July 3, 2025 • 37 mins
Join us as we review one of our all time favorite albums Tattoo You by The Rolling Stones. Also the pop culture of 1981 only as Wang can bring it to you.
Hosted by: Syncin' Stanley & Bill Wang
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Hosted by: Syncin' Stanley & Bill Wang
Guest:
For the video go to Syncin' Stanley youtube channel
(https://www.youtube.com/@syncinstanley2332)
Rumble Videos
(https://rumble.com/c/c-6544949)
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:10):
Stop talking, stopy al Star, show me up.
Speaker 2 (00:26):
The stop me al Star, you run out.
Speaker 3 (00:36):
No talk.
Speaker 2 (00:39):
Yet, study.
Speaker 1 (00:42):
These stony stop.
Speaker 4 (00:46):
Stop You're still got to come from.
Speaker 5 (01:04):
Nobody else works the nothing meets coming a paper.
Speaker 2 (01:15):
Money's a food time job. I don't need the information number.
Speaker 4 (01:19):
Lays start the paper a pay by by Browns.
Speaker 5 (01:31):
Have about the sabor having a sabor, the neighbors having
the sabers reading my cols.
Speaker 2 (01:49):
Itzy way, what is that.
Speaker 1 (02:18):
Smile?
Speaker 2 (02:19):
Lord?
Speaker 6 (02:20):
That dreads?
Speaker 3 (02:22):
Rememberment?
Speaker 7 (02:23):
I said, Wow, not waiting all the just waiting, just
wait till.
Speaker 2 (02:45):
Just waiting, not f.
Speaker 4 (02:51):
From.
Speaker 8 (03:19):
Well, the album's finished and it's called Tattoo You. Here's
the cover, show's cover.
Speaker 7 (03:35):
Tattoo You. Now.
Speaker 8 (03:40):
I think there's about three singles on this album, which
onesday are We don't really know. Could be three out
of eleven. But the first one I've come down to
put out is start me Up. So we hope you're
going to get behind that one. That's the first one.
Speaker 9 (03:56):
Okay.
Speaker 8 (03:57):
Now, all the band's been in town the last week
to do promotional videos.
Speaker 9 (04:02):
We've got quite a lot of promotional videos for the album.
Speaker 8 (04:04):
They're going to be with you for the release dates
that are set including a single release date. So that's
all figured out for you.
Speaker 7 (04:14):
So really, now it's up to you.
Speaker 8 (04:16):
Whether you're in marketing, whether you're in sales promotion, whether
you're in sweeping up or making tea. It's just getting
out there, getting behind the album and work, work, work,
and make that money. Anyway, I've got this feeling that
Kenny satellite is about to fall down, so I'm going
(04:40):
to say goodbye, good luck and tattoo.
Speaker 10 (04:43):
You sinking family here people and listen the Wang hear people.
Speaker 3 (05:31):
Bye bye bye, bye, bye bye.
Speaker 10 (05:33):
Well, it's time for another episode of the Thinking Wang Show.
Speaker 6 (05:38):
Hey Wang Man, we have been.
Speaker 9 (05:40):
Waiting to do this one for a while.
Speaker 11 (05:42):
Want to tell everybody you know what we're doing in
the spects man.
Speaker 12 (05:48):
Yeah man, uh hey, everybody, welcome back to the show.
We appreciate you being here and everything.
Speaker 3 (05:55):
Yeah man.
Speaker 12 (05:56):
So it's a trip to last last episode. We did
an album that came out at the very end of
the eighties, nineteen eighty nine, and today we're gonna go
to the very early eighties nineteen eighty one. And that
album came out on August twenty fourth, nineteen eighty one,
(06:16):
and that album is called tattoo you and it's by
the Rolling Stone.
Speaker 3 (06:23):
And yeah, fucking hey, man, we're gonna do that, right.
Speaker 9 (06:27):
Brother, Hell yeah this one for a while, man, Yeah
fuck yeah.
Speaker 12 (06:32):
We did sun Girls, so we're now we're gonna do this.
This is like, this was huge back in nineteen eighty one,
and me and Me and me and Sink Stanley got
this album in real time back then, Like I said, kid,
yes sir. It came out in August twenty fourth, nineteen
eighty one. Produced by The Glimmer Twins. It was the
last number one album for The Rolling Stones on the
(06:56):
Billboard two hundred, which concluded the band string of eight
eight consecutive number one albums, which is amazing.
Speaker 3 (07:06):
It consisted of recordings from nineteen.
Speaker 12 (07:09):
Seventy two, nineteen seventy five, nineteen seventy eight, seventy nine,
eighty and eighty one, and the band obviously consists of
thirty eight years old at the time, Mick Jagger thirty seven,
Keith Richards thirty.
Speaker 3 (07:23):
Four, Ronnie Wood Bill Wyman was.
Speaker 12 (07:26):
An acient forty five, Charlie Watts written many Rest in
Heaven was forty.
Speaker 3 (07:33):
And then on two songs two Songs, the brilliant.
Speaker 12 (07:37):
Mick Taylor was on two songs, the songs called Tops
and Waiting on a Friend.
Speaker 9 (07:45):
Yeah.
Speaker 3 (07:45):
Man, it was nine weeks at number one. Nine fucking
weeks at number one.
Speaker 12 (07:49):
That's yeah, that's a mind fucking Later, I'm going to
talk about all the album number one albums of eighty one,
and there weren't many. There weren't mad believe if I recall,
there was only eleven of them, and this was obviously
one of them.
Speaker 3 (08:02):
For nine weeks.
Speaker 6 (08:04):
The tour was massive.
Speaker 9 (08:07):
It was huge.
Speaker 12 (08:08):
The album has gone on to be last time. It
was certified four times platinum. It was the number one
tour of nineteen eighty one in the United States of America.
They played the local show Candlestick Park on October seventeenth
and eighteen, nineteen eighty one. The two sold out shows.
(08:30):
Obviously I didn't go because my mom didn't then't go
to two conference back then, but it was a really
really big thing in the news, I remember, and it
was so cool because kids my agent, obviously younger your age,
were starting to like really think the Stones were cool
and everything, and so that was super cool and.
Speaker 3 (08:53):
Anything to say about when I just said that, man, I.
Speaker 9 (08:55):
Had a really cool idea.
Speaker 11 (08:57):
It was into the stones, and she got me this album.
Uh not not Anne, I'm sorry, cousin my mom's Anne.
Speaker 9 (09:04):
Who would be like my something cousin or second add
something like that. I don't know. His family never got
me this album.
Speaker 7 (09:12):
Man.
Speaker 9 (09:12):
It was right right, right, right right, and I just
loved it. Man, I've loved it ever since.
Speaker 11 (09:18):
I actually still have my actual album somewhere in my attic.
I still cool, still have my actual album that I got. Yep,
never got rid of me for some reason.
Speaker 9 (09:31):
I don't know why, but.
Speaker 11 (09:35):
But yeah, man, and listen, I'm talking to somebody in
our faith pays the ball, somebody you know about it.
Speaker 9 (09:43):
Justin Childers, and he gave me a little unknown fact
that I didn't know about this album. But all the
songs on this album are left over songs.
Speaker 3 (09:57):
Well did you hear what I said? Secret say?
Speaker 7 (09:59):
Yeah?
Speaker 3 (09:59):
Absolutely there I said.
Speaker 12 (10:00):
All the songs were recorded seventy two, seventy five, seventy eight,
seventy nine, eighty eighty one.
Speaker 3 (10:05):
So yeah, Justin Childers, he's damn.
Speaker 9 (10:09):
Right, Yes, he's right. I didn't realize that.
Speaker 3 (10:12):
And I was like, yeah, yeah, that's been known forever
it's it's amazing.
Speaker 9 (10:18):
I'm sure, I just never say any attention.
Speaker 3 (10:20):
No, I feel you, brother, I feel it. Amazing.
Speaker 12 (10:22):
That amazing, that that came up with something so brilliant
by going back.
Speaker 3 (10:28):
To songs that got chopped off the chopping box.
Speaker 12 (10:30):
Amazing, amaz amazing, amazing, amazing.
Speaker 3 (10:34):
I mean say, it's Stanley. Let me ask you. Yeah,
I mean yeah, let me let me ask you a
couple both.
Speaker 9 (10:40):
So let's go back.
Speaker 12 (10:41):
Let's go back to that marvelous day back in nineteen
eighty one. August twenty fourth, nineteen eighty one.
Speaker 3 (10:48):
My mom was born in August twenty six. But uh
so let's see pop culture seeing it's damning. So what
do you think? I mean, you probably ain't gonna go along,
but well, what do you think?
Speaker 12 (11:00):
The number one movie in the United States of America
was on August twenty fourth, nineteen eighty one.
Speaker 9 (11:08):
Uh the jest singer Neil Diamond.
Speaker 3 (11:13):
Uh no, no, no, it was Raiders of the Lost Arc.
Speaker 12 (11:16):
Oh okay, cool, Yeah, yeah, I take it that. Come on,
you gotta take the ship very It's just this is
life or death. Yeah, well, try a little harder, try
a little harder. Anyways, the number one album was a
Foreigner four Foreigner four Yeah yeah? And can you guess
the number one TV show in the United States of America.
Speaker 6 (11:41):
On that day?
Speaker 3 (11:43):
Oh, I didn't got this one?
Speaker 9 (11:45):
What's that is it?
Speaker 2 (11:47):
Is it Dallas? Yeah?
Speaker 12 (11:50):
Yes, yes, yes, yes, the glorious return to the Segawa
Shout of Dallas, Dallas, And the number one song on
that date was a duet by Diana Ross and Lionel
Richie he yea goin Endless Love. And then a couple
(12:15):
more little pop culture situations. The NFL chants were the
San Francisco forty nine Ers, the NBA chants were the
Boston Celtics, the nl Major League Baseball World Series champs.
(12:35):
For the Los Angeles Dodgers, Fernando Venezuela just swept La
God rest his soul. He died really young, and they
beat the Yankees in eighty one and then last one
and a leases for as the sports teams, the New
York Islanders. Those they were so fucking bad as back
(12:57):
then New York Islanders were the Stanley Cup champs. And
just a couple of little side notes and closing here
on this segment of our podcast, And then of course
on January twentieth and nineteen eighty one.
Speaker 3 (13:11):
They're great.
Speaker 12 (13:11):
Ronald Reagan takes oath as me and sink and Stanley's
fortieth President of the United States.
Speaker 3 (13:20):
And then one final, one, little final thing.
Speaker 12 (13:23):
On April twenty ninth, nineteen eighty one, Van Halen released
the Brilliant Fair Warning And it does have a it
does have a connection to the Rolling Stones Tattoo You.
Van Halen opened up for the Rolling Stones on the
Tattoo You tour in Orlando, Florida, at a place back then,
(13:43):
I believe called the Tangerine Bowl.
Speaker 2 (13:47):
Wow.
Speaker 12 (13:48):
Yeah, October twenty fourth and twenty fifth and nineteen eighty one,
there go, baym Was.
Speaker 9 (13:54):
It the Tangerine Bowl or the Citrus Bowl?
Speaker 12 (13:57):
Well, that's why I said. Remember in nineteen eighty one
it was called the Tangerine Bowl, So that's probably before
a corporate bullshit taken over and all that. Yeah, it
changed the names of that place exactly, it exactly, ain't
got nineteen eighty one?
Speaker 9 (14:16):
Hell yeah, man, hell yeah. So you want to get
into this, Yeah, I go for I'm getting right into this.
Speaker 11 (14:23):
But you know what, before we get into it, too, though,
I want to say, you know what, what's really cool
about this album.
Speaker 9 (14:28):
That I always thought was they have side A which
has all the rocking songs on you, and then on
side B it's like all the mellow tudes. Did you
ever notice that? Yeah?
Speaker 3 (14:40):
Yeah, fucking a Yeah, yeah, man.
Speaker 9 (14:42):
I thought that I would have thought that was super
cool about this album.
Speaker 3 (14:45):
But very yeah, very trippy, and yeah that is a trip.
Speaker 9 (14:50):
Yeah into this man's man, it's rocking number one, start
me up.
Speaker 6 (14:56):
Oh my god, an obvious classic.
Speaker 9 (14:59):
Man played it to death.
Speaker 11 (15:01):
Oh my god, this song is just so played out man,
To be honest with you, I just got so sick
of it over the years. But man, it's a bona
fide plastic that rift. I mean, how how can you
deny that guitar room?
Speaker 9 (15:15):
As soon as he hits those first chords? Man, you
know what it is.
Speaker 11 (15:19):
You know it's coming, man, And how the fuck did
they get away with and make a dead man come?
Speaker 13 (15:25):
Oh?
Speaker 3 (15:25):
I know right, exactly? Crazy shit.
Speaker 12 (15:29):
And that's a very good observation because in nineteen eighty one,
you gotta remember people that wasn't Yeah, that was a
big fucking deal man.
Speaker 9 (15:39):
That was a big no no man.
Speaker 3 (15:40):
But I mean people, people were upset about everything.
Speaker 12 (15:44):
But yeah, man, yeah, not so much as now, but
right exactly exactly.
Speaker 9 (15:49):
By the way, what do you think it start me up?
Speaker 3 (15:52):
I don't know, man, I think you nailed your brother.
Speaker 8 (15:55):
Man.
Speaker 3 (15:56):
It went to number two on the pop charts, number one. No, no,
it did not go number one. It went to number two.
Speaker 12 (16:08):
And uh, I mean you know, cry It's like it's like, yeah,
it's overplayed a billion times, but it is a.
Speaker 3 (16:16):
Stone cold fucking classic.
Speaker 12 (16:19):
Absolutely five out of five chopsick.
Speaker 9 (16:23):
Yeah many number two.
Speaker 3 (16:25):
Hang fire, yeah yeah.
Speaker 12 (16:27):
In a sweet old country where I come from, nobody
ever where, Yeah, nothing gets done. We hang fire, We
hang fire man, and I you know, just for the record,
I also hang fire.
Speaker 3 (16:41):
Five out of five CHOPSI.
Speaker 9 (16:44):
Oh yeah, man, hang fire Man. It's a snappy little tune.
Speaker 7 (16:48):
Man.
Speaker 9 (16:49):
I love it. Man.
Speaker 11 (16:50):
It's got a killer guitar fills all through it. Just
literally it's a risk, man, just really man. I dig it, man, man,
And I mean it's over.
Speaker 9 (17:01):
Before it starts.
Speaker 12 (17:02):
It's yeah, I know, shit thing.
Speaker 9 (17:05):
It's like it's like, man, this Conda went on just
a little bit longer. But hey man, that's good, good stuff. Man,
all right.
Speaker 11 (17:14):
Number three slave, oh man, this this is just a slinky,
sleazy little too.
Speaker 9 (17:22):
Man.
Speaker 11 (17:22):
It gives me images of a of a juke joint
with you know, with the people practically, you know, just
practically screwing each other man in the juke blub man.
Speaker 9 (17:34):
But slave Man just awesome, man, I dig it. Man,
what do you think of slave Wang.
Speaker 3 (17:42):
Slave? Yeah?
Speaker 12 (17:49):
You know it's it goes back to the seventy four
seventy five Black and Blue sessions.
Speaker 3 (17:55):
Very funky little number.
Speaker 7 (17:57):
You know.
Speaker 12 (17:57):
It's like I said, it had it's didn't see during
the Black and Blue session, which I love that album,
by the way, I love I know a lot of
Fishinados hate Black and Blue.
Speaker 3 (18:08):
I dig it.
Speaker 9 (18:08):
I thought so Cold no no, no, no.
Speaker 12 (18:12):
No, no no no, Black and Blue was yeah, yeah,
in the seventies shadow what Shattered was on some Girls?
Speaker 9 (18:21):
That's right.
Speaker 3 (18:22):
What was the song?
Speaker 9 (18:22):
What was the hit song of Black and Blue? I
thought it was She's so Cold?
Speaker 3 (18:31):
No no, no, She's no, She's the colder thoughts last,
Oh ship, come.
Speaker 9 (18:37):
On, Mandy?
Speaker 3 (18:42):
No Black and Blue?
Speaker 1 (18:43):
No, what's the.
Speaker 13 (18:46):
Uh?
Speaker 11 (18:48):
Man?
Speaker 14 (18:49):
Man talked about stumping the way? Wow, fuck you? Why
did you ask me that? Let me here, I'm gonna
find out. Hold on me, doesn't pool the cry hold on?
I think cool, the cries on that.
Speaker 9 (19:02):
Hold on home on.
Speaker 3 (19:12):
Oh this is brilliant. Just a couple of fucking idiots.
Speaker 9 (19:16):
Oh yeah, man, I can't remember what it songs like.
Speaker 3 (19:19):
No, I know, but I should hold on, I think
cry yeah, thank you? Oh, hot stuffs, Hot stuff is
on there, Dad. At least I fucking found at least
to think of one song before I went to my
fucking cell phone.
Speaker 7 (19:38):
But.
Speaker 9 (19:40):
Before before some girls albums.
Speaker 12 (19:44):
I'm fair enough, brother, No, no no, because you know
that's funny inside baseball ship.
Speaker 3 (19:49):
Because I wanted to.
Speaker 12 (19:50):
Do and I'm gonna do eventually with my co host
as an album called After Aftermath, which is early, but
I believe the first of the real like starting a
Druggies sing it family.
Speaker 3 (20:06):
And yeah, you were unaware of that, so yeah, man,
sucking they So.
Speaker 12 (20:10):
Anyways, back to that slave, Yeah, yeah, slave, back to
the sessions of all right, we're coming back to the
actual question. So I'm sorry I couldn't think of this,
but yeah, hot stuff is awful, my fucking b but
uh yeah, man, three to five chops, it's the slave Bamn.
Speaker 9 (20:32):
Hell yeah, Wayne Tak number four, Little.
Speaker 3 (20:34):
Tna yeah, Little Tna, Keith Richards, the legend. I love
him so much as we all do. The kick ass jam.
Speaker 12 (20:43):
I'm gonna give it four to five chopsticks back off.
Speaker 9 (20:47):
Hell yeah man, little Tna. Man, this is the highlight
of the album for me.
Speaker 11 (20:51):
I freaking love this song with Keith Keith singing it
about his little Pisa ass groofye man, I just love it,
Little Tna.
Speaker 9 (21:00):
Awesome, cool buff hell yeah man. He's still he still
sings it in concert sometimes. I think he signed it
for years.
Speaker 11 (21:09):
Yeah, all right, Number five Limousine. Man, this song has cool.
It's a cool swagger song, you know, you know, just
you know, just talking about people going out painting the
town red as a rock star.
Speaker 9 (21:24):
But then then his chip girlfriend becomes a junkie, you know,
and all that crap, all that, all that, all that
good stuff, not being a rock star. Man, I know,
I think Black One's huge. It's pretty cool. What do
you think, boy?
Speaker 12 (21:38):
I mean, one could say the song explores the the
you know, the like a glamorous relationship fading. You know,
there's so many.
Speaker 3 (21:48):
Multispectives, perspective. It's cool.
Speaker 12 (21:54):
It's a it's a valiant song, and I appreciate it,
and I'm gonna still give it three five job, says
Blah blah.
Speaker 9 (22:03):
Yeah, man, last song on song, what I Think Neighbors.
Speaker 3 (22:08):
Yeah, you know what, before we get to neighbors.
Speaker 12 (22:12):
Back in nineteen eighty one, there were eleven number one
albums on the Billboard two hundred and here they are,
So let's go back to nineteen eighty one. See John
Lennon Double fantasye Ario, Speedwagenheim Fidelity, Sticks, Paradise Theater, Kim
(22:34):
Karrn's Mistaken Identity, and if you're wondering, that's the brilliant
song Steady Names, Yes, I love that shit, Moody Blues,
Long Distance, Long Distance Voyager, Pat Benatar, Precious Time Again,
bign Or four, Stevie Nicks, Vella, Donna, Journey, Escape, Wow,
(22:58):
Journey X Gate with the Rolling Stone's Tattoo, and last
but not least, the eleventh number one album of nineteen
eighty one ac DC.
Speaker 3 (23:10):
For those about the.
Speaker 9 (23:12):
Rock Hell yeah, man, wow, I said, hell the list
right there? Any comments on them?
Speaker 11 (23:18):
Brother, oh man, that's just some good albums in there.
I had about sixty seventy percent of those, ye right right?
I am hell yeah, hell yeah, hell yeah, my brothers
see nothing wrong with that list at all.
Speaker 8 (23:34):
No.
Speaker 11 (23:34):
If I didn't have the albums, my sister did, like
she had the like Bella Donna.
Speaker 3 (23:39):
Oh right right right, yeah right.
Speaker 9 (23:43):
I was in there steeling like a lot. I like
to stop dragging my heart around and all that stuff.
Speaker 12 (23:49):
Man, So do I dude, are you fucking he? I
love Stevie Nicks, hell yeah, killing stuff. Yeah, just just
for a little us, I dealt real fast, stee. Speaking
of Stevie Nicks. Stevie Nicks was supposed to play the
Conquered Pavilion on October seventeenth, nineteen eighty nine, but you
(24:11):
know what happened that day, and I was going to
go with a friend of mine the earthquake Capital San Francisco.
So yeah, so yeah, so I totally respect him and
love a lot of that woman's work.
Speaker 3 (24:25):
So Matt love Matt respect right now.
Speaker 9 (24:28):
But yeah, man, I think yeah, and get back to
wag go ahead and take Neighbors.
Speaker 6 (24:34):
Yeah.
Speaker 3 (24:34):
You know the thing about Neighbors is, obviously it was.
Speaker 12 (24:39):
Basically Mick Jagger writing a song about real life. It
was when Keith Richards got evicted from his New York
apartment and Nick took to.
Speaker 3 (24:53):
The fan and wrote the song.
Speaker 12 (24:54):
And then another brilliant part of this song was and
admittedly I don't know jack shit about jazz, but I do,
you know, read Lookipedia, be if I do these things.
Speaker 13 (25:10):
And anyway, jazz great sunny romans played face so on
this man, I'm gonna give Neighbors three and a half.
Speaker 3 (25:21):
Chopsticks baa.
Speaker 9 (25:25):
Wow wow, well movie, totally honest, man, Neighbors.
Speaker 11 (25:29):
This song is probably my least favorite song on the album.
It's a little obnoxious, a little annoying that chorus, but yeah, yeah, okay,
yeah yeah yea, which twitch though, is is pretty much
the point of the song, you know, talking about annoying.
Speaker 3 (25:45):
Yeah yeah, yeah, So there you go. Man, Yeah again,
did the.
Speaker 9 (25:51):
Point did come across?
Speaker 7 (25:53):
You know? So?
Speaker 11 (25:54):
But but man, I gotta say it's got a cool
guitar and sax solo. Man, yeah, man, yeah, Neighbors. Man,
all right, hell yeah, we're gonna flip the We're gonna
flip the album over the side.
Speaker 9 (26:07):
Too, and get a little mellow man worried about you.
Speaker 11 (26:15):
Oh dude, I just love I'm gonna be flat out now,
I love this whole side. I love everything about this stuff.
This this, you know, for the most part, ballads, stuff
like Angie Wild Horses.
Speaker 9 (26:29):
That's always been my favorite side of the Stones for
some reason. You know, like you just talk about fool
to cry, Oh my god, you know.
Speaker 11 (26:39):
And and if anyone ever thinks that Mick Jagger isn't
a great singer, they eat listen to Worried About You.
Speaker 3 (26:49):
It's just beautiful.
Speaker 11 (26:50):
I love it when he when he sings that baby man,
Oh my god, it's just amazing.
Speaker 9 (26:58):
Man. Wang. What's your take gone Worried About You? Yeah?
Speaker 3 (27:02):
Man, I mean I think you pretty much set me up.
My knee ball down in the middle of the plate.
Speaker 11 (27:07):
You know.
Speaker 3 (27:07):
I actlutely love.
Speaker 12 (27:10):
Love love Mick Jack Mick Jagger's vocal performance in this song.
You know, we're talking about broken promises, h uncertainty, longing
for clarity, emotional turmoil. I'm gonna just fucking be straight
up and say four to five chops.
Speaker 15 (27:26):
Sick yeah man, hell yeah man, suit hell yeah yeah man.
Speaker 9 (27:36):
Way take number eight tops.
Speaker 12 (27:40):
Uh yeah. This is I was talking about in the
in the beginning of our beloved podcast. Pops is one
of the songs that Mick Taylor participated in many, many,
many many years earliers in the construction of the song.
But yeah, yeah, don't need no casting couch or be
(28:04):
a star in bed. Never never, never let success get
to you, pretty head. I love that.
Speaker 3 (28:13):
I'm gonna say, yeah, man, I'm gonna be real. Three
to five topticks.
Speaker 9 (28:19):
Great, I'm gonna be real too, man, tops. It's my
favorite song now, im nice nice.
Speaker 11 (28:26):
I just love this song, dude, just just talking about
you know, you know, a guy trying to come on
to the girl, you know, saying that he's gonna make
her a star, right, right, whole Hollywood cruche Right.
Speaker 9 (28:42):
I just love this song and that dude, I'd adore it,
love love and then they just keep on going. Man.
With track number nine, Heaven, I mean, oh my god, dude,
this song.
Speaker 11 (28:57):
It's so irrigate earth really, you know, the refill, it
feels like floating through the clouds.
Speaker 9 (29:04):
You know, it's haunting, a beautiful song. I just I
just love it, dude, man, I love what's your take
on Heaven Way? So like ship Man?
Speaker 3 (29:16):
This song fucking rules. It's so loud. Yes, it's just
so hypnotic. It's my favorite song in the records.
Speaker 9 (29:24):
Prank Clow.
Speaker 12 (29:25):
Yeah, I'm not saying a lot because there are a
lot of wonderful songs on this ship.
Speaker 9 (29:30):
Oh yeah.
Speaker 12 (29:30):
It just it drips of fucking hard drugs, our drugs
and art sex and.
Speaker 3 (29:37):
Just just fucking just just.
Speaker 9 (29:41):
It's just right away.
Speaker 12 (29:44):
Just it's just it's a dark, dark song and it
has a just anyways, man, five out of five chapsticks.
Speaker 9 (29:55):
Yeah, man, way take a number ten. No use in crying.
Speaker 11 (29:59):
I also, I believe this was the this was the
B side to start me up. If I'm not mistaken,
I had forty five.
Speaker 9 (30:08):
There you go. Yeah, what's your thoughts on? No use
of crying?
Speaker 12 (30:11):
I me know, like every single song on this fucking record,
no song gets below a three out of five chopsticks,
and most of them are much higher than that, So
that has to be acknowledged. That has to be talked
about it. But yeah, no use crying, acceptance, finding strength
(30:34):
while acknowledging the pain sort of vibe. You know what
I'm saying.
Speaker 3 (30:38):
Man, I'm gonna give it three if I chops it.
Speaker 11 (30:42):
Hell yeah, man, man, wow, Man, don't cry over Nick.
Speaker 9 (30:48):
He never coming back. Man, Man, I checked must have
fucked him over, dude. The song. Yeah, he's like fuck you.
Speaker 11 (30:55):
I ain't even don't even cry about me. I ain't
coming back. Man, fucking this awesome song.
Speaker 9 (31:02):
Man, I freaking love it. Yea love love it, love
it man. And then and then track number eleven, top.
Speaker 11 (31:11):
It off, waiting on her Fred Oh my god, dude,
really the freaking video just tells the tale perfect. I
love that you know this ain't no chick song man.
He's waiting on you, He's waiting on his bro. Man,
he's waiting on his bandmate. Go down and have a drink,
(31:33):
play some music, man in the local car man.
Speaker 9 (31:36):
It's like that video. That's that's basically what the song's about.
Speaker 11 (31:39):
Man. Oh yeah, And it's got a killer sax solo
by Sonny Rollins ninety.
Speaker 9 (31:46):
Four years old. It's still with us to this day.
Speaker 4 (31:50):
Thank god.
Speaker 9 (31:51):
Hell yeah sax yeah sound out, hell yeah? Man, way,
what do you think about this album? Closer on a fred.
Speaker 3 (32:04):
Oh, it's like.
Speaker 12 (32:07):
Cast your name if my like you know, I s
cream It's amazing, and then a cool little fit situation.
It went to number thirteen on the Billboard one hundred
Hop Hop Chart, Pop Chart, Pop Chart. Yeah first song
hey seeking sounding hold on no No, I don't have
(32:29):
this in my notes. How high did New York Group go?
Speaker 9 (32:35):
Not that?
Speaker 3 (32:35):
Yeah, no, no, but no, hold on, I think New
York Group with the number thirteen.
Speaker 9 (32:40):
Also, dude, I really did it? Okay, I think so,
but I said.
Speaker 3 (32:43):
Just you know, I know I'm throwing I'm throwing a
ranch into the production value.
Speaker 11 (32:52):
Yeah, but feel man, hey, thirteen is better than man. Yeah,
I'll take a thirteenth to anything.
Speaker 3 (33:02):
Oh yeah, man, I think the song is brilliant.
Speaker 12 (33:04):
And like I said previously, Mick Taylor participates in the
brilliancy shea.
Speaker 3 (33:12):
Yeah, yeah, so this song must be a lotel what day?
Oh absolutely, dude.
Speaker 12 (33:18):
Like I said, from the seventy two, various years throughout
the seventies, including nineteen eighty and eighty one, they were
just you know, fucking gathering ship, just fixing ship.
Speaker 10 (33:29):
Yeah.
Speaker 11 (33:29):
From what I read, they actually used the actual original
tracks right right right, you know, it just kind of
tweaks them up a little bit.
Speaker 16 (33:38):
You know, you made them all stout police. Yeah, hold on,
hold on, hold on, which you got what you got?
Speaker 3 (33:49):
Hold on?
Speaker 4 (33:50):
Man?
Speaker 3 (33:50):
Hold on here?
Speaker 6 (33:52):
Okay, oh yeah, it's not that team, so so so
so so so so.
Speaker 3 (34:05):
I see, I knew that I knew that. I thought
of my head.
Speaker 11 (34:08):
Hey man, I think I remember you say his head
on our Australia, So yeah, thank.
Speaker 12 (34:13):
You so much by So basically it went in a sense,
you know, both think hits, think hits, mad respect, mad
love for waiting on her friend, it rules five out
of five CHOMPSI.
Speaker 11 (34:26):
Hell yeah, god, what a killer album, man, Hell yeah,
I really visited this album very often, man, very.
Speaker 3 (34:35):
Oh yeah, hell yeah, brother, hell yeah, I.
Speaker 11 (34:38):
Remember getting this album and what else you got Jane
Giles band Free Spring about the same time.
Speaker 9 (34:47):
Yeah, I think they were out about the same time.
I got both those albums.
Speaker 12 (34:51):
Matter of fact, they they I mean, just just both
just just I hate that man. Everyone, no, I I
despise that band. Everybody says, oh they're from Boston.
Speaker 3 (35:04):
I don't give a ship.
Speaker 12 (35:05):
But they did do a lot of opening shows on
this tour. Yeah, because back then that they were pop
culture free se Frame. I believe that was the same
year Centerfold right right, right right, that was big ship.
Speaker 3 (35:21):
So yeah, I always hated the band. I always hated for.
Speaker 9 (35:24):
Them, but you know, a lot of it was a
great song man.
Speaker 3 (35:28):
Yeah, I'm not the authority on there, and everybody's different.
Speaker 9 (35:33):
Brother.
Speaker 12 (35:33):
Man, But but but but but In closing, as far
as I'm concerned, the album that we're doing a given
mad love mad respect to this evening is tattoo you
and I fucking.
Speaker 9 (35:50):
Love it too, man, absolutely love it. Awesome. Man, you
talk about itself?
Speaker 1 (35:58):
Yeah?
Speaker 3 (35:59):
Fuck yeah, dude.
Speaker 9 (36:00):
Oh yeah, Man, So wag Maybe you got anything closer?
I want to talk about anything going on?
Speaker 12 (36:07):
No, man, I'm looking forward to the next step for SETH.
We're gonna have We're gonna have somebody.
Speaker 8 (36:12):
Uh you know that.
Speaker 9 (36:14):
Uh you know.
Speaker 3 (36:15):
I'm not gonna say a few months with this.
Speaker 12 (36:16):
Guy sold multiple multiple platinum albums and uh and I'm
I'm I'm not exactly a fan whatever, but I respect
the guy and the fact that we're gonna have someone.
Speaker 3 (36:28):
So fucking huge that's so multiple.
Speaker 12 (36:31):
Platinum records on our little itty bitty little show, that
they have a couple of goofballs that be in secret
Stanley are And I'm gonna be honored and I'm gonna
be grateful and I can't wait.
Speaker 3 (36:42):
I can't wait.
Speaker 9 (36:44):
I live Rebardy look discussing the whole thing. Man, it's
gonna be epic.
Speaker 3 (36:49):
It's gonna be epic.
Speaker 9 (36:50):
It's gonna never seen this ship.
Speaker 3 (36:53):
No, you've never seen the show that we're.
Speaker 12 (36:56):
The guy that sold multiple platinum records had to answer
what we're.
Speaker 3 (37:02):
I'm kind to ask him to answer.
Speaker 9 (37:04):
Yeah, yeah, I don't think he's ever answered this.
Speaker 3 (37:07):
No, no, no, it's gonna be killing you long anyway.
Speaker 9 (37:11):
It's gonna be a long episode.
Speaker 3 (37:12):
It's gonna be yeah yeah, yeah, yeah yeah.
Speaker 9 (37:14):
So we're gonna talk about this with this guy.
Speaker 11 (37:17):
We're gonna talk about this every it's gonna be a
it's gonna be a great episode.
Speaker 9 (37:22):
You're not gonna want to mix.
Speaker 3 (37:25):
Yeah, that's all I got to say. Promoting our next product.
Speaker 9 (37:29):
Hell yeah, hell yeah.
Speaker 11 (37:31):
All right man, Well that's that's another episode of the
Second WAG.
Speaker 3 (37:35):
So we'll see it next time.
Speaker 2 (37:43):
Bam, think are you production?
Speaker 12 (37:49):
Bam
Stop talking, stopy al Star, show me up.
Speaker 2 (00:26):
The stop me al Star, you run out.
Speaker 3 (00:36):
No talk.
Speaker 2 (00:39):
Yet, study.
Speaker 1 (00:42):
These stony stop.
Speaker 4 (00:46):
Stop You're still got to come from.
Speaker 5 (01:04):
Nobody else works the nothing meets coming a paper.
Speaker 2 (01:15):
Money's a food time job. I don't need the information number.
Speaker 4 (01:19):
Lays start the paper a pay by by Browns.
Speaker 5 (01:31):
Have about the sabor having a sabor, the neighbors having
the sabers reading my cols.
Speaker 2 (01:49):
Itzy way, what is that.
Speaker 1 (02:18):
Smile?
Speaker 2 (02:19):
Lord?
Speaker 6 (02:20):
That dreads?
Speaker 3 (02:22):
Rememberment?
Speaker 7 (02:23):
I said, Wow, not waiting all the just waiting, just
wait till.
Speaker 2 (02:45):
Just waiting, not f.
Speaker 4 (02:51):
From.
Speaker 8 (03:19):
Well, the album's finished and it's called Tattoo You. Here's
the cover, show's cover.
Speaker 7 (03:35):
Tattoo You. Now.
Speaker 8 (03:40):
I think there's about three singles on this album, which
onesday are We don't really know. Could be three out
of eleven. But the first one I've come down to
put out is start me Up. So we hope you're
going to get behind that one. That's the first one.
Speaker 9 (03:56):
Okay.
Speaker 8 (03:57):
Now, all the band's been in town the last week
to do promotional videos.
Speaker 9 (04:02):
We've got quite a lot of promotional videos for the album.
Speaker 8 (04:04):
They're going to be with you for the release dates
that are set including a single release date. So that's
all figured out for you.
Speaker 7 (04:14):
So really, now it's up to you.
Speaker 8 (04:16):
Whether you're in marketing, whether you're in sales promotion, whether
you're in sweeping up or making tea. It's just getting
out there, getting behind the album and work, work, work,
and make that money. Anyway, I've got this feeling that
Kenny satellite is about to fall down, so I'm going
(04:40):
to say goodbye, good luck and tattoo.
Speaker 10 (04:43):
You sinking family here people and listen the Wang hear people.
Speaker 3 (05:31):
Bye bye bye, bye, bye bye.
Speaker 10 (05:33):
Well, it's time for another episode of the Thinking Wang Show.
Speaker 6 (05:38):
Hey Wang Man, we have been.
Speaker 9 (05:40):
Waiting to do this one for a while.
Speaker 11 (05:42):
Want to tell everybody you know what we're doing in
the spects man.
Speaker 12 (05:48):
Yeah man, uh hey, everybody, welcome back to the show.
We appreciate you being here and everything.
Speaker 3 (05:55):
Yeah man.
Speaker 12 (05:56):
So it's a trip to last last episode. We did
an album that came out at the very end of
the eighties, nineteen eighty nine, and today we're gonna go
to the very early eighties nineteen eighty one. And that
album came out on August twenty fourth, nineteen eighty one,
(06:16):
and that album is called tattoo you and it's by
the Rolling Stone.
Speaker 3 (06:23):
And yeah, fucking hey, man, we're gonna do that, right.
Speaker 9 (06:27):
Brother, Hell yeah this one for a while, man, Yeah
fuck yeah.
Speaker 12 (06:32):
We did sun Girls, so we're now we're gonna do this.
This is like, this was huge back in nineteen eighty one,
and me and Me and me and Sink Stanley got
this album in real time back then, Like I said, kid,
yes sir. It came out in August twenty fourth, nineteen
eighty one. Produced by The Glimmer Twins. It was the
last number one album for The Rolling Stones on the
(06:56):
Billboard two hundred, which concluded the band string of eight
eight consecutive number one albums, which is amazing.
Speaker 3 (07:06):
It consisted of recordings from nineteen.
Speaker 12 (07:09):
Seventy two, nineteen seventy five, nineteen seventy eight, seventy nine,
eighty and eighty one, and the band obviously consists of
thirty eight years old at the time, Mick Jagger thirty seven,
Keith Richards thirty.
Speaker 3 (07:23):
Four, Ronnie Wood Bill Wyman was.
Speaker 12 (07:26):
An acient forty five, Charlie Watts written many Rest in
Heaven was forty.
Speaker 3 (07:33):
And then on two songs two Songs, the brilliant.
Speaker 12 (07:37):
Mick Taylor was on two songs, the songs called Tops
and Waiting on a Friend.
Speaker 9 (07:45):
Yeah.
Speaker 3 (07:45):
Man, it was nine weeks at number one. Nine fucking
weeks at number one.
Speaker 12 (07:49):
That's yeah, that's a mind fucking Later, I'm going to
talk about all the album number one albums of eighty one,
and there weren't many. There weren't mad believe if I recall,
there was only eleven of them, and this was obviously
one of them.
Speaker 3 (08:02):
For nine weeks.
Speaker 6 (08:04):
The tour was massive.
Speaker 9 (08:07):
It was huge.
Speaker 12 (08:08):
The album has gone on to be last time. It
was certified four times platinum. It was the number one
tour of nineteen eighty one in the United States of America.
They played the local show Candlestick Park on October seventeenth
and eighteen, nineteen eighty one. The two sold out shows.
(08:30):
Obviously I didn't go because my mom didn't then't go
to two conference back then, but it was a really
really big thing in the news, I remember, and it
was so cool because kids my agent, obviously younger your age,
were starting to like really think the Stones were cool
and everything, and so that was super cool and.
Speaker 3 (08:53):
Anything to say about when I just said that, man, I.
Speaker 9 (08:55):
Had a really cool idea.
Speaker 11 (08:57):
It was into the stones, and she got me this album.
Uh not not Anne, I'm sorry, cousin my mom's Anne.
Speaker 9 (09:04):
Who would be like my something cousin or second add
something like that. I don't know. His family never got
me this album.
Speaker 7 (09:12):
Man.
Speaker 9 (09:12):
It was right right, right, right right, and I just
loved it. Man, I've loved it ever since.
Speaker 11 (09:18):
I actually still have my actual album somewhere in my attic.
I still cool, still have my actual album that I got. Yep,
never got rid of me for some reason.
Speaker 9 (09:31):
I don't know why, but.
Speaker 11 (09:35):
But yeah, man, and listen, I'm talking to somebody in
our faith pays the ball, somebody you know about it.
Speaker 9 (09:43):
Justin Childers, and he gave me a little unknown fact
that I didn't know about this album. But all the
songs on this album are left over songs.
Speaker 3 (09:57):
Well did you hear what I said? Secret say?
Speaker 7 (09:59):
Yeah?
Speaker 3 (09:59):
Absolutely there I said.
Speaker 12 (10:00):
All the songs were recorded seventy two, seventy five, seventy eight,
seventy nine, eighty eighty one.
Speaker 3 (10:05):
So yeah, Justin Childers, he's damn.
Speaker 9 (10:09):
Right, Yes, he's right. I didn't realize that.
Speaker 3 (10:12):
And I was like, yeah, yeah, that's been known forever
it's it's amazing.
Speaker 9 (10:18):
I'm sure, I just never say any attention.
Speaker 3 (10:20):
No, I feel you, brother, I feel it. Amazing.
Speaker 12 (10:22):
That amazing, that that came up with something so brilliant
by going back.
Speaker 3 (10:28):
To songs that got chopped off the chopping box.
Speaker 12 (10:30):
Amazing, amaz amazing, amazing, amazing.
Speaker 3 (10:34):
I mean say, it's Stanley. Let me ask you. Yeah,
I mean yeah, let me let me ask you a
couple both.
Speaker 9 (10:40):
So let's go back.
Speaker 12 (10:41):
Let's go back to that marvelous day back in nineteen
eighty one. August twenty fourth, nineteen eighty one.
Speaker 3 (10:48):
My mom was born in August twenty six. But uh
so let's see pop culture seeing it's damning. So what
do you think? I mean, you probably ain't gonna go along,
but well, what do you think?
Speaker 12 (11:00):
The number one movie in the United States of America
was on August twenty fourth, nineteen eighty one.
Speaker 9 (11:08):
Uh the jest singer Neil Diamond.
Speaker 3 (11:13):
Uh no, no, no, it was Raiders of the Lost Arc.
Speaker 12 (11:16):
Oh okay, cool, Yeah, yeah, I take it that. Come on,
you gotta take the ship very It's just this is
life or death. Yeah, well, try a little harder, try
a little harder. Anyways, the number one album was a
Foreigner four Foreigner four Yeah yeah? And can you guess
the number one TV show in the United States of America.
Speaker 6 (11:41):
On that day?
Speaker 3 (11:43):
Oh, I didn't got this one?
Speaker 9 (11:45):
What's that is it?
Speaker 2 (11:47):
Is it Dallas? Yeah?
Speaker 12 (11:50):
Yes, yes, yes, yes, the glorious return to the Segawa
Shout of Dallas, Dallas, And the number one song on
that date was a duet by Diana Ross and Lionel
Richie he yea goin Endless Love. And then a couple
(12:15):
more little pop culture situations. The NFL chants were the
San Francisco forty nine Ers, the NBA chants were the
Boston Celtics, the nl Major League Baseball World Series champs.
(12:35):
For the Los Angeles Dodgers, Fernando Venezuela just swept La
God rest his soul. He died really young, and they
beat the Yankees in eighty one and then last one
and a leases for as the sports teams, the New
York Islanders. Those they were so fucking bad as back
(12:57):
then New York Islanders were the Stanley Cup champs. And
just a couple of little side notes and closing here
on this segment of our podcast, And then of course
on January twentieth and nineteen eighty one.
Speaker 3 (13:11):
They're great.
Speaker 12 (13:11):
Ronald Reagan takes oath as me and sink and Stanley's
fortieth President of the United States.
Speaker 3 (13:20):
And then one final, one, little final thing.
Speaker 12 (13:23):
On April twenty ninth, nineteen eighty one, Van Halen released
the Brilliant Fair Warning And it does have a it
does have a connection to the Rolling Stones Tattoo You.
Van Halen opened up for the Rolling Stones on the
Tattoo You tour in Orlando, Florida, at a place back then,
(13:43):
I believe called the Tangerine Bowl.
Speaker 2 (13:47):
Wow.
Speaker 12 (13:48):
Yeah, October twenty fourth and twenty fifth and nineteen eighty one,
there go, baym Was.
Speaker 9 (13:54):
It the Tangerine Bowl or the Citrus Bowl?
Speaker 12 (13:57):
Well, that's why I said. Remember in nineteen eighty one
it was called the Tangerine Bowl, So that's probably before
a corporate bullshit taken over and all that. Yeah, it
changed the names of that place exactly, it exactly, ain't
got nineteen eighty one?
Speaker 9 (14:16):
Hell yeah, man, hell yeah. So you want to get
into this, Yeah, I go for I'm getting right into this.
Speaker 11 (14:23):
But you know what, before we get into it, too, though,
I want to say, you know what, what's really cool
about this album.
Speaker 9 (14:28):
That I always thought was they have side A which
has all the rocking songs on you, and then on
side B it's like all the mellow tudes. Did you
ever notice that? Yeah?
Speaker 3 (14:40):
Yeah, fucking a Yeah, yeah, man.
Speaker 9 (14:42):
I thought that I would have thought that was super
cool about this album.
Speaker 3 (14:45):
But very yeah, very trippy, and yeah that is a trip.
Speaker 9 (14:50):
Yeah into this man's man, it's rocking number one, start
me up.
Speaker 6 (14:56):
Oh my god, an obvious classic.
Speaker 9 (14:59):
Man played it to death.
Speaker 11 (15:01):
Oh my god, this song is just so played out man,
To be honest with you, I just got so sick
of it over the years. But man, it's a bona
fide plastic that rift. I mean, how how can you
deny that guitar room?
Speaker 9 (15:15):
As soon as he hits those first chords? Man, you
know what it is.
Speaker 11 (15:19):
You know it's coming, man, And how the fuck did
they get away with and make a dead man come?
Speaker 13 (15:25):
Oh?
Speaker 3 (15:25):
I know right, exactly? Crazy shit.
Speaker 12 (15:29):
And that's a very good observation because in nineteen eighty one,
you gotta remember people that wasn't Yeah, that was a
big fucking deal man.
Speaker 9 (15:39):
That was a big no no man.
Speaker 3 (15:40):
But I mean people, people were upset about everything.
Speaker 12 (15:44):
But yeah, man, yeah, not so much as now, but
right exactly exactly.
Speaker 9 (15:49):
By the way, what do you think it start me up?
Speaker 3 (15:52):
I don't know, man, I think you nailed your brother.
Speaker 8 (15:55):
Man.
Speaker 3 (15:56):
It went to number two on the pop charts, number one. No, no,
it did not go number one. It went to number two.
Speaker 12 (16:08):
And uh, I mean you know, cry It's like it's like, yeah,
it's overplayed a billion times, but it is a.
Speaker 3 (16:16):
Stone cold fucking classic.
Speaker 12 (16:19):
Absolutely five out of five chopsick.
Speaker 9 (16:23):
Yeah many number two.
Speaker 3 (16:25):
Hang fire, yeah yeah.
Speaker 12 (16:27):
In a sweet old country where I come from, nobody
ever where, Yeah, nothing gets done. We hang fire, We
hang fire man, and I you know, just for the record,
I also hang fire.
Speaker 3 (16:41):
Five out of five CHOPSI.
Speaker 9 (16:44):
Oh yeah, man, hang fire Man. It's a snappy little tune.
Speaker 7 (16:48):
Man.
Speaker 9 (16:49):
I love it. Man.
Speaker 11 (16:50):
It's got a killer guitar fills all through it. Just
literally it's a risk, man, just really man. I dig it, man, man,
And I mean it's over.
Speaker 9 (17:01):
Before it starts.
Speaker 12 (17:02):
It's yeah, I know, shit thing.
Speaker 9 (17:05):
It's like it's like, man, this Conda went on just
a little bit longer. But hey man, that's good, good stuff. Man,
all right.
Speaker 11 (17:14):
Number three slave, oh man, this this is just a slinky,
sleazy little too.
Speaker 9 (17:22):
Man.
Speaker 11 (17:22):
It gives me images of a of a juke joint
with you know, with the people practically, you know, just
practically screwing each other man in the juke blub man.
Speaker 9 (17:34):
But slave Man just awesome, man, I dig it. Man,
what do you think of slave Wang.
Speaker 3 (17:42):
Slave? Yeah?
Speaker 12 (17:49):
You know it's it goes back to the seventy four
seventy five Black and Blue sessions.
Speaker 3 (17:55):
Very funky little number.
Speaker 7 (17:57):
You know.
Speaker 12 (17:57):
It's like I said, it had it's didn't see during
the Black and Blue session, which I love that album,
by the way, I love I know a lot of
Fishinados hate Black and Blue.
Speaker 3 (18:08):
I dig it.
Speaker 9 (18:08):
I thought so Cold no no, no, no.
Speaker 12 (18:12):
No, no no no, Black and Blue was yeah, yeah,
in the seventies shadow what Shattered was on some Girls?
Speaker 9 (18:21):
That's right.
Speaker 3 (18:22):
What was the song?
Speaker 9 (18:22):
What was the hit song of Black and Blue? I
thought it was She's so Cold?
Speaker 3 (18:31):
No no, no, She's no, She's the colder thoughts last,
Oh ship, come.
Speaker 9 (18:37):
On, Mandy?
Speaker 3 (18:42):
No Black and Blue?
Speaker 1 (18:43):
No, what's the.
Speaker 13 (18:46):
Uh?
Speaker 11 (18:48):
Man?
Speaker 14 (18:49):
Man talked about stumping the way? Wow, fuck you? Why
did you ask me that? Let me here, I'm gonna
find out. Hold on me, doesn't pool the cry hold on?
I think cool, the cries on that.
Speaker 9 (19:02):
Hold on home on.
Speaker 3 (19:12):
Oh this is brilliant. Just a couple of fucking idiots.
Speaker 9 (19:16):
Oh yeah, man, I can't remember what it songs like.
Speaker 3 (19:19):
No, I know, but I should hold on, I think
cry yeah, thank you? Oh, hot stuffs, Hot stuff is
on there, Dad. At least I fucking found at least
to think of one song before I went to my
fucking cell phone.
Speaker 7 (19:38):
But.
Speaker 9 (19:40):
Before before some girls albums.
Speaker 12 (19:44):
I'm fair enough, brother, No, no no, because you know
that's funny inside baseball ship.
Speaker 3 (19:49):
Because I wanted to.
Speaker 12 (19:50):
Do and I'm gonna do eventually with my co host
as an album called After Aftermath, which is early, but
I believe the first of the real like starting a
Druggies sing it family.
Speaker 3 (20:06):
And yeah, you were unaware of that, so yeah, man,
sucking they So.
Speaker 12 (20:10):
Anyways, back to that slave, Yeah, yeah, slave, back to
the sessions of all right, we're coming back to the
actual question. So I'm sorry I couldn't think of this,
but yeah, hot stuff is awful, my fucking b but
uh yeah, man, three to five chops, it's the slave Bamn.
Speaker 9 (20:32):
Hell yeah, Wayne Tak number four, Little.
Speaker 3 (20:34):
Tna yeah, Little Tna, Keith Richards, the legend. I love
him so much as we all do. The kick ass jam.
Speaker 12 (20:43):
I'm gonna give it four to five chopsticks back off.
Speaker 9 (20:47):
Hell yeah man, little Tna. Man, this is the highlight
of the album for me.
Speaker 11 (20:51):
I freaking love this song with Keith Keith singing it
about his little Pisa ass groofye man, I just love it,
Little Tna.
Speaker 9 (21:00):
Awesome, cool buff hell yeah man. He's still he still
sings it in concert sometimes. I think he signed it
for years.
Speaker 11 (21:09):
Yeah, all right, Number five Limousine. Man, this song has cool.
It's a cool swagger song, you know, you know, just
you know, just talking about people going out painting the
town red as a rock star.
Speaker 9 (21:24):
But then then his chip girlfriend becomes a junkie, you know,
and all that crap, all that, all that, all that
good stuff, not being a rock star. Man, I know,
I think Black One's huge. It's pretty cool. What do
you think, boy?
Speaker 12 (21:38):
I mean, one could say the song explores the the
you know, the like a glamorous relationship fading. You know,
there's so many.
Speaker 3 (21:48):
Multispectives, perspective. It's cool.
Speaker 12 (21:54):
It's a it's a valiant song, and I appreciate it,
and I'm gonna still give it three five job, says
Blah blah.
Speaker 9 (22:03):
Yeah, man, last song on song, what I Think Neighbors.
Speaker 3 (22:08):
Yeah, you know what, before we get to neighbors.
Speaker 12 (22:12):
Back in nineteen eighty one, there were eleven number one
albums on the Billboard two hundred and here they are,
So let's go back to nineteen eighty one. See John
Lennon Double fantasye Ario, Speedwagenheim Fidelity, Sticks, Paradise Theater, Kim
(22:34):
Karrn's Mistaken Identity, and if you're wondering, that's the brilliant
song Steady Names, Yes, I love that shit, Moody Blues,
Long Distance, Long Distance Voyager, Pat Benatar, Precious Time Again,
bign Or four, Stevie Nicks, Vella, Donna, Journey, Escape, Wow,
(22:58):
Journey X Gate with the Rolling Stone's Tattoo, and last
but not least, the eleventh number one album of nineteen
eighty one ac DC.
Speaker 3 (23:10):
For those about the.
Speaker 9 (23:12):
Rock Hell yeah, man, wow, I said, hell the list
right there? Any comments on them?
Speaker 11 (23:18):
Brother, oh man, that's just some good albums in there.
I had about sixty seventy percent of those, ye right right?
I am hell yeah, hell yeah, hell yeah, my brothers
see nothing wrong with that list at all.
Speaker 8 (23:34):
No.
Speaker 11 (23:34):
If I didn't have the albums, my sister did, like
she had the like Bella Donna.
Speaker 3 (23:39):
Oh right right right, yeah right.
Speaker 9 (23:43):
I was in there steeling like a lot. I like
to stop dragging my heart around and all that stuff.
Speaker 12 (23:49):
Man, So do I dude, are you fucking he? I
love Stevie Nicks, hell yeah, killing stuff. Yeah, just just
for a little us, I dealt real fast, stee. Speaking
of Stevie Nicks. Stevie Nicks was supposed to play the
Conquered Pavilion on October seventeenth, nineteen eighty nine, but you
(24:11):
know what happened that day, and I was going to
go with a friend of mine the earthquake Capital San Francisco.
So yeah, so yeah, so I totally respect him and
love a lot of that woman's work.
Speaker 3 (24:25):
So Matt love Matt respect right now.
Speaker 9 (24:28):
But yeah, man, I think yeah, and get back to
wag go ahead and take Neighbors.
Speaker 6 (24:34):
Yeah.
Speaker 3 (24:34):
You know the thing about Neighbors is, obviously it was.
Speaker 12 (24:39):
Basically Mick Jagger writing a song about real life. It
was when Keith Richards got evicted from his New York
apartment and Nick took to.
Speaker 3 (24:53):
The fan and wrote the song.
Speaker 12 (24:54):
And then another brilliant part of this song was and
admittedly I don't know jack shit about jazz, but I do,
you know, read Lookipedia, be if I do these things.
Speaker 13 (25:10):
And anyway, jazz great sunny romans played face so on
this man, I'm gonna give Neighbors three and a half.
Speaker 3 (25:21):
Chopsticks baa.
Speaker 9 (25:25):
Wow wow, well movie, totally honest, man, Neighbors.
Speaker 11 (25:29):
This song is probably my least favorite song on the album.
It's a little obnoxious, a little annoying that chorus, but yeah, yeah, okay,
yeah yeah yea, which twitch though, is is pretty much
the point of the song, you know, talking about annoying.
Speaker 3 (25:45):
Yeah yeah, yeah, So there you go. Man, Yeah again,
did the.
Speaker 9 (25:51):
Point did come across?
Speaker 7 (25:53):
You know? So?
Speaker 11 (25:54):
But but man, I gotta say it's got a cool
guitar and sax solo. Man, yeah, man, yeah, Neighbors. Man,
all right, hell yeah, we're gonna flip the We're gonna
flip the album over the side.
Speaker 9 (26:07):
Too, and get a little mellow man worried about you.
Speaker 11 (26:15):
Oh dude, I just love I'm gonna be flat out now,
I love this whole side. I love everything about this stuff.
This this, you know, for the most part, ballads, stuff
like Angie Wild Horses.
Speaker 9 (26:29):
That's always been my favorite side of the Stones for
some reason. You know, like you just talk about fool
to cry, Oh my god, you know.
Speaker 11 (26:39):
And and if anyone ever thinks that Mick Jagger isn't
a great singer, they eat listen to Worried About You.
Speaker 3 (26:49):
It's just beautiful.
Speaker 11 (26:50):
I love it when he when he sings that baby man,
Oh my god, it's just amazing.
Speaker 9 (26:58):
Man. Wang. What's your take gone Worried About You? Yeah?
Speaker 3 (27:02):
Man, I mean I think you pretty much set me up.
My knee ball down in the middle of the plate.
Speaker 11 (27:07):
You know.
Speaker 3 (27:07):
I actlutely love.
Speaker 12 (27:10):
Love love Mick Jack Mick Jagger's vocal performance in this song.
You know, we're talking about broken promises, h uncertainty, longing
for clarity, emotional turmoil. I'm gonna just fucking be straight
up and say four to five chops.
Speaker 15 (27:26):
Sick yeah man, hell yeah man, suit hell yeah yeah man.
Speaker 9 (27:36):
Way take number eight tops.
Speaker 12 (27:40):
Uh yeah. This is I was talking about in the
in the beginning of our beloved podcast. Pops is one
of the songs that Mick Taylor participated in many, many,
many many years earliers in the construction of the song.
But yeah, yeah, don't need no casting couch or be
(28:04):
a star in bed. Never never, never let success get
to you, pretty head. I love that.
Speaker 3 (28:13):
I'm gonna say, yeah, man, I'm gonna be real. Three
to five topticks.
Speaker 9 (28:19):
Great, I'm gonna be real too, man, tops. It's my
favorite song now, im nice nice.
Speaker 11 (28:26):
I just love this song, dude, just just talking about
you know, you know, a guy trying to come on
to the girl, you know, saying that he's gonna make
her a star, right, right, whole Hollywood cruche Right.
Speaker 9 (28:42):
I just love this song and that dude, I'd adore it,
love love and then they just keep on going. Man.
With track number nine, Heaven, I mean, oh my god, dude,
this song.
Speaker 11 (28:57):
It's so irrigate earth really, you know, the refill, it
feels like floating through the clouds.
Speaker 9 (29:04):
You know, it's haunting, a beautiful song. I just I
just love it, dude, man, I love what's your take
on Heaven Way? So like ship Man?
Speaker 3 (29:16):
This song fucking rules. It's so loud. Yes, it's just
so hypnotic. It's my favorite song in the records.
Speaker 9 (29:24):
Prank Clow.
Speaker 12 (29:25):
Yeah, I'm not saying a lot because there are a
lot of wonderful songs on this ship.
Speaker 9 (29:30):
Oh yeah.
Speaker 12 (29:30):
It just it drips of fucking hard drugs, our drugs
and art sex and.
Speaker 3 (29:37):
Just just fucking just just.
Speaker 9 (29:41):
It's just right away.
Speaker 12 (29:44):
Just it's just it's a dark, dark song and it
has a just anyways, man, five out of five chapsticks.
Speaker 9 (29:55):
Yeah, man, way take a number ten. No use in crying.
Speaker 11 (29:59):
I also, I believe this was the this was the
B side to start me up. If I'm not mistaken,
I had forty five.
Speaker 9 (30:08):
There you go. Yeah, what's your thoughts on? No use
of crying?
Speaker 12 (30:11):
I me know, like every single song on this fucking record,
no song gets below a three out of five chopsticks,
and most of them are much higher than that, So
that has to be acknowledged. That has to be talked
about it. But yeah, no use crying, acceptance, finding strength
(30:34):
while acknowledging the pain sort of vibe. You know what
I'm saying.
Speaker 3 (30:38):
Man, I'm gonna give it three if I chops it.
Speaker 11 (30:42):
Hell yeah, man, man, wow, Man, don't cry over Nick.
Speaker 9 (30:48):
He never coming back. Man, Man, I checked must have
fucked him over, dude. The song. Yeah, he's like fuck you.
Speaker 11 (30:55):
I ain't even don't even cry about me. I ain't
coming back. Man, fucking this awesome song.
Speaker 9 (31:02):
Man, I freaking love it. Yea love love it, love
it man. And then and then track number eleven, top.
Speaker 11 (31:11):
It off, waiting on her Fred Oh my god, dude,
really the freaking video just tells the tale perfect. I
love that you know this ain't no chick song man.
He's waiting on you, He's waiting on his bro. Man,
he's waiting on his bandmate. Go down and have a drink,
(31:33):
play some music, man in the local car man.
Speaker 9 (31:36):
It's like that video. That's that's basically what the song's about.
Speaker 11 (31:39):
Man. Oh yeah, And it's got a killer sax solo
by Sonny Rollins ninety.
Speaker 9 (31:46):
Four years old. It's still with us to this day.
Speaker 4 (31:50):
Thank god.
Speaker 9 (31:51):
Hell yeah sax yeah sound out, hell yeah? Man, way,
what do you think about this album? Closer on a fred.
Speaker 3 (32:04):
Oh, it's like.
Speaker 12 (32:07):
Cast your name if my like you know, I s
cream It's amazing, and then a cool little fit situation.
It went to number thirteen on the Billboard one hundred
Hop Hop Chart, Pop Chart, Pop Chart. Yeah first song
hey seeking sounding hold on no No, I don't have
(32:29):
this in my notes. How high did New York Group go?
Speaker 9 (32:35):
Not that?
Speaker 3 (32:35):
Yeah, no, no, but no, hold on, I think New
York Group with the number thirteen.
Speaker 9 (32:40):
Also, dude, I really did it? Okay, I think so,
but I said.
Speaker 3 (32:43):
Just you know, I know I'm throwing I'm throwing a
ranch into the production value.
Speaker 11 (32:52):
Yeah, but feel man, hey, thirteen is better than man. Yeah,
I'll take a thirteenth to anything.
Speaker 3 (33:02):
Oh yeah, man, I think the song is brilliant.
Speaker 12 (33:04):
And like I said previously, Mick Taylor participates in the
brilliancy shea.
Speaker 3 (33:12):
Yeah, yeah, so this song must be a lotel what day?
Oh absolutely, dude.
Speaker 12 (33:18):
Like I said, from the seventy two, various years throughout
the seventies, including nineteen eighty and eighty one, they were
just you know, fucking gathering ship, just fixing ship.
Speaker 10 (33:29):
Yeah.
Speaker 11 (33:29):
From what I read, they actually used the actual original
tracks right right right, you know, it just kind of
tweaks them up a little bit.
Speaker 16 (33:38):
You know, you made them all stout police. Yeah, hold on,
hold on, hold on, which you got what you got?
Speaker 3 (33:49):
Hold on?
Speaker 4 (33:50):
Man?
Speaker 3 (33:50):
Hold on here?
Speaker 6 (33:52):
Okay, oh yeah, it's not that team, so so so
so so so so.
Speaker 3 (34:05):
I see, I knew that I knew that. I thought
of my head.
Speaker 11 (34:08):
Hey man, I think I remember you say his head
on our Australia, So yeah, thank.
Speaker 12 (34:13):
You so much by So basically it went in a sense,
you know, both think hits, think hits, mad respect, mad
love for waiting on her friend, it rules five out
of five CHOMPSI.
Speaker 11 (34:26):
Hell yeah, god, what a killer album, man, Hell yeah,
I really visited this album very often, man, very.
Speaker 3 (34:35):
Oh yeah, hell yeah, brother, hell yeah, I.
Speaker 11 (34:38):
Remember getting this album and what else you got Jane
Giles band Free Spring about the same time.
Speaker 9 (34:47):
Yeah, I think they were out about the same time.
I got both those albums.
Speaker 12 (34:51):
Matter of fact, they they I mean, just just both
just just I hate that man. Everyone, no, I I
despise that band. Everybody says, oh they're from Boston.
Speaker 3 (35:04):
I don't give a ship.
Speaker 12 (35:05):
But they did do a lot of opening shows on
this tour. Yeah, because back then that they were pop
culture free se Frame. I believe that was the same
year Centerfold right right, right right, that was big ship.
Speaker 3 (35:21):
So yeah, I always hated the band. I always hated for.
Speaker 9 (35:24):
Them, but you know, a lot of it was a
great song man.
Speaker 3 (35:28):
Yeah, I'm not the authority on there, and everybody's different.
Speaker 9 (35:33):
Brother.
Speaker 12 (35:33):
Man, But but but but but In closing, as far
as I'm concerned, the album that we're doing a given
mad love mad respect to this evening is tattoo you
and I fucking.
Speaker 9 (35:50):
Love it too, man, absolutely love it. Awesome. Man, you
talk about itself?
Speaker 1 (35:58):
Yeah?
Speaker 3 (35:59):
Fuck yeah, dude.
Speaker 9 (36:00):
Oh yeah, Man, So wag Maybe you got anything closer?
I want to talk about anything going on?
Speaker 12 (36:07):
No, man, I'm looking forward to the next step for SETH.
We're gonna have We're gonna have somebody.
Speaker 8 (36:12):
Uh you know that.
Speaker 9 (36:14):
Uh you know.
Speaker 3 (36:15):
I'm not gonna say a few months with this.
Speaker 12 (36:16):
Guy sold multiple multiple platinum albums and uh and I'm
I'm I'm not exactly a fan whatever, but I respect
the guy and the fact that we're gonna have someone.
Speaker 3 (36:28):
So fucking huge that's so multiple.
Speaker 12 (36:31):
Platinum records on our little itty bitty little show, that
they have a couple of goofballs that be in secret
Stanley are And I'm gonna be honored and I'm gonna
be grateful and I can't wait.
Speaker 3 (36:42):
I can't wait.
Speaker 9 (36:44):
I live Rebardy look discussing the whole thing. Man, it's
gonna be epic.
Speaker 3 (36:49):
It's gonna be epic.
Speaker 9 (36:50):
It's gonna never seen this ship.
Speaker 3 (36:53):
No, you've never seen the show that we're.
Speaker 12 (36:56):
The guy that sold multiple platinum records had to answer
what we're.
Speaker 3 (37:02):
I'm kind to ask him to answer.
Speaker 9 (37:04):
Yeah, yeah, I don't think he's ever answered this.
Speaker 3 (37:07):
No, no, no, it's gonna be killing you long anyway.
Speaker 9 (37:11):
It's gonna be a long episode.
Speaker 3 (37:12):
It's gonna be yeah yeah, yeah, yeah yeah.
Speaker 9 (37:14):
So we're gonna talk about this with this guy.
Speaker 11 (37:17):
We're gonna talk about this every it's gonna be a
it's gonna be a great episode.
Speaker 9 (37:22):
You're not gonna want to mix.
Speaker 3 (37:25):
Yeah, that's all I got to say. Promoting our next product.
Speaker 9 (37:29):
Hell yeah, hell yeah.
Speaker 11 (37:31):
All right man, Well that's that's another episode of the
Second WAG.
Speaker 3 (37:35):
So we'll see it next time.
Speaker 2 (37:43):
Bam, think are you production?
Speaker 12 (37:49):
Bam
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