August 18, 2024 • 25 mins
Original Air Date: December 08, 1940
Host: Andrew Rhynes
Show: The Shadow
Stars:
• Bill Johnstone (Lamont Cranston)
• Marjorie Anderson (Margot Lane)
Exit music from: Resurgence by Ghostrifter https://bit.ly/ghostrifter-sc
Host: Andrew Rhynes
Show: The Shadow
Stars:
• Bill Johnstone (Lamont Cranston)
• Marjorie Anderson (Margot Lane)
Exit music from: Resurgence by Ghostrifter https://bit.ly/ghostrifter-sc
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:15):
Who knows what evil in the hearts of men.
Speaker 2 (00:23):
The shadow knows the shadow. The serious character who aids
the forces of law and order is, in reality, the
Monk Cranston, wealthy young man about town. As the Shadow,
Cranston is gifted with hypnotic power to cloud men's minds
(00:46):
so that they cannot see. Cranston's friend and companions, the
lovely Margo Lank, is the only person who knows to
whom the voice of the invisible Shadow belongs today story
the voice of death, Sam m Yes.
Speaker 3 (01:14):
Annie, you almost finished reading your paper?
Speaker 4 (01:17):
Yes?
Speaker 2 (01:17):
Annie?
Speaker 3 (01:18):
Time to go to bed, Annie, Yes, Annie, better make
sure all the windows is shot.
Speaker 2 (01:24):
Sounds like a real mean storm coming up, Yes, Annie?
Speaker 5 (01:32):
Yes?
Speaker 2 (01:32):
Annie?
Speaker 3 (01:33):
Did you hear that? What you hear sounds just like
little kittens?
Speaker 5 (01:39):
Yeah?
Speaker 6 (01:40):
Well, I wonder where they come from.
Speaker 3 (01:42):
Where the poor things outdoors on a night like this?
Speaker 2 (01:46):
Sam?
Speaker 3 (01:46):
Would you go out and find them?
Speaker 7 (01:48):
No?
Speaker 6 (01:49):
Annie, you don't just listen.
Speaker 3 (01:51):
To them little critters. Ain't you got no hot Sam?
Speaker 1 (01:55):
All right?
Speaker 6 (01:56):
Where's my rain cocher?
Speaker 4 (01:57):
Oh?
Speaker 6 (01:58):
Here y, I'll set a blue a backphone by the fire.
All right, all right, now stop your crimes getting I'm.
Speaker 3 (02:06):
Coming light up to get a nail too. You're saying time, no.
Speaker 7 (02:14):
Not just saying what's watching the name of.
Speaker 2 (02:26):
Sam?
Speaker 3 (02:29):
What happened Sam? Blood? You're old covered with blood? Mhm Sam?
Harcod kittens? Sam In said, well, I must say the marthter,
(02:57):
we picked a fine day.
Speaker 6 (02:58):
To go visiting.
Speaker 2 (03:00):
You want to know, secret, Margot.
Speaker 3 (03:01):
I'm your man.
Speaker 5 (03:02):
This whole thing is just an effect, huh.
Speaker 6 (03:04):
Affect.
Speaker 2 (03:06):
People always look for a mysterious atmosphere, and the Louisiana
bio so by the nature very obligingly provided for them.
Speaker 3 (03:13):
I see, Well, I must say that sunshine wouldn't make
a great deal of difference. I don't see how could
ever penetrate those.
Speaker 2 (03:20):
More sladen trees.
Speaker 3 (03:23):
Would further to Golamont.
Speaker 2 (03:24):
I don't think so. Arthur told me the house was
exactly five miles from that last.
Speaker 6 (03:28):
Bridge in the world.
Speaker 3 (03:29):
Would anyone want to live way off like shi?
Speaker 2 (03:32):
Well, the house has been an Arthur Whittington's family for many,
many years, and Arthur being a rather peculiar chap. I
don't suppose it bothered him in the league.
Speaker 3 (03:41):
Oh forgive me for a cheering doll, but I don't
get it, well, Margat which it's a long story begin
in college when we took a.
Speaker 2 (03:49):
Medical court together.
Speaker 6 (03:51):
I guess I was the only.
Speaker 2 (03:52):
Person in the whole school who really understood him.
Speaker 5 (03:55):
Why was that?
Speaker 2 (03:56):
Well, Arthur was a brilliant student, but he was also
a highly sensitive land, always imagining that people were making
fun of him, laughing at him behind his back.
Speaker 3 (04:06):
Was there any reasons the way, Well, yes there was.
Speaker 2 (04:09):
It was his voice. He had the harshest sounding voice
I'd ever heard it. Quick, it rapped. They did everything
that a voice shouldn't do. Really, in fact, it was
his voice that made him leave medical school.
Speaker 3 (04:20):
I don't follow you, the monk.
Speaker 2 (04:21):
Well, it all happened one day in plans. Arthur had
prepared a paper, an excellent paper that he had to
read aloud to the student body. I can see him now,
nervously getting to his feet, fumbling with the paper, then
clearing hissel.
Speaker 8 (04:37):
Thank you, professor, I have the paper ready. I will
alwayad some facts that I have prepared as if based
out of my findings of diseases of the heart as
we all know. As we all know, diseases of the
heart maybe classified in two main groups, and maybe classified
(04:58):
in two main groups.
Speaker 6 (05:00):
One Diseesus of the vowel.
Speaker 8 (05:04):
One diseases of the vowel Jesus the vowel.
Speaker 6 (05:12):
Gentlemen, gentlemen, please please, you may proceed. Mister Whittington, and
mister Whittington, where are you going?
Speaker 5 (05:21):
Wait? Why are you leaving this classroom? Whoa?
Speaker 6 (05:25):
Well, he threw down his paper and walked right out
of the room.
Speaker 2 (05:32):
And he also walked right out of the school, Margot,
poor boy. I've never heard of him since, but we've corresponded.
And then, as you know, when he learned that we
were down here in Louisiana fishing, he got in touch
with me and invited us out to see him.
Speaker 3 (05:46):
Right, goes a long way toward explaining us living out
here's a far from civilization.
Speaker 5 (05:51):
You know.
Speaker 3 (05:51):
He still must be sensitive about that, harbor boy.
Speaker 2 (05:54):
Yes, I'm sure he is, but remember we mustn't do
anything to call.
Speaker 5 (05:57):
Attention to it.
Speaker 3 (05:58):
Heavens No, something right ahead on the road.
Speaker 2 (06:04):
It's rain on the Windshire is hunted. Wait, it's some
sort of a fence where it looks like we've reached
the end of the line and not a house in sight,
and there seems to be a sign on it. We
better get out and investigate, but not that wrinkle mardl worry. Yeah,
I'm getting so dark it can hardly make the sign.
Speaker 3 (06:26):
Take your fight them, thank you?
Speaker 2 (06:29):
Hell yeah, Whitnington hall, keep out, that's nice.
Speaker 3 (06:36):
Welcome.
Speaker 2 (06:37):
Oh I'm sure that doesn't mean that. Well, m's you're
gonna have to walk down this path to get to
the house.
Speaker 3 (06:42):
I think I can just see it through the trees.
Did you hear that?
Speaker 2 (06:47):
Yeah, sounds like little kittens.
Speaker 3 (06:50):
All the poor things out and where the life is.
I'm going to find them. You seed to be on
the back word.
Speaker 6 (06:58):
You'll get so finding around than that underburs.
Speaker 5 (07:05):
Do at all? Get down?
Speaker 2 (07:14):
He running away, buggle your Yes, I guess we didn't
hurt you.
Speaker 3 (07:22):
No one of them lift my coat at all. From
what I don't understand, they sounded like little kitten.
Speaker 2 (07:28):
Yes, yes, I know why you make of it, Lamore,
I don't know. One thing is sudden. They're going back
to the car and get my revolver before we start
for that house.
Speaker 3 (07:49):
Man, I've never seen such an eerie looking house in
my life. The broken shudders and the crumble stairs, the
untainted walls. Don't tell me this is a whitting convention.
Speaker 2 (08:01):
I guess it is. Mother.
Speaker 3 (08:03):
We're back in New Orleans.
Speaker 2 (08:05):
Well, if you'd rather well know we've come this far.
Speaker 3 (08:07):
Go ahead knock at the door. I promise you. If
a ghost answers, I won't be surprised.
Speaker 2 (08:12):
No, Franklin, you know where I am.
Speaker 3 (08:18):
Are you gonna tell mister Whittington about the dogs, of course?
Speaker 2 (08:21):
Why not?
Speaker 3 (08:22):
It may sound a bit strange in the tellings dogs
that sound like little kitten?
Speaker 2 (08:26):
Well he may know Who's what do you want? Oh,
good evening. We'd like to see mister Whittington.
Speaker 5 (08:32):
Please.
Speaker 2 (08:32):
What is it about he's expecting and I.
Speaker 6 (08:35):
Know gets expected here tonight.
Speaker 2 (08:37):
Well, if you'll say that, miss Lane, and mister Creston,
I'll tell you.
Speaker 6 (08:40):
That mister Wickington is not seeing anyone tonight.
Speaker 2 (08:43):
I'm yes, what is this people here? Mister Arthur's Lamon,
Criston Lamont, come in, come in, asked the U old fool.
Speaker 6 (08:52):
I told you we were expecting mister Crimpston.
Speaker 5 (08:54):
Sorry, mister Arthur, come in please.
Speaker 6 (08:57):
Well, Lamart, I'm glad you are able to come. You're
saying you again?
Speaker 2 (09:00):
Well, thank you. I'd like you to meet a friend
of mine, Miss Lane. This is out of Whittington. Morgo,
how do you do?
Speaker 7 (09:06):
Do you?
Speaker 6 (09:07):
Well? Come take off those wet coats?
Speaker 2 (09:09):
Yes, tomorrow or less swimming in the.
Speaker 6 (09:12):
Jaff show, Miss Lane and mister Cranston into the living room.
Speaker 5 (09:15):
There's a fire that am aren't You can try.
Speaker 2 (09:17):
Off all the comforts of home.
Speaker 6 (09:20):
Now, if you'd excuse me for a moment, I will
go and arrange for dinner.
Speaker 2 (09:23):
Oh yes, yes, of course you will come this way.
Speaker 5 (09:25):
Please, thank you the month.
Speaker 3 (09:29):
The place is just a scary inside as it was outdoors.
Speaker 2 (09:31):
Yeah, I see what you mean, old fashioned lands.
Speaker 3 (09:41):
I don't understand how anyone can.
Speaker 2 (09:44):
There's something else that's more difficult to understand, Mozle, what
do you mean? That man that greeted us was Arthur Whittington,
but it was not Whittington's voice.
Speaker 4 (10:04):
No, no, lamont, I say this wine is a special occasion,
very special occasion.
Speaker 2 (10:11):
We are flatting.
Speaker 4 (10:12):
I suppose my mode of living is mystifying to you,
miss laying defying well, my staying here.
Speaker 6 (10:20):
In the wilderness in the house to Thomason.
Speaker 5 (10:22):
Ruins, living alone with just a servant.
Speaker 3 (10:26):
Well, I I think it might have its advantages too.
Speaker 6 (10:29):
Well, I've led to hear you say that some people
might not understand.
Speaker 2 (10:34):
I might say, or a man who's roughing it. You's
at a highly civilized table.
Speaker 6 (10:39):
Well, I'm like a Britisher on the tropics. I guess
I still like the name.
Speaker 5 (10:42):
Do master? What is a chestnut? Why are you interrupting
my need?
Speaker 4 (10:46):
Master?
Speaker 2 (10:47):
They are loose again.
Speaker 5 (10:48):
What I told you to keep that dollar? I know,
I know, but they got out. Oh they must be someplace.
Speaker 6 (10:53):
Near I keep hearing them.
Speaker 4 (10:54):
Excuse me, please, Msslaanemana'll be right back home.
Speaker 3 (10:58):
Oh, don't mind there.
Speaker 5 (11:01):
And you know the worst people?
Speaker 2 (11:03):
What the I'm not sure, but it could be those
savage dogs some one.
Speaker 3 (11:09):
Do you think they belong to Whotington?
Speaker 2 (11:11):
Perhaps?
Speaker 3 (11:12):
No, I'm letting you in on a little.
Speaker 9 (11:16):
I wish we could believe here.
Speaker 3 (11:17):
Why Well, the way Arthur Whittington act, the way he talk,
the way he looks at you.
Speaker 5 (11:26):
I don't know.
Speaker 3 (11:26):
It's sugars.
Speaker 2 (11:28):
But we can't leave now, not until this storm is
over it anyway, I didn't.
Speaker 3 (11:33):
Wish it, we'd never I want you hear.
Speaker 2 (11:36):
That, Yes, that same sound. They're near the house this time.
Speaker 9 (11:41):
Why should he have.
Speaker 3 (11:42):
Such beasts around here? And how did they get the
voice of a top.
Speaker 2 (11:45):
That's something we'll find out when Arthur returned. I't just
go who was that? It was a human voice.
Speaker 9 (11:52):
It sounded like it gave from some place here in
the house.
Speaker 2 (11:54):
Yes, I don't like this place.
Speaker 3 (11:57):
A month when he comes back, I think you should
ask an explanation. I think we should know about those
dogs not knowing too.
Speaker 2 (12:04):
Yes, we're not the return I have returned.
Speaker 9 (12:07):
I didn't see you.
Speaker 5 (12:08):
Come on. What was that about my returning?
Speaker 2 (12:11):
Lamar? Well, Arthur, both Margo and myself was very curious
to learn something about two giant dogs that we encountered
on our way in here.
Speaker 6 (12:19):
Yes, what about them?
Speaker 5 (12:21):
Well?
Speaker 2 (12:22):
We wondered just how it was possible that these huge
animals has the vocal cords of tiny kittens.
Speaker 5 (12:29):
I shouldn't have given you that last class.
Speaker 3 (12:31):
Of what nobody's who?
Speaker 2 (12:33):
I saw and heard them too.
Speaker 4 (12:34):
Oh, i'd come to Lane, I'd say, your imaginations were
working all the time.
Speaker 5 (12:40):
Who is that author? H What are you talking about?
Speaker 2 (12:43):
Do you hear that voice someone in this house? AUTHA,
we've got this.
Speaker 5 (12:49):
Yes, I know now that you've hurt him.
Speaker 6 (12:52):
I I'll have to explain his pleasant Who is Why
did he cry out like that?
Speaker 5 (12:59):
This lane.
Speaker 6 (13:00):
That was a cousin of mine, Frank Harper.
Speaker 5 (13:03):
He's in one of the rooms off this Carida.
Speaker 4 (13:06):
He's locked in that room because, well, because he's not
right mentally. Oh, I'm sorry you had to learn about
this family. Skeletons are never very pleasant, copy Harper.
Speaker 5 (13:20):
Yeah, see my dear cousin, Harper.
Speaker 6 (13:22):
I couldn't feel mysel No, I'll here you hear me.
Speaker 5 (13:27):
No, I won't help me.
Speaker 4 (13:28):
You too, help me?
Speaker 5 (13:29):
He can't you to hear like this?
Speaker 6 (13:31):
Get back to your men. I'm handless my own way.
Speaker 2 (13:41):
That was horrible, Yeah, and it was also very revealing.
The voice of that man Harper is the same one
that used to belong to Arthur Whittington.
Speaker 3 (14:12):
What does all this mean?
Speaker 2 (14:13):
I don't know yet, Margo. Some Way, somehow, that poor
creature that rushed in here has been given Whittington's voice.
Speaker 3 (14:21):
Listen to the animals again.
Speaker 2 (14:23):
Yes, they're part of this thing too, in this mix
up of voices.
Speaker 3 (14:26):
Oh, I wish we could leave here right now.
Speaker 2 (14:28):
We can't go now, Margo, not until we learn what's
behind all this.
Speaker 9 (14:34):
What's happening up there.
Speaker 2 (14:35):
Some of the carp is being beaten. Come on, Margo,
we're going to that room.
Speaker 5 (14:39):
What are you going to do?
Speaker 2 (14:40):
I want to talk to that boy quietly, Margo. We
must get down the hall without Whittington hearing you. What
is he doing to quest rooms? Right down here?
Speaker 3 (14:52):
Are you going in there?
Speaker 2 (14:53):
Not yet, not until Whittington leaves. I want to talk
to the boy alone. Well, what do you want to know?
Speaker 5 (15:02):
Where you are?
Speaker 3 (15:03):
I can tell him that you've gone out of the
car or something.
Speaker 2 (15:08):
Lamont, who's not be lived. The answer to this mystery
will be found very quickly by the shadow.
Speaker 4 (15:24):
That will teach you not to go running around this house.
Now you stay here and be quiet. Understand either or
bay in the future.
Speaker 5 (15:33):
Good night, my dear cousin. Oh Harper, Oh, what is that?
Speaker 2 (15:44):
I have come here to help you?
Speaker 1 (15:45):
Mister Harper?
Speaker 5 (15:49):
He again?
Speaker 2 (15:53):
Who speaks to me? I am cold the shadow?
Speaker 5 (15:57):
Ye see no one.
Speaker 2 (15:59):
I'm standing right here beside you, but you can't see
me because I've used my hypnotic power to pout your vision.
Speaker 9 (16:07):
I do understand.
Speaker 2 (16:08):
Listen to me, Harper. I'm here to help you get out,
but first I must learn something from you.
Speaker 5 (16:14):
You'll help me.
Speaker 2 (16:15):
Yes, yes, But tell me why are you here? Why
has your cousin.
Speaker 5 (16:19):
Kept you locked in this room jealous of me? He
always has me.
Speaker 2 (16:24):
How did he get you into this house?
Speaker 9 (16:25):
I came to visit looked like the couple I saw
in the dining room tonight.
Speaker 5 (16:31):
They never got out.
Speaker 6 (16:33):
They never will either.
Speaker 5 (16:34):
Why do you say that you will use them just
as he used.
Speaker 6 (16:37):
Me for his devilish work?
Speaker 2 (16:40):
Why was your cousin jealous of you?
Speaker 4 (16:42):
My voice?
Speaker 2 (16:44):
Yes, what about your voice?
Speaker 5 (16:46):
I used to have the voice?
Speaker 2 (16:48):
Ahad No, I knew it.
Speaker 5 (16:50):
I knew it. What did he do?
Speaker 2 (16:53):
How did he accomplish this transparrence?
Speaker 9 (16:55):
Came to my house one night, had dinner. You know,
I felt cloudy. I've been dropped.
Speaker 2 (17:02):
Yes, Then what happened?
Speaker 9 (17:04):
Well?
Speaker 5 (17:05):
I came to Miles in his laboratory.
Speaker 2 (17:09):
He had a laboratory here in the house.
Speaker 5 (17:10):
Yes, I was strapped to a table. I thought to
get loose, but it wasn't any use. Then he clamped
the eave the cone on my face. Fast out, And
when you came to I came to. Oh, it must
have been days later.
Speaker 4 (17:27):
I had his voice, this horrible voice of.
Speaker 6 (17:29):
His, and he had mine.
Speaker 2 (17:31):
And you've been kept prisoner here ever since.
Speaker 9 (17:33):
Yes, he has always in the cell with the same cell.
Speaker 8 (17:37):
Even the dogs get out those savage dogs that he
gave the voices of little kittens.
Speaker 2 (17:42):
Oh, I see that accounts for the dogs. Well, I
promise you this, mister Harper, you shall be free to
leave this some of yours after tonight.
Speaker 5 (18:00):
The monk no, oh, where is la Mont?
Speaker 3 (18:07):
When he went out of the car for something, he
should be like that?
Speaker 4 (18:11):
I see, Well, perhaps you'd like me to show you
your room while we're waiting.
Speaker 3 (18:16):
Oh, no, thanks, all right, I'll wait for him.
Speaker 4 (18:18):
I'd rather you'd come with me now, if you will.
I have several chores to perform, and i'd just like
you to know where your room is. Very well, just
down this hall in this lane.
Speaker 6 (18:33):
I think you'll be very interested in what I have
to show you.
Speaker 5 (18:37):
This will be your room, won't you step inside? All right?
Is there a light that I can eat? What are
you doing? And just making sure that no one will
disturb us? The flame that door you'll see? Now we
will put on this lamp. H. It's true, there is
this place. This is my laboratory. In the lane, my
(18:59):
workshop or I conduct my experiment.
Speaker 3 (19:01):
Send me out of here, and I'm not at your
at once.
Speaker 5 (19:03):
I'm sorry you're staying here.
Speaker 4 (19:05):
You don't let me call my help from uncle?
Speaker 5 (19:07):
Hear me? Why don't you call.
Speaker 6 (19:11):
Before you continue? Mis lane?
Speaker 5 (19:13):
You might be interested to learn that these walls are
completely sound, Toul?
Speaker 3 (19:16):
Why are you doing?
Speaker 5 (19:17):
Why are you You're going to help the miss lay
help you?
Speaker 4 (19:21):
Yes, they're going to be a party to an experiment
of mine, my greatest experiment.
Speaker 5 (19:27):
What do you mean you learn soon enough? First, I'm
afraid I must strap you to this table away nothing.
Speaker 6 (19:36):
Don't you come with me now on this table?
Speaker 5 (19:45):
Can you say you.
Speaker 6 (19:49):
Strapped the whole your securion?
Speaker 5 (19:51):
Let me alone? Wow?
Speaker 4 (19:56):
Now you can struggle a scream as much as you wish,
but particularly recommend the scream, but maybe your last chance
to use it. What do you mean this experiment of
mind has.
Speaker 5 (20:06):
To do with your voice? The flame? That's my work,
you know, the trans voice. What are you saying?
Speaker 6 (20:13):
You've already heard two of my examples.
Speaker 5 (20:15):
The dogs with the voice is of little Kitten and
my cousin Frank Harper. And it's true? What is true?
Speaker 6 (20:23):
So he gets my secret?
Speaker 5 (20:24):
Eh?
Speaker 4 (20:25):
Well, he'll never live to tell it. You will survive, though,
but you will be able to tell a diver of
his lay.
Speaker 5 (20:33):
What are you going to do too? I'll show you
the answer to your question is in this box that Nope,
there we are.
Speaker 4 (20:43):
Cat.
Speaker 3 (20:44):
Yes, a cat?
Speaker 5 (20:46):
Have you ever seen them? Are beautiful cat? He's you're personal,
aren't you? Girl?
Speaker 4 (20:51):
What has that cat got to do with me?
Speaker 6 (20:53):
A great deal and giving her your vocal card?
Speaker 5 (20:57):
Now you don't look what you're doing, your leave all.
Speaker 6 (21:00):
I nearly have a great hatred, miss Lane, for the
entire human race.
Speaker 5 (21:04):
The ruined me.
Speaker 6 (21:05):
There hacks of cold that blighted my entire life.
Speaker 5 (21:08):
But animals A yeah, different answer my little quest.
Speaker 3 (21:15):
You can't mean, would you say?
Speaker 4 (21:16):
But I do?
Speaker 5 (21:18):
Lady knows that, don't you go.
Speaker 4 (21:20):
She knows that after tonight we'll be able to converse,
be able to tell one of them all the things
that we kept gone.
Speaker 5 (21:28):
You can't do that.
Speaker 6 (21:28):
And you, miss Lane, has your sex.
Speaker 5 (21:32):
You will have the vocal cause of a cat.
Speaker 6 (21:34):
No, no, Now I think we can proceed with the
give away.
Speaker 5 (21:39):
There will be no pain.
Speaker 6 (21:40):
This Gisa will take care of that.
Speaker 5 (21:42):
Are you ready?
Speaker 4 (21:43):
No?
Speaker 6 (21:43):
She isn't ready.
Speaker 5 (21:45):
Who spoke?
Speaker 2 (21:47):
I spoke to you?
Speaker 5 (21:48):
Who are you?
Speaker 2 (21:49):
I am called the shadow?
Speaker 5 (21:51):
Don't try to find me.
Speaker 2 (21:52):
I made myself quite invisible.
Speaker 5 (21:54):
To your eyes. What are you doing here?
Speaker 6 (21:56):
Why are you interrupting my work?
Speaker 2 (21:58):
I've come to put an end to your work. I'm
here to free that young woman.
Speaker 6 (22:01):
Oh no, no you want I'm not fighting by someone.
Speaker 5 (22:04):
I can't even see you down that either. I'm going
ahead with my word.
Speaker 6 (22:08):
You may not be able to see me with you
when you can, but I think you'll feel this.
Speaker 2 (22:13):
Why you now, I'm releasing this girl, and.
Speaker 6 (22:15):
Then I'm holding you until I can get the police
out here.
Speaker 2 (22:18):
It'll be very interested in your experiment.
Speaker 5 (22:20):
You think you can kick your head.
Speaker 3 (22:21):
Of your son.
Speaker 5 (22:22):
You put him to nice.
Speaker 2 (22:23):
I'm with the shattle.
Speaker 5 (22:25):
I am a simile fool, and I'm.
Speaker 7 (22:27):
Getting out of here right now.
Speaker 5 (22:29):
He's going to come and get your shuttle.
Speaker 6 (22:33):
He's not getting away here.
Speaker 2 (22:35):
He is crossing the ball, evidently trying to get to
a car.
Speaker 6 (22:40):
You'll think it's running after when he goes.
Speaker 5 (22:41):
It's the dogs, a giant dogs. When you guys.
Speaker 6 (22:49):
Do horse, I've always time of doing.
Speaker 5 (22:51):
Tell me.
Speaker 3 (23:12):
No, now that we say that mister Harper is in
good hand, I don't mind saying. I'm certainly glad to
be leaving that place. Lamont.
Speaker 5 (23:19):
You do know such.
Speaker 2 (23:20):
Interesting people well, you can't say they're dough.
Speaker 3 (23:23):
No, did you tell the police about the dogs?
Speaker 2 (23:27):
Yes, they've destroyed them, and Whittington's buddy has been removed.
Speaker 3 (23:31):
Count you know something, the monks. Whenever I see an
eye cat from now on, I'll think to myself, there
but for the grace of the shadow, go.
Speaker 1 (23:42):
On the weed of crime. There's bitter fruit. Crime does
not pay.
Speaker 7 (24:00):
I don't know.
Speaker 8 (24:36):
Welcome back.
Speaker 1 (24:37):
I hope you enjoyed this presentation from the Old Time
NetCast Network.
Speaker 2 (24:41):
For more great shows, go to otnetcast dot com.
Speaker 1 (24:44):
Don't forget to like and rate this episode in your
favorite podcasting client. Follow this show on Facebook by going
to otnetcast dot com forward slash Facebook. This episode is
covered under the attribution non commercial show like copyright. For
more information, go to otnetcast dot com for slash copyright.
Speaker 2 (25:01):
Thanks again for listening, and I hope you have a
great day.
Who knows what evil in the hearts of men.
Speaker 2 (00:23):
The shadow knows the shadow. The serious character who aids
the forces of law and order is, in reality, the
Monk Cranston, wealthy young man about town. As the Shadow,
Cranston is gifted with hypnotic power to cloud men's minds
(00:46):
so that they cannot see. Cranston's friend and companions, the
lovely Margo Lank, is the only person who knows to
whom the voice of the invisible Shadow belongs today story
the voice of death, Sam m Yes.
Speaker 3 (01:14):
Annie, you almost finished reading your paper?
Speaker 4 (01:17):
Yes?
Speaker 2 (01:17):
Annie?
Speaker 3 (01:18):
Time to go to bed, Annie, Yes, Annie, better make
sure all the windows is shot.
Speaker 2 (01:24):
Sounds like a real mean storm coming up, Yes, Annie?
Speaker 5 (01:32):
Yes?
Speaker 2 (01:32):
Annie?
Speaker 3 (01:33):
Did you hear that? What you hear sounds just like
little kittens?
Speaker 5 (01:39):
Yeah?
Speaker 6 (01:40):
Well, I wonder where they come from.
Speaker 3 (01:42):
Where the poor things outdoors on a night like this?
Speaker 2 (01:46):
Sam?
Speaker 3 (01:46):
Would you go out and find them?
Speaker 7 (01:48):
No?
Speaker 6 (01:49):
Annie, you don't just listen.
Speaker 3 (01:51):
To them little critters. Ain't you got no hot Sam?
Speaker 1 (01:55):
All right?
Speaker 6 (01:56):
Where's my rain cocher?
Speaker 4 (01:57):
Oh?
Speaker 6 (01:58):
Here y, I'll set a blue a backphone by the fire.
All right, all right, now stop your crimes getting I'm.
Speaker 3 (02:06):
Coming light up to get a nail too. You're saying time, no.
Speaker 7 (02:14):
Not just saying what's watching the name of.
Speaker 2 (02:26):
Sam?
Speaker 3 (02:29):
What happened Sam? Blood? You're old covered with blood? Mhm Sam?
Harcod kittens? Sam In said, well, I must say the marthter,
(02:57):
we picked a fine day.
Speaker 6 (02:58):
To go visiting.
Speaker 2 (03:00):
You want to know, secret, Margot.
Speaker 3 (03:01):
I'm your man.
Speaker 5 (03:02):
This whole thing is just an effect, huh.
Speaker 6 (03:04):
Affect.
Speaker 2 (03:06):
People always look for a mysterious atmosphere, and the Louisiana
bio so by the nature very obligingly provided for them.
Speaker 3 (03:13):
I see, Well, I must say that sunshine wouldn't make
a great deal of difference. I don't see how could
ever penetrate those.
Speaker 2 (03:20):
More sladen trees.
Speaker 3 (03:23):
Would further to Golamont.
Speaker 2 (03:24):
I don't think so. Arthur told me the house was
exactly five miles from that last.
Speaker 6 (03:28):
Bridge in the world.
Speaker 3 (03:29):
Would anyone want to live way off like shi?
Speaker 2 (03:32):
Well, the house has been an Arthur Whittington's family for many,
many years, and Arthur being a rather peculiar chap. I
don't suppose it bothered him in the league.
Speaker 3 (03:41):
Oh forgive me for a cheering doll, but I don't
get it, well, Margat which it's a long story begin
in college when we took a.
Speaker 2 (03:49):
Medical court together.
Speaker 6 (03:51):
I guess I was the only.
Speaker 2 (03:52):
Person in the whole school who really understood him.
Speaker 5 (03:55):
Why was that?
Speaker 2 (03:56):
Well, Arthur was a brilliant student, but he was also
a highly sensitive land, always imagining that people were making
fun of him, laughing at him behind his back.
Speaker 3 (04:06):
Was there any reasons the way, Well, yes there was.
Speaker 2 (04:09):
It was his voice. He had the harshest sounding voice
I'd ever heard it. Quick, it rapped. They did everything
that a voice shouldn't do. Really, in fact, it was
his voice that made him leave medical school.
Speaker 3 (04:20):
I don't follow you, the monk.
Speaker 2 (04:21):
Well, it all happened one day in plans. Arthur had
prepared a paper, an excellent paper that he had to
read aloud to the student body. I can see him now,
nervously getting to his feet, fumbling with the paper, then
clearing hissel.
Speaker 8 (04:37):
Thank you, professor, I have the paper ready. I will
alwayad some facts that I have prepared as if based
out of my findings of diseases of the heart as
we all know. As we all know, diseases of the
heart maybe classified in two main groups, and maybe classified
(04:58):
in two main groups.
Speaker 6 (05:00):
One Diseesus of the vowel.
Speaker 8 (05:04):
One diseases of the vowel Jesus the vowel.
Speaker 6 (05:12):
Gentlemen, gentlemen, please please, you may proceed. Mister Whittington, and
mister Whittington, where are you going?
Speaker 5 (05:21):
Wait? Why are you leaving this classroom? Whoa?
Speaker 6 (05:25):
Well, he threw down his paper and walked right out
of the room.
Speaker 2 (05:32):
And he also walked right out of the school, Margot,
poor boy. I've never heard of him since, but we've corresponded.
And then, as you know, when he learned that we
were down here in Louisiana fishing, he got in touch
with me and invited us out to see him.
Speaker 3 (05:46):
Right, goes a long way toward explaining us living out
here's a far from civilization.
Speaker 5 (05:51):
You know.
Speaker 3 (05:51):
He still must be sensitive about that, harbor boy.
Speaker 2 (05:54):
Yes, I'm sure he is, but remember we mustn't do
anything to call.
Speaker 5 (05:57):
Attention to it.
Speaker 3 (05:58):
Heavens No, something right ahead on the road.
Speaker 2 (06:04):
It's rain on the Windshire is hunted. Wait, it's some
sort of a fence where it looks like we've reached
the end of the line and not a house in sight,
and there seems to be a sign on it. We
better get out and investigate, but not that wrinkle mardl worry. Yeah,
I'm getting so dark it can hardly make the sign.
Speaker 3 (06:26):
Take your fight them, thank you?
Speaker 2 (06:29):
Hell yeah, Whitnington hall, keep out, that's nice.
Speaker 3 (06:36):
Welcome.
Speaker 2 (06:37):
Oh I'm sure that doesn't mean that. Well, m's you're
gonna have to walk down this path to get to
the house.
Speaker 3 (06:42):
I think I can just see it through the trees.
Did you hear that?
Speaker 2 (06:47):
Yeah, sounds like little kittens.
Speaker 3 (06:50):
All the poor things out and where the life is.
I'm going to find them. You seed to be on
the back word.
Speaker 6 (06:58):
You'll get so finding around than that underburs.
Speaker 5 (07:05):
Do at all? Get down?
Speaker 2 (07:14):
He running away, buggle your Yes, I guess we didn't
hurt you.
Speaker 3 (07:22):
No one of them lift my coat at all. From
what I don't understand, they sounded like little kitten.
Speaker 2 (07:28):
Yes, yes, I know why you make of it, Lamore,
I don't know. One thing is sudden. They're going back
to the car and get my revolver before we start
for that house.
Speaker 3 (07:49):
Man, I've never seen such an eerie looking house in
my life. The broken shudders and the crumble stairs, the
untainted walls. Don't tell me this is a whitting convention.
Speaker 2 (08:01):
I guess it is. Mother.
Speaker 3 (08:03):
We're back in New Orleans.
Speaker 2 (08:05):
Well, if you'd rather well know we've come this far.
Speaker 3 (08:07):
Go ahead knock at the door. I promise you. If
a ghost answers, I won't be surprised.
Speaker 2 (08:12):
No, Franklin, you know where I am.
Speaker 3 (08:18):
Are you gonna tell mister Whittington about the dogs, of course?
Speaker 2 (08:21):
Why not?
Speaker 3 (08:22):
It may sound a bit strange in the tellings dogs
that sound like little kitten?
Speaker 2 (08:26):
Well he may know Who's what do you want? Oh,
good evening. We'd like to see mister Whittington.
Speaker 5 (08:32):
Please.
Speaker 2 (08:32):
What is it about he's expecting and I.
Speaker 6 (08:35):
Know gets expected here tonight.
Speaker 2 (08:37):
Well, if you'll say that, miss Lane, and mister Creston,
I'll tell you.
Speaker 6 (08:40):
That mister Wickington is not seeing anyone tonight.
Speaker 2 (08:43):
I'm yes, what is this people here? Mister Arthur's Lamon,
Criston Lamont, come in, come in, asked the U old fool.
Speaker 6 (08:52):
I told you we were expecting mister Crimpston.
Speaker 5 (08:54):
Sorry, mister Arthur, come in please.
Speaker 6 (08:57):
Well, Lamart, I'm glad you are able to come. You're
saying you again?
Speaker 2 (09:00):
Well, thank you. I'd like you to meet a friend
of mine, Miss Lane. This is out of Whittington. Morgo,
how do you do?
Speaker 7 (09:06):
Do you?
Speaker 6 (09:07):
Well? Come take off those wet coats?
Speaker 2 (09:09):
Yes, tomorrow or less swimming in the.
Speaker 6 (09:12):
Jaff show, Miss Lane and mister Cranston into the living room.
Speaker 5 (09:15):
There's a fire that am aren't You can try.
Speaker 2 (09:17):
Off all the comforts of home.
Speaker 6 (09:20):
Now, if you'd excuse me for a moment, I will
go and arrange for dinner.
Speaker 2 (09:23):
Oh yes, yes, of course you will come this way.
Speaker 5 (09:25):
Please, thank you the month.
Speaker 3 (09:29):
The place is just a scary inside as it was outdoors.
Speaker 2 (09:31):
Yeah, I see what you mean, old fashioned lands.
Speaker 3 (09:41):
I don't understand how anyone can.
Speaker 2 (09:44):
There's something else that's more difficult to understand, Mozle, what
do you mean? That man that greeted us was Arthur Whittington,
but it was not Whittington's voice.
Speaker 4 (10:04):
No, no, lamont, I say this wine is a special occasion,
very special occasion.
Speaker 2 (10:11):
We are flatting.
Speaker 4 (10:12):
I suppose my mode of living is mystifying to you,
miss laying defying well, my staying here.
Speaker 6 (10:20):
In the wilderness in the house to Thomason.
Speaker 5 (10:22):
Ruins, living alone with just a servant.
Speaker 3 (10:26):
Well, I I think it might have its advantages too.
Speaker 6 (10:29):
Well, I've led to hear you say that some people
might not understand.
Speaker 2 (10:34):
I might say, or a man who's roughing it. You's
at a highly civilized table.
Speaker 6 (10:39):
Well, I'm like a Britisher on the tropics. I guess
I still like the name.
Speaker 5 (10:42):
Do master? What is a chestnut? Why are you interrupting
my need?
Speaker 4 (10:46):
Master?
Speaker 2 (10:47):
They are loose again.
Speaker 5 (10:48):
What I told you to keep that dollar? I know,
I know, but they got out. Oh they must be someplace.
Speaker 6 (10:53):
Near I keep hearing them.
Speaker 4 (10:54):
Excuse me, please, Msslaanemana'll be right back home.
Speaker 3 (10:58):
Oh, don't mind there.
Speaker 5 (11:01):
And you know the worst people?
Speaker 2 (11:03):
What the I'm not sure, but it could be those
savage dogs some one.
Speaker 3 (11:09):
Do you think they belong to Whotington?
Speaker 2 (11:11):
Perhaps?
Speaker 3 (11:12):
No, I'm letting you in on a little.
Speaker 9 (11:16):
I wish we could believe here.
Speaker 3 (11:17):
Why Well, the way Arthur Whittington act, the way he talk,
the way he looks at you.
Speaker 5 (11:26):
I don't know.
Speaker 3 (11:26):
It's sugars.
Speaker 2 (11:28):
But we can't leave now, not until this storm is
over it anyway, I didn't.
Speaker 3 (11:33):
Wish it, we'd never I want you hear.
Speaker 2 (11:36):
That, Yes, that same sound. They're near the house this time.
Speaker 9 (11:41):
Why should he have.
Speaker 3 (11:42):
Such beasts around here? And how did they get the
voice of a top.
Speaker 2 (11:45):
That's something we'll find out when Arthur returned. I't just
go who was that? It was a human voice.
Speaker 9 (11:52):
It sounded like it gave from some place here in
the house.
Speaker 2 (11:54):
Yes, I don't like this place.
Speaker 3 (11:57):
A month when he comes back, I think you should
ask an explanation. I think we should know about those
dogs not knowing too.
Speaker 2 (12:04):
Yes, we're not the return I have returned.
Speaker 9 (12:07):
I didn't see you.
Speaker 5 (12:08):
Come on. What was that about my returning?
Speaker 2 (12:11):
Lamar? Well, Arthur, both Margo and myself was very curious
to learn something about two giant dogs that we encountered
on our way in here.
Speaker 6 (12:19):
Yes, what about them?
Speaker 5 (12:21):
Well?
Speaker 2 (12:22):
We wondered just how it was possible that these huge
animals has the vocal cords of tiny kittens.
Speaker 5 (12:29):
I shouldn't have given you that last class.
Speaker 3 (12:31):
Of what nobody's who?
Speaker 2 (12:33):
I saw and heard them too.
Speaker 4 (12:34):
Oh, i'd come to Lane, I'd say, your imaginations were
working all the time.
Speaker 5 (12:40):
Who is that author? H What are you talking about?
Speaker 2 (12:43):
Do you hear that voice someone in this house? AUTHA,
we've got this.
Speaker 5 (12:49):
Yes, I know now that you've hurt him.
Speaker 6 (12:52):
I I'll have to explain his pleasant Who is Why
did he cry out like that?
Speaker 5 (12:59):
This lane.
Speaker 6 (13:00):
That was a cousin of mine, Frank Harper.
Speaker 5 (13:03):
He's in one of the rooms off this Carida.
Speaker 4 (13:06):
He's locked in that room because, well, because he's not
right mentally. Oh, I'm sorry you had to learn about
this family. Skeletons are never very pleasant, copy Harper.
Speaker 5 (13:20):
Yeah, see my dear cousin, Harper.
Speaker 6 (13:22):
I couldn't feel mysel No, I'll here you hear me.
Speaker 5 (13:27):
No, I won't help me.
Speaker 4 (13:28):
You too, help me?
Speaker 5 (13:29):
He can't you to hear like this?
Speaker 6 (13:31):
Get back to your men. I'm handless my own way.
Speaker 2 (13:41):
That was horrible, Yeah, and it was also very revealing.
The voice of that man Harper is the same one
that used to belong to Arthur Whittington.
Speaker 3 (14:12):
What does all this mean?
Speaker 2 (14:13):
I don't know yet, Margo. Some Way, somehow, that poor
creature that rushed in here has been given Whittington's voice.
Speaker 3 (14:21):
Listen to the animals again.
Speaker 2 (14:23):
Yes, they're part of this thing too, in this mix
up of voices.
Speaker 3 (14:26):
Oh, I wish we could leave here right now.
Speaker 2 (14:28):
We can't go now, Margo, not until we learn what's
behind all this.
Speaker 9 (14:34):
What's happening up there.
Speaker 2 (14:35):
Some of the carp is being beaten. Come on, Margo,
we're going to that room.
Speaker 5 (14:39):
What are you going to do?
Speaker 2 (14:40):
I want to talk to that boy quietly, Margo. We
must get down the hall without Whittington hearing you. What
is he doing to quest rooms? Right down here?
Speaker 3 (14:52):
Are you going in there?
Speaker 2 (14:53):
Not yet, not until Whittington leaves. I want to talk
to the boy alone. Well, what do you want to know?
Speaker 5 (15:02):
Where you are?
Speaker 3 (15:03):
I can tell him that you've gone out of the
car or something.
Speaker 2 (15:08):
Lamont, who's not be lived. The answer to this mystery
will be found very quickly by the shadow.
Speaker 4 (15:24):
That will teach you not to go running around this house.
Now you stay here and be quiet. Understand either or
bay in the future.
Speaker 5 (15:33):
Good night, my dear cousin. Oh Harper, Oh, what is that?
Speaker 2 (15:44):
I have come here to help you?
Speaker 1 (15:45):
Mister Harper?
Speaker 5 (15:49):
He again?
Speaker 2 (15:53):
Who speaks to me? I am cold the shadow?
Speaker 5 (15:57):
Ye see no one.
Speaker 2 (15:59):
I'm standing right here beside you, but you can't see
me because I've used my hypnotic power to pout your vision.
Speaker 9 (16:07):
I do understand.
Speaker 2 (16:08):
Listen to me, Harper. I'm here to help you get out,
but first I must learn something from you.
Speaker 5 (16:14):
You'll help me.
Speaker 2 (16:15):
Yes, yes, But tell me why are you here? Why
has your cousin.
Speaker 5 (16:19):
Kept you locked in this room jealous of me? He
always has me.
Speaker 2 (16:24):
How did he get you into this house?
Speaker 9 (16:25):
I came to visit looked like the couple I saw
in the dining room tonight.
Speaker 5 (16:31):
They never got out.
Speaker 6 (16:33):
They never will either.
Speaker 5 (16:34):
Why do you say that you will use them just
as he used.
Speaker 6 (16:37):
Me for his devilish work?
Speaker 2 (16:40):
Why was your cousin jealous of you?
Speaker 4 (16:42):
My voice?
Speaker 2 (16:44):
Yes, what about your voice?
Speaker 5 (16:46):
I used to have the voice?
Speaker 2 (16:48):
Ahad No, I knew it.
Speaker 5 (16:50):
I knew it. What did he do?
Speaker 2 (16:53):
How did he accomplish this transparrence?
Speaker 9 (16:55):
Came to my house one night, had dinner. You know,
I felt cloudy. I've been dropped.
Speaker 2 (17:02):
Yes, Then what happened?
Speaker 9 (17:04):
Well?
Speaker 5 (17:05):
I came to Miles in his laboratory.
Speaker 2 (17:09):
He had a laboratory here in the house.
Speaker 5 (17:10):
Yes, I was strapped to a table. I thought to
get loose, but it wasn't any use. Then he clamped
the eave the cone on my face. Fast out, And
when you came to I came to. Oh, it must
have been days later.
Speaker 4 (17:27):
I had his voice, this horrible voice of.
Speaker 6 (17:29):
His, and he had mine.
Speaker 2 (17:31):
And you've been kept prisoner here ever since.
Speaker 9 (17:33):
Yes, he has always in the cell with the same cell.
Speaker 8 (17:37):
Even the dogs get out those savage dogs that he
gave the voices of little kittens.
Speaker 2 (17:42):
Oh, I see that accounts for the dogs. Well, I
promise you this, mister Harper, you shall be free to
leave this some of yours after tonight.
Speaker 5 (18:00):
The monk no, oh, where is la Mont?
Speaker 3 (18:07):
When he went out of the car for something, he
should be like that?
Speaker 4 (18:11):
I see, Well, perhaps you'd like me to show you
your room while we're waiting.
Speaker 3 (18:16):
Oh, no, thanks, all right, I'll wait for him.
Speaker 4 (18:18):
I'd rather you'd come with me now, if you will.
I have several chores to perform, and i'd just like
you to know where your room is. Very well, just
down this hall in this lane.
Speaker 6 (18:33):
I think you'll be very interested in what I have
to show you.
Speaker 5 (18:37):
This will be your room, won't you step inside? All right?
Is there a light that I can eat? What are
you doing? And just making sure that no one will
disturb us? The flame that door you'll see? Now we
will put on this lamp. H. It's true, there is
this place. This is my laboratory. In the lane, my
(18:59):
workshop or I conduct my experiment.
Speaker 3 (19:01):
Send me out of here, and I'm not at your
at once.
Speaker 5 (19:03):
I'm sorry you're staying here.
Speaker 4 (19:05):
You don't let me call my help from uncle?
Speaker 5 (19:07):
Hear me? Why don't you call.
Speaker 6 (19:11):
Before you continue? Mis lane?
Speaker 5 (19:13):
You might be interested to learn that these walls are
completely sound, Toul?
Speaker 3 (19:16):
Why are you doing?
Speaker 5 (19:17):
Why are you You're going to help the miss lay
help you?
Speaker 4 (19:21):
Yes, they're going to be a party to an experiment
of mine, my greatest experiment.
Speaker 5 (19:27):
What do you mean you learn soon enough? First, I'm
afraid I must strap you to this table away nothing.
Speaker 6 (19:36):
Don't you come with me now on this table?
Speaker 5 (19:45):
Can you say you.
Speaker 6 (19:49):
Strapped the whole your securion?
Speaker 5 (19:51):
Let me alone? Wow?
Speaker 4 (19:56):
Now you can struggle a scream as much as you wish,
but particularly recommend the scream, but maybe your last chance
to use it. What do you mean this experiment of
mind has.
Speaker 5 (20:06):
To do with your voice? The flame? That's my work,
you know, the trans voice. What are you saying?
Speaker 6 (20:13):
You've already heard two of my examples.
Speaker 5 (20:15):
The dogs with the voice is of little Kitten and
my cousin Frank Harper. And it's true? What is true?
Speaker 6 (20:23):
So he gets my secret?
Speaker 5 (20:24):
Eh?
Speaker 4 (20:25):
Well, he'll never live to tell it. You will survive, though,
but you will be able to tell a diver of
his lay.
Speaker 5 (20:33):
What are you going to do too? I'll show you
the answer to your question is in this box that Nope,
there we are.
Speaker 4 (20:43):
Cat.
Speaker 3 (20:44):
Yes, a cat?
Speaker 5 (20:46):
Have you ever seen them? Are beautiful cat? He's you're personal,
aren't you? Girl?
Speaker 4 (20:51):
What has that cat got to do with me?
Speaker 6 (20:53):
A great deal and giving her your vocal card?
Speaker 5 (20:57):
Now you don't look what you're doing, your leave all.
Speaker 6 (21:00):
I nearly have a great hatred, miss Lane, for the
entire human race.
Speaker 5 (21:04):
The ruined me.
Speaker 6 (21:05):
There hacks of cold that blighted my entire life.
Speaker 5 (21:08):
But animals A yeah, different answer my little quest.
Speaker 3 (21:15):
You can't mean, would you say?
Speaker 4 (21:16):
But I do?
Speaker 5 (21:18):
Lady knows that, don't you go.
Speaker 4 (21:20):
She knows that after tonight we'll be able to converse,
be able to tell one of them all the things
that we kept gone.
Speaker 5 (21:28):
You can't do that.
Speaker 6 (21:28):
And you, miss Lane, has your sex.
Speaker 5 (21:32):
You will have the vocal cause of a cat.
Speaker 6 (21:34):
No, no, Now I think we can proceed with the
give away.
Speaker 5 (21:39):
There will be no pain.
Speaker 6 (21:40):
This Gisa will take care of that.
Speaker 5 (21:42):
Are you ready?
Speaker 4 (21:43):
No?
Speaker 6 (21:43):
She isn't ready.
Speaker 5 (21:45):
Who spoke?
Speaker 2 (21:47):
I spoke to you?
Speaker 5 (21:48):
Who are you?
Speaker 2 (21:49):
I am called the shadow?
Speaker 5 (21:51):
Don't try to find me.
Speaker 2 (21:52):
I made myself quite invisible.
Speaker 5 (21:54):
To your eyes. What are you doing here?
Speaker 6 (21:56):
Why are you interrupting my work?
Speaker 2 (21:58):
I've come to put an end to your work. I'm
here to free that young woman.
Speaker 6 (22:01):
Oh no, no you want I'm not fighting by someone.
Speaker 5 (22:04):
I can't even see you down that either. I'm going
ahead with my word.
Speaker 6 (22:08):
You may not be able to see me with you
when you can, but I think you'll feel this.
Speaker 2 (22:13):
Why you now, I'm releasing this girl, and.
Speaker 6 (22:15):
Then I'm holding you until I can get the police
out here.
Speaker 2 (22:18):
It'll be very interested in your experiment.
Speaker 5 (22:20):
You think you can kick your head.
Speaker 3 (22:21):
Of your son.
Speaker 5 (22:22):
You put him to nice.
Speaker 2 (22:23):
I'm with the shattle.
Speaker 5 (22:25):
I am a simile fool, and I'm.
Speaker 7 (22:27):
Getting out of here right now.
Speaker 5 (22:29):
He's going to come and get your shuttle.
Speaker 6 (22:33):
He's not getting away here.
Speaker 2 (22:35):
He is crossing the ball, evidently trying to get to
a car.
Speaker 6 (22:40):
You'll think it's running after when he goes.
Speaker 5 (22:41):
It's the dogs, a giant dogs. When you guys.
Speaker 6 (22:49):
Do horse, I've always time of doing.
Speaker 5 (22:51):
Tell me.
Speaker 3 (23:12):
No, now that we say that mister Harper is in
good hand, I don't mind saying. I'm certainly glad to
be leaving that place. Lamont.
Speaker 5 (23:19):
You do know such.
Speaker 2 (23:20):
Interesting people well, you can't say they're dough.
Speaker 3 (23:23):
No, did you tell the police about the dogs?
Speaker 2 (23:27):
Yes, they've destroyed them, and Whittington's buddy has been removed.
Speaker 3 (23:31):
Count you know something, the monks. Whenever I see an
eye cat from now on, I'll think to myself, there
but for the grace of the shadow, go.
Speaker 1 (23:42):
On the weed of crime. There's bitter fruit. Crime does
not pay.
Speaker 7 (24:00):
I don't know.
Speaker 8 (24:36):
Welcome back.
Speaker 1 (24:37):
I hope you enjoyed this presentation from the Old Time
NetCast Network.
Speaker 2 (24:41):
For more great shows, go to otnetcast dot com.
Speaker 1 (24:44):
Don't forget to like and rate this episode in your
favorite podcasting client. Follow this show on Facebook by going
to otnetcast dot com forward slash Facebook. This episode is
covered under the attribution non commercial show like copyright. For
more information, go to otnetcast dot com for slash copyright.
Speaker 2 (25:01):
Thanks again for listening, and I hope you have a
great day.
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