August 18, 2025 • 44 mins
On todays episode Bill and Syncin Stanley break down Iron Maiden Powerslave the fifth studio album by the English heavy metal band Iron Maiden, released on 3 September 1984 through EMI Records in Europe and its sister label Capitol Records in North America. It was re-released by Sanctuary and Columbia Records in the United States in 2002.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Famcast media.
Speaker 2 (00:04):
Allow boys and girls think I'm a brain formerly of
our Maiden.
Speaker 3 (00:07):
I am currently titanium twer.
Speaker 1 (00:09):
Very cool and you are watching sinking Wang.
Speaker 3 (00:14):
Stay tuned.
Speaker 1 (00:15):
God bless your fight to the end.
Speaker 4 (00:18):
We shall fight in ground, which will fight on the
seas and oceans. We shall fight with growing confidence and
growing straight in the air. We shall depend our island,
whatever the grass may be. We shall fight on the beaches.
We shill fight on the landing grounds. We shall fight
(00:38):
in the field and in the streets. We will fight
in the hills.
Speaker 5 (00:43):
We shall never terrend sto some side.
Speaker 6 (01:43):
Ship be sent to be a with.
Speaker 7 (02:43):
A love.
Speaker 2 (02:48):
Tell what I was, slu God, what does.
Speaker 3 (03:09):
That's all the stories?
Speaker 1 (03:14):
This is what I want to go to.
Speaker 3 (03:16):
Bloodship sold his house.
Speaker 2 (03:18):
To times, excusing.
Speaker 5 (03:31):
The words.
Speaker 3 (03:39):
The time the rock. You can standly hear. People are listen. Hey,
(04:37):
it's me Bill Way. Are you all doing damp? Oh?
Speaker 4 (04:42):
Man?
Speaker 3 (04:42):
Way Man? What a man? I forgot to talk about this,
you know, we we didn't. We didn't talk about it
much on the Paul Stanley episode. But uh yeah, I
got to see Nick go. I got to see his
little little solo side fry. Well it's not a side
project anymore because he is no longer an Iron Mat unfortunately,
(05:04):
you know. But I got to see Titanium tart Man
a couple of weeks back, and Nicko was so awesome
that he did that awesome intro for us. Man, isn't
that cool?
Speaker 7 (05:16):
Man?
Speaker 1 (05:18):
Awesome? I'm very appreciative, very cool, very cool.
Speaker 3 (05:21):
Oh man, it was so cool of a man. Nicko's
just he's just the sweetest, nicest freaking guy. And I
just went ahead and hit the meet and Greek. I
mean I paid for the meet and greed. It was
only seventy fives, so I freaking paid for it, and
he signed my. He signed my I actually have got it,
(05:42):
but I have my big Live after Death promo poster
with all the album covers down on the bottom. He
signed over a peace of mind. So it was really cool, man,
freaking freaking awesome. Man. So yeah, man, way, why don't
you go ahead and do the stats for this? Yeah,
(06:03):
classic fuck album We're gonna do. Man.
Speaker 8 (06:06):
Yeah, it's amazing. But you know, you talking about meeting Nico,
and unfortunately I've never met him or any of the
guys that made it, but he always seemed like that
guy that you know, you meet at the bar and
fucking like down bears and have a good old time
and talk about.
Speaker 1 (06:22):
Sports and ship and rock and roll. The salt of
the earth.
Speaker 3 (06:27):
Man.
Speaker 1 (06:27):
So yeah, I'm so. I'm very grateful that he made
our little very cool thing.
Speaker 3 (06:34):
Dude. Oh yeah, man, he's awesome.
Speaker 4 (06:36):
Man.
Speaker 3 (06:36):
Yeah, I managed to meet him, and I met him
like this was the third time I met him, actually,
But and I met Steve Harris once. And that's that's it, man,
I got it. I can't, for the life of me
beat those guitar players. Man, I'd love to beat I'd love.
Speaker 6 (06:55):
To be.
Speaker 3 (06:57):
Dave.
Speaker 8 (06:57):
Absolutely absolutely. So let's go back in time. We're gonna
go back to September third of nineteen eighty four. Obviously
we're gonna do the Iron Maiden Heavy Metal Classic Power Slave.
Like I said, September third, eighty four. It was on
(07:18):
E m I label. It was recorded at Compass Point
at Nasab in the Bahamas.
Speaker 1 (07:26):
Of course, the the yes.
Speaker 8 (07:29):
Man synonymous with the producing Iron Maine would be, of
course Martin Birch.
Speaker 3 (07:37):
Rest in peace man. Yeah, Martin Birch.
Speaker 1 (07:40):
Yeah, absolutely, brother man.
Speaker 8 (07:42):
And of course this lineup Bruce Dickinson with vocals Dave
Murray guitar, the Great Adrian Smith guitar, Steve Harris bass,
and then Nico McBrain on drums.
Speaker 1 (07:54):
It went to on the.
Speaker 8 (07:56):
Billboard two hundred and went to number twenty one on
the bill Or two hundred, and it has uh. I
don't know when the lasket was certified of whatever the fuck,
but it obviously is platinum. And unfortunately I missed the
fucking concert. I don't know why the fuck I missed it,
but I remember going to the Cow Palace with Chubby.
Speaker 3 (08:17):
Man Chubby rules.
Speaker 8 (08:19):
Yeah, Chubby and Judy got to get your ass on
the show Man exactly. But I do have very vivid
memories of driving to the cow Palace and Chubby's brother
Dave was driving, and those guys got their tickets and
then I, if I'm not mistaken, I think I was
in with the family in Boston.
Speaker 1 (08:40):
But anyways, so.
Speaker 3 (08:42):
Yeah, a brother man. So there's another Chubby. There's like
Chubby Chubby Tubby.
Speaker 8 (08:47):
Yeah. Yeah, basically Chubby is at the spider web of
the Chubbiness. It goes miles and miles and miles around
and it's synonymous with Chubby.
Speaker 3 (08:58):
Uh double Chevy back then basically and you know what
I do want to say something real fast today as
we record this episode.
Speaker 8 (09:09):
On this is exact day, Vinnie Vincent has been in
Sea Caught and Al Salvador for fifty days. If anybody
gives a fuck? Do you give a fuck? Sinkings down here?
Speaker 3 (09:25):
Kind of? Ok? Yeah, man, I'm eagerly awaiting that new
music that he can that he's been promising for the
past twenty years, which he will.
Speaker 8 (09:38):
It would be impossible for him to release it in prison.
Speaker 1 (09:42):
So my advice to use pray that Vinnie gets released.
Speaker 3 (09:46):
Hey man, he could he could do something like Johnny
cash Man Wholesome Prison. You know you can do a
little prison album.
Speaker 1 (09:57):
Sing it Fanny? All right, man, here's the deal.
Speaker 8 (09:59):
On this a date of September third of nineteen hundred
and eighty four, the number one movie in the United
States of America was called Type Rope, Tightrope. The number
one TV show in our great country was Dynasty.
Speaker 3 (10:15):
Oh wow, okay, okay, but you're gonna say that us.
Speaker 1 (10:19):
Yeah, well, I wish I could have, but unfortunately I can't.
Speaker 8 (10:22):
And the number one album was by the Great Prince
Purple Rain he Go and if you can hear in
the background as we are chatting along here the number
one song on the Billboard one hundred but was by
Tina Turner. What's Love Got to.
Speaker 3 (10:42):
Do with It? There you go? That was huge, huge hit.
Speaker 1 (10:46):
Yeah, remember that huge, dude.
Speaker 3 (10:48):
Oh this was huge, man, that video was Tina Turner
was cool, dude. Yeah, yeah, I dug a lot of
her songs. Man. Oh that's fucking cool. Right. You know
that one song, you know that one song she did
You Better be Good to Me. I don't recall it,
that big hit. Well you might have been good to me.
(11:10):
That's how it's gotta be well anyway, man, that was
That was originally done by Holly.
Speaker 7 (11:18):
Knight and and and performed in her band called Spider
with Anton Pigg on drum.
Speaker 8 (11:29):
Holy shit, I'm gonna give you a Johnny Carson. I
did not know that.
Speaker 3 (11:33):
Oh, you gotta go check out the video. There's even
a video for it. Yeah, it's awesome, man, dude. There
it was not a stretch what she Tina Turner barely
made hardly any changes to it. Yeah. Even the singer,
even a white singer, chick from Spider, sang it just
(11:54):
like Tina. I mean, it's not a stretch man. But anyway, yeah, I.
Speaker 8 (12:00):
Get out, brother man. And in closing of the pop
culture serve situation, the the NFL Champs of the nineteen
eighty four season, where the Joe Montana led San Francisco
forty nine ers, and the NBA Chants where the Larry
Bird led Boston Celtics who beat the Los Angeles Lakers.
Speaker 3 (12:24):
That was a very good your boys.
Speaker 1 (12:26):
Yes, sir, thank you much for the man.
Speaker 8 (12:28):
And then the major League Baseball World Series champs were
an amazing team from Detroit, Michigan, and they were the
Detroit Tigers.
Speaker 1 (12:38):
They were so badass that year.
Speaker 8 (12:40):
And in closing the amazing someone that I've respected forever,
not necessarily a fan, because I'm a Boston Bruin fan,
but a team that I have like really gave massive
prop to over the years, the NHL Stanley Cup Champs
were the Edmonton Oilers.
Speaker 3 (12:58):
Fair. Oh yeah you to them a lot, man, Yeah,
I really do. It must be a really good team.
Speaker 8 (13:05):
Oh absolutely, bro, absolutely hell yeah.
Speaker 1 (13:08):
Yeah one for the ages, brother.
Speaker 3 (13:11):
Yeah, buddy, Yeah all right, man, So uh you ready
to get into this classic motherfucker here? Man, I'm ready
as fuck. Bro. Oh my god, Man, Wang why don't
you go ahead and started out then Aces High.
Speaker 8 (13:28):
Yes, sir, aces Oh, someone's gonna be mad at me,
I said, yes, sir.
Speaker 3 (13:33):
Uh hey man. The first song on the.
Speaker 8 (13:41):
Record is called Aces High, and it was written by
Steve Harris. It's about the Battle of Britain of Pivotal
Air Battle during World War Two, from the perspective of
of a British Royal Air Force pilot. It's slamming, it's amazing,
(14:02):
it's spectacular, and it is fine and.
Speaker 1 (14:05):
Of five chomping.
Speaker 3 (14:08):
Fuck yeah. Man, this is quinn essential made fast tempo.
Great you know, great album opener, also a great live opener.
Absolutely love this song. It's freaking classic as fuck.
Speaker 1 (14:23):
Man.
Speaker 3 (14:24):
And and I just love when they do the Churchill's
speech in front of it too, man like brilliant. Kitch
is so freaking pumped up, especially when they opened to
the vibe. How they get back to the day. Oh man,
it's freaking aces High rules and to this day, man
still crushed it. Man, Like that last tour where they
(14:45):
did the last tour I saw where they did as High.
They brought the fucking plane out. Oh man, it was incredible, dude,
I mean.
Speaker 8 (14:53):
Hey, hold on, a ticket time And what kind of
plane was that?
Speaker 3 (14:58):
Dude, I don't know. Man, you're the expert on planes.
You tell me it was some type of bomber. Man,
it was that note.
Speaker 1 (15:04):
It was the spitfire, the grass fire.
Speaker 3 (15:08):
That's it. Hell yeah, Man, badass and.
Speaker 7 (15:13):
Then Man Man, then it's slams dragging the track number two.
Speaker 3 (15:17):
Man two minutes to Midnight Man a fucking Smith and
Dickinson writing writing team. Man just fucking killing it. Man,
it just gives you. It just gives you that one
two punch man both on the album and both live
Man back to back, It's fucking classic. It's fuck Man
(15:37):
two minutes to Midnight Man just mat him almost got
their finger on that button for doomsday.
Speaker 8 (15:44):
Man.
Speaker 3 (15:45):
Just such a fucking great song. Wang, what's your thoughts
on two Minutes to Midnight? Yeah? Boy? Wow? Right, what's that?
I said? I know right? It's like speechless.
Speaker 8 (16:00):
It is an amazing back to back the It was
written by Adrian Smith and Bruce Dickinson and.
Speaker 1 (16:10):
Nico Just our boy. It's just so amazing in this song.
Speaker 8 (16:15):
And it went to number eleven on the UK Singles Chart.
Speaker 3 (16:20):
Oh wow, Yeah, number eleven.
Speaker 8 (16:22):
On the UK Singles chart. We're too much of a
pussy used to have it on our chart.
Speaker 3 (16:28):
But bro isn't an amazing that they could chart so
high over in England but they didn't do ship in
America yet they could come and sell out four Nights
and Long Beach Arena and then fucking Madison Square Garden.
Speaker 1 (16:41):
Yeah, yeah, yeah, and like, yeah, it is amazing.
Speaker 3 (16:45):
It's insane.
Speaker 1 (16:47):
Yeah yeah.
Speaker 8 (16:47):
And it's basically like it's a protest song against nuclear
war and it has all the tropes of that and everything,
and it's a brilliant fucking song and such a badass
banger back to back because I had made it with
all the respect nobody is but you know, Iron Made
is not this heavy back now.
Speaker 1 (17:08):
You know they're more of a frog band.
Speaker 3 (17:10):
Yeah, more of a frog band, look, and it's all good,
by the man, it's all good.
Speaker 8 (17:13):
But uh yeah, man, So I'm gonna give this song
five out of five chucks thiss.
Speaker 3 (17:18):
Man, hell yeah man. And getting back to nineteen eighty
four with I mean, what in all honestness, man, what
other metal band was selling out four knights at Long
Beach Aerina or Madison Square Garden.
Speaker 1 (17:35):
Well, they didn't sell out four Knights in Madison Square Garden.
Speaker 3 (17:38):
But yes, that have long reason. I think they sold
out multiple nights, but they did sell out four Knights
in Long Beacherina, so I.
Speaker 1 (17:44):
Thought they're amazing, and unfortunately I never saw it.
Speaker 8 (17:47):
So every time I talk about the Power Slave for
I get very fucking fisted.
Speaker 3 (17:51):
Office so man, because god, man, I saw the kids wear.
They're just Twist's sister shirts and they're yeah, raiding shirts
talking about it.
Speaker 1 (18:02):
Man.
Speaker 3 (18:03):
Yeah, and apparently it was a really close battle. I
mean either Twisted Sister were given maids to run for
their money some night, so I mean it was yeah, man,
I wish I saw that tour too. Man. Yeah, all right,
let's take number three, the instrumental loss for Words, Big Aura.
Speaker 8 (18:23):
Yes, sir, indeed instrumental. I love the musicianship. It's beyond comprehension.
That's a play on words meaning lost for words, big horror.
And it was their interpretation, you know how they are
their joke skirts and okay, right, a bunch of very intricate,
serious shit. But Maiden is a band that, like, like
(18:46):
I say, you know, be a little bit self deprecating.
You know, they don't take everything so serious. So I
gave this ship four to five chaptericks.
Speaker 3 (18:57):
Hell yeah, man, fucking dude, love Lost for Words, man,
Just fucking what a great instrumental by Steve Harris and
and my last band I was in we covered it.
Speaker 5 (19:08):
Man.
Speaker 3 (19:08):
It was fucking so fun as fuck to play this song. Man,
This song just it's it's a knucklebuster too. Man. It's
got some great riffage in it, some great solos. But yeah,
I love Lost for Words, man, tell yeah, fucking great man.
And then we move right into Flash of the Blade,
(19:30):
Oh Man by Dickinson. Just you know, it's just about
you know, a kid fantasizing about growing up to be
a sword fighter and actually takes fencing lessons by a
master and turns into a fierce fighter. Man, it's a
fucking killer song man. I fucking love it man. That
opening riff, man, just that that guitar by itself, Oh
(19:52):
my god, I love it man, Wang Wlang. What do
you think of Flash of the Blade?
Speaker 8 (19:57):
Bro, I think it's fantastic. Bruce Dickinson writes it, and
as he eloquently set up the meeting of the song,
it was fantastic, you know. I think it's you know,
Bruce being the sword of master that he is. I
like the concept about the gains the skills to be
(20:19):
able to be an expertise in sword fighting.
Speaker 1 (20:22):
And what he what he?
Speaker 3 (20:23):
What does he do?
Speaker 8 (20:24):
He uses those skills to avenge his family's misfortune with vengeance.
Speaker 1 (20:31):
I five Chap Dicks.
Speaker 3 (20:33):
Okay, hell yeah, man, all right, wang, I want to
take number five the duelists.
Speaker 1 (20:42):
Yeah.
Speaker 8 (20:42):
Before I get to the duelist, I'm gonna tell you,
I'm gonna tell you singing Stanley and whoever's watching my number,
I'm gonna I have ten picks for that came out
and the calendar year of nineteen and eighty here they are.
Speaker 3 (21:01):
What a great year, dude, This is gonna be awesome.
Speaker 8 (21:03):
Yes, Sarah, Yes, Sarah. Let's see what you guys say.
I'm sure you like the most of these, if not
all of them. My number ten would be the ac
dc EP jail Break.
Speaker 3 (21:15):
Hell yeah, yes, sir.
Speaker 1 (21:17):
Number nine would be the comeback album by.
Speaker 8 (21:19):
Deep Purple Perfect Strangers Awesome, an amazing album.
Speaker 3 (21:25):
Number eight would be Dawkin to the Nail Killer.
Speaker 8 (21:30):
Number seven would be Rat Out of the Cellar Awesome.
Speaker 3 (21:35):
Number six, number.
Speaker 8 (21:37):
Six, number six six six six six six would be
d o the last in line, oh manra number and
number five would be a tour that I saw with
Chubby with Chubby in.
Speaker 1 (21:50):
Nineteen eighty four.
Speaker 3 (21:52):
Yeah, me and Chubby.
Speaker 8 (21:53):
Saw the Defenders of the Fake Tour anyways, and his
brother and all these together crazy number five Jews Breach
Defenders the Faith. And number four you know what you
go on, let me tell you, let me ask you
about what's your take on Defenders of the Faith.
Speaker 3 (22:11):
I fucking love it, bro, man, it's just slamming, dude.
We need to review it. We need to review it, man. Yeah,
burning fast as fuck, the Sentinel, come on, dude.
Speaker 1 (22:24):
Oh sure.
Speaker 3 (22:28):
Then you got those harty songs like rock Hard, Ride
Free and the Killer ballad man with when the Night
Comes down. Fucking a dude, I love We.
Speaker 8 (22:38):
Gotta do it, brother, We gotta yes, sir, Yes, sir.
And then number four, Number four would be Rush Grace
under Pressure.
Speaker 3 (22:49):
And let's okay, I get that a lot.
Speaker 8 (22:53):
I'm not gonna send illegal aliens over to your house
to rob your house, don't trip.
Speaker 1 (23:00):
That's all good, But.
Speaker 3 (23:01):
Then you know.
Speaker 1 (23:06):
I know so.
Speaker 8 (23:08):
And just a little side note on the Rush Grace
under Pressure. I was fortunate enough to see the great
Gary Moore on that tour opening up for.
Speaker 3 (23:18):
Rush Cow Palace. Yes, the Lucky Yes, Lucky Me.
Speaker 8 (23:23):
And the number three album of nineteen and eighty four
would be this album.
Speaker 1 (23:28):
Iron Made Power Sleeve. Uh yeah, right right, And then
number two.
Speaker 8 (23:36):
Number two would be Van Halen nineteen eighty four.
Speaker 3 (23:41):
Classic.
Speaker 8 (23:43):
And the number one album by far blows away. All
these albums with all the oh maybe not blows away.
I think it's better that the second album by the
greatest heavy metal the biggest heavy metal band on the
planet today and tomorrow on the next day, Metallic Ride
the Lightning.
Speaker 3 (24:02):
Yeah, Oh my god, Wow.
Speaker 1 (24:05):
Andy four sake it, Sally only Wow, Man.
Speaker 3 (24:07):
I didn't no, I didn't hear no. Queen's right down there.
Speaker 1 (24:11):
No, that was on the periphery. The warning would be below.
Speaker 3 (24:14):
The That's fine, that's fine. I don't get mad at me.
Think I ain't mad. Didn't be mad at that list.
That list he freaking outstanding, bro, Thank you, thank.
Speaker 1 (24:25):
You, my brother man.
Speaker 3 (24:26):
But all right.
Speaker 1 (24:26):
The duelists. The duelas written by the Great Steve.
Speaker 8 (24:29):
Harris, based on the nineteen seventy seventh film of the
same name about a long standing feud between two French
officers during the Napoleon era. Lots of sword fighting going
on here, for sure. I give it five out of
five top tick there.
Speaker 3 (24:48):
Hell yeah, man, the duellists, man, you know, Harris is
stabbing at a sword fighting and dueling and man, I
mean he just does it great man. And fu another
what you say, man, another freaking great song. Man. It's
and it's actually kind of a little bit of a
long song. I mean, it's got just I mean. And
(25:11):
then then before we get gotta talk about freaking Adrian
Smith and Dave Murray's incredible dual guitar solos. Man talking
about duelist here, I mean, holy cow, man, the back
and forth I mean between Dave's Dave's noodling, you know,
(25:33):
because he just he just kind of he kind of
wings it a lot. He's just noodles and stuff. And
it's just awesome. Man. And and then Adrian Smurf, Adrian Smith,
Agent Smurf, Agent Smith, who fucking works out these freaking
great memorial, memorable guitar parts.
Speaker 7 (25:52):
Man.
Speaker 3 (25:52):
He like Bruce Dickinson once said in an interview that
Adrian Smith would like slave over a guitar hard for
hours until he got it just right, you know, and
and and and and it's it just makes it so memorable. Man.
I just love those two playing together. Man, It's just
fucking it's like tipped in down in Wilton DeGarmo. I mean,
(26:14):
it's just fucking incredible, man, incredible.
Speaker 9 (26:18):
But but anyway, all right, man, let's move on to
uh uh track number six, Back to the Village Man
another Smith and Dickinson.
Speaker 3 (26:28):
Wow. Man, what an insane, crazy opening guitar rip killer
killer air raids song, just ignoring the white flag of
truth and just totally annihilate man. The song. The song
is just so badass, man. I mean, I can't say
enough about that intro guitar riff plang. What do you
think about Back to the Village? Are back in the Village? Yeah?
Speaker 1 (26:53):
Back in the village exactly?
Speaker 3 (26:54):
Uh?
Speaker 8 (26:56):
Songs inspired by the British TV series Is the Prisoner?
Speaker 3 (27:01):
The Prisoner? Really?
Speaker 8 (27:03):
This certainly was, Yeah, and the song has themes of surveillance, surveillance, uh,
psychological manipulation, you know.
Speaker 1 (27:18):
And I understand I'm being redundant and I don't give
a fuck five out of five chopsis.
Speaker 3 (27:25):
Damn hell yeah, be redundant as fuck because this album
deserves it.
Speaker 1 (27:30):
Yeah, really do, dude.
Speaker 3 (27:32):
Take the title track our slave man, take this motherfucker
holy cow. Yeah.
Speaker 8 (27:38):
Written by Bruce Dickinson. Very interesting that he's the lone
writer on that.
Speaker 3 (27:43):
Yeah, very cool, very cool. He was a flash of
the blade too.
Speaker 1 (27:48):
Yeah, very valid.
Speaker 8 (27:49):
Fun brother man Nico is his drumming in this song
in the beginning, and the whole thing is so famous
you know what I'm saying.
Speaker 1 (27:58):
Oh yeah, uh, you know.
Speaker 8 (27:59):
The whole Egyptian mythology. The song's amazing. It always gets
me excited. I just it's heavy, it's banging. It fucking
gets my blood running in everything, and I love it when.
Speaker 3 (28:12):
I get it fine if hell yeah. But I love
it when it opens up with that big wah. I
fucking love that shit. It's like, you know, you know
you're in for something badass right away when you hear
that shit.
Speaker 4 (28:30):
Man.
Speaker 3 (28:31):
Just title track, just amazing, awesome song taking us back
to the to the days of the Pharaohs of Egypt,
where Pharaoh's realizes he was, you know, just a man
and as and he's gonna die but yet yet he's
revered like a god by his people. But it but
in all honesty, man, he knows he's just a man
and he's gonna die. So it's just fucking fucking bad ass.
Speaker 1 (28:56):
It's deep as ship, dude.
Speaker 3 (28:58):
Man, it's so.
Speaker 8 (29:03):
Yeah, yeah, this is a very intention and for teenagers
this was like Wow, it wasn't the usual topics in concept.
Speaker 3 (29:12):
No it wasn't. Man. I always say I learned a
lot about history through maybe because you know, I wasn't
no scholar. I didn't really care for history in school.
It was boring as fuck, but Maybe made it so interesting. Man,
it was like I got I got it. What is
this about? What is this about? You know? So yeah,
(29:33):
that good stuff, man. But let's move on to the
last and the most epic track, Fuck oh my God
track number eight, the rhyme of the ancient mariner Man
Paris's epic fucking oh my God, just you know, based
on a poem by Samuel Taylor Coolidge.
Speaker 9 (29:53):
Coolidge just just about about respecting all.
Speaker 3 (29:58):
Living things or suffer the concept Quincey's bad. It's just
just fucking awesome, man, just fucking awesome.
Speaker 4 (30:04):
Man.
Speaker 3 (30:05):
I love everything about it. How I love the length
of it. Man, it could go elong a little bit
longer for me. I mean, I love like how it
you know, the rift, main rift, the versus and then
that really slow part in the middle. Oh man, and
then you know you can hear the ship creaking on
the water and stuff. So awesome, dude, I love it. Man. Wang,
(30:30):
what's your take on a rhyme of the ancient Mariner?
Speaker 8 (30:34):
Yeah, I'm glad you brought up basically the situation. It's
basically a musical interpretation, as you so eloquently said the
Samuel Taylor cool Ridge's poem. The central event is the
mariner's unprovoked killing of an albatross, a creature of good omen,
(30:58):
which brings a curse upon him and his crew. So it's, uh,
we're not talking about take off your panties. Pick, We're
gonna fuck you know what I'm saying.
Speaker 3 (31:10):
Oh hell no, no, this is not that. Uh it's
not a matter fuck chopkick hell yeah. Man, my god, man, dude,
Like I was telling you before we started the episode, Man,
I must have listened to this like probably ten plus times. Man.
I just it just this album just takes you back, man,
(31:31):
It just it just took me back, man where I was,
because like Live after Death was my intro to me.
This so that live album. I mean I had a
you know, a friend friend from school. He borrowed the
whole video from somebody brought it home. I saw that shit. Man,
my jaw just dropped, you know, the fucking the fucking
(31:54):
Mummy opened it up, the the Mummy mask and then
Eddie coming out over the drum. Man, just all that shit,
Dude just tripped me out. Man. I instantly went out
fought live after death and then honestly, man, I'd say
within six months I had their whole back catalog. I
just did the deep Dive and as a teenager, you
(32:15):
know how much you get into that shit, dude. You know,
when you're a team and you got nothing else to do. Man,
you're just listening to music fucking like all day, every
day during the summer, and shit, you know, fucking playing
you're Atari twenty six hundred, you know, you know fuck
you know what I'm saying. Yeah, fucking dude, I just well,
(32:39):
maybe you don't. You're a couple of years older than me.
Speaker 1 (32:41):
Maybe you're pat I know, I know exactly, bro.
Speaker 3 (32:43):
But dude, I man, I just fell in love with me. Man,
and man, just just this this album just brings it
all back. Man, that discovery. And also this was when
I was, you know, learning to play guitar, and I
was cutting my teeth a lot of these songs because
the guy that taught me how to play guitar would
(33:05):
fucking teach me how to play this shit. And but
he wouldn't teach me any of the solos, al any
the hard parts. He just teach me all the rhythms
so that he could solo him the because he was
like a guitar prodigy. Man, I'm not this kid was phenomenal,
but man, he taught me how to play and we
would just sit and sit in our bedroom for hours,
(33:26):
hours on him playing playing guitar to Maiden Priest Kiss.
But a lot of mate, man, a lot of play.
So just good times, man, just fucking dude. Yeah, man,
But I didn't get to see him live. Man, I
didn't get to see him live back in the day.
(33:46):
I could have saw somewhere in time tour, but and
I could have saw what was the next one, the
Seventh Son tour. Yeah, because A's Frilly was going to
open on that tour and that fell through, so I
didn't and I kicked myself. But I finally went to
see him for the first time on two thousand and
(34:06):
nine Somewhere Back in Time tour, which was so awesome
because they brought the whole power sleeves. It was, dude.
I was like, I was sitting there watching this shit live. Man,
I was like, my god, this is the fucking video.
I mean, it's it was other than Yannick Gears dancing
around like a home Oh. Man. You know, I just
(34:29):
kind of blocked him out, man, you know, and just
absorbed at all. It was awesome, man, awesome.
Speaker 1 (34:35):
Ballerina boy Valeria Mandue.
Speaker 3 (34:38):
The guy means well and he probably is a great
guitar player, but there was no need for him once
they brought Adria back. But hey, man, I respect him,
I respect them. I respect seems the decision for not
firing him and keeping him in the band and being
a three guitar prog Man. Yeah, there you go pretty much, dude.
(35:03):
You know there's still going bless them, God, bless them, man.
But yeah, man, way, you got anything else about this
era of Maiden you want to share with us?
Speaker 8 (35:14):
Well, yes, I do, my brother, man, I think that
I mean, obviously, I'm stating in the obvious this was
such a magical period for a hard rocking and heavy metal.
And unless you were old enough to understand it, you know,
and not like three or four or whatever, you don't
get it. But Power Slave was powerful. It was metal
(35:40):
tinged on some progressive metal. They got way more progressive
as the albums went on. We're going to do another
Maiden album coming up, and that's when I finally saw
Iron Made Live. It was still the eighties, but unfortunately
I missed all these uh you know, this album with
Chubby and his brother Dave. But it was a magical era, obviously, it.
Speaker 3 (36:06):
Really was.
Speaker 1 (36:07):
It certainly was.
Speaker 8 (36:08):
And uh, we're glad everybody's watching and uh enjoying and
bringing back memories and everything. And I want to say,
we are a member of the Fancast Media network, and
I want to say, what's up to our Rumble viewers
not Rumble uh you know audio. We're actually on the
(36:29):
video format because of our manager, Rotten Dy, who's coming
on soon.
Speaker 3 (36:34):
Very soon.
Speaker 8 (36:36):
Yeah, make it happen. I mean he's my boy too.
But you got more free time during the day than
I do. But yeah, so Randy our brother, and uh,
but so what's up everybody watching on Rumble Mad respect.
Speaker 1 (36:52):
We love you, thank you so much.
Speaker 3 (36:54):
Yes, hell yeah, every Spotify and listening there and all
the platforms.
Speaker 8 (37:05):
Right, we love all you guys, appreciate everything.
Speaker 3 (37:10):
Awesome, dude, awesome. Oh yeah, we did not. We cannot
end an Iron Maiden episode without talking about the great,
the great Derek Riggs, the creator of Eddie. All Right,
my god, what what a huge part Eddie played in
(37:31):
the visuals of Iron Maid. I mean, you would go
into a record store back in the days and you
just you just be so excited looking at those album covers. Man,
I just stand there and be like, God, I wish
I had the money to buy this one now, you know,
and you know you just dude, I fucking loved, loved Eddie.
(37:52):
I used to draw him constantly on all my freaking
on all my freaking high school folders. Weren't they called pete?
Speaker 8 (38:01):
Hold on, weren't they called peaches the folders peaches.
Speaker 3 (38:05):
That we drawn. I don't know, I just got I.
Speaker 8 (38:08):
Believe they were somebody out there. I'm making the comments.
Tell me if I'm right.
Speaker 3 (38:12):
I just always had these little cheap pocket folders. They
were yellow. He's got That's what I'm saying.
Speaker 1 (38:19):
Brother, Those are peaches.
Speaker 3 (38:21):
Yeah, I'm yeah, they're like nine piece or fifty that day. Yeah, man,
I would just draw. I dude. I drew every album cover.
I draw them on the desk. I draw that bitch everywhere,
and I because I love to draw. And I still
got a couple of pictures I'll throw up on the
(38:41):
screen of Eddie that I drew back in the day.
Speaker 1 (38:44):
Man.
Speaker 3 (38:45):
So, but yeah, why'd you do that? Brother?
Speaker 1 (38:47):
I show everybody your artistic skills.
Speaker 3 (38:49):
Oh yeah, man, dude, Hey, hey, man, I gotta admit
I looked at that ship. I'm like, man, how did
I get this ship to look like that? But I
did it, man, I drew Yeah, yeah he did. I
didn't fucking I didn't fucking trace that ship. That was
all free in man. I also made an iron made
a shirt in high school. The first album it was that.
(39:10):
I was just so into mad Man back then. It
was so exciting.
Speaker 8 (39:14):
They were so exciting, man, it was they stood out
like a sore thumb.
Speaker 3 (39:19):
Oh did, like Lars said. Lars even said it in
an interview. He said something like, may know he's had
the coolest artwork, the coolest album covers, the coolest videos,
you know, and It's so true, man, it's so true. Man.
Maybe but yet, but yet they still got no radio
(39:42):
airplay what soever. I mean, yeah, once in a blue
move on a special radio night, they'll pay something like
front of the Ills, you know, Cort, you know, come on, man,
he might look out here wasting years. Or can I
play with Madness on xm RA. But right right, you're
(40:02):
not gonna hear much of man.
Speaker 1 (40:05):
Which is a travesty. Which is a travisty.
Speaker 3 (40:07):
But who gives a fuck the radio? Fuck radio radio
radio is dead anyway, man, It's a dead platform. Let's
be honest, man. Between the interpet and satellite radio, who
needs you can listen to whatever the fuck you want. Yeah,
(40:28):
all right, man, that's about it for me. Wang Man,
you got anything else you want to say?
Speaker 8 (40:32):
I ain't got anything, my brother man, thanks for everybody
for checking our ship out. And we'll see you next episode,
and we're gonna do something very similar to today's episode
with the band. We won't say anything about.
Speaker 3 (40:46):
That, but anyway, Oh I do got a special announcement.
Oh there, I do got a special announcement. Hang on,
hang on, what's up to me? Sure?
Speaker 8 (41:00):
I don't know if this is gonna get cut out.
But let's see if Singingatanley has something. Oh, look at him,
go through the look at him like he's a part
of the cast of the Iron Maiden album covers.
Speaker 3 (41:11):
All right, all right, you ready, everybody, We're ready, We're ready, ready. Finally, finally, finally,
we have available at ats dot com. You can go
and get your official official oh shit, Sinking Wang Show shirt.
Speaker 1 (41:35):
Yeah.
Speaker 3 (41:36):
There it is.
Speaker 8 (41:38):
Harry Dames with the kiss out of lettering love it,
love it, love it.
Speaker 3 (41:43):
There we are the Sinking Wag Show T shirt. Everybody,
help us out, people.
Speaker 8 (41:50):
We need money to buy Guinness beer and you know,
various other sort of things.
Speaker 3 (41:55):
So help us out, people. I will put the link
on the screen and all and on the YouTube, and
on the and and on.
Speaker 1 (42:07):
The sixty wag Facebook groove. Motherfuckers, Does that still exist?
Speaker 3 (42:13):
Does that still exist? It's like bigfoot man, you know,
you know sometimes you won't, but but yes, it doesn't exist.
The second wag Fag Facebook page does exist, So go
join that, mother well.
Speaker 8 (42:28):
You know, and I gotta be honest because I only
go on Facebook after fifteen thousand Guinness Otherwise I don't
give a fuck about Facebook. But I did go on
Facebook one day, and I did go to ours. You know,
once in a while I go on there when I'm
hammered or whatever. But I did go to the syncond
Wing show, and I saw a guy that was blast posting,
(42:50):
the redheaded guy with the buck teeth, and they're always
he's always oh yeah, oh.
Speaker 3 (42:55):
Yeah, yeah, yeah yeah, Mark, Alton Taylor all this. Yeah,
I don't know the guy. I'm limited his post thing.
I'm sorry, Mark, but man, that was a little bit
too much. Man.
Speaker 8 (43:03):
Yeah, anyways, that guy I limited one post that you mentioned.
Speaker 3 (43:08):
The guy's name.
Speaker 1 (43:09):
I remember Ralph four. Ralph and I were always fighting
with the guy. As matter of fact.
Speaker 8 (43:15):
Funny thing, I made that guy, like a billion years ago,
when those guys are fighting with him, I made him
make a video an apology to that podcast and me
and the two other hosts.
Speaker 1 (43:27):
Little of me was just some nuts out showed up.
Speaker 3 (43:29):
On the show.
Speaker 1 (43:30):
But yeah, that guy I saw that. I says, Oh,
there goes our Facebook fight. It's deleted. It's over.
Speaker 3 (43:37):
Well yeah, man, the good old days, man, the good
old days, and everybody, the good old days when everybody
was friends and we all had fun on Facebook.
Speaker 1 (43:49):
Back in the day brother back then.
Speaker 3 (43:51):
You know it is what it is, man, But hey man,
we're here. We're the Second Wagon Show. And yeah, man,
get on our Facebook group and get a Sinking Wang
T shirt and thanks for all your support. And as
for me, that wraps up another episode of the Second Wave,
(44:12):
so we'll see you next time.
Speaker 2 (44:15):
Bare A think Army production.
Speaker 1 (44:23):
Ba ba ba bam.
Famcast media.
Speaker 2 (00:04):
Allow boys and girls think I'm a brain formerly of
our Maiden.
Speaker 3 (00:07):
I am currently titanium twer.
Speaker 1 (00:09):
Very cool and you are watching sinking Wang.
Speaker 3 (00:14):
Stay tuned.
Speaker 1 (00:15):
God bless your fight to the end.
Speaker 4 (00:18):
We shall fight in ground, which will fight on the
seas and oceans. We shall fight with growing confidence and
growing straight in the air. We shall depend our island,
whatever the grass may be. We shall fight on the beaches.
We shill fight on the landing grounds. We shall fight
(00:38):
in the field and in the streets. We will fight
in the hills.
Speaker 5 (00:43):
We shall never terrend sto some side.
Speaker 6 (01:43):
Ship be sent to be a with.
Speaker 7 (02:43):
A love.
Speaker 2 (02:48):
Tell what I was, slu God, what does.
Speaker 3 (03:09):
That's all the stories?
Speaker 1 (03:14):
This is what I want to go to.
Speaker 3 (03:16):
Bloodship sold his house.
Speaker 2 (03:18):
To times, excusing.
Speaker 5 (03:31):
The words.
Speaker 3 (03:39):
The time the rock. You can standly hear. People are listen. Hey,
(04:37):
it's me Bill Way. Are you all doing damp? Oh?
Speaker 4 (04:42):
Man?
Speaker 3 (04:42):
Way Man? What a man? I forgot to talk about this,
you know, we we didn't. We didn't talk about it
much on the Paul Stanley episode. But uh yeah, I
got to see Nick go. I got to see his
little little solo side fry. Well it's not a side
project anymore because he is no longer an Iron Mat unfortunately,
(05:04):
you know. But I got to see Titanium tart Man
a couple of weeks back, and Nicko was so awesome
that he did that awesome intro for us. Man, isn't
that cool?
Speaker 7 (05:16):
Man?
Speaker 1 (05:18):
Awesome? I'm very appreciative, very cool, very cool.
Speaker 3 (05:21):
Oh man, it was so cool of a man. Nicko's
just he's just the sweetest, nicest freaking guy. And I
just went ahead and hit the meet and Greek. I
mean I paid for the meet and greed. It was
only seventy fives, so I freaking paid for it, and
he signed my. He signed my I actually have got it,
(05:42):
but I have my big Live after Death promo poster
with all the album covers down on the bottom. He
signed over a peace of mind. So it was really cool, man,
freaking freaking awesome. Man. So yeah, man, way, why don't
you go ahead and do the stats for this? Yeah,
(06:03):
classic fuck album We're gonna do. Man.
Speaker 8 (06:06):
Yeah, it's amazing. But you know, you talking about meeting Nico,
and unfortunately I've never met him or any of the
guys that made it, but he always seemed like that
guy that you know, you meet at the bar and
fucking like down bears and have a good old time
and talk about.
Speaker 1 (06:22):
Sports and ship and rock and roll. The salt of
the earth.
Speaker 3 (06:27):
Man.
Speaker 1 (06:27):
So yeah, I'm so. I'm very grateful that he made
our little very cool thing.
Speaker 3 (06:34):
Dude. Oh yeah, man, he's awesome.
Speaker 4 (06:36):
Man.
Speaker 3 (06:36):
Yeah, I managed to meet him, and I met him
like this was the third time I met him, actually,
But and I met Steve Harris once. And that's that's it, man,
I got it. I can't, for the life of me
beat those guitar players. Man, I'd love to beat I'd love.
Speaker 6 (06:55):
To be.
Speaker 3 (06:57):
Dave.
Speaker 8 (06:57):
Absolutely absolutely. So let's go back in time. We're gonna
go back to September third of nineteen eighty four. Obviously
we're gonna do the Iron Maiden Heavy Metal Classic Power Slave.
Like I said, September third, eighty four. It was on
(07:18):
E m I label. It was recorded at Compass Point
at Nasab in the Bahamas.
Speaker 1 (07:26):
Of course, the the yes.
Speaker 8 (07:29):
Man synonymous with the producing Iron Maine would be, of
course Martin Birch.
Speaker 3 (07:37):
Rest in peace man. Yeah, Martin Birch.
Speaker 1 (07:40):
Yeah, absolutely, brother man.
Speaker 8 (07:42):
And of course this lineup Bruce Dickinson with vocals Dave
Murray guitar, the Great Adrian Smith guitar, Steve Harris bass,
and then Nico McBrain on drums.
Speaker 1 (07:54):
It went to on the.
Speaker 8 (07:56):
Billboard two hundred and went to number twenty one on
the bill Or two hundred, and it has uh. I
don't know when the lasket was certified of whatever the fuck,
but it obviously is platinum. And unfortunately I missed the
fucking concert. I don't know why the fuck I missed it,
but I remember going to the Cow Palace with Chubby.
Speaker 3 (08:17):
Man Chubby rules.
Speaker 8 (08:19):
Yeah, Chubby and Judy got to get your ass on
the show Man exactly. But I do have very vivid
memories of driving to the cow Palace and Chubby's brother
Dave was driving, and those guys got their tickets and
then I, if I'm not mistaken, I think I was
in with the family in Boston.
Speaker 1 (08:40):
But anyways, so.
Speaker 3 (08:42):
Yeah, a brother man. So there's another Chubby. There's like
Chubby Chubby Tubby.
Speaker 8 (08:47):
Yeah. Yeah, basically Chubby is at the spider web of
the Chubbiness. It goes miles and miles and miles around
and it's synonymous with Chubby.
Speaker 3 (08:58):
Uh double Chevy back then basically and you know what
I do want to say something real fast today as
we record this episode.
Speaker 8 (09:09):
On this is exact day, Vinnie Vincent has been in
Sea Caught and Al Salvador for fifty days. If anybody
gives a fuck? Do you give a fuck? Sinkings down here?
Speaker 3 (09:25):
Kind of? Ok? Yeah, man, I'm eagerly awaiting that new
music that he can that he's been promising for the
past twenty years, which he will.
Speaker 8 (09:38):
It would be impossible for him to release it in prison.
Speaker 1 (09:42):
So my advice to use pray that Vinnie gets released.
Speaker 3 (09:46):
Hey man, he could he could do something like Johnny
cash Man Wholesome Prison. You know you can do a
little prison album.
Speaker 1 (09:57):
Sing it Fanny? All right, man, here's the deal.
Speaker 8 (09:59):
On this a date of September third of nineteen hundred
and eighty four, the number one movie in the United
States of America was called Type Rope, Tightrope. The number
one TV show in our great country was Dynasty.
Speaker 3 (10:15):
Oh wow, okay, okay, but you're gonna say that us.
Speaker 1 (10:19):
Yeah, well, I wish I could have, but unfortunately I can't.
Speaker 8 (10:22):
And the number one album was by the Great Prince
Purple Rain he Go and if you can hear in
the background as we are chatting along here the number
one song on the Billboard one hundred but was by
Tina Turner. What's Love Got to.
Speaker 3 (10:42):
Do with It? There you go? That was huge, huge hit.
Speaker 1 (10:46):
Yeah, remember that huge, dude.
Speaker 3 (10:48):
Oh this was huge, man, that video was Tina Turner
was cool, dude. Yeah, yeah, I dug a lot of
her songs. Man. Oh that's fucking cool. Right. You know
that one song, you know that one song she did
You Better be Good to Me. I don't recall it,
that big hit. Well you might have been good to me.
(11:10):
That's how it's gotta be well anyway, man, that was
That was originally done by Holly.
Speaker 7 (11:18):
Knight and and and performed in her band called Spider
with Anton Pigg on drum.
Speaker 8 (11:29):
Holy shit, I'm gonna give you a Johnny Carson. I
did not know that.
Speaker 3 (11:33):
Oh, you gotta go check out the video. There's even
a video for it. Yeah, it's awesome, man, dude. There
it was not a stretch what she Tina Turner barely
made hardly any changes to it. Yeah. Even the singer,
even a white singer, chick from Spider, sang it just
(11:54):
like Tina. I mean, it's not a stretch man. But anyway, yeah, I.
Speaker 8 (12:00):
Get out, brother man. And in closing of the pop
culture serve situation, the the NFL Champs of the nineteen
eighty four season, where the Joe Montana led San Francisco
forty nine ers, and the NBA Chants where the Larry
Bird led Boston Celtics who beat the Los Angeles Lakers.
Speaker 3 (12:24):
That was a very good your boys.
Speaker 1 (12:26):
Yes, sir, thank you much for the man.
Speaker 8 (12:28):
And then the major League Baseball World Series champs were
an amazing team from Detroit, Michigan, and they were the
Detroit Tigers.
Speaker 1 (12:38):
They were so badass that year.
Speaker 8 (12:40):
And in closing the amazing someone that I've respected forever,
not necessarily a fan, because I'm a Boston Bruin fan,
but a team that I have like really gave massive
prop to over the years, the NHL Stanley Cup Champs
were the Edmonton Oilers.
Speaker 3 (12:58):
Fair. Oh yeah you to them a lot, man, Yeah,
I really do. It must be a really good team.
Speaker 8 (13:05):
Oh absolutely, bro, absolutely hell yeah.
Speaker 1 (13:08):
Yeah one for the ages, brother.
Speaker 3 (13:11):
Yeah, buddy, Yeah all right, man, So uh you ready
to get into this classic motherfucker here? Man, I'm ready
as fuck. Bro. Oh my god, Man, Wang why don't
you go ahead and started out then Aces High.
Speaker 8 (13:28):
Yes, sir, aces Oh, someone's gonna be mad at me,
I said, yes, sir.
Speaker 3 (13:33):
Uh hey man. The first song on the.
Speaker 8 (13:41):
Record is called Aces High, and it was written by
Steve Harris. It's about the Battle of Britain of Pivotal
Air Battle during World War Two, from the perspective of
of a British Royal Air Force pilot. It's slamming, it's amazing,
(14:02):
it's spectacular, and it is fine and.
Speaker 1 (14:05):
Of five chomping.
Speaker 3 (14:08):
Fuck yeah. Man, this is quinn essential made fast tempo.
Great you know, great album opener, also a great live opener.
Absolutely love this song. It's freaking classic as fuck.
Speaker 1 (14:23):
Man.
Speaker 3 (14:24):
And and I just love when they do the Churchill's
speech in front of it too, man like brilliant. Kitch
is so freaking pumped up, especially when they opened to
the vibe. How they get back to the day. Oh man,
it's freaking aces High rules and to this day, man
still crushed it. Man, Like that last tour where they
(14:45):
did the last tour I saw where they did as High.
They brought the fucking plane out. Oh man, it was incredible, dude,
I mean.
Speaker 8 (14:53):
Hey, hold on, a ticket time And what kind of
plane was that?
Speaker 3 (14:58):
Dude, I don't know. Man, you're the expert on planes.
You tell me it was some type of bomber. Man,
it was that note.
Speaker 1 (15:04):
It was the spitfire, the grass fire.
Speaker 3 (15:08):
That's it. Hell yeah, Man, badass and.
Speaker 7 (15:13):
Then Man Man, then it's slams dragging the track number two.
Speaker 3 (15:17):
Man two minutes to Midnight Man a fucking Smith and
Dickinson writing writing team. Man just fucking killing it. Man,
it just gives you. It just gives you that one
two punch man both on the album and both live
Man back to back, It's fucking classic. It's fuck Man
(15:37):
two minutes to Midnight Man just mat him almost got
their finger on that button for doomsday.
Speaker 8 (15:44):
Man.
Speaker 3 (15:45):
Just such a fucking great song. Wang, what's your thoughts
on two Minutes to Midnight? Yeah? Boy? Wow? Right, what's that?
I said? I know right? It's like speechless.
Speaker 8 (16:00):
It is an amazing back to back the It was
written by Adrian Smith and Bruce Dickinson and.
Speaker 1 (16:10):
Nico Just our boy. It's just so amazing in this song.
Speaker 8 (16:15):
And it went to number eleven on the UK Singles Chart.
Speaker 3 (16:20):
Oh wow, Yeah, number eleven.
Speaker 8 (16:22):
On the UK Singles chart. We're too much of a
pussy used to have it on our chart.
Speaker 3 (16:28):
But bro isn't an amazing that they could chart so
high over in England but they didn't do ship in
America yet they could come and sell out four Nights
and Long Beach Arena and then fucking Madison Square Garden.
Speaker 1 (16:41):
Yeah, yeah, yeah, and like, yeah, it is amazing.
Speaker 3 (16:45):
It's insane.
Speaker 1 (16:47):
Yeah yeah.
Speaker 8 (16:47):
And it's basically like it's a protest song against nuclear
war and it has all the tropes of that and everything,
and it's a brilliant fucking song and such a badass
banger back to back because I had made it with
all the respect nobody is but you know, Iron Made
is not this heavy back now.
Speaker 1 (17:08):
You know they're more of a frog band.
Speaker 3 (17:10):
Yeah, more of a frog band, look, and it's all good,
by the man, it's all good.
Speaker 8 (17:13):
But uh yeah, man, So I'm gonna give this song
five out of five chucks thiss.
Speaker 3 (17:18):
Man, hell yeah man. And getting back to nineteen eighty
four with I mean, what in all honestness, man, what
other metal band was selling out four knights at Long
Beach Aerina or Madison Square Garden.
Speaker 1 (17:35):
Well, they didn't sell out four Knights in Madison Square Garden.
Speaker 3 (17:38):
But yes, that have long reason. I think they sold
out multiple nights, but they did sell out four Knights
in Long Beacherina, so I.
Speaker 1 (17:44):
Thought they're amazing, and unfortunately I never saw it.
Speaker 8 (17:47):
So every time I talk about the Power Slave for
I get very fucking fisted.
Speaker 3 (17:51):
Office so man, because god, man, I saw the kids wear.
They're just Twist's sister shirts and they're yeah, raiding shirts
talking about it.
Speaker 1 (18:02):
Man.
Speaker 3 (18:03):
Yeah, and apparently it was a really close battle. I
mean either Twisted Sister were given maids to run for
their money some night, so I mean it was yeah, man,
I wish I saw that tour too. Man. Yeah, all right,
let's take number three, the instrumental loss for Words, Big Aura.
Speaker 8 (18:23):
Yes, sir, indeed instrumental. I love the musicianship. It's beyond comprehension.
That's a play on words meaning lost for words, big horror.
And it was their interpretation, you know how they are
their joke skirts and okay, right, a bunch of very intricate,
serious shit. But Maiden is a band that, like, like
(18:46):
I say, you know, be a little bit self deprecating.
You know, they don't take everything so serious. So I
gave this ship four to five chaptericks.
Speaker 3 (18:57):
Hell yeah, man, fucking dude, love Lost for Words, man,
Just fucking what a great instrumental by Steve Harris and
and my last band I was in we covered it.
Speaker 5 (19:08):
Man.
Speaker 3 (19:08):
It was fucking so fun as fuck to play this song. Man,
This song just it's it's a knucklebuster too. Man. It's
got some great riffage in it, some great solos. But yeah,
I love Lost for Words, man, tell yeah, fucking great man.
And then we move right into Flash of the Blade,
(19:30):
Oh Man by Dickinson. Just you know, it's just about
you know, a kid fantasizing about growing up to be
a sword fighter and actually takes fencing lessons by a
master and turns into a fierce fighter. Man, it's a
fucking killer song man. I fucking love it man. That
opening riff, man, just that that guitar by itself, Oh
(19:52):
my god, I love it man, Wang Wlang. What do
you think of Flash of the Blade?
Speaker 8 (19:57):
Bro, I think it's fantastic. Bruce Dickinson writes it, and
as he eloquently set up the meeting of the song,
it was fantastic, you know. I think it's you know,
Bruce being the sword of master that he is. I
like the concept about the gains the skills to be
(20:19):
able to be an expertise in sword fighting.
Speaker 1 (20:22):
And what he what he?
Speaker 3 (20:23):
What does he do?
Speaker 8 (20:24):
He uses those skills to avenge his family's misfortune with vengeance.
Speaker 1 (20:31):
I five Chap Dicks.
Speaker 3 (20:33):
Okay, hell yeah, man, all right, wang, I want to
take number five the duelists.
Speaker 1 (20:42):
Yeah.
Speaker 8 (20:42):
Before I get to the duelist, I'm gonna tell you,
I'm gonna tell you singing Stanley and whoever's watching my number,
I'm gonna I have ten picks for that came out
and the calendar year of nineteen and eighty here they are.
Speaker 3 (21:01):
What a great year, dude, This is gonna be awesome.
Speaker 8 (21:03):
Yes, Sarah, Yes, Sarah. Let's see what you guys say.
I'm sure you like the most of these, if not
all of them. My number ten would be the ac
dc EP jail Break.
Speaker 3 (21:15):
Hell yeah, yes, sir.
Speaker 1 (21:17):
Number nine would be the comeback album by.
Speaker 8 (21:19):
Deep Purple Perfect Strangers Awesome, an amazing album.
Speaker 3 (21:25):
Number eight would be Dawkin to the Nail Killer.
Speaker 8 (21:30):
Number seven would be Rat Out of the Cellar Awesome.
Speaker 3 (21:35):
Number six, number.
Speaker 8 (21:37):
Six, number six six six six six six would be
d o the last in line, oh manra number and
number five would be a tour that I saw with
Chubby with Chubby in.
Speaker 1 (21:50):
Nineteen eighty four.
Speaker 3 (21:52):
Yeah, me and Chubby.
Speaker 8 (21:53):
Saw the Defenders of the Fake Tour anyways, and his
brother and all these together crazy number five Jews Breach
Defenders the Faith. And number four you know what you
go on, let me tell you, let me ask you
about what's your take on Defenders of the Faith.
Speaker 3 (22:11):
I fucking love it, bro, man, it's just slamming, dude.
We need to review it. We need to review it, man. Yeah,
burning fast as fuck, the Sentinel, come on, dude.
Speaker 1 (22:24):
Oh sure.
Speaker 3 (22:28):
Then you got those harty songs like rock Hard, Ride
Free and the Killer ballad man with when the Night
Comes down. Fucking a dude, I love We.
Speaker 8 (22:38):
Gotta do it, brother, We gotta yes, sir, Yes, sir.
And then number four, Number four would be Rush Grace
under Pressure.
Speaker 3 (22:49):
And let's okay, I get that a lot.
Speaker 8 (22:53):
I'm not gonna send illegal aliens over to your house
to rob your house, don't trip.
Speaker 1 (23:00):
That's all good, But.
Speaker 3 (23:01):
Then you know.
Speaker 1 (23:06):
I know so.
Speaker 8 (23:08):
And just a little side note on the Rush Grace
under Pressure. I was fortunate enough to see the great
Gary Moore on that tour opening up for.
Speaker 3 (23:18):
Rush Cow Palace. Yes, the Lucky Yes, Lucky Me.
Speaker 8 (23:23):
And the number three album of nineteen and eighty four
would be this album.
Speaker 1 (23:28):
Iron Made Power Sleeve. Uh yeah, right right, And then
number two.
Speaker 8 (23:36):
Number two would be Van Halen nineteen eighty four.
Speaker 3 (23:41):
Classic.
Speaker 8 (23:43):
And the number one album by far blows away. All
these albums with all the oh maybe not blows away.
I think it's better that the second album by the
greatest heavy metal the biggest heavy metal band on the
planet today and tomorrow on the next day, Metallic Ride
the Lightning.
Speaker 3 (24:02):
Yeah, Oh my god, Wow.
Speaker 1 (24:05):
Andy four sake it, Sally only Wow, Man.
Speaker 3 (24:07):
I didn't no, I didn't hear no. Queen's right down there.
Speaker 1 (24:11):
No, that was on the periphery. The warning would be below.
Speaker 3 (24:14):
The That's fine, that's fine. I don't get mad at me.
Think I ain't mad. Didn't be mad at that list.
That list he freaking outstanding, bro, Thank you, thank.
Speaker 1 (24:25):
You, my brother man.
Speaker 3 (24:26):
But all right.
Speaker 1 (24:26):
The duelists. The duelas written by the Great Steve.
Speaker 8 (24:29):
Harris, based on the nineteen seventy seventh film of the
same name about a long standing feud between two French
officers during the Napoleon era. Lots of sword fighting going
on here, for sure. I give it five out of
five top tick there.
Speaker 3 (24:48):
Hell yeah, man, the duellists, man, you know, Harris is
stabbing at a sword fighting and dueling and man, I
mean he just does it great man. And fu another
what you say, man, another freaking great song. Man. It's
and it's actually kind of a little bit of a
long song. I mean, it's got just I mean. And
(25:11):
then then before we get gotta talk about freaking Adrian
Smith and Dave Murray's incredible dual guitar solos. Man talking
about duelist here, I mean, holy cow, man, the back
and forth I mean between Dave's Dave's noodling, you know,
(25:33):
because he just he just kind of he kind of
wings it a lot. He's just noodles and stuff. And
it's just awesome. Man. And and then Adrian Smurf, Adrian Smith,
Agent Smurf, Agent Smith, who fucking works out these freaking
great memorial, memorable guitar parts.
Speaker 7 (25:52):
Man.
Speaker 3 (25:52):
He like Bruce Dickinson once said in an interview that
Adrian Smith would like slave over a guitar hard for
hours until he got it just right, you know, and
and and and and it's it just makes it so memorable. Man.
I just love those two playing together. Man, It's just
fucking it's like tipped in down in Wilton DeGarmo. I mean,
(26:14):
it's just fucking incredible, man, incredible.
Speaker 9 (26:18):
But but anyway, all right, man, let's move on to
uh uh track number six, Back to the Village Man
another Smith and Dickinson.
Speaker 3 (26:28):
Wow. Man, what an insane, crazy opening guitar rip killer
killer air raids song, just ignoring the white flag of
truth and just totally annihilate man. The song. The song
is just so badass, man. I mean, I can't say
enough about that intro guitar riff plang. What do you
think about Back to the Village? Are back in the Village? Yeah?
Speaker 1 (26:53):
Back in the village exactly?
Speaker 3 (26:54):
Uh?
Speaker 8 (26:56):
Songs inspired by the British TV series Is the Prisoner?
Speaker 3 (27:01):
The Prisoner? Really?
Speaker 8 (27:03):
This certainly was, Yeah, and the song has themes of surveillance, surveillance, uh,
psychological manipulation, you know.
Speaker 1 (27:18):
And I understand I'm being redundant and I don't give
a fuck five out of five chopsis.
Speaker 3 (27:25):
Damn hell yeah, be redundant as fuck because this album
deserves it.
Speaker 1 (27:30):
Yeah, really do, dude.
Speaker 3 (27:32):
Take the title track our slave man, take this motherfucker
holy cow. Yeah.
Speaker 8 (27:38):
Written by Bruce Dickinson. Very interesting that he's the lone
writer on that.
Speaker 3 (27:43):
Yeah, very cool, very cool. He was a flash of
the blade too.
Speaker 1 (27:48):
Yeah, very valid.
Speaker 8 (27:49):
Fun brother man Nico is his drumming in this song
in the beginning, and the whole thing is so famous
you know what I'm saying.
Speaker 1 (27:58):
Oh yeah, uh, you know.
Speaker 8 (27:59):
The whole Egyptian mythology. The song's amazing. It always gets
me excited. I just it's heavy, it's banging. It fucking
gets my blood running in everything, and I love it when.
Speaker 3 (28:12):
I get it fine if hell yeah. But I love
it when it opens up with that big wah. I
fucking love that shit. It's like, you know, you know
you're in for something badass right away when you hear
that shit.
Speaker 4 (28:30):
Man.
Speaker 3 (28:31):
Just title track, just amazing, awesome song taking us back
to the to the days of the Pharaohs of Egypt,
where Pharaoh's realizes he was, you know, just a man
and as and he's gonna die but yet yet he's
revered like a god by his people. But it but
in all honesty, man, he knows he's just a man
and he's gonna die. So it's just fucking fucking bad ass.
Speaker 1 (28:56):
It's deep as ship, dude.
Speaker 3 (28:58):
Man, it's so.
Speaker 8 (29:03):
Yeah, yeah, this is a very intention and for teenagers
this was like Wow, it wasn't the usual topics in concept.
Speaker 3 (29:12):
No it wasn't. Man. I always say I learned a
lot about history through maybe because you know, I wasn't
no scholar. I didn't really care for history in school.
It was boring as fuck, but Maybe made it so interesting. Man,
it was like I got I got it. What is
this about? What is this about? You know? So yeah,
(29:33):
that good stuff, man. But let's move on to the
last and the most epic track, Fuck oh my God
track number eight, the rhyme of the ancient mariner Man
Paris's epic fucking oh my God, just you know, based
on a poem by Samuel Taylor Coolidge.
Speaker 9 (29:53):
Coolidge just just about about respecting all.
Speaker 3 (29:58):
Living things or suffer the concept Quincey's bad. It's just
just fucking awesome, man, just fucking awesome.
Speaker 4 (30:04):
Man.
Speaker 3 (30:05):
I love everything about it. How I love the length
of it. Man, it could go elong a little bit
longer for me. I mean, I love like how it
you know, the rift, main rift, the versus and then
that really slow part in the middle. Oh man, and
then you know you can hear the ship creaking on
the water and stuff. So awesome, dude, I love it. Man. Wang,
(30:30):
what's your take on a rhyme of the ancient Mariner?
Speaker 8 (30:34):
Yeah, I'm glad you brought up basically the situation. It's
basically a musical interpretation, as you so eloquently said the
Samuel Taylor cool Ridge's poem. The central event is the
mariner's unprovoked killing of an albatross, a creature of good omen,
(30:58):
which brings a curse upon him and his crew. So it's, uh,
we're not talking about take off your panties. Pick, We're
gonna fuck you know what I'm saying.
Speaker 3 (31:10):
Oh hell no, no, this is not that. Uh it's
not a matter fuck chopkick hell yeah. Man, my god, man, dude,
Like I was telling you before we started the episode, Man,
I must have listened to this like probably ten plus times. Man.
I just it just this album just takes you back, man,
(31:31):
It just it just took me back, man where I was,
because like Live after Death was my intro to me.
This so that live album. I mean I had a
you know, a friend friend from school. He borrowed the
whole video from somebody brought it home. I saw that shit. Man,
my jaw just dropped, you know, the fucking the fucking
(31:54):
Mummy opened it up, the the Mummy mask and then
Eddie coming out over the drum. Man, just all that shit,
Dude just tripped me out. Man. I instantly went out
fought live after death and then honestly, man, I'd say
within six months I had their whole back catalog. I
just did the deep Dive and as a teenager, you
(32:15):
know how much you get into that shit, dude. You know,
when you're a team and you got nothing else to do. Man,
you're just listening to music fucking like all day, every
day during the summer, and shit, you know, fucking playing
you're Atari twenty six hundred, you know, you know fuck
you know what I'm saying. Yeah, fucking dude, I just well,
(32:39):
maybe you don't. You're a couple of years older than me.
Speaker 1 (32:41):
Maybe you're pat I know, I know exactly, bro.
Speaker 3 (32:43):
But dude, I man, I just fell in love with me. Man,
and man, just just this this album just brings it
all back. Man, that discovery. And also this was when
I was, you know, learning to play guitar, and I
was cutting my teeth a lot of these songs because
the guy that taught me how to play guitar would
(33:05):
fucking teach me how to play this shit. And but
he wouldn't teach me any of the solos, al any
the hard parts. He just teach me all the rhythms
so that he could solo him the because he was
like a guitar prodigy. Man, I'm not this kid was phenomenal,
but man, he taught me how to play and we
would just sit and sit in our bedroom for hours,
(33:26):
hours on him playing playing guitar to Maiden Priest Kiss.
But a lot of mate, man, a lot of play.
So just good times, man, just fucking dude. Yeah, man,
But I didn't get to see him live. Man, I
didn't get to see him live back in the day.
(33:46):
I could have saw somewhere in time tour, but and
I could have saw what was the next one, the
Seventh Son tour. Yeah, because A's Frilly was going to
open on that tour and that fell through, so I
didn't and I kicked myself. But I finally went to
see him for the first time on two thousand and
(34:06):
nine Somewhere Back in Time tour, which was so awesome
because they brought the whole power sleeves. It was, dude.
I was like, I was sitting there watching this shit live. Man,
I was like, my god, this is the fucking video.
I mean, it's it was other than Yannick Gears dancing
around like a home Oh. Man. You know, I just
(34:29):
kind of blocked him out, man, you know, and just
absorbed at all. It was awesome, man, awesome.
Speaker 1 (34:35):
Ballerina boy Valeria Mandue.
Speaker 3 (34:38):
The guy means well and he probably is a great
guitar player, but there was no need for him once
they brought Adria back. But hey, man, I respect him,
I respect them. I respect seems the decision for not
firing him and keeping him in the band and being
a three guitar prog Man. Yeah, there you go pretty much, dude.
(35:03):
You know there's still going bless them, God, bless them, man.
But yeah, man, way, you got anything else about this
era of Maiden you want to share with us?
Speaker 8 (35:14):
Well, yes, I do, my brother, man, I think that
I mean, obviously, I'm stating in the obvious this was
such a magical period for a hard rocking and heavy metal.
And unless you were old enough to understand it, you know,
and not like three or four or whatever, you don't
get it. But Power Slave was powerful. It was metal
(35:40):
tinged on some progressive metal. They got way more progressive
as the albums went on. We're going to do another
Maiden album coming up, and that's when I finally saw
Iron Made Live. It was still the eighties, but unfortunately
I missed all these uh you know, this album with
Chubby and his brother Dave. But it was a magical era, obviously, it.
Speaker 3 (36:06):
Really was.
Speaker 1 (36:07):
It certainly was.
Speaker 8 (36:08):
And uh, we're glad everybody's watching and uh enjoying and
bringing back memories and everything. And I want to say,
we are a member of the Fancast Media network, and
I want to say, what's up to our Rumble viewers
not Rumble uh you know audio. We're actually on the
(36:29):
video format because of our manager, Rotten Dy, who's coming
on soon.
Speaker 3 (36:34):
Very soon.
Speaker 8 (36:36):
Yeah, make it happen. I mean he's my boy too.
But you got more free time during the day than
I do. But yeah, so Randy our brother, and uh,
but so what's up everybody watching on Rumble Mad respect.
Speaker 1 (36:52):
We love you, thank you so much.
Speaker 3 (36:54):
Yes, hell yeah, every Spotify and listening there and all
the platforms.
Speaker 8 (37:05):
Right, we love all you guys, appreciate everything.
Speaker 3 (37:10):
Awesome, dude, awesome. Oh yeah, we did not. We cannot
end an Iron Maiden episode without talking about the great,
the great Derek Riggs, the creator of Eddie. All Right,
my god, what what a huge part Eddie played in
(37:31):
the visuals of Iron Maid. I mean, you would go
into a record store back in the days and you
just you just be so excited looking at those album covers. Man,
I just stand there and be like, God, I wish
I had the money to buy this one now, you know,
and you know you just dude, I fucking loved, loved Eddie.
(37:52):
I used to draw him constantly on all my freaking
on all my freaking high school folders. Weren't they called pete?
Speaker 8 (38:01):
Hold on, weren't they called peaches the folders peaches.
Speaker 3 (38:05):
That we drawn. I don't know, I just got I.
Speaker 8 (38:08):
Believe they were somebody out there. I'm making the comments.
Tell me if I'm right.
Speaker 3 (38:12):
I just always had these little cheap pocket folders. They
were yellow. He's got That's what I'm saying.
Speaker 1 (38:19):
Brother, Those are peaches.
Speaker 3 (38:21):
Yeah, I'm yeah, they're like nine piece or fifty that day. Yeah, man,
I would just draw. I dude. I drew every album cover.
I draw them on the desk. I draw that bitch everywhere,
and I because I love to draw. And I still
got a couple of pictures I'll throw up on the
(38:41):
screen of Eddie that I drew back in the day.
Speaker 1 (38:44):
Man.
Speaker 3 (38:45):
So, but yeah, why'd you do that? Brother?
Speaker 1 (38:47):
I show everybody your artistic skills.
Speaker 3 (38:49):
Oh yeah, man, dude, Hey, hey, man, I gotta admit
I looked at that ship. I'm like, man, how did
I get this ship to look like that? But I
did it, man, I drew Yeah, yeah he did. I
didn't fucking I didn't fucking trace that ship. That was
all free in man. I also made an iron made
a shirt in high school. The first album it was that.
(39:10):
I was just so into mad Man back then. It
was so exciting.
Speaker 8 (39:14):
They were so exciting, man, it was they stood out
like a sore thumb.
Speaker 3 (39:19):
Oh did, like Lars said. Lars even said it in
an interview. He said something like, may know he's had
the coolest artwork, the coolest album covers, the coolest videos,
you know, and It's so true, man, it's so true. Man.
Maybe but yet, but yet they still got no radio
(39:42):
airplay what soever. I mean, yeah, once in a blue
move on a special radio night, they'll pay something like
front of the Ills, you know, Cort, you know, come on, man,
he might look out here wasting years. Or can I
play with Madness on xm RA. But right right, you're
(40:02):
not gonna hear much of man.
Speaker 1 (40:05):
Which is a travesty. Which is a travisty.
Speaker 3 (40:07):
But who gives a fuck the radio? Fuck radio radio
radio is dead anyway, man, It's a dead platform. Let's
be honest, man. Between the interpet and satellite radio, who
needs you can listen to whatever the fuck you want. Yeah,
(40:28):
all right, man, that's about it for me. Wang Man,
you got anything else you want to say?
Speaker 8 (40:32):
I ain't got anything, my brother man, thanks for everybody
for checking our ship out. And we'll see you next episode,
and we're gonna do something very similar to today's episode
with the band. We won't say anything about.
Speaker 3 (40:46):
That, but anyway, Oh I do got a special announcement.
Oh there, I do got a special announcement. Hang on,
hang on, what's up to me? Sure?
Speaker 8 (41:00):
I don't know if this is gonna get cut out.
But let's see if Singingatanley has something. Oh, look at him,
go through the look at him like he's a part
of the cast of the Iron Maiden album covers.
Speaker 3 (41:11):
All right, all right, you ready, everybody, We're ready, We're ready, ready. Finally, finally, finally,
we have available at ats dot com. You can go
and get your official official oh shit, Sinking Wang Show shirt.
Speaker 1 (41:35):
Yeah.
Speaker 3 (41:36):
There it is.
Speaker 8 (41:38):
Harry Dames with the kiss out of lettering love it,
love it, love it.
Speaker 3 (41:43):
There we are the Sinking Wag Show T shirt. Everybody,
help us out, people.
Speaker 8 (41:50):
We need money to buy Guinness beer and you know,
various other sort of things.
Speaker 3 (41:55):
So help us out, people. I will put the link
on the screen and all and on the YouTube, and
on the and and on.
Speaker 1 (42:07):
The sixty wag Facebook groove. Motherfuckers, Does that still exist?
Speaker 3 (42:13):
Does that still exist? It's like bigfoot man, you know,
you know sometimes you won't, but but yes, it doesn't exist.
The second wag Fag Facebook page does exist, So go
join that, mother well.
Speaker 8 (42:28):
You know, and I gotta be honest because I only
go on Facebook after fifteen thousand Guinness Otherwise I don't
give a fuck about Facebook. But I did go on
Facebook one day, and I did go to ours. You know,
once in a while I go on there when I'm
hammered or whatever. But I did go to the syncond
Wing show, and I saw a guy that was blast posting,
(42:50):
the redheaded guy with the buck teeth, and they're always
he's always oh yeah, oh.
Speaker 3 (42:55):
Yeah, yeah, yeah yeah, Mark, Alton Taylor all this. Yeah,
I don't know the guy. I'm limited his post thing.
I'm sorry, Mark, but man, that was a little bit
too much. Man.
Speaker 8 (43:03):
Yeah, anyways, that guy I limited one post that you mentioned.
Speaker 3 (43:08):
The guy's name.
Speaker 1 (43:09):
I remember Ralph four. Ralph and I were always fighting
with the guy. As matter of fact.
Speaker 8 (43:15):
Funny thing, I made that guy, like a billion years ago,
when those guys are fighting with him, I made him
make a video an apology to that podcast and me
and the two other hosts.
Speaker 1 (43:27):
Little of me was just some nuts out showed up.
Speaker 3 (43:29):
On the show.
Speaker 1 (43:30):
But yeah, that guy I saw that. I says, Oh,
there goes our Facebook fight. It's deleted. It's over.
Speaker 3 (43:37):
Well yeah, man, the good old days, man, the good
old days, and everybody, the good old days when everybody
was friends and we all had fun on Facebook.
Speaker 1 (43:49):
Back in the day brother back then.
Speaker 3 (43:51):
You know it is what it is, man, But hey man,
we're here. We're the Second Wagon Show. And yeah, man,
get on our Facebook group and get a Sinking Wang
T shirt and thanks for all your support. And as
for me, that wraps up another episode of the Second Wave,
(44:12):
so we'll see you next time.
Speaker 2 (44:15):
Bare A think Army production.
Speaker 1 (44:23):
Ba ba ba bam.
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