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March 19, 2025 49 mins
Join us for this episode as we dissect the multi platinum fourth Def Leppard studio release Hysteria. Also Wang brings you the political inside scoop on the Zelensky/Trump White House debacle…was it really all just about being a Vinnie Vincent fan? Tune in and find out only as The Syncin’ Wang Show can tell it.Hosted by: Syncin' Stanley & Bill WangGuest:
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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:05):
In Sheffield, England, yesterday had to amputate the left arm
of Death Leopard's drummer Richard Allen. Alan's arm had been
severed in an automobile accident on Monday, but was reattached
following an operation. It was to have undergone skin grafts yesterday,
but when inspecting the arm, doctors found an infection had
developed at the point where Allan's arm was reattached to
his body, and Allan, who is twenty one years old,

(00:25):
is resting today in stable condition.

Speaker 2 (00:29):
Jef Leopard Hitsterria. This papulous album has sold over twelve
million copies. It held top ten positions in the American
album shots for an amazing seventy three weeks. Hysteria features
four American top ten singles, including the number one hit
love Bite and the current single Foursome Tugger on Me.

Speaker 3 (00:57):
Jet Lepard.

Speaker 2 (00:57):
Hysteria also available his Story of the Videos outside Ulus
collection of seventeen classic Jeff Lepper tracks, a compilation of videos,
TV performances and contacts.

Speaker 3 (01:10):
Get Deaf Lepper Now he.

Speaker 4 (01:12):
Was when I arrived at the hospital.

Speaker 5 (01:13):
He was actually I could see that he was really down,
I mean was he was trying to keep a pretty
brave face. But he was prostrated, I mean really prostrated
at that point, not knowing which limbs were going to work,
that's all. And then I just mentioned to him that
he could conceivably, if he could get his right hand
to work again, he could actually play the drums by
repeating the sounds and the tot and the buttom, and

(01:36):
he then as he lay there, he started just doing
that thing with his limbs, and I could actually see
almost a light shine in his eyes in terms of that.
He thought, Yeah, that's actually the one way out of this,
you know. And literally from that day on, in my perception,
a few times I saw it he had a cause.
And then I actually mentioned it to the band and
I said some season mentioned. I said, Rick really could play,

(02:00):
if it's just going to take time. We were going
to record the album, so he had a lot of
recruit at the time, and of course nobody was discounting that,
but in the back of everyone's minds, they weren't quite
ready to believe it.

Speaker 6 (02:12):
The first time I got out of bed, I should
have held on, and then the first time I let go,
I literally flew towards the right hand side of the
room and just.

Speaker 7 (02:24):
Hit the wall.

Speaker 6 (02:24):
And that was the thing that stopped me.

Speaker 8 (02:26):
I'm whoa, hang on a minute, I don't think.

Speaker 4 (02:28):
I don't think you.

Speaker 6 (02:29):
Realize how heavy, you know, an actual an army is.
And it was quite a strange sensation. I ended up
walking around the room going heavy light, heavy, light, heavy,
you know, And that was it strange.

Speaker 5 (02:47):
So all the time he was just playing in his
bed in his mind, he was trying to coordinate his
limbs and the very first time he could actually then
he got into some local Sheffield guy. We got the
process games, who got in some makeshift pedals together and everything,
and he started getting it, getting it right. And he
would just come into all of us every now and
against it. What do you think of it?

Speaker 4 (03:07):
And go do something to go great Rick, you know.

Speaker 7 (03:11):
But it product from just getting that together.

Speaker 5 (03:13):
He actually had to create rhythm and be as partuler
as he wrote, and he did it. I mean he
did it on his own completely.

Speaker 6 (03:21):
It's it's literally two drama kits combined. It's a series
of electronic pads and a series of pedals.

Speaker 7 (03:30):
So I use my left foot on all the pedals.

Speaker 6 (03:34):
Obviously, I used my right foot on the kick dramas
I always did, and with my right hand I play
I played the pads, so you're sort of playing pretty
much everything everything I used to play with.

Speaker 7 (03:46):
My left arm.

Speaker 4 (03:46):
I'm playing my left foot.

Speaker 7 (03:48):
Neck and.

Speaker 6 (03:51):
It's literally just playing opposite.

Speaker 4 (03:52):
Rn't it.

Speaker 9 (03:55):
I want to get to left Y pool Colin on
the other one.

Speaker 7 (04:00):
The time of Amon's.

Speaker 4 (04:01):
Kind of Jeff Leffond was one of the multiple.

Speaker 7 (04:04):
Classical bands in the business. It has taken you four
years to come back with a new album and what
did p one on?

Speaker 9 (04:15):
Lots of different things really, I mean when we come
off to the last tour, we wasn't really prepared for
a new album to start. You know, we had to
write all the songs and then we had a few hiccups,
like we had a producer that didn't work out, and
mut Langer actually came in again. It was done Paramadi
and we we recorded and everything again.

Speaker 4 (04:35):
We did complete.

Speaker 8 (04:40):
Well what we've basically wanted everything.

Speaker 7 (04:43):
So the record took a year to produce.

Speaker 8 (04:45):
But hang about how we get our own rick drumming? Sorry,
have we heard a drumming?

Speaker 6 (04:53):
Just like?

Speaker 7 (04:54):
It is?

Speaker 3 (04:55):
What I'm gonna get around there?

Speaker 7 (05:00):
You know?

Speaker 9 (05:01):
Yeah, we think we've done originally with White.

Speaker 2 (05:06):
Profect no programs like that.

Speaker 4 (05:09):
How did you feel about the forms running.

Speaker 9 (05:12):
Originally you'd played it when we'd done it with Jim Steinmond,
we played if played to a click track, and it
just didn't sound very good, you know, and the guitar sounds.

Speaker 10 (05:22):
We were getting with awful and everything.

Speaker 9 (05:24):
So when we done it with Matt Langer again, we've
eventually done to a to a lin drum pattern and
then overdubbed all the guitars. And then because we sometimes
we change the arrangements once the song's been written already,
you know, like the move.

Speaker 5 (05:38):
An extra chorus here and there, and you can.

Speaker 9 (05:41):
Only do that if you've got saying it's dead in time.
So that's how we've done it, and then Rick programmed
the drums afterwards.

Speaker 11 (05:47):
You know, we had great confidence in the songs as well.

Speaker 12 (05:50):
It was just a question of.

Speaker 5 (05:51):
Getting them recorded how we thought we should have been.
At least eight or seven or eight of the.

Speaker 2 (05:57):
Songs on the album were there from what So we were.

Speaker 11 (06:00):
Confident that the songs were good and there were no
way we're gonna let them just disappear without at least
giving them public, you know, a chance to gonna give
them an air force and make their own mind up,
so we had to get it down to vinyl. It's
quickly as possible.

Speaker 4 (06:17):
Definitely for Christ.

Speaker 8 (06:20):
But with every album periodically, we never try to repeat ourselves.
A good thing about def leperty is it you can
always do something new and without going totally out of bounds.
That pen seem to accept it, and it's it's very
good for us as musicians because we don't become stagnant
with stale and it's a very creative group to be in.

(06:46):
We don't feel like we're doing the same thing we're
doing ten years ago. I mean we might have started
out as a heavy metal group or wanted a better
word of rock. Now it's we Why can't a rock
group sell records to Nolan John friender of Michael Jackson
fan or whatever without losing your original market?

Speaker 11 (07:05):
M B.

Speaker 4 (07:39):
About God.

Speaker 10 (07:43):
To come back, there's been a challenge. I wouldn't know
whether it's a child anyway, you can tell you that
in a year's time, there's definitely been a challenge. It's
been difficult, so difficult for years. Yeah, for you, you've
come out of it on top, So I mean maybe
it's a triumph. But I mean I think with some

(08:07):
with to inside it, as to say, with it the triumph. Yeah,
maybe at the end of eighty nine, thinks old forty million.

Speaker 7 (08:14):
Coffees, we have done. What do we have to do?

Speaker 10 (08:19):
We can't have done Anerica to be past he can't all.

Speaker 7 (08:41):
Yeah. M m m hm m m. I can standy

(09:05):
hear people and listen the way here.

Speaker 3 (09:08):
Ba ba ba bah bah.

Speaker 7 (09:10):
And it's time for another episode of the Thinking Wag.

Speaker 3 (09:13):
So, oh, man Wig, how you doing, buddy.

Speaker 7 (09:16):
It's been a little while. You took a little.

Speaker 3 (09:19):
Excursion there, so yeah, what's going on?

Speaker 2 (09:22):
Man?

Speaker 12 (09:24):
Yeah, man, yeah, I'll give it. Man, I'm back in
San Francisco. I was in Idaho and had a good
old time and it was amazing. And uh, but we're
back for the attack. As doc In once said.

Speaker 7 (09:34):
Bet hell yeah, hell yeah. You want to tell everybody,
uh what we're what we're doing here this week. If
they don't already know.

Speaker 12 (09:45):
Right right, well they yeah, well maybe maybe they don't,
but here we go. We're gonna talk about and what
got us going is episode a couple ago. This album
got brought up and we're all we gotta do this.
So realize I think, yeah, yeah, exactly, and uh yeah,
we're gonna do the the August third, nineteen eighty seven

(10:09):
blockbuster album def Leppard Hysteria.

Speaker 3 (10:12):
Yeah all right, yeah yeah, and you want a little
bit of notes as it were.

Speaker 7 (10:20):
Yeah, man, give us some stats on this killer album.

Speaker 3 (10:26):
Lightning's gonna strike your f bitch anyways. Yeah, yeah, yeah.

Speaker 12 (10:30):
So it was recorded at the Whistle Lord Studios in Kilverson,
the Windmill Lane in Dublin, Studio Des Doms, and Paris, France,
Bercuee Records producer obviously the very mysterious Robert John butt Lang.

(10:52):
It has gone twelve times platinum in the United States
of America.

Speaker 3 (10:57):
Oh my god.

Speaker 12 (10:58):
Yeah, and it went to number one This is crazy
on July twenty three of nineteen eighty.

Speaker 3 (11:05):
Eight, almost a year after it was released, which is
pretty crazy.

Speaker 12 (11:11):
I saw the tour and second telling him put the
ticket step up on September twenty ninth of nineteen eighty
seven at the Cow Palace in San Francisco, California.

Speaker 3 (11:22):
Tesla opened when they were young.

Speaker 12 (11:23):
As fucking Nate crosscom they destroyed anyways, but yeah.

Speaker 3 (11:30):
The band consists of obviously Joe Elliott vocals, Jill Colin.

Speaker 12 (11:35):
Guitars, the amazing Steve Clark guitars, resting piece, Rick Savage bass,
Rick Allen electronic drums. If I'm gonna be honest, so yeah,
that's what we're gonna be talking about, brother.

Speaker 4 (11:50):
Fat hell yeah.

Speaker 12 (11:51):
Man.

Speaker 13 (11:51):
This album had seven singles, bro seven thirteen singles and videos.

Speaker 7 (11:58):
Yeh man? And what do you make of that album cover? Man,
let's discuss that album cover for a second.

Speaker 4 (12:05):
What do you make of it? Man? I don't know.

Speaker 3 (12:10):
I know back then it was different. I mean, you
hadn't seen anything like that. It can't.

Speaker 12 (12:19):
I mean, the first two albums covers aren't that good.
I mean, hi, guys cool, but maybe it was pretty cool.

Speaker 3 (12:25):
No, but that was the exception to what I'm about
to say. That was amazing.

Speaker 4 (12:29):
Yeah, that was amazing.

Speaker 3 (12:31):
I love that ship.

Speaker 7 (12:33):
But yeah, this album cover, you know, yeah it did.
I hear you. Man. It doesn't do nothing for me either.

Speaker 4 (12:40):
Man.

Speaker 3 (12:40):
It just fuck it stood out.

Speaker 4 (12:43):
It stood out.

Speaker 3 (12:43):
It wasn't them and their little hair and blah blah blah.

Speaker 14 (12:46):
It was like, wow, it's at different.

Speaker 13 (12:48):
So yeah, just a little triangle with like looks like
somebody screaming in the back.

Speaker 4 (12:54):
It's kind of weird.

Speaker 7 (12:56):
Yeah, they didn't make sense. But anyway, any man, you
got anything else to say before we get.

Speaker 3 (13:02):
Into the solid man, Yeah, yeah, I got a couple
of things.

Speaker 7 (13:06):
I'm gonna go through the.

Speaker 3 (13:09):
I'm gonna go through, you know, let me do that,
and then I gotta I gotta tell you some shit
that happened at the.

Speaker 12 (13:14):
White House the other day left, okay, break, yes, and
yesterday happened though, you know.

Speaker 3 (13:21):
Let me just tell you the You know how I
like to pop cult for everything.

Speaker 12 (13:25):
So all right, So the number one movie uh in
the United States of America on August third of nineteen
eighty seven.

Speaker 3 (13:34):
Obviously, the White Snake.

Speaker 12 (13:35):
Album came out September twenty first of eighty seven, so
there's gonna be some overlap. So I kind of figured
there's some differences and everything. But the number one movie
in America was the James Bond.

Speaker 3 (13:46):
Movie The Living day Lights.

Speaker 12 (13:50):
And once again as as if as with the White
Snake album, the number one TV show was The Cost Show, Uh.
And then the number one album was the Whitney Houston
second album, and I said it was her first album,
her debut on the White's Nake episode.

Speaker 3 (14:11):
I was not fucked up.

Speaker 12 (14:14):
And then the number one song. Let's see if you
can guess the number one song in the United States
of America on August third, nineteen eighty seventy year of
Our Lord, Thank you.

Speaker 4 (14:25):
Oh oh God. I have no idea, man.

Speaker 7 (14:29):
It was either, dude, it.

Speaker 14 (14:31):
Had to be something to buy in excess or you two.

Speaker 4 (14:35):
I don't know, man, with.

Speaker 3 (14:37):
Or without you YouTube, No, I still haven't found what
I'm looking for.

Speaker 4 (14:44):
Oh man, So it was you too?

Speaker 7 (14:46):
Oh shit? Yeah, man, Joshua Tree album was huge right there.

Speaker 3 (14:51):
It was huge as fuck.

Speaker 12 (14:54):
But yeah, and then all these are the same as
I said out on the White Snake episode. The NBA
Champion Champions with the Los Angeles Lakers and the only
reason they won the titles.

Speaker 3 (15:05):
Because Kevin Kel broke his foot.

Speaker 12 (15:09):
The nineteen eighty seven NFL Champs where the Washington Redskins,
nineteen eighty seven World Series Champs with the Minnesota Twins,
nineteen eighty seven Stanley Cup Champs with Edmonton Oilers.

Speaker 13 (15:23):
Fair cool, man, tell me, man, you got me intrigued here.
What would have happened at the White House?

Speaker 3 (15:30):
Bro Yeah, So let's be real here for a second.
You know, we don't get into Paul sometimes.

Speaker 12 (15:36):
We do just you know, why not, you know, you
gotta Yeah, it is what it is, Bill Belichick.

Speaker 3 (15:42):
Had once said.

Speaker 12 (15:43):
But so at the White House yesterday of the Ukrainian President,
Zelenski was there with the President at number forty seven.

Speaker 3 (15:55):
And the crazy thing.

Speaker 12 (15:57):
About that shit it is apparently Zolensky is a Vinnie
Vincent era kiss far and uh yeah, And so here's
how it all went down. So, uh, Zelenski pulled up
in his escalade, uh before this meeting, and he pulled
up to a room, and next to it where a

(16:17):
bunch of Trump Uh inside people.

Speaker 4 (16:21):
You had JD.

Speaker 3 (16:22):
Vance, Uh, you had Donald.

Speaker 12 (16:24):
Trump Junior, Marjorie Taylor Green, you had a Marco Rubio
and everything.

Speaker 3 (16:30):
And they're all rocking out too.

Speaker 12 (16:32):
From what I was told, they're all rocking out to
animalize Caroland. They're all really big mark Saint John Farns.
And Zelenski is a Vinny Vincent fan. So he pulls
up rocky, Yeah, he pulls up rocking, lick it up.

Speaker 3 (16:48):
And in particular they were he was rocking with all.

Speaker 12 (16:51):
His security forces, not for the Innisu and it was yeah,
it was thumbing. They had a good Bass System and Escalachiel.
They pull up and all the Donald tr you know,
they're all doing coke and everything in the back, you know,
with Donald Trump Junior and differ things rocking out. The
fucking kiss animalis. I'll be curious if they like our episode,
our podcast. But anyways, so they pull up though, whoa

(17:15):
what the fuck? That sounds like Diddy Vinchin and apparently
the Vice president.

Speaker 3 (17:20):
Of our country United say Tobecca.

Speaker 12 (17:22):
Is really really a big fan of Mark Saint John
and he does not like Vinnie Vincent. So everybody's wondering
what started that fight between forty seven and Zelensky. It
was all the people that were I mean, it's great.
I know it's a batch, it creaty, but so they
got this big old fight. Delinky's Vilensky's all Diddy Vincent

(17:45):
saved kiss fuck Mark Saint John.

Speaker 3 (17:47):
You know you're gonna have to put up bizzys bitch.
So then he went into the main thing with the
President and all shitn't hit.

Speaker 4 (17:53):
The fan, so that he was breaking love.

Speaker 3 (17:58):
That's the inside information. They you ain't gonna hear any
on any media format.

Speaker 4 (18:05):
But our format, because we tell the truth truth.

Speaker 3 (18:08):
We have inside sources and everythe So I thought that
was pretty amazing.

Speaker 6 (18:12):
Man.

Speaker 3 (18:12):
What do you say?

Speaker 7 (18:13):
Wow, well man, he.

Speaker 13 (18:16):
Still create political upheavil this amazing man, you'll you'll, yeah,
you don't hear this hid anywhere else?

Speaker 12 (18:23):
Yeah, And if it does not appear on the World
News tonight tomorrow, whenever, whenever this gets posted, the ship's
gonna hit the fan. We're gonna be on every news
source that there is, right quite frankly, but uh and
so we've got that. And then one more little kid bit.
Did you see all the amazing Van Halen footage.

Speaker 3 (18:46):
That came out?

Speaker 7 (18:47):
You know, yes, I did.

Speaker 10 (18:48):
I dove into that.

Speaker 3 (18:50):
Yeah, yeah, that was graz That was like Sam Lewis
ship with Kiss.

Speaker 7 (18:54):
Oh yeah we no Sam Louis with Kiss.

Speaker 4 (18:57):
Yeah, it's like but with Dad Hale.

Speaker 13 (18:59):
And it was Yeah, so all the hot for teacher
out takes, all these videos, Oh.

Speaker 12 (19:05):
Man, you get down New York seventy eight and hotly
cow Yeah, badass, very fucking six o'fox.

Speaker 3 (19:12):
It was awesome.

Speaker 12 (19:13):
And talking about a fly on the wall, you man.
And I made a promise. I don't know what it was,
but I would not ever bring up Kirk Boots.

Speaker 7 (19:24):
Kirk boo.

Speaker 3 (19:25):
Well, I lie.

Speaker 12 (19:26):
So my question is do you think Kirk Gooch is
involved with this? Well, well, he get all this ship
taken down, sink it down.

Speaker 13 (19:35):
I have no idea, man, No, and knowing that fucker
yet he'll he'll, he'll, he'll.

Speaker 7 (19:41):
He'll, he'll fuck it up somehow.

Speaker 4 (19:45):
Yeah.

Speaker 13 (19:46):
Man, if it's not his shit, he's gonna say, oh
that's fun stuff.

Speaker 7 (19:51):
You count right, copy right.

Speaker 3 (19:54):
Strike, no, shho knows what's happened, but thousands some things.
I thought I i'd bring bring net cup. So there
you go, brother man.

Speaker 7 (20:03):
Thanks, yeah, man, that was awesome. Man.

Speaker 13 (20:05):
All right, Mancy you ready you want to give you
the deaf Leppard hysteria? Yeah, alright, man, Hey, I want
to take track one Woman Women.

Speaker 12 (20:17):
Yeah, it went, like you said previously, seven singles, and
this was one of them, and it didn't do so good.

Speaker 3 (20:25):
It went number eighty on Billboard one hundred. I liked it.
It was the first song that I heard on the album.
And we'll get all the other songs and whatever, but yeah,
it's not. It's a decent song.

Speaker 7 (20:40):
Man.

Speaker 3 (20:40):
I like the song. So I give it three out
of five chapter three of these up, three of these
three three three.

Speaker 7 (20:46):
Right man. Cool?

Speaker 4 (20:50):
Well.

Speaker 13 (20:50):
You know, even though it wasn't the first, the first video,
I still think this was the first song I heard too.

Speaker 7 (20:58):
I mean I remember the video.

Speaker 13 (21:01):
The video had like some kind of comic strip in
it of the of the band characters or some shit.

Speaker 4 (21:07):
No, man, I dug this song.

Speaker 2 (21:08):
Man.

Speaker 7 (21:09):
I liked this song. I liked the intro. I remember
getting this hate. I had this one on CA set and.

Speaker 13 (21:15):
I listened to it and it opened with women, and
I was like, oh, this is pretty cool, man, all right,
dep Leppard.

Speaker 7 (21:21):
It doesn't sound too bad. You know. It was a cool, cool, driving,
steady beat.

Speaker 4 (21:26):
I mean it, I like the song, man, That's all
I can say. Really, you know, it was it was nothing.

Speaker 7 (21:33):
It was nothing revolutionary, you know.

Speaker 13 (21:37):
It was just like def Leppard's back, you know, after
all the bullshit they went through with Rick Allen and everything,
you know.

Speaker 7 (21:44):
And I was like, cool, man, this sounds pretty good.

Speaker 10 (21:46):
Yeah, not bad.

Speaker 7 (21:49):
But then but then we get into truck number two,
Rocket Rocket. Then this song came on and I was like, oh,
I'm the fuck man, Ah, this shit. I hate this song, man,
this song, this song is unlistenable to me.

Speaker 4 (22:05):
Man, I just can't stand.

Speaker 7 (22:07):
It, Wang, what do you think of Rocket?

Speaker 2 (22:11):
You know?

Speaker 3 (22:11):
And just for contacts.

Speaker 12 (22:14):
When this out, the the uh anticipation leading up to
this album, and I told you in a private conversation.

Speaker 3 (22:22):
I was the biggest fucking fan of these motherfuckers.

Speaker 12 (22:25):
I got the first record in eighty obviously Hi and
Dry and eighty one, and then obviously the Pyromania, which
I adore to this day. No is it was Pyromania
high and Drive. No, but it sure as hell were
they you know they it just they kept a little
bit of the ethos of those first two records. But

(22:46):
long story short, I was so ready as a young
kid of young adult as it were.

Speaker 3 (22:53):
And the anticipation, anticipation, and then.

Speaker 12 (22:56):
They did download I believed the year before in eighty
it and there's a big write up in Kerrang magazine
about that.

Speaker 3 (23:04):
So I was really excited and everything.

Speaker 12 (23:06):
And so just for context of all the viewers out there,
those three albums were phenomenal and to this day were
very important to me, man, very important.

Speaker 3 (23:18):
So when this came out, man, So anyway, so yeah,
so we're gonna talk about Rocket, right, Yeah, Rocket, what
do you think? Yeah?

Speaker 12 (23:26):
Well, I think the band needs a real two armed drummer,
you know, yeah, all the electronic but I'll respect it.
The callanary you know, hey, I couldn't even do a
podcast with more arms, you know, say lelone drum you.

Speaker 3 (23:42):
Know what I'm saying and j But yeah, it went.
It went number twelve on the Billboard one hundred.

Speaker 7 (23:52):
So that yeah, that's so.

Speaker 3 (23:56):
I give this song Rocket one out of five topics.

Speaker 4 (24:04):
Hell yeah, man, I get you know, to care.

Speaker 7 (24:06):
For here or all right?

Speaker 4 (24:09):
Man?

Speaker 13 (24:10):
Number three Animal, Well, you know, this album was basically
the soundtrack to my junior and senior year of high school,
because I mean it basically came out when I was
in in eleventh grade and it just kept going and
going and going until I graduated high school.

Speaker 10 (24:33):
Man.

Speaker 7 (24:33):
And I mean I just remember clicking.

Speaker 13 (24:35):
On MTV every morning man, and here would be the
Animal video, you know, along with something from you know
you two were in excess.

Speaker 7 (24:47):
It was like.

Speaker 13 (24:49):
Those bands were inescapable during that time period.

Speaker 4 (24:53):
And Animal the.

Speaker 7 (24:55):
Video, I mean I tugged the video.

Speaker 4 (24:57):
The video was pretty cool at the circus and shiit.

Speaker 7 (25:01):
It's an okay song.

Speaker 4 (25:03):
I mean I don't hate it, you know, but I
don't ever say to myself, man.

Speaker 7 (25:09):
I really want to listen to Animal by seven Reperu so.

Speaker 4 (25:12):
Yeah, it's okay, man Dwang, what do you think of animals?

Speaker 3 (25:19):
It went to number nineteen.

Speaker 12 (25:20):
You know it's amazing, number nineteen, number twelve, number this
number that.

Speaker 3 (25:24):
I mean, the seven songs just I don't think we.

Speaker 12 (25:27):
Get express the people that were too young really to
really understand the how they Mutt Lang wanted this album
to be a hard rock thriller. He wanted a hard
rock He wanted every song to be a top forty hit.
But Animal with the number nineteen on the Billboard two
hundred and I wrote, I mean, sorry, another boring pop song.

Speaker 3 (25:52):
One out of five chucks.

Speaker 4 (25:53):
This yeah, yeah, all right?

Speaker 7 (25:58):
Number four love bite Oh, I can't wait to hear
go ahead, way tell me how you love love bites?

Speaker 12 (26:06):
Well, and I wanted to apologize to all the fans
of this album because obviously I'm not getting into this
album like me and Vincent did on the Cure album.

Speaker 3 (26:15):
That was my favorite podcast I've ever done.

Speaker 7 (26:18):
Quite frankly, I.

Speaker 12 (26:19):
Don't give a fuck. I don't care how many views
to get being that motherfucker were awesome together as good
and so were you. But me and him were obviously
big fans, so obviously this album is as important to
the Cure as the Cure was.

Speaker 3 (26:32):
But Love Bites it went to number one, number one, Yes,
and it was fucking huge.

Speaker 4 (26:42):
It was huge.

Speaker 3 (26:43):
It was so I mean, I may not like these songs,
but to me to deny how huge this album was,
I mean, people.

Speaker 12 (26:49):
That don't even you know anyway, like my baby's sister
love this kid. So it's a terrible song.

Speaker 3 (26:57):
I give it. Why not a budge?

Speaker 7 (27:02):
Love Fights Man, hey Man again.

Speaker 13 (27:06):
Every morning getting ready for school there was that there
was Animal or Love Fights or one of the other videos.
I mean, it's a great ballad and.

Speaker 4 (27:18):
I love it.

Speaker 7 (27:19):
I actually like it.

Speaker 13 (27:21):
It was a cool video with them in the studio,
recorded with you know, other shots of actors in that.

Speaker 2 (27:28):
Man.

Speaker 13 (27:28):
I love seeing Clark playing playing that Blue Stratton video.

Speaker 7 (27:34):
I actually I got a soft spot for this song.

Speaker 4 (27:37):
I I dig it, man, I'm a sucker for a
great ballad.

Speaker 7 (27:41):
It's a great ballad and and I dig it. Man,
I'm not gonna lie.

Speaker 13 (27:45):
I'm not gonna sit here and be like, oh this sucks,
because I'd be a fucking liar.

Speaker 3 (27:49):
Hey man, it's the Man again. You know what I'm saying.
I'm not gonna I'm not.

Speaker 12 (27:54):
Gonna say very personal insults directed to you and how
much you completely suck.

Speaker 13 (28:00):
And uh okay, yeah, hey, you know it's you know
again though, Yeah, you know love Bites. I like him,
but so I will admit the burnout factors high and
it's not something I want to go back and listen
to constantly.

Speaker 7 (28:17):
But if it comes on and I ain't heard it
in a while, yeah, man, I'm into it. Yeah, I'll
take it.

Speaker 12 (28:23):
Uh hold on, before we get to pour some sugar
on me, let me ask you a question, she gets sounding.

Speaker 3 (28:30):
Were you a fan of the first three records?

Speaker 13 (28:34):
I am a fan of the of Pyromania and High
and Dry. I do have the first album.

Speaker 4 (28:43):
On Through the Night.

Speaker 7 (28:44):
It's okay. The production was a little weak on it.

Speaker 3 (28:48):
I'm Alan, I'm Alan from my fan.

Speaker 7 (28:51):
You know it's got like what's it got? Like? Hello America.

Speaker 3 (28:56):
It's fucking awesome, dude.

Speaker 7 (28:58):
I listened to it the other day.

Speaker 4 (29:00):
Hey, it's cool. It's it's good.

Speaker 7 (29:01):
Don't get me wrong. But i'd be lying if I'm.

Speaker 3 (29:07):
What I'm more concerned.

Speaker 12 (29:08):
About with you, she'd get tell me is back then
in nineteen eighty.

Speaker 7 (29:13):
Uh back then, I didn't know it. I did, I
never heard it. I wasn't in my house.

Speaker 12 (29:18):
My grandmother had said, back in China, honestly is your
best policy.

Speaker 7 (29:23):
So right, no timeline, timeline, timeline.

Speaker 4 (29:26):
I was in middle school when Hiromania came out.

Speaker 13 (29:29):
So Piromania was a huge Death Leopard album for me
as a teenager. And and then I backtracked to Hi
Dry because everybody's saying, oh, how great Hi and Dry
was so obviously I listened to that and that was
great too, you know, Saturday Night, you know, and let

(29:49):
It Go and all that shit.

Speaker 7 (29:53):
Yeah, ladies, Strange aw Man's great album, Bringing on the heart.

Speaker 4 (29:56):
Break, Yeah yeah, but I just wanted.

Speaker 3 (30:01):
I wanted that on the record.

Speaker 13 (30:02):
My brother man so me to me, my definitive Death
Lefferd album will always be part of me.

Speaker 7 (30:09):
I absolutely love part Remedia. I remember being in art school.

Speaker 13 (30:13):
Where we had an art project where the art teacher
made us draw our favorite.

Speaker 7 (30:18):
Album covers at the time. And really, yeah, you think
I would draw a Kiss album, But no, I draw.
I drew Fucking's Death Lefferd PI Remedia album.

Speaker 3 (30:29):
Though, Things that make you go home and you're not
a kiss man? Think it sound?

Speaker 2 (30:34):
Yeah?

Speaker 13 (30:35):
You know by that time, I was a little disenchanted
with ship got brother, Yeah yeah, yeah, yeah yeah, so
all par some.

Speaker 3 (30:44):
Sugar on me?

Speaker 4 (30:45):
Uh?

Speaker 12 (30:46):
It went to number two on the Billboard one hundred.
I mean, I'm amazing and went that high, and uh,
you know what I mean? The thing about doing a
review of an album as big as as you really
can't say anything that has except.

Speaker 4 (31:04):
So what can I say about it?

Speaker 3 (31:05):
I give it one out of five chop sticks.

Speaker 13 (31:10):
If I was passing out chop six, I wouldn't even
give it a I wouldn't even.

Speaker 4 (31:14):
Give it a splinter.

Speaker 7 (31:16):
Could you think? Hold on?

Speaker 3 (31:18):
Would you give it half of a chop cent?

Speaker 7 (31:22):
No? I wouldn't even give it a splinter, bro, I can't.

Speaker 3 (31:27):
I got a splinner.

Speaker 7 (31:29):
I wouldn't even give it to that.

Speaker 13 (31:31):
I'd burn the forre splinter so that it didn't have
to get sacrificed to for some sugar on me.

Speaker 7 (31:37):
I hate this fucking song. But with that said, I
am not so.

Speaker 13 (31:45):
I'm not so stupid to say that it wasn't a
huge hit. It was a very well crafted, sappy ass
song that the chicks love, and it sold like crazy
and put the album.

Speaker 4 (32:00):
Through the stratosphere and kept it going.

Speaker 7 (32:01):
For another freaking year and a half. Probably, so of
course some pour some sugar on me. Man. They can
fucking take that song and shove it. But but hey, man,
I'll say.

Speaker 3 (32:14):
Get that. Look, I'm burning it. I'm burning the spinner
for you.

Speaker 7 (32:17):
Burn that bitch man. Dude, dude, I can't stand that.

Speaker 3 (32:21):
It's this.

Speaker 7 (32:25):
If I hear this song, come on, I am so
quick to just eighty six it. It's fucking you know,
move it. I fucking hate it, man, move it on
number six. Armagetting it, Oh my god, this overall, I
don't care for it.

Speaker 13 (32:47):
Some things like the guitar riffs are cool, but the
lyrics and overall songs, it's it's just lame.

Speaker 7 (32:53):
Man.

Speaker 13 (32:54):
This Armageddon it? What the fuck is armagettit? Are we
getting the arm againting?

Speaker 2 (33:02):
Man?

Speaker 12 (33:03):
H dude?

Speaker 7 (33:04):
And this video, god damn.

Speaker 4 (33:06):
They played this video like fucking crazy, just like every
other one.

Speaker 3 (33:10):
Man.

Speaker 13 (33:10):
And by this time, I mean this was the fifth
video that came out in nineteen eighty eight, and by
that time I was just sick of this album.

Speaker 4 (33:19):
Man.

Speaker 7 (33:19):
I was like, I was like, dude, fuck, man, give
me some dangerous toys. Give me something, man, fuck, don't
give me some bentangle.

Speaker 13 (33:28):
I was so ready for bang Tango, but times so
much it was bank hold on, No ben.

Speaker 7 (33:35):
Tango didn't come out yet, Bengango didn't come out.

Speaker 12 (33:37):
I understand, But what bang Tango bang Tanger?

Speaker 3 (33:41):
Were they a fan in the summer of eighty seven?

Speaker 4 (33:44):
I don't think so.

Speaker 7 (33:45):
Okay, cool, I don't think so. I don't think they
formed the like eighty eight eighty nine. First album came
out ninety. I believe it was psychoh Cafe, but no.

Speaker 4 (33:56):
In in the retrospect, I was actually more into and Ship,
you know, and and all.

Speaker 7 (34:02):
There was a tramp from White Line and you both watching.

Speaker 3 (34:08):
Show.

Speaker 12 (34:09):
But Wang, what's your thoughts on Army getting it as
shitty as the song is and it's eyebright?

Speaker 3 (34:14):
You're very simplistic. Another bad song. One out of five chopsticks?

Speaker 12 (34:19):
That number three on the Billboard two hundred so shocking. Yeah,
that shocked me, exactly shocking. So that's kind of crazy.

Speaker 4 (34:32):
So there you go, God Man Armageddon and I'm over it.

Speaker 7 (34:37):
Number seven. Gods of War, go ahead, tell me what
you think of God's a War.

Speaker 4 (34:42):
I like the song.

Speaker 12 (34:43):
I have since it was first released. I love the
cool Reagan line in there. You know, I'm such a
big fan of Ronald Reagan, the greatest president of my lifetime,
our lifetimes.

Speaker 3 (34:56):
I like this one. I gave it four to five
chopticks best.

Speaker 4 (35:01):
Hell yeah. Man.

Speaker 13 (35:02):
By the when I was listening to this and by
the time this song came on, I was like, oh,
thank god, thank god.

Speaker 7 (35:08):
A billy A billy what is it? Billy's Got a
Gun type sound like.

Speaker 4 (35:15):
I'm like, oh, thank god that driving base came on.

Speaker 7 (35:18):
I was like, I wrote here, I wrote cool, driving, eerie.

Speaker 13 (35:22):
Song about war with all the sound effects and bringing quotes.

Speaker 4 (35:26):
I really like it, man, I really like it.

Speaker 7 (35:29):
Like I said, it's reminiscent of Billy's Got a Gun.
You know, it has that kind of vibe to me.
I like it, man, I really like God's of War.

Speaker 15 (35:39):
Thank God. By the time this came on, I was like, oh,
thank you, man, thank you. The fountain isn't a total loss.
I feel you, all right.

Speaker 7 (35:50):
Moving on to number eight, don't shoot shotgun?

Speaker 4 (35:56):
Right? Is that? Is that?

Speaker 7 (35:57):
The next one? That's it?

Speaker 3 (35:58):
And here we go five top sicks blah blah blah, fam.

Speaker 7 (36:03):
Oh is that it. You're done.

Speaker 3 (36:05):
I'm done.

Speaker 4 (36:06):
I hear you, man, don't.

Speaker 7 (36:07):
See taking run fuck over.

Speaker 14 (36:11):
She's so change. It is so fucking lame. It's so good,
it's so cheesy.

Speaker 4 (36:19):
It's just filler. It's just filler.

Speaker 13 (36:21):
Let's just move right on to number nine, Run Riot,
Oh Man, Run Riot.

Speaker 4 (36:28):
God.

Speaker 7 (36:29):
It starts off sounding.

Speaker 4 (36:30):
Cool, like like something from PI Romania, but.

Speaker 7 (36:34):
Tennant falls flat.

Speaker 13 (36:35):
I really don't care for Run Riot for me is
just some more filler wwang.

Speaker 7 (36:41):
What do you think of run Riot?

Speaker 12 (36:44):
You know, there's always this song that Dans and testa time,
even if it's not exactly Kashmir from Led Zeppelin Physical Graffiti.
But for me, for me, this is one of the
three songs I like on this record. I probably shouldn't,
but I do.

Speaker 3 (37:01):
For a little fucking not fucking but fuck anybody, you know.
I give it three to five CHOPSI.

Speaker 7 (37:09):
Wow, Okay, all right, Run Riot?

Speaker 4 (37:14):
All right.

Speaker 7 (37:15):
Let's move on to the title track, Hysteria. Whang Whang.
Tell me all about Hysteria and what you think of it?

Speaker 12 (37:24):
Well, I'm not gonna get too complex because it's very simplistic.
It went number ten on the Billboard one hundred, very
uh surpey, very sugary ballad.

Speaker 3 (37:39):
I give it one out of five chopsticks.

Speaker 13 (37:44):
It was the fourth video off the album, which I
loved the video, and I absolutely adore this song.

Speaker 7 (37:52):
I love this song man. It's just got such a
cool vibe with the chords and everything that they're using.

Speaker 4 (38:01):
It's uh And it's.

Speaker 13 (38:04):
Very special to me because it's one of the last
songs that I was practicing with my late singer before
he passed away. Me and him were getting together kind
of like in secret. We were gonna try to get
the you know, the old get the band back together thing.

Speaker 14 (38:22):
And me and him were working on some songs that
I just knew something wasn't right with him man, and
couldn't couldn't sing.

Speaker 4 (38:32):
And he was having me do a lot of the
hard stuff and it was kind of weird to me.

Speaker 7 (38:38):
But yeah, it wasn't much longer after that that he
passed away.

Speaker 4 (38:43):
So so this song has a lot of a lot
of special meaning to me as far as that.

Speaker 13 (38:48):
I mean, it's just got those haunting, melancholy guitar chords
and stuff, which I've always liked the song, but to
add that to the song that makes U special. Sure,
to me, So I really love hysteria that yep, I don't.

Speaker 12 (39:04):
Man, Yeah, you mentioned did your friend previously dropped our
history of doing this podcast?

Speaker 3 (39:12):
How did he obviously died very young and we were
all very young dur in this gym. How did he die?

Speaker 7 (39:19):
He was he made it too, he died when I
think I think he made it to forty eight.

Speaker 3 (39:28):
But how did he die?

Speaker 7 (39:30):
Liver failure from Oh? Alcohol is.

Speaker 3 (39:34):
So he drinks a lot of this kind of stuff.

Speaker 13 (39:36):
No, he drank Vodca hard hard, Okay, he was a
full blown alcoholis the kind of guy that hid alcohol
all around the house and the toilet.

Speaker 3 (39:48):
Yeah, that's that's sad man.

Speaker 7 (39:50):
God, what was his name, man, Jim Raca.

Speaker 12 (39:54):
Okay, freaking great thing kept to him?

Speaker 3 (39:59):
Your boy just mentioned you. I'm his podcast here.

Speaker 12 (40:02):
If you're listening up in heaven, that's your friends still
when you're dead.

Speaker 13 (40:07):
Hell yeah, he'll always been money one of my best friends.

Speaker 4 (40:10):
Man.

Speaker 3 (40:12):
Awesome, Man, awesome.

Speaker 7 (40:13):
I'd love to hear that.

Speaker 4 (40:14):
Share a lot of special right on there. I shared a.

Speaker 13 (40:19):
Lot of special moments, a lot of stages together, a
lot a lot.

Speaker 4 (40:23):
Of fun ship bro awesome.

Speaker 13 (40:26):
Yeah, yeah, alright, man, moving on number eleven, Excitable Wait,
go ahead, take excitable? Man.

Speaker 12 (40:33):
Yeah, And like I said, I'm not doing the in
depth care of all these songs because no, no, no,
not at all.

Speaker 4 (40:44):
You know.

Speaker 3 (40:44):
I hate like I hate to keep repeating myself. It's
a bad song, and I'm gonna have to go you know,
I'm gonna have to go with a half of a chopkit.

Speaker 7 (40:54):
Wow, that's that's awful.

Speaker 15 (40:58):
I have.

Speaker 3 (41:00):
One hole chopstick.

Speaker 12 (41:01):
Was one hole chopstick that I broke it in half,
only half a chopstick for exciteable hole stupid lyrics, stupid song,
stupid fact.

Speaker 7 (41:11):
It is brutally stupid.

Speaker 6 (41:14):
Man.

Speaker 13 (41:14):
It starts out with that fucking teasy, creepy ass intro
with are you excitable?

Speaker 7 (41:21):
Are you excitable? That speeds up, man, it is, and
it tee whiz keeps slowing till the end. Man, I
don't care for it.

Speaker 4 (41:29):
Man, it's fucking stupid. I skip it. I hate it.

Speaker 13 (41:33):
Track number twelve, It ends. It ends with love and
affection and I love it, man, I love loving affection.
Another killer ballad. There's something about this song.

Speaker 4 (41:46):
I don't know what it is.

Speaker 7 (41:48):
It's just got those huge, huge sounding guitar chords on
the intro and the chorus, the hook. It just pulls
me in. Man, I fucking love love infection. Dang, what
do you think of it?

Speaker 3 (42:03):
Another half of a chopstick couch.

Speaker 12 (42:08):
On a very professional love because we are a very
professional pocket.

Speaker 7 (42:13):
We're getting there.

Speaker 12 (42:17):
There now.

Speaker 3 (42:18):
We don't talk about crazy ship. We're very very professional.

Speaker 7 (42:23):
Man.

Speaker 12 (42:24):
I'm really glad I broke that chopstick in half because another.

Speaker 4 (42:28):
Half a chopstick.

Speaker 6 (42:33):
Wow.

Speaker 7 (42:34):
Man, I don't know, man, I just underthrow here.

Speaker 13 (42:37):
Man, I got this one note on the album I said,
I said this album was such a departure from Pyromania
after Rick losing his arm.

Speaker 7 (42:47):
While I give while I give.

Speaker 13 (42:49):
Them so much credit for sticking it out, most of
this album sounds so electronic and loses the human feel.

Speaker 7 (42:57):
But man, I gotta get again.

Speaker 4 (43:01):
Like we said in the Animalized.

Speaker 13 (43:02):
Episode, or if it was the Animalized.

Speaker 4 (43:05):
Episode, it's just these guys, man, they stuck it out.

Speaker 7 (43:09):
Man, They stuck it out. Man. The dude, their drummer
loses his arm, man, and they freaking they work with.

Speaker 4 (43:17):
Them, They wait for him.

Speaker 7 (43:19):
You know, they didn't kick him to the curve.

Speaker 10 (43:21):
Man.

Speaker 4 (43:21):
I think that is that.

Speaker 13 (43:23):
I think that's just so awesome. No matter what you
want to say about him, call them nine arms, deaf
leper and whatever.

Speaker 7 (43:29):
Cuff that ship, man.

Speaker 4 (43:31):
I mean, the dude, the dude.

Speaker 7 (43:32):
Uses his feet to play everything. He is actually playing.

Speaker 4 (43:36):
Everything with his other limbs. Man.

Speaker 7 (43:40):
You know, yeah, he's he's got some electronic ship that
he has to trigger.

Speaker 3 (43:45):
Changed it changed, it didn't dude.

Speaker 13 (43:48):
Oh absolutely it changed the band, no doubt about it.

Speaker 4 (43:52):
No doubt about it. Dude.

Speaker 13 (43:53):
They lost I mean, they lost his arm and you know,
they lost that that hard rock element to them.

Speaker 4 (44:02):
And they became more of a Polish pop band, which
with the you know, electronic drum sound, and you know,
it is what it is, man.

Speaker 7 (44:11):
And I think they did the best job they could
do with this album, considering and and you got to
give him props.

Speaker 4 (44:20):
Man.

Speaker 7 (44:21):
You said it at the top of the show. How
many millions of albums did they sell?

Speaker 3 (44:26):
Twelve million in the United States of America?

Speaker 7 (44:28):
Yeah, so what the fuck did we know? Man? You
know the publisher, you know, let's let's be honest, dude.

Speaker 13 (44:37):
Man, they the freaking women flocked to this band, dude,
Oh hell yeah, and they still do.

Speaker 4 (44:44):
I mean it's crazy, man.

Speaker 12 (44:46):
He said, you say something, and you me you eloquently said,
I don't know what episode it was, but you're talking
about the bands sticking with each other, And uh, I said,
under my breath, I was talking Pete Willis.

Speaker 7 (45:01):
They no, they did not, They did not.

Speaker 13 (45:05):
But but that was a different situation because they literally
kicked him out of the band, not because he.

Speaker 7 (45:14):
Lost a limb. You know, he did have a drinking problem.

Speaker 13 (45:18):
But hey, you could you could argue and say, well,
said is Steve bark and they stuck with him?

Speaker 7 (45:23):
That I stuck with him to the end.

Speaker 3 (45:26):
My point exactly, sinking down.

Speaker 7 (45:29):
There had to be there's probably something else there with
Pete Willis. Maybe they never liked him or something. I
don't know.

Speaker 4 (45:36):
I love him band dynamics, but no, he.

Speaker 7 (45:38):
Was great, dude, He had it. He added a hard
rocking element to him.

Speaker 4 (45:42):
Man, you know, but you know it is what.

Speaker 3 (45:46):
It is, man, You know it is what it is,
Bill Belichick, Yeah, it is, man, It is all right.

Speaker 4 (45:53):
Man.

Speaker 7 (45:54):
Well, that that about wraps it up for Hysteria.

Speaker 3 (45:58):
Well that's the way the short so compared to the
last one.

Speaker 7 (46:03):
Hell hell yeah, this is a short episode considered.

Speaker 3 (46:08):
How long the fucking album is Yeah, right, it's longest.

Speaker 7 (46:13):
It's a long hast album, man, it really is. That's
that's a that's a long listen to.

Speaker 3 (46:18):
And half of it's.

Speaker 13 (46:19):
Pretty tortuous too, but absolutely, but half of it's pretty killer.

Speaker 7 (46:24):
So you know, it's thinking.

Speaker 3 (46:26):
They give, they give a little something.

Speaker 7 (46:28):
For everybody on hysteria.

Speaker 4 (46:29):
Man.

Speaker 13 (46:33):
Yeah, so wag man, you got anything else for the people,
for the fans, no, man.

Speaker 12 (46:40):
Just thanks for watching our ship. We appreciate you, motherfuckers.
And yeah, thank you, that's all I gotta say. And
thank you to Roddy.

Speaker 3 (46:51):
You know, he's our he's our boy, and he's our
manager and everything, and.

Speaker 13 (46:55):
Yeah, he posts a ship everywhere.

Speaker 7 (46:58):
Man, fucking getting us to the people.

Speaker 3 (47:01):
Yeah, man, we're gonna come out.

Speaker 12 (47:04):
We're gonna, we're gonna we're gonna be back next weekend
and week after we're gonna try.

Speaker 3 (47:08):
To bust out some ship. And I gotta come up
with something cool and different for our next episode.

Speaker 13 (47:15):
Yeah man, yeah, so uh, stay tuned for our next
episode for the saga. Listen, listen, listen, I got something
to say, I got something to say.

Speaker 3 (47:26):
What's happening?

Speaker 7 (47:27):
We get all these views man on YouTube?

Speaker 13 (47:30):
We know we averaged between six hundred and a thousand
views or more on YouTube. Plus we're on rum but
we get views there, and god knows who's listening to
all the other platforms on Apple and Spotify and whatnot.

Speaker 7 (47:46):
And all I gotta say is, man, it's not even
an out to the Facebook group. Man, y'all gotta get
over enjoying the sinking wag Facebook group.

Speaker 3 (47:55):
Man, so you know what's going on that anymore?

Speaker 7 (48:00):
I don't know, man, I just it exists. Man, you know,
we got it. We got a couple, got about one
hundred some members.

Speaker 12 (48:08):
But in comparison to our views, if there's more people,
we're gonna participate.

Speaker 7 (48:15):
I mean exactly, exactly. So if you want to participate
with us, you know, join the Facebook group. Listen. I
understand Facebook is dying, you know.

Speaker 13 (48:27):
And you know people are moving on to other stuff, Instagram, whatever, TikTok.

Speaker 4 (48:33):
I don't know that shit got taken down, you.

Speaker 7 (48:36):
Know, But man, please, I mean, come on, I'm not please, man,
do whatever the fuck you want. I'm not gonna beg you.
I'm just saying, Man, if you want to know what's
going on with us and what's coming up, and you know,
sometimes we post special stuff in the group.

Speaker 3 (48:52):
Just just get join the group, join the group, and
what I'm all pro joining the group?

Speaker 7 (48:59):
What about that?

Speaker 4 (49:00):
Hell yeah?

Speaker 7 (49:01):
So anything else playing before we wrap this up?

Speaker 3 (49:05):
I think that's it for the man.

Speaker 7 (49:07):
Blah blah blah, hell yeah and why so.

Speaker 13 (49:10):
That concludes another episode of.

Speaker 3 (49:12):
The Second Word Show. We'll see it next time.

Speaker 13 (49:19):
Fair.

Speaker 7 (49:21):
This has been a Think Army production.

Speaker 3 (49:24):
Ba ba ba ba bam.
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