March 3, 2025 • 24 mins
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Speaker 1 (00:18):
The Adventures of the Saint, starring Vincent Price. The Saint,
based on characters created by Leslie Charter Wits unknown to
millions from books, magazines, and motion pictures. The Robinhood of
Modern Crime has now transcribed for radio, starring Hollywood's brilliant
(00:40):
and talented actor Vincent Price as the Saint.
Speaker 2 (00:51):
Hey, what's going on here?
Speaker 3 (00:59):
Hey?
Speaker 2 (00:59):
Cut it out? What's the idea? And I left that
man alone? Oh?
Speaker 3 (01:02):
You keep out of this, buddy, I'll oh, it.
Speaker 2 (01:05):
Ain't the sink. It's your phonny but slightly ungrammatical. Mac,
Now what's the disturbance?
Speaker 4 (01:10):
They drew a prolong shut in my car, him and
the other fellow.
Speaker 2 (01:14):
They should get out. They were taking your car. Why
Mac wouldn't do a thing like that, now, would you? Man? Now,
of course, not old man's nuts. What Mac would do
if he coveted his neighbor's jelapi is plug him with
a piece of lead pipe and drive off. So the
night I get business. Now, wait, Max, you could satisfy
my curiosity a little. Why should you want to steal
this gentleman's old automobile when you've got nicer, newer ones
(01:36):
to choose. Yeah, ask him mischief.
Speaker 5 (01:38):
Ask him, yeah, ask me saying go ahead, and I'm
gonna satisfy a little curiosity.
Speaker 2 (01:43):
Of my own. I didn't think you had any mac
and what shape did it take? I always wondered how
you would look? Good?
Speaker 3 (01:49):
Good night?
Speaker 2 (01:50):
All good night? Man be seeing you?
Speaker 3 (01:52):
Do you let him go?
Speaker 6 (01:54):
Yes?
Speaker 2 (01:54):
If he convinced me that I should for now, There's
nothing like a thirty two in the pocket of a
known thug winning an argument. Did you say there was
another fellow in him?
Speaker 4 (02:03):
Yesh, run off when he heard you coming.
Speaker 5 (02:06):
It was a shame.
Speaker 2 (02:07):
Fellow tried to.
Speaker 3 (02:07):
Buy my car yesterday?
Speaker 2 (02:09):
Someone tried to buy this this car.
Speaker 7 (02:12):
Oh sure, this fellow tried to buy it, and there
was a woman made to offer too.
Speaker 2 (02:17):
Do you mean you actually refuse?
Speaker 4 (02:18):
I ain't shellon until I find out why they want
to buy it.
Speaker 3 (02:22):
Your bad.
Speaker 2 (02:22):
This fellow who tried to buy the car. Do you
know his name?
Speaker 4 (02:25):
No?
Speaker 2 (02:25):
He He looked like a gentleman until you found him
concerting with fella and his intent with our just departed friend.
Eh tell me? Was he well dressed? An annoying little
mustache place just over the sneer he wears for a mouth.
Well yesh, she how did you add our friend Mac
does piecework for him? Fancy Dan Turner is his current alias,
(02:47):
and that actually you don't keep up with such things.
You're going to tell the police later, perhaps when there's
something to tell them right now. I've got a great
thirst that needs quenching. Thirst for knowledge? Huh?
Speaker 3 (02:59):
Yeah?
Speaker 2 (02:59):
What's your name? And where do you live? Collins three
or two.
Speaker 6 (03:04):
East eighth Street?
Speaker 2 (03:07):
Put your carn cold storage, old time and take care
of yourself. Something tells me this is rat's night out. Hello, smittye,
(03:29):
back making book. I see you.
Speaker 4 (03:31):
Got the wrong joint, Saint, take a look around.
Speaker 3 (03:33):
I run a pool room.
Speaker 2 (03:35):
Interested in the horse.
Speaker 4 (03:36):
No, no, a man like I said, Saint, you got
the wrong joint.
Speaker 2 (03:39):
His name's Mac. He hangs out. You know where is
he in the back room?
Speaker 4 (03:42):
I am the three monkeys, Saint, deaf, dumb and blind.
The only Mac I knows a truck, And.
Speaker 2 (03:48):
If you don't mind, I'd like to look in your
back room and see if he's parked there. I mind,
but you won't even know. Smittye, you're deef, dumb and blind.
Speaker 4 (03:56):
No, have a heart, Saint, I ain't got no back room.
Besides last time you dropped in my place, a lot
of my customers started patronizing.
Speaker 2 (04:04):
Elsewhere, concluding you mad he.
Speaker 4 (04:06):
Remember I've only been back from the Great Place a week,
and I ain't forgetting it. Oh, come on, Saint, be
a good guy.
Speaker 3 (04:12):
Beat it. Huh Oh no, say let him stay.
Speaker 5 (04:14):
Tell him Mac, I was hoping you were smart enough
to go home and get some sleep.
Speaker 2 (04:18):
How could I sleep with you out roaming the streets? Mac,
you know how I were?
Speaker 3 (04:22):
Yeah?
Speaker 2 (04:22):
Yeah, too much? What does he wants me? You? Why, Sah?
I want to talk with fancy Dan tennant? What about
how let's not be coy Mac, It doesn't become you.
I want to ask Tanah why he's trying to steal
a gelope from an old man. Well, well you know
I got a surprise for you, Saint.
Speaker 6 (04:44):
I'll take it to him.
Speaker 8 (05:00):
Boys say you're looking for me, Saint.
Speaker 2 (05:02):
The boys are right.
Speaker 8 (05:03):
So you found me.
Speaker 2 (05:04):
So I understand you're interested in a certain old car.
So what probably the smile and irishman is too I've
broken down nineteen twenty nine. The Dan seems a little
slow for a fast man like you, Fancy Dan.
Speaker 7 (05:17):
Well maybe I like to go slow enough to read
the billboards when I drive.
Speaker 8 (05:21):
What's it to you? Saint?
Speaker 2 (05:22):
That depends on what it is to you, Turner. What's
on the fire you are?
Speaker 7 (05:27):
There's a handle with care sign on this deal. And
I don't want just anybody cutting in.
Speaker 8 (05:31):
You're a fouler upper.
Speaker 2 (05:33):
You've been stepping high in fancy free too long, Turning.
You're beginning to irritate.
Speaker 7 (05:36):
Me the feelings likewise, Saint, only I got more than
fingers in my fist and you haven't.
Speaker 2 (05:42):
It's a nice gun, you're so bravely wearing, Turner. It
must be a pretty big part to change a small
time carn artists like you into a fire breathing gunman.
Big potatoes, huh.
Speaker 7 (05:53):
Yeah, plenty, big, Saint, so big, I wouldn't hesitate to
shoot at the slightest move.
Speaker 8 (05:59):
Am I clear?
Speaker 2 (06:00):
You couldn't be clear if you were a day ordered
by the Chamber of Comers. Good.
Speaker 8 (06:04):
Oh, it ain't a palace, Saint, It's just the backroom
of a pool porter. But please stay and be my
guest very.
Speaker 2 (06:10):
Well for a little while. Anyway, where are the boys out?
And they're wasting their time? Colin don't sell his old wreck.
Some old men are stubborn, and Colin seems like a
hard man to intimidate.
Speaker 8 (06:22):
It all depends on who's doing the intimidating. Saint.
Speaker 7 (06:25):
Now Max a chowderhead, and Smithy's even worse. But put
the two boys together and you get a jabb of
work done.
Speaker 2 (06:31):
Then I've adopted the old man Collins as a friend.
Speaker 8 (06:36):
How big are you?
Speaker 2 (06:37):
Yeah? You know how I feel about people who push
other people around, and especially when the guy getting the
shoving is a friend.
Speaker 7 (06:44):
You know, if I had a glass of beer, i'd
cry and would sit back and relax.
Speaker 8 (06:48):
Saint.
Speaker 7 (06:49):
The boys will be back with what they want after
soon enough, and maybe then I'll let.
Speaker 8 (06:53):
You go home.
Speaker 2 (06:53):
You mean they're coming back with the car.
Speaker 8 (06:55):
Well, maybe not the whole car.
Speaker 2 (06:57):
Sit back and relax.
Speaker 7 (06:59):
Hey, hey, hey, what are you doing sitting back with
my chair to the wall?
Speaker 2 (07:04):
Turner? You want me to relax, don't you?
Speaker 3 (07:06):
Yeah?
Speaker 2 (07:07):
Hey, let go that Chueta. As my old grandmother used
to say, Turner, there's nothing as relaxing as a game
of pool, particularly with the hoodlum's head as the cue
ball Colin's. Colin's opened up.
Speaker 9 (07:39):
You You wouldn't be the police, now, would you?
Speaker 2 (07:42):
No? No, I'm no more a policeman than you are.
Old man Colin, come in and be where's come dead?
Where's Colin? The old man?
Speaker 9 (07:51):
He's here behind the sofa if you have a mind
to look at him, naked as a quick look dead
very oh every way, beaten, stabbed and tortured, maybe even
shot for all I know.
Speaker 2 (08:04):
Listen, for all I know, maybe you've got a gun
with an empty chamber for all I know.
Speaker 9 (08:09):
Bless me, No me, business doesn't allow it.
Speaker 2 (08:12):
Just what sort of business are you?
Speaker 3 (08:13):
In?
Speaker 2 (08:14):
Irish? The names O Brian.
Speaker 9 (08:16):
When the job is pulled and the police go after
the boy, so pull it, I make an in run
and go after the swag, or at.
Speaker 2 (08:23):
Least part of it. I see what's the swag here?
Collins wallet?
Speaker 9 (08:28):
That's unless there's four hundred grand in.
Speaker 2 (08:32):
Oh no, I'm afraid you'll find the old man a
few cents short. He'll killed him. Not I how do
I now? You don't hear?
Speaker 3 (08:39):
Right?
Speaker 2 (08:40):
I brought you here?
Speaker 9 (08:41):
Why I'm here about the old car? Of course you
want to buy it, certainly, don't you say? Maybe you're
not being cute, Maybe you really don't know about it?
Speaker 2 (08:52):
A bad one.
Speaker 9 (08:54):
No, I'm greatly relieved. When I first saw you come
through that door, I said to miss O'Brien, here comes
some more competition.
Speaker 2 (09:03):
They see you're not.
Speaker 9 (09:05):
I'm relieved, Laddy, greatly relieved.
Speaker 2 (09:08):
Turner is competition enough, eh, yes, but.
Speaker 9 (09:10):
Turner and his ugly ducklings are nothing compared to it.
Speaker 2 (09:14):
Who in time?
Speaker 9 (09:17):
I got here just a minute before you, Laddy, the
old man was dead when I arrived. Beyond that, I
know nothing.
Speaker 2 (09:24):
Get down, O'Brien, Oh, Brian, competition getting worse. I'll I'll
call a doctor. No, no thanks, Laddy.
Speaker 6 (09:39):
They lay off this froday.
Speaker 9 (09:42):
He'll get you.
Speaker 4 (09:42):
Next you're gonna do, mister, You're gonna.
Speaker 2 (09:49):
Branny the old man's car. Then I guess I'll have
to try another angle. This one's pretty dead.
Speaker 10 (10:10):
I awakened, mister Richie as you with wet is, mister Templary, you'll.
Speaker 2 (10:13):
Be right now, thank you.
Speaker 10 (10:15):
I hope the fire isn't too.
Speaker 2 (10:16):
Seriously serious enough to awaken mister Richie.
Speaker 10 (10:19):
Oh well, well, which plant is the fire in?
Speaker 3 (10:22):
Who's responsible?
Speaker 2 (10:23):
How big is the damage? Oh, the fire isn't in
any plant, mister Richie. Inside of me, I'm burning up
and I need your.
Speaker 11 (10:29):
Help how dare you sneak your way in here three
o'clock in the morning by telling me there's a fire?
Speaker 2 (10:33):
Okay, who are you, Simon Templar?
Speaker 11 (10:36):
Huh oh, yes, the saints I've heard of you. If
you have business with me, mister Temper, I suggest you'll
form my secretary for an appointment. Meanwhile, there's no subject
on earth can keep me from going back to bed, not.
Speaker 2 (10:48):
Even the subject of four hundred thousand dollars. Mister Richie,
what do you know about it? Nothing other than there
were stolen from you, mister Ritchie. That happened seven years ago.
Speaker 11 (10:57):
The criminal John Quailey was caught, tried, and convicted.
Speaker 2 (11:00):
Now, your pardoner clearly worked for you. I believe he
was my head accountant, and the money was never found.
Speaker 11 (11:05):
No, Quailey drew twenty years in the penitentiary. He never
revealed where.
Speaker 2 (11:08):
The money was hidden until the day he died.
Speaker 11 (11:11):
Died, Yes, two weeks ago in prison. And now, mister Templar,
if you don't mind, I need my wrest.
Speaker 2 (11:18):
I won't detain you much longer, mister Richie. Just one
or two more questions. Well, did Quailey have a wife? Yes,
he did, if he knew he were dying in prison.
It's quite possible he made an attempt to get word
to her to tell her where the money was hidden.
Speaker 11 (11:31):
He may have made the attempt, but he couldn't possibly
have succeeded.
Speaker 2 (11:33):
He was too closely watched her.
Speaker 11 (11:35):
After all, four hundred thousand dollars there is a lot
of money, A lot of money.
Speaker 2 (11:39):
Yes, she could almost buy a second hand car with it.
Speaker 11 (11:42):
If I hadn't been fully covered by insurance, my firm
would have gone under in the face of a loss
that large. And now, mister Templar, if I might ask
a question, why this sudden urgency is three o'clock.
Speaker 2 (11:53):
In the morning business, an old man was tortured to death.
Then a fellow named O'Brien, who came calling on the
old man, was shot to death. Before he was killed,
O'Brien told me he was tracking down four hundred thousand
dollars that had been stolen. Oh, I see, yeah, i'n
some checking back over. How many people have ever had
that amount stolen? From you? To me? I wonder what
(12:14):
I've led you to, mister Temper. I wonder, mister Richie,
I wonder, yes, what is this, missus Quayley, What do
(12:37):
you want several things, missus Cuayley like a murderer.
Speaker 10 (12:40):
You've got the wrong apartment, mister.
Speaker 2 (12:42):
An old automobile, no sale anything else. Maybe you'll buy this,
Missus Quayling. Collins was murdered a little while ago.
Speaker 10 (12:49):
Colin, Oh, the old man.
Speaker 2 (12:51):
Why someone wanted his car, someone who evidently couldn't wait
any longer for the newer mild So I saw Colin's
car in your garage, Missus Quinny, maybe.
Speaker 10 (13:00):
You better come in after honest, Come in, careful, careful
enough high.
Speaker 2 (13:08):
I don't like you, mister.
Speaker 10 (13:09):
They're naming together a frame and you're trying to put
my picture into it. Colin sold me that car when night.
I could have bought a Cadillac for cheap and mister,
but I wasn't in any.
Speaker 2 (13:18):
Position to hag I know what do you know?
Speaker 10 (13:22):
That's what I wanna find her.
Speaker 2 (13:23):
I know that Colin's cars the car is worth about
twenty dollars, but it's something else. It's worth in the
neighborhood of four hundred thousand dollars. And you know that's
an awfully nice neighborhood.
Speaker 10 (13:32):
It's nice and exclusive. Chiselers aren't invited to move in.
Speaker 2 (13:35):
I've been gathering that impression all evening. Well what are here?
You name it? I'm a settle in torch. Well there's
a mask as you'se chisels, your hammers steal wires. Either
you've gone to work for Henry Kaiser as a hand
that customarily rocks the cradle is going in for rocking
a safe.
Speaker 10 (13:53):
I had to go into a hardware store to make
a phone call, and I just couldn't leave without buying
a few things.
Speaker 2 (13:58):
Uh fortunate you didn't make your calling. And an establishment
that sells steam rollers? Yeah, I see you have a
set of licenses, you see too much from Colin's giloppe?
Aren't they these license? So that's how Quaily smuggled out
his neck.
Speaker 10 (14:13):
You're getting aft close to a bullet in your head, mister,
give me those plates.
Speaker 2 (14:16):
Someone at the door. Better not take the license place
with you.
Speaker 10 (14:23):
Yes, this is it's just.
Speaker 2 (14:31):
He he got the place, Yes, yes, he got them.
Speaker 10 (14:36):
Don't let him?
Speaker 2 (14:38):
Oh cut him there? Where where would Johnny work? Shut
shop of Colin's O'Brien? And now now I have three
(15:01):
reasons for wanting to meet a certain party.
Speaker 3 (15:18):
Taxi.
Speaker 2 (15:20):
Hey, hey, Taxy Taxi.
Speaker 5 (15:22):
There you don't stop sometimes when it's so early in
the morning, Saint, because I're on my way back to
the garage.
Speaker 2 (15:28):
What brings you out to early? Mac looking for a
drunk to row is looking for you, Saint, just looking
for you. See here, when I got my hand had
they're going to that koy streak and you again? Mac?
All right, throw it's the gun. Well what do you
want me to do? Come go? Turned handsprings quote Shelley,
play the bason. Do you have to speak for it? Mac?
Speaker 5 (15:46):
Very funny, look out. It shouldn't speak for itself, Saint.
I in the gun one you should get in that
dear car.
Speaker 2 (15:51):
You have a most persuasive way of offering a fellow.
A lyft, Mac, Yeah, yeah, lyft right now it's a lyft.
Later on it may grow into a right come on,
where are we going?
Speaker 3 (16:03):
Man?
Speaker 2 (16:03):
Back to our little gray home. In the rear of
the pool room.
Speaker 5 (16:06):
Saint fancy Dan Turner wants he should thank you for
showing him.
Speaker 2 (16:10):
A new trick. Oh, it really is necessary. He feels
like it is, Saint, he feels like it is.
Speaker 5 (16:16):
He's got a couple of tricks he wants to show you,
like fun a CERTI is waiting.
Speaker 2 (16:23):
He's got very little patience.
Speaker 8 (16:39):
Nice to have you back with his Saint.
Speaker 2 (16:41):
I mischief from the elect of that bandage on your skeleton.
I bet you wish i'd missed you.
Speaker 8 (16:47):
Now I don't, Saint.
Speaker 7 (16:48):
It's a nice feeling having you here, knowing that I
owe you something. I pay my debt, Saint, I pay off.
Speaker 2 (16:55):
I know O'Brien was paid off. That was missus Quayley
paid off with lead check they did. Oh when I
say that innocent expression for the jewelry, Turner, you need
everything you've got.
Speaker 8 (17:06):
Well, when were they killed, Saint?
Speaker 2 (17:07):
Okay, I'll stood for you. They were killed an hour
or two after I so abruptly left you before. Oh well, I'll.
Speaker 8 (17:13):
Have to find another pigeon, Saint my alibi?
Speaker 2 (17:16):
Fat? How fat?
Speaker 7 (17:17):
Turner City Hospital, having remembered the Saint, embroidered where Acoustic
hit me and Smitty and Mack were there too.
Speaker 8 (17:25):
To see me through it.
Speaker 7 (17:26):
Hospitals have record, Saint, we're clean, We're clean.
Speaker 2 (17:31):
Then you've got a competitor you don't know about Turner.
Speaker 7 (17:34):
Yeah, looks that way For a job that was supposed
to be as simple as this one, I got too
many competitors.
Speaker 8 (17:40):
I wonder, how come who.
Speaker 2 (17:41):
Fingered the job for you, Turner, who told you Quailey
got word out to his wife about where the money was.
They got nothing for you, Saint Smitty, wasn't it? Smitty
just finished a stretch up the creek. My guess is
he ran into Quayley and maybe he's share to sell
with him now.
Speaker 7 (17:56):
Was in the jail hospital they met. Smitty worked there.
Quaily was dying off his nut. Smitty made him talk.
Speaker 2 (18:04):
Yeah, and Smitty, not being mentally suited for solo works,
thilled the pitch to you, Turner, for the price, of course,
for money on the line.
Speaker 7 (18:11):
Yeah, ten geez to buy in on a four hundred
thousand job.
Speaker 8 (18:15):
But what are you driving that? What are you picking
Smitty's bones for?
Speaker 2 (18:18):
I was just wondering, Turner, how much O'Brien tad Smitty
for his life of this exclusive information, and how much
your other competitors shelled out the one who happily goes
around killing people?
Speaker 8 (18:28):
What do you mean, yes, me, Turner, your pal.
Speaker 2 (18:30):
Snitty is the sort of rat that even rats on rats,
he said, queerly secret three times that we know of.
Speaker 7 (18:37):
Hey, thanks for a handicapping it for me, sat.
Speaker 2 (18:40):
If you're really grateful, Turner, you can return the favor
by telling me what time.
Speaker 8 (18:45):
It's five fifteen in the morning. Saint, but you ain't
going nowhere.
Speaker 2 (18:48):
I have a date to keep a four six turney
with your competitor.
Speaker 8 (18:51):
Yeah, Saint, that's what you think.
Speaker 2 (18:52):
Maybe not Danny. What do you say we play a
little pool while we're waiting for the board.
Speaker 8 (18:56):
Get away from that pool table. I ain't playing any
games with you.
Speaker 2 (18:59):
Saying maybe pool is the wrong game. How about a
game of pitch and catch. I pitch like this and
you catch it like that. Hate to leave you all
by yourself there in the side pocket, but like I said,
I have a date.
Speaker 3 (19:12):
Keep well, mister Richie.
Speaker 2 (19:31):
Get enough sleep. Despite my interruption, I wasn't really asleep,
and you called on me, mister Temple. I know, mister Richie,
your hair was a little too carefully combed for a
man who's been suddenly awakened and told he's having a fire.
You're very clever, mister Temple, not clever enough to catch
you before you committed three murders. But you're a Smitty's
silent partner. See what low Company's gotten you into. Richie.
Speaker 11 (19:53):
Yes, I see four hundred dollars buried in the siding
at this elevator shaft.
Speaker 2 (19:58):
And for the help of this sess, settle and torch,
it'll be all mine.
Speaker 11 (20:02):
A very ingenious fellow Quayley. And I think the money
never left this.
Speaker 2 (20:06):
Building, the place where CHAMMI was he. Yes, he was ingenious.
He's very smart of him to use his prison job
making automobile license plates as a means of smuggling out
the information to his wife. How did he do it, Richard?
Very simple, templar.
Speaker 11 (20:22):
There's an extra piece of thin metal in this particular plate,
forming a sort of pocket.
Speaker 2 (20:26):
An inside the pocket a.
Speaker 11 (20:27):
Note on cigarette paper telling poor missus Quayley.
Speaker 2 (20:30):
How to get the money.
Speaker 11 (20:31):
Of course, once he managed to tell her the number
of the license plate, well the rest.
Speaker 2 (20:35):
Was easy, wasn't it. Yes, all poor missus Quayley had
to do was ask the Motor Vehicle Bureau to whom
the plate was a sign, mister Collins. In this instance,
poor old fellow, mister Temple, would you mind joining me
here in the shot, please, yes, right on top of
the elevator.
Speaker 11 (20:52):
I'd like to keep an eye on you while I
finished burning out this metal petition is he if only
until six o'clock when this elevator is switched on downstairs?
Speaker 2 (21:00):
Oh well, I I come come in the shap fez.
Well really, I have a gun, mister Templar. Oh well,
that makes it official. Here we are careful, mister Templar.
Speaker 11 (21:11):
I wouldn't want anything to happen to you, anything accidental,
that is.
Speaker 2 (21:15):
You know. It's funny. I've known you such a short time,
and I have exactly the same sentiments towards you. I've
never been astride the top of an elevator before, Richie,
and we're right near the top of the shaft.
Speaker 11 (21:26):
Yes, I don't mean to worry you, Templar, but when
this elevator power turns on in a few minutes.
Speaker 2 (21:32):
It will rise to the top before it descends. How's
your treasure hand coming, Ritchie? Almost finished?
Speaker 11 (21:38):
One last strip of metal to cut away and the
partition will come off. Then we'll decide your fate, mister Templar.
Your future here goes alas blow.
Speaker 2 (21:53):
It's there, It's there, I see it.
Speaker 11 (21:55):
Four hundred thousand dollars in currency, Templar.
Speaker 3 (21:58):
Think of it.
Speaker 2 (21:58):
Think of it. You think of it, Richie. And also
think of how much blood was filled on it, preaching
templar you.
Speaker 3 (22:04):
I never thought that.
Speaker 2 (22:06):
The elevator, Richie. Maybe it came to work a little
early today. My money, my money, Come on, Richie, come on,
get off. No, there's still some money left here. I
want it. I want you all. Come on, we've got
to get off.
Speaker 4 (22:19):
Jump Ritchie, jump.
Speaker 2 (22:20):
On all my money. I must save the money, see you, fool,
All right, it's Richie. You saved your money, and you
saved the states and money too. I'm sure you didn't
plan on saving the cost of your execution.
Speaker 1 (22:48):
You have been listening to another adventure of the Saint,
the robin Hood of modern crime. Now Here was our
star of Dencent Price.
Speaker 2 (22:55):
These immortal words of ab had translated from the Latin express.
Quite indeed the justice of our mister Ritchie's faith. Nor
is there any juster law than that the contrivers of
death should perish by their own contrivances. This is Vincent
Price inviting you to join us again next week at
this same time for another exciting adventure of the Saint.
(23:18):
Good Night.
Speaker 1 (23:34):
To Night's script of the Saint was written by Michael Cramoy.
Our cast included Loren Tuttle, Barney Phillips, Tony Barrett, Fred
Howard and Daniel Hurlehey. The music was composed and conducted
by Harry Zimmermann, the Saint of the James L. Safier production,
and was transcribed and directed by Thomas A.
Speaker 8 (23:51):
Mcabilly.
Speaker 1 (23:52):
All your Saint fans will be glad to know that
the Saint's comic books are on sale.
Speaker 8 (23:56):
That all you SAMs, you're.
Speaker 3 (23:58):
Announcer Merril Ross.
Speaker 1 (24:00):
This is the mutual broadcasting system.
The Adventures of the Saint, starring Vincent Price. The Saint,
based on characters created by Leslie Charter Wits unknown to
millions from books, magazines, and motion pictures. The Robinhood of
Modern Crime has now transcribed for radio, starring Hollywood's brilliant
(00:40):
and talented actor Vincent Price as the Saint.
Speaker 2 (00:51):
Hey, what's going on here?
Speaker 3 (00:59):
Hey?
Speaker 2 (00:59):
Cut it out? What's the idea? And I left that
man alone? Oh?
Speaker 3 (01:02):
You keep out of this, buddy, I'll oh, it.
Speaker 2 (01:05):
Ain't the sink. It's your phonny but slightly ungrammatical. Mac,
Now what's the disturbance?
Speaker 4 (01:10):
They drew a prolong shut in my car, him and
the other fellow.
Speaker 2 (01:14):
They should get out. They were taking your car. Why
Mac wouldn't do a thing like that, now, would you? Man? Now,
of course, not old man's nuts. What Mac would do
if he coveted his neighbor's jelapi is plug him with
a piece of lead pipe and drive off. So the
night I get business. Now, wait, Max, you could satisfy
my curiosity a little. Why should you want to steal
this gentleman's old automobile when you've got nicer, newer ones
(01:36):
to choose. Yeah, ask him mischief.
Speaker 5 (01:38):
Ask him, yeah, ask me saying go ahead, and I'm
gonna satisfy a little curiosity.
Speaker 2 (01:43):
Of my own. I didn't think you had any mac
and what shape did it take? I always wondered how
you would look? Good?
Speaker 3 (01:49):
Good night?
Speaker 2 (01:50):
All good night? Man be seeing you?
Speaker 3 (01:52):
Do you let him go?
Speaker 6 (01:54):
Yes?
Speaker 2 (01:54):
If he convinced me that I should for now, There's
nothing like a thirty two in the pocket of a
known thug winning an argument. Did you say there was
another fellow in him?
Speaker 4 (02:03):
Yesh, run off when he heard you coming.
Speaker 5 (02:06):
It was a shame.
Speaker 2 (02:07):
Fellow tried to.
Speaker 3 (02:07):
Buy my car yesterday?
Speaker 2 (02:09):
Someone tried to buy this this car.
Speaker 7 (02:12):
Oh sure, this fellow tried to buy it, and there
was a woman made to offer too.
Speaker 2 (02:17):
Do you mean you actually refuse?
Speaker 4 (02:18):
I ain't shellon until I find out why they want
to buy it.
Speaker 3 (02:22):
Your bad.
Speaker 2 (02:22):
This fellow who tried to buy the car. Do you
know his name?
Speaker 4 (02:25):
No?
Speaker 2 (02:25):
He He looked like a gentleman until you found him
concerting with fella and his intent with our just departed friend.
Eh tell me? Was he well dressed? An annoying little
mustache place just over the sneer he wears for a mouth.
Well yesh, she how did you add our friend Mac
does piecework for him? Fancy Dan Turner is his current alias,
(02:47):
and that actually you don't keep up with such things.
You're going to tell the police later, perhaps when there's
something to tell them right now. I've got a great
thirst that needs quenching. Thirst for knowledge? Huh?
Speaker 3 (02:59):
Yeah?
Speaker 2 (02:59):
What's your name? And where do you live? Collins three
or two.
Speaker 6 (03:04):
East eighth Street?
Speaker 2 (03:07):
Put your carn cold storage, old time and take care
of yourself. Something tells me this is rat's night out. Hello, smittye,
(03:29):
back making book. I see you.
Speaker 4 (03:31):
Got the wrong joint, Saint, take a look around.
Speaker 3 (03:33):
I run a pool room.
Speaker 2 (03:35):
Interested in the horse.
Speaker 4 (03:36):
No, no, a man like I said, Saint, you got
the wrong joint.
Speaker 2 (03:39):
His name's Mac. He hangs out. You know where is
he in the back room?
Speaker 4 (03:42):
I am the three monkeys, Saint, deaf, dumb and blind.
The only Mac I knows a truck, And.
Speaker 2 (03:48):
If you don't mind, I'd like to look in your
back room and see if he's parked there. I mind,
but you won't even know. Smittye, you're deef, dumb and blind.
Speaker 4 (03:56):
No, have a heart, Saint, I ain't got no back room.
Besides last time you dropped in my place, a lot
of my customers started patronizing.
Speaker 2 (04:04):
Elsewhere, concluding you mad he.
Speaker 4 (04:06):
Remember I've only been back from the Great Place a week,
and I ain't forgetting it. Oh, come on, Saint, be
a good guy.
Speaker 3 (04:12):
Beat it. Huh Oh no, say let him stay.
Speaker 5 (04:14):
Tell him Mac, I was hoping you were smart enough
to go home and get some sleep.
Speaker 2 (04:18):
How could I sleep with you out roaming the streets? Mac,
you know how I were?
Speaker 3 (04:22):
Yeah?
Speaker 2 (04:22):
Yeah, too much? What does he wants me? You? Why, Sah?
I want to talk with fancy Dan tennant? What about
how let's not be coy Mac, It doesn't become you.
I want to ask Tanah why he's trying to steal
a gelope from an old man. Well, well you know
I got a surprise for you, Saint.
Speaker 6 (04:44):
I'll take it to him.
Speaker 8 (05:00):
Boys say you're looking for me, Saint.
Speaker 2 (05:02):
The boys are right.
Speaker 8 (05:03):
So you found me.
Speaker 2 (05:04):
So I understand you're interested in a certain old car.
So what probably the smile and irishman is too I've
broken down nineteen twenty nine. The Dan seems a little
slow for a fast man like you, Fancy Dan.
Speaker 7 (05:17):
Well maybe I like to go slow enough to read
the billboards when I drive.
Speaker 8 (05:21):
What's it to you? Saint?
Speaker 2 (05:22):
That depends on what it is to you, Turner. What's
on the fire you are?
Speaker 7 (05:27):
There's a handle with care sign on this deal. And
I don't want just anybody cutting in.
Speaker 8 (05:31):
You're a fouler upper.
Speaker 2 (05:33):
You've been stepping high in fancy free too long, Turning.
You're beginning to irritate.
Speaker 7 (05:36):
Me the feelings likewise, Saint, only I got more than
fingers in my fist and you haven't.
Speaker 2 (05:42):
It's a nice gun, you're so bravely wearing, Turner. It
must be a pretty big part to change a small
time carn artists like you into a fire breathing gunman.
Big potatoes, huh.
Speaker 7 (05:53):
Yeah, plenty, big, Saint, so big, I wouldn't hesitate to
shoot at the slightest move.
Speaker 8 (05:59):
Am I clear?
Speaker 2 (06:00):
You couldn't be clear if you were a day ordered
by the Chamber of Comers. Good.
Speaker 8 (06:04):
Oh, it ain't a palace, Saint, It's just the backroom
of a pool porter. But please stay and be my
guest very.
Speaker 2 (06:10):
Well for a little while. Anyway, where are the boys out?
And they're wasting their time? Colin don't sell his old wreck.
Some old men are stubborn, and Colin seems like a
hard man to intimidate.
Speaker 8 (06:22):
It all depends on who's doing the intimidating. Saint.
Speaker 7 (06:25):
Now Max a chowderhead, and Smithy's even worse. But put
the two boys together and you get a jabb of
work done.
Speaker 2 (06:31):
Then I've adopted the old man Collins as a friend.
Speaker 8 (06:36):
How big are you?
Speaker 2 (06:37):
Yeah? You know how I feel about people who push
other people around, and especially when the guy getting the
shoving is a friend.
Speaker 7 (06:44):
You know, if I had a glass of beer, i'd
cry and would sit back and relax.
Speaker 8 (06:48):
Saint.
Speaker 7 (06:49):
The boys will be back with what they want after
soon enough, and maybe then I'll let.
Speaker 8 (06:53):
You go home.
Speaker 2 (06:53):
You mean they're coming back with the car.
Speaker 8 (06:55):
Well, maybe not the whole car.
Speaker 2 (06:57):
Sit back and relax.
Speaker 7 (06:59):
Hey, hey, hey, what are you doing sitting back with
my chair to the wall?
Speaker 2 (07:04):
Turner? You want me to relax, don't you?
Speaker 3 (07:06):
Yeah?
Speaker 2 (07:07):
Hey, let go that Chueta. As my old grandmother used
to say, Turner, there's nothing as relaxing as a game
of pool, particularly with the hoodlum's head as the cue
ball Colin's. Colin's opened up.
Speaker 9 (07:39):
You You wouldn't be the police, now, would you?
Speaker 2 (07:42):
No? No, I'm no more a policeman than you are.
Old man Colin, come in and be where's come dead?
Where's Colin? The old man?
Speaker 9 (07:51):
He's here behind the sofa if you have a mind
to look at him, naked as a quick look dead
very oh every way, beaten, stabbed and tortured, maybe even
shot for all I know.
Speaker 2 (08:04):
Listen, for all I know, maybe you've got a gun
with an empty chamber for all I know.
Speaker 9 (08:09):
Bless me, No me, business doesn't allow it.
Speaker 2 (08:12):
Just what sort of business are you?
Speaker 3 (08:13):
In?
Speaker 2 (08:14):
Irish? The names O Brian.
Speaker 9 (08:16):
When the job is pulled and the police go after
the boy, so pull it, I make an in run
and go after the swag, or at.
Speaker 2 (08:23):
Least part of it. I see what's the swag here?
Collins wallet?
Speaker 9 (08:28):
That's unless there's four hundred grand in.
Speaker 2 (08:32):
Oh no, I'm afraid you'll find the old man a
few cents short. He'll killed him. Not I how do
I now? You don't hear?
Speaker 3 (08:39):
Right?
Speaker 2 (08:40):
I brought you here?
Speaker 9 (08:41):
Why I'm here about the old car? Of course you
want to buy it, certainly, don't you say? Maybe you're
not being cute, Maybe you really don't know about it?
Speaker 2 (08:52):
A bad one.
Speaker 9 (08:54):
No, I'm greatly relieved. When I first saw you come
through that door, I said to miss O'Brien, here comes
some more competition.
Speaker 2 (09:03):
They see you're not.
Speaker 9 (09:05):
I'm relieved, Laddy, greatly relieved.
Speaker 2 (09:08):
Turner is competition enough, eh, yes, but.
Speaker 9 (09:10):
Turner and his ugly ducklings are nothing compared to it.
Speaker 2 (09:14):
Who in time?
Speaker 9 (09:17):
I got here just a minute before you, Laddy, the
old man was dead when I arrived. Beyond that, I
know nothing.
Speaker 2 (09:24):
Get down, O'Brien, Oh, Brian, competition getting worse. I'll I'll
call a doctor. No, no thanks, Laddy.
Speaker 6 (09:39):
They lay off this froday.
Speaker 9 (09:42):
He'll get you.
Speaker 4 (09:42):
Next you're gonna do, mister, You're gonna.
Speaker 2 (09:49):
Branny the old man's car. Then I guess I'll have
to try another angle. This one's pretty dead.
Speaker 10 (10:10):
I awakened, mister Richie as you with wet is, mister Templary, you'll.
Speaker 2 (10:13):
Be right now, thank you.
Speaker 10 (10:15):
I hope the fire isn't too.
Speaker 2 (10:16):
Seriously serious enough to awaken mister Richie.
Speaker 10 (10:19):
Oh well, well, which plant is the fire in?
Speaker 3 (10:22):
Who's responsible?
Speaker 2 (10:23):
How big is the damage? Oh, the fire isn't in
any plant, mister Richie. Inside of me, I'm burning up
and I need your.
Speaker 11 (10:29):
Help how dare you sneak your way in here three
o'clock in the morning by telling me there's a fire?
Speaker 2 (10:33):
Okay, who are you, Simon Templar?
Speaker 11 (10:36):
Huh oh, yes, the saints I've heard of you. If
you have business with me, mister Temper, I suggest you'll
form my secretary for an appointment. Meanwhile, there's no subject
on earth can keep me from going back to bed, not.
Speaker 2 (10:48):
Even the subject of four hundred thousand dollars. Mister Richie,
what do you know about it? Nothing other than there
were stolen from you, mister Ritchie. That happened seven years ago.
Speaker 11 (10:57):
The criminal John Quailey was caught, tried, and convicted.
Speaker 2 (11:00):
Now, your pardoner clearly worked for you. I believe he
was my head accountant, and the money was never found.
Speaker 11 (11:05):
No, Quailey drew twenty years in the penitentiary. He never
revealed where.
Speaker 2 (11:08):
The money was hidden until the day he died.
Speaker 11 (11:11):
Died, Yes, two weeks ago in prison. And now, mister Templar,
if you don't mind, I need my wrest.
Speaker 2 (11:18):
I won't detain you much longer, mister Richie. Just one
or two more questions. Well, did Quailey have a wife? Yes,
he did, if he knew he were dying in prison.
It's quite possible he made an attempt to get word
to her to tell her where the money was hidden.
Speaker 11 (11:31):
He may have made the attempt, but he couldn't possibly
have succeeded.
Speaker 2 (11:33):
He was too closely watched her.
Speaker 11 (11:35):
After all, four hundred thousand dollars there is a lot
of money, A lot of money.
Speaker 2 (11:39):
Yes, she could almost buy a second hand car with it.
Speaker 11 (11:42):
If I hadn't been fully covered by insurance, my firm
would have gone under in the face of a loss
that large. And now, mister Templar, if I might ask
a question, why this sudden urgency is three o'clock.
Speaker 2 (11:53):
In the morning business, an old man was tortured to death.
Then a fellow named O'Brien, who came calling on the
old man, was shot to death. Before he was killed,
O'Brien told me he was tracking down four hundred thousand
dollars that had been stolen. Oh, I see, yeah, i'n
some checking back over. How many people have ever had
that amount stolen? From you? To me? I wonder what
(12:14):
I've led you to, mister Temper. I wonder, mister Richie,
I wonder, yes, what is this, missus Quayley, What do
(12:37):
you want several things, missus Cuayley like a murderer.
Speaker 10 (12:40):
You've got the wrong apartment, mister.
Speaker 2 (12:42):
An old automobile, no sale anything else. Maybe you'll buy this,
Missus Quayling. Collins was murdered a little while ago.
Speaker 10 (12:49):
Colin, Oh, the old man.
Speaker 2 (12:51):
Why someone wanted his car, someone who evidently couldn't wait
any longer for the newer mild So I saw Colin's
car in your garage, Missus Quinny, maybe.
Speaker 10 (13:00):
You better come in after honest, Come in, careful, careful
enough high.
Speaker 2 (13:08):
I don't like you, mister.
Speaker 10 (13:09):
They're naming together a frame and you're trying to put
my picture into it. Colin sold me that car when night.
I could have bought a Cadillac for cheap and mister,
but I wasn't in any.
Speaker 2 (13:18):
Position to hag I know what do you know?
Speaker 10 (13:22):
That's what I wanna find her.
Speaker 2 (13:23):
I know that Colin's cars the car is worth about
twenty dollars, but it's something else. It's worth in the
neighborhood of four hundred thousand dollars. And you know that's
an awfully nice neighborhood.
Speaker 10 (13:32):
It's nice and exclusive. Chiselers aren't invited to move in.
Speaker 2 (13:35):
I've been gathering that impression all evening. Well what are here?
You name it? I'm a settle in torch. Well there's
a mask as you'se chisels, your hammers steal wires. Either
you've gone to work for Henry Kaiser as a hand
that customarily rocks the cradle is going in for rocking
a safe.
Speaker 10 (13:53):
I had to go into a hardware store to make
a phone call, and I just couldn't leave without buying
a few things.
Speaker 2 (13:58):
Uh fortunate you didn't make your calling. And an establishment
that sells steam rollers? Yeah, I see you have a
set of licenses, you see too much from Colin's giloppe?
Aren't they these license? So that's how Quaily smuggled out
his neck.
Speaker 10 (14:13):
You're getting aft close to a bullet in your head, mister,
give me those plates.
Speaker 2 (14:16):
Someone at the door. Better not take the license place
with you.
Speaker 10 (14:23):
Yes, this is it's just.
Speaker 2 (14:31):
He he got the place, Yes, yes, he got them.
Speaker 10 (14:36):
Don't let him?
Speaker 2 (14:38):
Oh cut him there? Where where would Johnny work? Shut
shop of Colin's O'Brien? And now now I have three
(15:01):
reasons for wanting to meet a certain party.
Speaker 3 (15:18):
Taxi.
Speaker 2 (15:20):
Hey, hey, Taxy Taxi.
Speaker 5 (15:22):
There you don't stop sometimes when it's so early in
the morning, Saint, because I're on my way back to
the garage.
Speaker 2 (15:28):
What brings you out to early? Mac looking for a
drunk to row is looking for you, Saint, just looking
for you. See here, when I got my hand had
they're going to that koy streak and you again? Mac?
All right, throw it's the gun. Well what do you
want me to do? Come go? Turned handsprings quote Shelley,
play the bason. Do you have to speak for it? Mac?
Speaker 5 (15:46):
Very funny, look out. It shouldn't speak for itself, Saint.
I in the gun one you should get in that
dear car.
Speaker 2 (15:51):
You have a most persuasive way of offering a fellow.
A lyft, Mac, Yeah, yeah, lyft right now it's a lyft.
Later on it may grow into a right come on,
where are we going?
Speaker 3 (16:03):
Man?
Speaker 2 (16:03):
Back to our little gray home. In the rear of
the pool room.
Speaker 5 (16:06):
Saint fancy Dan Turner wants he should thank you for
showing him.
Speaker 2 (16:10):
A new trick. Oh, it really is necessary. He feels
like it is, Saint, he feels like it is.
Speaker 5 (16:16):
He's got a couple of tricks he wants to show you,
like fun a CERTI is waiting.
Speaker 2 (16:23):
He's got very little patience.
Speaker 8 (16:39):
Nice to have you back with his Saint.
Speaker 2 (16:41):
I mischief from the elect of that bandage on your skeleton.
I bet you wish i'd missed you.
Speaker 8 (16:47):
Now I don't, Saint.
Speaker 7 (16:48):
It's a nice feeling having you here, knowing that I
owe you something. I pay my debt, Saint, I pay off.
Speaker 2 (16:55):
I know O'Brien was paid off. That was missus Quayley
paid off with lead check they did. Oh when I
say that innocent expression for the jewelry, Turner, you need
everything you've got.
Speaker 8 (17:06):
Well, when were they killed, Saint?
Speaker 2 (17:07):
Okay, I'll stood for you. They were killed an hour
or two after I so abruptly left you before. Oh well, I'll.
Speaker 8 (17:13):
Have to find another pigeon, Saint my alibi?
Speaker 2 (17:16):
Fat? How fat?
Speaker 7 (17:17):
Turner City Hospital, having remembered the Saint, embroidered where Acoustic
hit me and Smitty and Mack were there too.
Speaker 8 (17:25):
To see me through it.
Speaker 7 (17:26):
Hospitals have record, Saint, we're clean, We're clean.
Speaker 2 (17:31):
Then you've got a competitor you don't know about Turner.
Speaker 7 (17:34):
Yeah, looks that way For a job that was supposed
to be as simple as this one, I got too
many competitors.
Speaker 8 (17:40):
I wonder, how come who.
Speaker 2 (17:41):
Fingered the job for you, Turner, who told you Quailey
got word out to his wife about where the money was.
They got nothing for you, Saint Smitty, wasn't it? Smitty
just finished a stretch up the creek. My guess is
he ran into Quayley and maybe he's share to sell
with him now.
Speaker 7 (17:56):
Was in the jail hospital they met. Smitty worked there.
Quaily was dying off his nut. Smitty made him talk.
Speaker 2 (18:04):
Yeah, and Smitty, not being mentally suited for solo works,
thilled the pitch to you, Turner, for the price, of course,
for money on the line.
Speaker 7 (18:11):
Yeah, ten geez to buy in on a four hundred
thousand job.
Speaker 8 (18:15):
But what are you driving that? What are you picking
Smitty's bones for?
Speaker 2 (18:18):
I was just wondering, Turner, how much O'Brien tad Smitty
for his life of this exclusive information, and how much
your other competitors shelled out the one who happily goes
around killing people?
Speaker 8 (18:28):
What do you mean, yes, me, Turner, your pal.
Speaker 2 (18:30):
Snitty is the sort of rat that even rats on rats,
he said, queerly secret three times that we know of.
Speaker 7 (18:37):
Hey, thanks for a handicapping it for me, sat.
Speaker 2 (18:40):
If you're really grateful, Turner, you can return the favor
by telling me what time.
Speaker 8 (18:45):
It's five fifteen in the morning. Saint, but you ain't
going nowhere.
Speaker 2 (18:48):
I have a date to keep a four six turney
with your competitor.
Speaker 8 (18:51):
Yeah, Saint, that's what you think.
Speaker 2 (18:52):
Maybe not Danny. What do you say we play a
little pool while we're waiting for the board.
Speaker 8 (18:56):
Get away from that pool table. I ain't playing any
games with you.
Speaker 2 (18:59):
Saying maybe pool is the wrong game. How about a
game of pitch and catch. I pitch like this and
you catch it like that. Hate to leave you all
by yourself there in the side pocket, but like I said,
I have a date.
Speaker 3 (19:12):
Keep well, mister Richie.
Speaker 2 (19:31):
Get enough sleep. Despite my interruption, I wasn't really asleep,
and you called on me, mister Temple. I know, mister Richie,
your hair was a little too carefully combed for a
man who's been suddenly awakened and told he's having a fire.
You're very clever, mister Temple, not clever enough to catch
you before you committed three murders. But you're a Smitty's
silent partner. See what low Company's gotten you into. Richie.
Speaker 11 (19:53):
Yes, I see four hundred dollars buried in the siding
at this elevator shaft.
Speaker 2 (19:58):
And for the help of this sess, settle and torch,
it'll be all mine.
Speaker 11 (20:02):
A very ingenious fellow Quayley. And I think the money
never left this.
Speaker 2 (20:06):
Building, the place where CHAMMI was he. Yes, he was ingenious.
He's very smart of him to use his prison job
making automobile license plates as a means of smuggling out
the information to his wife. How did he do it, Richard?
Very simple, templar.
Speaker 11 (20:22):
There's an extra piece of thin metal in this particular plate,
forming a sort of pocket.
Speaker 2 (20:26):
An inside the pocket a.
Speaker 11 (20:27):
Note on cigarette paper telling poor missus Quayley.
Speaker 2 (20:30):
How to get the money.
Speaker 11 (20:31):
Of course, once he managed to tell her the number
of the license plate, well the rest.
Speaker 2 (20:35):
Was easy, wasn't it. Yes, all poor missus Quayley had
to do was ask the Motor Vehicle Bureau to whom
the plate was a sign, mister Collins. In this instance,
poor old fellow, mister Temple, would you mind joining me
here in the shot, please, yes, right on top of
the elevator.
Speaker 11 (20:52):
I'd like to keep an eye on you while I
finished burning out this metal petition is he if only
until six o'clock when this elevator is switched on downstairs?
Speaker 2 (21:00):
Oh well, I I come come in the shap fez.
Well really, I have a gun, mister Templar. Oh well,
that makes it official. Here we are careful, mister Templar.
Speaker 11 (21:11):
I wouldn't want anything to happen to you, anything accidental,
that is.
Speaker 2 (21:15):
You know. It's funny. I've known you such a short time,
and I have exactly the same sentiments towards you. I've
never been astride the top of an elevator before, Richie,
and we're right near the top of the shaft.
Speaker 11 (21:26):
Yes, I don't mean to worry you, Templar, but when
this elevator power turns on in a few minutes.
Speaker 2 (21:32):
It will rise to the top before it descends. How's
your treasure hand coming, Ritchie? Almost finished?
Speaker 11 (21:38):
One last strip of metal to cut away and the
partition will come off. Then we'll decide your fate, mister Templar.
Your future here goes alas blow.
Speaker 2 (21:53):
It's there, It's there, I see it.
Speaker 11 (21:55):
Four hundred thousand dollars in currency, Templar.
Speaker 3 (21:58):
Think of it.
Speaker 2 (21:58):
Think of it. You think of it, Richie. And also
think of how much blood was filled on it, preaching
templar you.
Speaker 3 (22:04):
I never thought that.
Speaker 2 (22:06):
The elevator, Richie. Maybe it came to work a little
early today. My money, my money, Come on, Richie, come on,
get off. No, there's still some money left here. I
want it. I want you all. Come on, we've got
to get off.
Speaker 4 (22:19):
Jump Ritchie, jump.
Speaker 2 (22:20):
On all my money. I must save the money, see you, fool,
All right, it's Richie. You saved your money, and you
saved the states and money too. I'm sure you didn't
plan on saving the cost of your execution.
Speaker 1 (22:48):
You have been listening to another adventure of the Saint,
the robin Hood of modern crime. Now Here was our
star of Dencent Price.
Speaker 2 (22:55):
These immortal words of ab had translated from the Latin express.
Quite indeed the justice of our mister Ritchie's faith. Nor
is there any juster law than that the contrivers of
death should perish by their own contrivances. This is Vincent
Price inviting you to join us again next week at
this same time for another exciting adventure of the Saint.
(23:18):
Good Night.
Speaker 1 (23:34):
To Night's script of the Saint was written by Michael Cramoy.
Our cast included Loren Tuttle, Barney Phillips, Tony Barrett, Fred
Howard and Daniel Hurlehey. The music was composed and conducted
by Harry Zimmermann, the Saint of the James L. Safier production,
and was transcribed and directed by Thomas A.
Speaker 8 (23:51):
Mcabilly.
Speaker 1 (23:52):
All your Saint fans will be glad to know that
the Saint's comic books are on sale.
Speaker 8 (23:56):
That all you SAMs, you're.
Speaker 3 (23:58):
Announcer Merril Ross.
Speaker 1 (24:00):
This is the mutual broadcasting system.
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