Killjoy

Episode Transcript
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Speaker 1 (00:09):
It's time to turn off the lights, grab some popcorn,
and watch the horror movies. This is the Terrible Terror Podcast.
Each episode I delved with the world of horror movies.
Why do I do it? I can't really explain it,
but I love these horrifying flicks. So if you made
your own movie on your phone or made your own
of special effects mcgivers style, please send it my way. Now,

(00:29):
what do you get when we have John Lakeuizamo at
home and a bunch of roughneck gangsters terrorizes in the hood?

Speaker 2 (00:37):
Why you get killed?

Speaker 3 (00:39):
Joy?

Speaker 1 (01:15):
Why? Hello everybody, and welcome to the Terrible Terror Podcast.
And we are in the midst of the ever wonderful
Full Moon Charles Bandathon. Yes we are here. We are
enjoying ourselves with these terrible, terrible, terrible movies. But they're
not just like terrible movies. There are just wonderful movies

(01:38):
at the same time, because it's ridiculous in the way
that they're done. And yes there is. There is such
a connection between trauma and full Moon like pictures in
terms of what they produce and in the quality of

(01:59):
what they and while some go one way and others
go the other way, like with you know, with Trauma,
it definitely goes in kind of the some would say
like gross and disgusting type of way. Right. A lot
of the horror movies they have there are just how
much over the top gore can we do? Right, and

(02:19):
what can we do with the little budgets that we have?
And it's kind of the same but not really the
same with Full Moon pictures, it is what can we
do with the budgets that we have? But it's never
the gore, Like I don't know many Full Moon pictures
that are really really gory, but they do give a

(02:39):
lot of people and have given a lot of people
they're like first chance at making a horror picture, and
like Trauma, have taken a couple of independent pictures and
given it kind of a wider distribution, which I believe
is the case when it comes to kill Joy, because
if you're watching it, and especially it's weird because once
again this happens to be a William Shatner's Fright Night

(03:02):
presents kill Joy, Like there is one of these out
there as well, which is also available on YouTube, I
found out, but it is available on tub and the
only way that you can watch it on tub is
the William Shatner edition of the movie. It was so
weird to try to find this because there is another
movie on too be, another kill Joy. Actually, I think

(03:23):
all of the Killjoy movies are actually available on TOOB,
but there's one called kill Joy the Demonic Clown. And
one of the things that I thought was interesting about
the movie in general. And I'll tell you right away,
if you're looking for kill Joy and you click on
kill Joy the Demonic Clown and you decide, oh, this
is the version I'm gonna watch, it's not the movie
that you need to watch. You Actually, if you're going

(03:45):
on tub you have to type in William Shatner kill
Joy or William Shatner fright Night kill Joy, and then
that one is the one that you're going to watch,
right And the I don't know the reasoning between behind
the act that the original is just not there and
that's the only version that we can watch, but hey,

(04:06):
that's what it is. And the actor that plays Killjoy,
Angel Vargas, is only in the first one. But when
you look at kill Joy the Demonic Clown, it has
the year that kill Joy was supposed to be released
in the year two thousand and it does have Angel
Vargas in the titular role, but when you start watching it,

(04:27):
it's not him. Maybe it is him and that one
for some reason, I don't I think he didn't start
in two and three. And there's not a whole lot
of trivia on this movie, so I can't really find
out the reasons why, other than he had other commitments.
But it's not really quite clear if or exactly what
those commitments were. So there's not much. And I actually

(04:49):
did some research and tried to find out some things
about this movie, and the only thing that I could
find was really at the budget, honestly, for this movie
was relatively high. It was one hundred and fifty thousand
dollars compared to the sequel, which was only thirty thousand
dollars to film, which is absolutely nuts in terms of it.

(05:09):
And this is a take, or at least they're trying
to do a modern day in the year two thousand,
a modern day blaxploitation film, and to that extent, I
will say that it moderately succeeds at that. And the
other thing that's weird is you can tell that this
is like direct to video type of a release it's

(05:30):
not something that got released on you know, the silver
screen or anything like that. But even when you're watching
the two versions that are available, either the YouTube version
or the two B version, when you watch the Shatner bits,
it's in four to three, So you know that it
was made and filmed for like a standard definition TV
back in the day, right, so not a widescreen TV,

(05:51):
just a standard box set that you would watch. But
when you get into actually watching the film, it is
in letterbox. But the letterbox is in the center of
the screen like a third the size of the main thing.
It's like the Grinch's heart before he suddenly decides that
he wants to help the kids and save all the presents.

(06:13):
It hasn't yet grown yet. And so if you're watching this,
I can just imagine on a standard definition television and
already and that's the presenting size that you're gonna get.
You're like, what the hell is this like on a
thirteen inch screen TV? You know, like that was the
big thing back in the day. I remember that I
paid like almost two hundred bucks for a thirteen inch

(06:36):
TV for my like college bedroom because it had component
outputs for the fucking PS two and the component thing
and s video and stuff like that, and I was
so happy about it, but it was only thirteen inches
and one of my first computer monitors. I was so
excited when I got a thirteen inch monitor because most
from like nine or eleven inches. I can't imagine having

(07:00):
this across my room and using that old CRT TV
that I had to watch this film, because it would
have pissed me the fuck off and I probably would
have turned it off now on a you know, nice
big screen TV, a good seventy inch or it looks
like it belongs on a regular like the regular size
for a thirteen incher, Like it was just so small,

(07:21):
and I was like, I don't I don't get it.
Why exactly is it like this? And the other thing
that honestly was kind of bothering me about it was
the fact that because I did not watch Head of
the Family in Minshatner vision, as I'm going to call
it from now on, I didn't watch it in his thing,
and I didn't realize that it had like commercial breaks

(07:46):
in between the movie, I guess from whatever channel they
were showing it on or whatever they were doing it,
where it actually broke up the movie, and he had
little skits in the middle of the movie and this
drove me crazy. And this as well, like you'd be
getting into it and you're like, oh, okay, and something's
about to happen and it's gonna change scenes, and all

(08:08):
of of a sudden, it's like a fucking jump scare.
There's William Goddamn shatter and his fucking like Frankenstein's Monster
type of dude hanging out with him the bartender behind
the bar, and they're doing some silly little skit behind
the bar. No, I'm William Shatner, and I'm here to
talk about laugh insurance. But it's not really, it's actually
death insurance, because this is a skitch that I'm gonna do.

(08:32):
And the funny thing is is that he himself was
Jesus Christ. It's hard to believe right now. He has
turned ninety four this year, right he was born March
twenty second, nineteen thirty one, So officially this year, in
twenty twenty five, he is ninety four. So back in

(08:54):
two thousand and five he was seventy four, and this
thing was filmed around that time. And to think that
he's still done a ton of stuff and that he's
still around and as coherent as he fucking is at
his age at ninety four is goddamn amazing as it was.
But even then, I would have thought that he would

(09:15):
in his goddamn fifties, right, and that maybe this was
done during the nineties when they did the Fright Night. No no, no, no, no no,
because Kiljoy itself came out in the two thousands, so
that must mean that these Fright Night presents were done
sometime around there, whether it was you know, two thousand
and two or two thousand and five. Matchine, if it

(09:35):
was two thousand and five, that means that at that
point he was seventy four years old. He was seventy four,
like and it's nuts because he doesn't necessarily look seventy
four in these like in this video. He looks like
he's again in his fifties, which I really thought, right,
which me in the seventies he would have been in

(09:57):
like his forties. Well, no, that can't be right, because
Star Trek came out the original series came out in
sixty six, so I would think that he'd be about
thirty five years old and he was doing that and
for some reason, like the back of my mind. I
always believe that Star Trek was more from the seventies
than it was from the sixties, which again, it just

(10:19):
blows my mind when I think about it, and to
think that Chatner has been like around for so goddamn
long in my life. I've known about this man since
I was in my fucking diapers, and the man is
still around to eight and ninety four years old. Once again,
he looks goddamn good. And if this again was done
in the two thousands, meanwhile he was in his seventies,

(10:41):
and in these little video clips that he does, he
looks pretty goddamn good for being somebody that's in his
seventies that really looks like he should be somebody in
his fucking fifties. It's ridiculous. It's absolutely ridiculous that this man,
what type of voodoo like bullshit does William Shatner do

(11:02):
to look this goddamn good and to see him in
these fucking like these movies, you know, it's it just
blows my mind. That means, when I watched like The
Journey Home or whatever, he was possibly in his fifties,
and whenever you saw the whatever, the Star Trek crossover
one fucking you know, my god, I can't believe I'm

(11:24):
gonna fucking say this right here. Patrick Stewart is ten
years ten years younger than William Shatner and looks thirty
years older than William fucking Shatner. This guy sold his
soul to the fucking devil. That's all I'm trying to
say here. Okay, the fact that you know Patrick Stewart

(11:45):
right now and he is still a smart fucking cookie.
Don't get me fucking wrong here. I love me s
Patrick Stewart, and I love what he does. And the
voice acting work that he did for American Dad is
some of the funniest shit that he's done, like out
of everything that he's done. When he does comedies, he
does a really good job in them as well. He's
also a great festpian actor and everything like that. But

(12:06):
you know, when I was watching The Next Generation back
in the day, fucking Patrick Stewart looked old as shit, right,
But then you look back and he was ten years
younger at that time then goddamn William Shatner. So he
must have been in his like goddamn forties when he
was doing that shit. Meanwhile, Shatner was in his fucking
fifties and looked way younger than goddamn Patrick Stewart. How

(12:30):
does that fucking work? And in the fact that you know,
he's a little crazier, a little more senile, which is
I guess appropriating somebody in their goddamn nineties. But still,
my god, like this has just blown my fucking mind,
like looking into this and realizing how old this motherfucker
actually is. But nonetheless, we're not here to talk about Shatner.

(12:51):
We're here to talk about, you know, kill Joy, And
this is a movie I've never seen. I have never
seen kill Joy before, and I don't know why I've
never seen this movie. And it's something I've actually thought
about doing for the podcast a couple of times, and
I just didn't bite the bullet because I just wasn't
sure if this was something that I wanted to do.

(13:13):
And so in doing this Charles Band stuff and looking
through the Charles Band movies, I finally decided I gotta
do fucking kill Joy. It's that time. We're gonna go
ahead and do it. I don't know a whole lot
about it. I see there's a killer clown on the box.
Let's go through it, and I wish, I wish to
god I had some trivia for you, because I would
love to have known a couple of things with this movie,

(13:36):
and why was it released in this specific way? How
do they do in the budget? And it's funny because
actually watching some of the Shatner stuff, it did talk
about it and did give you a little tidbits behind,
like it was actually filmed on the streets of la
to give it that, you know, more of a authentic,
I guess, gangster feeling, because once again, this film is

(13:59):
more of a blaxploitation movie than anything else. Does it
succeed it being a blaxploitation kind of It kind of does,
and from what I understand with the second movie in
the Killjoy series, it kind of does too. But it's
the third that kind of leans more towards like teen
Slasher and at that point becoming a little more leaned

(14:22):
on the horror comedy right, whereas this it was a
little more straightforward horror with comedic elements. They started turning
it because everybody really liked the kill Joy character that
they decide to go in that and make kill Joy
kind of your front and center. And the one fact
that I did learn about this movie that I think

(14:43):
it's rather interesting, and it's not specifically about the movie itself.
It's more about full Moon pictures, where a majority of
the Full Moon Pictures are centered around the killer or
the monster or whatever being like the main character of
the movie. And if it is going to be like
a silly monster, that it really is the focus. And

(15:06):
then you spend a lot more time something like Ginger
dead Man, right where you got Gary Busey being the
Ginger dead Man and that's the start of the fucking show.
But this movie doesn't focus necessarily, and kill Joy it
does and it doesn't right. And what I mean by
that is too is that it actually spends some time

(15:26):
in not showing you kill Joy until you really get
to have a look at kill Joy for the very
first time. And when you see him, it's good makeup.
I will give this movie this, like right away. It's
not something that I would talk about, you know, through
the whole thing, even though I would mention it when
I mentioned kill Joy. But the makeup in this movie
is relatively good, right for the budget that they have

(15:48):
kill Joy, his makeup is fucking awesome. It's costuming, kind
of generic bullshit, but the makeup for the face and
the teeth and everything like that is great. The acting
overall is good to fucking terrible. There really is kind
of no in between. There's a couple of people that

(16:09):
do a really good job and there's people that just don't,
that really really don't. And like you know, when I
went with the last movie with Head of the Family,
was like, actually, the acting was relatively good throughout, Like
there were a couple of bad ones, but in general,
I would call the acting good in this one. In general,

(16:30):
I would call the acting bad with the exception, honestly,
of two characters, one being killed Joy. Angel Vargas does
an excellent job in this movie portraying Killjoy like it's
perfect in that world of blaxploitation, right in terms of
the characters and the lines that he says, as cheesy
as they are, but it's an engaging character, and I

(16:54):
can see why people would want to see more of
these movies, even though supposedly the sequel didn't do so well,
but full Moon still said, go ahead, let's make a
third one of these films. I think it's one of
those things. While it's not on the level of your
like giant slashers or surprise slashers in terms of like
you know Art the Clown or you know Freddy Krueger

(17:15):
or Jason Vorhees or ghost Face, who should be even
in the conversation because it's not one person, it's multiple
people that are ghost Face. But I'll get away from
that point pretty quickly. And it's but it's still a
good performance and a very enjoyable performance when it comes

(17:37):
to it being a you know, this type of bad
horror movie that you've got here. Then the other person
that I would put on that list for the guys
that are here is William L. Johnson. He plays Lorenzo
in this movie. And I think that performance is really
good as well. And it's weird because when you know,

(17:58):
you go to imdbah shows you like the Top Build
cast and you see all the people that are there.
Of course, Angel Vargas is you know, Top Build is
kill Joy, and then you have Vera Yell as Jada,
and then you got Lee Marx as Jamal, which I
don't think that he should be so high. Dd Austin
as Monique, who again I don't think should be that

(18:20):
high in the casting order, and then you even have
like the guys that play t Bone and baby Boy
higher in the casting than William L. Johnson, and he's
more of an important character. The character of Lorenzo is
more important than majority of these other characters besides Jada
and freaking kill Joy that are in here. Michael, He's

(18:44):
not in it enough for him to be built higher too.
I just don't get the reason why in terms of
this like ranking of characters, and it's probably based upon
the credits, but even in the credits, I'd be like, hey,
you should put Lorenzo as maybe number four or five,
definitely above t Bone and baby Boy. Definitely of Kahara,

(19:07):
who I think is in one scene with Lorenzo. I
think that's the person that he ends up with after
things happen in the movie. It's just it's one of
those things, and the performance is probably one of the
better ones that's in there. I'm not calling, you know,
the guys that play t Bone and baby Boy like
that bad, but they're definitely not as important as Lorenzo

(19:31):
to even the script, Michael, you could say maybe he
should be above because it is an important character in
the movie. Monique can just get right the fuck out
of here. She should be lower on the list, but
I guess maybe she got paid more, or because she's
one of the you know, last three characters that are
going against Killjoy. I really don't fucking know. So, but

(19:53):
before we get to it, because we should just go
ahead and start getting to the film. Because again I'm
talking too much, because I spent too much time ratting
about William Shatner's fucking age. Why don't we have Shatner
present us with the opening that he had for this movie,
and he'll let us know a little bit on his
thoughts about what we're going to be getting into.

Speaker 4 (20:14):
Yes, how many times have we heard that sound? In
films and on television the cops are always going after
the bad guys. But in the world of horror movies,
that sound can mean a monster's on the loose, or
someone's just been killed.

Speaker 5 (20:29):
By a vampire, or a werewolf is eating t J. Hooker. Oh,
crime and horror.

Speaker 4 (20:36):
These are the genres that come together in Tonight's movie.
I'm William Shatnan and this is fright Night. Tonight's movie
is Killjoy, a tale of modern horror in a city neighborhood.

Speaker 5 (20:49):
It's a story about revenge, all wrapped.

Speaker 4 (20:51):
Up with black matches, street gangs and a batch of crazy,
mixed up killer clowns.

Speaker 5 (20:57):
Wah, how whoa baby? You've been nipping on the ice
of propol?

Speaker 6 (21:01):
Have you?

Speaker 5 (21:01):
Now give me the acts? You can have it back
after we watch with the first part of the movie. Tonight,
come on, give it to me.

Speaker 6 (21:07):
That's right, you.

Speaker 5 (21:08):
Know the rules.

Speaker 4 (21:09):
No head chopping to laughter the first commercial, right, right, yes, okay,
why don't we fight out who lives and who dies?

Speaker 5 (21:18):
And kill Joy?

Speaker 1 (21:19):
Okay again, mister Shatton. Right, and now I realize that
you're in your seventies, but there's not multiple clowns in
this movie. There's one demonic clown in this movie, and
that's Killjoy. I don't know why you talk about multiple clowns.
You probably are on contract to be like, look, I'm
not doing multiple takes. You're getting one. That's fucking it.
But there we go. So he's talking about miss mixing

(21:43):
crime and drama and horror into a movie. So you
get an idea of maybe what you're getting into, but
you definitely don't know what you're getting into when you
get into Killjoy. So the movie just kind of starts
off with a title card sequence that honesty isn't bad
for what it is. It's just kind of killjoy in

(22:03):
the background and a bunch of different like you know,
old two thousands era like CGI and flashing the letters
on the screen, and surprisingly enough, you know, it works
to an extent, but I think it goes on for like,
way too fucking long. And I also realized during the
credits as well, it does say with the dude that

(22:24):
plays Lorenzo, So that's probably why he's by like so
back right like he's doing the film, maybe a special
favor or something like that. Makes me wonder what else
he's been in, which there's not a lot of movies
that he I would even know that he has, but
he's been doing. He's got three movies that are upcoming
absence of a heart suppressed in the Fairytale Nightmare that

(22:47):
he's doing right now. The last movie they did was
I Left My Heart in Columbia, a heart that forgives
to the battle within. He's in Kings of La Hustle
Three Love Bugs, which was a short eye for an
eye like he's He's been in a lot of movies,
to be honest with you, and nothing that I have

(23:07):
really even wanted to see. It seems like maybe he's
done a lot of like, you know, those types of
movies that you have out there, you know, with the
ones I'm talking by Tyler Perry, Like those type of
things where there are specifically black movies that are out
there to empower black people and to give them a
sense of community and of higher faith in God. That

(23:30):
those movies, you know, those religious nut movies about relationships
and shit like that. Maybe those are the types of movies.
I don't really know. Maybe I'm just guestimating, but that's
kind of what I'm seeing. Some of the titles they
kind of look like. And maybe that's why he doesn't
want to be associated necessarily with Kiljoy, even though this
is probably gonna be the movie he's most remembered for,

(23:52):
because horror movie nuts are freaks, and we remember everything
when we really like something, even the minor people that
are out there. Just like the time that I went
up to Christopher Titus and told him he's in my
favorite movie of all time, Killer Clowns from Outer Space,
to which he promptly told me I can't get away
from that fucking movie, which is probably one of the

(24:12):
best moments of my life, to be honest with you.
So the movie itself opens on Michael as he's walking
down the street in his backpack and his glasses and
he's definitely our nerd of the film. And that's when
we cut up to Monique and Jada as Monique is
displaying her superior great singing techniques that she has that

(24:34):
makes her so much better than Jada and just makes
me want to fucking rip my ears off.

Speaker 7 (24:40):
Such a simple thing.

Speaker 8 (24:43):
Crazy. Oh, don't hate me because IM seeing better than you. Whatever, curl?

Speaker 7 (24:49):
Did I tell you that I saw?

Speaker 8 (24:51):
How I came on the way to the grocery store yesterday?

Speaker 1 (24:55):
What happened?

Speaker 7 (24:56):
That boy has eight fan?

Speaker 9 (24:59):
Okay, I was walking home from the grocery store yesterday,
right how Ken bows up in a red Mustany convertible
and ask me if I needed.

Speaker 5 (25:07):
A ride must Stay convertible.

Speaker 3 (25:09):
That's right?

Speaker 8 (25:11):
And what happened next? Well, I got in his car,
he took me home.

Speaker 10 (25:15):
Then he dropped me off and asked me for my number?

Speaker 11 (25:20):
Did you give it to me?

Speaker 3 (25:21):
What do you think? Hell?

Speaker 8 (25:23):
Yeah, I gave them all my numbers.

Speaker 2 (25:24):
Two s stay duote.

Speaker 12 (25:27):
You never know when I may need a ride home
for school whenever I'm laid for the bus.

Speaker 3 (25:31):
Mmm.

Speaker 8 (25:32):
You know you're wrong using that boy for his ride.
I could getting tired of walking.

Speaker 13 (25:36):
Ain't nothing wrong with asking about out for some help.

Speaker 7 (25:39):
I'm s all right, I'm serious.

Speaker 10 (25:45):
Oh my god, girl, the who's coming.

Speaker 5 (25:58):
Him? Monique?

Speaker 3 (25:59):
Hi? Jada?

Speaker 2 (26:01):
Hi, Michael?

Speaker 14 (26:02):
What the hell do you want me?

Speaker 5 (26:04):
No?

Speaker 15 (26:04):
No, it's cool, Jada.

Speaker 14 (26:08):
Look, Michael, if Lorenzo finds out that we've been talking
like this, he'll kill you.

Speaker 11 (26:15):
I'm not worry about it, so that's cool.

Speaker 8 (26:17):
Well, you better start worrying about it, Punk, unless you
want to.

Speaker 7 (26:20):
Go home in a body you don't need you.

Speaker 16 (26:23):
Look, Michael, Monique's right.

Speaker 14 (26:26):
I think you should go home.

Speaker 7 (26:27):
Now.

Speaker 17 (26:31):
Listen, Jada, I need to ask you one question then
I'll leave.

Speaker 8 (26:35):
Okay, what's up?

Speaker 13 (26:38):
I like to know if you'll go to the homecoming
dance room?

Speaker 7 (26:40):
What, Michael, I can't listen?

Speaker 8 (26:47):
Oh shit, girl, here comes Flement though.

Speaker 1 (26:51):
Okay. What we don't know here in this situation that
we're going to learn just a second, is that Jada
at this point in the movie is Lorenzo's girl, and
he's going up to her and he's asking her to
the homecoming dance, when he should know that her boyfriend
is a badass gangster. As we see him slowly rolling

(27:15):
up in his Gangsto mobile as he's got going there,
smoking on his big old stoga that he's got over there.
I don't know why I'm going into the southern accent,
because I don't want to do a black exploitation podcast
where I pretend to be a brother all right, So

(27:36):
you're going to get my southern man voice instead, because
that's the only thing that I can do right now,
and I don't know how to break it. But nottheless,
like they're rolling up, they're fucking smoking their weed, they're
you know, bouncing the car a little bit as they're
coming by, you know, and he looks like all door

(27:58):
key because he's got the glass says, you know, fucking nerd.
You know that type of reaction that she should have
to him, and Monique. I love how she's just look
who's coming up over here. You don't want to be
messing around with that nerd. Uh uh, girl, you got
yourself somebody better, somebody hunky. I like how too she's

(28:19):
talking about These people are supposed to be thinking high
school at this point, talking about taking the bus and shit,
unless they're in college, I don't know which way or
the other. I'm assuming high school, like they're like towards
the end of high school. Maybe they're seniors. And she's
talking about getting a boy's number just so that she
can get rides home, and she gave the boy her
number just in case, Like this is the age where

(28:43):
there are no cell phones at least. Cell phones at
this point in time are fucking expensive as shit, and
barely any people have them except for the people that
are really special. And if you had anything for somebody
to contact you, it was a goddamn pager, which we
are going to see in this movie. Surprise as shit
to see the pagers, because I think even in two
thousand at least some people would have like cell phones

(29:06):
in the movies. But it was nice to see an
old piece of technology in these things. Now, kids, if
you don't know what a pager is, pager was a
little black box that you used to carry around on yourself.
And sometimes the doctors today will still carry these things
and you would just dial it in and then you
would just basically beep somebody. You would page them. Okay,

(29:27):
they used to call it a beeper too, back in
my day, and so you would get it, and then
you'd have like a code for your friends. So when
you page them and you put the code on there,
then they would know it was you calling and they'd
call you back right And then if you put nine
to one one, it meant that it was an emergency,
and so you had an emergency code. So your code

(29:50):
or emergency means call me the fuck back. Something is
going down, either you know, maybe I've been shot. Maybe
there's some bitches over here that you're gonna want to fuck.
Maybe there's a dude that needs to take you home
because you need to ride home with the bus and
you don't feel like taking the bus today. Whatever you need.
But the fact that she's just like that's the only

(30:10):
reason that she gave the dude her number is like,
fuck you, all right. See, there's been women that have
been like using men for rides and for dinners ever
since the fucking eighties, at least, or whenever this movie
takes place, if it takes place in the two thousand,
or it takes place in the nineties, more like the
nineties than anything else. Since this was released in two
thousand but still like it's kind of messed up that

(30:33):
you're gonna use somebody, And even Jay's like, girl, you
shouldn't be doing that. What I get tired of walking?
I just want to make sure that I got a ride.
And you don't think that he's gonna want anything, not
like I'm gonna get anything. I'm just gonna keep leading
him on. Maybe I'll leave a pair of panties in
the car one of the days and he thinks that, oh,
he's eventually gonna get some because I left the panties there,
but realize that it's not my panties. It's my grandma's draws, okay,

(30:58):
and they're gonna be granny panties. You need to be
happy to get them granny panties anyway. So then I'll
keep getting my rides. And then the next time that
he's gonna go for something, now I'm gonna leave something
else there. Maybe I'll leave a condom wrapper in the car.
I don't know. Maybe i'll leave a pregnancy test that's positive,
and then he'll be like, oh, I don't want to
mess with that chick, or he wants to be a

(31:20):
good daddy, so then he's gonna go ahead and be
a good daddy to me. You never know, and he's
gonna keep getting rides because he knows I'm pregnant, even
though I not. Because you know whose test that is?
That's right, it's Latitia's from upstairs. All right. It's not mine.
It's never gonna be mine because I ain't never gonna
have no babies. It's just it's not my type of

(31:40):
thing to do. But I will use a motherfucker, that's
for sure. Anyway. So you know they're standing out there,
and then who rolls up? Of course it's Lorenzo, it's
t Bone, and it's baby Boy. Even the names of
these characters, like Lorenzo's fine, baby boy, for I don't
know the mixed Mexican white, I really don't know. I

(32:02):
like he seems like he's a white guy. Kind of
talks like a white guy. But that mustache he has
on his face says vato to me, all right, like
he belongs somewhere, Especially those baggy pants. He looks like
he's got his socks up to his fucking knees. And
in case he didn't know the higher the socks, the
Devin or the Foo. All right, So now you know,
and so I don't really know what's up with it.

(32:23):
I couldn't really tell. But anyway, they roll up altogether
and they go ahead and proceed to fuck Michael up.
Lorenzo is all pissed off that Michael is talking to
his girl. So t Bone goes up there and like
socks him in the face and throws in the ground,
and then he starts like kicking the shit out of him. Meanwhile,
some old homeless bum over there on the side is

(32:44):
watching Michael get the ship beat out of him. Just
kind of looks a little way.

Speaker 18 (32:48):
Oh boy, I told him to stay away from Dreda.
I can't believe he wouldn't listen to me, even though
he doesn't know who the fuck I am. Maybe I
just drank too much last night and I talked to Michael.

Speaker 1 (32:59):
Get him good. You know, she looks like a good
piece of pussy. But when you're dealing with a man
like that, like Lorenzo over there, he's gonna keep that
pussy as close to him as humanly possible. There's no
other way you're gonna get in there and get that
piece of pussy. All right, You're gonna think you can
get it and you're gonna think, man, I wonder if

(33:21):
it's shaved. I wonder if there's a landing strip. I
wonder if it's.

Speaker 14 (33:24):
All not trial.

Speaker 1 (33:25):
It goes all the way to her feminine taint. But
you need never gonna know, because Lorenzol is the type
of man that will pistol whip a motherfucker so hard
that you won't know what's fucking coming. You're just gonna
get in a bow. It's gonna hit you right in
the face, and then you're gonna have wesson that's gonna
be imprinted on the side of your right sheet, and

(33:48):
the left it's gonna be smith and in the middle
it's gonna be a cock in your mouth. Because you
know that man's been to jail and the only way
that he can get off if he forces somebody to
suck his dick. And I'm not talking about a woman
doing it.

Speaker 2 (34:02):
I'm talking about a young new bow nerd like your shelf.
So stay away from him, Michael, stay away from Jada
and stop thinking about that push.

Speaker 1 (34:14):
And I'm pretty sure that he didn't talk to him
like that, but you know if he did, he would
have given that type of sage advice. So you know,
Lorenzo looks on at him as he's getting the shit
beep out of him. He's got his like toothpick in
his mouth, and then he in he has like flip
flops that he's got on. Yeah, he's wearing like sandals,
open toad sandals, and he goes and steps on the
glasses that poor Michael has. As Michael looks back and

(34:39):
then looks back at the holdless man just looks at
him again like, na I wasn't gonna help you out now,
you know, you know, you're just gonna get your ass kick.
So Michael lies on the ground and decides to get
up and leave and looks back and then it fades
away as Jada is crying out to him and like, oh,
I can't believe that happened to you. But you told him, Jada,

(35:00):
you told him not to mess with her and not
to talk to her because if Lorenzo finds out, he's
gonna kill you. So from here then we go back
over to Michael's homestead as Michaels decided that he needs
to go ahead and set himself up a little circle
of candles and call upon the powers that be to
deal with Lorenzo.

Speaker 17 (35:23):
Jada should be mine now and fathermore. No one can
come between us, not even Lorenzo. By the power invested
in me. I bring forth kill Joy, Come alive, kill Joy,
come alive, Come alive, kill Joy, come alive, Come alive,

(35:58):
kill Joy. Come along, Yo, Michael, come alive, kill Joy,
come alive.

Speaker 19 (36:06):
For a second, man, Yo, Michael, I just not be
a friend, man, Michael, come down here for a second.

Speaker 13 (36:16):
Need to talk to you. I ain't gonna hurt you,
I promise, Hey, Michael.

Speaker 19 (36:22):
And all I know all that bullshit is going on. Man,
I know how Jada feels about you, So come down
here for a second. I just want to be a friend.
Come on, Michael, dude, just come down here for a second. Man,
I just need to talk to you.

Speaker 2 (36:39):
Come on, man.

Speaker 7 (36:41):
Cool.

Speaker 1 (36:42):
So, yes, Michael is busy having himself like a little
seance summoning circle, whatever the fuck you want to call it,
so he can call forth kill Joy, the demonic clown
to take care of Lorenzo, so that Jada kill me
his because that he sees things, she should be his.

(37:04):
How do you know does she actually have feelings for you, Michael?
Does she actually give a shit about you what if
she actually is in love with Lorenzo even though he's
a fucking asshole, because we know that there's a lot
of women that think exactly like that, even though these
people are fucking idiots, and to abuse the shit out
of them. Oh no, but he loves me and he

(37:26):
wants to be with me, and he said he was
gonna take care of me and we were gonna be
perfect together. It don't matter what he does. It doesn't
matter that he's got seven baby mamas after we've been
dating for two years. No, it don't matter. He don't
love them. He loved me. Okay, I guess I am
getting to black exploitation for this, so please excuse me.

(37:50):
You know, they're just people out there that are fucking stupid.
It goes both ways. There's fucking men that are idiots
over there. Oh she said, she only you know, kissed him,
didn't do anything else. Even though she didn't come back
until four in the morning that night. It doesn't mean anythings.
She still loves me, even though she don't want to

(38:10):
sleep in the same bed as me. She forces me
to sleep in the couch. I clean, I cook, I'm
the only one working right now. I pay all the
bills in this place. I take her out to do
her nails whenever she wants to do. Whatever gift she wants,
she gets. This isn't a sugar baby relationship that has
got going on. It's true love. I mean, Daniel, he's

(38:31):
just a friend, Okay. He comes by everyone now and
then because she needs help. She just gets stuck in
the dryer every time she tries to do it. That's
why I do the laundry. She doesn't have to do
it anymore. That way, she doesn't have to call Daniel.
But then she tries to the dishes to be nice,
and she gets stuck in the dishwasher. I don't know
how she does it, but she's constantly in there. And

(38:53):
that one time I came home and she was naked
lying in the bed and I heard somebody jumping out
the window because the window upstairs crashed. I mean, that
could have been anything. It could have just been a bird,
like she said that was coming. She's not doing anything
to me. We are in love, and I'm never gonna
leave her and she's never gonna leave me. See that

(39:14):
shit can happen both ways. But nonetheless, it's just it's
so ridiculous that he's like, she has to be mine,
and the only way to do it is by killing
fucking Lorenzo. And if I can kill Lorenzo, and the
best way to do it is with a killer clown.
And he's got his little clowned all there that looks
exactly like what kind of what Killed Joy's gonna look like,

(39:36):
except for actually, I think the outfit is exactly made
out of the same material. So maybe it is just
a perfect representation of what killed Joy is gonna look
like in this movie. And so, you know, baby Boy
comes up to the house and he's like, hey, Michael,
I need to talk to you. It's not gonna be
anything bad. There's nothing that's gonna go wrong. Man, come on,

(39:59):
let's go hang outside. Let's go get some tacos. We
can go get some Casadilla's or some shit like that.
You don't know what I am. I like Mexican food,
but maybe I don't say it right. So am I white?
Am I Mexican? You'll never fucking know? But my socks
are high. And I love watching The Golden Girls because

(40:20):
that is a very Mexican thing too. Let me fucking
tell you about that. Uh, but nonetheless, Michael instead of
being like, I ain't fucking going out there, he's a
fucking idiot. And what does he do? He goes outside,
and he looks around. There's nobody there, and then what
happens t Bone and fucking baby boy kidnap him as

(40:41):
Lorenzo drives up in his car that they've got hiding
out there on the side, and to decide to take
Michael for a nice little fucking joy ride. This is
your fucking fault, Michael. Whatever happens to you is your fault.
Why would you leave the house? You know who he's
associated with, You know that he probably wants to kick
your ass, But no, I need friends. He just wants

(41:04):
to be my friend. And he told me he knows
how Jada feels about me, and Jada has to be mine,
so I should go outside. And then of course they
take him for a ride, and they take him into
the middle of nowhere, where Lorenzo threatens him with the
gun he brought. But unfortunately, even though Lorenzo thinks that

(41:24):
the gun isn't loaded when he's threatening him, it turns
out he ends up fucking shooting him.

Speaker 11 (41:30):
He shut the fuck up, man, do this pump.

Speaker 14 (41:35):
No, Lorenzo, just play with this punk ass.

Speaker 13 (41:39):
No fuck deck handle yours?

Speaker 14 (41:43):
Get you what I said?

Speaker 13 (41:45):
How many times I've told you to stay away from
a girl?

Speaker 6 (41:48):
Man?

Speaker 7 (41:48):
Huh?

Speaker 11 (41:49):
How many times?

Speaker 13 (41:52):
Too many damn times?

Speaker 7 (41:53):
Not so many times?

Speaker 13 (41:55):
So many damn times?

Speaker 2 (41:56):
I lost count, Lorenzo, Man, please, please.

Speaker 11 (42:02):
Man, this punk is crying.

Speaker 2 (42:06):
Fuck guy's buster?

Speaker 6 (42:07):
You know?

Speaker 13 (42:09):
Rings up? She showed Mer to Mikey. Here what we
do the busters? Man said, oh, sorry, man, it won't
happen again.

Speaker 6 (42:21):
I know it.

Speaker 11 (42:22):
Don't get down what you're doing now? The rest of
what you're doing? What the fuck it look like?

Speaker 3 (42:34):
Yo?

Speaker 13 (42:35):
I thought you were just gonna pucker? Man said, oh
sorry with you dog man? What the fuck y'all drumbling up?
Fuck dog enough?

Speaker 11 (42:43):
Don't it's enough? When you right, y'all, I'm saying, like.

Speaker 20 (42:49):
A little bitch man, we did what we had to do.
Let's go dog Oh man.

Speaker 11 (42:55):
Man, please, it's not necessary. It's necessary for you to die.

Speaker 1 (43:01):
No. Oh, that ship wasn't warn you, man.

Speaker 21 (43:04):
I thought you were gonna cap.

Speaker 6 (43:06):
Me too, mad man? What man? Y'all?

Speaker 11 (43:08):
Some busters?

Speaker 17 (43:09):
Man?

Speaker 6 (43:09):
For real?

Speaker 5 (43:10):
Though?

Speaker 11 (43:10):
Man, look really though, I was just playing with Joe.

Speaker 3 (43:14):
Punk ass, Get up?

Speaker 13 (43:17):
Get your punk ass up, Michael, get your ass up.
If you know what's good for you, come on, cuz,
get up.

Speaker 3 (43:28):
Man.

Speaker 22 (43:28):
You really didn't think I was I was gonna hurt you, now,
did you?

Speaker 3 (43:32):
Kid?

Speaker 21 (43:36):
No, y'all Lorenza, Enough is enough, though, man, will y'all relax.

Speaker 11 (43:48):
Man, this ship ain't loaded anyway.

Speaker 1 (43:50):
Man, Well, I guess it was fucking loaded because you
just shot Michael in the goddamn chest. And honestly, this
scene is pretty good. I actually really enjoyed. The way
that it's done is the acting the best. No, does
t Bone need to have a constant lollipop in his
mouth that he's constantly sucking on and pulling out of
his mouth and putting it back into his mouth. This

(44:11):
guy's got a really big oral fixation, by the way. No,
it doesn't necessarily need that, but in terms of setting
up the movie and creating a little bit of tension
and the way, like I said, I do really like
the dude that's playing Lorenzo, I do like William Johnson
very much in this movie. It's one of the better
characters in this movie, and this shows it off, like

(44:33):
right away, you know, he does a pretty good job
and being intimidated and then when he like pulls the
trigger and it just clicks and then he kind of
like plays it off. It's pretty goddamn well done. I
commend it, you know, and again in this type of budget,
for this type of movie, this raw, this independent, like,

(44:55):
the acting isn't that bad, right, It's something that you
could stomach if you're just watching this movie to watching
and hoping that it turns into it's a so bad
it's good horror movie. You could definitely do with way, way,
way worse acting than this movie. And so of course
when he finally does, like he pulls the trigger once

(45:16):
and it just clicks, and you know, then he's kinda
laughing about the whole thing, and they're all just like, oh, man,
I can't believe you were gonna do this type of
bullshit and what was going on? I really thought you
were gonna kill the motherfuck over there, and they try
to have him like get up, and you know, of
course all the dialogue itself is because this and man
that and all this stuff, like it's very stereotypical like

(45:38):
late nineties like gangster talk that people would use to
write movies and everything like that. While it does feel
somewhat authentic. It's still pretty stereotypical dialogue here. But the
thing is is that you know, I knew people that
did talk like this. Wasn't all the time that they

(45:59):
talk like this, but sometimes it was to like get
that big like machismo stuff going up. When you were
just kind of one on one with them playing fucking
Mario Kart. Everything was just normal conversation that you would have,
and then there were around specific people that they wanted
to like I wouldn't say, feel bigger with or maybe

(46:19):
show the muscle or the toughness or something like that.
Then these types of like pieces of dialogue would pop
out right, So I get it. At the same time,
I'm kind of like, eh, it's still pretty bad in
its stereotyping the way it is. And so he tries
to prove, oh yeah, you know, well just do it again,

(46:40):
like you really scared him once and then he's down
on the ground, doesn't want to get up because he
thought he almost fucking died because you almost shot him
in the back of the head. And then you force
him to get up, and then, you know, Lorenzo, you
decide to go ahead and prove once again, that the
gun isn't loaded, and then it happens to be loaded
like you were. You know, Oh, I forgot it was
rushroom Tuesday. I was supposed to go down to the

(47:03):
big back alley room over there where there were all
the Vietnamese guys that were sitting around. You know, we were
gonna sit at the table. I was supposed to bring
this revolver for the big event and just see whether
or not they were able to kill each other. And
god damn it, I must have left my unloaded revolver
back at home and not left it here. God damn it,

(47:23):
I took the wrong one. Now they're gonna be fucking
pissed at me because nobody's gonna win that fucking Russian roulette.
They're just gonna keep going around in circles again, click click,
goddamn it. We have been doing this for three fucking hours.
Won't do one of you kill the other guy? Pretty soon?
We're just going to use knives. We're gonna have a
standard knive five back here, and this is the way

(47:45):
we're going to do everything, all right now, fucking use
the gun. Somebody pulled the fucking bullet and somebody blown
with their goddamn brains out, please please, for the love
of God, and so they ended up shooting him and
then they just like walk away. It's weird because they
kind of like, oh shit, we killed a guy, but
they don't like they're like, they sound scared, but they

(48:08):
just kind of walk off, like into the distance, into
the fog. And that's basically it, right. We then cut
away to one year later and now Jada she's going
to study with her friend, her classmate, Jamal, and they
begin to talk about everything that's going on, and this
is where we find out that Jamal and Jada are

(48:31):
now kind of seeing each other. After one year, her
and Lorenzo broke up and she's moved on to Jamal
after the whole death of Michael thing. And I also,
the one thing that I don't get in this whole thing,
from what it sounds like, is that everybody, at least

(48:51):
within this group knows that, you know, Lorenzo killed Michael,
but he's still roaming for some reason. I guess, well,
you know, the old saying goes that you know, bitches
get no, no, no not. That's the one that's the
one that Alvirah was told by, you know, Tom Jones

(49:13):
when he took her virginity and he broke her vagina.
But that's a story for another podcast. No no, no, no, no.

Speaker 17 (49:19):
Uh.

Speaker 1 (49:19):
Snitches get stitches. That's what I meant to say. Snitches,
not bitches, get stitches. Snitches get stitches. So I guess
nobody would have really told on him, even though they
all knew that he killed Michael. I guess. I don't
really fucking know. But now Jada and Lorenzo are no
longer together, and she's shown interest in Jamal as they're

(49:42):
going into their study group together, and we get some
of this Jamal and Jada shit with possibly the most
wooden actor and possibly actress in the entire film.

Speaker 11 (49:53):
What is it?

Speaker 3 (49:55):
I don't know.

Speaker 11 (50:00):
You can tell me.

Speaker 17 (50:03):
I don't know.

Speaker 23 (50:04):
I I guess.

Speaker 11 (50:06):
Lorenzo your ex. Yeah, didn't you guys break up a
year ago?

Speaker 8 (50:13):
Yeah, but that doesn't mean anything.

Speaker 7 (50:16):
I still have feelings for him.

Speaker 11 (50:18):
Why Jada, give me a break, Paul?

Speaker 14 (50:22):
What am I supposed to do?

Speaker 7 (50:25):
He took my virginity when I was with him.

Speaker 14 (50:27):
What am I supposed to just forget about him?

Speaker 3 (50:29):
Just like this?

Speaker 7 (50:31):
I can't, Oh, I try, I just can't.

Speaker 24 (50:36):
I don't see what you seeing him, Jada, he ain't
nothing but a cold blooded killer. Anyway, you need to
be thinking about Michael. You gotta get over him, Jada,
You got to.

Speaker 23 (50:55):
I know.

Speaker 11 (50:57):
He's not even thinking about you anyway.

Speaker 3 (51:00):
You're right, you know you're right.

Speaker 11 (51:04):
I know I.

Speaker 24 (51:04):
Am, and I also know everything that's gonna be all right.
I'm here when you need me.

Speaker 1 (51:11):
Okay, Now, how about I give you some hot dickens
because that's exactly what's gonna happen next. Like, literally, they're
sitting there and they're talking. Then he goes over to
kiss her, and then she gets up and that's when
she has these reservations about getting into a relationship or
fucking jamal. Right, it literally is just fucking jamal because

(51:34):
you don't know if these two are dating, you don't
know what the hell is going on. It's just a
study that they're supposed to be doing. And he's asking about, Oh,
what did the teacher want us to do? Would they
want us to look at? Was it chapter twelve?

Speaker 18 (51:47):
Oh?

Speaker 1 (51:48):
You know the chapter on female anatomy shows me where
the clytoris is. This is math, This is not science.
What the fuck are you talking about? Well, you know,
miss Anderson. She said, to do uh, chapter twelve of
the Karma Sutra. You know the helicopter, because I know

(52:10):
how to do that. No, I believe we're supposed to
be studying for the uh yeah, that's right, calculus test,
not the dick test. Oh, come on, don't tell me.
You don't want me to get my dick wet right now? What? What?
What do you think? I'm just here, just hanging out
and studying with you and not expecting it. I just

(52:31):
fucking kiss you. What do you think I'm expecting? But
I'm not that easy of a girl. I'm still thinking
about Lorenzo. Why would you be thinking about that fucker
over there? Well, he did take my virginity. Okay, how
am I supposed to forget? You're just supposed to forget it?

(52:52):
What do you mean I'm just supposed to forget. You're
supposed to just fucking forget it and just start fucking whoever?
I'm I mean, I don't know it was Lorenzo. Is
there there's something more than just him taking your virginity? Well,
his dick was much bigger than yours, if you really
want to know the truth. Oh right, that's where it

(53:15):
comes from. All right, Just because I'm only the second
dick that you've ever seen, you automatically think that that
dick is better. All right? What is up with you women?
All right? Haven't you ever heard of the motion in
the ocean? All right? Haven't you ever heard? It's not
about the size that counts. It's about the pleasure I
can give you beforehand? Have you been eaten out by

(53:37):
a clown before? I mean, I can put on some
face paint and get some funky hair over here. You know,
I've got some green hair in the closet because I
used to be a crusty to clown cosplayer until one
day they told me that black people can't be crusty.
But then I told them, hey, cosplaying is not about
your skin color. It's about how well you do the cosplay.
All right, that's the way it should be. But they

(53:59):
still kick me out room my dreams. No, it can't
be crossed with the clown no more. But I can
still do my great little impression. Ha ha, See isn't
that like fucking flawless? But nonetheless it just still seems
so ridiculous to me. I get it. There are ties
you remember your first time, no matter whom it was,
whether it was with your boyfriend, your girlfriend, or your

(54:20):
other you know, and the very first time that you
lost your virginity to somebody is something either horrific or
special or magical, or was done as a favor to
you or whatever it was. It was a gift. Maybe
it was like a Christmas present from somebody. Who knows
what the hell your first time was like, but most

(54:42):
people fucking remember it because it's some like big life
changing event that you have, like the very first time
that you went into double digits, or when you graduated
high school, when you had your first child, when you
were married, when he graduated college, when you got fired
from first job, when you got kicked out of that
one bar late at night because you kept playing Guns
n' Roses Paradise City ninety five times on the jukebox

(55:04):
and people were getting tired of it. Then you mixed
in one What's New pussy Cat and everybody was relieved,
followed by another fifty Welcome to the Jungles. So you know,
you could do those things and you can remember that,
but you know, what was that going on here? Oh?

Speaker 18 (55:20):
Oh?

Speaker 1 (55:20):
I was remembering past experiences and trying to forget them
at the same time. But nonetheless, I just that I
guess if that's like your first love and it's been
a year since you broke up with that person, now
get into a new relationship. Maybe it wasn't a year
when you broke up with them, maybe it was like
two months ago. And here comes, you know, wooden actor

(55:41):
McGee over here. Wanted to get in your fucking pants
because reasons. And you guys are studying together and you're cute,
and he thinks he cute, but he looks like an
adult version of Gumby. You know, these things could happen,
and for some reason, Jada falls for his charms. It's

(56:01):
just it's weird to me that there's like no setup
other than hey, we're studying together. And then there's like
an awkward moment where he's like talking about things and
making little innu windows and she's like, what do you mean?
And then they give each other the look in the
eyes and he leans over and he kisses her because
maybe he's had the hots for her for a while.

(56:21):
But it's not really explaining or talked about or anything
like that. It's just like, I kissed you. You need
to forget about Lorenzo and start thinking about Jamal and
what Jamal has to offer for you, and that right
now is this fucking dick to which eventually, like I said,
she does give up, right, she does give up, starts
making out with him, and then we go and see

(56:43):
what Lorenzo in the gang is doing over in Lorenzo's hood,
And of course they're doing a nice bit of rapping
for our movie.

Speaker 3 (56:52):
So check out the lyric.

Speaker 13 (56:53):
Guess I'll bring it as you hear it. You Beta,
grab your girl because I'm a rock whole world. Don't
be stepping to me to wrong way the wrong.

Speaker 25 (57:01):
Time because you know I'm about to kick that brun
You better get that hit right baby, past that ship
because I want to take a.

Speaker 19 (57:07):
Hit, get real high and forget about that ship. Now.

Speaker 20 (57:14):
You want to wrap past the blunt so you got
is down t to the bet oh n double e.
Lay you on your back for free, no feet. When
they see me coming, all them busters flee. Who the
hell I beating the Tory stove chit.

Speaker 3 (57:31):
Y Yeah, I look.

Speaker 24 (57:39):
Good man man, pass me the blunt man with too
greedy ass.

Speaker 13 (57:43):
This is raggedy ass ship. Forget you cuz, hey man,
what's up with you and that female for the.

Speaker 1 (57:50):
Night, And so of course what are they rapping about.
They're rapping about fucking and smoking weed and doing whatever
the fuck it is. And then they start talking about
a girl that Lorenzo is possibly seeing. I don't know
who the fuck this girl is. She's somebody in the film.
She has a name. I don't know if she's Kahara.
I don't know if she's Tamera. I don't know if

(58:12):
she's Yolanda, la Quisha, Ladesha, whatever name that I can
think about as a stereotype. Since we're doing stereotypes throughout
this whole fucking movie, you know, she could be anybody. Meanwhile,
while he's talking about getting paged and going to fuck
this chick, we watch Jamal and Jada fuck and you

(58:32):
know this one. There is no nudity on this scene,
in particular, probably because the actress that plays Jidda didn't
want to bear tits, which perfectly fine. You don't have to.
You don't always need nudity in all these scenes. It's
just always weird whenever you see like two people fucking,
whether it's in a movie or it's in one of
those special movies. That paranormal pat showed me the other

(58:55):
week that these people will like keep their tops on,
and it's just like, why wouldn't you just like show Okay,
I guess if you have like humongous boobs, right and
they just kind of flop everywhere whenever you get excited
and all that stuff, like maybe you'd want to like
keep them balled up for a quickie. But if you're
gonna have like a long, passionate fuck, wouldn't you want

(59:18):
those puppies out? Wouldn't you want him to play with
those big ass pillows that you've got right there? At least,
you know, maybe you won't be on top. You could
just be on the bottom for a bit, Like Jamal's
on top of Jada here, but she don't have those
pillows that he she has, you know, or that this
imaginary girl in my head has, you know, And who

(59:38):
cares about, you know, the size of boobs, because a
boob's a boob. That's just the way that it is.
And men are always gonna be like boob, just like
that goddamn dog and up, you know when he sees
the squirrel. It's like literally, I think for most men,
you could just flash them any type of tit and
they would just be like, oh what was that?

Speaker 2 (59:58):
What was that?

Speaker 1 (59:59):
Oh my god? I think saw another one. Oh my god.
Like even when there's like side boom, like you go
to you know, a beach, or you go to a
water park and you know, you got some people that
are just wearing their shirts. You get a wet T
shirt contests something like that, and like a little bit
of water goes over there and you don't get to
see the nipple through the shirt, but you just get
to see like the boob through things. They're just like

(01:00:19):
it's all of a sudden, it's like spidy sense. Everybody's
head turns boob. That's if they're into boobs. By the way,
if you're into something else, I don't know, if you're
into like testicles or something, and somebody has a wet
white boy short contest or something like that and you
go over there and you see like half a testicle
pop out because it got wet, maybe you'd be the
same thing. Balls you know, some shit like that. I

(01:00:39):
don't fucking know, whatever floats your fucking boat. But nonetheless,
so what was I going with it?

Speaker 7 (01:00:45):
Oh?

Speaker 1 (01:00:45):
Yeah, it's weird for people to leave clothes on while
they have sex. Like this isn't as weird as like
the people that leave their pants on and then they
like hump and then it continues to go on with
the hump in there's one thing I really enjoyed. There's
probably moreliple things I enjoyed about Head of the Family,
but one of the things that I did like like
that they did was that like for the most part,

(01:01:07):
you know, even though his pants were on, for the
most part at least she was naked, they weren't both
you know, fully clothed and going at it and pretending
like they were having sex. Meanwhile, she's wearing the thickest
jeans in the world and he's wearing the thickest jeans
in the world, and they're acting like they're you know,
fucking without any clothes on. Like that to me is

(01:01:29):
even weirder in terms of movies. But I can understand, like,
you know, somebody's got boxers on and she has panties
because you can still poke out through the you know,
little hole that's there. It's easier in fucking boxers than
it isn't a pair of tidy whities or boxer briefs.
Let me tell you that, and you know, and she
can just slide things off to the side so that

(01:01:51):
shit can work. But not when you're wearing jeans, man,
And that's gotta be rough for her too. Like if
she's the one that's naked and your one wearing pants
like khaki, please give you jeans, that's gonna be a
lot of fucking chafing, I'd imagine, but I wouldn't know
because I don't have a goddamn vagina. So anyway, so
they're busy fucking. He's talking about going to fuck a girl.

(01:02:12):
She pages him, and he fucking leaves so he can
go fuck the shit of her. Meanwhile, baby Boy over
here in t Bone, as they are known, they are
busy smoking weed and they hear the sounds of an
ice cream truck outside because Baby Boy is fucking hungry,
and so they prost the ice cream truck. And this
is where we get to see kill Joy for the

(01:02:34):
very first time. But we don't get to see kill
Joy right away. We just get to kind of see
him from behind in somewhere the front because they're covering
his face. We just see the purpleish clown outfit that
has gotten his lime green fucking gloves. We see a
little bit of the hair that he has on the
sides of himself, his giant clown afro as it were,

(01:02:58):
and we get to hear him for the very first time.
And I swear to God that Angel Vargas decided to
look at the clown from spawn right John Leguizamo and
base his performance on it. It is a mixture of
John Leguizamo and the fucking crip keeper in terms of
the voice that he uses for you know, kill joy

(01:03:19):
in this movie. And honestly, I do really enjoy this character.

Speaker 13 (01:03:25):
What's that, mamies?

Speaker 11 (01:03:28):
Who you well?

Speaker 23 (01:03:29):
It just so happens that I in an undo covered
drug dealer with an ice cream truck and dress as
a clown.

Speaker 1 (01:03:37):
We see that.

Speaker 13 (01:03:37):
What the hell are you doing anyways? Who you need
to watch? Who the fuck hould you're keeping up?

Speaker 7 (01:03:42):
Being cooked? Cluzz?

Speaker 3 (01:03:46):
Just what.

Speaker 15 (01:03:50):
This dude thinks?

Speaker 1 (01:03:50):
He funny?

Speaker 10 (01:03:52):
I'll go to side, fellas, I came to deliver you
some jugs drugs?

Speaker 18 (01:04:00):
What kind of drugs?

Speaker 3 (01:04:04):
Shit?

Speaker 11 (01:04:06):
Let me see that he's really Oh, of course.

Speaker 7 (01:04:11):
It's reading and there's premium more where that came from me.

Speaker 11 (01:04:16):
Inside here?

Speaker 8 (01:04:17):
What as well? What do you say, what do you say?

Speaker 5 (01:04:23):
The two peas?

Speaker 13 (01:04:25):
Well, then come inside, Come inside.

Speaker 1 (01:04:30):
Oh man, this ice cream truck over here. He's got
the Power Ranger pops and Ninja Turtle pops. Oh man,
even has those like frozen chocolate bananas that you can
get every once in a while. Now I'm not the
biggest fan of like bananas, but those frozen chocolate bananas
for some reason, every now and then hit the goddamn spot.
Oh my god. He even has that pink panther like

(01:04:51):
ice cream, you know, with the two eyes that it's
gone on. That's really bubblegum. Oh shit. Even the fucking
pac Man one. Oh my god, I don't want his
fucking drugs on his goddamn ice cream. This takes me
back to my childhood here when my fucking grandmother would
have me over there and you'd listen in the you know,
middle of downtown well not downtown Hayward, but outskirts of Hayward,

(01:05:11):
and you'd hear the ice cream man come bine and
should give you a couple of bucks, and you'd run,
you'd flag them down, and he didn't want to stop
because that was not the neighborhood that they'd stop in,
but there are plenty of kids that would run outside
during that time, and so you reluctantly stop and constantly
looking over his shoulder, deciding whether or not he actually
wanted to sell the ice cream. And he said, look left,
look right, he says, pick what you want. Hurry the

(01:05:33):
fuck up. I need to get the hell out of here.

Speaker 2 (01:05:35):
Yeah.

Speaker 1 (01:05:36):
Takes me way back to the days of those days.
And so they, you know, they're easily enticed by the
drugs quote unquote drugs that Killjoy has in his ice cream,
you know, vehicle here. And the gloves that he's wearing
seem like they're just five times too fucking big for
his hands, like they got a one size fits all

(01:05:58):
and he just happened to be SI small and these
are having to be sized triple xcel or some shit,
because they seem like they're constantly slipping off of his hands,
and they almost look like the rubber gloves that you
get when you want to wash things really really well.
You know, you go to the dollar store and they
have two choices for gloves that you can buy either
the really thin lake tex gloves the ones that you're

(01:06:19):
gonna put on that have the powder on them, but
the moment that you snap them onto the ricks, they
fucking break right away. Or you get the yellow gloves
that once you put them on and you get them
wet a little bit, you can't take them off. You
have to wait seventeen days until you're actually able to
do it, or you're just gonna have to live your
life like Dexter's mom. Maybe you could take a pair
of scissors and cut them up, but until they're dry,

(01:06:42):
those scissors are just gonna fly right the fuck out
of your hands. So it's a good in between. It's
just it's very simple. The overall costume that Killjoy wears
is extremely simple. It is the most generic, you know,
like purple because they're trying to get an urban flare
for what it is. But it's like purple and lime green,

(01:07:04):
Like there's gotta be a better color combination between the two, right,
Like it ends up working for him, but I definitely
would want something better for your main clown. And unfortunately enough,
he does get something better, which is the makeup for
the face, but we just don't get that face revealed.
Just get everything from the shoulders on up. Looks fucking fantastic.

(01:07:28):
Everything from the shoulders on down looks like they just
bought it at the cheapest store they possibly could find
it at, so entice by Killjoy's drugs, they go into
the back of the van and you do get a
little bit of like a side profile of him as
he's in the front of the truck, and they do
do a shot to you only see the eyes, and
you see the makeup above the eye and the way

(01:07:49):
that it's done, and right there that clown makeup looks
pretty goddamn good. And so they get into the back
of the ice cream van to go get Los Drogas,
and when they go in the back to get it,
all of a sudden they are are transported over into
the world of kill Joy, where Killjoy, you know, kind
of introduces himself to them once again, but tells them that,

(01:08:11):
you know, they're not in Kansas anymore.

Speaker 13 (01:08:13):
What the hell.

Speaker 15 (01:08:15):
Kill me?

Speaker 13 (01:08:16):
What the fuck are we? How the hell should I know?

Speaker 17 (01:08:19):
Man?

Speaker 7 (01:08:19):
You dragged to this ship?

Speaker 6 (01:08:23):
Yo?

Speaker 15 (01:08:23):
Man?

Speaker 26 (01:08:23):
What that clown a?

Speaker 7 (01:08:28):
Come on, let's go on and get me.

Speaker 13 (01:08:33):
I don't trust them. This gotta be a setup. Hey man,
There's only one one way to find out. What the
fuck where a clown? Go hey, yo, Cloud, we know
you in here. Yeah fuck so come on, come on
whatever you want?

Speaker 15 (01:08:55):
Did you that?

Speaker 13 (01:08:56):
Hell yeah, hey yo yo, this am through playing game.
We gona split up and find his clown.

Speaker 20 (01:09:04):
Hell causey you crazy baby boy, if you don't be
acting like a little pict.

Speaker 1 (01:09:09):
Move that's right, baby boy. The best thing for us
to do when we've been transported to this weird world
where there's some weird ass fucking clown up there, and
it looks like it's got all these different things. They
filmed this in some some fucking warehouse or some like
art house type thing, because there's a bunch of like
random graffiti, random sign. It's just like a one way

(01:09:29):
sign and a wet cement sign. Who designed your place? Killjoy?

Speaker 6 (01:09:33):
Was it you?

Speaker 1 (01:09:34):
And because honestly, you need a better interior designer than
whoever you got. And if you're the one that's designing
this place, it kind of looks like shit, unless of
course you were going for uh, you know, local city dump,
then yeah, okay, then this works out fine. But overall,
like it's pretty crappy and your artwork is absolutely terrible.

(01:09:58):
Whoever got to like everything and make like your graffiti
yard did? A terrible fucking job. Even that thing back
there that's supposed to look like the Sad Clown, you know,
that famous painting of the Sad Clown, kind of looks
like a two year old did it. It's like you
just handed a two year old a can of spray
paint and said, make me a fucking clown and went

(01:10:20):
and managed to make a circle and somehow made a nose,
And you're like, God, damn, that's the best artwork I've
ever seen. I'm gonna keep it up there. Which there's
no way to really get rid of it, because it's
fucking spray paint, unless you decide to paint over the
whole fucking thing. But nonetheless, they split up, go their
separate ways, and of course that leads to both of
their demises. What happens first is that baby boy he's

(01:10:42):
the one that gets it, and he sees Killjoy and
then all of a sudden, middle of nowhere, like as
they're looking around the place, and he thinks that he
sees something on the ground, right, He all of a
sudden looks up, and then kill Joy is driving a
truck and runs right into him. Of course, before he
reaches his hands up and starts choking the shit out

(01:11:03):
of him. There's also a jump scare for t Bone
where all of a sudden, kill Joid drops from the
ceiling like he's hanging from the ceiling and then starts
looking at him and laughing at him. T Bone goes
into another room where there's a trap laid for him,
which is a stogie that's a weed stogy that's just
hooked into the fence back there, because I guess, if

(01:11:25):
you're gonna attract anybody, well, any type of stereotypical gangster,
you're gonna leave a stogi, a fucking weed that's hanging
out there so that way they can come over and
they can try the weed, because there's no way that
they're gonna redsist it. And it's funny how baby boy
dies in this too, because it's literally he walks into
a room I said, he you know, he does get

(01:11:45):
hit by the truck, but he doesn't get up. From
that point, he literally gets away from kill Joy kill
JOI tries to strangle him and he runs away, and
then he runs into a brick room. And this is
this is the worst goddamn kill and a long time
that I've seen and so he walks into the room.
There's a brick wall behind him, and then he looks
out and then we see Killjoy's face and then he's

(01:12:08):
like ha. And then all of a sudden, we see
the headlights of the ice cream truck. We get a
reaction shot of baby Boy, who's like and then the
light is like shining on him from the headlights of
the truck, and then the camera does a quick zoom
into the truck, a quick zoom into baby Boy, and
he's been hit by the truck. And that's it. There

(01:12:30):
is no gore in this movie. Like there's a couple
little things here or there that you would maybe consider
to be gore, but they're not really gore. This is
one of those situations where it's, oh, I know where
all the budget went into this movie, even though we
get to see the deaths, and this is the only
death that we kind of see because they're not going

(01:12:54):
to spend the time to get a stunt man to
basically get run into a wall by an ice truck.
It's just super super cheesy in the way that it's done.
And then you just get the reaction shot and he's
got like a little bit of blood on him, and
that's basically it, and baby Boy falls to the ground.
I just I wish there was something more. And it's

(01:13:15):
like the weakest kill in the entire movie for any
of the kills. Even the kill to Michael in the
beginning of the movie was way better than that. So
we then go over to t Bone that notices the
big stogie full of weed hanging on the fence over
there as he goes and he starts smoking it. Of course,
he can't handle the weed that's there. That's when Killjoy

(01:13:37):
approaches him and delivers one of his I guess supposed
to be relatively funny lines for the movie before he
kills t Bone.

Speaker 11 (01:13:47):
It's a good shit you're tick me.

Speaker 13 (01:13:54):
There you are, and look, I don't know what the
fuck is going on around here, but enough is enough?

Speaker 1 (01:14:02):
Game.

Speaker 25 (01:14:02):
Oh shut the fuck up before as smoke your Tompkins.

Speaker 13 (01:14:09):
What motherfucker? What did you just say to me?

Speaker 7 (01:14:20):
What the fuck?

Speaker 1 (01:14:24):
And this is where we get some of the worst
CGI this side of nineteen ninety two. This thing, for
the budget it has, it's serviceable. You know, I can't
really think of anything more than what it is, but
it definitely feels out of place and the way it does.
So he starts burning up and his arms slowly like

(01:14:44):
get engulfed in terrible cgi framed till his whole body
just disappears. It looks like something that you would have
seen on TV in a show in like the two thousands.
We then see images of both t Bone and baby
Boy inside the apartment they were in originally, with t
Bone all burnt up and Baby Boy all white with

(01:15:07):
blood all over him and just kind of leaning against
the side of the building, all dead and shit. So
there we go. We've killed the first two of the
gangsters that originally killed Michael kill Joy has killed him,
and we still haven't got to see a full body
shot with face and everything of kill Joy himself. We

(01:15:28):
then go over and we see Lee Roy fucking his
girl and then there's Tits. So if you want to
see Tits in this movie, there you go. They're right here.
They're nice Tits. You know, it is what it is.
And yeah, he's also just fucking her from behind on
the side, and I don't know, that position never seems

(01:15:50):
very comfortable to me, Like, if you're gonna do it
doggy style, just do it doggy style. If you're gonna,
you know, like do it from the side. Just don't.
I don't know. It depends on like the size of
the girl that you're with in comparison to you and
your size. Like maybe in my much like skinnier younger days,

(01:16:11):
it would be perfectly fine. Fact it happened a couple
of times for the way that it was, but in
terms of my older fatur days, nah, and it's not
really gonna happen. I'm sorry, it's just the way that
it is. Maybe if it gets all hot and heavy,
maybe it'll be fine that way, but not now. I'm
just I'm not that athletic to do that type of

(01:16:32):
shit anymore. So just don't ask me to do that shit.
You got maybe three maybe four positions that tops. That's
just what I'm saying over here. So if you ever
wanted to know, there you fucking go. So nonetheless, after
they finish fucking, that's when she starts laying in on
him about where he sees himself in five years, Like

(01:16:54):
it's a little bit of backstory. I don't know if
you're supposed to feel bad for Lorenzo or if this
just feels so disjointed from the rest of the movie here.
I'm gonna play the clip and then you guys figure
out why I think this way, and we'll talk about
it when we get back.

Speaker 11 (01:17:12):
Sure, where do you see yourself five years from now?
What type of shit is that?

Speaker 7 (01:17:31):
It's a question, and I want to answer getting.

Speaker 13 (01:17:35):
It because I ain't trying to hear that shit, That's why?

Speaker 6 (01:17:39):
And how come?

Speaker 3 (01:17:41):
I just ace?

Speaker 13 (01:17:41):
Why don't you just shut the fuck up about it?

Speaker 8 (01:17:44):
Why don't you respect me?

Speaker 6 (01:17:45):
For one?

Speaker 7 (01:17:48):
I do respect you, just as long as you ain't
asking me no stupid shit like that. Whatever, Look, it's
not whatever.

Speaker 11 (01:18:04):
You really want to know the truth? You really want
to know the truth?

Speaker 16 (01:18:09):
Yes, I'll tell you the truth. The truth is I
really don't give a fuck about the future. I'm just
trying to get through the day.

Speaker 7 (01:18:23):
I'll roll over and accept that though.

Speaker 11 (01:18:26):
That's the way life is.

Speaker 7 (01:18:28):
No, Lorenzo, Honey, that's not the way life is.

Speaker 14 (01:18:33):
Life is what you make it.

Speaker 11 (01:18:41):
I just don't give a fuck.

Speaker 7 (01:18:44):
All right, that's your problem.

Speaker 3 (01:19:00):
Where're you going?

Speaker 13 (01:19:02):
I'm getting why because I want to.

Speaker 11 (01:19:08):
Look, I'm sorry, come back to bed, No, baby, please
come back to bed.

Speaker 16 (01:19:15):
I said no, I fuck it, did go take your
fucking shower and get on up bout of here with
that shit.

Speaker 11 (01:19:23):
Pussy stink anyway, whatever.

Speaker 1 (01:19:25):
So, but I don't really get about the scene. Are
we supposed to feel some like compassion for Lorenzo, Like
does he feel bad that he killed Michael? Like why
are we having this conversation in this movie? It just
feels like it's so out of place because we never
get any scenes after he's killed Michael to now except

(01:19:48):
for him talking about well not talking necessarily rapping about
getting bitches and pussy and all this other shit and
fucking and whatever the hell you talking about and smoking
weed every day and all this other bullshit that's there.
There's like no remorse in anything that he did to Michael,
and it maybe this scene really isn't about that, but

(01:20:09):
it's like a look in him where he doesn't think
about the day to day, or he thinks about the
day to day, he doesn't think about the future because
he's just trying to get through today.

Speaker 2 (01:20:18):
All right.

Speaker 1 (01:20:19):
Life's hard and I want to make sure I survive
every day. I don't know if I'm gonna be here tomorrow. Okay, Like,
what's the point. Why do we want to humanize this character?
If he's just, you know, meant to fucking die. Like
the whole thing is we're supposed to be rooting for, well,
possibly rooting for kill Joy to kill this motherfucker, right,

(01:20:39):
because he went after Michael and he shot him and
he killed him, and now kill Joy is here one
year later taking out the gang members, and you know,
good old Lorenzo here should be next. So why don't
we just have the scene of him fucking his girl
and then like treating her like shit, you know, even
if she's asking questions like I've done ain, dumb bitch,

(01:21:02):
you roll over, I got a little more for you. Instead,
it's like a kind of deep, lighthearted scene with him,
And it doesn't make any sense why it's even in
the fucking movie. Like, I get it if there was
a couple of scenes in between, cause even like t
Bone and baby Boy don't get this treatment, right, And

(01:21:24):
both of them were the ones like, oh, shit, man,
we shouldn't have done this. Shit, you shouldn't even doing this,
don't They were the ones telling him, Oh, don't put
the gun up to the back of his head. What
the fuck are you doing?

Speaker 12 (01:21:33):
Man?

Speaker 1 (01:21:34):
We were just gonna scare him. We weren't gonna try
to kill them or anything. You're going a little bit
too far with this shit. And even when he clicked it,
they were both like, especially baby Boy was like, what
the fuck are you doing? That ain't fucking cool. Man, Like,
beating up this kid and scaring the shit out of
him is perfectly fine, but pretending that you're gonna kill
this kid, that's a little bit over the fucking line.

(01:21:56):
And then when he does it, they all just kind
of run and they're still friends and they still acting
like assholes, like nothing fucking happened. Right if there was
something about remorse and realizing that, oh, you know, every day,
like if Baby Boy said something about Michael and he's like, man,
I'm still trying to live that shit down. I can't
believe I did that. That ruined my relationship with Jada.

(01:22:17):
I can't believe it. I was a dumb ass for
doing But you guys ain't ever gonna snitch on me. Like,
even if it's something stupid and generic as that type
of bullshit, this might have a little more impact, but overall,
this isn't a scene that like he and her should
be having. Maybe it's a scene with Jamal and Jada
maybe even been like, you know, hey, look, I want

(01:22:38):
you to be my girl. And she's like, I can't
think like that, why because I don't know what tomorrow
is gonna bring everything that's gone on here or where
the fuck they did When she did that shit about
Lorenzo taking in her virginity, it made sense, is it dumb?
It's fucking stupid. I don't really need to have that
type of scene in this movie, but it makes sense
for what it is, even with you know, the whole

(01:22:59):
thing like, yeah, I know he was a killer, but
he treated me right and he had good dick, you
know whatever. I really don't care in the way that
that's going. But here, this to me just makes absolutely
no sense, and it blows my mind. Wid it's even
the movie. So she goes and goes off to clean
her fucking stinky ass pussy, and he decides to go

(01:23:20):
into the living room and hang out. And that's when
Lorenzo hears some noises, grabs his gun, and decides to
fall along to eventually where he is, you know, he
gets transported into the world of Kiljoy. We also get
to see the girl go ahead and take a shower,
so we get to the side boob shot, which again
is very welcome in a movie like this, So with

(01:23:41):
his side piece and him opening the door and being
like transported with even more boob shots from our lovely
vixen here. And I really thought this was Monique at first,
and it turns out that it's not Monique. And what
what else is really disturbing about the whole thing is that, like,
like I said, William Shatner is innerspliced in between this

(01:24:01):
movie and like commercial breaks, like leading in it or
out of the commercial break. And so you have her
with her tit hanging out and being hit by the water,
and then all of a sudden it fades to black
for a second and then you get William Shatner's fucking
face there. It's like, oh yeah, and you know, maybe
you're back there and you're going into it because you
haven't seen boobs in a really long time, and it's

(01:24:22):
like a movie. You're like, oh, that's a nice boob.
Maybe I'm gonna get a quick lank out here while
I'm watching this movie. And then all of a sudden,
you're about to fucking like, you know, get it, and
then fucking William Shatner face shows up, and once his
fucking face shows up, that's when you're spitting your fort
fucking gis all over the goddamn place and you're like,
oh no, oh no, I just orgasm the fucking William

(01:24:43):
Shatner's face. What the hell is wrong with me?

Speaker 3 (01:24:45):
Oh?

Speaker 1 (01:24:46):
Oh, well, I might as well go for round two.
And so you start round two and you realize that
maybe you are attracted to seventy something year old men
who are actually ninety four in this year. But uh no, no, no,
William Shatner doesn't do anything for your hog. It's not me,
I don't know. I'm talking about you, the listener. You know,
maybe you weren't satisfying your hog. Maybe you're flicking your

(01:25:08):
bean because you're like, those movies are nice. And then
Shatner comes up, and you're like, okay, that's fine. You know,
I don't fucking know. I'm not here to judge you.
If you're attracted to William Shatner in any way, shape
or form, man or woman, that you you do you boo,
I guess. But nonetheless, so yeah, he does go outside.

(01:25:28):
He does go to the ice cream truck. And that's
when he goes inside the ice cream truck and is
transported over there. And there's a weird shot of the
girl in the shower, but it's her legs like moving
back and forth, and I'm like, she got nice legs.
Oh there's nice gams on that gal over there. Oh
she let me see her legs. Can you believe that happened?

(01:25:49):
Oh there's soul shilkre smooth and not some chocolate there.
But you know, if you want to be a creeper
about these things again, you know, if you want a goon, goon,
but just be Mary William Shatner. So now we got
Lorenzo in fucking kill Joy's Uh, I don't know what

(01:26:09):
projects of a world? I guess that's the best way.
Even Candy Man had better projects than Killjoy. Okay, and
candy Man was badass kill Joy while entertaining you know,
his decor. He just needs to be in a better world. Man,
Like here, demon clown, you can make something cooler than
what you're doing it. Why why is it that the

(01:26:31):
Black Demon Clown has got to be the one that's
in like the projects of Hell? Right, he's gonna go there.
You know, Satan has all these nice places set up
for everybody he's got these big giant buildings. He's got
blood flowing from walls and places, human hearts that beat
out of the walls, Demons that are, you know, putting
up different chandeliers of human bone. And you've got you know,

(01:26:55):
the guys over here that have to run on the
treadmills all the time, but they really and if they
fall then their entrails get pulled out, which then rubber
bands them back onto the treadmills. And it's like, you know,
the masterpiece of your house is a center point that
brings everybody together for your big dinner parties. Down there
in Hell is a demon, you know. And meanwhile, you

(01:27:15):
know the black clown that is a demon that's there.
He's got to go live in the projects of fucking Hell.
He's got to go live in the most low rent
housing that there's a possible. You know, he doesn't get
blood flowing on the walls. He gets two year old's
graffiti on the walls. Okay, he doesn't get the centerpiece
of the fat people running on the treadmill. No, he

(01:27:36):
gets mice running for cheese, right, And there's nothing but
government cheese all of the god damn place. How stereotypical.
Can I fucking get this just you wait and fucking see.
But it's just it's ridiculous. That's the place in Hell
that he calls his home is some low rent, fucking
construction site. So anyway, so eventually Lorenzo, as he's exploring

(01:27:57):
this low rent place, runs into ki Joy for the
very first time, and this is where we get the
full view of kill Joy. And I do like the
reveal because again it's him kind of shrouded in like
the green lighting darkness that's there, and then as he
begins to talk, you actually get to see his face
and he's, you know again besides the big afro black

(01:28:20):
wig that he's got on that's like, you know, bent
out to the sides like a clown. The makeup for
Killjoy is fucking fantastic. The teeth look great, the eyes,
I love the coloring that's on the face that has
the big accentuated like eyebrows of a clown that's up there,
and the shading that's done is extremely well. And he

(01:28:41):
looks like an evil clown from the neck up. From
the neck down, he looks like he belongs in just
a random like sideshow attraction in the middle of Arkansas
or some shit like that. I don't know. I don't
know where the fuck those like low rent fucking circuses are,
you know. Or he's like a clown from Circus Vargas

(01:29:02):
around here where there really aren't a whole lot of
clowns down in that type of thing, but when they
are there, they're like the cheapest clowns that you can
possibly find in the Bay Area. That isn't like a
major touring circus, to which I don't believe there are anymore,
to be honest with you, Like it's the fair and
it's maybe that, but you never see like Barnum and Bailey.

(01:29:24):
They don't fucking tour the country anymore, so you don't
get those like really cool circuses with all the animals
that are really treated terribly, But the circuits itself is
still like a cool experience that you get to go see.
It's weird that I miss that, even though I know
that the animals were probably treated like shit, But like

(01:29:44):
circuses were fun, they were exciting, they were great to
go to. You get to see the lions do all
these cool tricks, and then the tigers like jump on
balls and shit like that, and the elephants run around
and knock people over, and every once in a while
go crazy and start stampeding into the crowd because they
just got to get away, like one of the most
awesome experiences that you can never have inside of a
giant fucking arena that isn't Monster jam. So anyway, so

(01:30:09):
we have now Lorenzo facing against kill Joy for the
very first time, and kill Joy has brought some friends
along with him.

Speaker 22 (01:30:17):
The fuck did you welcome to my will? How to
fuck you know my name? I said, how to fuck
you know my name?

Speaker 7 (01:30:29):
That's for me to know and you to find out.

Speaker 11 (01:30:38):
Clown a motherfucking cloud got from you?

Speaker 5 (01:30:43):
Yeah, I might have one of you. Don't tell me
who the fuck you are.

Speaker 7 (01:30:47):
I don't think so. Maybe you should ask your horrible.

Speaker 3 (01:31:00):
Baby boy.

Speaker 27 (01:31:01):
You look what this clown did to me. Man, I
looked all fucked up, don't that, baby boy?

Speaker 23 (01:31:13):
No?

Speaker 7 (01:31:13):
I feel it right.

Speaker 3 (01:31:15):
Man?

Speaker 7 (01:31:16):
Fuck you?

Speaker 13 (01:31:22):
Oh shit, tea bomb man, You dude gave me the ball, man,
but what he did to my face? That show you're
gonna cause you a lock.

Speaker 1 (01:31:33):
Huh?

Speaker 13 (01:31:34):
But I know you got my back, right Hey, Look,
I s I use the BA.

Speaker 7 (01:31:41):
What else can the clown do nowadays?

Speaker 13 (01:31:45):
This motherfucker you funny killing a Yeah, cause killing ass?

Speaker 7 (01:31:51):
Do what you gotta do?

Speaker 13 (01:31:53):
What the hell you waiting for?

Speaker 8 (01:31:54):
Cuse man kills it in for man?

Speaker 11 (01:31:57):
What the hell is going on right here?

Speaker 15 (01:31:59):
Man?

Speaker 3 (01:32:00):
Man?

Speaker 13 (01:32:00):
If you don't have this clown man kill him?

Speaker 3 (01:32:05):
Do what?

Speaker 1 (01:32:07):
Man?

Speaker 22 (01:32:07):
You got to be kidding me?

Speaker 7 (01:32:11):
Oh maybe I can.

Speaker 11 (01:32:14):
Maybe what.

Speaker 8 (01:32:23):
You pro mess with my mom?

Speaker 3 (01:32:24):
And you know what? Fuck this?

Speaker 1 (01:32:30):
So he brings out the dead bodies of both t
Bone and baby Boy to antagonize, you know, Lorenzo here
into actually pulling out using his gun because he's constantly
pointing his pistol over there at kill Joy threatening that
he's gonna do something to him. But killed Joy is

(01:32:50):
just kind of like bagging him on right the entire time.
And again when I say John Leguizamo, I really hear
John Leguizamba in the performance in the way that it's done.
If you don't, I really don't know what to say.
Maybe it's just in my head, but even with like
the mannerisms he uses, it really reminds me of clown

(01:33:12):
from Spawn. It's really uncanny, and I can tell that
at least for me, for what I think he took
some cues from that performance to actually do the performance here,
and he's really the only actor besides you know, Lorenzo
that leans into the role. And you can tell that
he's having a lot of fun with this role because

(01:33:34):
he's the most lively character in this movie, and he
seems to be you know, well, he's got a constantly
smile because he's killed joy the clown and you know,
clowns don't fucking frown. But for the most part, like
he's just enjoying himself. And that's what makes like I said,
makes a really good role when he can tell that
the actor is enjoying the role that he's doing. And
here this is a very like, you know, basic ass

(01:33:57):
role that he's doing in a very basic as horror movie,
and he makes the most of it, and he makes
a very enjoyable character, even though it does feel like
he's just doing an imitation of John leg Guizamo, like
we have like Guizamo at home, but it's still a
good character. So it's one of those ones where maybe

(01:34:19):
I can make fun of this guy for that, but
at the same time, I kind of respect what he's
doing and I don't think that you know, if I
were to throw into this, maybe wouldn't be exactly this,
but I definitely would lay on the you know, the
cheese when it comes to this type of character. And
that's kind of what he's doing. And I do appreciate

(01:34:40):
what he's doing for the movie. So Lorenzo takes out
you know what, takes out his gun, I keep saying,
takes out even though he has his gun, he starts
firing his gun, is what I mean to say. And
he just keeps firing and firing and firing and firing
until he runs out of bullets and his revolver that
he has right there. Meanwhile, you have killed you like

(01:35:00):
dancing around as he's getting shot, and he's bouncing and
he's just like, oh uh eh oh ah eh, you
got me. And then Lorenzo looks like, who the fuck
are you? And he's like your worst nightmare. And then
he's he that would be my fucking killjoy. And then
he starts spitting back bullets at him that he shot

(01:35:23):
him with, and he ends up shooting Lorenzo with the
bullets uh, directly from his mouth and so and all
of that is terrible because it's terrible cgi and like
you would think that they could use like blood packets
or something like that with Lorenzo, but instead it's all
cgi bullet spray and it's it looked really fucking terrible.

(01:35:45):
We then cut back over to the Chica in the
apartment and she's getting done with the shower, and as
she's stepping outside of the shower, she realizes when she
goes in the living room that Lorenzo isn't there, thinking
that she just you know, got ditched, he fucked and left.
She just turn on the TV, go get changed. And
when she goes and sits on the bed, she sees
that there's a trail of blood leading directly from the bed,

(01:36:07):
and she leans down and touches it and realizes that
the blood is relatively flesh afresh that's there, and so
she calls out to Lorenzo and follows the trail of
blood till it leads outside, where she sees the ice
cream truck out there. And when she goes to the
back and goes to open it up, who happens to
be there?

Speaker 2 (01:36:26):
Why?

Speaker 1 (01:36:27):
It's Lorenzo's bloody body lying there in the bed of
the ice cream truck, to which she starts screaming and
to which that's when kill Joy shows up and scares
the living crap out of her, looks over at Lorenzo
and says, hey, I think your girl likes me. Like
he has a bunch of like one liners in this movie,
and they're all done relatively well. Like I said, I

(01:36:49):
really like the character of kill Joy and it is
the most entertaining part of this movie. The rest of
it could possibly just go to hell, but at least
you have killed Joy to enjoy. We then go over
to Monique's house, who we haven't seen since the beginning
of the movie, and as she's laying in her bed,
somebody comes behind her and puts a hand over her

(01:37:09):
mouth telling her not to you know, basically saying shh.
She then pages her friend Jada and tells her that
she needs to come over to her house right now,
right well, she does the nine to one one. Jada
picks up the phone and calls, and then it's weird
because it's more of just a one way conversation, like
they didn't pay to do any type of like adr

(01:37:30):
where she would be like, you know, with the telephone
sounding and speaking lines on the other side and explain
what's going on and telling her no, you need to
come over now, or even like something like minuscule, but
instead it's just like Jada talking back in the phone.
Uh huh what No, you want me to come over
right now? I guess I can. All right, I'm gonna
leave right now. I'll be there in a moment. And
Jamal wonders what the fuck is going on? And so

(01:37:53):
she's like, well, I have to go over Monique's. She
knows she nine to one won my pager and she
says there's something going on, so I need to head
over her house right now. And so she's about to
leave and Jamal is like, well, I'll come with you,
and she's like, no, you don't. He's like, no, I
have to go with you to make sure that you're safe.
So they go over into you know Monique's house, and

(01:38:13):
that's where Monique is sitting there with the homeless man
from the beginning of the movie. And what's weird is
that there's weird camera angle where it's looking up as
they're like knocking on the door to you know, Monique's place,
it's like on like below them, looking straight up at them,
and Jamal's wearing this wife beater and his nipples it

(01:38:34):
must be fucking cold, because they look like a fucking
cut glass through that goddamn shirt that he's gone right there,
and it's only one nipple that's really aroused and erect,
and it's really hard not to look at it because
the camera has it like centered right in the center
of the goddamn screen. So they go inside, they see
that both of them have their eyes closed and they're

(01:38:56):
in some type of like trance. But then when they approach,
that's when you know. Monique says that you need to
talk to this guy because he has something to tell
you about what's going on and what happened with Lorenzo.
And this is where we learn a little bit of
the backstory of Killjoy.

Speaker 15 (01:39:12):
A young boy his name is Michael. He is a
very lonely little boy, an outcast to society, dissolved by
his peers. He meets and falls in love with a
young girl named Jada, but she rejected him. Michael knew

(01:39:36):
that the only way he could keep Jada for herself
was to get rid of the only thing that stood
in the way of his love for her. And the
thing that stood in the way of his love was
a gang member by the name of Lorenzo. Michael also
knew that the only way he could destroy Lorenzo and

(01:39:59):
his gang was by a power greater than yourself. That
was called black magic, and the.

Speaker 6 (01:40:06):
Source of the power Michael wanted to use his magic
m was a doll he called kill Joy. Kill Joy
and black magic was Michael's only friends. That was until
he was killed. You see, Michael would still be alive

(01:40:26):
today if the magic had worked on time. But it
did not, not then and not there. After Michael's death,
the evil was unleashed and many many people were killed
Evil Lorenzo.

Speaker 1 (01:40:43):
Okay, many many people were killed, which is two people,
three people, because he said even Lorenzo was killed. That's
not many many people. Kill Joy didn't go on a
random killing spree. He just didn't go into the hood
and start like black Foods trying to figure out who
t Bone and baby Boy are. All right, Maybe with

(01:41:05):
the you know, the cholesterol and the diabetes he might
have given people by doing his ice cream truck that
he had, maybe you could say he killed people because
he probably was going around and he was trying to
get information in a way that he could look I'm
gonna give you some free ice cream, kid, if you
just tell me who Lorenzo is. No, man, I don't
want to get killed by that guy. Here's no way
I'm gonna tell you anything. Look, I'll give you a

(01:41:27):
teenage mutant Ninjsenra Pop. Oh my god, you have Dona Tello? Yes,
I most certainly do have donal Tello. He's my favorite turtle.
That's the only one that I would have.

Speaker 26 (01:41:40):
See you a lie, motherfucker. Nobody's favorite turtle is fucking
don Tello. Everybody's a rappie al or Leonardo fan.

Speaker 1 (01:41:49):
I ain't giving you shit.

Speaker 26 (01:41:51):
I'm not telling you that Lorenzo hangs out on the
corner of twenty third and second, okay, where he slangs
his shit. And I'm not talking about drugs. I'm talking
about that fat dog that motherfucker has, Okay, because that's
my turf.

Speaker 1 (01:42:06):
I'm the one that sells drugs there, but you you
sell drugs, And how else do you think I make
this money?

Speaker 26 (01:42:13):
Motherfucker? Okay, Now you're gonna give me my Leonardo?

Speaker 14 (01:42:16):
Oh what?

Speaker 1 (01:42:17):
All right before I have to bust a cap in
your clown ass. All right, all right, kind of like
a kid all right, I may be evil, demonic clown,
but I can tell when people are evil too. If
you're just gonna kill somebody over a fucking Leonardo pop
here here you go, all right, I cant just open
this upthing over here. This ain't Leonardo.

Speaker 8 (01:42:37):
This is motherfucking Donato.

Speaker 1 (01:42:39):
Aha, by motherfucker you know. Then he runs off. That's
so fucking stupid. Notetheless, so it's like, again, you don't
see and don't hear about like a bunch of random
murders in the hood, even though you might not hear
about a bunch of random murders in the fucking hood.
But still, like he says, many many people, And they

(01:43:02):
show pictures of two of just the two people that
he's killed, and Lorenzo, who doesn't show as dead but
just shows as Lorenzo that's back there. And so they
all kind of like look around at each other and
they're like, what the hell is this shit you got here?
Why'd you let this bum into the goddamn house? And
how is he able to show me these goddamn visions?

(01:43:23):
I don't really understand this black magic voodoo shit probably
needed to talk to Michael, since his only fucking friend
was black magic, and a stupid stuffed little clown that
he had. Like, imagine, if black magic was really only friend,
might be kind of cool, depending on what you could summon, right,
if it's a type of black magic, Like, you're not
a necromancer, right, so you're not just summoning random dead people.

(01:43:44):
You know, I think that a necrophiliac's dream would to
be actually become a necromancer. You know, you could just
like bring whatever you want to like and at least
then somewhat they're they're motionable, and you can get your
rocks off by just summoning a minion and then hey, okay,
you know, hey, minion, show me your tits and then
they show your tits and you can just do whatever,
or like, I want to see what you're hanging down there,

(01:44:05):
and hopefully you still have it and it doesn't randomly
fall off. Though that could be a necromancer's thing. I
really don't know, you know, I'm not an acrophilic necromancer
over here. But nonetheless, it's just it's funny that his
only friends were.

Speaker 2 (01:44:20):
Black magic and the doll he called kill Joy, Like.

Speaker 1 (01:44:25):
Okay, yeah, dude might have been a little weird and
definitely was obsessed and she only denied him because she
didn't want his ass to get kicked. Right. It wasn't like,
what the fuck you think he was a little shriveled dick,
I ain't gonna do anything with you like. He didn't
get denied like that. She was literally nice and kind

(01:44:47):
to him, and he still was in the mind frame of,
oh well, I'm gonna go totally make sure that I
summoned type of a demonic force that's gonna kill this thing,
because she's supposed to be mine and that's the only
way that can have her as if he fucking did,
and this clown will do what I want if I
use my demonic powers. I'm tired of looking at decaying titties.

(01:45:07):
I want to look at some fresh titties. So I'm
gonna summon kill Joy. We're gonna kill Lorenzo, and then
Jada and I will be together forever. And if she
doesn't want that, then I'm gonna kill her and resurrect her.
And that's the way that things are going to be. So,
you know, A boy in is Black Magic now the
next movie from Disney Studios. That's something that everybody can
look forward to later. It's it's like the Black Cauldron,

(01:45:29):
but except for you know, it's shittier and in the hood.
So you know, she looks around and she kind of
like has this looking on their face? What the fuck
is going on here? As he continues to tell them
what they do and what they have to do to
save themselves because kill Joy is gonna come after them.

Speaker 11 (01:45:48):
You believe all that happens.

Speaker 6 (01:45:50):
That is why I'm here to tell you, to tell
you all that you are in great danger from the
evil that calls itself kill Joy. What he's mainly after her? Me?

Speaker 18 (01:46:05):
Why me?

Speaker 6 (01:46:06):
The truth shall find itself. Only the love of a
young woman can destroy the evil in the heart.

Speaker 8 (01:46:15):
What are you talking about?

Speaker 6 (01:46:16):
You must destroy his heart, You must destroy the doll. Also,
the ice cream truck is parked outside this house. Within
that truck lies the evil. Stop him, Stop him before
it's too late.

Speaker 11 (01:46:35):
What but how Jada knows.

Speaker 3 (01:46:42):
Know what?

Speaker 13 (01:46:44):
And how did you know my name?

Speaker 6 (01:46:48):
I leave it in your hands.

Speaker 1 (01:46:50):
So Jada is the only one that can stop kill Joy.
And what they need to do is they need to
kill the heart, and they need to kill the doll.
And then after he tells him that he just turned
turns around and starts walking the fuck away and then
disappears into nothing this and they're just like, okay, well,
I guess we gotta go to do something. Like it's
so ridiculous because he literally just walks and he turns

(01:47:12):
around and he looks at them, and then he's just
like peace and he like he raises his hands up
and then he dissolves into smoke, and they don't freak
out or anything. They just kind of like what, well,
Jamal kind of freaks out, but like, what the hell
do you mean that you're the only one can do it?
And she's like, I don't fucking know, and he's like, well,

(01:47:32):
I guess we better go outside. And so they go
outside and there's the fucking ice cream truck and Jamal's like, well,
I guess we got to go inside and fucking do it.
And at first, you know, Jada, she doesn't want to
do it, and then she's like, fine, I guess I'll
kill kill Joy.

Speaker 11 (01:47:50):
This supposed to be the ice cream truck.

Speaker 8 (01:47:52):
I don't know what the hell is going on here,
but I can't take it anymore.

Speaker 7 (01:47:55):
I want to go home. What Jada, we can't leave now?
I mean, didn't you see what happened.

Speaker 8 (01:48:01):
Didn't you see the truth with your own eyes?

Speaker 26 (01:48:03):
Yes, sir, but I don't want to believe it.

Speaker 1 (01:48:06):
You have no choice.

Speaker 8 (01:48:07):
We have to stop this thing before it's too late, Jada.
If that clown killed Lorenzo and his gang, who do
you think is next.

Speaker 1 (01:48:15):
Us?

Speaker 7 (01:48:17):
Exactly?

Speaker 11 (01:48:19):
We gotta stay together no matter what.

Speaker 1 (01:48:24):
Fine, I guess I'll go in to kill Joy's world
and kill him. I don't really want to do it, though,
I'd rather just stay out here and not have to
worry about anything. Why don't you guys go and do it.
I know I was told I was the only one
that could possibly kill him, but I don't really want
to do this shit. I just want to live my
life and be me. Lorenzo's dead, now, Okay, you don't

(01:48:48):
have to have to worry about him anymore, Jamal. I
know that Michael is dead and Lorenzo is the reason
why he's dead. And I never said anything to the
cops because I didn't want to get killed either. But
you know, going into some weird clown's world and having
to do this shit doesn't make any sense to me.
I think I'm just gonna leave here. Oh fine, you
guys want to go in there and go and kill

(01:49:09):
kill Joy. I guess I'll do it, Like come on, really,
and you know, you see what they see, and I
like how She's like, how do you know he was
telling the truth? He's like, do you not see the visions?
Everybody saw the whole thing that was out there, and
then you know, you saw the dude just randomly disappear
into smoke in a really bad CGI effect where he

(01:49:30):
just kind of swirled and then it was like really
terrible smoke that belonged in like a video game Circle
nineteen ninety three. But hey, there you go, great sprite
work for this thing. We need to go in there.
We need to kill kill Joy. So they go in
the back of the van, and when they go in
the back of the van, they go into kill Joy's world,

(01:49:51):
and even though it's terrible, Jamal's like, when we get
in there, we need to stay together. And I didn't
catch it the first watch that he actually said that.
It was when I was getting the audio that because
it's what he says next, which is really fucking ridiculous,
because they go in there and they're like, how are
we gonna find this clown? And then Jamal, even though

(01:50:12):
he just literally said moments ago, we should just stick
together and make sure that we stay together to find
this fucking clown goes in there is like, you know what,
we need to fucking split up.

Speaker 8 (01:50:26):
Wow, this must be it.

Speaker 13 (01:50:30):
This must be the place that homeless man was talking about.

Speaker 7 (01:50:33):
Are you sure? Of course? I'm sure? Oh my god,
he's here. Shit, Listen, I got a plan.

Speaker 11 (01:50:47):
We gotta split up. What look, so only way?

Speaker 5 (01:50:52):
No fuck that.

Speaker 7 (01:50:53):
I'm not going nowhere without you, guys. I agree with mommie.

Speaker 11 (01:50:56):
We should stick together. Look, do you guys want to
find this kind of know what?

Speaker 15 (01:51:01):
Not?

Speaker 11 (01:51:02):
Really, but it's the only way, right. Look, we're gonna
find this motherfucker. We got to split out. We can't
do it by. We can't do it together. This place
is too big.

Speaker 8 (01:51:14):
No, Jamal, we should stick together.

Speaker 11 (01:51:17):
Let's do this.

Speaker 24 (01:51:19):
I split apart for a while and if nothing happens,
we'll meet back here in five minutes.

Speaker 11 (01:51:26):
No, Jamal, No, look, Jada, we got to we got too.
I'll be back in five minutes.

Speaker 7 (01:51:39):
I don't like this.

Speaker 8 (01:51:42):
Let us just stick together. Okay, fuck what Jama says?

Speaker 3 (01:51:45):
Okay?

Speaker 1 (01:51:46):
Okay, So Monique is the fucking smart one here because
even though Jamal was like, we need to stick together,
and he was like, I'm gonna predict you, Jada, that's
why I'm coming along, but when he gets into this
goddamn place, he decides, no, I think we need to
fucking split up. I think we need to go separate ways.
And it's not like, you know, them splitting up. They're
not gonna go through three fucking entrances because there's only

(01:52:08):
two into the world. There's like the main entrance that
you pop into, and then there's only two fucking doorways
that are there, so you're either going to the left
side or you're going into the right side. So it's
either two of you are staying together and one of
you are going on your own, or one of them
is staying here and the other two are just going
off by themselves and the other other Oh, I'll inspect

(01:52:28):
this brick wall right here while you two go get
your asses killed by the demonic fucking clown in the
next room. It just seems so ridiculous and like contradictory
to be like, oh, let's split up, So it just
blows my fucking mind. We go ahead and we see
that you know, Jada and Monique, they go into the
area that t Bone died in. Meanwhile, Jamal goes in

(01:52:50):
the area that baby Boy died in and runs into
good old kill Joy himself, which ends up basically kicking
his ass in one of the funniest scenes ever, because like,
Jamal's like getting ready to fight, and then you know,
Jada and Monique are like listening, I think I hear Jamal,
and Jamal runs at him and tries to take a
swing and then totally misses him, and then fucking killed

(01:53:14):
Joy puts a dirty ass lampshit on him and then
throws his body across the room what looks to be
like a man that is just flying in the air
with the fucking lampshit on him and thrown against the wall.
And then it cuts to Jada and fucking Monique and

(01:53:34):
there's Killjoy and he's like, ha, here I am and
they run at him and Monique dives underneath him, and
then fucking Jada like frog jumps over the top of
him and he looks back at the camera. He's like, wow,
they have tricks. It's ohole fucking stiff, Like how how

(01:53:58):
how does he not even stop? Then he's just like, ha,
you know, he's got his fucking legs wide open. He's
in a crouch like catcher style stance, but he's like
sitting up and his arms out and he's just yeah.
And then they just run at him and he doesn't
bother grab. He just watches him like, all right, yeah,
is it opening big enough? Is it there? Can he
get underneath me? Just just fucking run and dive. It'll

(01:54:20):
be fine. Oh and then you over there, you're gonna
go in. You're gonna just jump over the top of me. Yeah,
I'll make sure I duck a little bit more so
you don't ruin this nice fucking hair that I've got here. Yeah,
because I want to make sure everybody knows who kill
Joy is. And if kill Joy's not his hair, then
kill Joy is not fucking kill Joy, you know. And
like it's just it's so stupid and just the body

(01:54:42):
to being fucking flung. Oh my god, I was laughing
so goddamn hard. And I know it's not actually like
a mannequin that's being thrown, it's just a dude doing
a flip. But still, like it looks so stupid and
so ridiculous because he just mean, just a little grabs
him and gets him in a headlock, and then it's
the dirtiest fucking lampshade that you can fucking find, and

(01:55:04):
just puts it on his head and then flips him
and that's it. Leaves him the fuck alone into which
Jamal gets off the floor and then runs back and
runs back into in the main room. Uh, you know,
good Jada and Monique there as they you know, oh boy,
as they're approached by the other undead gangsters that try

(01:55:25):
to entice them to fight.

Speaker 13 (01:55:27):
I'm sorry about the wall, Jamal.

Speaker 7 (01:55:29):
Did that hurt look real painful when you slammed into it?

Speaker 8 (01:55:35):
Neat Hang, Oh my god, we're just going on here.

Speaker 3 (01:55:47):
Believe what I just saw.

Speaker 8 (01:55:48):
We're not gonna believe what we just saw either.

Speaker 13 (01:55:51):
I can't believe this is happening.

Speaker 3 (01:56:00):
Don't forget about me.

Speaker 5 (01:56:05):
The fuck is going on?

Speaker 7 (01:56:15):
You gotta do say cuz she won hot piece of pussy?

Speaker 5 (01:56:20):
Is she.

Speaker 15 (01:56:22):
Like to know?

Speaker 1 (01:56:24):
He already knows, He's known for a while. He's the
one that took her virginity. Remember, soon knows exactly what
type of hot piece a pussy she actually is. Okay,
how long do they date? Don't fucking know, but they
dated long enough so they could slip it in there
a couple of times, or maybe he only did it
once and she didn't like it very much, but she
then was like, no, I gotta stay with him because

(01:56:45):
he took it from me, Like what the hell? Like,
why is it that he took it? Why why isn't
that you gave it to him? You presented it to him,
you know, you went and said, hair, I'm going to
give you my virginity, you know, kind of make seem
like it was more of a creepy thing to do,
like he forced you into doing it, and then you

(01:57:06):
just couldn't forget about it, like it. It blows my
mind when like people use those words. I get it.
There is a difference between the two as well. Right,
when you have sex with somebody for the first time,
and maybe you took his virginity, okay, you know, you
know it could have been his very first time as well.
He wasn't just a horn dog that was going around
and the fact that your pussy was so good it

(01:57:27):
turned him into a gangster. Maybe it's all your fault
that Michael died, right because you've turned him into this
That's what I'm trying to say, But you know, I
don't know, it's semantics with the way the wording goes.
And so we get into the big brawl, and I
love it too that she goes Lorenzo and then baby
Boy shows up and they like look at him and
they're like, fuck, what was your name again? You can't

(01:57:51):
forget me? And then Monique's just like god, like, you
know who baby Boy is, Like you could have been oh,
and baby Boy? And then t Bone shows up and
t Bone but no, the only one that gets any
type of naming rights in this thing is fucking Lorenzo.
So Jamal goes and runs at Lorenzo and they start
like fist fighting each other, even though he's got a

(01:58:12):
bunch of bullet holes in him and only has three
bullet holes, even though he was shot like fifteen times, right,
And so you got Monique beating up baby Boy, you
got the t Bone and fucking Jada fighting over there.
You know, we see that, you know, he's basically punching
the shit out of uh Lorenzo, and Lorenzo's beating the

(01:58:34):
crap out of him. Then when they knock into a
couple of boxes there just happens to be a Samurai sword.
And then Monique gets like moved away and like from
baby boy, and she slides an axe across the fucking ground,
nowhere near where fucking Jada is. But Jada, in terms
of fighting t Bone, ends up by it as well.

(01:58:56):
We have Jamal doing some weird Samurai bullshit with the sword,
where fucking Lorenzo doesn't even fucking dodge the whole thing.
Instead he just watches Jamal stab him in the stomach
with a goddamn sword, which ultimately kills him for some
reason like it, he like looks as like, oh, I
can't believe you fucking stabbed me. And he's sitting there

(01:59:19):
with the fucking Samurai sword sticking out the back of him,
blood dripping everywhere. We got, you know, Jada doing some
type of kung fu kick against good old Tea Bone.
We see that now with a stab in his stomach,
that Lorenzo can't do shit. We have the scene from
the trailer was like you can't kill me, I'm already dead,

(01:59:41):
and Lorenzo bursting into like flames and disappearing as well
well green things and whatever it is, even though he's
been stabbed in the stomach. He kind of like bursts
into weird digital dirt. And then you know, like I said,
we have the scene with Tee Bone where he's talking about,
you can't kill me, I'm already dead. She's like, I'm
gonna try, and she he swings the axe and cuts

(02:00:01):
off his head and it looks really terrible, because that
is also really terrible cgi as it is as well.
Then Jamal goes into punching baby Boy because Monique she
can't do anything. She's just holding a t like a
two by four over in the corner, and so baby
Boy gets the advantage over Jamal knocks him to the

(02:00:22):
ground and then they're struggling a little more, to which
you know, I think Monique comes from behind. No, no,
it's not exactly what happened.

Speaker 7 (02:00:30):
Sorry.

Speaker 1 (02:00:30):
Instead, like the way that baby Boy dies is that
Jamal takes his fingers and shoves his thumbs directly into
his eyes, crushing his eyes, which causes him to just
like flame out in the eyes and then disappear. So
they end up falling down. They're tired, and that's where
they're once again approached by Killjoy as they figure out

(02:00:54):
that they got to kill the bastard.

Speaker 10 (02:00:56):
Ravo, Bravo, lavo, you wade it to the final whool.

Speaker 7 (02:01:06):
Congrestu fuimation. I can't believe this. I guess I could
just say that I'm.

Speaker 11 (02:01:19):
Coming around here, you son of a bitch.

Speaker 13 (02:01:23):
You are one ugly motherfucker, That's what I'm saying.

Speaker 7 (02:01:27):
A true chick.

Speaker 11 (02:01:30):
You know what service steady is.

Speaker 7 (02:01:33):
I don't think so.

Speaker 11 (02:01:36):
I've been waiting a long time with this, You sick
fuck it's child to play.

Speaker 3 (02:01:48):
List it it off, Come.

Speaker 2 (02:01:49):
On, baby.

Speaker 1 (02:01:53):
So that's when killed Joy, even though he's like a
demonic clown and probably has like a lot of powers
and ship, he pulls out a knife and then he
goes to attack them, but he backs off and drops
the knife for some reason, I don't know why. He
drops the fucking knife, and he drops it right in
front of Jada, but Jamal Monique go on the attack.
Jamal tries to swing at him, but Killjoy picks him

(02:02:15):
up and throws him into the boxes once again. Jada,
you know, she's still sitting back there, and she reaches
over and grabs the knife, and that's when Monique tries
to run up on kill Joy with the two by
four as well, but he ends up overpowering her bitch
slaps her, and then picks up the two boy four
and that's when he goes bit. Maybe not that long,

(02:02:51):
but he definitely does the bitch thing that's there and
wags his finger around in a very stereotypical motion. So,
now that he's defeated Jamal and Monique, he runs up
on you know, good old Jada, who's there on the ground,
has her hand behind her back with the knife, to
which kill Joy is just like, huh, I guess that's

(02:03:12):
fucking normal, And then he gives her kind of an ultimatum.
He wants to get some sugar from her, and she
has an idea that, yes, maybe I will give you
the sugar if you just go away.

Speaker 14 (02:03:25):
Jada, you're fine as hair.

Speaker 23 (02:03:30):
Come on over here and give killed Joy a kid son.
Come on, Jada, come give kill Joy some sugar.

Speaker 26 (02:03:43):
Okay mm hmm, huh.

Speaker 7 (02:03:50):
I'll kiss you.

Speaker 1 (02:04:01):
Under one condition.

Speaker 11 (02:04:05):
And what will that be, my little chocolate pudding?

Speaker 15 (02:04:11):
Wow?

Speaker 1 (02:04:13):
That if I kiss you, you'll promise to go away
and never come back to my world again.

Speaker 7 (02:04:21):
Hmm.

Speaker 10 (02:04:22):
Well, I'd have to think about that one, Okay. I
thought about it, and I promised that I will never
come to your world.

Speaker 7 (02:04:35):
Oh promise, yes, Now, come give me a kid.

Speaker 1 (02:04:44):
So you know, you have to think about this. You're
dealing with a demonic clown, and all the demonic clown
wants is a single kiss. And you know because he
really wants that sugar cause she find Oh girl, you're
finding in a glass of wine. You're thicker than a snicker.
I just want to rub my tongue all over that body.
Is this doing anything for you? If not, well I

(02:05:07):
kind of understand, but nonetheless. So, yeah, he just wants
a kiss from her, and she's willing to give him
that kiss as long as he promises. Now, you promised me,
kill Joy that if I give you this kish that
you won't go into my world anymore. You'll leave me
the fuck alone. I gave you your kiss and you'll leave.
Oh yeah, it's okay. I won't give you that satisfaction

(02:05:33):
of ever coming to your world once again. I will
stay in my world and my honesty as a demon
from help. I may be a to demon, a clown,
but I believe in not renigging on any type of
black You know promises that make So I promise you
that I will never step foot in your world again, right,

(02:05:55):
So come on, come on, give me that, give me
that sugar that I want. And I want tongue, all right.
I know I got fucked up teeth, all right. I've
been trying to go with the dentist. They don't know
what to do. Demon dentists don't really do anything but
pointy teeth, all right. I wanted it normal like I
used to have back in the day. See it used
to be a regular clown. Came to hell to realize

(02:06:15):
how sadistic I was as a regular clown because I
used to scare all the kids and give them only
Donateello ice creams. But you know, I really want normal teeth.
I don't need these sharp like things anymore so, but
I still want tongue. So just be careful when you
go in there. Okay, some ladies like it, all right,

(02:06:36):
but after a while making out with demons. Just have
you ever tried to get some from a centibi? It
just does not work, all right. They keep talking about
pain and torture and chains and whips. And while that
might excite me some, I really don't need one in

(02:06:57):
my dick, all right. That is not to meet even
as a demonic clown. All right, I don't need to
deal with it. I want to see boobs. I don't
want to see boobs without the flesh on top of it.
You know, you know what I'm saying. You know, yeah,
I bet you. I bet You've never dealt with the
Senate but it before. But you will. You will though,

(02:07:19):
of course, if you're gonna stay here in mind I me,
I mean, you're not gonna stay here in my world.
You're gonna leave, and I'm never gonna come to your world.
But if you if you were going to stay here
in my world, but you're not, Okay, I promised, I
promised I would not go to your world. But if
you're gonna stay here, you probably would never meet them
because you'd be, you know, living in the projects. I'm sorry,
It's just what can I say about Hell and black people?

(02:07:43):
This is where they put us. I know, I know,
I know. It's just that's the thing, that's what they do.
You don't want to know where the Mexicans go. Okay,
that's that is even worse, all right? You know Manta's
room is revenge didn't generate from just south of the
kind of came from here. All right, and then it
slowly sept its way back up. It makes them feel

(02:08:06):
like they're at home. But at the same time, I
don't know if you want that twenty four to seven,
So you don't want to go there, especially because it's
also his desert. But nonetheless, at least we've got electricity
and every night drive bys make you feel like home.
So all right, come here and gave me that sugar.
So she does step up to him, she does kiss

(02:08:27):
him on the lips, p reluctantly, and then she backs
off and she tells him that, okay, you know what,
now it's time for you to leave, and of course
kill Joy, you know, he backs off on his deal,
big fucking shocker here.

Speaker 8 (02:08:47):
Can not disappear, No, he promised.

Speaker 11 (02:08:56):
J J JJA.

Speaker 7 (02:09:00):
Made to deal with the devil. Sit Michael, yup? Why why.

Speaker 11 (02:09:27):
You don't wanna make shu.

Speaker 17 (02:09:28):
I've been throughing my life, Jada, from the time I
been kicked on, pushed on, spit on, bullied.

Speaker 25 (02:09:37):
You have no fucking idea, toy, No, No, I mean
all I wanted to do was have friends. I mean,
I'm just as human as anyone else.

Speaker 16 (02:09:52):
How come no one likes me?

Speaker 14 (02:09:55):
I don't know, Michael, I like you, Jada. It's just
me and you know the way it's supposed to be.

Speaker 11 (02:10:11):
Will you be my girlfriend?

Speaker 2 (02:10:14):
Will you?

Speaker 23 (02:10:25):
Yes?

Speaker 14 (02:10:25):
Michael, I'll be your girlfriend?

Speaker 13 (02:10:29):
Who yes?

Speaker 11 (02:10:32):
Whoa Jada? You don't know how it happened. You just
made me help your girlfriend.

Speaker 1 (02:10:43):
So that's right after she kisses him, he totally is
like nope, because come on, you have to think about this.
This is his world, right, Like, you're not gonna leave
his world. He could say, Okay, yeah, sure, I'm never
going back to to your world ever again. I promise you.
That doesn't mean that you're gonna leave here, right, And
when she's like go, he's like, no, I'm not. You

(02:11:05):
made a deal with the devil. What do you think
this was? You think that I'm all of a sudden
gonna change my mind? Okay, you give me a kiss. Okay,
I'm gone, bye, see you later. Here we go, I'm leaving.
I'm leaving. And instead he turns into Michael because the
spirit of Michael is still well alive in Killjoy's world,
and he's the one that's really been searching after Jada.

(02:11:27):
So I guess they're sharing the same body or something.
A spirit I don't fucking know, I don't fucking care.
But anyway, she does that, and so like he wants
her to be his girlfriend, and so again she tricks
him by saying yes, and then when he goes in
for the hug, she takes the knife from behind her
back that she's been holding behind her back the entire time,

(02:11:48):
and neither Michael nor kill joys asked, Hey, what's that
back there? What are you holding behind your back? Why
do you have it? You have just like an itch
or something? Yeah, yeah, yeah, yeah, it's just just a
niche in the back. Don't worry about it. Don't worry
about it. There's nothing else going wrong. There's nothing nefarious
that's gonna be happening back here. I'm not gonna stae.
I mean, I'll live with you in your world. I'll
be your girlfriend. Hey, I didn't even ask that question.

(02:12:12):
Why would you just suddenly say yes? I mean, it's
what I've always wanted? Yeah, yeah, yeah, just come here, closer,
coming close? Why do you want me come? Why are
you still have your hand behind your back? No reason?
All right, you're going ah ah, yeah, you thought his
was son of California. This is Fresno. Bitch, and then
she stabs him a bunch of fucking times over there,

(02:12:32):
and so you know, then he you know, quote unquote
dies and disappears like everybody else that's back there, and
so they think that they've managed to get away, so
they run outside, and when they run outside, that's when
he gets a relatively kind of bloody death where he's
bleeding from the mouth and shit like that. But she

(02:12:52):
does gather Jamal, she does gather Monique, and they head
outside and you're once again interrupted by William Shatner as
then and they go back outside like they're literally like
seven breaks. I want to say in this movie at
really weird times, maybe it's more like six that William
Shatner just randomly shows up. There's a whole storyline that's
going on where they summon kill Joy and then he

(02:13:15):
goes into like another verse, into the net or whatever
and disappears, and then they're trying to figure out how
to get him back. And then when he comes back,
he comes all like fucking blinged out, like he's now
gangs to himself. It's it's fucking stupid, it's really bad,
Like it's it's one of those oh yeah, it's so bad,

(02:13:36):
it's pretty fucking funny at the same time. And you
guys should also be glad that I am not torturing
with this, because I had to be tortured with this
the entire time that I was watching this movie, and
I was trying to enjoy me some kill Joy. So
they end up going outside and they run into the
ice cream truck, thinking that everything is all saved and
that everything is done and they've won the day? Or

(02:13:58):
have they It's finally over.

Speaker 23 (02:14:01):
And let's get out of here.

Speaker 3 (02:14:07):
I guess this is it.

Speaker 8 (02:14:08):
Oh man, it's been one hell of a night. I
just lad is over me too.

Speaker 13 (02:14:14):
It's never a fucking oh no.

Speaker 3 (02:14:23):
No, we kill them.

Speaker 7 (02:14:25):
This can't be happening.

Speaker 26 (02:14:27):
Oh I don't think so.

Speaker 3 (02:14:29):
Jada.

Speaker 7 (02:14:31):
You want to know what she be do.

Speaker 6 (02:14:35):
I can't die in my world, Jada, don't forget about
the doll.

Speaker 2 (02:14:43):
You have to kill the doll.

Speaker 7 (02:14:46):
What the hell the doll?

Speaker 15 (02:14:50):
Come on?

Speaker 7 (02:14:51):
Yet?

Speaker 1 (02:14:54):
I love it that you kind of break the fourth wall.
It's not totally breaking the fourth wall, but it kind
of is in this little thing, the fact that, like
you know, kill Joy shows back up because in his world,
nobody ever dies. They can only be stopped for a
little bit, I guess, enough for them to run away,
And so then you have the voice of the bum

(02:15:14):
all of a sudden pop up where he's like, don't
forget you have to kill the doll to defeat him.
You have to kill the doll and then kill just like,
what the hell is that? Where the fuck did that
voice ever come from? Like, you know, it's it's so ridiculous,
that's fucking funny. So they run and of course kill
Joy and then give Chase kill Joy and the other

(02:15:35):
three gangsters that are there, and they end up running
to the back of the fucking ice cream truck, which
wasn't that far in front of him. But then there's
this long ass fucking chase that they do. It's not
like super long, but it's long enough that they're able
to get to the back of the ice cream truck,
where they also have Sonic the Hedgehog ice cream pops
as well, And so they close the back of the

(02:15:58):
truck and then kill Joy's ah because he can't get
in there, and they teleport into Michael's room right where
he first summoned kill Joy, and that's where they find
that the doll is there, and they eventually did you know,
they have to make that choice of actually stabbing the doll,

(02:16:18):
killing the heart, and ultimately saving the day to kill
kill Joy. But Jada runs into an issue when it
turns the doll itself turns into Michael, and she doesn't
know whether or not she can stab the doll.

Speaker 7 (02:16:32):
Where are we when Michael's room, Jada, the doll's right there?

Speaker 6 (02:16:38):
Do it? This is it?

Speaker 11 (02:16:41):
Just kill this little fucker?

Speaker 3 (02:16:49):
Do it, Jada?

Speaker 6 (02:16:49):
Do it?

Speaker 8 (02:16:50):
Don't you do it?

Speaker 7 (02:16:51):
In the shit?

Speaker 8 (02:16:52):
What's it wrong?

Speaker 3 (02:16:56):
Way? Jaa?

Speaker 11 (02:16:57):
Please don't kill me. I love you so much? Did
this off for you?

Speaker 7 (02:17:06):
Jed?

Speaker 13 (02:17:06):
What are you doing?

Speaker 3 (02:17:07):
Hurry up?

Speaker 9 (02:17:11):
Ja just give me one more chance. I'm sorry, Hey,
just give me a chance, isn't right?

Speaker 11 (02:17:23):
Please?

Speaker 3 (02:17:24):
I love you?

Speaker 15 (02:17:29):
I'm sorry.

Speaker 11 (02:17:30):
Michael what Jada?

Speaker 1 (02:17:37):
Okay? If I was her in this situation, with all
this shit that he's put me through, I honestly wouldn't
care if he killed Lorenzo and baby Boy in t Bone, right.
They kind of fucking deserved it with what they did
to Michael. You know what, I can forgive you that
for shit, that type of shit, But you're bringing me
into this world, making me kiss, a demonic clown keeping

(02:17:57):
me fucking trapped here, and this is the only way
I get the moment I see that fucking doll and
the knife lying right there next to it, I am
just stabbing the ever loving shit out of it. I
am just stap sap, stap stapstep. Michael would fucking form
for a second. Heater ready have the fucking knife in
his goddamn chest, and he be like, oh, but why
are you doing it so much? I want to make

(02:18:19):
sure it's fucking dead. And I just keep stabbing, sending
me back, send me backing, fatherfucker, Like, I just sit
there and fucking like debate. Oh, this isn't right. I
shouldn't be having to do this. Why do I have
such a hard choice. No, you just pick up that
knife and you murder that motherfucking doll right in front

(02:18:41):
of you. So she does stab the doll and everything
starts falling apart around them, and we see Michael turn
back into kill Joy the doll for a moment, and
the world is crumbling around kill Joy, and eventually they
have to escape as well, and we get to see
the last moments of Mike because he's failed and killed

(02:19:02):
Joy now has plans for him.

Speaker 7 (02:19:04):
Did anybody break the circle?

Speaker 23 (02:19:09):
No?

Speaker 8 (02:19:10):
No, no, okay, okay, we have to form an in
our circle.

Speaker 1 (02:19:15):
Okay, hold hands, okay, shut your eyes.

Speaker 13 (02:19:36):
Game over, Michael, No you no, you losh my two points.

Speaker 7 (02:19:43):
This wasn't my fall.

Speaker 13 (02:19:45):
There are no execees. Give me a change.

Speaker 3 (02:19:48):
There are no change.

Speaker 7 (02:19:52):
You're on your third strike and you jess trapped out.

Speaker 3 (02:19:58):
It didn't.

Speaker 1 (02:20:04):
So I guess kill Joy eats Michael's soul, and I
love too the little effect, the stupid effect, because they
go outside and they show the three gangster guys out
there and they're like shaking their bodies around as the
effects are happening, and then they disappear into dust and
get sucked into a black hole. And then they gather
around in their circle, hold their hands together, close their eyes,

(02:20:28):
and that's when we cut back over to kill Joy
and kill Joy consuming Michael's soul. That's the only thing
I can imagine is what's happening. So then we cut
to now they're back in the real world and in
a little jump cut or they each do the superhero
like you know what is the superhero stance or jump
When they come back in and they're on their knee

(02:20:48):
with their hand on the ground and everything like that,
one by one, and the screen fades out and in
and out and in, and they're so happy. They're back
home and they've saved the day and they've managed to
beat kill Joy. And then the bum is randomly there,
like in the room, and he's smiling at them, and
he's just like, yeah, you did good. And Monique's looking

(02:21:10):
over at the bum and he's like, how did you know?
And he just like disappears, putting his hands together in
like a gang sign or some shit like that. I
don't fucking know, and so, you know, he disappears. She
waves goodbye, and they decide that they're going to go
out for the night and they go to a jazz club.
And while they're sitting there at the jazz club, they

(02:21:33):
you know, are talking about their experiences and they're so
glad it's over and everything's better. But Jada she starts
talking about nightmares that she has of the incident that's there,
and they all like, we all have nightmares and we'll
get over it. And that's where they run into somebody
that she used to know from school that's there at
the nightclub, and they do two different twists at the

(02:21:57):
end of that that make you believe that, oh, this
is the way the movie is going to end. And
it's not really like a twist, it's like fake outs
that they're doing. And so there's one here in the nightclub,
and then they wake up because you find out that
the nightclub is a dream. And then you see Jamal
and Jada in bed together as she's screaming and waking
up for the nightmare, and then Jamal is comforting her

(02:22:21):
and then starts to go down her body and she's like,
what the hell are you doing? And he's like, I'm horny.
And then there's one more last little scare to which
the movie ends.

Speaker 11 (02:22:34):
I had another nightmare last night, though.

Speaker 5 (02:22:40):
You all have nightmares.

Speaker 7 (02:22:42):
Yeah, you're right.

Speaker 24 (02:22:45):
I think you should go see doctor Steinberg in the
day find out whyslab night.

Speaker 1 (02:22:49):
Still, I'm sorry to bother you guys.

Speaker 2 (02:22:54):
Just had to ask.

Speaker 11 (02:22:55):
Is your name Jada Smith?

Speaker 3 (02:22:56):
Yes?

Speaker 1 (02:22:57):
Why it's me ray Raymond Jackson from me?

Speaker 11 (02:23:00):
His pass who Raymond Jackson the guy that sits across
from you, mister.

Speaker 5 (02:23:05):
Jordan's crist Oh you have a class class.

Speaker 11 (02:23:09):
Fast down, that's see. Oh thanks, so how much did
you guys pay to get.

Speaker 3 (02:23:20):
In here.

Speaker 8 (02:23:22):
Ten dollars each.

Speaker 11 (02:23:24):
Ten bucks each man.

Speaker 1 (02:23:26):
That's wow, Why how much did you pack?

Speaker 2 (02:23:30):
And my girl got in free?

Speaker 7 (02:23:34):
Really? How did you do that?

Speaker 6 (02:23:37):
You see?

Speaker 3 (02:23:37):
I got the hook up.

Speaker 11 (02:23:38):
My brother owns this clip.

Speaker 7 (02:23:41):
He does what's his name?

Speaker 6 (02:23:45):
His name is.

Speaker 11 (02:23:50):
Killed you.

Speaker 12 (02:24:13):
It's okay, it's okay, it's okay, all right. Maybe you
just had a bad dream, that's all.

Speaker 11 (02:24:32):
It seems so real, it's all right, I'm here, everything's
all right now, everything's okay.

Speaker 7 (02:24:57):
What are you doing?

Speaker 15 (02:24:59):
Baby? I'm what.

Speaker 26 (02:25:02):
Jamrow?

Speaker 11 (02:25:02):
Now is not the time? Come on, baby, I'll be quick.

Speaker 15 (02:25:18):
Mm hmm.

Speaker 11 (02:25:25):
That was so cool for shake.

Speaker 7 (02:26:10):
Car to me.

Speaker 1 (02:26:20):
And so that was kill Joy and yeah, the two
little fake outs is that you know, in the you know,
jazz club or where the fuck they are you have them,
you know, show up there, and then they mentioned kill
Joy and then kill joys sitting there with the dead
Lorenzo and laughing at her, and she wakes up from
the nightmare that she's having there about kill Joy, and

(02:26:41):
then it's jamal and at the same time like it's
a it's funny because I didn't I knew that they
were gonna do something again with kill Joy at the ending,
either they were gonna do it with him at the
inning again, or that it was going to just end
with the two of them and that was going to
be it. Like I kind of also thought, oh, maybe
it's just this, and then I was pleasantly surprised that

(02:27:04):
we had another kill Joy fake out there at the end.
Though I'm not like super happy with his last line
in the movie for what it is, but the fact
of the matter that like they're there, and you know,
then all of a sudden, Jamal is just like he's
going down to her. He's like, I'm horny, and she's like,
it's not the time for that. Yeah, you shouldn't be

(02:27:27):
like trying to fuck somebody after they woke up from
a goddamn nightmare about a killer clown that was trying
to go after her and steal her away and keep
her in his world from a dude that she used
to know back in the day that was in love
with her but got killed by her ex boyfriend because
he was a nerd and he was busy talking to
you know, the guy's girl, Like, that's not the time

(02:27:49):
to be trying to get some at that moment. But
then she's like, Okay, fine, I guess I'm a little
horny too. Fear can make you horny, so I'll go
along with it as well. And then all of a
sudden it turns into kill Joy, and I was like, Okay,
that's pretty like funny in the way that it's done.
But I guess kill Joy really wanted some of that
good pussy. That's all we really learned from this movie

(02:28:10):
that kill Joy just was after good puss, as he
would say. So it's but what you notice that there
is a little bit of a jump in that clip.
That's because with this version with William Shatner, you get
the William Shatner ending to the storyline, and then it
jumps in it does the credits and everything like that,

(02:28:32):
the ending theme song, so it's not like simple and
doesn't just happen at the end of the movie. And
I tried to make that seamless, but I couldn't exactly
make it work right. So I did the best that
I could in this situation get to go through. But
you know, like I was talking about before, I had
to sit through all these really terrible, terrible William Shatner

(02:28:55):
bits throughout this whole fucking presentation that's going here. And
you know what, they saved the absolute worst for the
absolute end of it. And if I had to sit
through it, you guys are gonna have to sit through
it too. So William take us out?

Speaker 3 (02:29:12):
Yo.

Speaker 5 (02:29:14):
There ain't never gonna be any peace at the Nightmare
Cafe till you and I could live and let live.

Speaker 4 (02:29:19):
Otherwise, if we don't killed you, I was gonna have
both our asses, right.

Speaker 5 (02:29:23):
So let's have Piece and love, little piece and love.

Speaker 28 (02:29:27):
Give me give me five, give me another five, give
me a soul five, mac, give me little fives, give
me a high five. Oh that's Pieace and Love, brother,
Piece and Love.

Speaker 11 (02:29:44):
Well, how about that?

Speaker 5 (02:29:46):
We settled up.

Speaker 4 (02:29:46):
Then we kept it real, a little bit of crime,
some horror with a hip hop sensibility.

Speaker 5 (02:29:53):
It reminds me, did someone want me to wrap it?
Isn't that appropriate for this film?

Speaker 13 (02:30:04):
Give me a beat?

Speaker 28 (02:30:07):
That's all games in the air, and we even like
you just don't care, say oh, somebody scream.

Speaker 1 (02:30:22):
Ho ho.

Speaker 2 (02:30:24):
I can't work like this.

Speaker 5 (02:30:25):
I mean I need some help there.

Speaker 6 (02:30:27):
What kind of a group is this?

Speaker 3 (02:30:29):
It's not a musical group.

Speaker 5 (02:30:30):
I can tell you that. Oh no, That'sveta. You bet
you can't get the music, I can hear it.

Speaker 1 (02:30:46):
So that was William Shatner's big fucking outro of this
and even talk about the goddamn movie. Well he did
a little bit, but he just decided that he wanted
to rap. I guess and William Shatner rap is what
you're gonna get and it was possibly the worst rap
in the history of rapping that you've ever seen and

(02:31:06):
heard at the same time. So in terms of rating
this movie and the way that this movie goes, the
gore is a one out of five. There's really none
to speak of in this movie. There's a fake hand
at one point, and really, like, besides the language, you know,
it's really gonna be the one nude scene. If you'd
be okay with, you know, a younger kid seeing I

(02:31:28):
still would say teenager for this, because maybe Kiljoy might
be a little bit scary, but this movie overall is
just very fucking silly and relatively funny, and they're probably
gonna groan when they're watching it, knowing that some kids
and some teenagers these days, but I'd say that you'd
be okay with like fourteen on up thirteen on UP.
I think they'd be fine. They probably have seen worse

(02:31:50):
stuff on your standard, like kids cartoons that they have nowadays.
Even you know, something like was that drama Island where
the girl lost her shirt at one point and they
picked later boobs like that happened in the mid two thousands,
and that was on kids TV. So you know, if
you're okay with your kids seeing a boob, then Killjoy

(02:32:10):
would be perfectly fine, especially if they like really cheesy,
bad horror movies. This one would be kind of silly
to show them and they would groan like shit with
the William Shatner bits. If you're watching this, and like
I said, you can watch for free on YouTube not
to subscribe to anything, or on two B so and
you get that type of thing. If you want to
listen to the end credits, I would go on YouTube
versus two B because two B likes to do the

(02:32:32):
auto play and that's fucking annoying, especially since you can't
stop it on your computer, but you can stop it
for some reason on the TV app. I don't get why.
I complain about that plenty of times before, and I
think if I find the next Full Moon movie on YouTube,
I'm gonna watch it on YouTube versus watching it on
two B because the quality is basically the same, all right,

(02:32:53):
In terms of the crap factor, this is like a
three out of five. It doesn't yet reach those levels
of so bad It's good. Its scenes that are, but honestly,
Killjoy is so entertaining the character himself that it kind
of makes the movie, and it makes it relatively entertaining
as well. There are some bad effects, but for the budget,
I think it's perfectly fine. There is a couple of

(02:33:15):
stupid moments in this movie, mostly towards the end, and
some of the things don't make a whole lot of sense,
but there's not enough to be like, ah man, it's
like super duper crappy, and I just would never like
have anybody watch this film. It's still a fun time, right,
It's just I think this is one of those your
mileage is gonna vary. I think that I enjoyed the

(02:33:36):
movie quite a bit. I wouldn't put it in the
upper echelon of so bad it's good horror movies, but
I'm not gonna put it in the terrible shit Oh
my god, why the fuck am I watching this thing?
Type of movie. It doesn't take itself seriously. I can
see why it went into the realm of the horror
comedy and stayed away from just being like this, which
is a lot more just straightforward in the horror genre.

(02:34:00):
Even though it's not quite scary, it's funny. I read
some people's like reviews because I was really trying to
find some trivia and I was reading a bunch of
different sites, and when Guy's like, yeah, there's actual scares
and it actually is like a horror movie, and I
can't believe it. And he's so creepy, you know, like,
if you don't like Crown Clowns, I can see Killjoy
being creepy. But it's not really a horror movie either,

(02:34:23):
Like it skirts the line. It's got a couple of
things in there, and that's really about it. So you know,
it's crap factor is definitely a three out of five.
Fun factor. I'm also giving it a three out of five.
It's not at that level where it's a so bad
it's good horror movie where I'm just laughing at everything.
There are some really laugh out loud moments in this movie,

(02:34:46):
but the fun far between and all the scenes with Killjoy,
like I said before, are very entertaining and he definitely
steals the show. And I kind of want to see
the second one now to see how the actor that
replaced Angel Vargas does in the role of Killjoy, even
though I hear that the second one is pretty bad,
and that's a lot to do with the budget being

(02:35:07):
down to thirty thousand dollars versus one hundred and fifty
thousand dollars. I think that this one was made I see.
I think it switched. I think that whatever I was
reading it from, I think the first one had a
budget of thirty thousand. The second has a budget of
one hundred and fifty thousand. That has to be right,
because this seems like it's extremely low budget, and if
I said that earlier, then you know I probably was wrong.

(02:35:30):
So it's just to see what they do and where
they go, and supposedly that one stays too in that
Black Exploitation realm. It won't be the next film for
the podcast. Maybe one of these days I'll talk about
it on the podcast, but I definitely just want to
see it to see it. It got me interested in
seeing a couple more of these to see what it's
like in the future. And even though the second one

(02:35:52):
didn't do as well as the first one in terms
of what Full Moon made, but they still made the
next movie. So overall this gets eight three out of five.
Bit it's just like I said, it's fun, it's entertaining.
It's just it doesn't hit that note to get the
four out of five out of me, that's the highest

(02:36:14):
I would have rated this movie. But three out of
five is solid. It's still something I think that if
you're interested in it and you laughed at some of
the stuff that was here, or it seemed like it
might be fun, then watch it. If it doesn't, then
it's probably not for you. It's just a middle of
the round movie. And honestly, it's one of the better
Full Moon Pictures productions that's out there. I know it
wasn't necessarily totally done. They produced it and it was

(02:36:37):
made by somebody like Big City Pictures or something like that.
I think they're the ones that actually were the main
ones making the movie. But as far as Full Moon goes,
it's entertaining, and honestly, for the most part, when it
comes to Full Moon Pictures, they're mostly entertaining. Whether because
they're just really terrible, or they're just fun and they're

(02:36:57):
dumb and they're just entertaining to watch. So with that
all being said, we are at the end of this
podcast episode, and I thank you guys so much for
checking it out and listening to it. Hope you had fun.
I actually had a lot of fun recording this one
as well. I love it when I have movies like
this because it just becomes so free flowing with everything

(02:37:18):
that's going because I'm really into what's going on in
the background. Sometimes it can be really tough, especially if
the movie is like really slow or really serious, and
it gets really hard to be like jovial or do whatever.
But when it's a very silly movie like these last two,
where it becomes so easy to do these things. It's
another reason why I really love Full Moon Pictures when

(02:37:39):
it comes to me doing stuff for this podcast. So
I hope you have enjoyed these so far. We've got
one movie left on the bandathon that we're doing. As
we get into our last movie, and what movie will
that be, Well, you'll have to find out on the
next mini episode that is going to come out next weekend. Now,
because I had to skip a Minnie episode. This one's

(02:38:00):
going to be more of a packed one. That's there
because we are going to be talking about the Last
of Us season two, and I'm going to be talking
about all the episodes that I haven't talked about yet,
including the finale, and kind of giving my thoughts and
opinions on stuff that they changed and what they could
have done a little different. And it's kind of going

(02:38:21):
in the direction that I thought it was going to go.
And we'll have to see what happens with season three
as it comes up, and we'll talk speculations and everything
that they're going to.

Speaker 6 (02:38:30):
Do with that.

Speaker 1 (02:38:32):
So if you want to keep up, you can follow
me on all the socials that are out there. You
can check me out on Facebook dot com, slash Terrible
Terror Podcast, Instagram dot com slash Terrible Terror podcast. That
is where I answer most of my messages if you
send me stuff there. I also do it, you know,
on Twitter. That's basically the only thing I use it for.
So there's some people that message me there and then advertisement.

(02:38:54):
I really just am never not been fond of the
platform since they changed a ton of shit, not just
because of you know, toxicity, because it has become really
toxic with everything that's there, but and a lot of
the things that they changed in that they really want to,
you know, monetize a lot of things. With Twitter, it

(02:39:14):
took a hit to a lot of the things that
people would in putting out their art and all the
other fun stuff. And if you're not paying for it,
you're not really getting any reach. So it you know,
I would reach random people and now you don't reach
fucking anybody anymore. So it's kind of one of those
things that are out there. So if you want to
follow me out there on that, you can check that
out also on Blue Sky that is Terrible Terrors out

(02:39:36):
there on Blue Sky. And then I have done some
updates to the streaming stuff, so if you want to
follow me on YouTube, you can follow me at Terrible
Terror podcast on YouTube, and you can follow me on
Twitch Terrible Terrors there on Twitch. I am multi streaming now,
so if you prefer to watch me on YouTube, you
can go to the YouTube channel. When I go live

(02:39:57):
on Mondays, Tuesdays and Sundays, you can check me out
there at least Somedays until football. So you guys, take
care of yourselves and each other and I'll see you
next time.

Speaker 3 (02:40:08):
M give me a beat.

Speaker 28 (02:40:21):
Let's all games in the air and wave him like
you just don't care. Say oh oh, somebody stream

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