February 26, 2025 • 28 mins
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Speaker 1 (00:20):
The Adventures of the Saint starring Tom Conway. The Saint,
based on characters created by Leslie Charterists and known to
millions from books, magazines, and motion pictures. The robin Hood
(00:43):
of Modern Crime now comes transcribed to radio, starring Hollywood's
brilliant and talented actor Tom Conway as.
Speaker 2 (00:52):
The Saint.
Speaker 3 (00:55):
Coming.
Speaker 4 (00:57):
Oh yes, ain't you gonna ask me? In Partney?
Speaker 2 (01:02):
Hello cowboy, if you've lost your horse?
Speaker 4 (01:03):
I mean, I gotta talk to you.
Speaker 2 (01:05):
I gotta all right to come in, partner? What can
I do for you?
Speaker 4 (01:11):
You Templer? The man they call the Saint.
Speaker 2 (01:14):
That's what's engraved on my halo. Well, I'm McGowan.
Speaker 4 (01:18):
They call me tex Well it fits, born and raised
in Texas and aimin to die there.
Speaker 2 (01:24):
Somebody's topping you. Somebody don't care where it happens, just
so long as it's now here.
Speaker 4 (01:28):
Look at this hat.
Speaker 2 (01:30):
A funny place for air holes.
Speaker 4 (01:32):
Not so funny when they're bullet holes though.
Speaker 2 (01:35):
Run out of Rustler's to shoot an.
Speaker 4 (01:36):
I was bushwhack, Partney.
Speaker 2 (01:38):
I was stepping out of a taxi and some side
wine and bushwhack and pole cat took a shot at me.
Well we'll head him off at Eagle Pass. Go on, well,
I came to New York to have fun, not to
be killed. That's logical.
Speaker 4 (01:51):
You reckon, you can ride shotgun on me.
Speaker 2 (01:54):
You've got me confused with the police Department. I understand
they've a special bureau that does nothing but protect visiting car.
I don't want the police department.
Speaker 3 (02:01):
I'll pay.
Speaker 2 (02:02):
I'm not in business.
Speaker 4 (02:04):
Look, money's money and you're human.
Speaker 2 (02:06):
Oh so you've noticed that, have you? And I ain't
exactly a poor man. Raising beefs a big money business
these days. Yes, so is buying it. What do you
fellas patten those cows on? That makes a steak so expensive? Broccoli?
Ha ha.
Speaker 4 (02:20):
You don't want the money.
Speaker 2 (02:22):
It's only money. How about a cow? That's an interesting thought,
But the management of this apartment house is so stuffy.
The only life thought permitted is dogs and cats. I
don't mean a cow on the hoof, one for the broiler.
I beg your pardon when I get home. I'll personally
airmail you once a week. The best durned stake this
(02:42):
side of Fort Worth. You interest me, well, I'm bought.
Go ahead and brand me good. It made me feel better.
You made me feel hungry to see that I don't
get killed, Pardner, that's all you're supposed to do. I
always like to do a little more than I'm supposed to.
I'll see that neither of us gets killed. Now, what's
(03:03):
all the shooting for? In a couple of days, I'm
going to Chicago to have a talk with a fella.
The fella knows I'm coming, and he ain't hankered none
to see me. Oh so he sends someone to hit
you off with a gun him. Why, it's just a
little business matter, you see. He Ah, But come on, partner,
tell you all about it somewhere else.
Speaker 4 (03:23):
This is New York City. Let's go live it up
some and we.
Speaker 3 (03:25):
Can talk during it.
Speaker 2 (03:26):
And what if you got in mind heard about a
saloon where a dozen pretty girls come out and dance
the can can? I'm fixing the cut one up from
the herd?
Speaker 5 (03:35):
You?
Speaker 2 (03:52):
Hey, chance, wat's the matter of partner?
Speaker 5 (03:55):
All out of bubble water?
Speaker 4 (03:57):
No?
Speaker 2 (03:57):
But that little talk for a gun? Well, where's that
other case of Champagne I ordered? You haven't told me
what he did?
Speaker 4 (04:04):
Who's that Simond?
Speaker 2 (04:05):
The pill in Chicago? All him?
Speaker 4 (04:08):
A farman's only been short weight me on my beef.
That's all. Know what I mean?
Speaker 2 (04:11):
Yes, my butcher invented it.
Speaker 4 (04:13):
A thousand a headaches.
Speaker 2 (04:14):
That's hip boys, Fill up them glasses, work on a
liver up to night. Where are we now, mister Templer,
Greenwich Pillage, fifty second Street. Now about Chicago. You know
(04:37):
I got a sudden hanking to see that old horse,
am Ie. Uh huh huh, Please text don't cry now
when you get to Chicago. It's an old cow pony,
but I wouldn't swap him for all the horses in Kentucky. Yes,
I've felt that way about a girl once. Now about
the man in Chicago.
Speaker 4 (04:55):
That Crimson Pool cat.
Speaker 2 (04:57):
Oh so you do remember he on their way to
howls and ahead of my steers on a rigged up scale.
Cost me twenty maybe thirty pounds a head, and that's
a lot of tea bowes. Who is this fellow?
Speaker 3 (05:09):
All easy?
Speaker 4 (05:11):
Huh? Just now decided something?
Speaker 2 (05:14):
What next time I come to New York City, I'm
bringing that old horse with me.
Speaker 4 (05:19):
Got a feeling he'd kind of like all this.
Speaker 3 (05:31):
Well, we know Pardner.
Speaker 2 (05:33):
Fifty second Street, No, Greenwich Village.
Speaker 3 (05:36):
Who'd you say?
Speaker 2 (05:36):
The man in Chicago?
Speaker 3 (05:37):
Wise the gritter.
Speaker 2 (05:38):
Who's been shoving all my cattle at the Chicago market
the last ten years or so? Who pros it? No
telling how many pounds of beefy bamboozled me out of
and all that time. So you are trying to blow
the whistle on him? Huh huh? Meaning what telling the police? Nope,
(05:59):
I ain't even I'm telling you, partner, I want this
Twitter all myself, Texas style.
Speaker 5 (06:05):
Yeah that Yankee music?
Speaker 3 (06:08):
That is wonderful?
Speaker 4 (06:09):
Warms or what is blood?
Speaker 3 (06:11):
Where don't we go from here home?
Speaker 5 (06:29):
Yeah?
Speaker 3 (06:29):
Buddy, hotel went with just wait.
Speaker 2 (06:32):
Here a moment driving.
Speaker 6 (06:43):
That's a new twist, yaws, take a little walk before
you pay off the cap?
Speaker 2 (06:47):
Drab it only when I'm playing body God? How much?
Speaker 3 (06:51):
One forty?
Speaker 2 (06:52):
It says, who are you looking for? Brownies? Help me
hold my cowboy friend inside with you. I don't think
I'll be able to wake him.
Speaker 3 (06:59):
We had to wait him he left.
Speaker 4 (07:01):
What there's a saloon across.
Speaker 6 (07:02):
The street, buddy, he's making a bee line for it.
The buck forty Yeah, keep the change.
Speaker 2 (07:12):
Fix next, Wait a minute, you're down for text?
Speaker 3 (07:21):
Son?
Speaker 4 (07:22):
Like, brother?
Speaker 7 (07:23):
Do you wanted to.
Speaker 2 (07:24):
You murderous rat? Your dirty so.
Speaker 7 (07:26):
You do want it?
Speaker 2 (07:27):
Okay, you're not, I'll say gun jam now it's gonna
be jammed down your throat killer, I'm gonna down. Oh
let's get out of here.
Speaker 8 (07:52):
Now now if you can play? And how are we today?
Speaker 2 (07:57):
You're fine? How am I?
Speaker 8 (07:59):
I'm let you know just as soon as I checked
your pause?
Speaker 2 (08:02):
What are you doing for dinner tonight?
Speaker 8 (08:04):
I have a day too bad, Lisa. You're not leaving
the hospital until tomorrow. How can you ask me out?
Speaker 2 (08:10):
Oh, it's just a form of exercising. You're very beautiful.
Speaker 8 (08:15):
Mister Templer. If you keep me talking? How can I
check your pause?
Speaker 2 (08:19):
Why?
Speaker 8 (08:20):
Bottom to see if it's normal?
Speaker 9 (08:22):
Of good?
Speaker 2 (08:23):
If my pulse is normal when you check it, then
I'm not.
Speaker 8 (08:27):
Oh you and your jokes. Oh I forgot? You have
another visitor?
Speaker 2 (08:32):
Oh blonde or brunette?
Speaker 8 (08:34):
Redhead?
Speaker 2 (08:34):
M cute?
Speaker 8 (08:36):
I think so, but you wouldn't. No, it's that nice
young lieutenant from the homicide You're a oh.
Speaker 2 (08:43):
Again, I U. I suppose it to be pointless to
tell him my mouth obviously, the lieutenant Barden.
Speaker 8 (08:51):
I was just going, thank you, Molly, You're welcome.
Speaker 2 (08:54):
Lieutenant You you don't have to ask Lieutenant Barden to answers. No. Thanks.
Now it's the question, have I remembered anything I forgot
to mention about text mcgon's killer, isn't it?
Speaker 3 (09:05):
No?
Speaker 2 (09:05):
This time I'm here with an invitation, Oh, a party,
the morgue and oh that the doctor told me I
was past the critical stage the picture morgue down at
headquarters more romantically known as Rugg's gallery. You want me
to look at faces as soon as he's strong enough.
Might just be that the guy who dumped McGowan left
his face with us one time or another. Well, this
it will be a nice change in the routine. What well,
(09:27):
getting out of here? Hand me my clothes, lieutenant. Now,
wait a minute, you're not do to bore this joint
till tomorrow, Lieutenant Rodden. Are you a public servant? I'm
a cop, so I'm a public servant. Hand me my clothes,
be sure. Positive. Besides, there's very little point in the
patient staying in the hospital when he's making so little progress.
Clearing up a concussion in three days time is in progress.
(09:48):
I mean with that nurse, I'm not getting anywhere. Yeah,
I know, you know, uh because I am Oh, I
don't look at me like that saint. We public servants
gotta live too, you know. M. Come on, we'll go
look at pictures. Well, no, this one, no, and take
(10:15):
a look through these. No, oh, I don't take this one.
Huh oh? For how did a pick up girls picture
getting I don't know, but it certainly breaks the monotony?
This one?
Speaker 3 (10:32):
No?
Speaker 2 (10:34):
This nope?
Speaker 5 (10:36):
How about.
Speaker 7 (10:39):
No one of these?
Speaker 2 (10:42):
Well? Well, the guy who killed text mc gowan. No,
my old geometry teacher.
Speaker 5 (10:56):
This no.
Speaker 2 (10:59):
Here, M pardon me? No him? Mmmm? Hey yeah, I
know the boy most likely to succeed in your graduating
the boy most likely to get the electric chair for
shooting down text Meagan, At last, you're sure like Stanley
finding Livingstone see Nick Mushenko Czech Chicago police files.
Speaker 4 (11:19):
That's practically done.
Speaker 2 (11:20):
Thanks separate, Thanks refused. I've got a slight interest in
this tricker man myself. You know, if you don't believe me,
ask my head. I see what you mean? Will you
staying till I check on the Mushenka? I staying well?
(11:40):
I got the Mushenko where Chicago cop sat there grabbed
him when he came up a plane. Good you going?
You want tonight? To nice of you to ask? You
can pinch the identification for us when we're leaving.
Speaker 4 (11:53):
Oh, there's a train at midnight.
Speaker 2 (11:56):
Enough time for you. I'll go home and thank a bag.
Suppose I picked up at your apartment and about half
hour i'd be ready. Thanks again for the invitations, Adam
and Lieutenant. I think I'll forgive you. Forgive me for
stealing my nurse when I was unconscious.
Speaker 7 (12:20):
By the time you got home. See what you know
what I am.
Speaker 2 (12:24):
Uh, animal, vegetable or mineral.
Speaker 10 (12:27):
I'm the fella that watched you come out of the
little building at police headquarters where they keep the pitches.
Speaker 2 (12:32):
It's an interesting hobby, I admit, but just.
Speaker 10 (12:34):
Luved you once saying when my cousin's gun Jim deathfield,
and I guess now I gotta make it more permanent.
Speaker 2 (12:41):
Uh, don't bother on my account.
Speaker 7 (12:42):
It's how my cousins.
Speaker 10 (12:44):
You're the only fella can send him to the hot seat.
You're the only eye witness he killed that cowboy.
Speaker 2 (12:48):
You'll excuse me while I get on with my packing,
Won't you where you going? See?
Speaker 10 (12:53):
You ain't gonna need to pack nothing for no. You
think he's going to Chicago, but you.
Speaker 2 (12:58):
Ain't seen well, must you be poetic at a time
like this.
Speaker 10 (13:02):
You ain't gonna go to Chicago and put no finger
in the can.
Speaker 2 (13:05):
And now wait a minute, you're gonna go to Chicago
and then I'm gonna beat you to death right here
in New York. Woh instantly, ooh you call that in?
Who the detective? Lieutenant Vardon? Would you like to meet him?
Speaker 7 (13:25):
We'll see you again, set.
Speaker 2 (13:31):
Come in Varden.
Speaker 4 (13:35):
What are you sitting on the floor for.
Speaker 2 (13:37):
I've been entertaining you know company. Yeah, what happened to him? Oh? Well, no,
he was going after them out the service door. Frankly flew.
Speaker 3 (13:47):
Shy.
Speaker 2 (13:48):
Only a policeman, so a bella jan him. Hey, he
caught me with my vitality down. Remember I was a
hospital case on me the day before. Yes, ydah, yeah,
you'll need protecting. Come on, let's catch that train. You
can tell me the all sad story on the way
to the station. Whoh, it's a good thing this train
(14:17):
had a second goat of painting, cause that's what we
caught it by.
Speaker 5 (14:20):
Huh.
Speaker 2 (14:21):
Here this is a drawing room date.
Speaker 8 (14:23):
Excuse me, good, one of you gentlemen. Tell me where
to find drawing rooms.
Speaker 2 (14:27):
See, yeah, that's the one right now. You would better
let me handle it.
Speaker 7 (14:30):
Pardon you.
Speaker 2 (14:31):
Policemen are so dropped, uh, drawing room.
Speaker 8 (14:34):
See uh huh, I'm so helpless on trains.
Speaker 2 (14:37):
Oh that's a pity.
Speaker 8 (14:37):
I'm always lost.
Speaker 2 (14:39):
I'm always finding things, are you? I?
Speaker 8 (14:42):
Oh, there's drawing rooms see right next to yours. We're neighbors.
Speaker 2 (14:46):
Well sometimes that's uh, a very interesting relationship. If you
should ever want to borrow anything, neighbor, I WI got everything,
yes you have.
Speaker 8 (14:55):
But if you should need something, well, after all, what
a neighbor?
Speaker 2 (15:00):
I never was really sure until now.
Speaker 8 (15:04):
Well, goodbye neighbor.
Speaker 2 (15:11):
You know, lieutenant. These trains are getting better equipment all
the time you deal barden, lieutenant, mm oh, what's my day?
Speaker 4 (15:35):
On?
Speaker 2 (15:36):
Get her off your mind. She'll be there when you
get back, although they are rather prone to a lope
with in terms exempler, what are you talking about my nurse?
Or uh? Should I say our nurse? Get her off
your mind and start concentrating on who hired nick nickers
and not to smoke down text megone.
Speaker 4 (15:53):
Hey, where are you going?
Speaker 7 (15:54):
Uh?
Speaker 2 (15:55):
You don't have to be able to tactive to guess that.
Oh no, uh uh huh, I'm uh tide of cards.
I'm I'm going to be neighborly for a while. Yeah,
(16:21):
oh did you neighbor see? I uh knew it could
come to this. I'd like to borrow something.
Speaker 8 (16:29):
What have you got in mine?
Speaker 2 (16:31):
Oh? Anything? What have you gone?
Speaker 8 (16:34):
Maybe we'd better talk it over. My name's Linda Jarvi.
Speaker 2 (16:38):
Simon Templar, Oh it sounds very distinguished.
Speaker 8 (16:41):
Won't you come in?
Speaker 2 (16:42):
All my life I've been easily persuades.
Speaker 8 (16:46):
Now I want you to tell me all about yourself.
You going to Chicago for business pleasure?
Speaker 2 (16:51):
Well, uh, it started out to be business and your.
Speaker 8 (16:54):
Friend when I first mentioned the quarter before, didn't didn't
I hear you say he was a a policeman?
Speaker 2 (16:59):
Oh did you?
Speaker 9 (17:00):
Let's be fascinated by crime and policeman and I bet
you're going to schover.
Speaker 8 (17:04):
To arrest somebody. Oh, you must tell me about it. Please,
it's so fascinating on a man you're going to arrest.
What did he do? Is he a bank robber or murderer?
Please tell me everything. I'm all ears you are.
Speaker 2 (17:19):
I wanna fancy that?
Speaker 9 (17:32):
Oh, Simon so enjoyed the trip, but he didn't tell
me half of what I expected to hear about crime
and criminals.
Speaker 2 (17:40):
Well, there were many more important things to talk about.
Uh do you happen to have a phone number?
Speaker 11 (17:46):
Hand him?
Speaker 8 (17:47):
Only my own? But I don't think I'm going to
give it to you now?
Speaker 2 (17:52):
Is that being why we were?
Speaker 3 (17:54):
Uh h h.
Speaker 2 (17:55):
Lieutenant Roden on his way to fetch me, and there's
an impatient look on his face. Look, Linda, when can
I see you?
Speaker 3 (18:02):
All right?
Speaker 2 (18:02):
I don't mean to break up what appears to be
a beautiful friendship. But we're expected that Chicago police had
buarders today. In other words, right about pardon got me
in the arm?
Speaker 3 (18:13):
Now?
Speaker 4 (18:13):
Only in the arms, Linda, She blew right after the shot.
Speaker 3 (18:19):
But I'd be all right.
Speaker 2 (18:20):
You go after her, all right? Bidon, excuse me?
Speaker 11 (18:23):
Please pet me for please away pet you over come on,
buddy girl to blue NEPs.
Speaker 2 (18:36):
You see her in that cab.
Speaker 3 (18:38):
I one turn it out up there? Follow her? Howd hey,
(18:59):
mister a cab stop it?
Speaker 2 (19:01):
So I see pull up to the curb right here.
Speaker 3 (19:07):
He's getting up going in that apartment.
Speaker 2 (19:10):
Okay, this is the end of the line. Wait for me.
Speaker 3 (19:13):
It ain't gonna be a long is it.
Speaker 6 (19:15):
I shipped into the half an I've been pushing this hack.
Speaker 2 (19:17):
All right, I'll be back in a few minutes. Don't
worry about it. Why it's miss Jervis Flowers. All right,
So I'm not a rogue. M No, you can't come mere, sure,
(19:39):
I can't see I'm in dare.
Speaker 8 (19:42):
This is outrageous, not nearly.
Speaker 2 (19:44):
As outrageous as putting a finger on a fellow so
that the rifleman knows who to shoot down.
Speaker 8 (19:47):
I haven't the slightest idea what you're talking about.
Speaker 2 (19:49):
I'm sure you have, baby, Sure you have. That bullet
was for me, wasn't it. Lieutenant Barton just happened to
stroll into it?
Speaker 8 (19:56):
Diamond darling? Why should why should I wanna have you killed?
Speaker 2 (20:01):
I don't know you that well, but you know me
well enough to know that I'm the only eyewitness to
a murder and that I should be eliminated, don't you.
But I what reason would I have if I should
fail to identify a certain Nick Nimoshenko as the gunman
who shot down text maccaron? Then the possibility of mister
Nimoshenko's telling who hired him to do the job is
very slightly.
Speaker 8 (20:21):
I still have no idea what you're talking about.
Speaker 2 (20:23):
Then, suppose we go down to police headquarters and I'll
tell you all about it.
Speaker 8 (20:27):
Well, it's about time. How long was I supposed to
keep him talking before you're ready to swing that club?
Speaker 4 (20:32):
Oh?
Speaker 7 (20:33):
I thought i'd let him feel he was living for
a while, you know. And I told his Suka he
had not he come to Chicago.
Speaker 12 (20:39):
Oh, I told him, Oh.
Speaker 4 (20:52):
George, I'm getting jo wake up?
Speaker 11 (20:54):
Is he?
Speaker 5 (20:55):
Uh?
Speaker 3 (20:55):
Huh?
Speaker 2 (20:56):
Splendid? There's some questions I must ask him.
Speaker 7 (20:59):
He's beginning the flutter his eyes. Goods?
Speaker 10 (21:02):
What?
Speaker 2 (21:03):
Oh yes, sir? What are you three staring at it?
Haven't you ever seen a man with two heads before?
Feeling better? Mister Templar, not as good as when I
was unconscious.
Speaker 7 (21:13):
It can be a range. Making you unconscious is how I.
Speaker 2 (21:17):
Earned my pay. M You had a better future when
you were swinging through the trees.
Speaker 7 (21:22):
Huh.
Speaker 2 (21:22):
At least you were your own boss.
Speaker 7 (21:24):
That mean you calling me an ape?
Speaker 2 (21:26):
Mm?
Speaker 7 (21:27):
The fur hits wear it alright, wise guy?
Speaker 2 (21:29):
Now Stanley, throw him a banana.
Speaker 4 (21:34):
Stanley, Uh, better.
Speaker 8 (21:36):
Not irritating Simon Darling.
Speaker 2 (21:40):
He's hot headed, and as soon he'll be sitting in
a chair, that's going to make him hot all over,
and so will you, Linda.
Speaker 8 (21:46):
And last night on the train you said such sweet
things to me.
Speaker 2 (21:51):
Remember I remember next time I go in, well, I'll
write a freight you meet a better class of tramps.
Speaker 8 (21:57):
George's grouchy aunt, Simon.
Speaker 10 (22:00):
Darling Bob pestering him, Linda, let's get on with this, Yes,
let's uh text McGown as a talkative man?
Speaker 4 (22:06):
Was he not?
Speaker 10 (22:07):
You tell me it's hardly likely that you'd agree to
interest yourself in this affair without knowing all the facts,
uh facts concerning me?
Speaker 5 (22:16):
Uh?
Speaker 3 (22:16):
Who are you?
Speaker 9 (22:17):
Uh?
Speaker 2 (22:18):
What you do besides er train apes?
Speaker 4 (22:20):
George jaggery?
Speaker 7 (22:20):
I'm a cattle broker.
Speaker 2 (22:22):
Ooh, I'll bet you haven't been called honest weight haggetty
much lately. Ah, sir, he did tell you want you
do to a scale? Could du out mode reducing diets?
What else did McGowan tell you? You've had it? No springs, Stanley? Okay, boy,
the pleasure is mine? Alright, alright, Stanley, let's keep him
(22:43):
conscious for a while, shall we?
Speaker 3 (22:45):
Er?
Speaker 2 (22:45):
You needn't bother, mister Temple. I trust you don't think
all this is.
Speaker 10 (22:49):
Just idle curiosity on my part.
Speaker 2 (22:51):
Oh, don't apologize.
Speaker 10 (22:53):
I want to know how much McGowan told you, so
that i'll know how much you might have told the police.
Speaker 2 (22:58):
Thanks for the blueprint. What I mean is, if certain
facts are known to the police, then it might be er.
Speaker 3 (23:04):
Well, it's quite possible.
Speaker 2 (23:05):
That is that they'll be able to stop stamping yourself.
You want to know if the police have anything that
establishes you as nemu'sk sponsor.
Speaker 7 (23:13):
Well, uh have they?
Speaker 2 (23:15):
Next time you see old Boba, get the top of
your head shaved. The ones up at Sing Sing are
so messy. You're lying. They don't know. Okay, I'm lying.
Sweat it out, killer, sweat it out? You mean beat
it out, don't you? Stanley?
Speaker 7 (23:30):
I'm m went over lightly a year, not too.
Speaker 2 (23:33):
Lightly, But don't kill him until later.
Speaker 3 (23:36):
Oh well, Temple going to.
Speaker 7 (23:52):
Talk to me?
Speaker 5 (23:52):
Now?
Speaker 8 (23:53):
What's the use, George. I'll never tell the truth. I
know I had a date with him.
Speaker 2 (23:59):
You're boasting.
Speaker 8 (24:00):
Just a waste of time. Let's Stanley, get it over with.
Speaker 7 (24:02):
That's what I say.
Speaker 5 (24:03):
Boys.
Speaker 10 (24:03):
If the cops knew anything about I say, they've been
here a long time ago.
Speaker 2 (24:06):
Yes, I suppose you're right, all right, Stanley?
Speaker 3 (24:10):
Do you Oh anyway.
Speaker 4 (24:12):
I don't care.
Speaker 5 (24:12):
Well I do.
Speaker 2 (24:13):
That's what entranted me to you. From the stop end.
You looked like a neat house Keep up, all right,
take him out of here and throw him into Lake Michigan.
But I didn't bring my bathing suit.
Speaker 8 (24:25):
Who the least idea? Shall I answer it?
Speaker 7 (24:27):
You'll have to the dominos.
Speaker 12 (24:29):
You're in very well.
Speaker 2 (24:30):
Whoever it is, get rid of him at fast.
Speaker 6 (24:34):
Yes, what I'm murking for a guy, and I'm gonna
pennis his back. That's what I'm gonna do.
Speaker 8 (24:40):
Look here, you can't person.
Speaker 3 (24:43):
You'd be surprised of what I can do. What. I'm sorry,
and believe me.
Speaker 2 (24:45):
I'm oh so there you hello, Captain Carson.
Speaker 3 (24:51):
Giving me no lip? Brother, I told you I was
off dute in half an hour and you said that
you Hey, how'd you get your facehold banged?
Speaker 2 (24:57):
It's all in the day's work.
Speaker 4 (24:59):
What's going on?
Speaker 2 (25:00):
You've got your men stationed at all possible exits, Captain, Well,
haven't you? Captain Shoo, there's for the whole building. Fine, captain,
and here are your three murders, just as I promise.
Now we wait a minute. This doesn't look like any
cop I've ever seen. Don't let him reach for that gun.
Oh no, go jid me though done, thank you.
Speaker 7 (25:25):
Him, not me.
Speaker 2 (25:26):
I ain't gonna hit no cops spoken like a gentleman
of the old school. Not when they got all the
exits covered.
Speaker 3 (25:30):
Especially I'm giving up.
Speaker 2 (25:32):
That's using your head standing.
Speaker 3 (25:34):
Hey, captain, here's my gun. I'm ready to come back.
I don't want your gun.
Speaker 2 (25:38):
I just want to take it, you fool.
Speaker 3 (25:39):
Take it, oh tyr. Now do I get my fare?
Speaker 2 (25:44):
Yes, you'll get your fare, my friend. And you know
what I'm gonna give you for a tip. What's that
a new cab? But first get on the phone until
the police to come over. Will you tell them there
are some people here I'd like them to meet.
Speaker 1 (26:07):
You have been listening to another transcribed adventure of the
Saint the robin Hood of Modern Crime, and now here
is our star, Tom Conway.
Speaker 2 (26:17):
Ladies and gentlemen, in our cast. You heard Joyce McClaskey
as Linda and Sandra Gould as the nurse broke temple
plate texts said the corsier George Lamont Johnson was the
Lieutenant Ed Max Stanley, and Howard mcneer the camp driver.
This is Tom Conway inviting you to join us again
next week at the same time for another exciting adventure
(26:38):
of the Saint. Good Night.
Speaker 1 (27:04):
Tonight's script of The Saint was written by Michael Cramoy.
The Saint, based on characters created by Leslie Charteris, is
a James L. Safire production and is directed by Helen Mack.
Tom Conway is soon to be seen in the Warner
Brothers production Painting the Clouds with Sunshine, and all you
Saint fans will be glad to know that the Saint
comic books are on sale at all news stands. Your announcer, hell, give.
Speaker 4 (27:28):
Me It's the Silver Jubilee on NBC.
Speaker 2 (27:37):
Now's stay tuned for more great mystery entertainment as Lloyd
Nolan stars in Martin Kain Private Eye. Yes, now here
Martin Kain Private Eye on this same NBC station. He's
the daring private investigator who's become a popular hero throughout
the nation. Now you'll hear Lloyd Nolan as Martin Kain
every Sunday immediately following The Saint. Listen first for The Saint,
(27:58):
then stay tuned for Martin Kain Private Eye starring Lloyd Mullin.
Hear him next on NBC. The national broadcasting company
Speaker 5 (28:10):
M
The Adventures of the Saint starring Tom Conway. The Saint,
based on characters created by Leslie Charterists and known to
millions from books, magazines, and motion pictures. The robin Hood
(00:43):
of Modern Crime now comes transcribed to radio, starring Hollywood's
brilliant and talented actor Tom Conway as.
Speaker 2 (00:52):
The Saint.
Speaker 3 (00:55):
Coming.
Speaker 4 (00:57):
Oh yes, ain't you gonna ask me? In Partney?
Speaker 2 (01:02):
Hello cowboy, if you've lost your horse?
Speaker 4 (01:03):
I mean, I gotta talk to you.
Speaker 2 (01:05):
I gotta all right to come in, partner? What can
I do for you?
Speaker 4 (01:11):
You Templer? The man they call the Saint.
Speaker 2 (01:14):
That's what's engraved on my halo. Well, I'm McGowan.
Speaker 4 (01:18):
They call me tex Well it fits, born and raised
in Texas and aimin to die there.
Speaker 2 (01:24):
Somebody's topping you. Somebody don't care where it happens, just
so long as it's now here.
Speaker 4 (01:28):
Look at this hat.
Speaker 2 (01:30):
A funny place for air holes.
Speaker 4 (01:32):
Not so funny when they're bullet holes though.
Speaker 2 (01:35):
Run out of Rustler's to shoot an.
Speaker 4 (01:36):
I was bushwhack, Partney.
Speaker 2 (01:38):
I was stepping out of a taxi and some side
wine and bushwhack and pole cat took a shot at me.
Well we'll head him off at Eagle Pass. Go on, well,
I came to New York to have fun, not to
be killed. That's logical.
Speaker 4 (01:51):
You reckon, you can ride shotgun on me.
Speaker 2 (01:54):
You've got me confused with the police Department. I understand
they've a special bureau that does nothing but protect visiting car.
I don't want the police department.
Speaker 3 (02:01):
I'll pay.
Speaker 2 (02:02):
I'm not in business.
Speaker 4 (02:04):
Look, money's money and you're human.
Speaker 2 (02:06):
Oh so you've noticed that, have you? And I ain't
exactly a poor man. Raising beefs a big money business
these days. Yes, so is buying it. What do you
fellas patten those cows on? That makes a steak so expensive? Broccoli?
Ha ha.
Speaker 4 (02:20):
You don't want the money.
Speaker 2 (02:22):
It's only money. How about a cow? That's an interesting thought,
But the management of this apartment house is so stuffy.
The only life thought permitted is dogs and cats. I
don't mean a cow on the hoof, one for the broiler.
I beg your pardon when I get home. I'll personally
airmail you once a week. The best durned stake this
(02:42):
side of Fort Worth. You interest me, well, I'm bought.
Go ahead and brand me good. It made me feel better.
You made me feel hungry to see that I don't
get killed, Pardner, that's all you're supposed to do. I
always like to do a little more than I'm supposed to.
I'll see that neither of us gets killed. Now, what's
(03:03):
all the shooting for? In a couple of days, I'm
going to Chicago to have a talk with a fella.
The fella knows I'm coming, and he ain't hankered none
to see me. Oh so he sends someone to hit
you off with a gun him. Why, it's just a
little business matter, you see. He Ah, But come on, partner,
tell you all about it somewhere else.
Speaker 4 (03:23):
This is New York City. Let's go live it up
some and we.
Speaker 3 (03:25):
Can talk during it.
Speaker 2 (03:26):
And what if you got in mind heard about a
saloon where a dozen pretty girls come out and dance
the can can? I'm fixing the cut one up from
the herd?
Speaker 5 (03:35):
You?
Speaker 2 (03:52):
Hey, chance, wat's the matter of partner?
Speaker 5 (03:55):
All out of bubble water?
Speaker 4 (03:57):
No?
Speaker 2 (03:57):
But that little talk for a gun? Well, where's that
other case of Champagne I ordered? You haven't told me
what he did?
Speaker 4 (04:04):
Who's that Simond?
Speaker 2 (04:05):
The pill in Chicago? All him?
Speaker 4 (04:08):
A farman's only been short weight me on my beef.
That's all. Know what I mean?
Speaker 2 (04:11):
Yes, my butcher invented it.
Speaker 4 (04:13):
A thousand a headaches.
Speaker 2 (04:14):
That's hip boys, Fill up them glasses, work on a
liver up to night. Where are we now, mister Templer,
Greenwich Pillage, fifty second Street. Now about Chicago. You know
(04:37):
I got a sudden hanking to see that old horse,
am Ie. Uh huh huh, Please text don't cry now
when you get to Chicago. It's an old cow pony,
but I wouldn't swap him for all the horses in Kentucky. Yes,
I've felt that way about a girl once. Now about
the man in Chicago.
Speaker 4 (04:55):
That Crimson Pool cat.
Speaker 2 (04:57):
Oh so you do remember he on their way to
howls and ahead of my steers on a rigged up scale.
Cost me twenty maybe thirty pounds a head, and that's
a lot of tea bowes. Who is this fellow?
Speaker 3 (05:09):
All easy?
Speaker 4 (05:11):
Huh? Just now decided something?
Speaker 2 (05:14):
What next time I come to New York City, I'm
bringing that old horse with me.
Speaker 4 (05:19):
Got a feeling he'd kind of like all this.
Speaker 3 (05:31):
Well, we know Pardner.
Speaker 2 (05:33):
Fifty second Street, No, Greenwich Village.
Speaker 3 (05:36):
Who'd you say?
Speaker 2 (05:36):
The man in Chicago?
Speaker 3 (05:37):
Wise the gritter.
Speaker 2 (05:38):
Who's been shoving all my cattle at the Chicago market
the last ten years or so? Who pros it? No
telling how many pounds of beefy bamboozled me out of
and all that time. So you are trying to blow
the whistle on him? Huh huh? Meaning what telling the police? Nope,
(05:59):
I ain't even I'm telling you, partner, I want this
Twitter all myself, Texas style.
Speaker 5 (06:05):
Yeah that Yankee music?
Speaker 3 (06:08):
That is wonderful?
Speaker 4 (06:09):
Warms or what is blood?
Speaker 3 (06:11):
Where don't we go from here home?
Speaker 5 (06:29):
Yeah?
Speaker 3 (06:29):
Buddy, hotel went with just wait.
Speaker 2 (06:32):
Here a moment driving.
Speaker 6 (06:43):
That's a new twist, yaws, take a little walk before
you pay off the cap?
Speaker 2 (06:47):
Drab it only when I'm playing body God? How much?
Speaker 3 (06:51):
One forty?
Speaker 2 (06:52):
It says, who are you looking for? Brownies? Help me
hold my cowboy friend inside with you. I don't think
I'll be able to wake him.
Speaker 3 (06:59):
We had to wait him he left.
Speaker 4 (07:01):
What there's a saloon across.
Speaker 6 (07:02):
The street, buddy, he's making a bee line for it.
The buck forty Yeah, keep the change.
Speaker 2 (07:12):
Fix next, Wait a minute, you're down for text?
Speaker 3 (07:21):
Son?
Speaker 4 (07:22):
Like, brother?
Speaker 7 (07:23):
Do you wanted to.
Speaker 2 (07:24):
You murderous rat? Your dirty so.
Speaker 7 (07:26):
You do want it?
Speaker 2 (07:27):
Okay, you're not, I'll say gun jam now it's gonna
be jammed down your throat killer, I'm gonna down. Oh
let's get out of here.
Speaker 8 (07:52):
Now now if you can play? And how are we today?
Speaker 2 (07:57):
You're fine? How am I?
Speaker 8 (07:59):
I'm let you know just as soon as I checked
your pause?
Speaker 2 (08:02):
What are you doing for dinner tonight?
Speaker 8 (08:04):
I have a day too bad, Lisa. You're not leaving
the hospital until tomorrow. How can you ask me out?
Speaker 2 (08:10):
Oh, it's just a form of exercising. You're very beautiful.
Speaker 8 (08:15):
Mister Templer. If you keep me talking? How can I
check your pause?
Speaker 2 (08:19):
Why?
Speaker 8 (08:20):
Bottom to see if it's normal?
Speaker 9 (08:22):
Of good?
Speaker 2 (08:23):
If my pulse is normal when you check it, then
I'm not.
Speaker 8 (08:27):
Oh you and your jokes. Oh I forgot? You have
another visitor?
Speaker 2 (08:32):
Oh blonde or brunette?
Speaker 8 (08:34):
Redhead?
Speaker 2 (08:34):
M cute?
Speaker 8 (08:36):
I think so, but you wouldn't. No, it's that nice
young lieutenant from the homicide You're a oh.
Speaker 2 (08:43):
Again, I U. I suppose it to be pointless to
tell him my mouth obviously, the lieutenant Barden.
Speaker 8 (08:51):
I was just going, thank you, Molly, You're welcome.
Speaker 2 (08:54):
Lieutenant You you don't have to ask Lieutenant Barden to answers. No. Thanks.
Now it's the question, have I remembered anything I forgot
to mention about text mcgon's killer, isn't it?
Speaker 3 (09:05):
No?
Speaker 2 (09:05):
This time I'm here with an invitation, Oh, a party,
the morgue and oh that the doctor told me I
was past the critical stage the picture morgue down at
headquarters more romantically known as Rugg's gallery. You want me
to look at faces as soon as he's strong enough.
Might just be that the guy who dumped McGowan left
his face with us one time or another. Well, this
it will be a nice change in the routine. What well,
(09:27):
getting out of here? Hand me my clothes, lieutenant. Now,
wait a minute, you're not do to bore this joint
till tomorrow, Lieutenant Rodden. Are you a public servant? I'm
a cop, so I'm a public servant. Hand me my clothes,
be sure. Positive. Besides, there's very little point in the
patient staying in the hospital when he's making so little progress.
Clearing up a concussion in three days time is in progress.
(09:48):
I mean with that nurse, I'm not getting anywhere. Yeah,
I know, you know, uh because I am Oh, I
don't look at me like that saint. We public servants
gotta live too, you know. M. Come on, we'll go
look at pictures. Well, no, this one, no, and take
(10:15):
a look through these. No, oh, I don't take this one.
Huh oh? For how did a pick up girls picture
getting I don't know, but it certainly breaks the monotony?
This one?
Speaker 3 (10:32):
No?
Speaker 2 (10:34):
This nope?
Speaker 5 (10:36):
How about.
Speaker 7 (10:39):
No one of these?
Speaker 2 (10:42):
Well? Well, the guy who killed text mc gowan. No,
my old geometry teacher.
Speaker 5 (10:56):
This no.
Speaker 2 (10:59):
Here, M pardon me? No him? Mmmm? Hey yeah, I
know the boy most likely to succeed in your graduating
the boy most likely to get the electric chair for
shooting down text Meagan, At last, you're sure like Stanley
finding Livingstone see Nick Mushenko Czech Chicago police files.
Speaker 4 (11:19):
That's practically done.
Speaker 2 (11:20):
Thanks separate, Thanks refused. I've got a slight interest in
this tricker man myself. You know, if you don't believe me,
ask my head. I see what you mean? Will you
staying till I check on the Mushenka? I staying well?
(11:40):
I got the Mushenko where Chicago cop sat there grabbed
him when he came up a plane. Good you going?
You want tonight? To nice of you to ask? You
can pinch the identification for us when we're leaving.
Speaker 4 (11:53):
Oh, there's a train at midnight.
Speaker 2 (11:56):
Enough time for you. I'll go home and thank a bag.
Suppose I picked up at your apartment and about half
hour i'd be ready. Thanks again for the invitations, Adam
and Lieutenant. I think I'll forgive you. Forgive me for
stealing my nurse when I was unconscious.
Speaker 7 (12:20):
By the time you got home. See what you know
what I am.
Speaker 2 (12:24):
Uh, animal, vegetable or mineral.
Speaker 10 (12:27):
I'm the fella that watched you come out of the
little building at police headquarters where they keep the pitches.
Speaker 2 (12:32):
It's an interesting hobby, I admit, but just.
Speaker 10 (12:34):
Luved you once saying when my cousin's gun Jim deathfield,
and I guess now I gotta make it more permanent.
Speaker 2 (12:41):
Uh, don't bother on my account.
Speaker 7 (12:42):
It's how my cousins.
Speaker 10 (12:44):
You're the only fella can send him to the hot seat.
You're the only eye witness he killed that cowboy.
Speaker 2 (12:48):
You'll excuse me while I get on with my packing,
Won't you where you going? See?
Speaker 10 (12:53):
You ain't gonna need to pack nothing for no. You
think he's going to Chicago, but you.
Speaker 2 (12:58):
Ain't seen well, must you be poetic at a time
like this.
Speaker 10 (13:02):
You ain't gonna go to Chicago and put no finger
in the can.
Speaker 2 (13:05):
And now wait a minute, you're gonna go to Chicago
and then I'm gonna beat you to death right here
in New York. Woh instantly, ooh you call that in?
Who the detective? Lieutenant Vardon? Would you like to meet him?
Speaker 7 (13:25):
We'll see you again, set.
Speaker 2 (13:31):
Come in Varden.
Speaker 4 (13:35):
What are you sitting on the floor for.
Speaker 2 (13:37):
I've been entertaining you know company. Yeah, what happened to him? Oh? Well, no,
he was going after them out the service door. Frankly flew.
Speaker 3 (13:47):
Shy.
Speaker 2 (13:48):
Only a policeman, so a bella jan him. Hey, he
caught me with my vitality down. Remember I was a
hospital case on me the day before. Yes, ydah, yeah,
you'll need protecting. Come on, let's catch that train. You
can tell me the all sad story on the way
to the station. Whoh, it's a good thing this train
(14:17):
had a second goat of painting, cause that's what we
caught it by.
Speaker 5 (14:20):
Huh.
Speaker 2 (14:21):
Here this is a drawing room date.
Speaker 8 (14:23):
Excuse me, good, one of you gentlemen. Tell me where
to find drawing rooms.
Speaker 2 (14:27):
See, yeah, that's the one right now. You would better
let me handle it.
Speaker 7 (14:30):
Pardon you.
Speaker 2 (14:31):
Policemen are so dropped, uh, drawing room.
Speaker 8 (14:34):
See uh huh, I'm so helpless on trains.
Speaker 2 (14:37):
Oh that's a pity.
Speaker 8 (14:37):
I'm always lost.
Speaker 2 (14:39):
I'm always finding things, are you? I?
Speaker 8 (14:42):
Oh, there's drawing rooms see right next to yours. We're neighbors.
Speaker 2 (14:46):
Well sometimes that's uh, a very interesting relationship. If you
should ever want to borrow anything, neighbor, I WI got everything,
yes you have.
Speaker 8 (14:55):
But if you should need something, well, after all, what
a neighbor?
Speaker 2 (15:00):
I never was really sure until now.
Speaker 8 (15:04):
Well, goodbye neighbor.
Speaker 2 (15:11):
You know, lieutenant. These trains are getting better equipment all
the time you deal barden, lieutenant, mm oh, what's my day?
Speaker 4 (15:35):
On?
Speaker 2 (15:36):
Get her off your mind. She'll be there when you
get back, although they are rather prone to a lope
with in terms exempler, what are you talking about my nurse?
Or uh? Should I say our nurse? Get her off
your mind and start concentrating on who hired nick nickers
and not to smoke down text megone.
Speaker 4 (15:53):
Hey, where are you going?
Speaker 7 (15:54):
Uh?
Speaker 2 (15:55):
You don't have to be able to tactive to guess that.
Oh no, uh uh huh, I'm uh tide of cards.
I'm I'm going to be neighborly for a while. Yeah,
(16:21):
oh did you neighbor see? I uh knew it could
come to this. I'd like to borrow something.
Speaker 8 (16:29):
What have you got in mine?
Speaker 2 (16:31):
Oh? Anything? What have you gone?
Speaker 8 (16:34):
Maybe we'd better talk it over. My name's Linda Jarvi.
Speaker 2 (16:38):
Simon Templar, Oh it sounds very distinguished.
Speaker 8 (16:41):
Won't you come in?
Speaker 2 (16:42):
All my life I've been easily persuades.
Speaker 8 (16:46):
Now I want you to tell me all about yourself.
You going to Chicago for business pleasure?
Speaker 2 (16:51):
Well, uh, it started out to be business and your.
Speaker 8 (16:54):
Friend when I first mentioned the quarter before, didn't didn't
I hear you say he was a a policeman?
Speaker 2 (16:59):
Oh did you?
Speaker 9 (17:00):
Let's be fascinated by crime and policeman and I bet
you're going to schover.
Speaker 8 (17:04):
To arrest somebody. Oh, you must tell me about it. Please,
it's so fascinating on a man you're going to arrest.
What did he do? Is he a bank robber or murderer?
Please tell me everything. I'm all ears you are.
Speaker 2 (17:19):
I wanna fancy that?
Speaker 9 (17:32):
Oh, Simon so enjoyed the trip, but he didn't tell
me half of what I expected to hear about crime
and criminals.
Speaker 2 (17:40):
Well, there were many more important things to talk about.
Uh do you happen to have a phone number?
Speaker 11 (17:46):
Hand him?
Speaker 8 (17:47):
Only my own? But I don't think I'm going to
give it to you now?
Speaker 2 (17:52):
Is that being why we were?
Speaker 3 (17:54):
Uh h h.
Speaker 2 (17:55):
Lieutenant Roden on his way to fetch me, and there's
an impatient look on his face. Look, Linda, when can
I see you?
Speaker 3 (18:02):
All right?
Speaker 2 (18:02):
I don't mean to break up what appears to be
a beautiful friendship. But we're expected that Chicago police had
buarders today. In other words, right about pardon got me
in the arm?
Speaker 3 (18:13):
Now?
Speaker 4 (18:13):
Only in the arms, Linda, She blew right after the shot.
Speaker 3 (18:19):
But I'd be all right.
Speaker 2 (18:20):
You go after her, all right? Bidon, excuse me?
Speaker 11 (18:23):
Please pet me for please away pet you over come on,
buddy girl to blue NEPs.
Speaker 2 (18:36):
You see her in that cab.
Speaker 3 (18:38):
I one turn it out up there? Follow her? Howd hey,
(18:59):
mister a cab stop it?
Speaker 2 (19:01):
So I see pull up to the curb right here.
Speaker 3 (19:07):
He's getting up going in that apartment.
Speaker 2 (19:10):
Okay, this is the end of the line. Wait for me.
Speaker 3 (19:13):
It ain't gonna be a long is it.
Speaker 6 (19:15):
I shipped into the half an I've been pushing this hack.
Speaker 2 (19:17):
All right, I'll be back in a few minutes. Don't
worry about it. Why it's miss Jervis Flowers. All right,
So I'm not a rogue. M No, you can't come mere, sure,
(19:39):
I can't see I'm in dare.
Speaker 8 (19:42):
This is outrageous, not nearly.
Speaker 2 (19:44):
As outrageous as putting a finger on a fellow so
that the rifleman knows who to shoot down.
Speaker 8 (19:47):
I haven't the slightest idea what you're talking about.
Speaker 2 (19:49):
I'm sure you have, baby, Sure you have. That bullet
was for me, wasn't it. Lieutenant Barton just happened to
stroll into it?
Speaker 8 (19:56):
Diamond darling? Why should why should I wanna have you killed?
Speaker 2 (20:01):
I don't know you that well, but you know me
well enough to know that I'm the only eyewitness to
a murder and that I should be eliminated, don't you.
But I what reason would I have if I should
fail to identify a certain Nick Nimoshenko as the gunman
who shot down text maccaron? Then the possibility of mister
Nimoshenko's telling who hired him to do the job is
very slightly.
Speaker 8 (20:21):
I still have no idea what you're talking about.
Speaker 2 (20:23):
Then, suppose we go down to police headquarters and I'll
tell you all about it.
Speaker 8 (20:27):
Well, it's about time. How long was I supposed to
keep him talking before you're ready to swing that club?
Speaker 4 (20:32):
Oh?
Speaker 7 (20:33):
I thought i'd let him feel he was living for
a while, you know. And I told his Suka he
had not he come to Chicago.
Speaker 12 (20:39):
Oh, I told him, Oh.
Speaker 4 (20:52):
George, I'm getting jo wake up?
Speaker 11 (20:54):
Is he?
Speaker 5 (20:55):
Uh?
Speaker 3 (20:55):
Huh?
Speaker 2 (20:56):
Splendid? There's some questions I must ask him.
Speaker 7 (20:59):
He's beginning the flutter his eyes. Goods?
Speaker 10 (21:02):
What?
Speaker 2 (21:03):
Oh yes, sir? What are you three staring at it?
Haven't you ever seen a man with two heads before?
Feeling better? Mister Templar, not as good as when I
was unconscious.
Speaker 7 (21:13):
It can be a range. Making you unconscious is how I.
Speaker 2 (21:17):
Earned my pay. M You had a better future when
you were swinging through the trees.
Speaker 7 (21:22):
Huh.
Speaker 2 (21:22):
At least you were your own boss.
Speaker 7 (21:24):
That mean you calling me an ape?
Speaker 2 (21:26):
Mm?
Speaker 7 (21:27):
The fur hits wear it alright, wise guy?
Speaker 2 (21:29):
Now Stanley, throw him a banana.
Speaker 4 (21:34):
Stanley, Uh, better.
Speaker 8 (21:36):
Not irritating Simon Darling.
Speaker 2 (21:40):
He's hot headed, and as soon he'll be sitting in
a chair, that's going to make him hot all over,
and so will you, Linda.
Speaker 8 (21:46):
And last night on the train you said such sweet
things to me.
Speaker 2 (21:51):
Remember I remember next time I go in, well, I'll
write a freight you meet a better class of tramps.
Speaker 8 (21:57):
George's grouchy aunt, Simon.
Speaker 10 (22:00):
Darling Bob pestering him, Linda, let's get on with this, Yes,
let's uh text McGown as a talkative man?
Speaker 4 (22:06):
Was he not?
Speaker 10 (22:07):
You tell me it's hardly likely that you'd agree to
interest yourself in this affair without knowing all the facts,
uh facts concerning me?
Speaker 5 (22:16):
Uh?
Speaker 3 (22:16):
Who are you?
Speaker 9 (22:17):
Uh?
Speaker 2 (22:18):
What you do besides er train apes?
Speaker 4 (22:20):
George jaggery?
Speaker 7 (22:20):
I'm a cattle broker.
Speaker 2 (22:22):
Ooh, I'll bet you haven't been called honest weight haggetty
much lately. Ah, sir, he did tell you want you
do to a scale? Could du out mode reducing diets?
What else did McGowan tell you? You've had it? No springs, Stanley? Okay, boy,
the pleasure is mine? Alright, alright, Stanley, let's keep him
(22:43):
conscious for a while, shall we?
Speaker 3 (22:45):
Er?
Speaker 2 (22:45):
You needn't bother, mister Temple. I trust you don't think
all this is.
Speaker 10 (22:49):
Just idle curiosity on my part.
Speaker 2 (22:51):
Oh, don't apologize.
Speaker 10 (22:53):
I want to know how much McGowan told you, so
that i'll know how much you might have told the police.
Speaker 2 (22:58):
Thanks for the blueprint. What I mean is, if certain
facts are known to the police, then it might be er.
Speaker 3 (23:04):
Well, it's quite possible.
Speaker 2 (23:05):
That is that they'll be able to stop stamping yourself.
You want to know if the police have anything that
establishes you as nemu'sk sponsor.
Speaker 7 (23:13):
Well, uh have they?
Speaker 2 (23:15):
Next time you see old Boba, get the top of
your head shaved. The ones up at Sing Sing are
so messy. You're lying. They don't know. Okay, I'm lying.
Sweat it out, killer, sweat it out? You mean beat
it out, don't you? Stanley?
Speaker 7 (23:30):
I'm m went over lightly a year, not too.
Speaker 2 (23:33):
Lightly, But don't kill him until later.
Speaker 3 (23:36):
Oh well, Temple going to.
Speaker 7 (23:52):
Talk to me?
Speaker 5 (23:52):
Now?
Speaker 8 (23:53):
What's the use, George. I'll never tell the truth. I
know I had a date with him.
Speaker 2 (23:59):
You're boasting.
Speaker 8 (24:00):
Just a waste of time. Let's Stanley, get it over with.
Speaker 7 (24:02):
That's what I say.
Speaker 5 (24:03):
Boys.
Speaker 10 (24:03):
If the cops knew anything about I say, they've been
here a long time ago.
Speaker 2 (24:06):
Yes, I suppose you're right, all right, Stanley?
Speaker 3 (24:10):
Do you Oh anyway.
Speaker 4 (24:12):
I don't care.
Speaker 5 (24:12):
Well I do.
Speaker 2 (24:13):
That's what entranted me to you. From the stop end.
You looked like a neat house Keep up, all right,
take him out of here and throw him into Lake Michigan.
But I didn't bring my bathing suit.
Speaker 8 (24:25):
Who the least idea? Shall I answer it?
Speaker 7 (24:27):
You'll have to the dominos.
Speaker 12 (24:29):
You're in very well.
Speaker 2 (24:30):
Whoever it is, get rid of him at fast.
Speaker 6 (24:34):
Yes, what I'm murking for a guy, and I'm gonna
pennis his back. That's what I'm gonna do.
Speaker 8 (24:40):
Look here, you can't person.
Speaker 3 (24:43):
You'd be surprised of what I can do. What. I'm sorry,
and believe me.
Speaker 2 (24:45):
I'm oh so there you hello, Captain Carson.
Speaker 3 (24:51):
Giving me no lip? Brother, I told you I was
off dute in half an hour and you said that
you Hey, how'd you get your facehold banged?
Speaker 2 (24:57):
It's all in the day's work.
Speaker 4 (24:59):
What's going on?
Speaker 2 (25:00):
You've got your men stationed at all possible exits, Captain, Well,
haven't you? Captain Shoo, there's for the whole building. Fine, captain,
and here are your three murders, just as I promise.
Now we wait a minute. This doesn't look like any
cop I've ever seen. Don't let him reach for that gun.
Oh no, go jid me though done, thank you.
Speaker 7 (25:25):
Him, not me.
Speaker 2 (25:26):
I ain't gonna hit no cops spoken like a gentleman
of the old school. Not when they got all the
exits covered.
Speaker 3 (25:30):
Especially I'm giving up.
Speaker 2 (25:32):
That's using your head standing.
Speaker 3 (25:34):
Hey, captain, here's my gun. I'm ready to come back.
I don't want your gun.
Speaker 2 (25:38):
I just want to take it, you fool.
Speaker 3 (25:39):
Take it, oh tyr. Now do I get my fare?
Speaker 2 (25:44):
Yes, you'll get your fare, my friend. And you know
what I'm gonna give you for a tip. What's that
a new cab? But first get on the phone until
the police to come over. Will you tell them there
are some people here I'd like them to meet.
Speaker 1 (26:07):
You have been listening to another transcribed adventure of the
Saint the robin Hood of Modern Crime, and now here
is our star, Tom Conway.
Speaker 2 (26:17):
Ladies and gentlemen, in our cast. You heard Joyce McClaskey
as Linda and Sandra Gould as the nurse broke temple
plate texts said the corsier George Lamont Johnson was the
Lieutenant Ed Max Stanley, and Howard mcneer the camp driver.
This is Tom Conway inviting you to join us again
next week at the same time for another exciting adventure
(26:38):
of the Saint. Good Night.
Speaker 1 (27:04):
Tonight's script of The Saint was written by Michael Cramoy.
The Saint, based on characters created by Leslie Charteris, is
a James L. Safire production and is directed by Helen Mack.
Tom Conway is soon to be seen in the Warner
Brothers production Painting the Clouds with Sunshine, and all you
Saint fans will be glad to know that the Saint
comic books are on sale at all news stands. Your announcer, hell, give.
Speaker 4 (27:28):
Me It's the Silver Jubilee on NBC.
Speaker 2 (27:37):
Now's stay tuned for more great mystery entertainment as Lloyd
Nolan stars in Martin Kain Private Eye. Yes, now here
Martin Kain Private Eye on this same NBC station. He's
the daring private investigator who's become a popular hero throughout
the nation. Now you'll hear Lloyd Nolan as Martin Kain
every Sunday immediately following The Saint. Listen first for The Saint,
(27:58):
then stay tuned for Martin Kain Private Eye starring Lloyd Mullin.
Hear him next on NBC. The national broadcasting company
Speaker 5 (28:10):
M
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