all
the by a lord, the rhyme is one another thing
mingled your influence in everyone, even though they did not
see your pictures or read your books. How Japes again says,
(42:14):
having seen the operation of this law, who should never
be setting it? Was not some woman sading in the
wine press who parted at St. James. He made mind
all that the constance because of it, so many punkies
were given to the stores. Did not begin in the
(42:35):
mind of some shopping boy lighting up his eyes for
a moment before it ran up on its pay. Who
knows who this knight fears, reglected tears past peals wrongly accused,
And who are sitting alone and setting in the wine press,
(42:56):
who tomorrow would influence some critics, some shoveled boy dreaming
of some podoric pizza and thinking only in terms of
law that could bring him the sound of a hero.
And he, while tending his feet, he is simply dreaming
of being a hero and using his color with his dog,
(43:20):
using his imagination. In some destructive man even doesn't take
it a feat Why they do everyone know what is
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