February 17, 2025 • 28 mins
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Speaker 1 (00:19):
The Adventures of the Saints starring Vincent Price.
Speaker 2 (00:33):
The Saint, based on.
Speaker 1 (00:35):
Characters created by Leslie Charteris and known to millions from books, magazines,
and motion pictures, The Robinhood of Modern Crime now comes
transcribed to radio, starring Hollywood's brilliant and talented actor Vincent
Price as.
Speaker 2 (00:49):
The Saint.
Speaker 3 (00:54):
I don't like it around here, Reco Waterfront.
Speaker 4 (00:56):
What's the matter with it?
Speaker 2 (00:57):
I don't know.
Speaker 5 (00:57):
I get the jitties.
Speaker 4 (00:58):
We don't think too much.
Speaker 3 (01:00):
Listen, after we pick up the stuff and Spiro, you
can retire.
Speaker 4 (01:03):
I was gonna fly me.
Speaker 6 (01:04):
Yeah, yeah, once I didn't like it alright, so you.
Speaker 4 (01:07):
Can retire someplace else.
Speaker 6 (01:09):
Oh, you set to ship up ahead, you know, to.
Speaker 4 (01:12):
Be if we're on the right pier right, Yeah, that's
the expert.
Speaker 3 (01:15):
Yeah, there's no lights on us, but there's a board
except spiroum.
Speaker 2 (01:19):
Yeah, I'll be glad to see him.
Speaker 4 (01:21):
You need to the the grand on the hoof we.
Speaker 3 (01:24):
Go as a matter of somebody's on ditch.
Speaker 2 (01:26):
It's not spiral hunt.
Speaker 3 (01:28):
Or a relax it's an old man, the night watchman.
Speaker 2 (01:31):
Oh and they got to have a.
Speaker 3 (01:33):
Night watchman around. I don't know, you think somebody might
swipe for a ship.
Speaker 6 (01:37):
Oh you oh, what's your worder out here?
Speaker 5 (01:40):
Uh?
Speaker 2 (01:40):
We'll come to my board.
Speaker 3 (01:41):
We got an appointment.
Speaker 6 (01:42):
Okay, come on a plankt a fool?
Speaker 4 (01:50):
What's your pop gin away?
Speaker 3 (01:51):
Spiral is expected? Spider, yeah, one of the crew.
Speaker 4 (01:55):
You heard of him, didn't you?
Speaker 2 (01:56):
Yes?
Speaker 3 (01:57):
I was a lot about him.
Speaker 6 (01:59):
How come he jump boats?
Speaker 2 (02:01):
Go?
Speaker 3 (02:01):
He said Collins, the jump boat way upop Galveston.
Speaker 6 (02:07):
The crew was talking about it, smarted to acting funny
ever since the boat pulled out a visit down come Galveston.
Good buy missus spot.
Speaker 3 (02:15):
Oh that's fine, goodbye.
Speaker 4 (02:17):
To I stole it out to the ones.
Speaker 2 (02:19):
He have something belonging to you?
Speaker 4 (02:21):
Then on where where friends is?
Speaker 3 (02:23):
We just wanted to get in touch with him?
Speaker 6 (02:25):
Where you sure come to.
Speaker 3 (02:26):
The wrong place and you could be putting on an act.
Speaker 6 (02:29):
I ain't been riding the ship. Go ahead, you look
for him.
Speaker 3 (02:32):
M remember mind, Come on, Colins, come on, why are
we gonna win out? If this is one place spiraler
would never show up, but they't up their show sooner
or later. And when he does, let's get out of here,
Seal and Pop sell out.
Speaker 6 (02:56):
Simply yeah, uh.
Speaker 2 (02:59):
They left Spider or I guess they believe you are. Ye,
they sure did.
Speaker 6 (03:06):
I offered to let him search the ship. They was
two spots. Figured if you was really on board, I
wouldn't have offered, so they went away. Thanks, exclusive it's
a fiber. Why do you want to drop them so bad?
Speaker 7 (03:23):
Oh?
Speaker 2 (03:24):
I told you, you know, I owe 'em some money.
I ain't got it.
Speaker 3 (03:27):
That's a hey like a fire on.
Speaker 2 (03:29):
Uh.
Speaker 6 (03:29):
That isn't the way they told us.
Speaker 2 (03:32):
What isn't the way?
Speaker 6 (03:34):
You bowing them a few bucks? And the way they
figured it it was fifty thousand. You're crazy in stones?
They said, where are they? Mister Spott? I said, but
you're crazy. You can see it again. If it makes
you feel any better, I think maybe I'll take a look.
And the way from a bag got mister spider, or
(03:56):
I've got a guy. I'm a wall of your better
keep clear of me.
Speaker 2 (04:00):
What a fool?
Speaker 6 (04:01):
What I was gonna doing today?
Speaker 7 (04:03):
Tell me it's gonna but here?
Speaker 2 (04:05):
I'm a fool?
Speaker 5 (04:20):
M no, mm apparently yes.
Speaker 8 (04:41):
I was just about to curl up in front of
the fire with her bottle of shot iron, sleep and sleep. Well,
maybe I don't need tablets to southe my nerves come in.
Speaker 9 (04:51):
Thank you, mister Temple. My name is Susan Sparrow.
Speaker 2 (04:57):
Yeah, that sounds very demure, I you.
Speaker 9 (05:00):
Isn't that the kind of thing you should find out
for yourself, Miss Sparrow.
Speaker 7 (05:04):
Or missus missus?
Speaker 2 (05:06):
Oh? And I could always ask your husband if you.
Speaker 9 (05:09):
Can find him. I can't. That's why I've come to you.
Speaker 2 (05:12):
Oh, I see somebody lost him.
Speaker 9 (05:14):
Well, he was supposed to have reached New York three
days ago on the steamship x Brook.
Speaker 6 (05:19):
Oh, he was a passenger, no one of the crew.
Speaker 9 (05:22):
He hasn't come home.
Speaker 8 (05:23):
Mister Templar, you waited three days before doing anything about it?
Speaker 9 (05:26):
Well, of course, because we live in in Cleveland, Oh.
Speaker 2 (05:29):
Which means you'd have allowed him a day.
Speaker 8 (05:31):
To get there, a day's wait before you got alarmed,
and a day for you to come here. Alright, h
Can you think of any reason why he wouldn't have
come to Cleveland.
Speaker 9 (05:40):
Can you?
Speaker 2 (05:41):
Mm?
Speaker 8 (05:42):
Well, of course he may not feel the same way
I do about about Cleveland.
Speaker 6 (05:48):
You've got in touch with the ship's captain.
Speaker 9 (05:50):
No, you see, Frank, my husband didn't want anyone to
know he was married.
Speaker 2 (05:55):
He's shy.
Speaker 9 (05:56):
I don't know he well, he's sort of mysterious.
Speaker 2 (05:59):
About the ks. I see when you find him for.
Speaker 9 (06:02):
Me and mister Templar, I'm afraid something may have happened
to him, something terrible.
Speaker 2 (06:07):
I'll do what I can.
Speaker 9 (06:08):
That means you'll find.
Speaker 2 (06:09):
Him very pretty vote of confidence, but.
Speaker 9 (06:12):
It's more than a vote your uh life saver, Simon, Well,
thank you.
Speaker 8 (06:17):
I just hope I'll strike the right flavor with your husband.
Speaker 2 (06:29):
Hey, Bob, I beg your pardon.
Speaker 4 (06:31):
I see where you're going.
Speaker 2 (06:32):
Oh I I'm on my way to the X book. Uh.
That's it, isn't it at the end of the year.
Speaker 3 (06:36):
Yes, that's the ex book, but visiting ours ain't in effect?
Speaker 8 (06:39):
Oh yeah, Harper details got a little job of work
to do.
Speaker 2 (06:43):
Oh, such as.
Speaker 8 (06:44):
Drudging sounds deep? M uh for anything in particular. A body,
I see someone fell overboard?
Speaker 10 (06:52):
Well maybe or equiliment push m okay.
Speaker 7 (07:07):
It's a couple of Well, tell her it's ready to
see him now.
Speaker 2 (07:09):
Yeah, it's very nice of the lieutenant.
Speaker 11 (07:11):
Come on, they uh found the body then, yeah, watch
your stuff there, Hey, lieutenant, here's the guy.
Speaker 4 (07:23):
Okay Simmons.
Speaker 3 (07:25):
Now, mister Temple, I understand you've been hanging.
Speaker 6 (07:27):
Around watchful waiting might be a better description.
Speaker 3 (07:30):
That brings you here.
Speaker 2 (07:31):
A man named Sparrow, friend of yours. I'd never met him, however,
I'd like to see him. Why he might be worth seeing?
Speaker 3 (07:37):
He might be Uh wait a minute, mister Temple, aren't
you the saint?
Speaker 2 (07:41):
Hears? But you don't want my biography at the moment,
do you? No, ma'am?
Speaker 3 (07:51):
He said you wanted to look at Sparrow. Okay, look
at he.
Speaker 2 (07:55):
Uh he's not very pretty.
Speaker 5 (07:58):
Nobody is.
Speaker 8 (07:59):
After soaking in the harbor for three days. Fish must
have been hungry.
Speaker 5 (08:02):
Yeah.
Speaker 3 (08:03):
A guy's face is practically gun but he was carrying
his papers on him. Oh, the templar you found your man,
Frank Sparrow.
Speaker 2 (08:10):
Mm.
Speaker 3 (08:11):
He was uh drowned and surprised he wasn't drowned. A
couple of bullets in him?
Speaker 2 (08:15):
Uh? Who put him there? The same time he disappeared?
Speaker 3 (08:18):
The night watchman on this tub disappeared too, an old
guy named Gleason. We found the watchman's gun in one
of the ventiladies. Two shots had been fired from it. Also,
some weights were missing watchman's shot.
Speaker 8 (08:28):
Spara put the weights in his clothing to keep him
down for awhile.
Speaker 3 (08:31):
Get him down for three days, but Sparrow came up anyway, proving.
Speaker 2 (08:35):
You can't keep a good man down or a bad man.
Speaker 3 (08:39):
Uh, Temple are acts suspicious about.
Speaker 6 (08:50):
Anything, Susan, No, he believed me.
Speaker 9 (08:52):
He's out looking for Sparrow now.
Speaker 4 (08:53):
Yeah, a good girl, Susan.
Speaker 9 (08:55):
I wonder they go.
Speaker 3 (08:56):
That could be unhealthy. Me and Collins asked you to
up front for us, get a legit character like Templar
to find Sparrow for.
Speaker 2 (09:03):
Us, but which you get paid?
Speaker 5 (09:05):
Don't wonder?
Speaker 9 (09:05):
Alright, rego, except why are you so anxious to find Sparrow?
Speaker 3 (09:10):
He goes me and Collins, and they'll must be a lot.
Mind's your own business?
Speaker 2 (09:13):
Is he all right? A?
Speaker 3 (09:15):
Where's Collins teelling Templar we wanna know where Sparrow is?
The instant Templar tags didn't see we go.
Speaker 9 (09:22):
You told me why you didn't want to go to
Templar yourself. You said he'd be more willing to do
it if a pretty girl like me, asked him, No.
Speaker 4 (09:28):
What's that supposed to be? Nudes?
Speaker 2 (09:30):
No?
Speaker 9 (09:30):
But I'm beginning to think maybe the reason you wanted
your name's kept out of it is suppose something happens
to Sparrow after Templar finds him something fatal. Then you'd
be in the clear.
Speaker 4 (09:44):
You'd get a very healthy imagination.
Speaker 9 (09:46):
Yeah, it doesn't feel healthy right now.
Speaker 4 (09:47):
So there's a listen.
Speaker 3 (09:49):
You're running in there, and for me, don't try to
run out up to anything else.
Speaker 9 (09:53):
Otherwise he wouldn't lay a hand on me.
Speaker 3 (09:55):
Oh wouldn't. I? Oh see, you were r wrong about that.
It could be wrong about lots of things. So stop imagining.
Speaker 4 (10:04):
Just do like your told.
Speaker 7 (10:05):
Where we go.
Speaker 3 (10:07):
Me, I'll talk into the bedroom til we see you
as a Collins or somebody else.
Speaker 9 (10:11):
Oh, coming coming?
Speaker 1 (10:19):
Oh?
Speaker 9 (10:20):
I know, Simon?
Speaker 2 (10:22):
May I come in?
Speaker 3 (10:23):
Of course?
Speaker 9 (10:26):
I I'm glad you came. I've been sort of lonely.
Speaker 2 (10:30):
That's not exactly why I came.
Speaker 9 (10:31):
Oh Simon, you don't mean you've already found Frank. I don't, Oh, Simon, No, wonderful.
Speaker 2 (10:39):
What especially? It was very simple. What isn't simple is
why someone followed me?
Speaker 9 (10:44):
Yeah, someone followed you? Or you must be imagining it.
Speaker 8 (10:48):
Perhaps I'd thought better of my imagination though. However, Susan,
what was your husband carrying on him?
Speaker 3 (10:56):
Uh?
Speaker 9 (10:56):
I don't quite know what that means.
Speaker 6 (10:58):
Carrying something the wild front, Susan.
Speaker 8 (11:01):
When I got down to the ship, the police were
very busy doing what fishing a body out of the harbor.
Oh the papers found on it belonged to Frank Sparrow.
Oh no, no, nothing else in these pockets except Susan.
A night watchman named Gleason disappeared the night of the murder,
presumably after emptying those pockets.
Speaker 9 (11:23):
Oh that's why you asked me what my husband might
be carrying on. Yes, I don't know, I Simon, you'd
better go.
Speaker 2 (11:31):
Now, of course. The uh shock, Yes, that's right.
Speaker 9 (11:35):
Good night, Susan, Good night, Simon.
Speaker 2 (11:41):
Shots came from down the hall, Simon. Don't leave me, hey,
dear studn't come on back in, Simon. Oh who was it?
The new Corps? The same man who'd followed me here?
Speaker 4 (11:55):
Collins?
Speaker 2 (11:55):
What?
Speaker 9 (11:56):
Oh, nothing like you?
Speaker 2 (11:57):
You just said, Collins.
Speaker 9 (11:58):
Did you see the man who shot him?
Speaker 2 (12:00):
No? By the time I got to the end of
the hall, he was gone. Who is Colin, Susan, I don't.
Speaker 9 (12:05):
Know anyone named Colin's.
Speaker 6 (12:07):
You must have made a mistake, Susan.
Speaker 2 (12:09):
A man was just killed out there. The police will
be along in a very little while. They'll identify him,
that'll lead them to you.
Speaker 9 (12:15):
No, the police don't know anything about I do. You
wouldn't tell them.
Speaker 2 (12:19):
How long have you been married to Frank Sparrow?
Speaker 3 (12:22):
Uh?
Speaker 2 (12:22):
A couple of years.
Speaker 3 (12:23):
Mm.
Speaker 8 (12:24):
You spend a lot of time outdoors, don't you. Someone
must have told you how attractive tanned blondes are.
Speaker 9 (12:30):
Well, yes, I do, get out of it.
Speaker 2 (12:32):
Mind. Uh. Slipping that wedding ring off your finger?
Speaker 7 (12:35):
No, hump? Thanks?
Speaker 2 (12:38):
What are you staring at your ring? Finger? Tanned prettily
even under the ring. What if you haven't been wearing
that ring very long, Susan, Otherwise there'd be a band
of lighter skin on your finger, which means you're not married, Susan.
Speaker 8 (12:51):
You just started wearing that ring today, Simon, I kill
have to you pretended to be Sparrow's wife and ask
me to find him.
Speaker 9 (12:59):
Why I a friend of mine? I mean Sparrow was
a friend of mine. I was worried about him. No,
you know I didn't kill Collins.
Speaker 8 (13:08):
I was here in the room with you when we
one you know might have killed Collins, just as you
might've killed Sparrow.
Speaker 9 (13:14):
But you said the night watchman Gleason.
Speaker 8 (13:16):
Was suspected, that's all. Who asked you to pretend you
were Sparrow's wife?
Speaker 7 (13:20):
Uh?
Speaker 9 (13:21):
A man named Rego?
Speaker 2 (13:23):
Why did he want Sparrow? Fowls?
Speaker 8 (13:24):
He didn't tell me any connection between Rego and the
dead mister Collins out Ah right, Rigo and Spile.
Speaker 9 (13:29):
I never heard of Spiro until today.
Speaker 2 (13:31):
What were you supposed to do when I found Sparrow?
Speaker 5 (13:34):
For you?
Speaker 9 (13:34):
Tell Rego? That's all?
Speaker 2 (13:36):
Huh? Where is Rego? Now? I I don't know where
did you live?
Speaker 9 (13:40):
I don't know about either.
Speaker 2 (13:41):
But the next time you see him, Susan, ask him
to get in touch with me. Hm oh, alright, Simon,
is there a back way out of this apartment? I'd
uh just as soon avoid the police? Uh.
Speaker 8 (13:51):
Back way apartments frequently have them, you know, usually through
the kitchen, of course.
Speaker 9 (13:57):
Come on, I'll show you. You can go right out here.
Those stairs lead to the street.
Speaker 3 (14:03):
Uh, thank you, Susan, Simon.
Speaker 9 (14:06):
Couldn't you forget that you ever came to see me?
Speaker 2 (14:08):
Forget? Yes, h Susan, I can be forgetful about a
lot of things, but not the rider, Oh.
Speaker 6 (14:19):
Bread boy guard, Oh Rego.
Speaker 3 (14:22):
You went very smart, Susan. What do you mean feeding
bred boy my name.
Speaker 9 (14:27):
I had to, otherwise he might've turned you over to
the cops.
Speaker 4 (14:30):
You didn't knock off Collins.
Speaker 3 (14:31):
Did you?
Speaker 6 (14:31):
So I worry because maybe you did, little.
Speaker 3 (14:35):
Thinker, ain't you, Susan. I was in the apartment when
Collins got it.
Speaker 9 (14:40):
You could have gone out the back door, shot him,
then come back.
Speaker 3 (14:43):
Sure, only you forgot to mention that the temper I.
Speaker 6 (14:46):
Didn't forget, Rego.
Speaker 9 (14:49):
You were expecting something from Sparrow, something worth money. That
night watchman who killed Sparrow must have stolen it. But
you're going to find that night watchman now, aren't you.
Speaker 3 (14:59):
I wouldn't know Sparrow's being fished out of the high
But don't make me feel good, Rego.
Speaker 9 (15:04):
I stuck my neck out on this for peanuts. There's
been a couple of murders, Rego. I want more money
for my end of this job.
Speaker 3 (15:13):
Suppose I did kill Colin, Sissy, I would be on
account of I didn't wanna cut him in.
Speaker 9 (15:20):
I want to change your name to Templer. That would
be because I wouldn't want you to get the same
idea about me.
Speaker 2 (15:27):
Hm.
Speaker 3 (15:28):
You're not only pretty, Sissy, you're smart. Thanks you could
easily get too smart. Alright, I'll cut you win, sissy, hu,
but no more flapping of the mouth of the templar
right right, A, my Susy, where are you going home?
Speaker 4 (15:44):
I'm not hard working in I need a rest.
Speaker 9 (15:46):
What about Gleason?
Speaker 3 (15:47):
And I'd watch me anyway? You have to peddle the
stuff he took off Sparrow.
Speaker 4 (15:52):
When he does.
Speaker 9 (15:52):
You won't forget to let me know, will you?
Speaker 4 (15:55):
I won't forget.
Speaker 3 (15:56):
And uh you watch yourself for that saint Huh because
the well I've heard it, it's only a nickname.
Speaker 8 (16:11):
Hello, Rica, I rather thought you'd be using the back
door tump tight.
Speaker 2 (16:16):
That's not lawer? Shall I wead the uh police of Jack?
You have a nice visit with Susan.
Speaker 8 (16:22):
Susan holle reg If you were in Susan's apartment, you
might have been out in the hallway killing Collins.
Speaker 2 (16:29):
Uh.
Speaker 3 (16:30):
Now you mention that you meant Susan was sure her
eye was in her apartment all the time.
Speaker 2 (16:34):
Why were you hiding when I dropped in?
Speaker 7 (16:36):
Well? You know how it is.
Speaker 4 (16:38):
I'm a gentleman.
Speaker 8 (16:39):
Uh and the word has been redefined since I went
to school. You got it looks as though Sparrow is
a dead end. How are you going to find Gleason?
Speaker 3 (16:48):
Why should I want him?
Speaker 2 (16:49):
Whatever Sparrow had, Gleason has it. Now you know.
Speaker 3 (16:52):
Something weed near Susie's apartment house anymore. It's kind of light.
Nobody around.
Speaker 2 (16:59):
You're very deserve.
Speaker 4 (17:00):
Also, somebody wouldn't like interference.
Speaker 2 (17:03):
Oh, I say, that's why you're showing me your gun.
Speaker 4 (17:06):
Someone wants to stop me.
Speaker 3 (17:07):
From getting you out of my head.
Speaker 2 (17:08):
M For one thing, you're bald.
Speaker 8 (17:10):
For another, the man who's been trailing I said ever
since we left Susan's.
Speaker 3 (17:14):
House, you are lying.
Speaker 2 (17:15):
Look back fat.
Speaker 3 (17:16):
Oh no, you're just angling for a chance to jump me.
Speaker 2 (17:19):
It's your problem.
Speaker 3 (17:20):
Okay, move up in front of me, a couple of peop.
But now I'll take a look.
Speaker 5 (17:24):
He's sorry.
Speaker 4 (17:26):
Yeah I seen him.
Speaker 2 (17:27):
Oh he I couldn't have He's dead. The yougo, you're
a fool.
Speaker 8 (17:39):
If you hadn't started running, we could have caught the
man trailing us.
Speaker 3 (17:42):
I like this better being on a cab.
Speaker 7 (17:45):
Oh that's the kind of remark I approve of.
Speaker 2 (17:47):
Many pay out of this conversation.
Speaker 12 (17:49):
Uh huh, suddenly you don't like cab drivers, mister tumph
I'm crazy about them. Look, I see two fellas having
a foot race in the middle of the night. I
think maybe they would get that faster in a cab.
Speaker 7 (17:58):
I pull over to the curb. And it's my fault
that turned out for you.
Speaker 2 (18:02):
I'm mister Temple, No Larry, and I'm very grateful that
she stopped for it.
Speaker 12 (18:05):
Okay, And nobody mentioned the address fifty three Cotton, Well
it's address.
Speaker 2 (18:11):
Who is that man, Rego, George Washington? Here a little
behind the times, riga, did you kill Collins? Now? Can
you prove him? No? The police are gonna want somebody
for that murder.
Speaker 4 (18:20):
Oh, I don't find their own murderers.
Speaker 3 (18:21):
I got other troubles, and.
Speaker 2 (18:22):
They turned out to be the same trouble.
Speaker 8 (18:24):
Rego, you didn't kill Collins, And the man who did
maybe after you, Yeah, and for the same reason, to
get you out of the way so he could catch you.
And the stuff's fire was smuggling into the country, Jewels,
that guy who.
Speaker 3 (18:36):
Cares what you guess? Besides, that would make it Gleas.
And then I ain't a fight at Gleason. Why not
because he ain't dead.
Speaker 12 (18:52):
And mister Temple, he asked, Lorry, you know personally, I'm
not sorry. We deposited mister Rego at his house. He's
not the fight.
Speaker 7 (18:59):
Uncomfortable driving around him. I can do?
Speaker 2 (19:01):
Would be narrow minded, Lorry?
Speaker 7 (19:02):
No, it's not that I'm narrow minded, just so happens
a lot of bullet proof.
Speaker 2 (19:06):
Neither, and it's the Temple. Do you want to.
Speaker 12 (19:10):
Should drive you back to that blonde's apartment? No, Lorry,
oh than your description.
Speaker 2 (19:15):
Of what was not the fruit or it was the truth.
Speaker 7 (19:18):
But I have a more important darn go on in
the middle of the night. What could be more important
than a blonde?
Speaker 2 (19:22):
A car?
Speaker 7 (19:24):
Lorry?
Speaker 2 (19:24):
Make it the morgue.
Speaker 7 (19:35):
Alright, Louis, Oh, it's about time.
Speaker 12 (19:38):
I don't enjoy wait now for affair outside of the morgue.
Speaker 7 (19:40):
I get morebid thoughts. What do you want?
Speaker 8 (19:43):
I should take you back to REGOs? Time to REGOs
with mister Temple. I got a suggestion, why don't we
just stay here and send for Rego?
Speaker 2 (19:50):
You know, then after he got through with this, we could.
Speaker 6 (19:52):
Move right into the morgue without bothering nobody.
Speaker 2 (19:56):
I should rather have been a truck driver. Oh you
went an Iceland, my brother, Well.
Speaker 4 (20:00):
He keeps telling them, Louis.
Speaker 7 (20:01):
He says, you should be a truck driver.
Speaker 12 (20:04):
You're in manners, wanted to be polite to people? Why
notw they help distress motorist when they're in distress. Why
how you shouldn't be a red hog?
Speaker 7 (20:12):
And about everything else?
Speaker 2 (20:13):
He says, you don't have to associate with rat So
I listen to him.
Speaker 7 (20:17):
No, I stay a cat driver.
Speaker 2 (20:19):
And I visit the morgue.
Speaker 7 (20:22):
Oh, mister Temple, what did you do there?
Speaker 8 (20:23):
Looked at the corps they fished out of the harbor.
Speaker 2 (20:26):
Uh huh.
Speaker 7 (20:27):
He improved in appearance hardly.
Speaker 8 (20:30):
However, I did suggest that the officer in charge that
he get in touch immediately with Sparah's dentist.
Speaker 7 (20:34):
Oh wow, Wall, the corpse has a toothacher. Oh, I
don't know, but it's possible, Louis, it's possible.
Speaker 2 (20:48):
We go, We go, it.
Speaker 7 (20:52):
Says.
Speaker 9 (20:52):
He let me in.
Speaker 3 (20:54):
Why don't the unlocked the door?
Speaker 4 (20:59):
A nice yes, if you'da visited me, Susan, what's the
matter with you?
Speaker 9 (21:03):
Regal?
Speaker 4 (21:03):
Loving? I see things? You sure you'd come along?
Speaker 9 (21:08):
Of course I did.
Speaker 3 (21:09):
M Maybe you only think so because maybe somebody came
with you, only you can't see him.
Speaker 2 (21:16):
You're drunk.
Speaker 6 (21:17):
M I wish I was Drunker Regal.
Speaker 9 (21:20):
You killed Collins, that's all. You wouldn't have killed him
on speculation. You must have found glease On yourself, got
the jewels from him, then you killed Colins so you
could keep.
Speaker 4 (21:31):
Them all maybe your nuts.
Speaker 3 (21:34):
I want my share, so you'll come right over and
ask finely, like i'd buy my Collins off on the
kind of those stones. What makes you think I wouldn't
do the same thing for you, cause I've got this,
ah lady's model.
Speaker 2 (21:49):
It'll do.
Speaker 3 (21:51):
Hm, yeah, not very bright, SUSI.
Speaker 6 (21:54):
I co Regal.
Speaker 4 (21:55):
It's no matter when Uh, that's somebody.
Speaker 6 (22:00):
Wonder people who's gonna gun?
Speaker 3 (22:02):
S funny I and the figure of the hymns happens.
Speaker 4 (22:05):
We go running him. Ah, that's no place to run children.
Speaker 2 (22:14):
Mm oh we gonna go please storms.
Speaker 9 (22:18):
Oh no, no, open the door, h Simon.
Speaker 2 (22:28):
The shots, where's WECo? Never mind? Rego well, oh Rico? Shots? No, no,
funny Rigo, don't be a fool oo. Oh oh Rico.
(22:48):
That's that, Simon, he's dead. You were the only one
in the room with him, Susan.
Speaker 9 (22:54):
He was shot through that window. Simon, Please believe me.
Speaker 2 (22:57):
Mm window glass.
Speaker 8 (23:00):
Talking about the bullets, these is a glass fell into
the room.
Speaker 2 (23:02):
Hum m? Someone outside shot to rego?
Speaker 8 (23:05):
Someone Keep talking, Susan, he's still out the Yeah, you
must know that, we know we're in the light.
Speaker 2 (23:13):
Oh is it ever? Sorry before? But I think I
could name him. Keep talking, Susan.
Speaker 8 (23:19):
I'm going to work my way around to the wall
next to the window as soon as I get there.
Speaker 2 (23:23):
Put the lights out in here, the lights. Why you're
near the switch, don't look at it?
Speaker 5 (23:27):
Right as to your left, a.
Speaker 8 (23:31):
Little higher than your waist. Turn a bit away from me,
slide one hand behind your back.
Speaker 9 (23:36):
What are you going to do with Simon?
Speaker 2 (23:37):
Do out the window as soon as the lights I'm scartch.
Nothing to worry about, I've said, Susan. Got your finger
on the switch? Yes, alright, then let's have a little darkness. Yeah,
(24:00):
much better, Susan. Put the lights on inside.
Speaker 9 (24:05):
All Timon, Simon, did you Yes?
Speaker 2 (24:09):
Yes, sir. A little stranger is resting. Do you recognize him? No,
I've never seen and perhaps i'd better introduce you to him. Susan,
meet mister Sparrow.
Speaker 12 (24:29):
So all right, mister Temple. The guy you in the
outside of Rigo's house was Sparrow. Yeah, so he killed REGOs,
so he also killed Collins.
Speaker 7 (24:37):
Oh, but he was dead, no, Lois.
Speaker 2 (24:39):
They checked with Sparrow's dentist.
Speaker 12 (24:41):
It wasn't Sparrow in the morgue or sure, sure he
was out shooting people. But if it wasn't Sparrow, who
was the night watchman gleased him?
Speaker 5 (24:49):
Oh?
Speaker 12 (24:49):
Oh, you mean instead of Gleas' knocking off Sparrow, it
was Sparrow, which not for Gleasin, That's right, Lewis.
Speaker 8 (24:56):
Then he emptied Gleason his pockets and put his own
papers in them.
Speaker 2 (24:59):
He hoped that that would result in the police looking
for Gleeson.
Speaker 8 (25:02):
Yeah, he also hoped it would throw Collins and Rego off.
It did until he could kill them and keep the
jewels for himself.
Speaker 7 (25:09):
It's a very low type.
Speaker 12 (25:12):
Oh, you must have known before your court Sparrow on
a color.
Speaker 7 (25:15):
You know you told the cups to look up that dentist.
So how did you know.
Speaker 8 (25:18):
Obviously Sparrow was in a hurry after he killed Gleason.
The shots might have been heard.
Speaker 2 (25:23):
Therefore, he didn't have.
Speaker 7 (25:24):
Time to change clothes with the dead man.
Speaker 2 (25:26):
All he could do is empty Gleason's pockets.
Speaker 8 (25:29):
Have everything that might have identified him and substitute his
own identification.
Speaker 3 (25:32):
And then he hoped the water and the fishes would
make it.
Speaker 7 (25:34):
Impossible to identify Gleasion. Huh uh huh, but that still
don't tell. Literally, it was too pat.
Speaker 8 (25:41):
What the only thing in the corpse his pocket turned
out to be is identification papers of course, otherwise unrecognizable.
Speaker 7 (25:47):
Oh it's too pat and they're a fake.
Speaker 12 (25:50):
Sure, okay, yeah, but there's something else you have to explain,
which is why ain't that beautiful blonde with.
Speaker 7 (25:56):
You, Susan? Oh she's in conference at headquarters? Is that soul? Yes?
Speaker 2 (26:02):
Who says the policeman's lot is not a happy one.
Speaker 1 (26:17):
You have been listening to another transcribed adventure of the Saint,
the robin Hood of Modern Crime, And now here is
our star, Vincent Price.
Speaker 8 (26:25):
Ladies and gentlemen, into night's cast. You heard Sheila Bromley
as Susan and Ted de Courcia Ezrico. Sidney Miller played
the night watchman Gleason, and Peter Leeds played Collins. Harry
Bartel was the Lieutenant and Harry Brown the policeman. Louis
is played by Larry Dobkin. This is Vincent Brice inviting
(26:46):
you to join us again next week at this same
time for another exciting adventure of the Saint.
Speaker 2 (26:51):
Good Night. This script of The Saint was written by
(27:16):
Lewis Vidis.
Speaker 1 (27:17):
The Saints, based on characters created by Leslie Chapers, is
a James L. Sathway production and is directed by Helen mack.
Vincent Price is soon to be seen co starring with
Errol Flynn and Micheline Pearl and William Marshall's production of Bloodline.
All you Saint fans if be glad to know that
the Saint comic books are on sale at all news stands.
Speaker 2 (27:38):
This is Don Stanley speaking.
Speaker 1 (27:41):
Three chimes being good times on NBC. All you listeners
are invited to another gala broadcast later today of The
Big Show, NBC's Sunday listening treat The Unpredictable Tallulah's famous
guests for The Big Show today include Everybody's favorite Jimmy Duranty,
the Clever Milton Burrow, ethel Merman and Gordon Mackray with
songs you Like to Hear, and many many more stars
(28:02):
and entertainers. Your Big Sunday line up today also includes
a splendid one hour presentation of the comedy The Man
in Possession, Bringing You as it stars the famous acting
team of Rex Harrison and Lily.
Speaker 7 (28:12):
Palmer on Theater Guild, on the air and in
Speaker 1 (28:14):
Jorge of Phil Harris Shaw later on MBC.
The Adventures of the Saints starring Vincent Price.
Speaker 2 (00:33):
The Saint, based on.
Speaker 1 (00:35):
Characters created by Leslie Charteris and known to millions from books, magazines,
and motion pictures, The Robinhood of Modern Crime now comes
transcribed to radio, starring Hollywood's brilliant and talented actor Vincent
Price as.
Speaker 2 (00:49):
The Saint.
Speaker 3 (00:54):
I don't like it around here, Reco Waterfront.
Speaker 4 (00:56):
What's the matter with it?
Speaker 2 (00:57):
I don't know.
Speaker 5 (00:57):
I get the jitties.
Speaker 4 (00:58):
We don't think too much.
Speaker 3 (01:00):
Listen, after we pick up the stuff and Spiro, you
can retire.
Speaker 4 (01:03):
I was gonna fly me.
Speaker 6 (01:04):
Yeah, yeah, once I didn't like it alright, so you.
Speaker 4 (01:07):
Can retire someplace else.
Speaker 6 (01:09):
Oh, you set to ship up ahead, you know, to.
Speaker 4 (01:12):
Be if we're on the right pier right, Yeah, that's
the expert.
Speaker 3 (01:15):
Yeah, there's no lights on us, but there's a board
except spiroum.
Speaker 2 (01:19):
Yeah, I'll be glad to see him.
Speaker 4 (01:21):
You need to the the grand on the hoof we.
Speaker 3 (01:24):
Go as a matter of somebody's on ditch.
Speaker 2 (01:26):
It's not spiral hunt.
Speaker 3 (01:28):
Or a relax it's an old man, the night watchman.
Speaker 2 (01:31):
Oh and they got to have a.
Speaker 3 (01:33):
Night watchman around. I don't know, you think somebody might
swipe for a ship.
Speaker 6 (01:37):
Oh you oh, what's your worder out here?
Speaker 5 (01:40):
Uh?
Speaker 2 (01:40):
We'll come to my board.
Speaker 3 (01:41):
We got an appointment.
Speaker 6 (01:42):
Okay, come on a plankt a fool?
Speaker 4 (01:50):
What's your pop gin away?
Speaker 3 (01:51):
Spiral is expected? Spider, yeah, one of the crew.
Speaker 4 (01:55):
You heard of him, didn't you?
Speaker 2 (01:56):
Yes?
Speaker 3 (01:57):
I was a lot about him.
Speaker 6 (01:59):
How come he jump boats?
Speaker 2 (02:01):
Go?
Speaker 3 (02:01):
He said Collins, the jump boat way upop Galveston.
Speaker 6 (02:07):
The crew was talking about it, smarted to acting funny
ever since the boat pulled out a visit down come Galveston.
Good buy missus spot.
Speaker 3 (02:15):
Oh that's fine, goodbye.
Speaker 4 (02:17):
To I stole it out to the ones.
Speaker 2 (02:19):
He have something belonging to you?
Speaker 4 (02:21):
Then on where where friends is?
Speaker 3 (02:23):
We just wanted to get in touch with him?
Speaker 6 (02:25):
Where you sure come to.
Speaker 3 (02:26):
The wrong place and you could be putting on an act.
Speaker 6 (02:29):
I ain't been riding the ship. Go ahead, you look
for him.
Speaker 3 (02:32):
M remember mind, Come on, Colins, come on, why are
we gonna win out? If this is one place spiraler
would never show up, but they't up their show sooner
or later. And when he does, let's get out of here,
Seal and Pop sell out.
Speaker 6 (02:56):
Simply yeah, uh.
Speaker 2 (02:59):
They left Spider or I guess they believe you are. Ye,
they sure did.
Speaker 6 (03:06):
I offered to let him search the ship. They was
two spots. Figured if you was really on board, I
wouldn't have offered, so they went away. Thanks, exclusive it's
a fiber. Why do you want to drop them so bad?
Speaker 7 (03:23):
Oh?
Speaker 2 (03:24):
I told you, you know, I owe 'em some money.
I ain't got it.
Speaker 3 (03:27):
That's a hey like a fire on.
Speaker 2 (03:29):
Uh.
Speaker 6 (03:29):
That isn't the way they told us.
Speaker 2 (03:32):
What isn't the way?
Speaker 6 (03:34):
You bowing them a few bucks? And the way they
figured it it was fifty thousand. You're crazy in stones?
They said, where are they? Mister Spott? I said, but
you're crazy. You can see it again. If it makes
you feel any better, I think maybe I'll take a look.
And the way from a bag got mister spider, or
(03:56):
I've got a guy. I'm a wall of your better
keep clear of me.
Speaker 2 (04:00):
What a fool?
Speaker 6 (04:01):
What I was gonna doing today?
Speaker 7 (04:03):
Tell me it's gonna but here?
Speaker 2 (04:05):
I'm a fool?
Speaker 5 (04:20):
M no, mm apparently yes.
Speaker 8 (04:41):
I was just about to curl up in front of
the fire with her bottle of shot iron, sleep and sleep. Well,
maybe I don't need tablets to southe my nerves come in.
Speaker 9 (04:51):
Thank you, mister Temple. My name is Susan Sparrow.
Speaker 2 (04:57):
Yeah, that sounds very demure, I you.
Speaker 9 (05:00):
Isn't that the kind of thing you should find out
for yourself, Miss Sparrow.
Speaker 7 (05:04):
Or missus missus?
Speaker 2 (05:06):
Oh? And I could always ask your husband if you.
Speaker 9 (05:09):
Can find him. I can't. That's why I've come to you.
Speaker 2 (05:12):
Oh, I see somebody lost him.
Speaker 9 (05:14):
Well, he was supposed to have reached New York three
days ago on the steamship x Brook.
Speaker 6 (05:19):
Oh, he was a passenger, no one of the crew.
Speaker 9 (05:22):
He hasn't come home.
Speaker 8 (05:23):
Mister Templar, you waited three days before doing anything about it?
Speaker 9 (05:26):
Well, of course, because we live in in Cleveland, Oh.
Speaker 2 (05:29):
Which means you'd have allowed him a day.
Speaker 8 (05:31):
To get there, a day's wait before you got alarmed,
and a day for you to come here. Alright, h
Can you think of any reason why he wouldn't have
come to Cleveland.
Speaker 9 (05:40):
Can you?
Speaker 2 (05:41):
Mm?
Speaker 8 (05:42):
Well, of course he may not feel the same way
I do about about Cleveland.
Speaker 6 (05:48):
You've got in touch with the ship's captain.
Speaker 9 (05:50):
No, you see, Frank, my husband didn't want anyone to
know he was married.
Speaker 2 (05:55):
He's shy.
Speaker 9 (05:56):
I don't know he well, he's sort of mysterious.
Speaker 2 (05:59):
About the ks. I see when you find him for.
Speaker 9 (06:02):
Me and mister Templar, I'm afraid something may have happened
to him, something terrible.
Speaker 2 (06:07):
I'll do what I can.
Speaker 9 (06:08):
That means you'll find.
Speaker 2 (06:09):
Him very pretty vote of confidence, but.
Speaker 9 (06:12):
It's more than a vote your uh life saver, Simon, Well,
thank you.
Speaker 8 (06:17):
I just hope I'll strike the right flavor with your husband.
Speaker 2 (06:29):
Hey, Bob, I beg your pardon.
Speaker 4 (06:31):
I see where you're going.
Speaker 2 (06:32):
Oh I I'm on my way to the X book. Uh.
That's it, isn't it at the end of the year.
Speaker 3 (06:36):
Yes, that's the ex book, but visiting ours ain't in effect?
Speaker 8 (06:39):
Oh yeah, Harper details got a little job of work
to do.
Speaker 2 (06:43):
Oh, such as.
Speaker 8 (06:44):
Drudging sounds deep? M uh for anything in particular. A body,
I see someone fell overboard?
Speaker 10 (06:52):
Well maybe or equiliment push m okay.
Speaker 7 (07:07):
It's a couple of Well, tell her it's ready to
see him now.
Speaker 2 (07:09):
Yeah, it's very nice of the lieutenant.
Speaker 11 (07:11):
Come on, they uh found the body then, yeah, watch
your stuff there, Hey, lieutenant, here's the guy.
Speaker 4 (07:23):
Okay Simmons.
Speaker 3 (07:25):
Now, mister Temple, I understand you've been hanging.
Speaker 6 (07:27):
Around watchful waiting might be a better description.
Speaker 3 (07:30):
That brings you here.
Speaker 2 (07:31):
A man named Sparrow, friend of yours. I'd never met him, however,
I'd like to see him. Why he might be worth seeing?
Speaker 3 (07:37):
He might be Uh wait a minute, mister Temple, aren't
you the saint?
Speaker 2 (07:41):
Hears? But you don't want my biography at the moment,
do you? No, ma'am?
Speaker 3 (07:51):
He said you wanted to look at Sparrow. Okay, look
at he.
Speaker 2 (07:55):
Uh he's not very pretty.
Speaker 5 (07:58):
Nobody is.
Speaker 8 (07:59):
After soaking in the harbor for three days. Fish must
have been hungry.
Speaker 5 (08:02):
Yeah.
Speaker 3 (08:03):
A guy's face is practically gun but he was carrying
his papers on him. Oh, the templar you found your man,
Frank Sparrow.
Speaker 2 (08:10):
Mm.
Speaker 3 (08:11):
He was uh drowned and surprised he wasn't drowned. A
couple of bullets in him?
Speaker 2 (08:15):
Uh? Who put him there? The same time he disappeared?
Speaker 3 (08:18):
The night watchman on this tub disappeared too, an old
guy named Gleason. We found the watchman's gun in one
of the ventiladies. Two shots had been fired from it. Also,
some weights were missing watchman's shot.
Speaker 8 (08:28):
Spara put the weights in his clothing to keep him
down for awhile.
Speaker 3 (08:31):
Get him down for three days, but Sparrow came up anyway, proving.
Speaker 2 (08:35):
You can't keep a good man down or a bad man.
Speaker 3 (08:39):
Uh, Temple are acts suspicious about.
Speaker 6 (08:50):
Anything, Susan, No, he believed me.
Speaker 9 (08:52):
He's out looking for Sparrow now.
Speaker 4 (08:53):
Yeah, a good girl, Susan.
Speaker 9 (08:55):
I wonder they go.
Speaker 3 (08:56):
That could be unhealthy. Me and Collins asked you to
up front for us, get a legit character like Templar
to find Sparrow for.
Speaker 2 (09:03):
Us, but which you get paid?
Speaker 5 (09:05):
Don't wonder?
Speaker 9 (09:05):
Alright, rego, except why are you so anxious to find Sparrow?
Speaker 3 (09:10):
He goes me and Collins, and they'll must be a lot.
Mind's your own business?
Speaker 2 (09:13):
Is he all right? A?
Speaker 3 (09:15):
Where's Collins teelling Templar we wanna know where Sparrow is?
The instant Templar tags didn't see we go.
Speaker 9 (09:22):
You told me why you didn't want to go to
Templar yourself. You said he'd be more willing to do
it if a pretty girl like me, asked him, No.
Speaker 4 (09:28):
What's that supposed to be? Nudes?
Speaker 2 (09:30):
No?
Speaker 9 (09:30):
But I'm beginning to think maybe the reason you wanted
your name's kept out of it is suppose something happens
to Sparrow after Templar finds him something fatal. Then you'd
be in the clear.
Speaker 4 (09:44):
You'd get a very healthy imagination.
Speaker 9 (09:46):
Yeah, it doesn't feel healthy right now.
Speaker 4 (09:47):
So there's a listen.
Speaker 3 (09:49):
You're running in there, and for me, don't try to
run out up to anything else.
Speaker 9 (09:53):
Otherwise he wouldn't lay a hand on me.
Speaker 3 (09:55):
Oh wouldn't. I? Oh see, you were r wrong about that.
It could be wrong about lots of things. So stop imagining.
Speaker 4 (10:04):
Just do like your told.
Speaker 7 (10:05):
Where we go.
Speaker 3 (10:07):
Me, I'll talk into the bedroom til we see you
as a Collins or somebody else.
Speaker 9 (10:11):
Oh, coming coming?
Speaker 1 (10:19):
Oh?
Speaker 9 (10:20):
I know, Simon?
Speaker 2 (10:22):
May I come in?
Speaker 3 (10:23):
Of course?
Speaker 9 (10:26):
I I'm glad you came. I've been sort of lonely.
Speaker 2 (10:30):
That's not exactly why I came.
Speaker 9 (10:31):
Oh Simon, you don't mean you've already found Frank. I don't, Oh, Simon, No, wonderful.
Speaker 2 (10:39):
What especially? It was very simple. What isn't simple is
why someone followed me?
Speaker 9 (10:44):
Yeah, someone followed you? Or you must be imagining it.
Speaker 8 (10:48):
Perhaps I'd thought better of my imagination though. However, Susan,
what was your husband carrying on him?
Speaker 3 (10:56):
Uh?
Speaker 9 (10:56):
I don't quite know what that means.
Speaker 6 (10:58):
Carrying something the wild front, Susan.
Speaker 8 (11:01):
When I got down to the ship, the police were
very busy doing what fishing a body out of the harbor.
Oh the papers found on it belonged to Frank Sparrow.
Oh no, no, nothing else in these pockets except Susan.
A night watchman named Gleason disappeared the night of the murder,
presumably after emptying those pockets.
Speaker 9 (11:23):
Oh that's why you asked me what my husband might
be carrying on. Yes, I don't know, I Simon, you'd
better go.
Speaker 2 (11:31):
Now, of course. The uh shock, Yes, that's right.
Speaker 9 (11:35):
Good night, Susan, Good night, Simon.
Speaker 2 (11:41):
Shots came from down the hall, Simon. Don't leave me, hey,
dear studn't come on back in, Simon. Oh who was it?
The new Corps? The same man who'd followed me here?
Speaker 4 (11:55):
Collins?
Speaker 2 (11:55):
What?
Speaker 9 (11:56):
Oh, nothing like you?
Speaker 2 (11:57):
You just said, Collins.
Speaker 9 (11:58):
Did you see the man who shot him?
Speaker 2 (12:00):
No? By the time I got to the end of
the hall, he was gone. Who is Colin, Susan, I don't.
Speaker 9 (12:05):
Know anyone named Colin's.
Speaker 6 (12:07):
You must have made a mistake, Susan.
Speaker 2 (12:09):
A man was just killed out there. The police will
be along in a very little while. They'll identify him,
that'll lead them to you.
Speaker 9 (12:15):
No, the police don't know anything about I do. You
wouldn't tell them.
Speaker 2 (12:19):
How long have you been married to Frank Sparrow?
Speaker 3 (12:22):
Uh?
Speaker 2 (12:22):
A couple of years.
Speaker 3 (12:23):
Mm.
Speaker 8 (12:24):
You spend a lot of time outdoors, don't you. Someone
must have told you how attractive tanned blondes are.
Speaker 9 (12:30):
Well, yes, I do, get out of it.
Speaker 2 (12:32):
Mind. Uh. Slipping that wedding ring off your finger?
Speaker 7 (12:35):
No, hump? Thanks?
Speaker 2 (12:38):
What are you staring at your ring? Finger? Tanned prettily
even under the ring. What if you haven't been wearing
that ring very long, Susan, Otherwise there'd be a band
of lighter skin on your finger, which means you're not married, Susan.
Speaker 8 (12:51):
You just started wearing that ring today, Simon, I kill
have to you pretended to be Sparrow's wife and ask
me to find him.
Speaker 9 (12:59):
Why I a friend of mine? I mean Sparrow was
a friend of mine. I was worried about him. No,
you know I didn't kill Collins.
Speaker 8 (13:08):
I was here in the room with you when we
one you know might have killed Collins, just as you
might've killed Sparrow.
Speaker 9 (13:14):
But you said the night watchman Gleason.
Speaker 8 (13:16):
Was suspected, that's all. Who asked you to pretend you
were Sparrow's wife?
Speaker 7 (13:20):
Uh?
Speaker 9 (13:21):
A man named Rego?
Speaker 2 (13:23):
Why did he want Sparrow? Fowls?
Speaker 8 (13:24):
He didn't tell me any connection between Rego and the
dead mister Collins out Ah right, Rigo and Spile.
Speaker 9 (13:29):
I never heard of Spiro until today.
Speaker 2 (13:31):
What were you supposed to do when I found Sparrow?
Speaker 5 (13:34):
For you?
Speaker 9 (13:34):
Tell Rego? That's all?
Speaker 2 (13:36):
Huh? Where is Rego? Now? I I don't know where
did you live?
Speaker 9 (13:40):
I don't know about either.
Speaker 2 (13:41):
But the next time you see him, Susan, ask him
to get in touch with me. Hm oh, alright, Simon,
is there a back way out of this apartment? I'd
uh just as soon avoid the police? Uh.
Speaker 8 (13:51):
Back way apartments frequently have them, you know, usually through
the kitchen, of course.
Speaker 9 (13:57):
Come on, I'll show you. You can go right out here.
Those stairs lead to the street.
Speaker 3 (14:03):
Uh, thank you, Susan, Simon.
Speaker 9 (14:06):
Couldn't you forget that you ever came to see me?
Speaker 2 (14:08):
Forget? Yes, h Susan, I can be forgetful about a
lot of things, but not the rider, Oh.
Speaker 6 (14:19):
Bread boy guard, Oh Rego.
Speaker 3 (14:22):
You went very smart, Susan. What do you mean feeding
bred boy my name.
Speaker 9 (14:27):
I had to, otherwise he might've turned you over to
the cops.
Speaker 4 (14:30):
You didn't knock off Collins.
Speaker 3 (14:31):
Did you?
Speaker 6 (14:31):
So I worry because maybe you did, little.
Speaker 3 (14:35):
Thinker, ain't you, Susan. I was in the apartment when
Collins got it.
Speaker 9 (14:40):
You could have gone out the back door, shot him,
then come back.
Speaker 3 (14:43):
Sure, only you forgot to mention that the temper I.
Speaker 6 (14:46):
Didn't forget, Rego.
Speaker 9 (14:49):
You were expecting something from Sparrow, something worth money. That
night watchman who killed Sparrow must have stolen it. But
you're going to find that night watchman now, aren't you.
Speaker 3 (14:59):
I wouldn't know Sparrow's being fished out of the high
But don't make me feel good, Rego.
Speaker 9 (15:04):
I stuck my neck out on this for peanuts. There's
been a couple of murders, Rego. I want more money
for my end of this job.
Speaker 3 (15:13):
Suppose I did kill Colin, Sissy, I would be on
account of I didn't wanna cut him in.
Speaker 9 (15:20):
I want to change your name to Templer. That would
be because I wouldn't want you to get the same
idea about me.
Speaker 2 (15:27):
Hm.
Speaker 3 (15:28):
You're not only pretty, Sissy, you're smart. Thanks you could
easily get too smart. Alright, I'll cut you win, sissy, hu,
but no more flapping of the mouth of the templar
right right, A, my Susy, where are you going home?
Speaker 4 (15:44):
I'm not hard working in I need a rest.
Speaker 9 (15:46):
What about Gleason?
Speaker 3 (15:47):
And I'd watch me anyway? You have to peddle the
stuff he took off Sparrow.
Speaker 4 (15:52):
When he does.
Speaker 9 (15:52):
You won't forget to let me know, will you?
Speaker 4 (15:55):
I won't forget.
Speaker 3 (15:56):
And uh you watch yourself for that saint Huh because
the well I've heard it, it's only a nickname.
Speaker 8 (16:11):
Hello, Rica, I rather thought you'd be using the back
door tump tight.
Speaker 2 (16:16):
That's not lawer? Shall I wead the uh police of Jack?
You have a nice visit with Susan.
Speaker 8 (16:22):
Susan holle reg If you were in Susan's apartment, you
might have been out in the hallway killing Collins.
Speaker 2 (16:29):
Uh.
Speaker 3 (16:30):
Now you mention that you meant Susan was sure her
eye was in her apartment all the time.
Speaker 2 (16:34):
Why were you hiding when I dropped in?
Speaker 7 (16:36):
Well? You know how it is.
Speaker 4 (16:38):
I'm a gentleman.
Speaker 8 (16:39):
Uh and the word has been redefined since I went
to school. You got it looks as though Sparrow is
a dead end. How are you going to find Gleason?
Speaker 3 (16:48):
Why should I want him?
Speaker 2 (16:49):
Whatever Sparrow had, Gleason has it. Now you know.
Speaker 3 (16:52):
Something weed near Susie's apartment house anymore. It's kind of light.
Nobody around.
Speaker 2 (16:59):
You're very deserve.
Speaker 4 (17:00):
Also, somebody wouldn't like interference.
Speaker 2 (17:03):
Oh, I say, that's why you're showing me your gun.
Speaker 4 (17:06):
Someone wants to stop me.
Speaker 3 (17:07):
From getting you out of my head.
Speaker 2 (17:08):
M For one thing, you're bald.
Speaker 8 (17:10):
For another, the man who's been trailing I said ever
since we left Susan's.
Speaker 3 (17:14):
House, you are lying.
Speaker 2 (17:15):
Look back fat.
Speaker 3 (17:16):
Oh no, you're just angling for a chance to jump me.
Speaker 2 (17:19):
It's your problem.
Speaker 3 (17:20):
Okay, move up in front of me, a couple of peop.
But now I'll take a look.
Speaker 5 (17:24):
He's sorry.
Speaker 4 (17:26):
Yeah I seen him.
Speaker 2 (17:27):
Oh he I couldn't have He's dead. The yougo, you're
a fool.
Speaker 8 (17:39):
If you hadn't started running, we could have caught the
man trailing us.
Speaker 3 (17:42):
I like this better being on a cab.
Speaker 7 (17:45):
Oh that's the kind of remark I approve of.
Speaker 2 (17:47):
Many pay out of this conversation.
Speaker 12 (17:49):
Uh huh, suddenly you don't like cab drivers, mister tumph
I'm crazy about them. Look, I see two fellas having
a foot race in the middle of the night. I
think maybe they would get that faster in a cab.
Speaker 7 (17:58):
I pull over to the curb. And it's my fault
that turned out for you.
Speaker 2 (18:02):
I'm mister Temple, No Larry, and I'm very grateful that
she stopped for it.
Speaker 12 (18:05):
Okay, And nobody mentioned the address fifty three Cotton, Well
it's address.
Speaker 2 (18:11):
Who is that man, Rego, George Washington? Here a little
behind the times, riga, did you kill Collins? Now? Can
you prove him? No? The police are gonna want somebody
for that murder.
Speaker 4 (18:20):
Oh, I don't find their own murderers.
Speaker 3 (18:21):
I got other troubles, and.
Speaker 2 (18:22):
They turned out to be the same trouble.
Speaker 8 (18:24):
Rego, you didn't kill Collins, And the man who did
maybe after you, Yeah, and for the same reason, to
get you out of the way so he could catch you.
And the stuff's fire was smuggling into the country, Jewels,
that guy who.
Speaker 3 (18:36):
Cares what you guess? Besides, that would make it Gleas.
And then I ain't a fight at Gleason. Why not
because he ain't dead.
Speaker 12 (18:52):
And mister Temple, he asked, Lorry, you know personally, I'm
not sorry. We deposited mister Rego at his house. He's
not the fight.
Speaker 7 (18:59):
Uncomfortable driving around him. I can do?
Speaker 2 (19:01):
Would be narrow minded, Lorry?
Speaker 7 (19:02):
No, it's not that I'm narrow minded, just so happens
a lot of bullet proof.
Speaker 2 (19:06):
Neither, and it's the Temple. Do you want to.
Speaker 12 (19:10):
Should drive you back to that blonde's apartment? No, Lorry,
oh than your description.
Speaker 2 (19:15):
Of what was not the fruit or it was the truth.
Speaker 7 (19:18):
But I have a more important darn go on in
the middle of the night. What could be more important
than a blonde?
Speaker 2 (19:22):
A car?
Speaker 7 (19:24):
Lorry?
Speaker 2 (19:24):
Make it the morgue.
Speaker 7 (19:35):
Alright, Louis, Oh, it's about time.
Speaker 12 (19:38):
I don't enjoy wait now for affair outside of the morgue.
Speaker 7 (19:40):
I get morebid thoughts. What do you want?
Speaker 8 (19:43):
I should take you back to REGOs? Time to REGOs
with mister Temple. I got a suggestion, why don't we
just stay here and send for Rego?
Speaker 2 (19:50):
You know, then after he got through with this, we could.
Speaker 6 (19:52):
Move right into the morgue without bothering nobody.
Speaker 2 (19:56):
I should rather have been a truck driver. Oh you
went an Iceland, my brother, Well.
Speaker 4 (20:00):
He keeps telling them, Louis.
Speaker 7 (20:01):
He says, you should be a truck driver.
Speaker 12 (20:04):
You're in manners, wanted to be polite to people? Why
notw they help distress motorist when they're in distress. Why
how you shouldn't be a red hog?
Speaker 7 (20:12):
And about everything else?
Speaker 2 (20:13):
He says, you don't have to associate with rat So
I listen to him.
Speaker 7 (20:17):
No, I stay a cat driver.
Speaker 2 (20:19):
And I visit the morgue.
Speaker 7 (20:22):
Oh, mister Temple, what did you do there?
Speaker 8 (20:23):
Looked at the corps they fished out of the harbor.
Speaker 2 (20:26):
Uh huh.
Speaker 7 (20:27):
He improved in appearance hardly.
Speaker 8 (20:30):
However, I did suggest that the officer in charge that
he get in touch immediately with Sparah's dentist.
Speaker 7 (20:34):
Oh wow, Wall, the corpse has a toothacher. Oh, I
don't know, but it's possible, Louis, it's possible.
Speaker 2 (20:48):
We go, We go, it.
Speaker 7 (20:52):
Says.
Speaker 9 (20:52):
He let me in.
Speaker 3 (20:54):
Why don't the unlocked the door?
Speaker 4 (20:59):
A nice yes, if you'da visited me, Susan, what's the
matter with you?
Speaker 9 (21:03):
Regal?
Speaker 4 (21:03):
Loving? I see things? You sure you'd come along?
Speaker 9 (21:08):
Of course I did.
Speaker 3 (21:09):
M Maybe you only think so because maybe somebody came
with you, only you can't see him.
Speaker 2 (21:16):
You're drunk.
Speaker 6 (21:17):
M I wish I was Drunker Regal.
Speaker 9 (21:20):
You killed Collins, that's all. You wouldn't have killed him
on speculation. You must have found glease On yourself, got
the jewels from him, then you killed Colins so you
could keep.
Speaker 4 (21:31):
Them all maybe your nuts.
Speaker 3 (21:34):
I want my share, so you'll come right over and
ask finely, like i'd buy my Collins off on the
kind of those stones. What makes you think I wouldn't
do the same thing for you, cause I've got this,
ah lady's model.
Speaker 2 (21:49):
It'll do.
Speaker 3 (21:51):
Hm, yeah, not very bright, SUSI.
Speaker 6 (21:54):
I co Regal.
Speaker 4 (21:55):
It's no matter when Uh, that's somebody.
Speaker 6 (22:00):
Wonder people who's gonna gun?
Speaker 3 (22:02):
S funny I and the figure of the hymns happens.
Speaker 4 (22:05):
We go running him. Ah, that's no place to run children.
Speaker 2 (22:14):
Mm oh we gonna go please storms.
Speaker 9 (22:18):
Oh no, no, open the door, h Simon.
Speaker 2 (22:28):
The shots, where's WECo? Never mind? Rego well, oh Rico? Shots? No, no,
funny Rigo, don't be a fool oo. Oh oh Rico.
(22:48):
That's that, Simon, he's dead. You were the only one
in the room with him, Susan.
Speaker 9 (22:54):
He was shot through that window. Simon, Please believe me.
Speaker 2 (22:57):
Mm window glass.
Speaker 8 (23:00):
Talking about the bullets, these is a glass fell into
the room.
Speaker 2 (23:02):
Hum m? Someone outside shot to rego?
Speaker 8 (23:05):
Someone Keep talking, Susan, he's still out the Yeah, you
must know that, we know we're in the light.
Speaker 2 (23:13):
Oh is it ever? Sorry before? But I think I
could name him. Keep talking, Susan.
Speaker 8 (23:19):
I'm going to work my way around to the wall
next to the window as soon as I get there.
Speaker 2 (23:23):
Put the lights out in here, the lights. Why you're
near the switch, don't look at it?
Speaker 5 (23:27):
Right as to your left, a.
Speaker 8 (23:31):
Little higher than your waist. Turn a bit away from me,
slide one hand behind your back.
Speaker 9 (23:36):
What are you going to do with Simon?
Speaker 2 (23:37):
Do out the window as soon as the lights I'm scartch.
Nothing to worry about, I've said, Susan. Got your finger
on the switch? Yes, alright, then let's have a little darkness. Yeah,
(24:00):
much better, Susan. Put the lights on inside.
Speaker 9 (24:05):
All Timon, Simon, did you Yes?
Speaker 2 (24:09):
Yes, sir. A little stranger is resting. Do you recognize him? No,
I've never seen and perhaps i'd better introduce you to him. Susan,
meet mister Sparrow.
Speaker 12 (24:29):
So all right, mister Temple. The guy you in the
outside of Rigo's house was Sparrow. Yeah, so he killed REGOs,
so he also killed Collins.
Speaker 7 (24:37):
Oh, but he was dead, no, Lois.
Speaker 2 (24:39):
They checked with Sparrow's dentist.
Speaker 12 (24:41):
It wasn't Sparrow in the morgue or sure, sure he
was out shooting people. But if it wasn't Sparrow, who
was the night watchman gleased him?
Speaker 5 (24:49):
Oh?
Speaker 12 (24:49):
Oh, you mean instead of Gleas' knocking off Sparrow, it
was Sparrow, which not for Gleasin, That's right, Lewis.
Speaker 8 (24:56):
Then he emptied Gleason his pockets and put his own
papers in them.
Speaker 2 (24:59):
He hoped that that would result in the police looking
for Gleeson.
Speaker 8 (25:02):
Yeah, he also hoped it would throw Collins and Rego off.
It did until he could kill them and keep the
jewels for himself.
Speaker 7 (25:09):
It's a very low type.
Speaker 12 (25:12):
Oh, you must have known before your court Sparrow on
a color.
Speaker 7 (25:15):
You know you told the cups to look up that dentist.
So how did you know.
Speaker 8 (25:18):
Obviously Sparrow was in a hurry after he killed Gleason.
The shots might have been heard.
Speaker 2 (25:23):
Therefore, he didn't have.
Speaker 7 (25:24):
Time to change clothes with the dead man.
Speaker 2 (25:26):
All he could do is empty Gleason's pockets.
Speaker 8 (25:29):
Have everything that might have identified him and substitute his
own identification.
Speaker 3 (25:32):
And then he hoped the water and the fishes would
make it.
Speaker 7 (25:34):
Impossible to identify Gleasion. Huh uh huh, but that still
don't tell. Literally, it was too pat.
Speaker 8 (25:41):
What the only thing in the corpse his pocket turned
out to be is identification papers of course, otherwise unrecognizable.
Speaker 7 (25:47):
Oh it's too pat and they're a fake.
Speaker 12 (25:50):
Sure, okay, yeah, but there's something else you have to explain,
which is why ain't that beautiful blonde with.
Speaker 7 (25:56):
You, Susan? Oh she's in conference at headquarters? Is that soul? Yes?
Speaker 2 (26:02):
Who says the policeman's lot is not a happy one.
Speaker 1 (26:17):
You have been listening to another transcribed adventure of the Saint,
the robin Hood of Modern Crime, And now here is
our star, Vincent Price.
Speaker 8 (26:25):
Ladies and gentlemen, into night's cast. You heard Sheila Bromley
as Susan and Ted de Courcia Ezrico. Sidney Miller played
the night watchman Gleason, and Peter Leeds played Collins. Harry
Bartel was the Lieutenant and Harry Brown the policeman. Louis
is played by Larry Dobkin. This is Vincent Brice inviting
(26:46):
you to join us again next week at this same
time for another exciting adventure of the Saint.
Speaker 2 (26:51):
Good Night. This script of The Saint was written by
(27:16):
Lewis Vidis.
Speaker 1 (27:17):
The Saints, based on characters created by Leslie Chapers, is
a James L. Sathway production and is directed by Helen mack.
Vincent Price is soon to be seen co starring with
Errol Flynn and Micheline Pearl and William Marshall's production of Bloodline.
All you Saint fans if be glad to know that
the Saint comic books are on sale at all news stands.
Speaker 2 (27:38):
This is Don Stanley speaking.
Speaker 1 (27:41):
Three chimes being good times on NBC. All you listeners
are invited to another gala broadcast later today of The
Big Show, NBC's Sunday listening treat The Unpredictable Tallulah's famous
guests for The Big Show today include Everybody's favorite Jimmy Duranty,
the Clever Milton Burrow, ethel Merman and Gordon Mackray with
songs you Like to Hear, and many many more stars
(28:02):
and entertainers. Your Big Sunday line up today also includes
a splendid one hour presentation of the comedy The Man
in Possession, Bringing You as it stars the famous acting
team of Rex Harrison and Lily.
Speaker 7 (28:12):
Palmer on Theater Guild, on the air and in
Speaker 1 (28:14):
Jorge of Phil Harris Shaw later on MBC.
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