Ghosts of Mars

Episode Transcript
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Speaker 1 (00:09):
It's time to turn off the lights, grab some popcorn
in and watch some horror movies. This is the Terrible
Terror Podcast. Each episode I tell them the world of
horror movies. Why do I do it?

Speaker 2 (00:20):
Well?

Speaker 1 (00:21):
I love these horrifying flicks. So if you made your
own movie on your phone or made your own special
effects mcgiver's style, please send him my weight. Now what
do you get when you man.

Speaker 3 (00:33):
Man?

Speaker 1 (00:35):
I'm Andrew man man Rah.

Speaker 4 (00:37):
Why you get Ghosts of Mars?

Speaker 1 (01:08):
Why? Hello everyone, and welcome to a brand new episode
and episode three hundred of the Terrible Terror Podcast. Jesus
Fucking Christ. Yeah, I'm already start swearing out the top
of the bat of this whole fucking thing because we
are here, and we are an episode three hundred, and
what a better episode to do then what basically is

(01:31):
the last known movie There is another movie that John
Carpenter did, but not many people know of the war right,
but like the last biggest theatrical released movie that John
Carpenter did with Ghosts of Mars to end our little
ice cube marathon that we have here at the end

(01:52):
of August. Funny enough that this was released on August
twenty fourth of two thousand and one, and here we
are actually doing it within the month that it was
really so hey, that's got to count for something, I guess.
I don't fucking know, but this is a movie that
is probably not like to buy a lot of people.

(02:12):
And there's understandable reasons. Why is it that, you know,
it just lacks cohesive plot that it really doesn't lack
any horror elements. But even Carpenter himself like came out
and said that he wanted to make this like ridiculous
over the top action movie instead of making, you know,
another kind of paint by numbers horror movie. He just

(02:34):
wanted to do something that was fun. This is a
movie that ice Cube nobly hated, but good old Natasha
Henstrich absolutely found enjoyment in. I don't know why. There
are so many random little things that are with this movie,
and one of the most ridiculous things that you're gonna
have in this movie ties directly, and I mean directly

(02:58):
into what I did in the title. Probably didn't do
the best job in the world at it. Maybe we'll
do better as the episode goes along, But Jesus Christ,
I can't believe that that's even this movie. Like I
said previously, this movie stars the aforementioned ice Cube as
Desolation Williams and you know ice Cube from a lot
of things, including the Piece of Crap War of the

(03:20):
Worlds that we talked about in the last episode. We
also have Natasha Henstritch of Species Fame, Yes, of Species Fame,
and I remember when like kind of like seeing this
movie is like, Oh, are we gonna gonna like species
thing going on here? Unfortunately, no, there are boobs in
this movie, but they're not the boobs that you would

(03:42):
be thinking of, and it's more of a costume design
than anything else. Right. We've also got Pam Greer, and
Pam Greer is best known for like slat black expoctation
movies way back in the day that she has done
and of course Jackie Brown. That was one of the
biggest things that she did for Quentin Tarantino, which was
a throwback to that Foxy Brown of course we're talking about.

(04:05):
We also got things like Coffee. She was also in
Pet Cemetery, Bloodlines, which we talked about before, and a
ton of other terrible, terrible movies. But she is a
treasure as it is the you know, badass black woman
that takes no guff from anyone, basically is what we've
got going on with Pam Greer. And we have also

(04:26):
The One the Only in what I thought was possibly
his first role, but it's not his first role. We
have Jason Statham here, star of such movies as The
Meg and other movies. I don't know. He's been in
a bunch of stuff, what the Machinist, Hardworking Man or
some bullshit like that. Of course, one of my favorite
movies Crank. If you have not seen Crank or Crank two,

(04:49):
and Crank two is definitely not as good as Crank one,
but Crank is a fantastic action movie which is really
ridiculous and over the top. We've also got The Beekeeper
as well well as the Expendables franchise. He's been a
big part of the Fast and Furious saga. He was
an Olympic swimmer, and you know, this is one of
those roles where it's like, what, well, It's kind of

(05:12):
like you don't know that he's in this movie until
you see the trailer, and then you also remember, oh, yeah,
he was in Nomeo and Juliet, and you're like, what
the fuck he was in Nomeo and Juliet. How would
you know these things? Uh, well, I'll tell you it's
not by looking at his IMDb profile while I tried
to pick out movies that I'm sure that people remember. No,
it's nothing like that. I'm just a big fan of

(05:32):
Nomeo and Juliet. Have you never seen it? You should
probably see it if you have kids. Maybe I don't
fucking know. I've never seen that movie before. But nonetheless,
this movie is a box office flop. It cost twenty
eight million to make. It was mainly filmed in New Mexico,
almost entirely filmed at night, and the sand he was

(05:56):
even painted rend so it would resemble Mars in the
way they did everything. And it made a box office
of only fourteen million dollars, and it earned every one
of those four ten million dollars as well, with such
great lines, such great action pieces. And it makes me
sad that this was the last thing that Carpenter like,

(06:17):
at least major release that Carpenter really did right. And
it was rumored that this was actually started off as
a potential sequel to the Snake Plisken franchise Right Escape
from New York, Escaped from La and then would have
been Ghosts of Mars, which I think would have been
like a lot better, right, But it's been publicly dispelled

(06:39):
by the film's producer, Sandy King Carpenter as well. Michelle Yo,
Franka Potente, and fam k Jansen were also the first
choices for Melanie Ballard in this movie, but they all
turned it down. Courtney Love was all originally supposed to
be part of the cast, but she left the project
because she hurt herself and then wasn't able to do
it at the time. Originally, Jason Statham was going to

(07:02):
play Desolation Williams, but he was replaced by Ice Cb
because the producers really need some star power for the part,
and Statham instead played the role of Jericho Butler in
this film. And even though Mars has, like I said,
a d night cycle you know like Earth does, it
was filmed mostly and set almost entirely at night, with

(07:23):
only a couple like day scenes. As they say in
the movie, you know, one year here on a job
on Mars is actually two years in Earth. So it
was it's interesting in the way that it is personally.
The movie itself is something that I didn't see in
the theaters when it came out. It just did not
interest me, even though it had the Carpenter name attached

(07:45):
to it. I was just kind of like, it's not
really for me. And honestly, John Carpenter even revealed that
he'd become burnt out after he made this film and
made the decision to leave Hollywood for good, and it
wouldn't be until Night years later, like I said, which
he would do his next full feature film, which was
The Ward in twenty ten, so you know, and he

(08:07):
really did want He was intentionally trying to make Ghosts
of Mars as over the top and tongue in cheek
as possible, and he also claimed that trying to make
a mindless and silly yet entertaining and thrilling action flick
where the universe allows its characters and plot to be
silly without being full fledged comedies something again to the
eighties movies like Commando or Rambo for His Blood Part two,

(08:28):
or even Predator. And looking back on the film and
its criticism, he stated he was frustrated that most people
thought the film was meant to be a serious horror
movie and films that it should have made the film
more openly comedic and in on the joke saying it's
called ghost to Mars. For Christ's sake, Why would people
take this movie seriously? And I think a lot of
it has to do with the fact that it's John Carpenter.

(08:50):
Right when you look at John Carpenter and you look
at the list and all the different movies that he's made,
you know, from Halloween, from The Escape on the thing,
you have a plethora of movies that would you would
be like, oh, you know, he's here. He's making a
movie called Ghosts of Mars, And yes, he knows internally

(09:10):
that it is like this over the top. I can't
believe this movie is called Ghosts of Mars type of title,
and that's what he's really trying to do. And I
honestly think that he does accomplish that to some extent,
because when it comes to the movie the action sequences,
they're actually pretty fun and they're pretty dumb, and they

(09:31):
are way over the top. But there's a lot of
things and the thing is is that you know, I
don't want to criticize. I try not to be like
harsh on anybody, you know, when it comes to like
big directors, like you know, mister Carpenter over here, I
feel I can be a little more critical. I can
say a couple more things because he's made, like you know,
a plethora of movies that are big to people's childhood

(09:54):
or horror awakening experiences and everything like that, and like
he I should have leaned into it more, and he
I think he's right when he said maybe he should
lean more into the comedic aspect of everything, because the
actors in the movie play it like it's more of
a straightforward horror because you know sci fi movie that

(10:16):
we've got going there, less on the horror aspect of everything,
but definitely more on the action sci fi side of
everything that there is if it was a comedy, Nobody
told ice Cube, nobody told Natasha Henstridge, and definitely nobody
told the writers of this movie that, hey, I'm looking
to do you know, a comedic movie. I know that

(10:38):
John Carpenter was one of the main writers of the movie,
but Larry Sukis was also a writer in the movie
as well, and I feel like they did leave a
lot more of the comedic aspects out of the movie,
because when it comes to the comedic stuff or the
comedy that we want to put in there, and the
tongue in cheek it it really doesn't exist that much.

(11:00):
It's hard to be like, you know, you hear it
from the man himself, this is what he wants to do.
But it's so hard when you're watching this movie to
get into it and be like, oh, this was meant
to be tongue in cheek and it doesn't really feel
tongue in cheek like it does in some things because
it's really over the top, and especially with our main villain,

(11:22):
if you want to call it, the leader of the
main villains of the film, I get that. And the
first time that that guy pops up is one of
the god awful, funniest, so bad, it's good things that
has ever happened in cinema. That it's fantastic. And if
you lean more, I think a little bit that way,
I think you would have accomplished maybe what he was

(11:42):
trying to do. But I just I you know, the
cast itself are they just play it so straightforward and
it doesn't really feel like it feels like people are
kind of having fun with it in some way, shape
or form, and honestly, bad of performances that we get
out of this movie, there's a couple of standouts. I

(12:04):
would say that Jason Statham is kind of a standout
in this movie, even though he's not really that important
to anything. I don't think really anybody outside of Natasha
Henstrich's character and ice Cube's character, and even ice Cube's
character is not really important to the film. You could
have stayed on Melanie Ballard for the entire movie, and

(12:26):
that would have been that you needed quote unquote star power.
Have you not seen Species? Do you not think people
wouldn't have come just to maybe see a sign of
alien boob? I mean, come on, you gotta give it something.
And star power in ice Cube, really star power, star

(12:51):
power of ice Cube. You need like, Okay, I get it.
It's ice Cube, you know the rapper ice Cube where
you're just kind of like, all right, I get it.
You know, was it because of you know, the fact
that he was on the soundtrack to k New Jack City?
Was it because he was in you know or is

(13:11):
going to be coming up in you know Friday? Is
that what it's going to be? Like? What? What is it?
What is it that you've got to be like, I
gotta get in there, and we got to make sure
that we get the star power of ice Cube. You know,

(13:32):
he was all okay at this point, he was all
rating Friday and next Friday. But does that mean that
you're going to, I don't know, get so many more
fans because you have him there? Oh I'm sorry. He
was also in Three Kings as of this time, okay,
because ice Cube was main one of the main reasons
why oh Ana Konda, I totally forgot the four point

(13:56):
nine star rated on IMDb, that smash hit that he
was a pardon oh, or maybe because he was coming
out of the great hit with Mac ten featuring ice
Cube only in California, or maybe because it was he
would did his music video for You Can Do It
back there in nineteen ninety nine, or maybe all the

(14:16):
deleted scenes that were put to video for Friday, or
you know what about ice Cube featuring Doctor Dre and
mc wren in Hello, or you know the Next episode
was huge at this time, and so what I just
I don't get it. And even though he's not in
the song, he was in the music video. So I

(14:37):
just don't. I don't get what the quote unquote star
power that you had for ice Cube at this time
man ice Cube was so hot at this time he
was melting. He was known as Wata. Like I it
just I don't understand that you have to have the
quote unquote star power of ice Cube to coming to

(15:00):
this movie. It just seems ultimately ridiculous. The one highlight
of the film that I will mention is the soundtrack
and the film score, which producer Bruce Rob brought in
famous heavy metal band Anthrax to play the picture for
John Carpenter here who originally filmed the movie Listening to Metallica.
And the film score is entirely original and was recorded

(15:20):
by Rob at his Cherokee studios in Hollywood, and the
film's DVD actually offers a bonus feature with behind the
scenes footage in the studio with musicians Carpenter and Rob.
And you also other people like Buckethead on the soundtrack
as well. Like honestly, the soundtrack itself is pretty star
studded for what it is. You got Robin Fink, you

(15:42):
got alian Aston, like I said, you got Buckethead, even
had Steve Vai on this album itself, Like it's nuts
in the amount of people that actually worked on this album.
And while well, the score for the you know, the
soundtrack for the movie, and while it's good and a
lot of charism, cubs that it doesn't quite fit the movie.

(16:05):
And I kind of agree, it's like rough at times
and where they're doing it. And even when I was
trying to do like a lot of the stuff with
you know, audio, and you have this film soundtrack going on,
and it's like everything is spinal tap here. It all
gets blasted up to fucking eleven because they have to
have that you know, turning to a point on the

(16:26):
dial instead of just having it at ten because then
it wouldn't go up to eleven. But it's like it's
just really really really over the top and it's fun.
I one hundred percent that the soundtrack, Like, I agree
that the soundtrack is really really fun and really really good.
If you like this type of music, right, if you

(16:47):
don't like the music, then you're not probably not gonna
like it very much. But that's just the way that
the movie is. And that's ultimately where like a lot
of the stuff going on, like the film itself was
meant to be a lot more linear in the way
that it was telling, but that then Carpenter decided, you
know what, that's too you know, I want to be

(17:07):
to be a little more original, and that seems like
really standard in the way that films are done. And
that's why he chose to show a lot of this
movie and flashbacks, Like even when we get to the
start of the movie, everything is being told from the
present and it's all just a flashback and a telling
of what happened, which is a trope in itself in
the way that it is. And it's funny because even

(17:29):
Carpenter said that Natasha Henshridge downplayed some of the flashback
sequences and she replied that she should have been directed
better by him, to which he responded, there was a
basketball game on television and I wanted to get the
hell out of there. So, like again, I think that
this movie just did not have a good production schedule.

(17:50):
I think that Carpenter definitely was burnt out in the
filming of this movie, and just like even after everything
was done, like I said, he basically was like, look,
I'm kind of done doing movies for the time being,
and never really made anything since until twenty ten when
he did the Ward. So for a lot of people, one,
I'm not sure how many people know what the ward

(18:12):
is right, And there's even some people here that say
that this movie is like the space version of Assault
on Precinct thirteen, right, which I can kind of see
if that's where you want to go with this whole thing.
And it's still like it just has really bad. It's
just bad. Like again, I'm not gonna sugarcoat it, but

(18:34):
we're gonna have to see, like is it so bad
it's good? And so you know what, let's get started
because I've rambled enough, but by three hundred episodes you
should know this already. People, come on, this is what
you come for, right, right, right? Oh, But anyway, we'll
get started because there is a short intro to introduce

(18:56):
the film before the main credits start.

Speaker 5 (19:00):
Rumors have spread across Mars, from outposts to settlements, from
town to town. Something that had been buried for centuries
has just been uncovered. And as this mysterious force moves
across the southern valley, it leaves behind only silence and death.

Speaker 1 (19:21):
So something has been awakened on the you know, the
surface of Mars, and that's what the rumors are going.
And we're living in a time where Mars is being
colonized it's almost ninety percent colonized itself, and that the
law is being done here basically by the Earth Federation,
Law Defense or some shit like that, something ridiculous that

(19:42):
we have there, and they're the ones that basically control
everything that's going on in the world of Mars that
we have there, and we're welcomed into a This is
also hilarious too, because I don't know how you do
this right, basically, No, I know how you do this,
all right. I understand the filmic things where they basically

(20:03):
use a model train, and this is the train that
we're gonna be seeing, like the police people are being
delivered to the place where they're going to get desolation
Williams with the whole thing. But it definitely looks like
a model, right, And this is in two thousand and
one that we're using models to use it. And I
appreciate the practical effects, I really do, I really do.

(20:24):
But the fact that they try to film it in
a way and do it in a way so that
people wouldn't realize that it was a model, and then
he just like, I really couldn't do it. But it
fooled Natasha Henstrich into believing that it was a real
fucking train. Like when you look at the clips, you're like,
what and the actual fuck like, that's obviously a goddamn model,

(20:47):
Like come on, I understand she also got exhaustion in
this movie and they had to shut down filming for
like two weeks because she got she overdid herself. She
even said that it was kind of like a strenuous
movie to do so in the fact that she also
filmed two movies in a row and then started this one,
and this was a lot more physically like extensive for

(21:08):
her in compared to the other films that she had
done it, And it makes me wonder what were the
other films that she would have done at that time.
Maybe it was Second Skin, Maybe it was Bounce, Better
Way to Die a Girl, Three Guys and a Gun,
Maybe was the whole nine Yards. I mean, working with
Matthew Perry at the time might have been exhausting as
it was, But you know, you really can't hold that

(21:31):
against her, right right, But nonetheless, I still can't imagine
that this would have really fooled anybody, but I guess
it actually fooled her. So we get this long intro
basically of the train like going along the tracks because
they're going to their new destination, like I said before,
because they're on track to go pick up Desolation Williams.

(21:51):
And then the film itself shifts back into the past
once again after they show some insides of the train,
of course, because it's on autopilot, and we see that
she has become the loan survivor of this train. Actually,
the train itself is not on its way to its destination. Sorry,
that's not it. It's actually going back to Crease or

(22:11):
christ or whatever the fuck it's called, the city that
is like the main hub of the planet, and she
is the loan survivor on this train itself. And that's
when we get to you know, listen to the council
as they bring her in and basically, you know, try
to figure out exactly what happened.

Speaker 6 (22:30):
I just talked with the cartel. They're concerned that the
rumors are getting out of control. They'd like to make
a statement in two hours. Some of you may not know,
we've had another incident. At fifteen twenty hours yesterday, a
freight train trans Marinara seventy four Yankee returned from the
Southern Valley on autopilot.

Speaker 7 (22:48):
Got to your journey station.

Speaker 6 (22:49):
No initial reports indicated it was a ghost train. It

(23:12):
appeared no one was aboard until a single survivor was
discovered in a rear compartment. Lieutenant Melanie Ballard, second officer
for a squad of escort police. They were assigned to
transfer a prisoner from the jail at Shining Canyon Mine
back here.

Speaker 8 (23:29):
To Christie Started.

Speaker 6 (23:30):
Lieutenant Ballard was taken to hospital under guard. She had
superficial wounds but was in otherwise good physical condition. However,
traces of an illegal substance, tetro mono chloride were found
in her system.

Speaker 1 (23:46):
Bring her in, please, So she was the loan survivor
on the train and random drugs were found inside of
her system, which we don't know what they are. We
don't know what they do, but they're looking at her
a very negative light. And so they bring her into
the big council room that's there and begin to grill
her about what exactly happened to her and the crew.

Speaker 8 (24:07):
Ten Ballot, please be seated. Do I get a lawyer
or don't police officers have rights? These days?

Speaker 6 (24:14):
Representation by council won't be necessary.

Speaker 8 (24:17):
Your rights are protected by the matronage. You can speak
freely that I'm not being charged.

Speaker 6 (24:23):
Sit down, Lieutenant, this is a Discovery hearing and your
presence is required.

Speaker 8 (24:28):
As ranking officer.

Speaker 6 (24:29):
I want your after action report. Where's the rest of
your team? The prisoner you were sent to pick up?
What happened at Shining Canyon.

Speaker 2 (24:39):
Last Friday? At seventeen fifty We were slamming through a
dust storm on the edge of the Southern Valley seventy four.
Yankee was an orehuler servicing the mines in the outer sector.
My squad was hitching a ride into Shining Canyon.

Speaker 9 (24:57):
He beats me, looks like you played to before.

Speaker 7 (25:01):
No, I've never done this.

Speaker 3 (25:02):
Let's really get one up, but later for all the
bets you got the way up?

Speaker 9 (25:13):
What's your white child?

Speaker 10 (25:15):
Bye?

Speaker 7 (25:15):
Bucks?

Speaker 9 (25:23):
Helena.

Speaker 11 (25:25):
Hey, sorry, weather station's tracking a huge storm across the
Southern sector and we're right.

Speaker 12 (25:31):
Under it by know.

Speaker 8 (25:36):
What's the mark on it?

Speaker 11 (25:37):
Thirty two hundred clicks and you should be there by
eighteen hundred, So just.

Speaker 9 (25:46):
Let me know if you need anything.

Speaker 1 (25:49):
Okay. So now we get to meet the whole crew
that she has here, and she's hitched a ride with
the rest of her team on this or delivering train.
Whatever they're doing out there. They're mining. Basically, they're going
to a mining colony that's out there in the middle
of Mars, and they're there to pick up a prisoner
that was captured for killing a bunch of people. Right,
So this is actually where we get to the whole thing,

(26:11):
and so we get to meet the entire crew, basically
two rookies, Jason Statham, Natasha Henterridge, and Pam Grew. Right,
So they got the captain. You've got what's his face,
You've got what's her face? You've got you know, Jason Statham.
I don't remember the name of these fucking characters. I
barely remember fucking Melanie's name here. I think it's like Jordiicai, Jordisia.

Speaker 3 (26:36):
You know.

Speaker 1 (26:36):
Uh, I don't know what the fuck Statham's name is.
I just I don't get it, don't. I don't know why,
Like you can't remember the only ones that I can
remember in this film, even going through this whole thing,
I think his name is Jericho honestly, to be honest,
which is something that I should remember and should fucking know,

(26:57):
But shit, you know me, when it comes to the things,
so you've got you know, good old Jericho over here.
But I only really like it took me forever too
to get down Melanie's fucking name, Natasha Hintridge's character, because
I don't want to keep saying her fucking last name either,
because my tongue decides that it wants to roll over

(27:17):
in itself whenever I say your fucking name. But nonetheless,
you have you know, it's just the name suck, all right,
I'm just gonna come down to it. The only names
I can remember are Desolation Williams, because it's fucking stupid
Desolation Williams. I don't get it why, because he causes
mass desolation wherever the fuck he goes. Because he's a

(27:40):
loner and he works by himself. He destroys everything's around him.
He leads desolation wherever he goes. I don't fucking know,
because I don't even think they fucking explain it in
this movie. There's a lot of things they probably don't
fucking explain in this movie. And then Melanie, really fucking Melanie.
The only ones that you can truly remember out of
any other characters, Uno Dos and Trees, just because the

(28:01):
goddamn numbers, all right, that's all they named these three
characters that we meet later on in the movie. Oh,
and there's a doctor and I'm supposedly there's like a
three hour tour that were supposed to get on, but
they ended up getting stuck in the middle of nowhere
on some random fucking island after their ship ground. No, No,
that's that's Gilligan's Island. That that is not this movie.

(28:23):
That's that's why I was looking for Redhead the entire
time and never fucking found her. And why the captain
wasn't a fat white man and it was Pam Greer.
H I keep mixing these two things up. Damn you
go some mars. Why do you have to be so
similar to Gilligan's Island? I thought you said this was
a comedy here, Carpenter. Carpenter, Oh wait, yeah, whoever thought

(28:49):
that a Galligan's Island joke would be on this podcast?
But this is what you get after three hundred episodes.
But nonetheless, so you know, she decides that she doesn't
want to listen to the shit that's going on there
and wants to go get high because she got high,
because she got high because she got a But bop
bop oh nonetheless. So she has this little necklace and

(29:10):
she pops a pill out and she takes the pill,
looks around and then just like zones out and closes
her eyes and then sees all these wacky images because
she needs her mind clear, like beaches with water and
an obvious like, well, okay, it's part of the other
background that's like layering on top of each other, but
it looks like there's like a water drain behind her

(29:32):
that's pushing out the water. And then she looks at
her little medallion and it starts like doing this weird thing,
this really terrible cgi thing as she's looking at because
she wants to see all the special colors. And then
there's another like tidal wave going by, and then the
universe because she's a part of space and is the
being that is out there, and her mind's now clear.

(29:54):
And then she gets interrupted by her nice fucking trip
by Pam Greer to tell her what's going going on.
And here comes comic being this movie. Everybody fucking wants
a piece of Melanie in one way or another. And
you know exactly what I mean, Melanie, you hide.

Speaker 8 (30:13):
Fuck a Lanta. It's just clearer. He straightened in this
track line before we hit the canyon.

Speaker 13 (30:18):
Or you better be This prisoner transfer is no sleepwalk
picking up James Williams.

Speaker 8 (30:24):
You mean desolation Williams cooling his heels and the Shining
Canyon jail deep solitary. What's the charge this time?

Speaker 10 (30:33):
Murder?

Speaker 2 (30:35):
Man's been up by murder three times. He gets off
every time in self defense.

Speaker 13 (30:38):
It's different this time. Sounds like you finally went Psycho Bookoo.
Corpse is all mutilated. William shows you about the Shining Canyon.
Mind was a bizarre ass story since three officers to
the matter back before they locked him down.

Speaker 9 (30:52):
He's starting to see the picture.

Speaker 8 (30:54):
And all we got is you me, this new guy Jericho,
and a couple of rookies.

Speaker 13 (30:58):
What do you think of Sergeant Jericho? And you know,
so when we get a good, solid woman we could
count on.

Speaker 8 (31:04):
I don't know, I guess we'll see.

Speaker 13 (31:07):
Well, I need you straight, Melanie.

Speaker 14 (31:15):
Don't worry about that, commander as straight as they come.

Speaker 8 (31:20):
Such a shame.

Speaker 1 (31:22):
Okay, I get it. We're doing this future thing and
the whole thing that's going on here, but like, do
we really need that at the end of it? The
whole thing. I need you to be straight, Commander, I'm
the straightest. Say come, And you're really getting the acting
prowess of fucking Natasha Hentridge in this movie. This is

(31:42):
the best that you're gonna get, folks. Okay, it's it's
better than Species, But then again, I just think that
Species was better than this. And it's possible because she
wasn't really having to spend most of her time even
acting in that movie. If you catch my drift with
the whole thing, especially with that fucking movie, and here

(32:03):
it's just like again, the whole thing. If this is
meant to be like Tongue in Cheek, I get it,
that part tongue in cheek, right, you have you expect
that to be a male role. And the way that
like she's being approached and the way that he's doing
the whole thing right, that he's got this beautiful commander
that's there be finding he's gonna be hitting on her.
And what if we made it Pam Greer instead, and

(32:26):
you made it that she's hitting on her? Oh my god,
get it. This is what would normally happen inside of
these like action flicks, but instead we're gonna make it
a woman, tongue in cheek, get it like, no, okay,
I I really don't give a shit to be honest
with you, like it's cringe. Nonetheless, you still have like

(32:48):
the whole reason for like people being like in on
hers because oh I want to fuck you. I wish
that I could fuck you. If we had the ability
to fuck, Oh, we'd fuck all day. I'd go so
deep inside of you you heard a fist in before,
I'd be elbowing you. Yeah, I'd be like that one
song that was sung on this podcast a while ago

(33:10):
talking about love and shit. I'd go even deep, go
shoulder deep inside of you. That that would be a
lot of fun, wouldn't it. When you just fucking love
these things, then you can like, well I'm shoulder deep
in you. You can like reach down and like flingle
my little nipple over he edge, give me a little
tick oh yeah, and then you know, I'll make sure
I flick the bean at the same time, Like, let's

(33:31):
let's go hardcore into this whole thing. Let's let's just
get it all out on the table. Let's make her
as much of a disgusting pig as possible. But again,
if you're doing this like tongue in cheek if you
really are. And it's just one of those things where
I feel like it doesn't necessarily, you know, need to

(33:52):
be really over the top, but I think if you
really want to go over the top, really lean into
that shit, like go grab a boot something like, you know,
striper off, do something. I mean, maybe that's a little
bit too extreme to like strip her down out of
her clothes or anything like that and try to make
out with her, but like heavily lean into it. And
these characters are like kind of doing it like kind

(34:14):
of slightly in a way, and some people are just
like straightforward with it. Well okay, some people. Most people
are fucking straightforward with it in this goddamn movie. But
nonetheless it's still like, you know, I just want it
to be maybe a little more over the top. And
this definitely comes down to Unfortunately, it does come down

(34:36):
to direction with the actors themselves, like, hey, I don't
need you to be ridiculous, And there's plenty of ridiculous
stuff that comes out in this movie later on, and
there's definitely some people, and especially I would say as
much as ice Cube hates this movie, he actually looks
like he's having fun when he's doing some of these things,
and he definitely feels a little more tongue in cheek

(34:59):
than some of the other the characters in this movie.
But like you have Pam Greer, and you have Pam
Greer being like the badass captain and maybe a little
bit of a womanizer, like have her lean into it
a little more, do a little bit, be a little
more chauvinistic, go be hardcore with it and just have

(35:20):
fun and show exactly what you're trying to do with
the whole thing. And instead, again it just kind of
plays straight forward, and a lot of it plays straightforward.
And again a lot of this comes down to Henstrich
being your main character, Melanie Bauer being like the main
focus to the movie, and she's too straightforward and she's

(35:41):
too bland to do it. Like and even though she's
not necessarily bland in moments of the film right, especially
like I would say the action sequences that she does,
she's not bad, but overall the character itself is just
bland and blase. And maybe it wasn't written that way,

(36:02):
but you definitely didn't get the right actress for it, right,
I'm not talking like a tank girl situation or anything
like that, where at least with that character, as you know,
that movie goes. And I don't know where you guys
sit on the spectrum of that movie. That was something
I remember seeing the trailer for and I was so
excited as a kid to see it because I thought
it was like, oh my god, it's over the top

(36:22):
and quirky and funny and kind of cool, and that
was kind of a dumb teenager. And it's not a
bad movie, but I feel like the main character in
that fits what they were going with, and in the
actress that plays her, which her name escapes me right now,
but I think that she was perfectly fine for the role,
even though the movie's just kind of like, eh, right,

(36:43):
it's not what I expected to be, But at least
the actress seemed like she was having fun playing the part.
And here the only people that seem that they're remotely
having any fun in this movie at all is honestly
Ice Cube and Jason Statham. And like I said, Cube
didn't like this movie and all and thinks this movie
is fucking stupid. So hey, at least you got that

(37:04):
going for you, Cube, So Melanie herself. She goes over
into the main car and she checks out what's going on.
One of the you know train's conductors asks her, you know, oh,
tell her, tells her when they're going to be there.
Another one asks if she wants some coffee, because he's
bringing coffee. And that's when we get everybody ready to
check in and check with their equipment. And we see

(37:24):
Jericho talking with Melanie for the first time, and of
course everybody wants to sleep with Melanie.

Speaker 3 (37:31):
Lieutenant couldn't help but notice that human little say with
Queen Bay.

Speaker 2 (37:36):
Yeah, well, you know how the services, Sargeant, She figures,
if I want to make Captain often pay the price, the.

Speaker 8 (37:42):
Thing is, I'll give a damn run another bar.

Speaker 9 (37:45):
And it could be done.

Speaker 12 (37:47):
Well.

Speaker 9 (37:48):
She just says, good sise than women.

Speaker 8 (37:51):
Sergeant. He was seriously out of line, but I just.

Speaker 15 (37:54):
Warm my record, all right. I know you, thank you,
some pretty tough one that the best training, you have,
the best gear. You probably think this is a routine
prisoner transfer, but that's what I want to bang into
your heads. There's nothing routine about this prisoner. We are
here to pick up James Desolation Williams. I want y'all

(38:16):
Jack Ready and double Tough?

Speaker 1 (38:19):
What the hell does jack ready mean? Like, can somebody
explain it to me? I understand Double Tough? You know,
you guys think you're awesome badasses, but you ain't badass enough.
Are you really bad? Dudes? Do you think you could
save the president from Ninja's He's been fucking kidnapped by
Ninja's asshole, So we're gonna have to go out there
and you're gonna have to be bad enough to fight

(38:41):
off those fucking ninjas to save the president. Waits, that's bad, dudes.
That's a video game, that's not this movie. But it
really feels like those are the things that should be
going off in this movie, right, Like it just there's
random lines like that that are meant to be I
don't know, on inspiring or like cliche. I get it.

(39:04):
And they're doing a lot of that stuff. And again,
this is supposed to be tongue in cheek, but that's
just some nonsensical dialogue that pops up every now and
then with like phrases and words, and maybe it's supposed
to be like, oh well, this is like their future
speak or whatever, and this is some type of like
you know slang that they're using at this time, but
again they're not using it on the regular. I just

(39:26):
don't get it, Like, are they jacking into something, they
jacking off something, they jacking off something? What exactly are
they doing in terms of jacking things? How are they
supposed to be jacked in? Are they gonna like dock?
Is that what it is? The two dudes back there,
they're gonna dock with each other and they're jacked in,
and they're gonna become even stronger than they want would
before because you know, one's gonna have a dick in

(39:48):
his ass, but he's gonna end up being like two
people controlled by the other one like a puppet. And
so they're gonna do the like slow motion John Wu
like gunfiring thing, except for he's gotta have a dick
in his ass as they're fire ering their guns around
the whole thing. Is that what we're going to get?
I don't really know. I don't really care. And that
would be kind of interesting if that actually was done
in this movie, But it's not really going to be

(40:11):
done at all in this movie because that's just weird
shit that I'm talking about. So nonetheless, they ended up
start trying to raise the yard master. As they're getting
closer and closer to where they need to end up,
and so they talk about having to use their breathers
because the air out there isn't the same as it
was on Earth, even though they're busy terraforming the planet.

(40:33):
It's better than it used to be, but at the
same time, it's not necessarily, you know, the same as
what Earth is. And so they start to leave, you know,
the ship, and they head into the town, which the
discover has become a ghost town.

Speaker 16 (40:49):
God, I hate this thing.

Speaker 8 (40:51):
You'll get used to it.

Speaker 15 (40:52):
Two years ago we were still wearing full face breathers.

Speaker 7 (40:55):
Yeah.

Speaker 8 (40:56):
It takes about a month to get over the headaches
out here.

Speaker 16 (40:58):
Yeah, so this is Shining Canyon. God, what a dump.

Speaker 3 (41:04):
First time in the Boonie is a rookie standard, lad,
Just another shits he'd put in town.

Speaker 9 (41:08):
Look all the others, same one. You could go home.

Speaker 2 (41:11):
You're always cold, you can't get a decent shower, and
they don't tell you that a one year contract here
equals two years Earth time.

Speaker 8 (41:18):
Gotta read the fine print.

Speaker 9 (41:27):
Where is everybody?

Speaker 2 (41:30):
Yeah, Friday night, the place should be packed. I mean
a whole twelve hours before sun up, and there's money
to burn, horse to fuck, and drugs to take. Instead
we got a graveyard.

Speaker 8 (41:43):
Maybe they're all inside. It's been in their money.

Speaker 15 (41:46):
May I'm gonna get a squared away at the wreck
fact you and Sergeant Jericho checking out to jail.

Speaker 8 (41:52):
Save some hot water from me.

Speaker 1 (41:54):
So they decide that they're gonna split up in this situation,
and this place should be a bustling town because, as
Melanie says, quote, there are whores to fuck, okay uh,
And then they end up calling it like you know, well,
I guess he asked Jericho where he was before, and
he called it utopia, the arse end of the universe.
So he's in a much better place than he was before.

(42:16):
I guess there. Maybe he had plenty of horrors to
fuck and he was busy out there just blowing his
seat all over goddamn place. Even though they have something
in this future called breeders, which I guess that's part
of this dystopian society where only certain people are allowed
to have sex and create life. So maybe that's why
there's like, you know, people like the Captain out there.

(42:41):
I fuck me if I know, because again, there's a
lot of stuff, like I said, in this movie that
just kind of gets said and is just glossed over. Whatever. No, yeah, breeders, Hey,
it would be nice to actually know maybe a little
bit something about it. But this movie doesn't have time
to explain it, and barely has time to explain what

(43:02):
exactly is going on with the whole situation, and again
things are shown in flashbacks. Kind of wish we had
the breeder thing in flashback, you know, or at least
saying that, you know, we're expanding the worlds, but humanity
has grown so much that we have to get into
other planets in that we're overrunning every planet that we're
going in, like kind of like a disease, because that

(43:23):
would make sense in terms of why the ghosts of
this movie, the quote unquote ghosts of Mars here are
doing what they're doing right, because we're like an insect,
like a parasite, and we're slowly taking over their planet
and they need to fight back. Sorry if I've ruined
that already for anybody who's not seen Ghosts of Mars,

(43:43):
but there you go. So nonetheless, you know, here they're here,
at this lovely, lovely planet of red. It's it's just red.
That's all these sets are. Like I don't know this.
That seemed really fucking cheap. I get it. You spent
twenty eight million. Yes, you want to do everything pretty

(44:05):
much practical, which is fine. I have no problem with practical.
But these sets just look bad. I mean everything about
it just looks terrible in the way that it is.
Like it they feel like they're using like the old school,
like hey, we're using artistic backgrounds for everything that's there,
or we're doing a green screen in the back, and

(44:26):
that's just a photo of a fucking little model set
that we're superimposing into the film. In that we've got
these shittily made shacks that we're gonna have all over
in the side on the left and the right as
we're walking down. What we're you know, is just fucking
floorboard that's covered with a little bit of dirt to
simulate this environment out there in Mars. And that's what

(44:47):
you're gonna get with this whole thing. And it's just
it's not very good. And the insides of the sets
aren't very good as well. Like I get it, you
want to be like, like I said, a little dystoped,
like you know, it's the future, but the future isn't
as bright as everybody thinks it is. And this is like,
I guess, like almost like an outlaw town and we're

(45:09):
here and only the cops are allowed to have guns
and they control everything and that's where the law and
order comes from in this galaxy, and this is kind
of like a lawless town. In Mars is still a
little bit more like the wild West, Like we were
trying to put some type of like Western feel on
this movie, but it never really like hits those heights

(45:31):
of maybe where Carpenter really wanted to go. So we
have Jericho and Melanie. They're splitting off to do whatever
the fuck they need to do to go find out
I guess where the prisoner is. And we have the
captain taking you know, one of the chicks with her,
one of the rookies, and the other rookie of the
dude along with her as they go find a place
to lodge a guess for the night and so that

(45:53):
she can have a nice shower and fuck everybody else,
even though you know, need to save some of the
hot water, because what is she gonna do? Just take
down the you know, the shower nozzle and start spranging
at her badge. I don't really know, Like she thinks
she's gonna take like a two hour long fucking shower
and take all the hot water from everybody, Like is
it really that scarce here on Mars? I'm pretty sure

(46:14):
that water is relatively scarce, and it is probably sourced
in there, and like your showers are probably done by
a little like you know, coin operated system where you
get like two minutes of water and that's fucking it.
But maybe it's gonna be hot water that only lasts
for like thirty seconds, and then you're just gonna be
taking a cold fucking shower and your nipples are gonna
be like, you know, at two and ten. So who

(46:35):
knows what the fuck is gonna happen there. So we
follow Melanie and Jericho as they go inside where the
prisoners are supposedly kept, and they realize that things are
really really quiet around here and there's nobody that can
find and that the door is locked, and so of course,
once again he's got to use his you know, Jericho's
got to use his British fucking charm or whatever the

(46:57):
fuck he has to try to sway melt need to
his side, and also he's got to figure out to
pop the lock while she gives him a really sick
fucking burn.

Speaker 3 (47:08):
That wants used to be about what do you make
I don't know what do you want to pup the lock?

Speaker 9 (47:13):
Anos the prisoners?

Speaker 8 (47:14):
What do you mean pop the lock? That's a level
of security.

Speaker 9 (47:17):
Door got a mystic away with looks some mechanical objects.
There's not a machine of moss that doesn't love me.

Speaker 8 (47:24):
How about we check with the commander first?

Speaker 9 (47:31):
So what do you do for fun? Then you a gambler?

Speaker 8 (47:35):
No, I'm short time sergeant.

Speaker 14 (47:37):
I believe in saving my money.

Speaker 9 (47:41):
Don't worry about that. I was gonna do it for free.

Speaker 2 (47:46):
Let me put it this way. Maybe actually with you,
if you were the last man.

Speaker 12 (47:50):
On earth.

Speaker 8 (47:52):
Who went not on earth?

Speaker 9 (47:58):
That's both. Did you have a love muscle? What'dchock it out?

Speaker 8 (48:03):
It's probably nothing on second thought.

Speaker 1 (48:09):
There's also a lot of this in the movie as well,
where it's like she says one thing and then does
something completely different or maybe not what she wanted to do,
or maybe things that she shouldn't be doing she decides
to do for the hell of it, because why the
fuck not. The movie needs to move along, so we're
gonna fucking do it anyway. There's one ridiculous fucking scene

(48:30):
that's coming up in a moment that I'm just like,
why why would you even like do this at all?
Or try to do this after you've just seen what
you've fucking seen. So yeah, her sick burn is you know,
Oh yeah, I wouldn't sleep with you with their last
man on Earth, but we're not on Earth, so guess what,
I'm not gonna sleep with you?

Speaker 17 (48:51):
Boy?

Speaker 1 (48:52):
Oh my god. Like again, the dialogue in this movie
is so cringe. I guess you know, yes it. I'm
gonna keep having to say this. It's supposed to be
a tongue in cheek action movie, so it needs to
be filled with these cliches. And that's a definite cliche,
and so it eventually maybe these two are just gonna fuck, right,
This is like a romantic comedy just waiting to happen,

(49:15):
where all you're trying to figure out are these two
gonna fuck or are they not gonna fuck? Like that's
the thing that's happening here with these two fucking characters,
and I could give two shits about them I could
give a shit about anybody in this movie, and that
includes Desolation Williams, who you're supposed to guess kind of
fell for but kind of non Like when you look

(49:38):
at these old eighties action flicks, right, you are so
enamored with the main character of that movie, no matter
what it is. Right, you go back to Rambo, First
Blood Part two, Rambo Part two, First Blood, whatever the
fuck the second Rambo was fucking called, right, and you

(50:00):
even in the original First Blood, right, the first movie
to feature Rambo as a character. It's not really that
type of like action movie, but you like fall in
love with a character because of all the shit that
he goes through in that emotional fucking speech that Stallone
makes later in the movie that it, while very emotional,

(50:22):
very good, is also very silly just in the way
that it's delivered. Right, I have a hard time not
laughing at it just because it's Stallone. But it's very
impassionate and very very good for what it is. Don't
get me wrong. I love First Blood. It's a great
fucking movie, you know, for that time and everything. And yeah,

(50:43):
First Blood Part two, Rambo two, Electric Boogoloo, even Rambo
ear that movie itself is a little more over the
top with the violence and Rambo just fucking going ape
shit and killing everybody, But you have this connection to
that character Commando. You love the one liners that fucking
Arnold delivers in that movie. Remember what I kill you said,

(51:05):
I kill you last I lied? You know, there's all
these like cool little things, and you really like the character,
no matter how dumb the fucking movie is. But the
action is so good, the character is so much fun
to watch, and you just love it and you get
so engrossed in it. Right here in this movie, Carpenter

(51:28):
doesn't do a good enough job of making you like
these characters or liking the situations they're put in to
really get behind them. There isn't those one liners. And
it's not just Carpenter not putting his characters into those situations.
It's also the fact that the actors aren't leaning on that,

(51:51):
right the actors, I don't know if they were actually
told whether or not. Hey, we're just making something dumb
and fun here. Let's just enjoy ourselves. Let's do what
we need to do, and let's just get through it,
and let's make this movie. And let's no matter how
bad it is, no matter how good it is. I
just want you guys to have fun on set. Know

(52:12):
that we're just making a dumb, fun action movie. And
I really want to stress that. And at this point
you can feel the burnout he is with Hollywood in
this movie for how dry it is and how much
you just don't care and you just don't give a
fuck about anything that's going on in this movie, right,

(52:35):
even like getting in here, and this is a relatively
well done scene that we're getting into as Ballard and
freaking Jericho start going into the supply room wherever this
a big electrical thing is going on and they're searching
the place, and this is like classic Carpenter in this scene.
It's got good tension in it, it has the good

(52:56):
like it's great camera work of them walking around inside
of them seeing all the blood splatter on the wall.
Even though it looks bad, it is what it is, right.
And I really thought too, when you see the trailers
and you see everything like that, it was going to
be like a journey movie that they were just trying
to get from point A to point B, not that

(53:17):
they were staying in the same place at the like
the whole time that they're there, and that's really what
it is, right, And that's why I think Assault on Precinc.
Thirteen is a very good comparison for this movie. But
here it's good. I like the camera effects. I like
that we see all these weird weapons that are there,
that are knives everywhere in barbed wire, and these weird

(53:39):
things with scissors, and there's like blood that's dripping off
of it, and the characters are looking around slowly as
the camera is panning to show you specific things like
a hand just hanging out of a locker, to which
they go check the locker and the hand just kind
of falls out of it. Like these things are good
techniques and are good to draw you into the scene,

(53:59):
and the movie needs more of this. The movie doesn't
have enough of this in it because it just kind
of goes full fledge into dumb in the way that
it ends up working out right, I want it to
be more than it is. And here, again, while it's bad,
it's not that bad. It is it feels like that

(54:22):
tongue in cheek and then it just kind of starts
going downhill because we don't spend a whole lot of
time in this, and there's these weird like jump cuts
where they go into slow motion and then we do
this weird like transition wipe to absolutely nothing to where
you know they're looking outside because they're hearing noises, and
they almost shoot one of the commanders that are there

(54:44):
that's come back to find them and show them that, hey,
there's something that's going on here, and it's a goddamn slaughterhouse. See.
They do a little flashback for when the captain and
the two rookies go over there and they enter the
mess hall and everybody's like hung upside down and their
heads have been cut off, and there's blood that's dripping everywhere,

(55:05):
and even some of the cups, which I think it's
a good effect, look like they're filled with like the
blood of the people that are hanging there. It it's
pretty cool. Like again, it doesn't look great. It looks
really cheesy, and I don't know if it's just a
sign of the times and the way that movies look,
but it looks like it's very very fucking like more

(55:28):
eighties feel in terms of like the bodies that are
hanging there and the blood that's going on, but at
the same time, like it just ah, it's hard to
explain it without you really seeing it. At least for me,
it is right. It's basically you have to look at
it like it just looks like everything's absolutely fake. Right

(55:51):
that these bodies are there, they're obviously mannequins or like
dummies or whatever the fuck they're using for the bodies.
The blood doesn't look off thanick enough. It looks like
it's very painted on, Like it looks like an independent
horror movie using cornstarch and not knowing how to mix
it because they made it themselves, or they went to

(56:11):
Spirit Halloween and bought like the five ninety nine blood
kit because that's all they wanted to spend on the
goddamn movie. So even like the blood splatter that's on
the walls, it just looks really bad. It just doesn't
look like it fits, like they didn't know how to
dress up the set. And then in the fact that
the set looks like something out of Death Factory at

(56:33):
the same time that you just have these weird worlds
colliding where you know that this movie probably should have
gotten maybe a little bit of a bigger budget, right,
maybe this is the last film in the franchise and
I didn't look this up or not franchise or of
the films that he was doing that it was contractively
obligated to do. I have to do this one last movie. Okay,

(56:56):
you know, just give me whatever budget you want. And
they said twenty eight million, that's all you've got to
work with. All right, this is what I'm going to do.
And then they went forward with it, and they did
with what they had, and they spent most of their
money on getting the talent of the movie, not necessarily
on the special effects, and ultimately that's kind of where
the movie gets probably hurt the most. Where the costume

(57:19):
design is fine, I will say that, like I like
the way the look of the weird possessed people that
we get into a little later in the film, Like
that stuff's actually really neat, and they do some good
practical like gore effects when they're showing how they like
mutilated themselves and did that type of stuff, Like that

(57:39):
looks pretty good for this film. And the outfits that
the officers wear and the futuristic you know, again, it
feels like it is a Wild West type of situation
with the outlaws and the police and they have their
own specific look for everything that it is, like the
outfits are okay, they're a little cheap, but they're fine.

(58:01):
And for the you know, for Desolation Williams and his
crew that ends up showing up, they they're fine. They're
actually kind of what we're can fit. And even the
people that we're going to meet a little bit as
we you know, see some of the prisoners there there,
it's fine. I don't mind costuming in this movie. I
think that that's a high point in this film. Set

(58:23):
design is, like I said, it's pretty terrible. It is
like again, it feels like this is an independent horror
movie that was shot inside of a warehouse somewhere. And
the fact that even like kill Joy, some of the
environments there feels more appropriate to that film, even as
low budget that that is in comparison to this. And

(58:46):
I know it's not fair to compare something like kill
Joy to this movie, but this movie, even with a
twenty eight million dollar budget, feels like kill Joy in
terms of its sets, and that again ultimately hurts the
film in general with when you see it live and
in action, right, it would be one thing for the

(59:08):
outside to be just like this desert playground. It's meant
to look like desolated and isolated in the middle of nowhere.
It's just this like mining town that's there. Fine, I
can go with the outside as cheaply as the sets look,
and it feels like it's just a sound stage the
entire fucking time, even though supposedly it was filmed on

(59:30):
location for a majority of the movie, and there were
some shoots that were done in la as well, and
so but when you go inside and what with the
scenes in LA I would imagine being the sound stages
and using the inside visuals for the film, Like I
just would have figured that that would have been better
with a budget like this had. I mean, twenty eight

(59:51):
million is nothing to snuff at, and I feel that, yeah,
it was just really spent on the quote unquote stars
of this movie. Ice Cube must have packed a pretty
hefty punch to have him in this and for him
to agree to fucking do it as it were, and
the only reason that he really probably wanted to do
it was Carpenter's name was attached to the film, And
who doesn't want to be in a John Carpenter movie

(01:00:14):
If you grew up with his movies and you love
what he's done, and hey, there's an opportunity for you
to be in a John Carpenter movie. No matter how
fucking terrible it is, I'm going to be a part
of that movie. If Carpenter came up to me today
and said, hey, I want you to be in a
two second bit part, I'm only going to pay you
twenty five cents. You've got to spend two thousand dollars

(01:00:34):
to somehow get down here, get a hotel for a week,
and you're only going to show up in two seconds
of the film. I probably would fucking do it. I'd
probably have to do crowdfunding for the money to get
down there, because two thousand dollars for two seconds of
film time probably not the best thing in the world.
And I'm only getting paid twenty five cents. But hey,
then I could say I was in a Carpenter movie.

(01:00:57):
This is where I wanted to be. So you know,
it's fine for what it is, and I get it
that you're gonna do it, but I just wish they
had spent some of that just on the visuals, and
maybe if the visuals were a lot more fun or imaginative.
Right when it came to like set design and the

(01:01:18):
other special effects that are gonna happen in this movie,
because even with like some of the action, it's so ridiculous,
and it's like it feels the same shots being used
again and again and again, or I filmed this at
a different time and I'm gonna stick it in this
point to edit it in, to give this more brevity
and to give it more like, you know, heat in

(01:01:39):
term of the action that's happening there. I just don't
I don't know what the thought process was with that
and where the money actually got spent in this film.
So they end up regrouping together and they go back
to where the prisoners are, and you know, we have
our good friend Jericho. He's still working on the locks,

(01:02:00):
and that's when the captain and Ballard they begin talking
more and we get to hear exactly what Williams was
arrested for as they break the locks.

Speaker 16 (01:02:11):
Commander what, I can't reach the train.

Speaker 8 (01:02:17):
We'll keep trying. What do you think how we doing?

Speaker 9 (01:02:25):
I don't know. This thing was spoilt to stay locked.

Speaker 8 (01:02:27):
And Williams is still locked up?

Speaker 7 (01:02:30):
What do you mean?

Speaker 13 (01:02:32):
Williams was arrested on the suspicion of murdering six reil
workers and a payroll curer up at click through five
hub station. The bodies were hung and decapitated, just like
the bodies found in the wreck.

Speaker 15 (01:02:41):
Fact, so how they pen that on desolation? He showed
up here with the curer's payroll. The cashier realized it
was a stolen script. They made their wrist. There's gotta
be a day log.

Speaker 12 (01:02:53):
Here somewhere, sergeants Tessa.

Speaker 2 (01:03:07):
Here last night the mine called it a work stoppage,
reported wins gusting.

Speaker 8 (01:03:15):
Up to sixty knots sixty. That's what it says, anything else.
Arrest for theft, they.

Speaker 9 (01:03:27):
Got it.

Speaker 1 (01:03:28):
So basically, they're trying to pin Williams down because they
believe that when he was caught, even though the record
books say in general that he was caught specifically for
just having this money on him where he got the
money from. There were people that were killed. They were
hung upside down, just like they were in the rec
center that was here. Oh my god, So how about

(01:03:50):
this movie's really about. They're trying to catch this guy
because they needed to save the rec center and they
weren't able to save it in time, and that what
are the snow bunnies gonna know, no, no, that's ski school.
I'm thinking of something completely different. You know, that's the
one where they end up having the big giant race
down the hill that everybody can do, and you know
they're all partying all the time, and the corporate overlords

(01:04:12):
want to shut down the ski school. Anyway, that's not
what goes to Mars is about. Okay, it's not about
them going out there and saving the rec center, even
though I think it would be a lot more interesting
movie if that's what they were doing. The Martians they
just don't like this rec center. I can't believe that
you're gonna have this yere. We're gonna make sure we
take it over. We want Mars instructors. We want to
make sure that Martians get their fair deal. We want

(01:04:35):
to make sure that our corporations are taking over the
rest of this this whole planet. You can't do that,
you know. Oh you want to have a ski battle,
Well let's go up on the highest slopes of fucking
Mars and we'll take it down. And then there's all
these like hot Martian babes and Martian bikinis, and then
there's like a space strip club where people can get
space blow and then they can go into the space

(01:04:55):
VIP room to go get some space blow jobs. I mean,
I've never thought about it this movie before. No, never, never,
And it wouldn't be rated NC seventeen, So that way
only the adults can see it, but the kids they'll
try and then they'll realize the only reason that it
was rated NC seventeen is for excessive language. Yeah, they're

(01:05:19):
gonna constantly say see you next Tuesday all the time.
No nudity at all, and maybe a dick. Yeah, I
guess then there would be nudity, not notandady at all,
because you'd have a random penis just show up on
the screen like in Fight Club, and that wasn't rated
NC seventeen, but that was played for comedy. This wouldn't

(01:05:41):
be This would be just a fuck with people. I
would really love to just make a random movie where
there is like I would love to make a horror movie, okay,
and it just be like super violent, you know. And
there's plenty of violent horror movies out there that have
gotten theatrical releases. And you have these things right, you know,

(01:06:02):
and it's just got all this gore and it says
nudity and everybody's going like, yeah, it's I've heard, it's
super gory, and it's got all this nudity in it,
and it's got an awesome villain. And what you figure
out as the movie moves along is that you know,
it's this it's this creature. It's this guy that like
transforms in this creature not quite a werewolf and stuff
like that. But what you realize is that the creature

(01:06:25):
is always naked. So every time that you see the
creature killing people in these cool and interesting ways on screen,
his dick is just fucking flopping all over the place.
And all you get is just fucking man meat all
the tire time. And that's the nudity. And that's why
they've got to rate it NC seventeen is because it's
man meat. Rated NC seventeen for a big fucking dick,

(01:06:46):
and that's all you get, like just a fuck with
people's minds and so that like, and you put a
disclaimer at the beginning of the movie and say, don't
ruin the nudity for people who haven't seen the film yet, Right,
So we put that disclaimer up so people go and
see it, and you have all these like frat bros.
And like in cell kids that want to just go
see titties in a horror movie and they're seeing nothing

(01:07:08):
but dick, and it's just one giant fucking troll joke
on the whole community. And it would be the most
awesome fucking joke that anybody has played in anybody in
the horror movie. And I would love to make that movie,
not just because I want to see a lot of dick,
you know, but because I think it would be fucking
hilarious to have it out there, and I want it
to be like really good to the point that, like

(01:07:30):
people say it's a must see movie. I don't know
how to write those and those things are probably never
going to happen, But can you just imagine if that's
the movie. It's like, this is one of the best
horror movies made in years, but you gotta sit through
a lot of dick. If you can't handle that much dick,
you're not gonna like this movie. But my god, if

(01:07:51):
you could just sit through the dick and then maybe
you make it like three D until it's like, you know,
Friday the thirteenth three D, where they're trying to do
all these three D with you like, he's poking the thing,
you know, guy's face out with the fucking thing and it,
you know, it pops right in your face instead it's
whenever he like kills people. But then it does like
this pan down and it's like the dick. No, it's

(01:08:11):
probably too much. I probably don't need to have three
d dick going into people's faces. That that is probably
way too much. And I probably thought about this way
too much. And now like this copyrighted idea that nobody
else should be able to steal because I'm copyrighting here
on the podcast, because I'm saying copyright. Uh, you know,

(01:08:33):
it's probably never gonna be made, but wouldn't that just
be the funniest fucking thing. And maybe at the end
you get one set of boobs, you know, just just
to throw it in there, or maybe you know, we'll
do like thanks killing when you say boobs right away,
but you don't realize that you also got a lot
of dick anyway, So enough talking about dick on cinema. Uh,
where the fuck was I in this movie? I got

(01:08:55):
sidetracked really fucking bad. But uh, yeah, oh that's right.
The ghost of Mars were trying to ruin the rec center.
But I digress with that whole thing. So they managed
to break the lock, and so they decide to go
back there and see what, you know, what's up with
the different prisoners, and see if they can find out
what Desolation Williams is. But first they have to do

(01:09:16):
a check in on the prisoners that are locked up
away from here, and that's where we get to meet
the doctor that has somehow landed in this village, well
this village, this town, this mining town that's there, and
we get to learn a little bit of how she
came to be the leader of the miners here, or
leader of the excavation team that's here, after crash landing

(01:09:38):
at this Martian dig site.

Speaker 8 (01:09:40):
The hell's going on around here? We haven't had a
meal or a piss brick in Succevels just counts. Open
the door, all right?

Speaker 15 (01:09:48):
Everybody answer here when I call your name? A cuche
what just answer here?

Speaker 8 (01:09:54):
Yeah, zimmleman, I'm right in front of you. Eventually, who's that.

Speaker 1 (01:10:02):
She showed up last night, checked herself in, insisted on being.

Speaker 8 (01:10:07):
Locked up here with us.

Speaker 7 (01:10:08):
We'll wake her up, sunshine.

Speaker 14 (01:10:10):
Let's see what she has to say.

Speaker 8 (01:10:15):
Somebody wants to talk to you. Who are you, Whitlock?
What are you doing in the holding tank?

Speaker 9 (01:10:23):
Whitlock?

Speaker 10 (01:10:25):
It's the only safe place at the moment.

Speaker 12 (01:10:28):
Okay.

Speaker 8 (01:10:28):
Can I go back to sleep now? No, you can't,
any dancers? What's going on out there? What's your id? Doctor,
Arlene Whitlock.

Speaker 10 (01:10:43):
I'm the SPECSIC Science officer in charge of the mining
operation of Trucker's Ridge. I left Truckers about a week
ago by means of a weather bloon I've modified. There
was a disturbance in town.

Speaker 8 (01:10:58):
It seemed prudent to get out. They said there was
some sort of a riot and the place was.

Speaker 18 (01:11:01):
Destroyed, you know, something like that. I was adrift of
several days and ran out of food. I followed the
railroad tracks until I got here.

Speaker 12 (01:11:14):
Shit.

Speaker 10 (01:11:15):
Then the storm forced me too low. I had a
windmill and crashed, and they were kind enough to take

(01:11:35):
me in here.

Speaker 16 (01:11:37):
It wasn't that nice of them.

Speaker 15 (01:11:40):
Mail Jericho, go check out Williams, see if he knows
anything about this.

Speaker 1 (01:11:46):
Okay, So what the hell is up with this? Like
random crash landing that's here And the scene is so
fucking silly because she's like flying a fucking weather balloon
or some bullshit like that, and then she's slowly losing altitude. Oh,
I can't control it. Oh no, it's a windmill, and
she flies right by it and it manages to clip

(01:12:07):
the fucking side of the balloon which caused it. What
kind of like scientist are you that you can't fucking
control a goddamn weather balloon for what it is, and
then you just randomly fucking crash land in the middle
of fucking nowhere. And then it's obvious that she knows
more than what she's saying, because she's just like, Oh,

(01:12:27):
I'm just gonna be locked up in here because it's safer.
I just want to go back to fucking sleep. Yeah,
I'm from this place out there. Yeah, it's like a
ghost town for what it is. Oh, I'm not exactly
sure what possibly could have gone out there and why
I had run the fuck away from that place. But no,
just I left. I'm just sitting here. Do an option. No,

(01:12:47):
leave me back. I want to go back to sleep.
Just want to go back to sleep. Leave me locked
in the soap. I don't want to get out of
the cell. Safer in the cell. I just want to
be in the cell. Leave me in the cell. I
don't want to get out of the cell. Come on, everybody,
Why why are you looking at me like that? I
don't know anything weird that's going on there. I didn't
cause anything to happen at this place. I just left
it all alone, So you don't have to worry about me.
I'm just gonna sit here in my cell. I'm just

(01:13:08):
gonna wait. Yep, yep, So I crashed here. Yeah, I'm
a fucking idiot. Just leave me in the cell. I
didn't do anything bad. I'm not a drunk. I didn't
kill anybody. I didn't rob anybody. Oh no, no, maybe
maybe I should have said I robbed somebody so i'd
have to stay in here. No, I'm the town drunk.
I've been sipping on some gin and juice. Yeah, that's

(01:13:29):
something that people sip on out here in Mars. Later on,
right right. You know, I was trying to be the
Goodyear blimp, trying to say ice cubes a pin, but
it didn't really work out that way, and I ran
to a wooden meal. Is that a crime? Is it
a crime to run into wind meals? Out of here?
Because if it is, they leave me in the cell,
I don't necessarily know what's going on out there, Like

(01:13:51):
there's obvious shit that's happening, and it's obvious that she knows,
but they're all just kind of like huh okay, well whatever.
And so they go over to the cell where mister
Williams is and we have them have their first confrontation
over there with him in the cell, and we get
to see ice Cube for the very first time as
she's just kind of sitting there doing absolutely nothing, and

(01:14:14):
so Jericho and Balad go over to him and they
try to like provoke him into saying something, and then
eventually she goes over to me to like this asshole
doesn't know anything about there, and that's when ice Cube
like finally turns around because he's acting like badass, too
cool for school. And then as she leaves and she's
like they're both her and Jericho are leaving the room,
that's when he starts scratching the side of his head

(01:14:36):
with his fucking middle finger up like it's not even
showing to her as they're leaving, it's just showing the
fucking camera and you're like, okay, like that's supposed to
be like badass or some type of bullshit that's going
on there, but it's not. I mean, it's kind of
funny for the audience right to see him do that,
like I chuckled and laughed and like, okay for whatever

(01:14:58):
it is. But at the same time, you're not showing them,
you like, he shouldn't be doing it for the camera.
He should be doing it for the people that are
there that just called him an asshole, right, And even
Jericho's like, oh, I can't believe you called Desolation William
an asshole to his face, and it's like She's like whatever,

(01:15:20):
He's just a dude, right, And then they start hearing
some things. Of course, once again, Jericho's like still trying
to fucking sleep with her. So he tries to make
another proposition, Hey, if you thought about my dick, because
you know my dick and everybody loves my dick, and
you know we got I got dick. Come on, you
want to come over here, you can sit him my
dick for a little bit and we can figure out

(01:15:41):
what this whole breeding thing is like, because seems like never,
you know, neither of us have even managed to use
this thing. Even though I'm gonna talk like I have,
but you know, breeding selective, and I guess you just
can't have random sex even though there's fucking horrors over
here to fuck. I guess unless he's been designated as
a breeder. She's designated as a breeder, and you can

(01:16:04):
just fuck for fun, but you're like sterile. I don't
know again, don't don't know the world, don't know the
lord who gives a fucking shit. So as he's basically
trying to offer up more dick to her, that's when
they start hearing some stuff coming out from a closet
and they go over there where the one of the rookies,
she's got a gun trained on a door that's rattling there,

(01:16:25):
and you know, the captain comes by to check out
what's going on, and they all gather around it with
their guns drawn, to which they open it, and some
random lady just pops out, fucking high off her mind,
doing fucking tai chi, like she's just like, aw actually
seen one too many fucking kung fu movies back there,

(01:16:47):
and she's like trying to fight off something, but she's
just fucking stone out of her mind that she's seeing
just like random ghosts of shit to the point that
she starts like looking in her hands. These these were
strong hands, and I wasn't able to stop it with
these strong, strong hands. No, that's the never ending story.

(01:17:10):
That's not this movie. Again, I keep thinking of better
movies than this movie. But nonetheless, so they get her
out of there. They escort her into the jail because
we do a flashback over to the trial again as
she's well, it's not really a trial, it's the deep briefing.
I guess maybe I misspoke when I was talking about
it being a trial. So we go back outside and

(01:17:31):
we see that the captain and Melanie they're busy walking
around talking about Williams. And again, you know, what exactly
do you do? Because you know, Melanie doesn't believe that
necessarily he killed all these people, and how could it
really be that he did something like that they caught
him with the money, And then she's like, well, they
all died, their heads were all cut off, but like, again,

(01:17:53):
how could he fucking do that? Like, is he that
bad of a person that he would do these types
of things? And it seems like a lot of people
to just randomly cut off heads for you know, a
couple of bucks, that they caught him with instead of
him just like being like, oh okay, you know I
took the money and run and then maybe something else

(01:18:13):
did it. Woo Is it possible that he is innocent
and maybe he only stole things?

Speaker 13 (01:18:20):
Who?

Speaker 1 (01:18:21):
As we start getting into the kind of meats of
what this movie is and what exactly is going on here, see,
while they're talking about this, all of a sudden they
start hearing and this this whole thing ends up being
fucking ridiculous for what it is. They end up like
hearing some like noise coming on for there and there's like,

(01:18:42):
you know, a space buggy that's out there that has
somebody inside of it that's busy holding a knife and
screaming at them. And we keep going between them on
the outside and him on the inside, and he's like
talking about don't come any closer. Like he like gets
up and he's like ahh, and he's telling him to
like not going to get in there as they're trying

(01:19:03):
to tell him put down his weapon, and he's really
freaking out. She's calling Jericho and he's telling them to stop,
and he's telling him to hold back, don't open the door,
don't let it out, and of course the captain goes
in the back tries to open the door, but like
when she reaches for what would be the handle, like
she's just like putting her hand against a flat piece

(01:19:26):
of the door, like it's it's got like a little indent,
and she's trying to pull. But there's a pull bar
right to the right of everything that's there where she
could like pull that to open the goddamn door. But no,
she's using a little small thing that she can barely
fit her fucking hand to. And so it's funny seeing
Pam Greer try to pull on it because she can

(01:19:47):
barely get her hand, like her fingers into the little
hole to like be pulling open a door, right, And
I'm talking about you know, I give your car doors,
and either you have one of the ones where like
it's the bar and you pull out on the bar
that's there, or maybe it's you know, it's got a
little flap and you go underneath the flap and you

(01:20:08):
pull the button so it pulls it open and opens
up the car door. And it's enough room for like
your hands to get in there, fingers whatever it possibly
may be, to like get into that spot and that's
what it's supposed to be like, But she can barely
fit the top of her hand. I don't know if
it's the gloves that she's wearing or the fact that
it's just made really, really shittily, and I believe it's

(01:20:30):
the second part that's there. And so she can't get
the door open. So what does she do. She takes
a shotgun and shoots at it and again tries to
open it as something runs by. She just shoots the
back of the door, and it's not even shooting where
the supposed lock would be that she's trying to open it,
like shoots to the left of it where the hinges are,

(01:20:52):
and it's still not able. But it's funny because in
one shot she's putting her hand like down into it
pull it out, and then in this shot it's gets
off to the you put your hand if you're using
your left hand, you put it so that your fingers
come in from the left side to pull it open
and open it up. It's like, what parts are we
used to open it? But like, how good is her acting?

(01:21:15):
That she's trying to open it in a way that
it can't be opened at all. So as she sees
somebody runs by, she yells, who goes there? Meanwhile, you know,
Ballard's supposed to be on the other side of this truck,
and it's obviously two separate scenes that are being shot
and put together, cause you should see Ballard when you
do the shot of her like trying to open in

(01:21:36):
the person running by, Like she can't be one hundred
percent blocked at this angle by the goddamn truck, Like
there is no way that you can't see her or
she can't see what's going on. I mean, she's focusing
in on the dude's side of the fucking truck. I
get it, then, I can understand that. But from where
she's standing, she's like front and center of the damn vehicle.

(01:22:00):
And when they're doing it, it's like a shifted off
to the left of it, so you can see the
front of the vehicle.

Speaker 19 (01:22:06):
And she'd be standing right the fuck there, and you
can't see anything that's there. It's just not there. It's
it's so dumb. Uh, it's ridiculous.

Speaker 1 (01:22:17):
So we cut back over to Melanie because the captain
runs off onto what was like, you know, running past
them to chase it down, and meanwhile the guy inside
is like, don't open the door, don't let it out,
and he takes the knife and like slices his throat
in a pretty good practical effect. That's there, right. I again,
I give it like props for some of the practical effects.

(01:22:39):
And so Ballader runs to the back of the car
and then she tries to open the door, and she
can't open the door. As on the inside we get
ghost vision. That's right. We have our own vision of
the ghosts on Mars, and this is the first time
that we experience it because as the guy dies, all
of a sudden, it's like this weird gray and red,

(01:23:02):
hazy like camera lens that we're looking through. As Jericho
pops up and sees the dead guy in the car,
and as she's trying to open the back of the door,
that's there, right, And so Jericho runs onto the scene,
and as he's running over back to the Ballard, that's
when she basically makes the dumbest statement that there is,

(01:23:23):
because she tells him to open the goddamn door. Right.
That's the first thing is open the door, figure out
what the guy because you just saw the guy kill himself.
But then she explains to Jericho that he said something
that disturbed her about opening the door.

Speaker 8 (01:23:37):
There's a man in there. Open it.

Speaker 9 (01:23:43):
Look, he is destroyed. I'm gonna need a cutting touch.
How long pleased off? And now maybe more? The fuck
he's gone on a tenant.

Speaker 8 (01:23:52):
He committed suicide.

Speaker 2 (01:23:54):
Before he slid his throat, he yelled something something like,
stay away, don't open the door, stay away. Now the
commander's gone, Helena.

Speaker 9 (01:24:19):
Maybe he was comptatious. I'm crazy. He don't know. I said,
we'll take you by his word and leave a Look,
one of us us to stay with her bookies. Why
do you go back to the child? Oh, father, Kamanda,
Let's get the hell out of this place. Nothing we

(01:24:42):
can do for this guy.

Speaker 1 (01:24:44):
Jericho is obviously the fucking smart one of the two
that's there, because she's still trying to get him to
open the door, even though she says to him he
said something like it looked like he was saying something
like stop, don't open the door. And it's like, okay,
if he sinks stop don't open the door, I get it.
If there's like a panic and the guy's about to
kill himself or whatever. But the dude killed himself and

(01:25:06):
said don't open the goddamn door. And it's even ridiculous
later because I think that they use this car, even
though I think it's a different one. I think there's
multiple because this thne gets turned into something else later on,
and we learn how the ghosts work in a little
bit into the movie, right, But like he's telling him
stay the fuck away, don't get in here, it's gonna

(01:25:27):
get out, don't do it, and she's like, whoop, I
guess we're gonna open the fucking door, even though we
seemed like he was saying don't open the door, Like
how dumb do you have to be? How ridiculous as
a character, Like I get it, you're trying to save
lives or whatever. Maybe she's still fucking high from whatever
pill she took earlier in the movie and she can't
determine what the fuck is going on here because for

(01:25:48):
her to be like, Okay, go open the door even
though he told me not through I know, I can't
really understand him, but it looked like you was saying don't.
If I look at somebody's face and it looks like
there's don't open the fucking door. And then they take
a knife to their fucking throat and they slash it open,
killing themselves. I'm not opening that fucking door. I am

(01:26:12):
leaving it the fuck alone. I'm not going into the
back of that fucking thing and trying to open it.
He just fucking murdered himself, all right. He did something
out of desperation. Looked like he was freaking the fuck out,
sliced his goddamn throat, said it basically out loud, And
I get it. You can't hear his screams from inside

(01:26:33):
because that thing's got massive fucking insulation on the whole thing,
and it is a soundproof box inside that fucking thing,
and you can't hear it on the outside. But at
the same time, if I see it dude doing that,
I'm not opening the fucking door. I am leaving it alone,
and I am getting the fuck out of there because

(01:26:54):
something is fucked up, Like you just can't. I don't
get it, like it is just a stupid decision by
this character to go, well, I guess I gotta open
the door because I gotta save this guy after he's
fucking killed himself, like he's dead. What is he going
to do for you? What are you going to find out. Okay,

(01:27:16):
you need to do an investigation or some bullshit like that.
You need to figure out exactly why you would do
this thing. Does he have something on him? Whatever? Okay,
I get it, you're a cop. Do your fucking cop thing.
But you know what I'm gonna do. I'm gonna do
it from the outside of the goddamn vehicle because if
anybody ever tells me don't do something and then kills themselves,

(01:27:38):
I am not doing whatever it is I probably should
be doing as a goddamn cop. I'm doing exactly what
the dude says to do, right, no offense or butts.
I'm not gonna go over there. And then Jericho was like,
you know what, why don't you go back and take
care of the rookies? He dumb bitch, because you's a
fucking idiot, even though you got a sweet ass, and

(01:28:00):
I want to put my dick in it. Later, I'm
gonna go find out what happened to the captain because
those rookies are dumber than a bag of bricks, which
means with you having the fucking, you know, intelligence of
a goddamn pee, that's saying something. So go back to
the goddamn like rec center or where the fuck the
jail and go check in on the rookies while I

(01:28:20):
go ahead and follow our glorious captain out there. So
she goes back to the jail, and as she enters there,
what happens, Well, Desolation Williams has managed to get out
and has one of the rookies grabbed by her neck
with a knife to her throat while the other rookie
is pointing a shot cut at the both of them, right,

(01:28:40):
and so for some reason he managed to get out
because the one rookie, the lady rookie that's there, Bashira
what the fuck her name is, let him out to
get some food, and he took advantage of that. So
at least they explained how he got out of there,
because at least when they left him, they didn't go
into the cell. And later on he's still trapped inside
the fucking cell. So he decides, well, Ballard decides to

(01:29:04):
make a deal with him in that you know what,
she's just a rookie, take me instead, and you know
where this is going with this whole thing, and this
is to start building up some type of rapport between
you know, Williams and Ballard. Here where yes, they're facing
off against each other, but at the same time there's
gonna be some type of mutual respect. And it's weird

(01:29:26):
in the scene too, in a lot of shots, And
I don't know it's the quality of the movie itself
or if they're using some weird type of fish lens
to do this, but in some of the long shots
that are there, like the outsides are all like tilt
shifted in a way so that it's like blurry in
this circular like fashion, so that you're almost focusing on

(01:29:49):
the center of the film for what it is. But
it doesn't need to be like that, and that happens
a lot in this goddamn movie. So she takes as
her like her place, and then he's holding the knife
up to her throat, and then of course she like
you know, turns on the naw jutsu you know, jiu
jitsu flip. You know, she turns into Steven Seagal for

(01:30:09):
a second in every movie that he does, where he
doesn't really know how to fight back and the people
have to make dumb ideas and dumb decisions and attack
him straight on so he can flip them onto the
ground or hold their arms in a specific way so
that he can flip them over and be like the
bad ass that he is quote unquote badass that he is.
And so he makes one fatal mistake, allowing her to

(01:30:33):
get the upper hand and not paying attention for the
whole situation to where she manages to like, you know,
he turns his head for like one second and the
knife's not directly against her throat, which is enough time
for her to grab his wrist, elbow him in the
goddamn gut, and then flip him onto the ground for
a second, to which he's like, man, damn girl, I

(01:30:55):
like you already, which is in the trailer that's there,
And then he punches her right in the fucking face
and knocks her the fuck out as she wakes up
with blood on her nose, where like it doesn't look
like necessarily like he broke her nose where there's a
lot of blood there, It just looks like maybe she's
done a little extra cocaine for the film, which maybe
she needed to do to keep filming this thing. At

(01:31:17):
this point, they weren't able to obtain Williams, so he
ran out, He ran into the clinic, and so Ballard's
got to follow him into the clinic directly, and again
I think we get a pretty well done scene as
she's searching clinic trying to find him right and where
we're again greeted with all this imagery of all these

(01:31:37):
random like I don't know, they kind of like traps
or weapons or wherever they are. There's like nails with
bob wire. There's like nail polished bottles with random peoples
of like flesh inside of it. And it's a pretty
good scene in terms of like building that tension and
building some of that horror of the things that around.

(01:31:57):
And we do see some people in there that are
like really fucked up are and are in that state
of like that they found that officer in there originally
and just kind of like bogged out of their mind.
And so she's and again this is one of the
better sets, and I think this fits the film rather well.
And we get to see this one lady that's got

(01:32:19):
her face all fucking like marked up and it's got
like blood and stuff on the outside of it, and
really it's an interesting design that they're using for her,
and they're doing the makeup. It's just not one hundred
percent there at least for this for one of the
first people that you're going to see in this movie
that suffer from what happens when the ghosts of Mars

(01:32:43):
and I can't believe I have to keep saying that
fucking like line of things, how they start to affect
the people that are there, right, Because she's got this
weird like these metal things that are going around the
outside of like the curvature of her face, and she's
got screws that are dug into her skin on her face,
and her chin looks like it's got staples in it,

(01:33:05):
and her teeth are bloodied, but some of the blood
looks bad, right. I like the metal stuff that's there,
and I like the different tools, especially like the screw's
coming out and the fact that she's poking her face
with whatever this dagger thing is that she's got. It
looks like maybe she was trying to file down her teeth,
and she's looking very menacing in what it is. And

(01:33:27):
then somebody else behind her approaches her, and he's got
some weird like axe weapon and his face is fucked
up as well, and so a fight starts between the
two of them, where she beats the fuck out of
that guy, and then as she's well, she starts to
get overpowered by him. That's when Desolation Williams shows up
and just starts bashing his fucking head in and holds

(01:33:48):
her at gunpoint and she has to start backing up,
you know, because he doesn't want to get fucking captured
again for what it is. And she's like now what
and he's like now he smiles at her, like, ah, well,
I get away, and then he gets attacked by the lady.
She picks up a gun and shoots the guy, and
then what you would think would happen later on the
film doesn't happen right now. This is one of the

(01:34:11):
things that's really odd about this situation that's there right
because they haven't established that part of the lord just yet.
We saw the ghost leaving the body after the dude dies,
but we don't show the next part, the next stage
of everything that's there. And so they argue about who

(01:34:32):
saved whose life. Likes like, I saved your life. She's like,
I saved your life, and so that's it. And then
we see the ghost like leaving the body and following
after them slowly but surely as the exit the place.
So it's like it tries to do what it does
later on in the film, but she closes the door

(01:34:53):
on time on them. But it doesn't necessarily happen like
I expect it does later on in the movie. Right,
And if you've seen this movie, you know what I'm
talking about. So she escorps him back over to his
cell and that's when she begins to question on him
on exactly how he did what he did and if

(01:35:14):
he really did kill the people.

Speaker 2 (01:35:16):
Let me ask you something, Destination. You're so innocent, how
come we found all that stolen?

Speaker 9 (01:35:21):
Flash on you.

Speaker 20 (01:35:23):
I didn't say I was innocent. I said I didn't
kill nobody.

Speaker 2 (01:35:29):
Okay, let's say I believe you. What exactly happened at
K three h five, I don't know.

Speaker 20 (01:35:36):
I was just changing trains from camp Sign. I had
a little time to give me some feat That's why
I went into the station.

Speaker 8 (01:36:25):
It was just lying there, so you took it.

Speaker 7 (01:36:27):
You would have done the same thing.

Speaker 8 (01:36:33):
See that's where you're wrong. I'm a cop, not a Crook's.

Speaker 20 (01:36:39):
A thing in line between a cop and a crook
these days, you think it's a big difference between you
and me. You just got the woman behind your bullshit.

Speaker 7 (01:36:50):
Look at you.

Speaker 20 (01:36:52):
Look high right now? You know I saved your life
out there. Someone you say mine and let me out
of here.

Speaker 2 (01:37:06):
Look, my job is to bring you back to CRISI
to stand trial. I don't think you did it, but
that's not my call. So let's not make this any
more complicated than it has to be.

Speaker 1 (01:37:23):
It's gonna be real complicated. Lead that shit I love too.
When they're doing the scene, he's like, I was hungry,
so I need to go in there and get something
to eat. And then he's like cocking the shotgun that
he has. What are you gonna do bust a cap
in somebody's fucking ass because you're hungry because you want food,

(01:37:44):
Like it's obvious he was going into that place to
just fucking rob it so that he gets some money,
but he's not saying that. And then again, I don't
think that this character is written that bad. Right, It's
not written the best, but he gets some of the
better things that happen in this movie. Like it's not

(01:38:05):
great and it's not entertaining all the time, but scenes
like this aren't that bad. Right. When it comes to
other characters that are in the movie in general, so
you have all these other characters that are there that
are just relatively bland. For the most part, right, she
is bland, and I think part of it is the acting.

(01:38:27):
Part of it is the character little more so on
the acting side, and she's trying to act like a badass,
but she's not really a badass. She's just a drugged up,
fucking cop, is what she really fucking is. And then
you have him who really is a badass but gets
stuck in stupid situations for what it is. And here

(01:38:47):
this is more of like a funny thing that's going on.
It is kind of interesting for the character, but it's
silly because he goes I was hungry, and he cocks
his fucking shotgun and goes in the station, and you
get to see as an audience what exactly he gets
to see is he walks in there and there's all
the bodies fucking hung all over the place, and he's

(01:39:07):
being careful with his words, right, And that's how you
can kind of excuse some of the things, like if
it was up to me, I'd be I went in
there and there were all these fucking bodies hanging all
over the place, and oh my god, it was fucking nuts.
But to him, he doesn't want to show that because
he doesn't want to implicate himself on what possibly they
think he did. He said he didn't kill anybody. He

(01:39:28):
just walked in there and then he saw the bodies hanging.
He's like, shit, well, I guess that maybe they got
some money back here. So we go into the back
thing and I just saw it on the table. It
was just lying there. I mean, he didn't mention that.
You know, the station guy was hung up, head cut
off and blood for spilling all the place. There's all
these barbed wire shit like, we're in the middle of

(01:39:50):
a fucking silent hill, fucking area that we've gone here.
The sirens have fucking gone off, and it's turning to
the weird world where it's nothing but metal and fucking
fog and shit like that that's going on. Well, I
guess the fog would be the previous world right where
this would be the other world that's going on in
the Sound Hill universe. But nonetheless, it's gone off fucking
silent hill on the inside here, and you're not gonna

(01:40:12):
mention a single goddamn thing about it till I clear
your name, Like Ay I walked in there. Shit was fucked.
I saw the money on the table. I took the
money and ran because I needed to go to the
local space strip club to go to their space bar
so I can get some space shrimp, all right, because
everything in the future is space, whatever the fuck it is.
So we get another little flashback back to the story

(01:40:34):
that we're doing here, and we see that she's talking
to the council once again, and they want a little
more information after whatever they talked about with Williams and
where the hell Jericho went off to in the whole situation,
and what she tells the council is that she can
only recount what he told her after everything had happened,
because she wasn't visibly there to see it. And it's

(01:40:55):
funny because the movie does this multiple times too, where
it flashes forward to like the council and the whole
debate that they're having going on on her report that
she's giving, and then it goes back over into what
happened like five ten minutes ago, right, and we get
to see the scene basically kind of replay itself out

(01:41:15):
where he radios back into everybody and says, hey, you
know he's trying to get a hold of the people there,
and we also get kind of a visual account of
what he did when he ran away. So he went
over to the hill where they are and he started
following this lady, and this is where we get the
only boobs in the movie, which again really aren't boobs.
It's just the fact that this lady is wearing the

(01:41:36):
flesh of somebody else who happens to have like a
nipple ring that happens to be like a screw that's
there on just the flesh boobs that she's wearing on
the outside of her own boobs. And it's it's weird
because I'm like, holy crap, there's like a nipple ring
and then there's like a bone through it as well. Again,

(01:41:58):
I do kind of like the cops that they use
for these people. Right, it doesn't look like it's anything,
you know, anything like super special, but it's interesting at
least what he's playing with, how he's using the body
parts and how he's using the skin and even the
hair in this situation, because she doesn't have that long

(01:42:19):
of a hair. It's like she basically, you know, cut
off the scalp and then pulled her head through that
person's head, and instead of wearing the hair, you know,
as like a wig, instead it kind of just drapes
down her neck over the boobs, like we're doing a
seductive type of like pose with everything. Like your girl
is standing at the end of the bed and she's

(01:42:40):
trying to seduce you in just her hair without any
bron but instead it's just the flesh of another human
being that she's wearing. And she's got weird screws and
bone through her nipples. I mean, that doesn't happen to
everybody else. Is it just me? Is it just my imagine?
It's just my imagining. There's no girls here, This is
a man only houses. What it is must be the

(01:43:02):
reason why I'm talking about Dick so much. But anyway,
so he watches her as she takes the captain's head
and shoves it on a spike, and he doesn't really
see what it is from far away, but we get
kind of an up close look at it, at least
from behind, especially as she sticks it through the spike
and she's got all these weird shit inside of her

(01:43:22):
head and then she kind of like slams on the
ground for a second. Looks like she's digging to secure
the spike into place or some weird shit like that,
and then screams up into the sky and runs away
to where there we get a good look at the
fake head of Pam Greer that's inside the ground as
Jericho begins to get closer and closer to it, sees

(01:43:44):
all the heads that bury there, and then realizes that yep,
that happens to be the captain's head that's sitting in
front of him in an actual shot of Pam Greer
superimposed onto a pike. He then crawls over to where
all all the people are hanging out and he sees
them down there and they're chanting and cheering, and we

(01:44:05):
get to oh, my god, I can't believe that we
actually are getting to this part of the movie and
we're about, you know, at least in the movie. We're
thirty six in and I see what time that we
have been recording for, and my god, has this been
going on for way too long already? So you have
this leader there that's all like white faced, like he's
his hair is just really white. We've also got a

(01:44:27):
girl that they focus on for a second with a
real handbra, and when I mean real handbran you know
the handbra pictures again, ladies naked. She got her boobs out,
but she's got her hands covering the sensitive bits, so
that way that she's not showing any nudity. You just
get side boob is what we're really getting. And since
nipples if they don't exist on the you know the

(01:44:48):
picture that's there, then it's not nudity and you can
place it where the fuck you want. So we got handbra,
man handbra. Honestly, handbra is relatively attractive in a way.
It's like, Ooh, I'm looking at something that's naughty, but
it's not that naughty, or maybe it could be naughty here. Oh, yes,
we're gonna get into it. I better stop talking like

(01:45:08):
that where a certain someone is gonna show up here
and this is not an episode for him. All right,
just stay away. We're not gonna start talking like that.
You keep to yourself. And so we get to hear
the dude talk to the audience that's there in front

(01:45:30):
of him as he gives commands to everybody, and oh
my god, like I haven't seen this movie in years.
It has been a really, really really long time. Since
I saw this movie, and I'm gonna give you a
taste of what it is, because I don't want to
play the whole thing because you just wouldn't be able

(01:45:51):
to understand what the hell he is saying because he
can't speak English. He's messed up his mouth and you know,
he's got like things that he's created out of song
down his teeth, and you know he's wearing They say
that the actor, the mask that he was wearing was
so hard to talk through, and that's why they ended
up going with the gibberish that he was saying because

(01:46:12):
it just kind of came all out like that. So
it isn't the fact that he didn't have lines, it's
just what got recorded. It is so fucking unintelligible that
that's what they ended up going with it one hundred percent.
So he could have actually been saying things in like English,

(01:46:33):
and just because of the mask, it made it sound
like the way it sounds. And here's a taste of
what it is. And you can just imagine my reaction
after seeing this guy for the very first time.

Speaker 19 (01:46:57):
R R R.

Speaker 1 (01:47:01):
Rah, which translates, you, guys, I am really proud of you.
You guys are all doing such a great job that
fucking like montage and that graveyard of heads that you
have a proud Martian people over here. We should be
proud of yourselves for the death and destruction that you've
caused and how all the people have been laid to

(01:47:22):
waste on this planet. And we're not through yet. We're
gonna go here, and then we're gonna go over to
the mining colony there, and then we're eventually we're gonna
meet up to the capitol where we're gonna take all
their heads. Ba ba, And it just comes out.

Speaker 17 (01:47:47):
H ba, like.

Speaker 1 (01:48:00):
So fucking stupid. This is the dumbest shit, the dumbest shit.
I have heard it longest time, and it's constant when
ever he talks, and he gives other time.

Speaker 17 (01:48:18):
R rah rah rah rahah.

Speaker 1 (01:48:21):
No, I do not want to eat that. How many
times have I said to you that we've had beans
for the last fifteen days. I'm trying to run an
army here. You think you could go out there and
get some human flesh for me? We could, you know,
saute it, we could frick of see it, we could
put it in a bun, whatever it is. I'm just
tired of these goddamn beans. You didn't know it was

(01:48:44):
a Martian translator, did you that? That's just the way
these things work, you know.

Speaker 10 (01:48:49):
I just.

Speaker 1 (01:48:51):
I blows my mind that this was the choice. I
get it, tongue in cheek, whatever you want to say
about the whole thing, But to have this this character
here and him just ra lah Like he's almost talking
like Jeff the land Shark, but at least Jeff the
land Shark every once in a while can say something, right,

(01:49:11):
you know, something in English. It's just gibberish of everything
that's going out. But the fact that the little sequence,
like I only played eleven seconds of it, this whole
sequence where he's talking multiple times to his goddamn crew
that's out there, is like two or three minutes long
of him rah ramah rah lah nah. Like I just

(01:49:36):
don't have him speak, don't have him say a goddamn thing,
ad r the motherfucker. If you can't understand him underneath
the goddamn mask, just do something completely different with this.
I would rather have a silent antagonist and a group
of silent people, or maybe speak psychically through the brain
and shit like that, because they have like this speech

(01:49:58):
recognition that they can do, and they have their like
the Martians should have their own fucking language. If these
are the ghosts of Mars and they're possessing these people,
and then they should be able to speak whatever that
not just not see what he said there was Well,

(01:50:28):
I went to the space strip club and there were
a lot of nice girls. In fact, there are some
really sexy girls that were there, but they wanted two
hundred and fifty dollars for a topless, just basic ass
lap dance. These space strip clubs are out of space control,
let me tell you here, Like see everything is space,
but it's just ridiculous. It's just it's way too long.

(01:50:52):
So anyway, so and that happens to be the most
ridiculous I would definitely say the most ridiculous thing in
this entire movie. But again, I like the audience that's there.
I love the face painting. I love how they're incorporating
metal into the body and it's almost like a body
horror type thing, or even like some people might say,

(01:51:13):
like a goth type of look, like a hell Raiser
type of look. Almost that we've got going on here.
These guys could be centobytes for all I fucking know.
But I just the incorporation of human flesh, the incorporation
of all the metallic objects, all the body damage that
they've done to themselves, it actually does look pretty goddamn good.

(01:51:35):
And it's just like ruined by the guy actually talking, right,
that's the only thing that really ruins the whole setup
for the whole thing and just makes it a laughing stock.
If that was meant to be comedic for it, it's
weird that that's what's going to be the comedy that
comes out of this whole thing. And then what I
don't like too is like he's chopping off people's heads

(01:51:59):
and there's like to him swinging the sword and then
like the body being dropped by the guys, and then
he picks up one of the heads he cuts off.
But it's like, just show me what's going on, like,
actually give me the blood and the gore to have
everything down there. So after Jericho sees this whole thing

(01:52:19):
and experiences the glory that is the dialogue of the
leader of this group, he calls back into the base
and this is where Ballard is not able to understand
him on what's going on out there.

Speaker 8 (01:52:33):
We've got a situation here, Sergeant, you're breaking up. I
can hardly hear you.

Speaker 9 (01:52:39):
The kimon is dead. Everybody in the mind's gonna incite.

Speaker 8 (01:52:47):
Jericho. Can you read.

Speaker 7 (01:52:53):
Jericho?

Speaker 17 (01:52:57):
Hey, hey, come on here at the beginning.

Speaker 8 (01:53:01):
Oh, I told you out here last night.

Speaker 16 (01:53:06):
Bust.

Speaker 8 (01:53:09):
Okay, what the hell is going on out there?

Speaker 9 (01:53:19):
What?

Speaker 10 (01:53:22):
In semi arid regions on Earth, there are certain organisms
that live in small pools that are formed by the
annual rings. With the pools dry up, those organisms can't live,
but they don't die either.

Speaker 8 (01:53:33):
They go dormant below the surface, away from the hot.

Speaker 10 (01:53:37):
Sun, until the next rain cycle begins. Then they re emerge.

Speaker 8 (01:53:43):
I think something like that's happening here. I don't understand. Well,
whatever used to live here, we woke it up. It
takes us.

Speaker 16 (01:53:51):
Okay, I'm talking about a kind of possession.

Speaker 4 (01:53:55):
Lieutenant Sartaint Jericho's on the radio, said he found three
people out there.

Speaker 7 (01:54:00):
They're on their way in. They got an eta five minutes.
I think you shoul get on the radio and talk
to him.

Speaker 1 (01:54:06):
Mean, he's found three people, As we said, what do
you mean, has found three people? Three people? How could
there possibly be any people out there? There's no people
out there three just three people couldn't even found like
six or maybe ten. I mean, we found three random
people in here. Actually we found five because we found
Desolation Williams. We found who's basically not been in this

(01:54:27):
movie to have star power of fucking ice cube. Like again,
he's been in this movie so far a total of
six minutes. Seven minutes. That's basically fucking it. And then
we got, like I said, the other three people that
we found, including the doctor that's there. We got you know,
fat guy, mute guy, and doctor that are in there.
We found the officer that was happening here. How did

(01:54:49):
he five three other survivors? There's no people here, nobody's here.
Everybody's out there having fun and getting down with it. Again,
I'm not knocking the fact that the crowd is talking
like the dude, because like the cheering and everything like
that that you're in the background, I think that's perfectly fine.
That's just a crowd or whatever it is. But when
your dude talks like that, that's fucking stupid, is what

(01:55:10):
it is. And so we learned that you know, the
doctor or the scientist or whoever the fuck this lady
actually is, that is somewhat a supportant, like important character,
but not important for us to see how you know,
or why she dies or what happens after she dies.
Nothing like that.

Speaker 15 (01:55:26):
Uh.

Speaker 1 (01:55:27):
She explains that they woke something here, and I love that.
She's got to explain explain it to me. She did.
There are parasites or species that live on earth that
are in water, and then when the water dries up,
they would die on land, but they dig into the
ground to get sustenance, and then they go dormant, and
then when it rains again they come out. Something like
that's going on here. Oh excuse me? Can you believe

(01:55:51):
explend it like you're explaining it through a fifth gradear? Okay,
you see, there are these things that will die out
in the and then they go into the ground and
they get you know, they're fine, and then water comes
again and they come out of ground. And then that's
what these people are here. We've got something that is

(01:56:12):
underground woken up and now was out of the ground.
Does that make sense? No, I said, fifth grader. You
explained that like I was a second grader. I don't
go up or down, lady, I only go at one grade. Okay,
can you please just give me a little more. I
didn't need I need explanation from you. People here, people

(01:56:36):
go away, ghost around, ghost go into people, possess them,
and then kill people. Thank Youl, that was very knife.
That was a better way of defending from me. So please,
next time that you try to explain something in a
very non scientific manner, that dude, tell me the right way. Okay,

(01:57:00):
because I only under then if it is in the
context of a fifth grader and a fifth grade the
only I'm that way good on that, Jeff Fox, What
they do? Okay, I got first play one a million
dollars and loth it all in lottery because I don't
know what to do with my money. I really don't,

(01:57:23):
but thank you, I appreciate that. So anyway, so while
they're busy trying to figure out what's going on, that's
when like a door randomly opens up next door to them,
and the doctor goes and look and who pops out?
Why it's that one officer. Before this time, she's totally
been possessed. She's got all the metal and shit on

(01:57:44):
her face, and Ballard just shoots her and kills her,
and then we see the ghost leave the body, and
then travel around the room, look at everybody, and decide, Oh,
the mute guy, I'm gonna go possess him. So we
learn how the ghosts work, and you know, you don't
choose the two people that in front of you. No, no, no, no,
we need to drag this out even further. You know,

(01:58:04):
Oh wait, what about the other person behind the cage?
Oh no, there's another person that's beyond the cage. Oh wait,
there are three people behind the cage. Let's go behind
the cage. Even as a ghost, come on, you wouldn't
know what a fucking prison is. You know, you probably
put out the prisoners into prison when you were a
sentient fucking Martian and not just a ghost of Mars

(01:58:25):
that you would be like, oh, how about I go
with one of the people that actually has a weapon. No,
I need to go with the most decrepit old man
there possibly could be inside this situation, and I need
to take over his body because reasons. So of course
they go out there, you know. So that's how possessions work,
and that's where like earlier, when you know, Ballard and

(01:58:46):
Williams killed those people when they were like fighting each
other for just a moment, like in my mind, I
was like, why didn't the ghost do it? Because the
ghost decided to take its time to come out of
the body, and even though there's two bodies that died
in that situation, they just decided that, Nope, I'm gonna
wait until both of us are dead, and then I'm
gonna fucking come out of there and not be able

(01:59:09):
to possess anybody in time because I'm a stupid ghost.
And that's just what I fucking knew. Oh boy, Like,
I know it's just for the movie, but come on,
like he should have smarter ghosts, you know. Here they
are doing their things. So Jericho then radios back to
the station, to which Ballard then goes over to the

(01:59:30):
radio and talks to Jericho for a moment, and he
says he's found some people and they're gonna let them back.
He need to be let back in, and he walks
in with the three amigo's, Uno, Dos and Trace, who
are gonna find out exactly who they are in just
a moment. And then of course Ballard has got to
ask him, hey, how did you find these people? And
he explains that once he you know, was out there

(01:59:52):
and we see him out there and the people are
now starting to approach, well, the Martians that possessed people
are starting to come up to his position. He go
and runs and finds a shelter inside a place, and
that's where he meets the three of them.

Speaker 7 (02:00:05):
They didn't see who you are? Who are you? Man?
That's you? A question? Man's jer car At least he's
not one of them.

Speaker 9 (02:00:19):
What's happening at that? Who the fuck? All those clients?
What are those spoked up about?

Speaker 7 (02:00:25):
Used to be minus?

Speaker 21 (02:00:27):
Then everybody in this place lost their mind running around
chopping people's heads off.

Speaker 7 (02:00:34):
He's a man. We're up on the rim when they
call the workstoppage? What are they doing? Shit? I don't know.
Look at that, they're knocking off really for the night?

Speaker 1 (02:00:57):
Oh we goes sneaking out the shift change.

Speaker 7 (02:00:59):
If you knock over really for the shut up? What
the hell is that?

Speaker 21 (02:01:08):
Let's get the hell out of here and we hit
til the storm was over. Later, I went out to
take a look around, thought they were all dead. Then
some of 'em started to come to. They walked around
like they were confused or lost.

Speaker 12 (02:01:31):
Uh.

Speaker 22 (02:01:31):
Few of one seemed okay. They was trying to help
the others. Then they started changing, changing with their money,
act different, staying different.

Speaker 1 (02:01:45):
Start cutting on themselves for decoration.

Speaker 7 (02:01:48):
Filling on their teeth, making weapons killing What some pattern changed?

Speaker 2 (02:01:57):
Uh?

Speaker 21 (02:01:58):
Alright, cutting people's faces up, wearing them for masks.

Speaker 9 (02:02:15):
Let's got any weapons? I mean real weapons?

Speaker 7 (02:02:20):
Well, the cops can have guns, some detonators in them
cases over there.

Speaker 9 (02:02:28):
Do you know how these things walk?

Speaker 7 (02:02:30):
I know you need dynamite to use them.

Speaker 8 (02:02:33):
Okay, then we take our prisoner and we all get
on the train.

Speaker 7 (02:02:38):
What prisoner would that be? Well, that doesn't concern you,
It's desolation, Williams concerns me very much. I drop your weapon.

Speaker 1 (02:02:49):
So again, I do like this scene in how they
do it and how everything is set. It's silly because
you know, as an audience, we're watching them and we
realized that they're actually like criminals, right because what they
talk about. I'm pretty sure to Jericho they're not necessarily
saying what they were doing on the ridge, but they
were like we were up in the ridge and we

(02:03:11):
saw what was going on, Like they don't explain it,
but as an audience we had to watch them talking
about how they're gonna sneak into the camp, probably rob
the place is what they're thinking of or get something
out of it, or whatever it is that they're doing.
Maybe he thinks that they're bad guys. I don't fucking know.
I don't think he does, because he's way too fucking
trusting of them. Well, I mean, if they were the

(02:03:32):
only three sane people that were out there that you
ran into and actually kind of saved your life, now
I might try to trust them too, but i'd be
very wary of what's going on, and I might actually
ask the question, well, what were you doing on the
ridge where you just like jacking it? Yeah, that's what
we're doing. We were just jacking it up there. We

(02:03:52):
wanted to see some space titties. Got kicked out of
the space strip club, and you know, I had a
space boner, so wouldn't quite deal with this whole thing,
and I really needed a space comm is that just
called Colm in this world? I mean, uh, I think
you're lying. I don't think you had to. I didn't

(02:04:13):
think you went to any space strip club, our dude.
I saw proNT of you of space titties. They had
space tassels and they were space spinning them. Nobody says
space spinning tassels. Come on, dude, stop fucking lying to me.
Oh Jesus Christ, all right, bring out your gun boy.
Oh shit. But it's I like the scene in terms

(02:04:34):
of them showing like the body mutilation that goes on there.
I like them taking like you know, the strands of
metal and like sewing it into their necks and ripping
off the people's faces. Even though you see that they
just put the face to the skin like all those
old things. That stuff's cool, then poking stuff through their
face like that's neat. I applaud that it looks good,

(02:04:56):
it feels good, and it gives you a sense of
how weird these guys are, especially since I'm like, like
weirded out these guys are, I should say in that
you know, they're basically modifying themselves to be more like themselves.
And we also learn here that the storm is actually
not a storm, but it's the Martians rolling over everything, right,

(02:05:18):
and it's the possession wave of the ghosts of Mars
that have started to take over the humans that are
out and about and doing whatever they're doing. So of course,
you know, they drop their their cloaks that they're wearing
show that they've got a bunch of guns and do
a Mexican standoff with everybody because they're here to break out,
you know, good old desolation Williams and they're just a

(02:05:40):
bunch of fucking liars.

Speaker 7 (02:05:42):
So only kopzef gunside.

Speaker 9 (02:05:44):
He fucking pricks.

Speaker 7 (02:05:46):
We alloyed. Now'm gonna get Williams.

Speaker 8 (02:05:51):
I don't think so.

Speaker 1 (02:05:54):
What was that.

Speaker 8 (02:05:57):
Fucking kill me?

Speaker 9 (02:05:59):
No problem? Look, we to stop fucking about Lieutenant that
Williams out.

Speaker 8 (02:06:09):
Give me one good reason.

Speaker 9 (02:06:12):
I just gave you about two hundred good racings. They
probably have side right now.

Speaker 3 (02:06:17):
It doesn't matter that Williams is wanted for murder, and
it doesn't matter that this lot of scumbacks. What matters
right now is that we stick together to get out
of here, all of us, including Williams, including them.

Speaker 7 (02:06:32):
Who are you calling? Scumbag? Motherfucker?

Speaker 1 (02:06:37):
Now quit with all your fucking starlin take us to Williams.

Speaker 7 (02:06:44):
I'll be goddamn. Whoa finer man?

Speaker 9 (02:06:50):
This town?

Speaker 7 (02:06:51):
Don't war craze. We had to improvise.

Speaker 9 (02:06:55):
You like it?

Speaker 1 (02:06:56):
I love it so the whole seture that we've got here.
And I like Jericho. He's probably the character I like
the most out of the entire movie because he is
the smartest motherfucker in this whole fucking movie. He constantly
is doing the right things. He is able to hold himself.

(02:07:17):
He looks over at her when she's trying to be like,
I'm the fucking badass, go ahead and fucking kill me,
just do it, God damn it, and he's like ready
to fucking pump her full of pellets from his fucking
shotgun that he's got there or buckshot or whatever the
fuck they do. I'm sorry, space buck shot from a
space shotgun. I want to make sure I'm with the
lingo for this fucking movie. And so you have him

(02:07:39):
out there, you know, going to her like, look, you
a dumb idiot. Do I need to explain this to you,
Like you're in the fucking fifth grade? All I forgot.

Speaker 17 (02:07:48):
We need live.

Speaker 1 (02:07:49):
They have gun, they kill you, but they may be
able to help us because two hundred motherfuckers are outside
that want to kill us first, so we all work
together survive, Like it's it's amazing that he is the
smartest one and she's still trying to be this hard

(02:08:11):
ass badass that you know, I guess the movie wants
to make her and like you can have that, sure,
but why would you make such dumb decisions? And the
fact that she's basically getting debrief like she's on fucking trial,
and like, well, where's the fucking criminal you're supposed to
bring back? Where's this? Why haven't you done this? What's

(02:08:33):
going on here? Why are you the only ones surviving?
Blah blah blah, Like she's the one that did this
to everybody, and there's no reason why she should be
the sole survivor of the situation, which again, movie wise,
is perfectly fine, But why does she act like this,
Like she didn't make the tough decisions to be the
last one to fucking survive. Every decision that she makes

(02:08:56):
is fucking dumb. And the only thing we have to
go on is the fact that she's a addicted to
doing whatever shit is those little pills that are inside
that fucking amuletce she wears around her neck, which I'm
pretty sure is not going to come into play some
time later in the movie. So they go to the
jail cell and they basically make them get Williams out

(02:09:17):
of the cell, right, and they do the dumbest, dumbest
fucking thing, Like, again, I know this is for comedy purposes.
This part it's meant to be again. Say it with me, folks,
tongue in cheek in the way that they're doing it.
But literally, they go into the goddamn cell and they
unhook him and everybody's there, and then all the fucking

(02:09:39):
you know, his crew comes in congratulating him. Oh yeah,
we got you out, everything like that, and they let
the cops go outside like there are a bunch of
stupid motherfuckers getting stuck in a goddamn jail cell. Oh wait,
that's what fucking happens.

Speaker 8 (02:09:59):
Open his tool, I don't think.

Speaker 7 (02:10:00):
So you don't open that door, I'm gonna blow your
head off.

Speaker 8 (02:10:05):
And your asses will never get out.

Speaker 12 (02:10:08):
Someone.

Speaker 2 (02:10:08):
I'll find you guys sometime, probably tied upside down in
here with your head's cut off.

Speaker 14 (02:10:13):
Tell your dogs to quick bark and so we can talk.

Speaker 7 (02:10:19):
Put 'em down. Put it down.

Speaker 14 (02:10:27):
Listen to me, Williams. We don't have a lot of time.

Speaker 8 (02:10:32):
You need us, and we need you.

Speaker 14 (02:10:35):
We've all seen what's going on out there, and none
of us is gonna survive if we.

Speaker 8 (02:10:38):
Don't stick together.

Speaker 2 (02:10:40):
I need you to give me your word that if
I open this door, you and your boys will stand
by my command at all times.

Speaker 20 (02:10:50):
I never give him my word.

Speaker 8 (02:10:52):
It's okay.

Speaker 14 (02:10:54):
I never make deals with criminals either, you got it?

Speaker 2 (02:11:02):
What?

Speaker 1 (02:11:04):
Oh no, you're making a deal with cops and you
are too.

Speaker 7 (02:11:08):
Give me your weapon, everybody, give it up.

Speaker 1 (02:11:13):
See, at least he's smart enough to know that this
is what we gotta do to fucking survive. But she's
making the same goddamn speech that Jericho made just a
moment ago directly to her to get them to work together,
and now she's taking it like it's her own fucking command.
It's just it's stupid. It's one thing if Jericho was like,

(02:11:34):
you know, a little combative, maybe he was the one
that's like, no, you're gonna have to go through me.
You're gonna have to fucking kill me. And then she
came up with a plan and then had everything set
and then goes into the jail cell and does this
with him after they realize that they've got them trapped
in there like rats in a fucking jail cell, I'm sorry,
a space jail cell. And so you know, like that

(02:11:55):
would make more sense in terms of the writing for
this movie, right, But instead what we get is Jericho
being the fucking voice of reason here being fucking ignored
until the last possible moment, being like, Okay, yeah, you're right,
we're gonna do this thing, and then her like tricking
them because they just randomly step outside the goddamn cell

(02:12:16):
and everybody's all celebrating on the inside. Oh I love you, brother,
Oh we got you out. Everything's gonna be great, wonderful.
Oh shit, what the weapon? She's closing the fucking jail
cell door. I had no idea that that could even
possibly fucking happen, really, really, really, come on, You're not

(02:12:37):
that fucking stupid, unless you really are. Do I need
to explain everything to you, like you're a fourth grader.
Jail bad go inside, leave them outside door close stuck
in jail, Like, come on, dude, it's just stupid. It's stupid,

(02:13:01):
and it is funny because it's that fucking stupid to
what it is. So he gives his word, which of
course he never gives his word, and like even thinking about,
like there's this this little thing that ice Cube does
as he's like thinking where his guy's like mouth kind
of opened, but his tongues pressed in between his lips
and He's like, I'm just like, why why do you

(02:13:22):
have your tongue like that? Like that doesn't make any
sense to me, Like what what does that do? Is
that your thinking tongue? Is that what you've got? And
then finally you're like, all right, well you got me.
Well you say you never work with criminals, and I
say it never worked with cops. Haha. We're the original
odd couple here. You're messy, I meet and we're gonna
make a good clean thing swing of things.

Speaker 15 (02:13:44):
Uh.

Speaker 1 (02:13:45):
It's it's so fucking stupid, is what it is. So
you know, she agrees to allow them to get outside
of the door, and of course, you know we get
introduced that their names are Uno, Dos and threes here
in this little thing. I guess the Mexican guy so
you got you know, ice Cube here of course, who

(02:14:05):
happens to be an African American gentleman. And then you've
got Uno, who is the big, burly back black guy
that's there. And then you've got the Native American dude,
which I guess we're gonna call Dose, and then we
got the Latino guy back there. He's gonna be traced
because why the fuck not? I mean again, it's all
fucking Spanish to me anyway, So who gives a fuck.

(02:14:26):
And of course Uno is gonna try to be a badass,
but really, UNO's just a bitch.

Speaker 8 (02:14:32):
Well, introduce us to your friends.

Speaker 20 (02:14:35):
These my compatres Uno does and thres.

Speaker 8 (02:14:42):
Una must be the nice one, you.

Speaker 7 (02:14:46):
Got that right, But you I'm not as nice as desolation.

Speaker 21 (02:14:50):
And I'll cut your fucking titties off good in charge here,
and you better lick them off in charge here?

Speaker 10 (02:15:00):
You you you.

Speaker 2 (02:15:05):
Shit?

Speaker 7 (02:15:13):
So you're just gonna stand there and watch or break
my shit?

Speaker 9 (02:15:16):
Yeah, and now that you're dumb up on the floor,
why don't you give me a beer killer?

Speaker 7 (02:15:21):
All right? What's the next?

Speaker 8 (02:15:22):
We get more deputies?

Speaker 1 (02:15:24):
So yeah, he's just a fucking bitch. He tries to
go in there and be hard because he's gonna fucking
cut her titties off or whatever. It is, Like, all right,
what are you turning to people out there? She doesn't
have any piercings, to least what I've seen before in species,
but you know she could have them, just take them
out for movies. I don't fucking know. Maybe she's got
like drug titties or something like that. You cut them

(02:15:45):
off and then fucking all those little pills are gonna
fucking shoot out all over the place. You know, that
could be a trouma movie, you know, drug Titty. I
don't fucking know. Maybe it's more of a full moon thing.
We'll see what happens at some point. If anybody like
that's listening out there wants a you know, a prospective
story for a script called drug Titty, please see me
after the movie. But it's god damn it. Oh boy,

(02:16:11):
I'm a fucking idiot, is what I am. So, you know,
she lets them out and then they decide that they're
gonna go out there and deputize. I do like the
little line too, that Trey says at the end of
everything where he's like, yeah, now that she's done mopping
up the floor, why don't you give me a beer killer,
like basically talking down to him, and yeah, okay, she's
showing off that. Okay, she's kind of a badass here

(02:16:32):
and she's able to bring him down. And this is
not the first person that she's beat the shit out,
because she also beat the shit out of Williams too.
We don't forget that that she like, you know, did
her like little fucking steven Sagall. Judo shit, Judo shit,
is what he's doing. Not saying that judo shit, I'm
just saying that steven Sagall is shit. And you have
you know, good old again. It's a steven Sagall fucking

(02:16:53):
move that's going on here. He's approaching her, he puts
out his arm and she's able to grab it. So,
you know, whatever, she went to this Steven Segal space
school of space judo or where the fuck is happening here? Ah,
So she goes over to the other people, and she's
deputizing the reast of them. She's got you know, you
got drunkie, you got a horror girl, and then you

(02:17:16):
got the scientist, doctor lady, whoever the fuck she is.
I don't know the names of these fucking people, and
I don't care. And they realize that the one dude
in the back, ah, he's not doing well and he's
starting to clawd his face and he's basically bitten down
his fingers and basically down to bones at the very
tips of them of that, and it started just a
few minutes ago from when they last left him, and

(02:17:37):
now he's just tearing his face apart. Inside the jail cell,
so decided to just leave him there because there's no
reason to even try to take him now that he's
been possessed by the ghost that left the body of
the one officer and went into his fucking body and
went through his ear or some shit like that. And
so now we get a montage of them creating weapons
because why not. They need to get the fuck out

(02:17:59):
of there, and they've got to make sure that they
all can use guns because they're all deputized. We learned
that Trace is using what they call a laugher, which
is basically like a black market version of the breathers
that they have attached to their suits, where they've got
this like little fucking coil that comes out and it's
got this little mouthpiece that you breathe on. That's what

(02:18:20):
they were talking about earlier in the movie. But he's
got more like a can of whippets and he's just
sucking on that goddamn whippet and he's just laughing and
he's like oh. And then they show them. They're like, oh, well,
we need to use these detonators for something. What could
we possibly do? They cat pack a little bit of
a bang, but you know, we don't have dynamites and
the work well. And so the one, you know, male

(02:18:41):
rookie officer that's there, he's like, well, you can put
them in some cans and you can make like a grenade.
How is that like shrapnel grenade? I guess maybe the
bust out the can and then it blows up everywhere.
So they show them all like stabbing at the cans
of food and so that way they can make them,
you know, haul them out. And then the one like
horror girl that there, she's stabbing at one of the cans,

(02:19:02):
and Trace is like, no, let me show you how
to do it. This is the way we do it
over here, you know. And he's sucking on his fucking
laughter and doing all this stuff and then he grabs it,
takes out of my chet day and then he fucking
slices it down. I'm like, he cut off his fucking finger,
didn't he? And he raises up the can and yes,
thumb's fucking gone, and it's just blood all over the place.
And then like you know, fucking desolation. Williams is sitting

(02:19:25):
over there, fucking lab He's all right, man, looks good,
like what the fuck, And they're just like cans of
fucking refried beans is what they are too, And I
even think it just says like, I have no idea,
Oh this is bread. I'm looking at an image of
it right here. It's like, you know, bread in a

(02:19:46):
can and raisins, so it's like cinnamon raisin bread or
some shit like that that happens to be the can.
But it just looks like a can of rosary to
fried beans, which, as I've said before, you should not
be eaten that shit. You should fucking reefive beans some
one of the easiest fucking things to make in the world,
and you should just be making your own goddamn refried beans.

(02:20:07):
So you know, she's bleeding off of the place. She's
just kind of staring at him, you know, and I'm sorry.
He says, that's beautiful. And so the next scene is
them getting ready to go out. His hand's all wrapped up,
and we have Ballard looking at him like, hey, you
gonna be okay. He's like, I'll be fine, don't worry
about it. I might just bleed out, but everything will
be okay, So don't worry about me. I'm tough. Essay.

(02:20:30):
All right, We're gonna go out.

Speaker 18 (02:20:31):
There.

Speaker 1 (02:20:32):
I'm gonna fucking blast fools, and then I'm gonna suck
my laughing gass. I'm gonna start randomly laughing all over
the place. But we'll be good, Holmes, We're good, you know,
I miss Caa Patres over here. We're gonna be We're
gonna be stellar in the way that we do this stuff.
So they all get ready and they The one funny
scene that does happen is she goes. She tells them
what they're gonna do. We're gonna go through town, go

(02:20:54):
to the train depot, get on the train, get the
fuck out of here. Anybody have any questions? And Uno
raises his hand. Then Williams looks at him. He's like, motherfucker,
put your hand down, and so he puts his hand down,
and I was like, oh, that's like it has funny
moments in this movie. Again, this movie has good moments
and has bad moments, and it's just sad that the
bad moments kind of out the good parts that are there.

(02:21:16):
So they go up to the door, get it ready,
and they run outside, leaving the police station that's there,
and go out into the vast openness of the town,
and they realize as they're walking back towards the train
station that everybody is up there. And one, there's no
motherfucking train that's there, you know, they don't see no train.

(02:21:37):
She assures that the train is going to be there
in time. Don't fucking worry about it. It's time to go.
And so they walk through the town up to the train,
and meanwhile, while they're doing that, one, they're blowing up
all the buildings and slowly tearing the town apart one
by one. Two. They're all on top of the buildings
up there watching them as they walk away, and they

(02:21:57):
have their like guns and stuff pointed on the guy.
And these guys have all these primitive, like you know,
spears and shit like that. And the old dude happens
to get hit in the head with a goddamn saw
blade that they throw at him. It doesn't get stuck
in the head, It just kind of bounces off and
he just falls down with like a red mark on
his fucking face. That's it, Old dudes, fucking dead, old

(02:22:19):
drunk dude. Bye. We loved you. You were such a
great character, but of course we knew you were always fodder.
They get up to where the train is calling the train.
Guess what doesn't come the fucking train, to which Williams asks,
do you have a Plan B? She's like, the same
as Plan A. She's the fucking worst badass that I've
ever seen before. So he's like, well, we're gonna do

(02:22:40):
what we should have did before, which was kill all
the people. And at this point they don't realize that
if they kill these people that the ghosts are gonna
come out and the ghosts are gonna go over them
possess them. So basically we get an action scene of
all the fucking possessed humans coming down on them and
starting to run at them as they're firing their guns

(02:23:00):
and they're trying to run back to the police station
for shelter to figure out what to do next. And
it's funny because some of these guys are just like
sitting out there and not really doing anything, and they're
just like standing there getting shot. Then trace it fucking
stupid ass shit. He goes and tries to set off
a detonet or and throw it, but then somebody hits

(02:23:21):
him and he drops the grenade down on the ground
and then he crawls after it and he like lands
on top of it. And blows himself up the air
and fucking kills himself. And then you've got like scenes
where they're all getting surrounded and Jericho's finding people off
with his gun. Then we have the female rookie. She's
shooting a bunch of people that's there and also beating

(02:23:41):
people with the gun. Uno is smacking people with the
shotgun instead of shooting people with it. They're never reloading either,
by the way, whenever they shoot people, the rookie female
officer decides that she needs to use two fucking handguns.
That's the way it is. Williams himself has two like
oozies or whatever it is. That's there. I love the
one scene too, where like Jericho sets off a grenade

(02:24:06):
then tosses it to Uno, who then tosses it to
what would be Jericho's left to like blow up some people,
Like Jericho, couldn't you have just done that shit yourself,
like just turned a little to your left and threw
it and blew people up. No, we gotta play fucking
hot potato with this bullshit. Here you catch the explosive

(02:24:27):
Oh shit, No, I haven't. Hey, they're possessed Martian people.
You catch my space grenade detonator. Okay, oh shit boom.
It's just dumb, and there's constant like there's times where
the grenades don't go off right away, like in that sequence,
and there's times where like they throw it and immediately

(02:24:49):
it fucking blows somebody up. In the background, you get
some hand to hand CQC combat there with Williams beating
the shit out of some of these guys, and we
get you know what's her name, Ballard being a badass,
and eventually though Uno he managed to get in a
fight with one guy, but he ends up getting surrounded
and when he kills one guy, that's when the ghost

(02:25:10):
pops out and invades and possesses his body. And you're like,
why haven't the ghosts of mars here been doing that
this entire fucking time. How many people have they fucking
killed for these ghosts to just just not go out
and start possessing these people, like it's ridiculous. And so

(02:25:30):
Williams comes over to him and tries to pick up Uno,
and then he realizes that nope, he's been possessed. So
I'm leaving this motherfucker here and they all run back
into the police station. The only people who have survived
this time are the female rookie, the Native American dude,
Ballard Williams, and Jericho so UNO's dead trace is dead. Oh,

(02:25:51):
the scientist is still alive as well, and we get
to see a menacing image of the leader of the
possessed people that's there as he's like Sarah, you know, ah,
And then somebody randomly comes by and and I do
love the way this scene plays out because it's so
stupid but kind of satisfying the same time. And the

(02:26:11):
Native American guy does he gets stabbed in the gut
by a spear and he's busy dying out there, and
you know, Williams comes out there to help him, but
first the other rookie, the male rookie, tries to help
him as well, and when he reaches down to grab him,
that's when somebody throws a saw blade and it chops
off his arm, but it like hits the arm and

(02:26:34):
bounces off, and then the arm just falls down. Okay,
it's so bad, like it doesn't even like go through.

Speaker 23 (02:26:47):
And so.

Speaker 1 (02:26:49):
Williams comes out and drags his compadreate back inside the station,
to which he ultimately dies from the wound. That he
has there, and we have the poor fucking deputy that's out,
the rookie officer. He takes another saw blade to the head,
this time it's to its neck. It bounces off to
the left of him and his head falls clean off.

(02:27:17):
It's so bad. It's so terribly bad. And I know
you've done better special effects before, Carpenter, like, why, I
get it, tongue in cheek, you're making something silly, but
that is just way too fucking silly if you ask me.
So after this glorious action sequence, we cut again over

(02:27:38):
to the council as she basically says that they sealed
the airlock and lock them inselves like tight inside the
police station, so that way nobody could get in there,
and she says for a while. And so they get
back on the radio try to reach the train once again,
and that's when Doe starts talking to him. Williams here
and asks about his brother and he's like, no, he

(02:28:00):
didn't make it. And so we find out that Uno
was really his brother, right, like is he his brother
or does he mean like brother? I don't know which
one it is, but it's definitely one of them, So
you know, Ballar tries to comfort him for a second,
and she just kind of looks like blankly at him,
and that's basically it was her brother. Yeah, all right, then,

(02:28:25):
well let's just go do something else. Let's I don't know,
sit around and jacket, I don't know. We gotta do something.
Don't think about your brother anymore. And then we see
the possessed humans, you know, the martians that are out
there walking around the town, cheering and looking at the
police station as they all gather in front, and he

(02:28:47):
lets out, you know, a battle crime. That's right, we won.
We're gonna get these motherfuckers. It's time to take them
down to space town. But you know, that's just the
way things are. We didn't go on back inside. When
we have a conversation between Ballard and the doctor as

(02:29:08):
she's really impressed by the you know, the ghosts that
are there, whatever's.

Speaker 10 (02:29:12):
Inside of them is waited a long time to get out.

Speaker 8 (02:29:15):
I didn't understand their design.

Speaker 9 (02:29:17):
How they move.

Speaker 10 (02:29:19):
It's got to be the wind, yeah, yeah, the wind
takes them. And then once our hosts die, they just
drift along the railroad tracks from town to town, human
to human. What a perfect creation. Vengeance on anything or
anyone that tries to lay claim to their planet.

Speaker 8 (02:29:43):
What did you see at Drunker's Ridge?

Speaker 10 (02:29:50):
I was at the mine when they call the work stoppage.
It was a section seventy forty, a scientifically significant find.

(02:30:12):
A seven forty applies to any number of things found
on Mars, biological organism, indication of water, things like that.
After we dynamited at the mountain, we discovered an entrance.
It was a tunnel carved into the rock. It had
been hidden underneath the outer walls for centuries and someone

(02:30:36):
other than man had carved.

Speaker 1 (02:30:38):
Okay, so what you're telling me here is that this
bitch is the one that caused the whole thing, Like
it happened at the place that she was working at originally,
and she was one of the leaders of the dig
at the fucking mind that was there, and so they're
the ones that blew open the whole thing, right, and
her talking about the perfect being and yeah, we figured
out that the storm is actually what is the cause

(02:31:00):
of the ghosts and the ghosts going along the planet.
But we find out in this scene she is the
one that unleashed the ghost So, of course, because humans
are idiots and humans want to discover every little thing
that happened to be out there. She goes into the
mind with a group of people, sees a door with
some random writing on the outside the door and decides,
you know what, I need to fucking touch it. And

(02:31:21):
so when she touches it, it fucking disappears in a
terrible fucking effect that looks like it belongs in ninety
one or it belongs in the Mummy, one of the two.
And so the door opens, and that's what lets the
ghosts come out from the underground and starts that the
whole hell and panic that is going on right now.
So it's her fucking fault that these ghosts even got

(02:31:44):
loose in the fucking first place, and now they're determined
to make sure that they're the only ones on this
planet and that you know, the Martians rule Mars and
not the humans from that puny little planet called Earth. There,
so she let them all out. She's a bitch, didn't
tell anybody what the fuck she did, and she could
have done this a long time ago, you know, And

(02:32:06):
she's like, it was me, I opened penn Dor's bucks.
I let them out. You're gonna have to explain that
with a no, I unders them planned the word bach fed.
I'm good. Okay. So all of a sudden, you know,
the rookie comes by says she got ahold of the
train they're working on getting there, and the guy inside
the cell tries to grab her and she manages to

(02:32:29):
get away as well, And so we go back over
and we see the Ballard and now's now running to
Jericho and Williams as they're talking about how well they've
barricaded the place, but they don't know exactly how much
longer it's going to last because on the outside we
see that the Martians they're destroying more buildings around the area,
and eventually they're gonna make it to their building and

(02:32:50):
they'll probably destroy that. We then once again cut over
to just Williams and Ballard as Williams is looking at
the videos that are going on there and he's like,
that train let her be fucking coming soon, and she
kind of breaks down for a moment, and that leads
to a heartfelt chat directly with Williams.

Speaker 7 (02:33:07):
It's no matter what you you did good out there.
Yeah right, it's a fucked up situation. Never put too
much faith in cops. What you did alright, you trust me?

Speaker 8 (02:33:26):
Hell no, you know, I really don't understand you at all. Desolation.

Speaker 20 (02:33:31):
Only one looking out for me is me.

Speaker 9 (02:33:33):
Doesn't that bother you?

Speaker 7 (02:33:35):
Nothing bothers me. I stopped worrying a long time ago.

Speaker 8 (02:33:42):
Don't you believe in anything?

Speaker 20 (02:33:47):
I believe in staying alive, yper for what? Stick around?
I might let you know one day when the tide
and the waters rise.

Speaker 1 (02:34:03):
So you know, basically, he's like kind of the things
only trusted himself. Also kind of like his pants. I
know they're meant to be like Camo weird camra red
pants for being out there, but almost looks like he
has dinosaurs on his pants, like random dinosaur print pants
that he just decides to wear around. Like I'm enough
of a badass that I can wear this bullshit around

(02:34:23):
and nobody really cares. So you know, basically, you know,
I only watch out for me, and that's the way
it is. But I do watch out for my own.
You stick around, You're gonna find out how I survive
and how I, you know, treat the people that are
close to me. So you know that's a premonition maybe
for something else later in the movie, who knows what,

(02:34:43):
Maybe that like tide comment will come back at some point,
who knows. Woo it's the ghost of Mars past. Wooo,
I'm space for telling. So, you know, she he goes
back over to the cells, you know, and the rookie
is still staring at the dude and he's like. She's like,

(02:35:06):
he creeps me the fuck out, and he's like, oh,
don't worry, he's behind the cell. Nothing's gonna happen with there.
And of course we all know that something's possibly gonna
happen here. So Jericho calls her over and you know what,
now is a better time than any to maybe get
your freak on.

Speaker 3 (02:35:23):
It's pretty silly, Wayne back Dorett leading to the rare entrance.

Speaker 8 (02:35:32):
And a good shuty dof So what's your point?

Speaker 9 (02:35:40):
Rare the cose?

Speaker 7 (02:35:42):
How you think.

Speaker 8 (02:35:46):
I don't believe this? You lured me back here to
seduce me?

Speaker 9 (02:35:51):
Yeah, well the white things are God. I thought this
might be a last chance.

Speaker 12 (02:35:56):
To uh.

Speaker 7 (02:35:58):
Nuns.

Speaker 16 (02:36:02):
Yeah, fuck him, whatever the fuck he is, it's.

Speaker 14 (02:36:28):
Out of it.

Speaker 7 (02:36:37):
Let's take her ound back the fuck your money. We
moving alreadyway.

Speaker 12 (02:36:43):
That's taken her over.

Speaker 14 (02:36:44):
Man, there's nothing we can do.

Speaker 7 (02:36:47):
He is, and man, I lost a brother in this
that's not hurt.

Speaker 1 (02:36:58):
Now, come on, why would you do that shit? It
makes absolutely no sense whatsoever. Okay, he tried to grab you,
but he's behind fucking bars, he's not doing like a
gin you thing, and he's gonna fucking stab himself and
basically kill him and then do a body change. You're
doing that for him in this situation, right, You're fucking

(02:37:19):
pumping him full of goddamn lead when you have probably
barely any fucking bullets left over and your fucking guns
because you waste them all the motherfuckers on the outside,
and there's still like hundreds of them out there that
you've got to somehow get away from and survive inside
of this police station that you've got there. But no,
you want to waste your fucking bullets on the one
dude that is trapped with you, that is fucking possessed,

(02:37:43):
and you know for a fact, you know that once
you kill him, the ghost is gonna get out of
the body and then going one of you motherfuckers right there.
Why would you do that? And there's no way that
she wasn't told this bullshit either that she doesn't know,
and she doesn't fucking understand because he fucking said it.
Williams fucking said it earlier. It was my brother, and

(02:38:04):
you were right fucking there. Like, it's so dumb that
a character would make this fucking decision, right, and I
know that this one is specifically just for movie purposes.
There's no other reason to have her be this fucking
dumb If it's not for the goddamn movie. It is
the only reason to have her pull this type of

(02:38:25):
bullshit right here, right and have her all of a sudden,
you know what, I'm just gonna pop a cap in
this motherfucker right here. Fuck him. He doesn't need to live.
Fuck whatever that thing is. That thing is a fucking
ghost that is gonna possess one of you, and who
isn't fucking possessed. It should have possessed her, bitch ass,
but instead it possesses Ballard. So Ballard goes down and

(02:38:47):
to decide, Well, you know, Jericho's like, no, there's no
way I almost fucked her. You know, I was about
to give him a dick wet. I can't believe this
ghost is fucking cock blocking me.

Speaker 12 (02:38:57):
Man.

Speaker 1 (02:38:58):
How could this ghast fucking dude. You couldn't have waited
at least a good thirty fucking seconds so that I
could get it one in, one out, and pumper full
of my jiz and then be done with it. Man,
I haven't had SpaceX and fucking ages, and you ruined
this one chance for me to get some space hitty
in my space face. I'm just upset, man, What do

(02:39:19):
you want from me?

Speaker 3 (02:39:20):
Now?

Speaker 1 (02:39:20):
I've got a fucking space boner and I've got nothing
to stick it in. You know, I used to have
the fucking male deputy and we could do that cool
spinny thing, but can't fucking do that anymore. I taught
him that move after he fucking you know, gambled me
out of all my fucking money. But yeah, okay, I
guess I guess we're gonna have to throw her outside.

(02:39:42):
Can at least Copper feel like Phil Nipple?

Speaker 7 (02:39:45):
Is that?

Speaker 1 (02:39:45):
Okay? You guys all cool with that? It's right, get
a little under the bro action just before we go.
Oh come on, man, you know, ah, we were about
she was kissing me. No stop laughing, Williams. Y, Yes
she would, she said, last met on Earth, but we're
about to die here, so she was willing to go
ahead and give it a shot. I had a perfect
place and everything, even though there was no like, you know,

(02:40:08):
blankets or any type of cushioning, and it was gonna
be on the you know, hard floor that we were
just gonna be naked on. But you know, maybe I
just would have slipped her pants off a little bit.
And we've just done it that way. We're lifted or
onto something and hopefully not getting something sharpenedor butt or
anything like that. We're sharp in my butt for that reason.
But all right, fine, we'll dump her outside. And so

(02:40:29):
they take her outside and before they you know, leave
her to the wolves and now to become a part
of the tribe that's outside there. You know, that's when
from his pocket, good old Williams pulls out her chain,
which he managed to snatch off of her at one
point in the movie. Forgot to mention it not super important,
but he gives it back to her, puts it around

(02:40:51):
her neck, and then that's when you know, Jericho over
here realizes that's her fucking stash, takes out one of
the fucking pills and pops it in her mouth and
is like this, will this mess will clean anything in
there or mess with anything in there, and I'm like,
are you fucking kidding me? Drugs? Drugs are the answer.

(02:41:14):
So you're gonna get her fucking high, and that's gonna
get the monster out of her. And so she takes
the drugs and then starts having a flashback to seeing
exactly what the Martians were like before they died right
off the planet, before they got eradicated in how they
were like taking over the planet or these ghosts are
always here. The ghosts really are the Martians, and anybody

(02:41:35):
that's tried to conquer the planet, you know, she's seen
what they've done before. And so we get some images,
really bad CGI images of these like Martians that are
out there. Again. This looks like something that's straight out
of like Diablo, like the original Blizzard Diablo that was
there and those animations, and that was like in the

(02:41:58):
what early nineties that that came out with the whole thing.
It's like super Stiff, you know, worse or PlayStation one
era like cut scenes when the PlayStation first came out,
not like later on when they optimized and they got
a lot better at the things. But it's just like
a roaming landscape of them out there, like you know,

(02:42:20):
fucking cheering on their armies, but they're not really doing anything, Like,
at least show me what they were doing before. Whenever
you have these types of like flashbacks in any other
sci fi film, at least we get to see, like
maybe we see pieces of it, and we see how
they're like fighting over each other and they killed each
other off or some shit like that. But it's just

(02:42:42):
one standing on a hill, raw raw, raw, and then
a bunch of them down there. Yeah, there's like a
ton of them. And then all of a sudden, the
tidal waves come and she starts to clear her mind,
and she starts to fight back against the ghost inside
her until she vomits.

Speaker 17 (02:42:59):
It out of her.

Speaker 1 (02:43:00):
Well, she like coughs it out of her. It's like
she's been holding the fucking puff that she's taken for
a really long time and has finally got to release
it because she's got a good enough high for it.
So she finally does and she's like, I will not,
I will not, And then she coughs it out and
then has to figure out a way back inside of
the police station because she realizes that now she's outside,

(02:43:23):
got rid of the ghost, and I guess it killed
the ghost, because the ghost just kind of disappears. That's
that's it, Like, why wouldn't it like fly off? Like
I guess the fucking ghost got way too high and
fucking died, couldn't handle the trip and just had a
heart attack do the stuff, and her body was able

(02:43:44):
to handle it just fine, don't fucking nope, don't fucking care.
So she's outside alone and she ends up like looking
around and she just like circles for a second, doesn't
run anywhere. But then one of the martians comes up
behind her starts attacking her, and she manages to subdue him.
She doesn't kill him, She just kind of knocks him out,

(02:44:05):
but then takes his weapon from him, and then fastens
herself a little rope and ladder so that way that
she can climb over the fence. She finds some random
rope just lying around all over the place, and then
you know, throws the fucking sort out over the wall
and then manages to climb the wall and perfectly walk
through the barbed wire that's up there on top right,

(02:44:28):
And so in my mind I was like, wait, she
just gonna leave it there, and yeah, fortunately enough she
manages to take the rope away, so that way they
can't climb back in. And so now that she's back
inside the wall, all of a sudden, the alarms are
going off on the inside, and that alerts everybody there,
and they basically see her outside and they have to
determine is she real.

Speaker 9 (02:44:49):
That wives be breached. Don't worry about those who look
too secured.

Speaker 12 (02:45:00):
Look me in.

Speaker 8 (02:45:02):
It's me.

Speaker 17 (02:45:05):
Shit, it's melody.

Speaker 9 (02:45:06):
Open the door looks like that to me. Haven't had
any of these things speak in English?

Speaker 1 (02:45:13):
Come on, Williams, the time's getting high out here.

Speaker 7 (02:45:15):
Give me those keys.

Speaker 9 (02:45:17):
Come on, is it you?

Speaker 14 (02:45:26):
Yes, it's me.

Speaker 2 (02:45:38):
I had a glimpse of the Martians, of their minds,
of what they want. They won't rest short of the
destruction of any invading species. As far as they're concerned.
We are the invaders.

Speaker 16 (02:45:54):
Something's kicking out there. Shit, they made a battering ram.

Speaker 8 (02:46:06):
All right, everybody to the rear of the jail. Sir,
You and Jericho go back to the storeroom. Load up
on detonators. You're the second line of defense.

Speaker 7 (02:46:13):
So we stay here.

Speaker 8 (02:46:14):
We hold them off as long as we can. Then
we fall back to the storeroom.

Speaker 20 (02:46:18):
You know, as soon as we kill one of them,
whatever's inside is gonna come after us, I know.

Speaker 7 (02:46:24):
So if one of us gets possessed, leave them.

Speaker 1 (02:46:28):
Oh that's a good plan, Just fucking leave them there. Actually,
that's a really good plan. She's finally fucking wised up
to the whole situation that's there. And you know how,
you know it's her. She can actually fucking speak. You're
just gonna I'm I'm uh no, it's really me. You
need to let me in right now. I'm not possessed
by anybody, and I'm not gonna kill you. See that's

(02:46:49):
what a ghost would have fucking said. And so they're outside.
They've turned that one vehicle outside into a battering ram.
Of course, the tides are high right now, is what
she fucking says to convince him to let him in.
And so they start using the fucking vehicle as a
battering ram to open up the door. But they also
manage to fashion themselves some fucking scaling ropes because they

(02:47:10):
probably saw what she did and they're like, oh shit,
we can do that too, and they start scaling the
walls as well, and so they break in, and basically
what we get is a montage of them running in
and being shot. That's basically it. And again, these things
don't like fly out right away. Sometimes they do, sometimes

(02:47:31):
they don't, and they're like throwing detonators, and they're just
kind of like flying off into different areas and they're
being shot by shotguns and you know, handguns and whatever
they have there, and then they run out of bullets,
and so then comes Jericho and the one fucking rookie officer,
she pops up, and then they start shooting at them. Meanwhile,

(02:47:51):
the ghosts slowly get out of the bodies and slowly
start going towards them as well. And basically that's all
you're really getting in the scene is you're getting once
in a while ghost vision and then them just being
fucking blown away by fucking guns. Meanwhile, our heroes are
constantly switching as they've reloaded their weapons and I guess

(02:48:12):
putting more bullets into their mags that they've got there
and adding more shells to the shotgun or whatever it is,
and then they switch the next set fire. And it's
funny because the rookie at one point where like ice
Cube goes and tries to run around her and before
he like fucking like gets out of the way, she
starts firing already, and if they were real fucking like guns,

(02:48:36):
she would have blown his fucking head off instead, but
you know, because it's a movie, she fires, and of
course he's perfectly fine. They get back into one of
the other rooms, and that's where I didn't even know
she was still fucking alive. The horror is still alive
and she's still in there. And so they start barricading
the walls and they put some flammable stuff out there
by one of the walls that's there, and that's when

(02:48:58):
the big bad guy breaks in and starts attacking them
and splitting them up, and of course you got ice
Cube beating him with a fucking shark like. He literally
just grabs Ballard and just like kind of pushes her
off to the side, and then he turns around to
get beat in the back by fucking Williams. That's it.
Then Williams grabs her, drags her out, and then he

(02:49:18):
shoots the flambele thing, which sets the dude on fire. Meanwhile,
we go further in and we see now they've gotten
in further and they're just fighting everybody that happens to
be in there, and unfortunately the horr dies. That's there,
you know. I keep calling her the horror but she
might not actually be a whore, but she's kind of
dressed like that's what she was arrested for. She ends

(02:49:39):
up getting like stabbed in the stomach or some bullshit
because she gets surrounded by a bunch of guys and
they just let her die in the distance as they
all fucking run away, and honestly, smart, that's actually a
smart dude. We see that the big bad guy survived
the fire, but he's all like burnt up, and now
he looks like Alice Cooper, Like literally, he just looks

(02:49:59):
like Alice. And it makes me wonder if Alice Cooper
actually did the role, but unfortunately I don't think he did.
I think it would have been more badass if Alice
Cooper was the bad guy, and that definitely would have
made feel more tongue in cheek than what it actually is.
They get out to the back and they see that
there's another rover the train is coming. As the rookie
climbs up to the top, sees the train out there

(02:50:21):
as it's approaching in the distance, or that it's waiting there.
Sorry that it's actually waiting there. Radio is down to them,
and then they get in the car and they start
driving towards the fucking train. And it's stupid because all
the bad guys had to have to do is just
get in the front of the fucking car because this

(02:50:41):
thing is not powerful enough. This is a fucking power
wheels that's there. And the survivors so far the doctor, Williams, Rookie, Jericho,
and Ballard. So they drive out and like literally all
the people are following behind them, and there's a bunch
outside as the bad guy calls, and they all like
kind of surrounded, but surround it more on the side.

(02:51:04):
As they slowly drive through the square. Literally just throw
yourself in front of the fucking vehicle. They don't really
do that. They just kind of follow it as everything
is exploding, and you see them for a second like
get in front of it, but then they get out
of the way. Like one guy literally is standing in
front of it in a long shot, and then as

(02:51:26):
he drives closer, he just kind of scoots off to
the side, like, shit, I ain't getting hit by that
fucking thing, Like it would have been better to have
them like run over and shit, like I get it.
Maybe you don't want to do it with the stuntman
that you have or anything like that, but like show
them actually trying to stop this bullshit, and instead they
let them like drive up slowly to where the train is,

(02:51:48):
get out slowly of the car, and then run into
the train as the train drives away. So they managed
to get on. Ask where the hell they they were,
and they said they got trapped back there in something.
And now they're back and they leave. So everybody has
survived and it's time to go back home to the
main base. But of course Ballard, she has something that's

(02:52:11):
weighing on her mind. And what if those people they
manage to go further and cause more death and destruction. No,
we have to stop this here. We have to go back.

Speaker 8 (02:52:23):
We've got to go back. Slow the train down outside
of town, then come to a complete stock. No way,
I'm giving you an order.

Speaker 7 (02:52:35):
I don't care.

Speaker 8 (02:52:36):
The answer is no, The answer is yes. Look, even
if we get back to CRISI, those things will just
keep coming.

Speaker 2 (02:52:52):
We've got a chance here. I've got a chance to
stop this thing before it goes any further. It's about
one thing, dominion. It's not their planet.

Speaker 7 (02:53:04):
Anymore?

Speaker 16 (02:53:06):
What about him? Isn't it our job to take him back?

Speaker 9 (02:53:13):
So he's still a prisoner?

Speaker 7 (02:53:14):
Or is he one of us?

Speaker 20 (02:53:17):
I can give a damn about saving this planet. Seems
like it's been after me since today I was born.
If I'm gonna die, I'm gonna die fighting.

Speaker 1 (02:53:30):
That's right. If he's gonna die, he's gonna die fighting,
not running. And I don't know why I cut that
out of the clip, but I accidentally cut it out
of the clip, and I don't feel like going back
and recording it, so please excuse my mistake. But nonetheless,
he so they decide that, yeah, even though he doesn't
give a damn about the planet, he's gonna go back

(02:53:51):
with them, and they're all gonna go back and stop this.
And I'm like, wouldn't be better for you to just,
I don't know, maybe just go to Chrisie, tell them
what's going on, and then have them go down there
and blow everything the fuck up, Like, have them kill
all this stuff. Yeah, you're gonna lose some probably like

(02:54:11):
a town or two, but it's better instead of being like,
you know, not surviving, not getting back alive. I love
the conductor too, where he's like, she's like, that's an order,
and that's a yes. He's like, no, it's it's still
a no. I'm not fucking doing it. And I don't
know how they convinced them all. So they decide, yeah,
they're gonna go back, and there's a nuclear reactor that

(02:54:34):
fuck I didn't know about. Did you know about? Have
we heard about this at all? Well, guess what, there's
a fucking nuclear reactor there, and they're gonna set some
charges on it. They're gonna blow it up, and hopefully
the nuclear blast is enough to kill all of them
and get rid of the ghosts. But then the ghosts
are just gonna become another fucking sandstorm and kill everybody.

(02:54:55):
Like you know what, the solution to this thing is,
everybody he needs to get fucking high. That's all it is.
Just give them your shit. Everybody gets it. You see
somebody get possessed, give them that, you know, fucking start
blasting that affman because I got high. Because I got
I I killed all the ghosts because of Mars Mars Marts. Like, seriously,

(02:55:18):
that is the only solution that can happen here. You
just need to have a planet of fucking crackheads. That
are going around because when the ghosts until they get
used to the fucking crack, and then you need to
get something stronger. Then you start like lacing with some
of that shit, Like you gotta put some like angel
dust in with the crack. And then when they can't
do it with the angel dust anymore with the crack,

(02:55:40):
then you need to go to like meth along with
the angel dust along with the crack, and then you
go up further and further up the chain until everybody
just overdoses on something and then there's nobody left and
the Earthlings can come back and recolonize Mars after everybody's
like so high that they're all just fucking dead. Like
that's the solution that you've got here, because that's the

(02:56:00):
only thing that's fucking worked in this whole fucking movie.
That's it. I imagine being one of the people that
like saw down their fingers so there's just bone there
and like sewed all this metal shit into their face,
and like they're the worst of the worst in terms
of the body modifications that they did. Gets like you know,
plugged full of fucking space crack that they've got there

(02:56:23):
and then gets clear and they're like, what what did
they do to me? Like, and the pain that would
just like rush over you as your body realizes what
actual pain that you're in, because the ghosts don't feel
the fucking pain, but you would the moment that you
came out of that shit, and it probably be the
worst fucking thing. You probably would like to have a

(02:56:43):
centabite come down and fucking turn you into you know,
whatever fucking pile of sludge that you could possibly be.
So they decide to turn the train around and head
on back there. And this is where we're leading up
to the final confrontation in the film that's there and
some of the dumbest things that happened in this movie, well, no,

(02:57:04):
we've had the dumbest things that's happened in this movie.
So Jericho, the Doctor, and Ballard get off and they
run over towards the you know, the reactor that just
happens to be a little way down. They drive the
train to where all the fucking Martians are still just
hanging out, I guess, waiting for them to come back. Dude,
Shudd would comb back over here, and I'm sorry, that's

(02:57:26):
that's nothing. I mean, I'm yeah, I'm they said they
would come back here, and as I'm looking over at
my clock, I mean, they're like twenty minutes late, and
so they need to get their asses here right now
because we got a train to fucking attack. And so yeah,

(02:57:49):
they get back there, and then they just start attacking
them with explosions and shit like whatever, I don't give
a shit. So they go in there, they got to
remove the water jacket they got to put into the reactor,
set the blast things, and then get the fuck out
of there because these blast caps are gonna be one
of the ones that are basically, you know, timed instead

(02:58:09):
of just exploding right away. Then the big bad leader
comes out. He looks over to his left, because they
wouldn't possibly look over to the left at all, and
he manages to see Ballot out there and then commands
all of his dudes to run after them, as you know,
they're the ones that are left. As the train decides
to like move off, as we get this like shot

(02:58:29):
from the side of the train as it's leaving, and
all the guys just like hitting the side of the
train with their weapons, and so the train doors open
and they open fire on them, throwing out more dynamite
shooting shotguns at a distance. Okay, that fucking works. And
then you know, eventually getting off the train to fight,

(02:58:50):
which is the dumbest thing ever. Just stand the fucking
train until the charges are fucking set. You're doing a
good job of not getting fucking killed. And so the
conductor comes out throwing everything you got, the rookie with
her two fucking pistols as the people are running out there,
Williams has a shotgun that he's running, and then there's
even the other trained guy that got the coffee earlier

(02:59:13):
in the film, Like he's shooting and people just start
fucking dying, right, So the conductor he dies, I believe,
by getting saws like thrown at him. The fucking doctor
gets possessed while she's got the shotgun in her hand.
She's like shooting at people from somewhere. You fucking got it. Yeah,

(02:59:34):
he dies by basically being I don't know, something thrown
at him in a couple of discs hit him in
the arm and then he just falls over. And then
she gets a blade. Ballard gets a blade thrown at
her and it slices her leg up. Meanwhile, Jericho is
still running away, just like throwing everything at them. The
deputy is giving overrun by a bunch of people are

(02:59:55):
out there. Jericho gets swarmed by an absolute mess of
people the dep He does manage to dawes two saws
and then eventually the one of them hits her in
the neck and she goes down like a sack of
potatoes with her head fucking cut off. And like I said,
Jericho just he's fighting to the bitter end. But eventually
he does get surrounded. But Williams does go back and

(03:00:17):
pick up Ballard and brings her back over to the train.
And it sucks for Jericho that he got such a
terrible death. He basically just gets surrounded pulled to the ground,
and I think they're supposed to be they're like basically
like punching him to death and then they start like
stabbing him and stuff. Meanwhile, the other dude that's running
the train, he's out there throwing his stuff and then

(03:00:39):
he takes a saw blade to the neck and so
he's dead. And Williams starts the train by pushing the
lever up and they all get to leave. Meanwhile, there's
ghosts on the outside of the fucking train that can't
get inside. So yeah, they just you know, fucking disappear.
I don't know what they fucking do. So they try

(03:01:01):
to step on it, which the train only goes ten
miles an hour, which allows some of these assholes to
get on top of the train, which is what they
should have been doing in the first place. So they're
trying to break him to the train, to one of
the cars. Williams decides he's got a plan. He's gonna
go back to one of the cars and set a
bunch of the dynamite off and then decouple the train

(03:01:22):
car and get the fuck out of there. So he tells,
you know, Ballard to stay back and you know, I'm
gonna lighten our load, gets a bunch of the dynamite
and shit, and goes back there to do what he
needs to do. And so then we get to have
the two big fights in the movie where we've got
random guy number one manages to get onto the main

(03:01:42):
car and starts fighting Ballard, and of course the big
badass himself gets to the car that you know Williams
is that and starts fighting with him, and they're both okay,
I just feel like that what ends up ultimately happening
with the Big bad is terrible, and I think the

(03:02:03):
fight between Williams and the or not Williams between Ballard
and the rando guy with like Vega claws on him
is much better because it's just like ice Cube is
always getting the advantage over it, where the other one's
more like an actual fight, like she's being thrown around
the room being kicked, and she's but fighting back and

(03:02:24):
she gets the upper hand and has the lower hand. Meanwhile,
the big badass is just constantly getting his ass beat.
He's constantly being like, you know, hit with things. The
only thing that happens at one point is that Williams
goes to swing once and he kicks the thing out
of his hand and then punches him. But then Williams
just starts punching him back and getting the advantage and
slamming his head against a railing to the point that

(03:02:46):
he kicks him over to the other train, releases the couple,
and then sets off the dynamite and kills him. Like
that's it. There's nothing bad that happens to Williams, Like,
let's actually have a fight now. Alice Cooper just fucking
blows up and that's it, and it's a really terrible effect.
It's the fucking model blowing up with him superimposed on

(03:03:08):
top of the model. That's it. It looks terrible, as
Charles Barkley, the Great Charles Barkley would say, absolutely terrible,
as terrible, absolutely terrible. And so we go back over
to Ballard and Ballard ends up beating up the guy
enough and kicks his ass off the train, like literally
opens up the door and then kicks his ass off

(03:03:29):
the train. And so both Williams and Ballard survive, you know,
and we see the train go off, and we see
the giant explosion that happens. The train shakes likes in
a goddamn star trek, you know, movie TV series, take
your pick, and they've managed to save the day and
destroy all the human hosts that are over there at

(03:03:53):
the you know, the fucking mining town that we're at
the now, the fucking trains on autopilot and good old
fucking you know, Ballard is laying down and she's getting
some work done to her by Williams because that cut
on her leg was pretty goddamn deep.

Speaker 7 (03:04:10):
I didn't know you was cut this deep.

Speaker 20 (03:04:15):
Should have taken care of this hours ago.

Speaker 8 (03:04:18):
Do you not like a pro?

Speaker 20 (03:04:21):
Yeah, Me and my brother been through a lot of
battles ever since we was kids. I never thought i'd
go to war with somebody like you. I know when
you get to christ See, you'll tell those people that
I helped you. And I wasn't to cause all this

(03:04:42):
mess around here because I know they're looking for somebody
to blame.

Speaker 12 (03:04:48):
Swear to Williams.

Speaker 2 (03:04:50):
As soon as I get back, I'm gonna tell my
superiors all about this fucked up planet.

Speaker 9 (03:04:55):
To drop the charges. As soon as I get the report.

Speaker 20 (03:05:04):
Kay, thought, I'll hold it when you get there. Have
somebody to look at it. Couldn't get it perfect. Somebody
leave a scholar kind of collection.

Speaker 7 (03:05:16):
You'll be alright. Comfortable, Cat, get your blanket.

Speaker 8 (03:05:38):
What the hell are you doing?

Speaker 18 (03:05:41):
Oh?

Speaker 7 (03:05:41):
This is where I get off.

Speaker 8 (03:05:43):
What are you talking about?

Speaker 20 (03:05:45):
Well being, Cristy soon, can't let you turn me in.

Speaker 8 (03:05:51):
I can't let you walk.

Speaker 20 (03:05:57):
What you gonna do fucking shoot?

Speaker 1 (03:06:01):
Nope, she's not gonna fucking shoot you. But wait, they
both survived. How did he get away? Oh? He handcuffed
her to one of the fucking like bars that are
up there. Okay, and it's like that's the stupidest thing
in the world, because like, I'll get you a blanket,
and then he goes over. He's still holding her hand
and everything like that, like being comforting, and then he

(03:06:21):
gets out the fucking thing and he's you gotta feel
him putting the fucking handcuff against your wrist, and then
you don't yank your hand back. You just let him
fucking do it. You deserve what you got. And of
course she was still gonna fucking turn him in like
the bitch that she is. Well maybe not. I don't know,
like the line here, I can't let you fucking walk
for everything like that, and then he just like walks

(03:06:42):
away anyway, And so we go back over to the
fucking trial and she finishes, well, not the trial, the
fucking debrief that's there. It looks like it's a fucking trial.
Gay fucking sue me, but none of the left. She
basically gives the ending of her report and they have
to decide whether not what they're going to tell the
cartels of the planet and what happened to Williams.

Speaker 15 (03:07:05):
I don't know.

Speaker 8 (03:07:07):
When I woke up, he was gone and you were handcuffed.
Must have done it.

Speaker 14 (03:07:12):
While I slept. At that point, I trusted him.

Speaker 12 (03:07:18):
That's all you have to tell us, that's all I know.

Speaker 8 (03:07:24):
All right, Lieutenant Ballan, I suggest you get some rest.

Speaker 7 (03:07:28):
You're dismissed.

Speaker 6 (03:07:43):
Is our statement to the cartel going to be that
Mars is being overrun by ghosts.

Speaker 1 (03:07:48):
I don't know, maybe you could, I don't fucking know.
But the ghosts are out there, and the winds of
change are blowing, and the tide is coming in or
where the fuck they're gonna say? So we look cut
over a long shot of the city and we see
that the winds are coming and the ghosts are on
their way, and we go into the bedroom of fucking

(03:08:09):
Ballard that's there as she's laying down, and then all
of a sudden, all the alarms start going off. She
gets up to get dressed, and who happens to be there?
Why it's our friend Williams. Desolation. Williams is back, throws
her one of his guns, and it's like, the tide
is here, It's time to go out fighting, And of

(03:08:30):
course that's where this goddamn movie ends.

Speaker 23 (03:08:34):
Attentional Leaf personnel, report to your mirror munition stations immediately
for weaponry assignment. A security breach has occurred in the
South squadron. This is Elevel ten emergency Paul Ali personnel
reports to your division. Startrant for assign all pavilion personnel
is that the ways immediately please remain indoors or until

(03:08:57):
further instructed it.

Speaker 24 (03:09:12):
Come on, tie is up times, stay alive. If you
ever wanna come to the other side. You make a

(03:09:33):
hell of a crook, You.

Speaker 8 (03:09:34):
Make a hell of a cop.

Speaker 7 (03:09:37):
Ah, let's just kick some masks.

Speaker 19 (03:09:40):
That's what we do best.

Speaker 1 (03:10:15):
And so that was Ghosts of Mars and good Lord,
it's a it's kind of a slog to get through.
To be honest with you, it definitely has it's so bad.
It's good moments and things that are really fucking funny
and things that make you want to pull your goddamn
hair out. But overall it's it's not a bad time,

(03:10:36):
but it's not something Again, this is another one of
those movies where I feel that, like one, I've mentioned
a lot of it and I'll go through it with
the reviews, but like the budget just isn't there to
really hold it up, or at least wherever they spent
wherever they spent, maybe they just need to have really
badass craft services or some shit like that to ensure

(03:10:58):
that they had a good time with this. I really
don't fucking know, but if it's meant to be a
and say it with me people tongue in cheek movie,
then I just feel that it's It really doesn't get
tongue in cheek until some of the action movies, and
then like the last sequence where they're both like winking
to the camera multiple times and being like uh uh,

(03:11:21):
like they're trying to sequelbit you, but they're not quite
sequelbating you in this thing, right, So it's again, it's
not terrible, but it's not good. It's not like war
the World's bad or anything like that. And this definitely
is one of those movies where I think you can
have fun with it if you're watching it by yourself,

(03:11:41):
but it probably feels so much better if you had
a big group of people over and you just wanted
to laugh about our movie and just enjoy it for that,
because there's so many over the top things that happen
in this movie that it just makes those things happen
for like a good time, especially when the bad guy
speaks for the first time, I could not stop laughing,

(03:12:02):
and I had to take a short little video of it,
and I sent it over to Paranormal Pat and I
was like, because he's never seen this movie, and I
sent it to him and he was like, what the
fuck are you watching right now? And I was like, well,
and he was like streaming because he was doing like
this Gears of War thing that was going on. Well,
Gears of War reloaded came out, and he tried to
do a twenty four hour stream, made it sixteen, didn't

(03:12:24):
quite make the twenty four and I was like, you
can play it on stream. It's fucking you know there,
And then the other people on his stream were laughing
at it, like it's just it's ridiculous. The movie itself
is ultimately ridiculous, right, and the premise is pretty ridiculous
as it is. And of course, like John Carpenter said,
it's a movie called Ghosts of Mars, what did you

(03:12:44):
expect from this movie?

Speaker 21 (03:12:46):
You know?

Speaker 1 (03:12:47):
And the action sequence is whow They feel like old school,
like really old school, and again like eighty style action sequences,
which is a good thing and exactly what he was
going for. They don't give enough for the movie to
make it really worthwhile. It's like the story bits and

(03:13:09):
the flashbacks, and it just a lot of it comes
down to the acting. And you know, I didn't talk
much about cubes acting, which it's fine. You know, it's
better than what he did in War the Worlds, but
it's at times almost on par and you can tell
when he was allowed to like have fun with stuff
like Anaconda. I think he's having fun with stuff the

(03:13:31):
entire time. He's one of the better characters in that movie.
His acting is not the best in that movie, but
he's fun and the character is a pretty good character
for what it is. In this he's okay, And honestly,
Jericho is the much better character. And I kind of
would have liked to have seen Jason Statham as Williams

(03:13:53):
because he might have actually had a lot more fun
with the role. But when your whole thing is to
have the quote unquote star power of ice Cube, why
wouldn't you have him in it more? You're really just
focused on the Ballad character for the entire time, right,
and she's just not interesting enough. And I'm not saying
this for any specific reason other than the character's fucking boring.

(03:14:17):
That's all it is because there's other fucking boring characters
in the movie that don't do shit. You have the
dumb ass, fucking deputies that are there that okay, they're
just fucking fodder. Pam Greer, that character is terrible too.
Like there's just bad characters and then the bad guy.
It is the worst final fight that I have seen

(03:14:38):
in a movie in a long time. It literally feels
like I need to finish this fucking bullshit of a movie.
I'm tired of doing this. I don't want to do
this anymore. We're just gonna finish it up and I
don't care what happens out of it, which ultimately I
feel that it was for John Carpenter. So in terms
of going into the ring, the crap factor on this movie, well,

(03:14:59):
the factor of this movie. We'll do this in order
we do it do it right. I mean know, this
is episode three hundred and I shouldn't be switching things
up at this point. But the Gore is like a
three out of five. It has some kind of gory
things when we're talking about like the body manipulation of
things when they're doing that and then heads fly off,

(03:15:20):
but it's so comically bad that it's not really that gory.
I mean arms fall off, they literally fall off. They
don't get torn off, it doesn't slowly come off. There's
not a lot of blood, just it literally falls off.
The head just kind of rolls back. It's ridiculous. It's stupid,
and I wish there was more like gore gore in it.

(03:15:40):
But when they do, like they have that scene where
they're showing them modifying their bodies and sewing themselves up,
it's good gore and it looks pretty good and it
holds up and I like that stuff, and I do
give it props for those types of things, so you know,
it's not super gory. You can basically show this to anybody.
I feel like if you're talking about like teenagers, you

(03:16:01):
could show it to them if you wanted to watch
a bad action movie, if that's what you're really into.
Craft factor it's a five out of five. The story
is just not there, the budget is not there for
a bunch of things that are here, and if they
just maybe move things around a little bit and focused
on a couple of little areas. Again, I've seen indie
horror films that have a much better look than what

(03:16:24):
we've got here, right, And some of them may be
more current and maybe you can stretch a little better,
but even some of the older movies, like at times,
this feels like it's a trauma set right, Like it
has that type of budget to it, but it's trying
to be a big budget action movie or a decent
budget action movie for the time, And twenty eight million

(03:16:46):
is a lot for two thousand and one when this
movie came out, So you know, I just don't know, like,
what what did you do with the money? Where the
money go? John? Where'd the money go? And so I
just I think the acting is just bad. I think
Natasha Hentrich is bad. All the other ancillary characters, they're
really bad. Ice Cube is okay, and Jason Stathan really

(03:17:09):
is the best character in the movie, and he goes
out in a bitch way, like it would have been
great if he was the one to maybe have the
final fight or get killed by the big bad on
the train, do something really like special in that like
one little sequence of things rather than it being something
that happens you know, Oh, he just gets mobbed by

(03:17:30):
people and stabbed and you don't really see anything happen
to him. They're just beaten up on a fucking dummy
for all I know. Would have been great if they
had like ripped him apart or some shit, or you
saw his head being pulled out of there, something that's
more than what he got. Because it's again, I think
it's a pretty good character. It's not the best character
in the world. It's the best character in this movie
in my opinion, but it's just not really worth it

(03:17:55):
for what you see and the fact that the big
bad like ice Cube there isn't a fight. It's it's
one on him. That's all it is. It is it's
supposed to be one on one, but it's ice Cube
beating the shit out of him. That's all it really is.
That's the final fight, Whereas the final fight between a
Rando and fucking Ballard is a lot more entertaining and

(03:18:15):
it actually feels like a regular fight because he's supposed
to be this big ass like badass leader of this
group and he goes out in a punk ass way too.
I mean, he gets blown up and it looks terrible
and it's laughable, but it's just not fun for what
I want to see out of a giant fight, like
it's giving you you know you're gonna go have this

(03:18:36):
delicious cake, and then you finally bite into it and
find out that they use frosting. They've used fucking mayo
as frosting, like and it's pickle mayo. So it's even
fucking worse for what it is, Like that's what you get.
You got this lead up to this thing, and then
it's absolutely nothing. And he gets bitched around two inside
the thing when he breaks in, and he just gets
set on fire and he just kind of like throws

(03:18:57):
fucking ballard out of the way for a second, not
even throw, just kind of like shuffles are off to
the side. For the whole thing fun factor, I would
give it a three out of five. I think for
some of the ridiculous things, for the action scenes that
are there, you would have a fun time with it.
And again I think it would be higher if you
had people watching it with you that do these like,

(03:19:18):
you know, make fun of movie type things, parties that
you can have with a bunch of people, get some
drinks in you, or if you know you partake in
other stuff, do that watch the movie, or maybe if
you were just gonna partake and watch it yourself, you know,
maybe get a clear mind and make sure the ghosts
don't get into you. Why watch Ghosts of Mars. Make
sure you stay away from that space cocaine though, that

(03:19:39):
shits a hell of a drug. So overall this is
going to get two out of five Space Strip Clubs.
It's just what it is, you know. It's not a
good and on the so bad it's good scale. It
only bumps it up to a three. I wouldn't say
this is a four out of five. It has its moments,
but it's a two out of five for what it is,

(03:20:00):
you know, as John Carpenter's, you know, kind of last movie,
at least the last movie that people remember, right like
I don't. I don't know if I've ever seen The
Ward and it came out in twenty ten, and I
might have to check it out sometime as his official
last directorial movie that he's done. But I am kind
of looking forward towards the game that he made or

(03:20:20):
that he's involved in, and they just announced a Halloween
game two where he has direct involvement in it as well.
But I don't really trust the developers that are making
the game because they've made a bunch of stuff that like,
it's active for a couple of weeks and then it
just dies for what it is with these like asymmetrical
horror games. So that's it. That is episode three hundred.

(03:20:42):
Was it everything that you wanted it to be? Was
it everything that I wanted to be? I don't know,
but hey, here we are. We have hit officially three
hundred episodes for this podcast. And I said it last
week and said again, I'm super, super fucking thankful for
everybody that spends even a minute listening to the piece
of shit that I do every two weeks that sticks

(03:21:03):
with me through October doing four podcasts where my voice
goes away because I'm probably yelling at stupid shit. I
think I have an idea for a theme. I've got
a couple of suggestions that have come out for different
things that are out there, and there was one that
was said today that I really like, and I'm tossing
between two, so I might have to use like spinner

(03:21:24):
wheel to decide. So I know that cosmic horror was
one that was presented to me, and I think that's
a really good idea. I think I'd like to do
that for a theme of a couple of movies. I
don't know if I'll necessarily do a full month because
of just what it is there, but it's still up
for debate because there's some really good ones, and maybe

(03:21:44):
we could even go some like really old school style
cosmic horror movies, which would be shorter films, a lot
more fun, you know, good because I have to do
this every week and I've got a little vacation planned
in that timeframe. And then you also, you know, I've
looked at a couple different franchises. There is one I
have not seen every movie, and when when it comes

(03:22:07):
to franchises too, I'd like to look at franchises and
I like them to have if it can four movies
in it, or at least I've done a couple movies
on the podcast before so that I could finish it
off in October, like Hatchet was perfect. There's four movies,
great franchise, and it'd be great and maybe when Terrifiers
done with its Terrifier franchise with four, if it ends

(03:22:30):
at four, that would be a great month to do
all four movies for the month. You know, those types
of things, Movies like Final Destination where there are now
six movies in that franchise, like, it's fine to do
with what you know, I can do with them, but
I'd like to maybe do a couple so that when
it comes to October I can finish it up right

(03:22:50):
and we'll just do you know, we'll start with one
and two at some point and then we'll finish with
the rest of them. And I still haven't seen Bloodlines,
and i'd like to actually at some point with everything.
But there is one franchise that I don't believe I've
done on the podcast before, and I think that it
would fit for this month, especially with a couple of

(03:23:11):
things that are in the pipeline for it, and it
kind of getting back into the kind of public you know,
zeitgeist if you will, in terms of horror movies has
never really gone away, and they did do like a
reboot a little while ago, which I very much enjoyed.
But it's something that you know, not many people really
talk about that often. In my mind, when it comes

(03:23:34):
to a lot of like horror things that are out there,
everybody knows about it, but I don't see a whole
lot of people talking about it. And then there's something
like the Amityville franchise where that just goes wild, and
we might be doing one this year, and one that
actually fits for a certain month before the end of

(03:23:55):
the year, which I've never seen it before. I'm sure
that fantas Dave has seen it and it might be
something worthwhile to do, and it definitely because we don't
have a whole lot of movies that fit that holiday
and this is possibly one of them, so we we'll
have to see. So there's that. There's also the Psycho franchise.

(03:24:15):
I've thought about doing that before, but I feel like
it's gonna be between the franchise that I'm not naming
and you guys can guess, and it's going to be
between this theme that I'm thinking and really what it's
going to come down to is it's going to be
whether or not there's movies that I want to do
that involve the theme, and whether or not it's worthwhile

(03:24:37):
to do them in a way. I know there's one
that I want to do on this podcast that I
haven't seen, well, I haven't talked about on this podcast before,
and I really kind of want to do that. But
Body Horror is the thought, and so we're gonna know
by the next mini episode what that theme is going

(03:24:58):
to be. Either it's going to be body horror for
October and if you have body horror movies that you
want me to talk about, or it's gonna be the franchise,
and I'll explain what the franchise is on the mini episode,
so stick around for that, and on that next mini episode,
get ready because I'm going to see the Toxic Avenger
this coming actually what would be Sunday when this release

(03:25:19):
is now because it's late, and I'm going to talk
about it on that podcast. And I went and saw
a hell House lineage, which I did enjoy, So I
will talk about both of those on the next podcast.
And then lastly, again just to thank you all from
the bottom my heart, honestly, with everything that happened last year,
with everything that's happened this year so far, all the

(03:25:40):
random shit that goes through my head, Everybody that listens
to this show again, you won't know how much you
mean to me. I am a small fucking fish and
a large fucking seed now, especially of podcasts, of people
throwing money behind podcasts and doing these giant production things
and having everything set for them. I'm one dude watching
me moving doing all my own audio editing, doing all

(03:26:03):
my own audio grabbing, fighting with different platforms to keep
my podcast up, doing everything just on my own. And
you know, it's rough. It is rough out there to
do that when you have so many great podcasts and
you guys are choosing to sit down and listen to
this dumb motherfucker do what he does. And I appreciate

(03:26:24):
those that, again, I will always say it, those that
have listened from the beginning and still continue to come
back and listen to episodes, whether you just cherry pick
movies that you like or you've been listening since the beginning.
Those that every episode it comes out, you listen to
it almost immediately. Those that stockpile and listen to episodes,
those that use it to keep you, you know, awake

(03:26:45):
during the evening shift that you do at your work.
I appreciate every each and every one of you. You
do not know how much it means to me to
have anybody listen to anything that I do. And it
has been a glorious ten years and it is about
to be eleven years that this podcast has been around,
and that to me is nuts, and I just again,

(03:27:09):
I can't thank you, and I never thought I would
do three hundred episodes. I never thought I'd be doing
this fucking show for ten fucking years and still going
and still producing shit. So again I have to thank
you all from absolutely the bottom of my fucking heart.
And I'm breaking up here and I'm like getting a
tear in my eye, and it's honest that I am,

(03:27:29):
because it does mean a terrible amount to me. And
that's not just because I'm the Terrible Terrors and this
is the Terrible Terror Podcast. So if you want to
continue to support the podcast, there's a couple of things
that you can do. So there is still some merch
out there. I don't have a whole lot that's there's
just t shirts, mugs and stuff. The description or the

(03:27:50):
link to it is in the description of the podcast.
You can go there, you can click on it, you
can buy something. If you want to take a picture
with yourself with it, I can post it on my Instagram,
you know, and all that stuff. That would be great.
If you don't want to do that, don't do it.
Same thing with this small collaboration that I have with
the you know, energy drink powder brand Dubby that I

(03:28:12):
finally tried this stuff and it's pretty good. I don't know.
I haven't found the taste yet. I'd got like a
sampler plus that gave me a tub to do all
this stuff with, and I tried that. It's a little sour.
It's like Japanese use you its citrusy, and it's pretty good.
But the one thing, if I had to give them
a comment of what it is, you don't need as

(03:28:32):
much as something like a g fuel or something to
actually make it potent. I made it to potent. But
it does have this viewing of for the price that
you're paying, then you're not getting what you should, which
you actually kind of are in the way that it is.
So if you want to give it a try, you
can use Terrible Terrors at w dot gg ten percent

(03:28:53):
off your order for whatever you order that you have there,
And if you're on the fence about it probably can
help you out maybe differ discount or something else. But
go give it a try. I appreciate if you do. Also,
if you just want to follow the podcast, you can
do so. I'm out there on all types of social
media that's there, that is Instagram, Terrible Terror Podcast, Facebook

(03:29:14):
dot com, slash Terrible Terror Podcast, I am available on
Blue Sky, Terrible Terrors and Terrible Terror Podcast on the
twitters if you're still into that type of thing. As always,
you can also check out the YouTube channel which is
Terrible Terror Podcast where I stream live when I stream
at the same time as on twitch dot tv slash

(03:29:34):
Terrible Terrors. So appreciate you all. Happy three hundred, Take
care of yourselves and each other.

Speaker 17 (03:30:00):
Marry my life when we wait.

Speaker 1 (03:30:03):
Wait man man man man what rock?

Speaker 12 (03:30:06):
What m hm

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