August 9, 2025 • 41 mins
On todays episode Bill and Syncin Stanley break down Live to Win the second solo album by Kiss vocalist, guitarist and co-founder Paul Stanley, released on October 24, 2006. The album's title track was featured in the South Park episode "Make Love, Not Warcraft", twenty days prior to the album's release and we also talk about Ozzy Life and Passing.
Hosted by: Syncin' Stanley & Bill Wang
Guest:
For the video go to Syncin' Stanley youtube channel
(https://www.youtube.com/@syncinstanley2332)
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https://www.instagram.com/stanleysyncin/
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Hosted by: Syncin' Stanley & Bill Wang
Guest:
For the video go to Syncin' Stanley youtube channel
(https://www.youtube.com/@syncinstanley2332)
Rumble Videos
(https://rumble.com/c/c-6544949)
https://www.instagram.com/stanleysyncin/
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Samcast Media.
Speaker 2 (00:24):
It's straight great down before your time check shut de
Press Shutting twenty.
Speaker 3 (00:35):
A second ever solo album. I remember there was a
time when you world football apples out at the same time, right, Yeah,
this is very funny.
Speaker 4 (00:41):
Can think this one's called Live to Win, and it's
actually twenty eight years after the first one, So I said,
probably number twenty eight years, we'll call the next one
Hope to Live. There you go when there were no
(01:12):
obstacles in making this album, cause the philosophy is the
title Live to Win.
Speaker 3 (01:17):
I believe that you.
Speaker 4 (01:18):
Set your goals and you don't let anything get in
the way of your accomplishing them. Because if you live
to win, you're always going to win. Even if you
don't succeed. If you fail on your own terms, you've won.
So I set myself up to win just doing the albums.
Speaker 3 (01:33):
I wont.
Speaker 1 (02:00):
Have to w.
Speaker 5 (02:12):
Hi Lee, Yeah we can Stanley here.
Speaker 6 (03:01):
People and listen Yo yo yo, Bill wag here dely
d ba ba ba ba bam.
Speaker 7 (03:08):
Oh man wag it's time for another episode.
Speaker 8 (03:12):
But man, did we have a hell of a week
last week?
Speaker 7 (03:15):
We couldn't even record last week sucked, didn't it?
Speaker 9 (03:20):
Last week? Pretty much was the worst week ever and
everything and it sucked right right right it did.
Speaker 7 (03:26):
Man, hell yeah man, so many people dying man.
Speaker 6 (03:31):
Ozzie bro Yeah, man, we had a whole thing, you
know and everything, and now it's past the do date
and everything.
Speaker 9 (03:40):
Heya, man, Ousie dying.
Speaker 6 (03:41):
We have to make observation and it's fucked up and
a legend another one. I know, it just sounds like
a you know, a reoccurring statement that the you know,
the legends are dying and it's it was really fucked up.
And personally though for me, personally, I was very happy
(04:01):
to see the exposure and and everything on Mate in
mainstream culture and everything, because metal, our kind.
Speaker 9 (04:10):
Of music really doesn't get through there often.
Speaker 6 (04:13):
But I was very you know, and people can say, oh,
don't be so shallow, hook as a fuck what they think,
but personally I thought he deserved the respect that the
world gave him. So that was very very cool man,
right yeah, God, we love Ozzie Osbourne.
Speaker 7 (04:28):
Fuck you on man, a freaking legend, pop icon, pop
culture icon, everything.
Speaker 1 (04:35):
Dude, make all man.
Speaker 9 (04:38):
Let his memory be a blessing.
Speaker 3 (04:40):
Man from freaking.
Speaker 7 (04:43):
From Sabbath to his illustrious solo career, Randy Rhodes, Jaki
Lee and that's where I saw him on The Ultimate
Centaur freaking a then he got Zach wild Man and
shot Man all the ship he went through, fighting off
bas heads, Dove's heads, freaking tossing on the Alamo, and
(05:04):
then then then fucking you know, then doing the freaking
the Osbourne's of becoming a freaking pop culture icon.
Speaker 10 (05:14):
Man.
Speaker 7 (05:15):
Absolutely, absolutely, and it just kept going, and it just
kept going till the end.
Speaker 1 (05:20):
Man, what a freaking what a fucking.
Speaker 7 (05:24):
Show to honor him in Black Sabbath Man, and what
a sendoff.
Speaker 3 (05:29):
Man. I I think he stayed alive just to do that. Man,
I really do.
Speaker 6 (05:34):
Man, I think I don't think anybody would disagree.
Speaker 9 (05:38):
It was magical, Dude.
Speaker 3 (05:39):
It was, man, It really was. It really was. Man.
So yeah, God bless Ozzie.
Speaker 6 (05:45):
Man.
Speaker 7 (05:46):
I hope he's at DEEC and he's up there jamming
with Randy now man, fucking.
Speaker 10 (05:52):
Heh hell yeah.
Speaker 3 (05:54):
And then and then brother Paul co.
Speaker 1 (06:01):
Yeah right, God, my god, brother, I'm coming.
Speaker 8 (06:07):
Oh yeah, Man, we lost a legend.
Speaker 7 (06:10):
And Paul Cogan and then then Chuck Mangione Man the
famous trumpet player Man from the seventies. Man, Hell yeah, man,
crazy man, crazy, just a crazy, crazy week and we
didn't get to record that week.
Speaker 3 (06:27):
And but but we're back now.
Speaker 6 (06:29):
And what we're back for a way, Yeah, we're back,
and we're back for the attack, as doc in one said.
And unfortunately I have no update on this guy.
Speaker 7 (06:41):
Oh man, that's a killer photo, though, I don't have
any update on that guy.
Speaker 9 (06:48):
Or oh it's the same guy.
Speaker 3 (06:52):
Is that from the show you saw? Yep? Awesome? Man,
Are those your pictures that you took yep? No way, really.
Speaker 9 (07:03):
As our Guatemalan Yeah, no way, Jose is something I
don't believe it. So there you go, man.
Speaker 6 (07:12):
So, no update, no update on Viddie Vincent. Everybody knows
he's in c Cotton l Salvador. So I just wanted
everybody to remember our boy.
Speaker 7 (07:23):
And you know, oh yeah, he's got an album coming
out supposely.
Speaker 6 (07:29):
Yeah, man, that's sucked up. So anyway, let's get back
into the real world and my my fictitious acid trip talk.
Let's sing it daily. Let's talk about Paul Stanley.
Speaker 10 (07:43):
Live to Win Wow Wow, Yeah Man.
Speaker 6 (07:48):
Live to Win It came out October twenty fourth of
two thousand and six.
Speaker 9 (07:53):
The Year of Our Lord.
Speaker 6 (07:56):
And before I get into all this bullshit, let me
ask you a question, brother, man, did you get this
album when it was brand new?
Speaker 3 (08:03):
Yes? I did. I got the album and it came out.
Speaker 7 (08:05):
Okay, so probably probably the week it came out. Probably
not the first day, but but I for sure had
it the first week it came.
Speaker 9 (08:14):
Out, all right, cool.
Speaker 6 (08:15):
I just wanted to connect that because everybody, you know,
if it was different when you get shit different when
it's in real time, then we're on the same brainway.
Speaker 9 (08:24):
Me too. I was really excited to.
Speaker 3 (08:26):
And I kicked myself.
Speaker 7 (08:27):
I kicked myself because I could have saw the tour too.
Speaker 3 (08:30):
Man. It came to the it came to the.
Speaker 7 (08:32):
Hard Rock Live in Orlando, and I could have went,
and I just for some reason, I chose not to go.
Speaker 9 (08:39):
Oh that was a very bad decision, bro it.
Speaker 3 (08:41):
Yeah it was, yeah it was.
Speaker 9 (08:43):
But yeah. Anyways, man.
Speaker 6 (08:44):
It was recorded at Hansen Recording Studios. The label was
New the Core No New Door, excuse me. Paul Stanley produced.
It went to a not so good and so good
fifty three on the Billboard two hundred. You know, not
so good, not so good, A bunch of people play
(09:07):
on the record, But the two that I want to
focus in on is the great John five and the
amazing the greatest that someone that we love sincerely, the.
Speaker 9 (09:19):
Great Bruce Pulick.
Speaker 6 (09:21):
Oh yeah, and uh and the piggyback on you fucking
up and not going to the concert. I saw the
tour and if you had to put the ticket stuff
up up, sick it.
Speaker 3 (09:31):
Stanley, Oh yeah, here it is right here.
Speaker 9 (09:34):
Ah, there it is.
Speaker 6 (09:35):
I saw the tour on the Monday, November thirteenth, two
thousand and six, and it was fucking amazing.
Speaker 9 (09:44):
It was so bad ass. It was so fucking cool.
Now was it the eighty nine solo tour at the.
Speaker 6 (09:51):
Omni and beautiful downtown Oakland? No way, Jose, But god
damn it, it was badass. And anybody says on the
as this a revisionous historian, it was so bad.
Speaker 9 (10:04):
Yeah, it was so bad.
Speaker 3 (10:05):
After he's got the DVD out there, document Oh.
Speaker 9 (10:09):
I know, I know, I know. Yeah yeah, anyway, magic
touch what else? Yeah yeah yeah yeah yeah.
Speaker 6 (10:19):
And your boy and your boy Eddie Trump always takes
credit for that.
Speaker 9 (10:24):
Well, I'm gonna want have told the dude.
Speaker 6 (10:29):
I'm just being real. Anyways, man, yeah, man, So it
was it the eighty nine tour.
Speaker 7 (10:34):
No, but it was still so fat out and it
was that rock star to him from that rock Star show,
remember that, Yeah, of.
Speaker 9 (10:42):
Course, yeah yeah, I mean that, yeah yeah, yeah yeah
yeah man. So that was it was a good time.
Speaker 6 (10:52):
I was really into it and I'm gonna I'm gonna
be on I'm not gonna shoot shoot bust my not now,
but listening to this shit now basically the first time
I had and if I'm gonna be honest, probably two
thousand and six.
Speaker 9 (11:08):
Or probably two thousand and seven.
Speaker 6 (11:10):
I remember being on a plane I went to the
first eight games at Famway Park in two thousand and seven.
I remember having that on the plane. So we're talking
a billion fucking years ago, dude. So but it's better
than I remember. So I'll just say that.
Speaker 3 (11:26):
Cool.
Speaker 6 (11:28):
A couple of pop culture, brother man, and this is
the twenty first century, so a new kind of thing
for our shit. The number one movie on this date
was The Prestige. The number one TV show was Lost,
I remember that, Okay. The number one album was by
(11:50):
Evan Essence The Open Door, and the number one song
you can probably hear in the background Moneymaker by Ludacris
and before renaming the pop culture iconic things uh the
NFL Champs for the two thousand of the NFL Champs
(12:10):
in two thousand and six with the Chicago Bears Major
League Baseball, the Saint Louis Cardinals, NBA Champs Miami, and
the NHL Champs Carolina Hurricanes.
Speaker 9 (12:20):
There you go, sink it.
Speaker 1 (12:21):
That b BA BA All right?
Speaker 3 (12:24):
All right, man, you ready to get into this? Are you?
Speaker 1 (12:28):
Are you ready to live to Win? Way? Yes?
Speaker 9 (12:32):
I am ready to live to win?
Speaker 3 (12:34):
Oh my god?
Speaker 7 (12:35):
Well, you know what, why don't you take the first
Why don't you take the opening track?
Speaker 3 (12:39):
The title?
Speaker 1 (12:41):
Yeah?
Speaker 3 (12:41):
Man, how do you think of Live to Win?
Speaker 9 (12:46):
I don't think it's as corny as I thought it was.
Speaker 3 (12:49):
Uh.
Speaker 6 (12:51):
I mean, Jesus Christ, think about fucking nineteen years ago,
you know.
Speaker 9 (12:57):
I it's a better song than I read.
Speaker 6 (13:01):
I think it's uh uh. You know, there's just just
a lot of hope, and I mean not to get
all corny in a New Age or whatever, but.
Speaker 9 (13:09):
Just pope uplifting and it's a very catchy song.
Speaker 6 (13:13):
And I'm gonna say I'm gonna give it three out
of five chopsis.
Speaker 7 (13:17):
Hell yeah, man, dude, honestly, in all honesty, everybody, I
was going to bash the hell out of this song.
But something strange happened. Man, between the editing listening to
the album, y'all got to realize, Man, I listened to
this shit probably ten times before we do the actual show.
Speaker 3 (13:36):
Between preparing for it, doing all the editing, you.
Speaker 7 (13:39):
Know, actually listening to the albums, and yeah, you know,
I was gonna say, you know, this was Paul's desperate
attempt to sound relevant in two thousand and six, which
I still think it was.
Speaker 3 (13:50):
Man, I think Paul was desperate to sound relative.
Speaker 7 (13:53):
However, However, this freaking chorus, Man, it's like a freaking fungus.
Speaker 1 (13:59):
Dude, she grew on me.
Speaker 3 (14:01):
Man.
Speaker 1 (14:02):
I started walking around being like, whin didn't win? I'm like, hell,
he did? What the fuck I mean?
Speaker 3 (14:11):
It's a great chorus. You can't you can't deny it.
It's a great chorus. It's catchy.
Speaker 7 (14:18):
As for the verses, they're a little bit you know,
that's Paul trying to sound relevant, you know, But but man,
what a what a hell of a chorus?
Speaker 3 (14:26):
Man, I thought he did it.
Speaker 7 (14:27):
I thought he did a good job. Saw Man, I
will say that. Yep, Yeah, so.
Speaker 3 (14:32):
Lift to win. Yeah, there you go, number two.
Speaker 10 (14:36):
Lift.
Speaker 7 (14:37):
Ah.
Speaker 10 (14:38):
This is a.
Speaker 3 (14:39):
Terrible, terrible attempt to sound like modern rock.
Speaker 7 (14:42):
He's just trying to sound too hard to sound of
the times. And what really sucks What really sucks about
this album in a lot of spots, for example, how
strong the chorus was on them to win. His voice,
his voice was in trying condition to do a killer
rock album, but he seemed to just you know, still
(15:06):
stuck in that modern trying to sound modern rock, whether
that that that bridge between grunge and emo rock at
the time, and man, I and for that, man, these
songs just they don't cut it for me.
Speaker 3 (15:21):
Man, what do you think of lyft Wag?
Speaker 9 (15:26):
I don't know.
Speaker 6 (15:26):
I'm coming at it in a different space than you are.
I'm not uh cantaalizing the man for trying to I
mean maybe there's elements of blatantly trying to be modern
and everything, but.
Speaker 9 (15:40):
Hey, man, I mean, uh, who who doesn't.
Speaker 6 (15:43):
Want to reinvent? I'm not gonna hold that against him.
I understand the criticism. Yeah, yeah, but yeah, man, so oh,
I forgot to say, uh Paul Stanley and uh Desmond
Child and some guy named Carlson were where the writing
credits on.
Speaker 9 (16:02):
Lift and Wind, but Lift Lyft would be Paul Stanley.
Speaker 6 (16:06):
Disney Child, someone by Bret Bread Records, Fred Rickson, and
you know what, here's a nowther fucking I mean, just
get me know, somebody throw eggs at me. It's not
a bad song, man, it's not a bad song. You know,
it's really not. Is it tonight?
Speaker 9 (16:24):
You belong to me?
Speaker 3 (16:25):
No? But he's not.
Speaker 6 (16:27):
But he's not twenty six years old like he was
in nineteen seventy eight, So man, I know that. Yeah, yeah, yeah, man, Hey,
I'm gonna be real and and if I did a
pot I've never I have never did a part. I
know all these kiss records, I've done all these podcast
blah blah blah, but this never. And I'm gonna be
real and I'm gonna I have a lot of I'm
(16:48):
gonna rip some of these songs, but this is not
one of them.
Speaker 9 (16:53):
I think it's obviously modern sounding.
Speaker 6 (16:55):
I'm gonna give it two and a half chopsticks out
of five.
Speaker 1 (17:00):
Yeah, ooh cool man?
Speaker 8 (17:02):
Yeah, all right, well, oh won't you take track number three?
Speaker 3 (17:05):
Wake Up Screaming leg.
Speaker 6 (17:08):
Yeah, Paul Stanley, the incomparable Desmond Child. Uh and then
this gentleman Carlson again. But I don't know who does
the solo.
Speaker 9 (17:19):
I like the solo nine one one, No one hears
my cries, I break up, my wake up screaming. Ah,
I don't know, man. So let's see. Let's see, let's
play the game. So fifty sixty seventy eighty ninety two thousand,
(17:40):
So Paul Stanley was fifty I mean.
Speaker 6 (17:47):
Fifty five here, fifty four or something like that.
Speaker 9 (17:53):
Anyways, let's you two and five chopsic fair.
Speaker 7 (17:58):
Oh man, what the fucking shit, fucking pity party, Paul Man.
He's laying on the fucking therapist couch when he wrote
this ship Man wrapped up in my own cocoon.
Speaker 9 (18:08):
Come on, Paul, come on, Paul Stanley was fifty four.
Speaker 6 (18:12):
I have to get the satrack. Can'ttinue on with your
bashing fifty.
Speaker 1 (18:16):
Four and he's still waking up, screaming.
Speaker 7 (18:18):
Come on, you're a millionaire, Paul, Come on, man, get
over it, Get over it.
Speaker 9 (18:24):
You tell me I lit up too hard hard.
Speaker 7 (18:28):
I'm sorry, man, this song sucks. Fucky ship Man number four.
Every time I see you around, oh man, what is this?
Speaker 3 (18:36):
Is this like.
Speaker 8 (18:36):
Every time I look at you? Part two?
Speaker 1 (18:39):
I mean, dude, the song's got.
Speaker 7 (18:42):
Some strong vocals, I will admit that, but they go
nowhere and the song is just fake and flat to me.
So yeah, Wang, what do you think of every every
time I see you around?
Speaker 6 (18:55):
And that's funny you mentioned the song of revenge? Hey,
song that I have I'd wit and have been abused
to no end. I have been My sexuality has been
questions because of it.
Speaker 9 (19:09):
But Michelle Marie, you know what I'm talking about anyways.
Speaker 6 (19:14):
Yeah, man, Serpius fuck very pedestrian songs tell you the truth? Uh,
the amazing, the great, the fucking amazing. Bruce Culic on face,
that's why.
Speaker 9 (19:27):
Yeah, that's that. That's the I like that part of
the song. You know me, Bruce, I love that mother.
Speaker 6 (19:36):
But unfortunately, unfortunately Bruce Culic I got some bad news.
Speaker 9 (19:41):
The bass playing on the fucking song. Five out of
five the song unfortunately not sook good, not took good.
One out of five. Chopstick all right, weg what's you take?
Speaker 3 (19:53):
Trag number five bullet Fruit.
Speaker 6 (19:55):
Yeah, man, I don't know John Five's on guitar. I
mean no, I mean I'm not saying it sucks John
Five's lead guitar. The song would be oh you know,
and I could say this at nauseum, and I know
I'm repeating with this song in particular, could really be
(20:17):
improved by a billion times if the guitars were heavier
and thicker and more less clean and more fucking like
hard rock. I'm not saying John like John Paye. Yeah right,
I'm not saying. Look, I want to hear Ride the Lightning.
Speaker 9 (20:35):
Rips, but John fun Jo Pie.
Speaker 6 (20:39):
Exactly, John Five, I love that motherfucker. But and another thing,
drop those you know how much I hate those background singer.
It's I know what, I get it, and and I
get that if that should.
Speaker 9 (20:56):
Not bother me.
Speaker 6 (20:58):
If he's gonna do a soul station thing, But this
is his attempt to be hard rock.
Speaker 9 (21:04):
Maybe it's not.
Speaker 6 (21:04):
Maybe I'm the one dreaming and wishing he was hard rock,
but even but maybe, Paul Stowey said, if he talked
to me facing me, he said, listen, homeboy, Bill Wang,
I never told you I was gonna do a hard
rock album. I said I was gonna make a record
that was gonna make me happy.
Speaker 9 (21:20):
So fuck you, Bill Wang. You know what's.
Speaker 3 (21:26):
Rock anyway?
Speaker 4 (21:29):
Oh man?
Speaker 7 (21:30):
Man, fucking bulletproof John five Man, come on.
Speaker 9 (21:33):
Yeah two and five tops Ben, Oh yeah, Man.
Speaker 3 (21:38):
I didn't even deserve that, man, oh man, Poor John
five Man.
Speaker 1 (21:42):
And I'm gonna go I'm DoD I'm meeting.
Speaker 3 (21:44):
John five in October.
Speaker 7 (21:46):
By the way, I got tickets to the show I'm
going to meet and great, I am meeting John five Fine, so.
Speaker 3 (21:53):
That's gonna be awesome.
Speaker 7 (21:54):
But poor John Man, poor Johnny couldn't even see He
couldn't even save this song. I mean again, It had
some strong vocals on the chorus.
Speaker 3 (22:03):
But the song sucks.
Speaker 10 (22:04):
Man.
Speaker 8 (22:04):
The backing singers, uh, I'm with you on that, man,
they did not fit this song.
Speaker 7 (22:09):
And they don't always bother me, but man, yeah man,
and John just seemed to dial it in with his solo.
Speaker 3 (22:16):
Man, It's just.
Speaker 7 (22:18):
This song does nothing for me, Man, nothing nothing. Track
number six All about You, Oh Man, still trying to
sound like to keep the faith error upon Jovi Man,
horrendous song, Man, next way.
Speaker 3 (22:35):
Where'd you think of all about You?
Speaker 9 (22:38):
Before I get the incomparable? That time?
Speaker 6 (22:42):
So every Time I See You around was written by
Paul Stanley and some guy with the last name Massetti,
Marsetti and no not machete, bulletproof was standing Curtain. But yeah, man,
so before I get to all about you, I'm gonna
(23:03):
tell you something secrets down. Are you ready to Are
you ready for tip information?
Speaker 9 (23:07):
Brother?
Speaker 6 (23:08):
Men?
Speaker 3 (23:08):
Sure? Man? What you got?
Speaker 9 (23:10):
Okay? Cool?
Speaker 6 (23:11):
So my top my top ten albums of hard rock
and heavy metal whatever that came out in the glorious
year of two thousand and six, and here they are.
Number ten would be Trivium the Crusade. Number nine would
be The sword Age.
Speaker 8 (23:31):
Of Winters, Florida.
Speaker 9 (23:34):
Yeah, I know, you know, I know, I know. Matter
of fact, I saw Trivium in the short of the
same concert for larns All.
Speaker 3 (23:41):
I've never got into.
Speaker 1 (23:42):
I never got into.
Speaker 3 (23:43):
But they're badass. They are good.
Speaker 6 (23:44):
No, yeah, I'm just you know, rather than just saying, oh,
I'm only gonna do five so fuck all this, shiit? No,
do I know these albums, chapter and verse? No, But
back in the day I at least own these fucking records.
Speaker 7 (23:57):
So all right.
Speaker 9 (23:58):
So the Sword, the Sword, the sword Age of Water.
Speaker 6 (24:03):
Number eight would be Red Hot Chili Peppers Stadium Arcadium.
Number seven would be Black Label Society Shot to Hell.
Number six would be Slayer Christ's Illusion, the Reunion Record,
the All four Guys Got Back Together.
Speaker 9 (24:20):
And the number five something that I was really into
big time back.
Speaker 6 (24:24):
Then, Lama God The Sacrament number Yeah, I love that shit.
Number four Iron Major A Matter of Life or Death.
And number three the last Audio Slave album, the very underrated.
This album was so badass and it sucks. It was Revelations,
(24:46):
And in two thousand and six, me and one of
my best friends, Owned Fitch, went and saw the very
Last Audio Slave concert on November nineteenth, two thousand and six,
in Las Vegas at the Max Center. Uh, there's a
fact spinning Wat's poetic as I always do. And number
two would be twol ten thousand Days and number one
(25:11):
my number one album that came out and that year
would be mastered on Blood Mountain.
Speaker 10 (25:17):
Be cool, cool, all right?
Speaker 6 (25:20):
So all about you, Stanton Paul Stanley to have been
child that Carlson had Again, I'm not feeling this one,
if I'm being real, man, just sort of a stock
song with little Do Dads, Little Do Dad electronic situations
and sounds, you know, and I'm not you know, I
think maybe there are occasions where to have do dads
(25:45):
and and you know, weird electric shit, electronic stuff and
everything just for the sake of having it is just
it just doesn't make.
Speaker 9 (25:54):
The song any good. If it's in sheer, it can
do wonders for different songs.
Speaker 6 (25:59):
So yeah, man, one out of five chops, they're singing standing,
Oh about you be?
Speaker 3 (26:05):
Hell yeah man?
Speaker 7 (26:06):
Track number seven, second to none, Oh man, the verses
make me want of vomit, dude. But then he goes
into a great chorus with strong vocals, but the song
overall just blows.
Speaker 3 (26:20):
Man.
Speaker 7 (26:20):
I'm not I'm not down with it.
Speaker 3 (26:24):
Man. What do you think of second to none? Way?
Speaker 6 (26:32):
You know what? Now I have to be a copycat
baseball bat. But the one thing I love about this,
you know what? The one thing I love about the
song singing standing, but the the great, the amazing, the incomparable.
Bruce Kewing, I'm here, that's right, Dared straight, Dared straight,
(26:53):
Bruce couldn't say this ship.
Speaker 3 (26:55):
Yeah yeah, maybe I think you have a guitar of
killing your solo work.
Speaker 9 (27:02):
Yeah, exactly, dude, exactly yeah, who knows? Who knows?
Speaker 6 (27:07):
But uh yeah, And I want to be I want
to be on record saying in two thousand and six,
In two thousand and six at the you know, I
mean it's amazing venue in San Francisco. Oh Stanley still
had his voice, he was still amazing. Man. So I'm
(27:28):
gonna be I have to give major problem to that.
So uh yeah, man, so you know I can't beat
two face and everything. But unfortunately the song is only
only gets one out of five chaps you expect.
Speaker 7 (27:40):
Hell yeah, man, hey, it is what it is, man, Wang,
why don't you take the next one track?
Speaker 3 (27:46):
Number eight?
Speaker 6 (27:47):
It's not me, Yeah, it's not me, but written by
Paul Stanley and Holly Knight.
Speaker 9 (27:55):
Oh my girl, Allie Knight me that you girl, that
you girl.
Speaker 1 (28:03):
And uh that video has.
Speaker 3 (28:05):
Got like one hundred thousand views.
Speaker 9 (28:06):
Now that's so fucking about. Hopefully this podcast will get
that next week, would get down there hang.
Speaker 3 (28:16):
On tight man, we're you know, maybe when we hit
three hundred episodes, there you go, b man.
Speaker 6 (28:21):
But h yeah, man, this song is not a bad song.
Quite frankly, it's not a bad song at all.
Speaker 3 (28:29):
Uh.
Speaker 6 (28:29):
And I'll write exactly what I wrote, and I know
these little notes. I wrote this song as a little
bolder than most of these songs. It's not a bad
song by no measure, A cool solo by a gentleman
by the.
Speaker 9 (28:44):
Name of Corky James. Corky James.
Speaker 10 (28:49):
Uh So that was cool.
Speaker 9 (28:51):
Uh I'm gonna be straight up man. Three to five chopstick.
Speaker 3 (28:55):
Fire Oh Man, Man, No, no, Paul, this is not you. Man.
Speaker 1 (29:00):
Where's love?
Speaker 10 (29:01):
God?
Speaker 1 (29:02):
Oh my god?
Speaker 3 (29:03):
This sounds funny? Shit man? Oh Man?
Speaker 7 (29:07):
Moving on track number nine, loving you with what is this?
Loving you without you? Loving you without you now? And
he can't even pronounce a damn title, Paul, oh Man,
it's probably the best song though that flows on the album. Yeah,
(29:28):
could have could have kicked this one up a notch
with the production stock and flat. And then he talks
about his He talks about his ears, his ears in
the song.
Speaker 1 (29:41):
He's pluralizing ears. Paul, Why are you pluralizing ears?
Speaker 8 (29:47):
You have one ear?
Speaker 7 (29:50):
You doesn't meet us, and you know you talk about
it every chance of yet, but yet you talk about
you having both ears in the song.
Speaker 3 (29:58):
Man, Come on, Paul, what's up with that? Man?
Speaker 1 (30:02):
God?
Speaker 7 (30:02):
Man, that fucking documentary. That's all we hadn't talked about.
That's all you talked about was your damn ear man,
oh man, anyway, man, this song, I don't know, man,
it could have been better, but it is what it is.
Speaker 3 (30:15):
Wang, what do you think about track number nine?
Speaker 9 (30:20):
Wow? What was your situation with the ear situation? What
are you talking about?
Speaker 7 (30:28):
I think they complained that he that he has one
ear and he had a depoored here and he's poor
and he's paralizing ears in this song like he has
two ears.
Speaker 9 (30:38):
Okay, God, I got it.
Speaker 3 (30:41):
I really.
Speaker 9 (30:44):
Really bothering thinking soundly.
Speaker 8 (30:46):
Well, maybe he talks about it all the time.
Speaker 7 (30:48):
You can't escape it, man, Yeah, boy, I had to
think all my crow shows, my year sported with one
year just a little Cullie flower road.
Speaker 3 (30:58):
What fine?
Speaker 8 (30:58):
Well, look, god, damn it, Paul, get over it all day.
Speaker 9 (31:01):
Jakin Stanley has not lost his fastball.
Speaker 6 (31:05):
He remains Paul Stanley's nemesis and troll, the King Troll
and that sort of shit doesn't bother me so but
it bothers Shik and Stanley to no end.
Speaker 9 (31:16):
So they go, Now we all know what why.
Speaker 6 (31:19):
Steven Stanley loves so much sleep at night. But it's
all good there, no way, yeah exactly man. But anyways,
and he got that operation yeah, man, no, but but
it was like right around the Creatures of the.
Speaker 7 (31:39):
Night arrow right, Oh god that I couldn't tell you.
Speaker 9 (31:42):
H yeah, yeah, it was like nineteen eighty two.
Speaker 6 (31:44):
Yeah, he made a.
Speaker 7 (31:46):
Big deal about it in the documentary and know how
gm Q by my thigh it's so dark?
Speaker 9 (31:52):
Oh really?
Speaker 6 (31:52):
Well yeah yeah, I didn't see what you're talking about.
But anyways, man, the great the best part of this
song is uh, Bruce Culic on Bay you know what,
I bruf my man, motherfucker. Anyways, even though he played
on a lot of really shitty kiss albums in but
(32:15):
it ain't his ball anyways. Man, So here's the deal.
Uh yeah, but I may rip ship and everything about
Paul Stanley remains at the time an amazing singer. Uh
and but unfortunately I got it's written by just Paul Stanley. Unfortunately,
I'm only gonna give this song one out of five chopsticks.
Speaker 9 (32:36):
So sorry if he.
Speaker 7 (32:37):
Fall of bear see what you just said, man, he
was an amazing singer at this time.
Speaker 3 (32:44):
He was an amazing singer. He could have done.
Speaker 8 (32:46):
Such a much more amazing album, man, if he just.
Speaker 3 (32:51):
If he just would have rocked harder.
Speaker 1 (32:53):
Man, he needed Bob Culick back.
Speaker 7 (32:56):
Man, he should have got the Culic brothers. He should
have played with both of them. How awesome would that
have been?
Speaker 9 (33:06):
Amazing?
Speaker 6 (33:07):
But money, money, money, I'd be paying them more money
than he paid those rock.
Speaker 3 (33:12):
Star people have probably whatever.
Speaker 9 (33:15):
But no, in the perfect world, you're spot on, brother man.
Speaker 3 (33:19):
Yeah, man, it is what it is hindsight. But track ten,
Track ten? What is this? Ship? Were angels there?
Speaker 7 (33:29):
I'm just glad the album's over, man, this because by
this time and it's just I'm done.
Speaker 3 (33:34):
I was done, man, live to win. Great chorus where
angels there? Not so much? Wang? What do you think
about the last track?
Speaker 6 (33:46):
Well, as anybody that has watched our our crazy show,
I always my wish is always to end an album
with a great song. And you know what, I'm gonna
be fucking real. This is a good song.
Speaker 10 (34:02):
Man.
Speaker 9 (34:02):
I don't know what the fuck? Yeah, I don't know
what it uh that I like it enough said, uh?
Speaker 6 (34:09):
But written by Paul but written by Paul Stanley, the
incomparable Desmond Child John five, Uh, And I wrote simplistically
another cool song, uh and a good way to end
the album John five as a cool little solo. I
don't know, man, I think it's a decent fucking song.
(34:30):
And I'm not gonna and I'm not gonna ship on it.
Just put the sake there. Ship on, Okay, now, man,
this album? Hold on this album.
Speaker 1 (34:41):
I'm sitting on it.
Speaker 10 (34:42):
Just on it.
Speaker 9 (34:44):
I think it's a little bit of that, a little
bit of that.
Speaker 3 (34:46):
No, I don't like it. I don't like it. I
like it.
Speaker 9 (34:51):
It's all good. But I will say this. Here's here's
what I will say.
Speaker 6 (34:55):
This album is better than the last album we reviewed,
Crazy Nights.
Speaker 3 (35:02):
I don't know, I like more Crazy Nights. This one.
Speaker 9 (35:05):
I didn't ask you. I told you what I thought.
Speaker 1 (35:09):
I'm just having a discussion year with you.
Speaker 3 (35:11):
No, and I love it.
Speaker 9 (35:12):
Brother man.
Speaker 6 (35:13):
Yeah, this album is way better than I thought. No
is all every song. I mean, let's be real, man,
we got uh, let's see man, Let's be real. Three
out of five, two and a half out of five,
two out of five, one out of five, two out
of five, one out of five, one out of five,
three out of five, one out of five, three out
of five. I'm sorry. Crazy Knights does not have that
(35:36):
much stuff. So I am here to say that I
like this record better than Crazy.
Speaker 9 (35:42):
Nights, you know, So there you go.
Speaker 6 (35:45):
Yeah, somebody you know, and I'm sure there's some geek
loser fan out there. Take a mask off. Nobody knows
what the nobody cares.
Speaker 9 (35:53):
What you look like. You fucking drunk? Okay, and you
know what I say to them, and you're right, you're right.
But here's the deal. You're mad that I like this
album more than Crazy Nights, And guess.
Speaker 1 (36:03):
What, funk off, I'm not mad that you like this No,
in front of man, you're you're.
Speaker 9 (36:09):
My negro bron. It's all good. But you know the
internet people.
Speaker 1 (36:14):
Oh I know, I know the Internet people.
Speaker 9 (36:17):
Yeah, we're not holy on fucking YouTube.
Speaker 6 (36:20):
So I get screenshots from some of the most batshit
crazy ship out there.
Speaker 9 (36:27):
So fuck y'all. We're having fun. So suck my day.
Speaker 3 (36:30):
Heaven forbid.
Speaker 7 (36:31):
You have a different opinion than a kiss tart exactly exactly.
Speaker 10 (36:35):
Man, oh man, Well there you have it. They have it,
They have it, live to win, oh man.
Speaker 7 (36:46):
So away, Man, Well that's a stupid question. I was
gonna ask you everything. Paul's into another solo album. Well
he did, he did School Station sol.
Speaker 6 (36:55):
Yeah, hey man, I'm not one of those people that
hate on him because that he does that record, because
I love that kind of music. I just don't like
his interpretation of that music.
Speaker 3 (37:08):
Yeah, I don't hate on him for doing it. I
goof on him for doing it.
Speaker 9 (37:15):
Okay, And what's the difference.
Speaker 3 (37:19):
It's comedy, not hate. People's people.
Speaker 7 (37:23):
People nowadays gotta discern the difference between comedy and hate.
Speaker 3 (37:28):
Hate some very strong words. Okay, yeah, rarely.
Speaker 6 (37:34):
No, No, I I respect that, but I don't think
most people are intelligent enough to understand what.
Speaker 9 (37:40):
You just said.
Speaker 6 (37:45):
I mean, people call just because well, and I'm not
I'm not going to go on a tangent just because.
Speaker 9 (37:53):
No, I don't want to go there. Yeah, yeah, but.
Speaker 1 (37:58):
Get them so fired up.
Speaker 6 (38:00):
But the fact that Diddy Didson got deported and everything,
and he was born in Bridgeport, Connecticut, and that whole
thing hold.
Speaker 9 (38:07):
Now, you know, before he was locked up in a
sea card, I was you know, I'm not. I'm just
I'm anti illegal alien. So people, you know, a shooting
different things. Hey, I'm not, I'm not antien. I'm gonna
shut up because I'm an. But it was Soddy Didson.
Diddy Didson is in Seacon. Listen, you put that up.
Speaker 1 (38:30):
But since you brought that up, what do you think
about this.
Speaker 7 (38:32):
Alien ship that's coming in November?
Speaker 1 (38:35):
Who oh, man, aliens are coming, didn't you hear?
Speaker 9 (38:39):
No, tell me about the aliens.
Speaker 1 (38:41):
The aliens.
Speaker 7 (38:42):
Man, and they're big seven mile long ship. Man, uh uh,
I'm gonna be here in November, that's what they're saying. Man, something, dude,
swear to god, dude, this is this is all over
the internet.
Speaker 9 (38:55):
This is this is like that, right, this is true.
Speaker 3 (38:58):
There's no no, dude, is it al who knows?
Speaker 1 (39:00):
I hope to God it is. Man, Oh, please please
come aliens.
Speaker 7 (39:04):
But anyway, but anyway, you know, but there is a
seven mile object out there, and it's not that weird
chair weird trajectory.
Speaker 8 (39:13):
Behind the sun so that we can't see it coming.
Speaker 3 (39:17):
And there's this wow wow.
Speaker 7 (39:18):
There's a professor at Harvard that's saying, hey man, this
is a strong possibility that it could be it could
be aliens.
Speaker 9 (39:27):
Man, wow, hey man.
Speaker 3 (39:29):
An intelligence object.
Speaker 2 (39:31):
Yeah.
Speaker 9 (39:32):
Well, you know, we can hope for the best.
Speaker 7 (39:34):
Right well, now, whether they're coming here or they're just
zooming by and saying hi, who knows.
Speaker 6 (39:40):
I have if they have any sort of brain cells,
pass us up.
Speaker 9 (39:44):
Because we are so fucked up.
Speaker 7 (39:48):
Well, hopefully they'll come and get bus video out and
let him finish his album.
Speaker 6 (39:53):
Yeah, I know, And and I know I kind of
left it in the bag about Vinie Bisson well because
I know it's a very personal situation with Jennie Vincent
and you know, the situation with Mark Saint Mark, Saint John's.
Speaker 9 (40:09):
Sister and Benny Vincent. And yeah, man, so it's a
very emotional, right, I mean.
Speaker 3 (40:14):
It's very very, very very touchy.
Speaker 9 (40:16):
Yeah exactly. People want to make fun of.
Speaker 3 (40:20):
A very delicate situation. Man, we can't.
Speaker 9 (40:22):
We can't, you know, well, said brother right out row beg.
Speaker 7 (40:26):
You just gotta let sleeping Dragons live, pretty much, bro,
pretty much?
Speaker 3 (40:31):
Yeah, man, it is what it is. We have a report,
we'll bring it to you, but.
Speaker 9 (40:35):
Yeah, I'm straight, we won't damn straight.
Speaker 3 (40:38):
Yeah all right, WEG.
Speaker 9 (40:40):
So you got anything else now, I'm pretty much I
think I covered it all.
Speaker 3 (40:45):
I think so too.
Speaker 1 (40:47):
I only got one more thing to say, and that
wraps up another episode of the Second Wag Show. We'll
see you next time. This has been a think army production.
Speaker 9 (41:05):
BA
Samcast Media.
Speaker 2 (00:24):
It's straight great down before your time check shut de
Press Shutting twenty.
Speaker 3 (00:35):
A second ever solo album. I remember there was a
time when you world football apples out at the same time, right, Yeah,
this is very funny.
Speaker 4 (00:41):
Can think this one's called Live to Win, and it's
actually twenty eight years after the first one, So I said,
probably number twenty eight years, we'll call the next one
Hope to Live. There you go when there were no
(01:12):
obstacles in making this album, cause the philosophy is the
title Live to Win.
Speaker 3 (01:17):
I believe that you.
Speaker 4 (01:18):
Set your goals and you don't let anything get in
the way of your accomplishing them. Because if you live
to win, you're always going to win. Even if you
don't succeed. If you fail on your own terms, you've won.
So I set myself up to win just doing the albums.
Speaker 3 (01:33):
I wont.
Speaker 1 (02:00):
Have to w.
Speaker 5 (02:12):
Hi Lee, Yeah we can Stanley here.
Speaker 6 (03:01):
People and listen Yo yo yo, Bill wag here dely
d ba ba ba ba bam.
Speaker 7 (03:08):
Oh man wag it's time for another episode.
Speaker 8 (03:12):
But man, did we have a hell of a week
last week?
Speaker 7 (03:15):
We couldn't even record last week sucked, didn't it?
Speaker 9 (03:20):
Last week? Pretty much was the worst week ever and
everything and it sucked right right right it did.
Speaker 7 (03:26):
Man, hell yeah man, so many people dying man.
Speaker 6 (03:31):
Ozzie bro Yeah, man, we had a whole thing, you
know and everything, and now it's past the do date
and everything.
Speaker 9 (03:40):
Heya, man, Ousie dying.
Speaker 6 (03:41):
We have to make observation and it's fucked up and
a legend another one. I know, it just sounds like
a you know, a reoccurring statement that the you know,
the legends are dying and it's it was really fucked up.
And personally though for me, personally, I was very happy
(04:01):
to see the exposure and and everything on Mate in
mainstream culture and everything, because metal, our kind.
Speaker 9 (04:10):
Of music really doesn't get through there often.
Speaker 6 (04:13):
But I was very you know, and people can say, oh,
don't be so shallow, hook as a fuck what they think,
but personally I thought he deserved the respect that the
world gave him. So that was very very cool man,
right yeah, God, we love Ozzie Osbourne.
Speaker 7 (04:28):
Fuck you on man, a freaking legend, pop icon, pop
culture icon, everything.
Speaker 1 (04:35):
Dude, make all man.
Speaker 9 (04:38):
Let his memory be a blessing.
Speaker 3 (04:40):
Man from freaking.
Speaker 7 (04:43):
From Sabbath to his illustrious solo career, Randy Rhodes, Jaki
Lee and that's where I saw him on The Ultimate
Centaur freaking a then he got Zach wild Man and
shot Man all the ship he went through, fighting off
bas heads, Dove's heads, freaking tossing on the Alamo, and
(05:04):
then then then fucking you know, then doing the freaking
the Osbourne's of becoming a freaking pop culture icon.
Speaker 10 (05:14):
Man.
Speaker 7 (05:15):
Absolutely, absolutely, and it just kept going, and it just
kept going till the end.
Speaker 1 (05:20):
Man, what a freaking what a fucking.
Speaker 7 (05:24):
Show to honor him in Black Sabbath Man, and what
a sendoff.
Speaker 3 (05:29):
Man. I I think he stayed alive just to do that. Man,
I really do.
Speaker 6 (05:34):
Man, I think I don't think anybody would disagree.
Speaker 9 (05:38):
It was magical, Dude.
Speaker 3 (05:39):
It was, man, It really was. It really was. Man.
So yeah, God bless Ozzie.
Speaker 6 (05:45):
Man.
Speaker 7 (05:46):
I hope he's at DEEC and he's up there jamming
with Randy now man, fucking.
Speaker 10 (05:52):
Heh hell yeah.
Speaker 3 (05:54):
And then and then brother Paul co.
Speaker 1 (06:01):
Yeah right, God, my god, brother, I'm coming.
Speaker 8 (06:07):
Oh yeah, Man, we lost a legend.
Speaker 7 (06:10):
And Paul Cogan and then then Chuck Mangione Man the
famous trumpet player Man from the seventies. Man, Hell yeah, man,
crazy man, crazy, just a crazy, crazy week and we
didn't get to record that week.
Speaker 3 (06:27):
And but but we're back now.
Speaker 6 (06:29):
And what we're back for a way, Yeah, we're back,
and we're back for the attack, as doc in one said.
And unfortunately I have no update on this guy.
Speaker 7 (06:41):
Oh man, that's a killer photo, though, I don't have
any update on that guy.
Speaker 9 (06:48):
Or oh it's the same guy.
Speaker 3 (06:52):
Is that from the show you saw? Yep? Awesome? Man,
Are those your pictures that you took yep? No way, really.
Speaker 9 (07:03):
As our Guatemalan Yeah, no way, Jose is something I
don't believe it. So there you go, man.
Speaker 6 (07:12):
So, no update, no update on Viddie Vincent. Everybody knows
he's in c Cotton l Salvador. So I just wanted
everybody to remember our boy.
Speaker 7 (07:23):
And you know, oh yeah, he's got an album coming
out supposely.
Speaker 6 (07:29):
Yeah, man, that's sucked up. So anyway, let's get back
into the real world and my my fictitious acid trip talk.
Let's sing it daily. Let's talk about Paul Stanley.
Speaker 10 (07:43):
Live to Win Wow Wow, Yeah Man.
Speaker 6 (07:48):
Live to Win It came out October twenty fourth of
two thousand and six.
Speaker 9 (07:53):
The Year of Our Lord.
Speaker 6 (07:56):
And before I get into all this bullshit, let me
ask you a question, brother, man, did you get this
album when it was brand new?
Speaker 3 (08:03):
Yes? I did. I got the album and it came out.
Speaker 7 (08:05):
Okay, so probably probably the week it came out. Probably
not the first day, but but I for sure had
it the first week it came.
Speaker 9 (08:14):
Out, all right, cool.
Speaker 6 (08:15):
I just wanted to connect that because everybody, you know,
if it was different when you get shit different when
it's in real time, then we're on the same brainway.
Speaker 9 (08:24):
Me too. I was really excited to.
Speaker 3 (08:26):
And I kicked myself.
Speaker 7 (08:27):
I kicked myself because I could have saw the tour too.
Speaker 3 (08:30):
Man. It came to the it came to the.
Speaker 7 (08:32):
Hard Rock Live in Orlando, and I could have went,
and I just for some reason, I chose not to go.
Speaker 9 (08:39):
Oh that was a very bad decision, bro it.
Speaker 3 (08:41):
Yeah it was, yeah it was.
Speaker 9 (08:43):
But yeah. Anyways, man.
Speaker 6 (08:44):
It was recorded at Hansen Recording Studios. The label was
New the Core No New Door, excuse me. Paul Stanley produced.
It went to a not so good and so good
fifty three on the Billboard two hundred. You know, not
so good, not so good, A bunch of people play
(09:07):
on the record, But the two that I want to
focus in on is the great John five and the
amazing the greatest that someone that we love sincerely, the.
Speaker 9 (09:19):
Great Bruce Pulick.
Speaker 6 (09:21):
Oh yeah, and uh and the piggyback on you fucking
up and not going to the concert. I saw the
tour and if you had to put the ticket stuff
up up, sick it.
Speaker 3 (09:31):
Stanley, Oh yeah, here it is right here.
Speaker 9 (09:34):
Ah, there it is.
Speaker 6 (09:35):
I saw the tour on the Monday, November thirteenth, two
thousand and six, and it was fucking amazing.
Speaker 9 (09:44):
It was so bad ass. It was so fucking cool.
Now was it the eighty nine solo tour at the.
Speaker 6 (09:51):
Omni and beautiful downtown Oakland? No way, Jose, But god
damn it, it was badass. And anybody says on the
as this a revisionous historian, it was so bad.
Speaker 9 (10:04):
Yeah, it was so bad.
Speaker 3 (10:05):
After he's got the DVD out there, document Oh.
Speaker 9 (10:09):
I know, I know, I know. Yeah yeah, anyway, magic
touch what else? Yeah yeah yeah yeah yeah.
Speaker 6 (10:19):
And your boy and your boy Eddie Trump always takes
credit for that.
Speaker 9 (10:24):
Well, I'm gonna want have told the dude.
Speaker 6 (10:29):
I'm just being real. Anyways, man, yeah, man, So it
was it the eighty nine tour.
Speaker 7 (10:34):
No, but it was still so fat out and it
was that rock star to him from that rock Star show,
remember that, Yeah, of.
Speaker 9 (10:42):
Course, yeah yeah, I mean that, yeah yeah, yeah yeah
yeah man. So that was it was a good time.
Speaker 6 (10:52):
I was really into it and I'm gonna I'm gonna
be on I'm not gonna shoot shoot bust my not now,
but listening to this shit now basically the first time
I had and if I'm gonna be honest, probably two
thousand and six.
Speaker 9 (11:08):
Or probably two thousand and seven.
Speaker 6 (11:10):
I remember being on a plane I went to the
first eight games at Famway Park in two thousand and seven.
I remember having that on the plane. So we're talking
a billion fucking years ago, dude. So but it's better
than I remember. So I'll just say that.
Speaker 3 (11:26):
Cool.
Speaker 6 (11:28):
A couple of pop culture, brother man, and this is
the twenty first century, so a new kind of thing
for our shit. The number one movie on this date
was The Prestige. The number one TV show was Lost,
I remember that, Okay. The number one album was by
(11:50):
Evan Essence The Open Door, and the number one song
you can probably hear in the background Moneymaker by Ludacris
and before renaming the pop culture iconic things uh the
NFL Champs for the two thousand of the NFL Champs
(12:10):
in two thousand and six with the Chicago Bears Major
League Baseball, the Saint Louis Cardinals, NBA Champs Miami, and
the NHL Champs Carolina Hurricanes.
Speaker 9 (12:20):
There you go, sink it.
Speaker 1 (12:21):
That b BA BA All right?
Speaker 3 (12:24):
All right, man, you ready to get into this? Are you?
Speaker 1 (12:28):
Are you ready to live to Win? Way? Yes?
Speaker 9 (12:32):
I am ready to live to win?
Speaker 3 (12:34):
Oh my god?
Speaker 7 (12:35):
Well, you know what, why don't you take the first
Why don't you take the opening track?
Speaker 3 (12:39):
The title?
Speaker 1 (12:41):
Yeah?
Speaker 3 (12:41):
Man, how do you think of Live to Win?
Speaker 9 (12:46):
I don't think it's as corny as I thought it was.
Speaker 3 (12:49):
Uh.
Speaker 6 (12:51):
I mean, Jesus Christ, think about fucking nineteen years ago,
you know.
Speaker 9 (12:57):
I it's a better song than I read.
Speaker 6 (13:01):
I think it's uh uh. You know, there's just just
a lot of hope, and I mean not to get
all corny in a New Age or whatever, but.
Speaker 9 (13:09):
Just pope uplifting and it's a very catchy song.
Speaker 6 (13:13):
And I'm gonna say I'm gonna give it three out
of five chopsis.
Speaker 7 (13:17):
Hell yeah, man, dude, honestly, in all honesty, everybody, I
was going to bash the hell out of this song.
But something strange happened. Man, between the editing listening to
the album, y'all got to realize, Man, I listened to
this shit probably ten times before we do the actual show.
Speaker 3 (13:36):
Between preparing for it, doing all the editing, you.
Speaker 7 (13:39):
Know, actually listening to the albums, and yeah, you know,
I was gonna say, you know, this was Paul's desperate
attempt to sound relevant in two thousand and six, which
I still think it was.
Speaker 3 (13:50):
Man, I think Paul was desperate to sound relative.
Speaker 7 (13:53):
However, However, this freaking chorus, Man, it's like a freaking fungus.
Speaker 1 (13:59):
Dude, she grew on me.
Speaker 3 (14:01):
Man.
Speaker 1 (14:02):
I started walking around being like, whin didn't win? I'm like, hell,
he did? What the fuck I mean?
Speaker 3 (14:11):
It's a great chorus. You can't you can't deny it.
It's a great chorus. It's catchy.
Speaker 7 (14:18):
As for the verses, they're a little bit you know,
that's Paul trying to sound relevant, you know, But but man,
what a what a hell of a chorus?
Speaker 3 (14:26):
Man, I thought he did it.
Speaker 7 (14:27):
I thought he did a good job. Saw Man, I
will say that. Yep, Yeah, so.
Speaker 3 (14:32):
Lift to win. Yeah, there you go, number two.
Speaker 10 (14:36):
Lift.
Speaker 7 (14:37):
Ah.
Speaker 10 (14:38):
This is a.
Speaker 3 (14:39):
Terrible, terrible attempt to sound like modern rock.
Speaker 7 (14:42):
He's just trying to sound too hard to sound of
the times. And what really sucks What really sucks about
this album in a lot of spots, for example, how
strong the chorus was on them to win. His voice,
his voice was in trying condition to do a killer
rock album, but he seemed to just you know, still
(15:06):
stuck in that modern trying to sound modern rock, whether
that that that bridge between grunge and emo rock at
the time, and man, I and for that, man, these
songs just they don't cut it for me.
Speaker 3 (15:21):
Man, what do you think of lyft Wag?
Speaker 9 (15:26):
I don't know.
Speaker 6 (15:26):
I'm coming at it in a different space than you are.
I'm not uh cantaalizing the man for trying to I
mean maybe there's elements of blatantly trying to be modern
and everything, but.
Speaker 9 (15:40):
Hey, man, I mean, uh, who who doesn't.
Speaker 6 (15:43):
Want to reinvent? I'm not gonna hold that against him.
I understand the criticism. Yeah, yeah, but yeah, man, so oh,
I forgot to say, uh Paul Stanley and uh Desmond
Child and some guy named Carlson were where the writing
credits on.
Speaker 9 (16:02):
Lift and Wind, but Lift Lyft would be Paul Stanley.
Speaker 6 (16:06):
Disney Child, someone by Bret Bread Records, Fred Rickson, and
you know what, here's a nowther fucking I mean, just
get me know, somebody throw eggs at me. It's not
a bad song, man, it's not a bad song. You know,
it's really not. Is it tonight?
Speaker 9 (16:24):
You belong to me?
Speaker 3 (16:25):
No? But he's not.
Speaker 6 (16:27):
But he's not twenty six years old like he was
in nineteen seventy eight, So man, I know that. Yeah, yeah, yeah, man, Hey,
I'm gonna be real and and if I did a
pot I've never I have never did a part. I
know all these kiss records, I've done all these podcast
blah blah blah, but this never. And I'm gonna be
real and I'm gonna I have a lot of I'm
(16:48):
gonna rip some of these songs, but this is not
one of them.
Speaker 9 (16:53):
I think it's obviously modern sounding.
Speaker 6 (16:55):
I'm gonna give it two and a half chopsticks out
of five.
Speaker 1 (17:00):
Yeah, ooh cool man?
Speaker 8 (17:02):
Yeah, all right, well, oh won't you take track number three?
Speaker 3 (17:05):
Wake Up Screaming leg.
Speaker 6 (17:08):
Yeah, Paul Stanley, the incomparable Desmond Child. Uh and then
this gentleman Carlson again. But I don't know who does
the solo.
Speaker 9 (17:19):
I like the solo nine one one, No one hears
my cries, I break up, my wake up screaming. Ah,
I don't know, man. So let's see. Let's see, let's
play the game. So fifty sixty seventy eighty ninety two thousand,
(17:40):
So Paul Stanley was fifty I mean.
Speaker 6 (17:47):
Fifty five here, fifty four or something like that.
Speaker 9 (17:53):
Anyways, let's you two and five chopsic fair.
Speaker 7 (17:58):
Oh man, what the fucking shit, fucking pity party, Paul Man.
He's laying on the fucking therapist couch when he wrote
this ship Man wrapped up in my own cocoon.
Speaker 9 (18:08):
Come on, Paul, come on, Paul Stanley was fifty four.
Speaker 6 (18:12):
I have to get the satrack. Can'ttinue on with your
bashing fifty.
Speaker 1 (18:16):
Four and he's still waking up, screaming.
Speaker 7 (18:18):
Come on, you're a millionaire, Paul, Come on, man, get
over it, Get over it.
Speaker 9 (18:24):
You tell me I lit up too hard hard.
Speaker 7 (18:28):
I'm sorry, man, this song sucks. Fucky ship Man number four.
Every time I see you around, oh man, what is this?
Speaker 3 (18:36):
Is this like.
Speaker 8 (18:36):
Every time I look at you? Part two?
Speaker 1 (18:39):
I mean, dude, the song's got.
Speaker 7 (18:42):
Some strong vocals, I will admit that, but they go
nowhere and the song is just fake and flat to me.
So yeah, Wang, what do you think of every every
time I see you around?
Speaker 6 (18:55):
And that's funny you mentioned the song of revenge? Hey,
song that I have I'd wit and have been abused
to no end. I have been My sexuality has been
questions because of it.
Speaker 9 (19:09):
But Michelle Marie, you know what I'm talking about anyways.
Speaker 6 (19:14):
Yeah, man, Serpius fuck very pedestrian songs tell you the truth? Uh,
the amazing, the great, the fucking amazing. Bruce Culic on face,
that's why.
Speaker 9 (19:27):
Yeah, that's that. That's the I like that part of
the song. You know me, Bruce, I love that mother.
Speaker 6 (19:36):
But unfortunately, unfortunately Bruce Culic I got some bad news.
Speaker 9 (19:41):
The bass playing on the fucking song. Five out of
five the song unfortunately not sook good, not took good.
One out of five. Chopstick all right, weg what's you take?
Speaker 3 (19:53):
Trag number five bullet Fruit.
Speaker 6 (19:55):
Yeah, man, I don't know John Five's on guitar. I
mean no, I mean I'm not saying it sucks John
Five's lead guitar. The song would be oh you know,
and I could say this at nauseum, and I know
I'm repeating with this song in particular, could really be
(20:17):
improved by a billion times if the guitars were heavier
and thicker and more less clean and more fucking like
hard rock. I'm not saying John like John Paye. Yeah right,
I'm not saying. Look, I want to hear Ride the Lightning.
Speaker 9 (20:35):
Rips, but John fun Jo Pie.
Speaker 6 (20:39):
Exactly, John Five, I love that motherfucker. But and another thing,
drop those you know how much I hate those background singer.
It's I know what, I get it, and and I
get that if that should.
Speaker 9 (20:56):
Not bother me.
Speaker 6 (20:58):
If he's gonna do a soul station thing, But this
is his attempt to be hard rock.
Speaker 9 (21:04):
Maybe it's not.
Speaker 6 (21:04):
Maybe I'm the one dreaming and wishing he was hard rock,
but even but maybe, Paul Stowey said, if he talked
to me facing me, he said, listen, homeboy, Bill Wang,
I never told you I was gonna do a hard
rock album. I said I was gonna make a record
that was gonna make me happy.
Speaker 9 (21:20):
So fuck you, Bill Wang. You know what's.
Speaker 3 (21:26):
Rock anyway?
Speaker 4 (21:29):
Oh man?
Speaker 7 (21:30):
Man, fucking bulletproof John five Man, come on.
Speaker 9 (21:33):
Yeah two and five tops Ben, Oh yeah, Man.
Speaker 3 (21:38):
I didn't even deserve that, man, oh man, Poor John
five Man.
Speaker 1 (21:42):
And I'm gonna go I'm DoD I'm meeting.
Speaker 3 (21:44):
John five in October.
Speaker 7 (21:46):
By the way, I got tickets to the show I'm
going to meet and great, I am meeting John five Fine, so.
Speaker 3 (21:53):
That's gonna be awesome.
Speaker 7 (21:54):
But poor John Man, poor Johnny couldn't even see He
couldn't even save this song. I mean again, It had
some strong vocals on the chorus.
Speaker 3 (22:03):
But the song sucks.
Speaker 10 (22:04):
Man.
Speaker 8 (22:04):
The backing singers, uh, I'm with you on that, man,
they did not fit this song.
Speaker 7 (22:09):
And they don't always bother me, but man, yeah man,
and John just seemed to dial it in with his solo.
Speaker 3 (22:16):
Man, It's just.
Speaker 7 (22:18):
This song does nothing for me, Man, nothing nothing. Track
number six All about You, Oh Man, still trying to
sound like to keep the faith error upon Jovi Man,
horrendous song, Man, next way.
Speaker 3 (22:35):
Where'd you think of all about You?
Speaker 9 (22:38):
Before I get the incomparable? That time?
Speaker 6 (22:42):
So every Time I See You around was written by
Paul Stanley and some guy with the last name Massetti,
Marsetti and no not machete, bulletproof was standing Curtain. But yeah, man,
so before I get to all about you, I'm gonna
(23:03):
tell you something secrets down. Are you ready to Are
you ready for tip information?
Speaker 9 (23:07):
Brother?
Speaker 6 (23:08):
Men?
Speaker 3 (23:08):
Sure? Man? What you got?
Speaker 9 (23:10):
Okay? Cool?
Speaker 6 (23:11):
So my top my top ten albums of hard rock
and heavy metal whatever that came out in the glorious
year of two thousand and six, and here they are.
Number ten would be Trivium the Crusade. Number nine would
be The sword Age.
Speaker 8 (23:31):
Of Winters, Florida.
Speaker 9 (23:34):
Yeah, I know, you know, I know, I know. Matter
of fact, I saw Trivium in the short of the
same concert for larns All.
Speaker 3 (23:41):
I've never got into.
Speaker 1 (23:42):
I never got into.
Speaker 3 (23:43):
But they're badass. They are good.
Speaker 6 (23:44):
No, yeah, I'm just you know, rather than just saying, oh,
I'm only gonna do five so fuck all this, shiit? No,
do I know these albums, chapter and verse? No, But
back in the day I at least own these fucking records.
Speaker 7 (23:57):
So all right.
Speaker 9 (23:58):
So the Sword, the Sword, the sword Age of Water.
Speaker 6 (24:03):
Number eight would be Red Hot Chili Peppers Stadium Arcadium.
Number seven would be Black Label Society Shot to Hell.
Number six would be Slayer Christ's Illusion, the Reunion Record,
the All four Guys Got Back Together.
Speaker 9 (24:20):
And the number five something that I was really into
big time back.
Speaker 6 (24:24):
Then, Lama God The Sacrament number Yeah, I love that shit.
Number four Iron Major A Matter of Life or Death.
And number three the last Audio Slave album, the very underrated.
This album was so badass and it sucks. It was Revelations,
(24:46):
And in two thousand and six, me and one of
my best friends, Owned Fitch, went and saw the very
Last Audio Slave concert on November nineteenth, two thousand and six,
in Las Vegas at the Max Center. Uh, there's a
fact spinning Wat's poetic as I always do. And number
two would be twol ten thousand Days and number one
(25:11):
my number one album that came out and that year
would be mastered on Blood Mountain.
Speaker 10 (25:17):
Be cool, cool, all right?
Speaker 6 (25:20):
So all about you, Stanton Paul Stanley to have been
child that Carlson had Again, I'm not feeling this one,
if I'm being real, man, just sort of a stock
song with little Do Dads, Little Do Dad electronic situations
and sounds, you know, and I'm not you know, I
think maybe there are occasions where to have do dads
(25:45):
and and you know, weird electric shit, electronic stuff and
everything just for the sake of having it is just
it just doesn't make.
Speaker 9 (25:54):
The song any good. If it's in sheer, it can
do wonders for different songs.
Speaker 6 (25:59):
So yeah, man, one out of five chops, they're singing standing,
Oh about you be?
Speaker 3 (26:05):
Hell yeah man?
Speaker 7 (26:06):
Track number seven, second to none, Oh man, the verses
make me want of vomit, dude. But then he goes
into a great chorus with strong vocals, but the song
overall just blows.
Speaker 3 (26:20):
Man.
Speaker 7 (26:20):
I'm not I'm not down with it.
Speaker 3 (26:24):
Man. What do you think of second to none? Way?
Speaker 6 (26:32):
You know what? Now I have to be a copycat
baseball bat. But the one thing I love about this,
you know what? The one thing I love about the
song singing standing, but the the great, the amazing, the incomparable.
Bruce Kewing, I'm here, that's right, Dared straight, Dared straight,
(26:53):
Bruce couldn't say this ship.
Speaker 3 (26:55):
Yeah yeah, maybe I think you have a guitar of
killing your solo work.
Speaker 9 (27:02):
Yeah, exactly, dude, exactly yeah, who knows? Who knows?
Speaker 6 (27:07):
But uh yeah, And I want to be I want
to be on record saying in two thousand and six,
In two thousand and six at the you know, I
mean it's amazing venue in San Francisco. Oh Stanley still
had his voice, he was still amazing. Man. So I'm
(27:28):
gonna be I have to give major problem to that.
So uh yeah, man, so you know I can't beat
two face and everything. But unfortunately the song is only
only gets one out of five chaps you expect.
Speaker 7 (27:40):
Hell yeah, man, hey, it is what it is, man, Wang,
why don't you take the next one track?
Speaker 3 (27:46):
Number eight?
Speaker 6 (27:47):
It's not me, Yeah, it's not me, but written by
Paul Stanley and Holly Knight.
Speaker 9 (27:55):
Oh my girl, Allie Knight me that you girl, that
you girl.
Speaker 1 (28:03):
And uh that video has.
Speaker 3 (28:05):
Got like one hundred thousand views.
Speaker 9 (28:06):
Now that's so fucking about. Hopefully this podcast will get
that next week, would get down there hang.
Speaker 3 (28:16):
On tight man, we're you know, maybe when we hit
three hundred episodes, there you go, b man.
Speaker 6 (28:21):
But h yeah, man, this song is not a bad song.
Quite frankly, it's not a bad song at all.
Speaker 3 (28:29):
Uh.
Speaker 6 (28:29):
And I'll write exactly what I wrote, and I know
these little notes. I wrote this song as a little
bolder than most of these songs. It's not a bad
song by no measure, A cool solo by a gentleman
by the.
Speaker 9 (28:44):
Name of Corky James. Corky James.
Speaker 10 (28:49):
Uh So that was cool.
Speaker 9 (28:51):
Uh I'm gonna be straight up man. Three to five chopstick.
Speaker 3 (28:55):
Fire Oh Man, Man, No, no, Paul, this is not you. Man.
Speaker 1 (29:00):
Where's love?
Speaker 10 (29:01):
God?
Speaker 1 (29:02):
Oh my god?
Speaker 3 (29:03):
This sounds funny? Shit man? Oh Man?
Speaker 7 (29:07):
Moving on track number nine, loving you with what is this?
Loving you without you? Loving you without you now? And
he can't even pronounce a damn title, Paul, oh Man,
it's probably the best song though that flows on the album. Yeah,
(29:28):
could have could have kicked this one up a notch
with the production stock and flat. And then he talks
about his He talks about his ears, his ears in
the song.
Speaker 1 (29:41):
He's pluralizing ears. Paul, Why are you pluralizing ears?
Speaker 8 (29:47):
You have one ear?
Speaker 7 (29:50):
You doesn't meet us, and you know you talk about
it every chance of yet, but yet you talk about
you having both ears in the song.
Speaker 3 (29:58):
Man, Come on, Paul, what's up with that? Man?
Speaker 1 (30:02):
God?
Speaker 7 (30:02):
Man, that fucking documentary. That's all we hadn't talked about.
That's all you talked about was your damn ear man,
oh man, anyway, man, this song, I don't know, man,
it could have been better, but it is what it is.
Speaker 3 (30:15):
Wang, what do you think about track number nine?
Speaker 9 (30:20):
Wow? What was your situation with the ear situation? What
are you talking about?
Speaker 7 (30:28):
I think they complained that he that he has one
ear and he had a depoored here and he's poor
and he's paralizing ears in this song like he has
two ears.
Speaker 9 (30:38):
Okay, God, I got it.
Speaker 3 (30:41):
I really.
Speaker 9 (30:44):
Really bothering thinking soundly.
Speaker 8 (30:46):
Well, maybe he talks about it all the time.
Speaker 7 (30:48):
You can't escape it, man, Yeah, boy, I had to
think all my crow shows, my year sported with one
year just a little Cullie flower road.
Speaker 3 (30:58):
What fine?
Speaker 8 (30:58):
Well, look, god, damn it, Paul, get over it all day.
Speaker 9 (31:01):
Jakin Stanley has not lost his fastball.
Speaker 6 (31:05):
He remains Paul Stanley's nemesis and troll, the King Troll
and that sort of shit doesn't bother me so but
it bothers Shik and Stanley to no end.
Speaker 9 (31:16):
So they go, Now we all know what why.
Speaker 6 (31:19):
Steven Stanley loves so much sleep at night. But it's
all good there, no way, yeah exactly man. But anyways,
and he got that operation yeah, man, no, but but
it was like right around the Creatures of the.
Speaker 7 (31:39):
Night arrow right, Oh god that I couldn't tell you.
Speaker 9 (31:42):
H yeah, yeah, it was like nineteen eighty two.
Speaker 6 (31:44):
Yeah, he made a.
Speaker 7 (31:46):
Big deal about it in the documentary and know how
gm Q by my thigh it's so dark?
Speaker 9 (31:52):
Oh really?
Speaker 6 (31:52):
Well yeah yeah, I didn't see what you're talking about.
But anyways, man, the great the best part of this
song is uh, Bruce Culic on Bay you know what,
I bruf my man, motherfucker. Anyways, even though he played
on a lot of really shitty kiss albums in but
(32:15):
it ain't his ball anyways. Man, So here's the deal.
Uh yeah, but I may rip ship and everything about
Paul Stanley remains at the time an amazing singer. Uh
and but unfortunately I got it's written by just Paul Stanley. Unfortunately,
I'm only gonna give this song one out of five chopsticks.
Speaker 9 (32:36):
So sorry if he.
Speaker 7 (32:37):
Fall of bear see what you just said, man, he
was an amazing singer at this time.
Speaker 3 (32:44):
He was an amazing singer. He could have done.
Speaker 8 (32:46):
Such a much more amazing album, man, if he just.
Speaker 3 (32:51):
If he just would have rocked harder.
Speaker 1 (32:53):
Man, he needed Bob Culick back.
Speaker 7 (32:56):
Man, he should have got the Culic brothers. He should
have played with both of them. How awesome would that
have been?
Speaker 9 (33:06):
Amazing?
Speaker 6 (33:07):
But money, money, money, I'd be paying them more money
than he paid those rock.
Speaker 3 (33:12):
Star people have probably whatever.
Speaker 9 (33:15):
But no, in the perfect world, you're spot on, brother man.
Speaker 3 (33:19):
Yeah, man, it is what it is hindsight. But track ten,
Track ten? What is this? Ship? Were angels there?
Speaker 7 (33:29):
I'm just glad the album's over, man, this because by
this time and it's just I'm done.
Speaker 3 (33:34):
I was done, man, live to win. Great chorus where
angels there? Not so much? Wang? What do you think
about the last track?
Speaker 6 (33:46):
Well, as anybody that has watched our our crazy show,
I always my wish is always to end an album
with a great song. And you know what, I'm gonna
be fucking real. This is a good song.
Speaker 10 (34:02):
Man.
Speaker 9 (34:02):
I don't know what the fuck? Yeah, I don't know
what it uh that I like it enough said, uh?
Speaker 6 (34:09):
But written by Paul but written by Paul Stanley, the
incomparable Desmond Child John five, Uh, And I wrote simplistically
another cool song, uh and a good way to end
the album John five as a cool little solo. I
don't know, man, I think it's a decent fucking song.
(34:30):
And I'm not gonna and I'm not gonna ship on it.
Just put the sake there. Ship on, Okay, now, man,
this album? Hold on this album.
Speaker 1 (34:41):
I'm sitting on it.
Speaker 10 (34:42):
Just on it.
Speaker 9 (34:44):
I think it's a little bit of that, a little
bit of that.
Speaker 3 (34:46):
No, I don't like it. I don't like it. I
like it.
Speaker 9 (34:51):
It's all good. But I will say this. Here's here's
what I will say.
Speaker 6 (34:55):
This album is better than the last album we reviewed,
Crazy Nights.
Speaker 3 (35:02):
I don't know, I like more Crazy Nights. This one.
Speaker 9 (35:05):
I didn't ask you. I told you what I thought.
Speaker 1 (35:09):
I'm just having a discussion year with you.
Speaker 3 (35:11):
No, and I love it.
Speaker 9 (35:12):
Brother man.
Speaker 6 (35:13):
Yeah, this album is way better than I thought. No
is all every song. I mean, let's be real, man,
we got uh, let's see man, Let's be real. Three
out of five, two and a half out of five,
two out of five, one out of five, two out
of five, one out of five, one out of five,
three out of five, one out of five, three out
of five. I'm sorry. Crazy Knights does not have that
(35:36):
much stuff. So I am here to say that I
like this record better than Crazy.
Speaker 9 (35:42):
Nights, you know, So there you go.
Speaker 6 (35:45):
Yeah, somebody you know, and I'm sure there's some geek
loser fan out there. Take a mask off. Nobody knows
what the nobody cares.
Speaker 9 (35:53):
What you look like. You fucking drunk? Okay, and you
know what I say to them, and you're right, you're right.
But here's the deal. You're mad that I like this
album more than Crazy Nights, And guess.
Speaker 1 (36:03):
What, funk off, I'm not mad that you like this No,
in front of man, you're you're.
Speaker 9 (36:09):
My negro bron. It's all good. But you know the
internet people.
Speaker 1 (36:14):
Oh I know, I know the Internet people.
Speaker 9 (36:17):
Yeah, we're not holy on fucking YouTube.
Speaker 6 (36:20):
So I get screenshots from some of the most batshit
crazy ship out there.
Speaker 9 (36:27):
So fuck y'all. We're having fun. So suck my day.
Speaker 3 (36:30):
Heaven forbid.
Speaker 7 (36:31):
You have a different opinion than a kiss tart exactly exactly.
Speaker 10 (36:35):
Man, oh man, Well there you have it. They have it,
They have it, live to win, oh man.
Speaker 7 (36:46):
So away, Man, Well that's a stupid question. I was
gonna ask you everything. Paul's into another solo album. Well
he did, he did School Station sol.
Speaker 6 (36:55):
Yeah, hey man, I'm not one of those people that
hate on him because that he does that record, because
I love that kind of music. I just don't like
his interpretation of that music.
Speaker 3 (37:08):
Yeah, I don't hate on him for doing it. I
goof on him for doing it.
Speaker 9 (37:15):
Okay, And what's the difference.
Speaker 3 (37:19):
It's comedy, not hate. People's people.
Speaker 7 (37:23):
People nowadays gotta discern the difference between comedy and hate.
Speaker 3 (37:28):
Hate some very strong words. Okay, yeah, rarely.
Speaker 6 (37:34):
No, No, I I respect that, but I don't think
most people are intelligent enough to understand what.
Speaker 9 (37:40):
You just said.
Speaker 6 (37:45):
I mean, people call just because well, and I'm not
I'm not going to go on a tangent just because.
Speaker 9 (37:53):
No, I don't want to go there. Yeah, yeah, but.
Speaker 1 (37:58):
Get them so fired up.
Speaker 6 (38:00):
But the fact that Diddy Didson got deported and everything,
and he was born in Bridgeport, Connecticut, and that whole
thing hold.
Speaker 9 (38:07):
Now, you know, before he was locked up in a
sea card, I was you know, I'm not. I'm just
I'm anti illegal alien. So people, you know, a shooting
different things. Hey, I'm not, I'm not antien. I'm gonna
shut up because I'm an. But it was Soddy Didson.
Diddy Didson is in Seacon. Listen, you put that up.
Speaker 1 (38:30):
But since you brought that up, what do you think
about this.
Speaker 7 (38:32):
Alien ship that's coming in November?
Speaker 1 (38:35):
Who oh, man, aliens are coming, didn't you hear?
Speaker 9 (38:39):
No, tell me about the aliens.
Speaker 1 (38:41):
The aliens.
Speaker 7 (38:42):
Man, and they're big seven mile long ship. Man, uh uh,
I'm gonna be here in November, that's what they're saying. Man, something, dude,
swear to god, dude, this is this is all over
the internet.
Speaker 9 (38:55):
This is this is like that, right, this is true.
Speaker 3 (38:58):
There's no no, dude, is it al who knows?
Speaker 1 (39:00):
I hope to God it is. Man, Oh, please please
come aliens.
Speaker 7 (39:04):
But anyway, but anyway, you know, but there is a
seven mile object out there, and it's not that weird
chair weird trajectory.
Speaker 8 (39:13):
Behind the sun so that we can't see it coming.
Speaker 3 (39:17):
And there's this wow wow.
Speaker 7 (39:18):
There's a professor at Harvard that's saying, hey man, this
is a strong possibility that it could be it could
be aliens.
Speaker 9 (39:27):
Man, wow, hey man.
Speaker 3 (39:29):
An intelligence object.
Speaker 2 (39:31):
Yeah.
Speaker 9 (39:32):
Well, you know, we can hope for the best.
Speaker 7 (39:34):
Right well, now, whether they're coming here or they're just
zooming by and saying hi, who knows.
Speaker 6 (39:40):
I have if they have any sort of brain cells,
pass us up.
Speaker 9 (39:44):
Because we are so fucked up.
Speaker 7 (39:48):
Well, hopefully they'll come and get bus video out and
let him finish his album.
Speaker 6 (39:53):
Yeah, I know, And and I know I kind of
left it in the bag about Vinie Bisson well because
I know it's a very personal situation with Jennie Vincent
and you know, the situation with Mark Saint Mark, Saint John's.
Speaker 9 (40:09):
Sister and Benny Vincent. And yeah, man, so it's a
very emotional, right, I mean.
Speaker 3 (40:14):
It's very very, very very touchy.
Speaker 9 (40:16):
Yeah exactly. People want to make fun of.
Speaker 3 (40:20):
A very delicate situation. Man, we can't.
Speaker 9 (40:22):
We can't, you know, well, said brother right out row beg.
Speaker 7 (40:26):
You just gotta let sleeping Dragons live, pretty much, bro,
pretty much?
Speaker 3 (40:31):
Yeah, man, it is what it is. We have a report,
we'll bring it to you, but.
Speaker 9 (40:35):
Yeah, I'm straight, we won't damn straight.
Speaker 3 (40:38):
Yeah all right, WEG.
Speaker 9 (40:40):
So you got anything else now, I'm pretty much I
think I covered it all.
Speaker 3 (40:45):
I think so too.
Speaker 1 (40:47):
I only got one more thing to say, and that
wraps up another episode of the Second Wag Show. We'll
see you next time. This has been a think army production.
Speaker 9 (41:05):
BA
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