Shrunken Heads

Episode Transcript
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Speaker 1 (00:09):
It's time to turn out the lights, to grab some
popcorn and watch some horror movies. This is the Terrible
Terror Podcast. Each episode I tell them to the world
of horror movies. Why don't I do it? Well, I
can't really explain it, but I love these horrifying flicks.
So if you made your own movie on your phone
or made your own special effects mcgiverstyle, please send them
my way. Now, what happens when you take an Haitian pimp, cop,

(00:33):
some shrunken heads and just some wackiness? Why you get
well shrunken heads? Welly, hello everyone, and welcome to a

(01:10):
brand new episode of the Terrible Terror Podcast. And I
hope you are all doing very very well. It has
been a weird week for me since we last chatted
on the mini episode when everything was recorded then and
what kind of happened after, And I'll talk about it
a little bit at the end of the episode and
won't get into it right now, but we are finishing

(01:33):
up our little Charles band marathon, our band athon as
it were, with shrunken Heads. Now, this was a movie
when I was looking for it, and like I said
in the mini episode, if you didn't listen to it.
This has also become kind of a chat in marathon
at the same time, because for some reason, all of
the movies that I've picked, and this one a little

(01:56):
more on purpose than some of the other ones, because
I was like, well done two like this, let's see
what a third one's like, and uh, you know, they've
all come from the fright night like little series that
was done. I looked a little further into that as well,
and I guess this was something that was available on
sci Fi for a while, like it was a late

(02:17):
night series on Sci Fi, and from my knowledge at
least I would assume, especially since Head of the Family
was a part of this series, that it was when
it was on Sci Fi, it was you know, heavily
edited right to not include the language unless it was
like super late at night, but then that wouldn't you know,

(02:39):
make up for the nudity that was in everything. So
this eventually went to Charles Bands to the Full Moon
website and was basically shown there for a while as well.
I don't know if it's still there. It's available on
YouTube and it's available on TB When you go to YouTube,
I think a lot of the videos are unlisted but
you can find them directly from the full Moon page

(03:01):
on YouTube. Even though you can't really search them up,
if you go to their YouTube page, you can find them,
so they're basically readily available right there for you to
watch if you really want to search for them and
see them. And I'm just kind of interested in seeing
a couple more, just to see the stupidness that is
the intro from William Shatner and all the little stupid

(03:22):
things in the middle, and see what other movies they picked.
And it's funny because I think one of them happens
to be Subspecies, which is a movie I was going
to do for the podcast, but I kind of wanted
to go a little bit off the trail, at least
in stuff that I hadn't heard of it before. And
I was surprised that they were all a part of
this series that was going on and when you watch

(03:46):
them on YouTube or two be and I think they're
even available on Amazon's free service, which I didn't check,
but I think that they're actually there as well. When
I was searching for it, because I really was trying
to find out more information about this series, and it
really happened in between, like ninety eight and two thousand
and two. It only went on for like one season

(04:06):
what would be you know, thought of as one season,
so only really twelve episodes of this was actually produced, right,
and you can tell that it was definitely cut for
TV and the way that they do the intros and
outros from William Shatner because every time that they had
a commercial break, when they would come back from the break,
that's when you'd get a little Shatner break in between

(04:26):
it to continue on the movie. So I kind of
like that in a way. I mean not necessarily saying, hey,
I love the William Shatner stuff that's through the episodes,
because a lot of it is really really, really stupid,
and the one that goes throughout this episode, we won't,
like I said, or like I did last time, I'm

(04:47):
not gonna play clips throughout the episode of Shatner and
give you the little intros and outros unless you know,
I was doing a weird ad break in the middle
of everything that was here, then maybe I'd throw in
a Shatner one, even though you know, be nice to
actually Shatner do some breaks for me, and that would
be fantastic, But I don't think that he would do
that because he probably doesn't even know who well, I'm

(05:08):
pretty sure he doesn't know who the hell that I am, right,
but uh, nonetheless, like when you would be coming back
in from an episode or a nine episode, but a commercial,
I could see these being a little more you know, entertaining.
And the ones that happened in this one was him
being attacked by a shrunken head, which happened to be

(05:31):
one of the ex writers of the show, like the
little segments that he did that he had fired because
he didn't like what he was writing and he thought
that it was like trying to kill him. And then
with the last one that I'm gonna play for you
at the end of the episode, as he's wrapping up
the movie, right, that one in specific is about, you know,

(05:52):
the conclusion of that storyline. So I don't want to
give you what the conclusion of it is right here,
but just kind of have that in your head, Like
he's being attacked by the flying head, he's wondering who
sent it after him, and then at the end you
find out exactly where the shrunken head came from, right,
And it is really dumb in the resolution of everything

(06:15):
that's there. The only thing that's really worthwhile in those
little segments is that he does do some like I
guess nowadays you'd call it trivia, but it's kind of
like facts and information about the movie and sometimes the directors,
sometimes the actors, sometimes the way that it's written in
other times he just makes fun of the movie, and

(06:35):
that stuff can be entertaining. It's just like the skits
that are in it that are just kind of meh, Like,
it's not necessarily always my cup of tea. Like it's
very cringe. If you really like cringe humor maybe you're
gonna like it, or you like really really really really

(06:56):
cheesy stuff, then you'd be entertained by it, right, And
there's some punny stuff that's in there that's entertaining, but overall,
like watching it as you're watching the movie, it just
feels weird. I guess, at least to me, that's the
way that it does. But it won't stop me from
watching others to see what exactly was done. Right. So, nonetheless,

(07:21):
when we get into Shrunken Heads, you know, there are
a couple things that surprise the heck out of me
of this and one it's directed by Richard Elfman, who
happens to be Danny Elfman's brother, and Danny Elfman actually
does part of the score in this movie, which is
absolutely nuts to me. Like, I was very surprised because

(07:44):
it's like, who the hell Richard Elfman, Like I really
it feels like I know that name, like and there's
like there's no way that it actually could be, you know,
any way related. Then yeah, he's related to Danny Elfman.
And then when I was looking for into the movie, Yeah,
the intro theme song that was done in this movie

(08:04):
was actually done by Danny Elfman. And there's a little
bit of flair here and there that was done you
can tell at least influenced by Danny Elfman, or was
done by Danny Elfman. In general, he put his name
on there, and he really did it as a favor
to his brother, since this was his brother's movie, right,
And he's done quite a bit of movies. In fact,

(08:28):
the last movie he did was in twenty twenty four
called Bloody Bridget, which seems like it's one of these things.
He also done a bunch of like TV stuff He's done,
some just seems like they're all like crappy horror movies
and a bunch of Oino Boinko stuff. I mean he
did like five Oingo Boingo music videos that were there.

(08:50):
He directed Forbidden Zone, Streets of Rage, Shrunken Heads, Bone Chillers,
Modern Vampires, Date or Disaster, twenty eight Days and thirty
Days to Vegas there as well as Aliens, Clowns and Geeks,
The Carnage Collection, Vicious Violence and Vengeance, and Intro to
the Forbidden Zone, the Director's Cut, and those ones were

(09:11):
last in the like you know, last couple of years
that was there. There was also a series that he
did from twenty ten to twenty twelve called the Buzsign
or buzzin TV Interviews, and there was also another one
that was complimentary before that from twenty ten twenty fifteen. Well,
I guess during the same amount of time, last a
little longer was the Buzz and film interviews that were there.

(09:35):
So and beyond that, like he's got a bunch of
red carpet stuff. He's got some lost episodes that he
did throughout the years. Well that was like looks like
interviews and stuff like that, but a lot of the
stuff was just you know, red carpet stuff. For buzz
scene that was there, So I guess I don't know

(09:56):
did he own buzz scene? Does he own it? Like,
I have no idea what it is. I'm not looking
further into it, but most of the movies he's done
have been like this and Shrunkenheads. The biggest piece of
trivia besides one of the actresses that's in this movie
that many of you probably know and probably should know,
and she has been a part of the podcast before

(10:17):
in a different movie, is that this was the very
first Full Moon feature that was actually released in theaters, right,
which is odd to think because majority of them are
direct to video, direct to DVD, direct to VOD. That's
just kind of the way that they've always rolled, right,
And this one, Richard Elfman actually put up a bunch

(10:38):
of his own money to get it in a very
small selection of theaters, So it's the very first one
to ever actually have a theatrical release, which is kind
of cool. The other thing the actress that I'm talking
about that since movie happens to be Meg Foster. Now
Meg Foster, you're probably gonna remember me talking about her
from thirty one. She was a part of that. She

(10:59):
was also in Master of the Universe where she played
Evil Lynn in that, she was in They Live where
she played Holly. She's also in The Lords of Salem
where she played Mark and Morgan. And she's been in
a ton of other, you know, random horror movies that
you would know it, you know, which is crazy that
she was even a part of Jeepers Creepers three because

(11:19):
I totally fucking forgot and the more I can forget
about Jeepers Creepers three, uh, the better that it is
going to be for me. She was also in an
episode of Murder she wrote actually two episodes in you know,
the timeframe that that series was running through is in
quantum leap and shit like that. But pretty much has

(11:39):
made her way through, like you know, the horror world
and is known for a lot of the horror movies
that she's done, if you're like a big horror nut
that's out there, because you know, it's not like everything
that she's done is particularly just horror in her world,
but probably some of the things that people are gonna
remember her for are going to be some of those

(12:01):
horror movies that she has done as well, right at
least that's kind of the movies that I mentioned off
the top. Those are definitely movies that I remember her from, right,
especially like thirty one and you know, the Lords of
Salem there there and especially he Man, which we also
have talked about on the podcast. So I was very

(12:23):
surprised to see her. I was very surprised to see that,
you know, Danny Elfman's name was anywhere in the title
of this thing. This also happens to be the last
film of Julius Harris, who plays mister Sumatra, and he's
it's not somebody that is like very notable. He did
a lot of TV that was there, and if you were,

(12:45):
you know, during his heyday of the TV stuff that
he did, you probably would maybe recognize some of this stuff,
but it was nothing that was recognizable to me. But
this is one of the last movies that he did,
or the very last movie that he actually did. And
it's funny too because Mike Foster, she plays Big Mo
in this movie, who's like the big gangster that runs

(13:05):
the town, and she said that it was actually one
of the best characters that she's ever played, and it
definitely looks like she's having fun while playing this character
in this movie. I think in general, a majority of
the characters are pretty much having fun. There's some young
actors and actresses in this movie, especially the three kids
and the love interest, Sally. She's very young in this movie. Now,

(13:29):
I think this is one of those occasions. I'm hoping
this was one of those occasions where it's somebody that
looks really young that happens to be playing a young teenager,
but she's of age. I'm not saying that there's any
nudity in this movie, because there's not. By every full
moon standard, this movie is very very teen like. I'll

(13:49):
say it right off the bat. If you want to
share kids a stupid horror movie, show them shrunking heads,
they might have a little bit of fun with it,
but it is extremely cheesy. I'm just from the sets
to the design. But I like some of the characters
in this movie very much, especially mister Sumatra, which is
a character that you should like, right. I think the

(14:11):
way that he's written, the way that he's performed, I
think that most people are going to like this character
in this movie. That's just kind of the way that
it is. Other characters and other actresses kind of fall flat,
especially Sally. But again, I'm gonna pass that off as
this is probably one of her first films that she's
ever done, and you really can't be like, oh man,

(14:32):
look at you. You totally suck. Even though she kind
of totally sucks. It's your very first film and you're
acting and looking at what you think happen to be
shrunken heads of kids that died. I mean, what are
you gonna do? You know, you know, you're pretty new
to the whole game, and this is the first movie
that you're doing. Okay, and especially back in the day,

(14:56):
I'm pretty sure that they weren't really looking at anything
and the heads were added in post through whatever you know,
magical cgi world that they were doing these things. So
the majority of the actors too. There is a bust
scene that happens later on in the movie, and with
the exception that of Richard Elfman, who plays a role

(15:16):
in that scene, were actually video and store employees who
won their roles as part of a contest, which is
pretty crazy as it was. And then MiG Foster also
said that she fell ill from the cigar smoking that
she had to do as Big Mo in this movie.
This was actually, like I said before, this was supposed
to get a big theatric release by Paramount and was

(15:37):
picked up by them. But after they saw it they
were like, I don't know, I'm not sure. Yeah, let
me let me see that contract over there. Why she
ended it over there, ripped up the contract and that
was it. They backed out of everything that was there,

(15:59):
and that the trailer that is shown doesn't actually have
well say strike that reverse it. The trailer shows a
scene that actually doesn't exist in the movie, which is
weird that this being like a trivia thing, you'd be like, uh, okay,
I guess, And there's supposedly there's somebody that went into

(16:21):
this movie is part of like the trivia that's here,
and they gave you a timestamp in particular at thirty
four forty four. There is a musical cue that's in
there that is used in the Nightmare Before Christmas, specifically
the Jack and Sally montage like that that is dedication

(16:43):
to go in there and be like, oh my god,
I heard this or was it something that Danny Elfman say.
I really don't know, but it's one of those things.
I guess that's kind of cool, Like, but you got
a lot of time in your hands. If you're gonna
go and look for that type of thing. So that
is about the trivia that I have for this movie,

(17:04):
which is a lot more trivia than I had for
you know, Killjoy, where I had like basically absolutely none,
just some stuff I randomly found there on the web,
and it wasn't even that much stuff that was there.
But it's the reason I picked this was primarily because
of the trailer because it looks so like terrible. It
looked like it could be a lot of fun, and

(17:25):
we might as well start the movie to find out
if this actually is a lot of fun. So before
we actually start talking about the movie, hey, will you
want to come in and give us your introduction for
this movie?

Speaker 2 (17:37):
Spaghetti and meatballs, fat women in stretch pants, kids and monsters.
Some things does naturally go together. And while adults are
always prejudiced against the undead creatures that want to kill them,
kids tend to get along fine with mummies, were wolves, googles,
and in tonight's flake flying shrunken Heads WELLcom to William

(18:00):
Shatner's Full Moon Fright Night and Tonight's movie, Shrunken Heads
is about what happens when kids become monsters, They're not
afraid or freaked like their parents would be. They think
it's cool and the great excuse to kick some serious ass.

Speaker 3 (18:16):
Your ugly and you smell back.

Speaker 4 (18:19):
Kids must love you.

Speaker 3 (18:21):
What do you got in the back? Where are you going?

Speaker 4 (18:24):
What's he got in the back?

Speaker 2 (18:26):
He loves kids too, usually with ketchup and a great
big bunugh. The nineteen thirty one movie Frankenstein broke ground
when one really dumb little girl played toss the daisy
with Carlo. Nineteen fifty science fiction movies like The Colosses
of New York and Tobor the Great ran with that theme,

(18:49):
as kids made friends.

Speaker 4 (18:50):
With bissert murdering robots.

Speaker 2 (18:52):
More recently, movies like The Lost Boys showed us teenage
vampires as addicted to hair gel as they were to
him glove point here, kids like being monsters. It's fun,
it's red, it's totally bitchin. And that's the real youthful
message behind Tonight's wicked ass flick. Shrunken heads, take a

(19:14):
look piece out.

Speaker 1 (19:17):
Okay, First of all, don't say peace out g anymore?

Speaker 4 (19:20):
Will.

Speaker 1 (19:20):
I just cannot take it anymore with these references. I
know they're old. I know they're really I mean, they're
over twenty years old, these references that you're doing. I
get it. They were old when you know, somebody your
age was doing it when I was a kid, and
now they're old now. Actually they weren't that old, but

(19:41):
you doing them made them old, made the kids hate you. Okay,
I just want to stress that. Secondly, I don't know
who the fuck is writing these for him, And maybe
he deserved to become like a shrunken head and an
attack will you know, but what kids like becoming mo
monsters and that's the main theme of this movie. That's

(20:03):
not the theme of this movie at all, Like there's
oh my god, we'll get into it. But I don't know,
somebody just wrote something they thought would be funny. Like
I get the whole comparison that he's maybe trying to
make where he's like, you know, Frankenstein and some dumb
little girl. I guess he's are written to make him

(20:23):
seem stupid because you know, ding ding ding ding. You
won the fucking stupid prize over there, mister Shatner. But
you know, and your age, you're not gonna be necessarily
coming after me like Kane Hodter plus You're not built
like Kane is either, So I'm pretty safe from you,
I think, unless phasers become a real thing and you're
not gonna set it to stun and but you know,

(20:43):
glaucoma might have set in and you're gonna fucking shoot
it at me at a different angle. It's not gonna
hit me anyway, you fucking bitch. But what what was
I trying to say here? Besides William Shatner doesn't know
how to fire a phaser from a hole in his ass.
Oh oh yeah, the movie itself. Uh it I like
the comparison that you're doing with the whole Frankenstein saying, yeah, monsters,

(21:06):
you're not really recognized by kids, right. Kids don't really
know it's a monster until the monster does something evil, right,
until it becomes monstrous. And the whole thing with what
happened Frankenstein not necessarily a dumb little kid. It's well, okay,
kids are dumb in general. Little kids are pretty dumb.
They do dumb things. But that's how they learn, right

(21:28):
by doing a dumb thing, and then that dumb thing
does something to them. Then they realize you can't do
that dumb thing any I was a fucking stupid kid
when I was a kid, right, And everybody's a stupid
kid when they were little kids. You know, parents can
only do so much when the parents aren't around. That's
when you do some of the dumbest stuff in the world,
like tell little Kimberly that you love her in the

(21:48):
first grade, stupid shit like that. You just don't do
that when you're a little kid, and you learn the
hard way that you're just gonna be rejected really hard
because she's a little girl and she doesn't understand what
the hell you're talking about. But you're in your stupid
little kid at the same time anyway, So the whole
thing behind it, you know, And it's not that she

(22:09):
did anything stupid. It's just that he got freaked out
and then he decided to throw her into a river.
Maybe she lit some fire necks to him and we
didn't see it. She pulled out a gun, she pulled
out a knife, and was like, oh shit, this kid's
gonna shank me. I better fucking toss her somewhere. Didn't
realize his own strength. Meant to just slightly push her
away and disarm the kid, but the Frankenstein's Monster ended

(22:31):
up picking her up and tossing her halfway across the
you know, the lake and drowned her. That's not his fault,
you know, that's you know, the girl's fault for pulling
a knife on Frankenstein's monster. That's all I'm really trying
to say here. But it's it's just weird to me
that it's so far off. It's like, oh, well, kids
want to be the monster. I get that statement. When

(22:53):
you know, play make pretend you're doing those things as
a kid. Either you want to be the hero that's
say a day, or you want to be Godzilla and
you want to destroy everything. I get that that's the
way that it is. But these kids didn't have a
choice in becoming the monster, as we're gonna learn in
this film. And at the same time, like they even

(23:15):
say in the movie that I'd rather be dead than
be turned into this. And even though they like they
end up getting trained and everything in the ways of
being whatever this shrunken head thing is. And however this
movie does it like they kind of turn into monsters
and losing their bits of humanity except for one of them, right,

(23:36):
So it's not about the joy of being a monster.
And that they're like, oh boy, I get to go
around and you know, fly around as a disembodied head
and you know, zach people with my weird like mind
lightning and bite people on the neck with the vampire
or act like I was born in fucking Fresno. I
don't fucking know. But nonetheless, so we begin this film

(23:59):
in I'm guessing this is I'm a guessing. God, my
stereotypical New York like accent that's terrible is going to
come out in this film.

Speaker 3 (24:07):
I know it.

Speaker 1 (24:08):
But if believe this takes place in New York, just
in the way that everybody's acting. Ah, come on, you
want some of this over the year, we got it. Oh,
I'm gonna go get some Goba gooul with my friends
over here. I have to get my money. Where's my money?
I see you got money for fake mustaches, but you
don't got money to pay me back on this nice
and healthy and very very legal protection that I give you.

(24:30):
I do not understand. I do not know where you
are coming from.

Speaker 3 (24:34):
Whoa.

Speaker 1 (24:35):
I mean, come on, we gotta go over here, and
then we go over there and we will see Angela.
You know, that's the type of thing that we do
over here in New York. Now, just give me the money,
all right? Like that type of shit's gon? Why did
that go in between like John Travolta from fucking Greece
and like a stereotypical, like Italian style thing that we
expect from New York. At the same time, I'm just

(24:57):
getting better with my accents. That's what's really happening out here.
Come on, come on, what's going on over you? Now?
It's fucking Rodney Dangerfield. But I digress. So I believe
this takes place in New York City. I didn't look
up where they said it takes place or in summaries
or any shit like that, but just upon the setting,
we're here in some type of like I don't know,

(25:19):
lower burb that's down there, maybe one of the you know,
the Burroughs that's over there, and we're coming upon a
marketplace that's runned by Tommy Larson's dad, I don't remember
what his fucking name is, mister Larson. Over here, as
he's working for the day, he's sweeping the outside and
he begins to start sweep the inside, and that's when
his friend Bill shows up to basically have him go

(25:41):
check out the new DC comics that have come up,
and as they leave for the day, we also get
to meet Freddie and we get to meet the bullies that'll.

Speaker 5 (25:50):
Be Oh dare I could be a few dollars short, air,
I'd be happy to put it on account missus Wilson.

Speaker 6 (25:58):
Would you? Oh, thank you missed your live.

Speaker 7 (26:04):
Nice seeing you, Hey, Tommy, this totally huge shiitment of
DC's just came in that mister Sumatra's.

Speaker 8 (26:10):
Finish that dry spot, Tommy, then you can go.

Speaker 1 (26:23):
Alright, you want a jelly bad?

Speaker 4 (26:33):
Hey?

Speaker 9 (26:34):
Who's happening?

Speaker 4 (26:35):
All right?

Speaker 10 (26:40):
Hey kid, you want to ride your bike around here?

Speaker 3 (26:44):
You gotta pay for.

Speaker 1 (26:47):
What protection.

Speaker 4 (26:52):
Money?

Speaker 8 (26:53):
Guys?

Speaker 7 (26:54):
Look Sally, did you just say the hell out of this?

Speaker 1 (26:56):
Okay, Hey, let him go, booger. He's looking for trouble.
I give you all the trouble.

Speaker 7 (27:05):
You can handles, but you got a frigging problem.

Speaker 1 (27:08):
Huh. The punks to be locked up, So we see
him getting ready to clean the store. When we meet Billy,
we learned that Billy has a jelly bean addiction. I
guess for some reason, he just always carries jelly beans
with him and he chews on them every now and then,
and he offers them to everybody that he meets. We

(27:29):
see Freddie, who happens to be the new kid in
the area, riding around in his bike going somewhere, and
then he runs into Vinnie and his bully friends, as
well as Sally, who happens to be at this point
Vinnie's girlfriend. Actually she's his girlfriend through most of the movie,
and hey, hey, there's someday we're gonna learn about her
later on the movie. And I'm like, what the fuck

(27:49):
is going on here? Because Vinnie definitely looks like he's
some dude in his like mid twenties to early thirties,
and honestly, she looks pretty young. But I'm like, okay, well,
you know, maybe he's, you know, our friend that we're
not going to be bringing into anywhere near this room
anytime soon. I'm really sick and tired of that guy.
But like, you know, he's busy, you know, I would

(28:11):
say maybe he's like eighteen nineteen and she's supposed to
be like seventeen. Let's just say that, you know, she's
acting a little bit younger. There are the kids in
the area, Okay, that's perfectly fine. Whatever. I don't really
give a shit about that. You know, the loss is
one thing, but when you're that age, it's kind of like,
oh whatever, I get what's going on here, you know.

(28:32):
And she's all to a better lack of a word
here gwetoed up as well, in like her jean jacket
and her jeans and her hair back and a ponytail,
looking as much of a gangster as everybody else. But
at the same time, she's trying to butt in and
tell Vinnie not to do what he does best, which is,
you know, bully. The nerds that are there as they're
you know, they get together. And Tommy you can tell

(28:55):
that he's being portrayed as kind of like the good guy,
the guy that doesn't necessarily you know, he stands up
when needs to, but he's not necessarily strongest guy in
the world. He's still a little bit of the nerdy
kid that's there, even though he doesn't look like the
girt nerdy guy, though he also does seem like a
cap to save a ho right, like, you know, some
random girl gets in trouble. Even though he never stands

(29:16):
up to any bully, he's gonna step in there and
he's gonna fucking white Knight this shit like nobody's ever
white knighted before, and save that bitch from you know,
whatever abusive boyfriend that she has out there, and then
promptly get his ass fucking handed to him, you know
as well in the way that things work. But they
step in try to stop Vinnie from messing with Tommy
or Freddy over here, not Tommy, because Tommy's like the

(29:39):
White Knight, like I said, over here. And so after
they leave him, they pick him up, and of course,
you know, Freddy, he's got his inhaler that he's got
to use because he's got asthma, even though he was
riding that bike really really well. And so they pick
him off the ground and they befriend Freddie, telling him
that they're gonna go over to mister Sumatras and he
they're gonna go over and we canna get some comics.

(30:00):
That's what we're gonna do. We're gonna go with the
new DC rags. You know, they're different ones that I like.
Some people they like, you know, the Green Lantern. Some
people they like Batman, some people they like the soups.
I love the soups. The soups is are good. But
nobody compares, all right, nobody's as good as soups Dog Crypto.
So we're gonna get up the new Crypto comic. And

(30:22):
this movie should have been directed by James Gunn, not
directed by you know, Danny Elfman's brother Richard Elfman, but nonetheless.
So they go over to su Mantras to check out
the new comics that are there, pick it up, and
we get to meet Sumatra for the first time. And
what we learn about him is that he is an
old Haitian cop right that just happens to live now
here in New York and he runs a newsstand selling

(30:44):
comic books and magazines and everything like that. And he
has some special jelly beans over here for fat ass
fucking Billy to make sure that Billy I guess keeps
his I don't know fatness that's over here, like, he's
got some weird ones that he's old. You're gonna love these.
These are from my homeland. They taste like potato, and
I'm like, what type of potato? Like it's a ube

(31:07):
because if it's uba, all right, I will give you that.
I'm fucking addicted to that lately. I don't know why.
It's like becoming like the big craze around here. And
I've been to a bunch of different shops that have
that goddamn thing on their menu, whether it's a drink
or it's the fucking Uba cookies. If you've never had
an Uba cookie before, you need to do yourself a
favor and have yourself a fucking Uba cookie. And I'm

(31:29):
thinking about actually making a cake with ube, but I
just had to figure out how to do it because
it's like it's sweet without being super sweet. Even though
it's basically like a potato, it's not quite like a yam.
I wouldn't eat it. I'm not a big fan of
yams or sweet potatoes right, just never really got to me.
And especially when they do like mash and stuff, it's

(31:50):
always like, like you know, mashed potatoes. They can be
a little bit sticky and kind of gummy and stuff
if they're like bad mashed potatoes. But if they're type
of mashed potatoes that are like you know, have a
little bit more of a firmness to it, or have
like you know, a little chunks of the potato in there,

(32:12):
like one hundred percent mashed and like liquefied. You know,
some people will take like a handmisker after they mash
the potatoes and then like puree it if it's not
like that, which puree and mashed potatoes are fine, and
I think that consistency is there, but I kind of
like a little bit of chunk in my mashed potato,
if you know what I'm saying. And so when you
but when you have like the yams, yams never come

(32:34):
out like that, or the sweet potatoes, they're always that
purade like mush type of thing, and it just I
just don't know about that with the taste and everything,
and everybody's got to put fucking marshmallows in it. I
just don't understand that when you have that. I know
it's a big Thanksgiving staple, but it's just not for me.
But for some reason, the way that this is done,

(32:55):
it feels more like you're eating like especially like when
you have like breads and stuff and cakes, like sweetbreads
and cakes and stuff with the ube in it, it
tastes like, you know, like a banana bread type of
consistent or a zucchini bread. You know, I really like
Zucchinian bread and pumpkin bread and banana bread to an extent,
banana bread is really warm. This has been talking food
with terrible terrors by the way. You know, it's it's

(33:18):
still good, but it's not what you know, I would
expect out of something like that when you have something
that's more of a vegetable like a zucchini bread or
a pumpkin bread instead of having you know, a banana
bread or you know, something like that, where you'd expect
the fruit to have that taste. That's the way that
ube is. So what I'm really trying to say here
is that I have an ube addiction and everybody should

(33:40):
join me in trying something that's ube. It's a very
good Filipino you know, based vegetable that you can get
some great desserts with. So all I'm really trying to
say that aren't super sweet and have a delicious fucking
taste with them nonetheless. So anyway, so that's probably what
the jelly beans are that he's probably showing him and
unless I'm completely wrong for the way that it is.

(34:02):
But they do buy the comics directly from uh, mister Sumatra.
That's there. They talk about the boys a little bit
and they kind of ask him, you know what he
would well, they don't ask him right, hear what they
would do. It's more of just an introduction of what's
going on. And they go off into the corner and
they begin to read the comics. And that's where see
I knew it. Specifically, who the actual best fucking comic

(34:24):
book characters? And fuck you, Tommy, it's not the Green Lantern.

Speaker 8 (34:28):
Green Lantern is the most amazing superhero in the world.

Speaker 11 (34:31):
Crypto is infinitely more cool.

Speaker 12 (34:34):
Come on, Bill, how can you compare Crypto to it's
a green lantern?

Speaker 4 (34:38):
Crypto is a dog?

Speaker 6 (34:39):
Geez uh, oh, don't look now, give.

Speaker 1 (34:48):
It back, give me that.

Speaker 7 (34:51):
I can't believe you guys are still into this crap.

Speaker 8 (34:53):
Huh.

Speaker 7 (34:54):
It's gonna grow up anyway.

Speaker 11 (34:56):
Come on, give it back, Vinny, Just.

Speaker 8 (34:58):
Give it back to him.

Speaker 4 (35:01):
What are you gonna go to bat for this?

Speaker 1 (35:02):
Dwarp? Now? I said give it back, Vinnie.

Speaker 8 (35:05):
Oh what are you gonna do?

Speaker 1 (35:06):
If I don't, I'll call your mother?

Speaker 8 (35:09):
Look jerky?

Speaker 12 (35:09):
What you call him?

Speaker 13 (35:10):
Jerk?

Speaker 11 (35:11):
Huh?

Speaker 4 (35:13):
Hey, Vinny, mister Sumatra's watching.

Speaker 8 (35:14):
I don't care if mister Sumatra's watching.

Speaker 4 (35:17):
Your boys out up here? Hey, why don't you eat this?

Speaker 1 (35:21):
Mister Sumatra?

Speaker 4 (35:24):
You aren't hired me.

Speaker 7 (35:26):
Come on, Vinny man, let's get out of here.

Speaker 8 (35:27):
Think God gives me the creeps all right.

Speaker 14 (35:33):
Later?

Speaker 15 (35:33):
Twerp, No, no, should have done that.

Speaker 8 (35:43):
Vinnie, shouldn't have done that.

Speaker 16 (35:46):
Vinnie.

Speaker 7 (35:46):
Please, There's gotta be a way to get those jerks
off of our backs.

Speaker 8 (35:51):
The only way to handle those guys is stand up
to him. I don't think that's such a good idea.
Used to be a policeman, right, missus Mantra.

Speaker 9 (36:00):
Yes, I've had law enforcement experience in Haiti.

Speaker 8 (36:04):
Back when you're policeman, how would you handle a game
with the vipers?

Speaker 9 (36:08):
I would have collected information on them and then transmit
that information to a special squad of inspectors.

Speaker 4 (36:16):
And the time time, mccoot?

Speaker 17 (36:18):
What like running surveillance?

Speaker 9 (36:19):
Exactly? When in pursuit mouth factors? What are else evil?

Speaker 4 (36:25):
To us?

Speaker 9 (36:26):
Criminals? Ready, when one deals with mouthwok? To us, one
must have great diligence. Only then may expose the soft
parts we need to underbellies. Even in bleeding sorrow the triumph.

Speaker 11 (36:43):
The cops in Haiti sound pretty scary.

Speaker 9 (36:47):
It's fretty caps in Haiti are extremely scary.

Speaker 1 (36:55):
I love mister Sumatra so much like this character is,
and if it wasn't played by the actor that's playing
him in this movie, I doubt that I would like
him this much. But he is absolutely my favorite character
in this movie, hands down. I just love the cadence.
I love how like, you know, evil he sounds, but

(37:18):
he's not being evil. It's just more like, you know,
he's vigilante justice type of thing, like swamp justice type
of guy. You know, coming from Haiti, and we dealt
with criminals differently back there. You know, even when you
cut them and none, they'll show you their bellies and
even then, the way that they bleed is going to be, oh,
just fantastic. Like why are you so obsessed with blood,

(37:40):
mister Sumatra. I don't know, maybe because you know, I'm
a stereotype from Haiti and I practice voodoo. What's voodoo,
mister Sumatra? Will you see children? Voodoo is the type
of thing that you don't really want to know about
in this day and age. I mean, it could be
something that's good for the kids, could be bad for

(38:01):
the kids. I mean, it's all about making sure that
you get your vengeance just riding. You can use it
for good or you can use it for evil. But
you should only use voodoo for good. I mean, if
you if you really thought about it one of these times.
There was this one time where you know, this guy

(38:22):
was chasing down and I went and I got some
information on this guy. Why are you saying information like that,
Mistress mutch Oh, oh, no reason why. I mean, it's
not like I grabed some hair and some some blood
and attached it to a doll that I might have

(38:44):
cut in a couple of different ways and watched him
bleed to death on the floor. No, nothing like that, children, No, no, no,
I mean maybe you should guys should uh should get
along and not learn about the type of justice that
we served down when I was a police there in Haiti. Yeah,

(39:05):
just move along, children, like it's it's just done well.
It's not always the best, but it really makes me
like the character, right, And you know, I don't mind
the kids so much. I mean, Freddy just kind of
plays that stereotypical, kind of scared, kind of like timid
type of kid that's there and it's fine for what

(39:26):
it is. In the movie, Billy is just there for
most of the time. He's honestly, him and Sally are
kind of the same, like Sally just seems like she's there,
like she tries to act confident, but it doesn't really
come out that way in the sections that she has.
And she's a lot more in this movie than Billy is.

(39:46):
I mean, Billy's basically just gonna get the beginning and
then when he's a fucking head right and Tommy, Tommy's
not bad. I mean, he's not like, you know, Tommy,
the Green Ranger type of Tommy. But I could see
if he was gonna be able to grow older after.
You know, of course, we all know the way the
movie's gonna go, he's gonna fucking die and become ahead.
You know that maybe he could play the flute and

(40:07):
some of the dragons ord. I don't fucking know, maybe
he could. Maybe that's one of the powers he's eventually
gonna have. I don't know. Maybe that's what shrunkinheads do.
They fucking become the mighty morphin shrunckinghead Rangers, and they
have like many versions of the Megasord or some shit
like that, and they could only fight like the tiny
things that Rita Ripulsa sends out. You know, their zord

(40:28):
is like human size, and that's the only time that
they're gonna fight. I really don't fucking know. Well, we'll
have to see what happens in the movie with everything
that's going on here. But like, the dude that plays
Vinnie is pretty good too, I think for that character.
I think it's the perfect mix of like a little
bit campy when it needs to be campy and not
so campy and when it doesn't. And Mike Foster when

(40:50):
she shows up as Big Mo is fantastic too. Like
your standouts in terms of characters are really gonna be
Big Mo, which I wanted to see a lot more of,
and Missus Sumatra, which you see ton of, which is
good on that end, but I really wanted to see
a lot more Big Mode than we get in this movie.
So I digress here. So we have him put stuff
into the kid's head about like the good things they

(41:12):
should do and how they should deal with these gangs
that are in the neighborhood that are causing a terror
to everybody that's around there, and like Tommy says, they
basically diden't like, you know, picking on them since they
were in kindergarten, right. So we then cut back over
the store and Tommy's working there, and while he's working
in the store, good old Sally comes by to talk
to him and kind of, I guess apologize about Vinnie.

Speaker 11 (41:36):
I just want to let you know that I'm really
sorry about yesterday. Vinnie just gets like that sometimes. I
don't know why.

Speaker 8 (41:42):
Maybe he's just got a bad character.

Speaker 11 (41:44):
Vinnie has good qualities.

Speaker 8 (41:47):
Sure could have fooled me.

Speaker 11 (41:49):
He's had a lot of trouble at all.

Speaker 10 (41:51):
Having trouble doesn't mean you go out terrorizing the entire
neighborhood and he's your boyfriend.

Speaker 11 (41:57):
What's that supposed to mean?

Speaker 4 (41:59):
Think about it?

Speaker 8 (42:02):
Tell us, Sally, something wrong do I detect a little
girlfriend in troubles?

Speaker 1 (42:09):
Here?

Speaker 8 (42:10):
Son, my dad, It's not like that at all.

Speaker 5 (42:22):
Oh hey, Sally, Hey Sally, come on, you're not so mad?

Speaker 15 (42:27):
Are you go away?

Speaker 1 (42:31):
Oh?

Speaker 4 (42:31):
Come on?

Speaker 3 (42:32):
Lighting up?

Speaker 11 (42:33):
What you did yesterday was really awful.

Speaker 1 (42:36):
Come on, that guy's a total win.

Speaker 10 (42:38):
Tommy Larsen is not a win.

Speaker 1 (42:40):
Oh what so you're all in love now?

Speaker 11 (42:43):
That doesn't even deserve an answer.

Speaker 4 (42:48):
What's up, man, Sally?

Speaker 9 (42:55):
Sally, there's a boys probably feed you and I can't
handle mister smutch.

Speaker 1 (43:02):
So yeah, they you know. She tries to apologize for
what's going on here and what happened with Vinnie, and
I guess kind of like backwardsly because that's her boyfriend.
Again shocking revelations later, but like the fact that you know,
it's obvious that you know she has some feelings for

(43:23):
Tommy and which we're gonna learn about in a little bit,
and the shit that's gonna go down in this movie,
and the fact that you know she's trying to be
nice to him. She's the good girl, she's just attracted
to the bad boy, and Tommy, honestly is putting in
her place like being right, like, oh yeah, because it's
your boyfriend, Like oh, he's not that bad yet, because

(43:44):
he's your boyfriend, And you can't fucking see, Like what's
that suppust? They need figure it out, bitch, Like you
should know exactly what that means. Look, he comes around,
he beats the shit out of Everybody's constantly stealing from people.
He thinks he's the big fucking dog of the area.
Here he roaming with a gang called the Vipers. You're
into the bad boy. You're not into the good boys

(44:05):
like me, right, the blonde hair, blue eyes, you're into
the black hair guidos that are over there and you know,
stirring up tons of shit. But you know, figure out
what that fucking means, all right, you know, go fuck
your boyfriend or whatever you're doing. I'm not fucking him.
Well you know, you would have fooled me, bitch, you know.
But nonetheless he didn't necessarily say that. But still it's

(44:29):
just like, uh, okay, it's she's dating the bad boy.
She doesn't see that he's a bad boy because she
thinks that, oh, there's still some good in him. And
you just don't know him the way that I do.
Why have I talked about this before? This is such
a stereotypical character that shows up in a ton of
these types of movies that we have out here. Oh
you don't know him like I do. He's really a

(44:50):
sweet softie. He just has a heart exterior and he's
got a bad home and that's why he lashes out
and he does these things like Okay, you just can't
see there's something about him, and you're just attracted that type.
And me, me, me, me, me me. You know, I
could go down the in cell like pipeline with the
whole thing. He's the Chad and I'm not me me, me, me,

(45:11):
me me. But you know, I'm not gonna go that
fucking far with the whole thing. Maybe there's a reason why,
Maybe you need to be more confident in yourself, fucking
Tommy and just tell her how you feel. Maybe that's
just all that needs to happen here. But nonetheless, so
and then she walks off, and she's approached by Vinnie
over Hey, Yo, what's going on, bitch? I mean, I

(45:31):
wasn't that bad over here. He's just a fucking whimp.
What are you gonna do about these things? I mean,
come on, I bet you was. Dick's not the size
of mind, even though you wouldn't know because you never
touched my dick. I mean, I've tried to show it
to you multiple times, because that's what good boyfriends do,
all right. Why is my accident keep fucking changing? I
don't fucking know. This is the type of quality that

(45:52):
you would expect from the Terrible Terror podcast, so.

Speaker 6 (45:56):
You know.

Speaker 1 (45:56):
And then as he's, you know, still trying to chase
her down that that's when she walks over by missus
tu Mantra. He sees that, you know, Sally's being bugged
by Vinnie over here, goes into his little box and
he pulls out the box some dust and he puts
it into his hands and he looks towards the car
and he blows the dust towards the car. Then all
of a sudden, the car starts going out of control

(46:18):
and Vinnie can't control it at all. It starts speeding
off and it ends up running into the back of
another car, to which, you know, the other dudes that
are with him in the car, they're just kind of,
you know, what the hell are you doing? What's going on?
I can't believe you're driving to watch out where you
fucking drive and yo, and so you know, well he
doesn't back into a car. It kind of looks like
he's going to, but it ends up running into a tree.

(46:40):
And I get it. He's got his own ride, you know.
And that's cool that he's got his own ride. But
that thing is a piece of shit. That's the car
that fucking Adam Sandler saying about back in the day,
all right, diesel gas, it sucks hiss. That's exactly the
car that he's running over there. And how could you
be attracted to somebody with that? Who? You know? I
guess maybe good side. At least you can drive me

(47:01):
places and we can go hang out somewhere, you know whatever.
Fuck you. And so we cut over into the evening
and we see that Tommy and Freddie and Billy they're
all sitting around in Tommy's house and they're talking about
what they need to do about Vinnie. Right. Tommy is
very adamant that they need to do something because they're
sick and tired of the whole thing, and they should
listen to what mister Sumatra said and they should figure out,

(47:23):
you know, how to get some type of dirt on Vinnie,
do some surveillance, find out something, and then turn him
into the police to have him get out of the area. Billy,
he's not really into the whole idea. He's like, dude,
Vinnie's gonna kick her ass when he finds out that
it's us. And Tommy's like, but we gotta do the
good thing. We gotta do what's right, man. We can't

(47:45):
just stand by and let Vinnie do this bullshit again
and again and again. And Freddy's like, I've only been
here for about three weeks and I already hate the
fucking guy. So we should do something, you know, And
Billy's like, fine, all right, So they make a little
pact with each other and they're gonna go ahead and
if they can find something that Vinnie's doing in a
negative light, then they'll record it. You know, Tommy has

(48:07):
his little camcorder that does that looks like a fucking
virtual boy. I've never seen a video recorder like this anyway.
And you know, they both Freddie and Billy they go
off and as Tommy goes up to the Superman poster
they has in his room, and he's like, yeah, you
think you're bad, I'm fucking bad. Look at me. You
think you strong, Superman? You only strong because of us Sun.

(48:29):
All right. If it wasn't for us Sun that we
have here on this planet, you'd be as weak as
I am. In fact, i'd be strong. Look at these muscles, Yeah,
watch me flex these at you. Yeah, these twelve year
old fucking muscles, or however old he's supposed to be.
I really don't know. If he's definitely not supposed to
be like seventeen. He's probably like fourteen, fifteen or some

(48:50):
shit like that. But he's there, he's flexing and you know,
talking shit to the Superman poster, which made me wish
that Superman would come to life for a second and
just knock him upside the head and knock some sense
into this fucking kid, send him a couple of apartments
down right, bust them through a couple of walls, and
be like, kid, you're never gonna be as strong as me,
all right, Like, look, I get it. I have all

(49:12):
the powers in the world, and they kept writing powers
for me, right, forcing people to kiss me when they
don't really want to kiss me, all the hypnotism that
I can do, turning Japanese for a little while. Okay,
look it up, that's a Superman thing that fucking happened.
You know that whenever they needed to have me survive something,
I suddenly got a new fucking power because I'm fucking Superman.

(49:33):
So you're never gonna beat me, because for some reason,
even if you got like kryptonite or some shit like
that and you try to use it on me, I'm
pretty sure that they would give me, like, you know,
some type of power that would let me fucking block
kryptonite out and I'd never be hurt by it again,
and I'd just be the most powerful god and all
of Earth, all right, As long as that sun's up there,
and I'm gonna get all my powers that I need.

(49:54):
Why does Superman not turn weak at night? I know
he's weak to magic, Okay, this is a super but
if he gets all the powers for the sun, is
he like a solar battery? Then does he just like
store everything inside of him and that lasts him long enough?
Like does he have to get a tan constantly? And
then as you see him throughout the day, he becomes

(50:14):
goth Superman at night? Right, slowly but surely, he just
gets paler and paler and paler, And that's how you
know he's not as strong. But even though like for
every comic, he stays the same and strength no matter what.
He gets the power from the power of the sun.
But if I was any type of bad guy, I'd
be like, look, I'm just gonna go kick his ass
at night because there's no way that he can recharge, right,

(50:36):
And I think eventually people fucking figured that shit out.
At least when Doomsday killed him, it was definitely at night, right,
But nonetheless, so when he's talking there and he's talking
to Soups, that's when Sally randomly shows up and she
begins to talk to him because she wants to tell
him something very special. What are you doing?

Speaker 8 (50:57):
Nothing?

Speaker 11 (50:59):
I know it's i'm the late, but you think maybe
we could talk? Sure, you want me to come down,
that's okay, I'll.

Speaker 8 (51:06):
Come up, so well, i'll come. You're out on a
school night.

Speaker 11 (51:25):
My mom and dad were fighting again. I couldn't handle it. Sorry,
don't worry about it.

Speaker 12 (51:35):
I was thinking about what you said the other day.

Speaker 11 (51:38):
I don't know why I thought many could change. I'm
not gonna see him anywhere though.

Speaker 8 (51:45):
Oh it's about time.

Speaker 11 (51:50):
And besides, I like someone else now.

Speaker 8 (51:54):
Oh great, who's a lucky guy?

Speaker 12 (52:00):
Well he's really really nice and he works really hard
in his as grocery store.

Speaker 4 (52:09):
M h.

Speaker 11 (52:12):
M hmm, you're troubling, nor.

Speaker 9 (52:23):
Kay.

Speaker 8 (52:24):
That's old Lady Wilson's card.

Speaker 17 (52:33):
Tom tomako too, call him Tommy, Tom tomacou two calling
Tommy Tom Tom mcou two calling Tom October.

Speaker 8 (52:44):
All right, it's just Bill Turner, Come on, Tommy.

Speaker 5 (52:47):
Would you pick up already?

Speaker 11 (52:49):
Sounds kind of important.

Speaker 6 (52:53):
M M.

Speaker 1 (52:58):
What do you want? The biker you're pulling apart?

Speaker 12 (53:00):
Oh?

Speaker 7 (53:00):
Leading Wilson's car Carter Avenue behind your building right now?

Speaker 6 (53:05):
Man?

Speaker 11 (53:17):
What do you think you're doing.

Speaker 8 (53:19):
We're gonna bust the vipers? Are you crazy?

Speaker 11 (53:22):
Vinnie finds out.

Speaker 8 (53:22):
I'll kill you. I'm not afraid of Annie anymore. You
shouldn't be either.

Speaker 1 (53:28):
No, you should be fucking terrified of Vinnie is what
you should really be. Okay, Tommy, Like, he literally is
going to kill you. I know I'm ruining the movie,
but it's in the fucking trailer and the way that
it goes. I'm not really ruining anything that's going on here.
But he's literally gonna kill you. Like if I could
go into this movie and be an omniscient narrator for
this kid, I fucking would. Okay, I'd go in. I'd

(53:52):
tell him exactly what is going to happen. Like, look,
maybe you shouldn't do this shit. You just got the
fucking girl. Okay, she came over, she came on to you,
she kissed you. Your friends fucking cock blocked you as
you were making out with her. On your fucking stoop
that you have out there. But you have such a
big fucking righteous boner for doing the right fucking thing

(54:13):
that you're gonna go out there videotape these guys tearing
apart somebody's car and stashing all the parts over there
like they were living in fucking Bakersfield, California. That you're
just gonna fucking throw this all away, everything with fucking
Sally and having a body and not being fucking dead
right and becoming a fucking shrunk ahead just so that

(54:34):
you could do the right fucking thing. And maybe maybe
this time, even though you turn them in, maybe you're
only gonna have like a little bit. Maybe they're just
gonna beat the shit out of you. Okay, just don't
do anything like further righteous that's gonna get you fucking
killed in this situation, all right. Like I'm I may
or may not be foreshadowing something, but like, seriously, dude,

(54:57):
like just leave it the fuck alone, all right, because
it doesn't make any sense in the way that it
works anyway, because when we meet Big Mo, we learn
things about Big Mo and what she's doing and why
they would have even spent any more time in fucking
jail than they do in this fucking movie. So, you know,
he tells her you shouldn't be worried about Vinnie anymore too,

(55:19):
and grabs onto her and brings her close and kisses
her and then goes over there to like record them,
and like his weird virtual boy camera thing like he's got.
It's a regular camera. It's just that the little lens
and stuff that he's got on the top there looks
like a fucking virtual boy in the way that it is,
or more like binoculars or some shit. I don't even
remember any type of video camera that was like that

(55:41):
at that time. And it looks just like a digital
camera that you've got out there, right. It doesn't even
look like it could record fucking video unless he's taken pictures.
And then he's you know, sending the pictures over when
he goes and shows them the police. So he watches
them as they tear apart her car. They remove her
muffler and her tires and throw in the back of
Vinnie's piece of shit car that he's got back there.

(56:02):
He can't get a quite good look at Vinnie in
the front seat, but you know, you can kind of
tell that it's him telling them hurry up, get it,
get it done, and like move everything into the goddamn car,
and then leave the poor old lady's car, you know,
car on fucking blocks back there. So at least they
left it, you know, hanging out being perfectly fine as
he's yelling him to get all the shit in the

(56:23):
back of the car so that he can fucking leave.
So he takes off with all the parts, leaves his
boys back there, and that's when the police show up
and they try to, you know, brush it off as oh, hey,
you know, nothing's really going on over here, But of
course Tommy he comes in with the evidence and gets
them fucking arrested. All right, you guys, oh it right there, Connor,

(56:44):
we was just walking right and here you are rousted
us again, Boga, Martin and Banowski too. Move the car
on it car. That car looks like it's been stripped,
you see, is lugging any parts? Do you got your mouth, officer?

Speaker 8 (57:02):
You can prove it here, pushy red button, hotly smooth.

Speaker 11 (57:08):
That looks like a felony being committed.

Speaker 1 (57:10):
Oh yes, that is a felony being committed right there.
All right, come on a super position and you hear me,
shut up.

Speaker 8 (57:20):
Look at the tough guys. You guys think you're tough.

Speaker 1 (57:22):
Now screw you, Tommy.

Speaker 13 (57:24):
We'll be as manna you from man.

Speaker 4 (57:29):
So get easy, you wen't.

Speaker 1 (57:33):
We better get used to it.

Speaker 8 (57:34):
We're just me, I die die happy, speak for yourself.

Speaker 1 (57:41):
Yeah, Billy, you are right. You know what you do, Billy,
you know you do. Freddy, You just need to leave
Tommy the fuck alone, right, he forced in this. Now
you know that you're probably gonna be fucking dead in
the next whatever fifteen minutes of this goddamn film. But
you know, if you just let Tommy to his own,
fucking nothing would fucking happen to you at fucking all.

(58:03):
You'd be fine. Tommy would get whatever's coming to him
for doing this stupid bullshit for what it is, and
then you'd leave him the fuck alone. Of course, Sally
comes by, and what kind of pisses me off about
this is that Vinnie never once gets mad at Sally
and his boys never beat boys and tell him that, hey,
you know who we saw hanging out with Tommy in

(58:25):
the night that they turned us in. You're fucking girl man,
all right, That she was there holding the hands with
that fucking like dweed that was over there, and there's
no way that you get back like they were like
a couple and shit like that, and like give him
motivation to even beat the shit out of fucking Tommy
even more and to throw fucking Sally to the goddamn
curb and get you somebody that's gonna be a true

(58:47):
bitch that's gonna stand behind you and isn't gonna help
them snitch. Now, she didn't snitch, Okay, so she doesn't
need to get stitches. We can say that, right. She's
not snitching, no stitching, all right, she never does that
type of shit. But at the same time, like, really,
is that something that you want to happen in this
whole situation for you? Is this somebody that you really

(59:10):
want to be with? Somebody that's gonna leave you for
the nerd that loves his comic book since turning in
your boys?

Speaker 4 (59:16):
Right?

Speaker 1 (59:16):
Come on, Vinnie, you're better than that. You're gonna be
a star, You're gonna be a made man one of
these days. Why would you want somebody like this on
your side? Come on, get your head straight. No amount
of that type of trouble in a vagina is necessarily
worth it for you. Get somebody like Big Mo Has
that's just a dumb bimbo that's there off on the
side and just loves you because you you but doesn't

(59:40):
know anything that you're fucking doing and just sees all
the crime and just thinks, like, man, this is such
a legitimate business that you've got going on here, big mo.
I mean, you don't do anything bad, you know. You
just you have a couple of TVs. You sell TVs
to people. Maybe they're coming off the truck, all right,
Maybe maybe you got white powder back there. Baby powder.

(01:00:01):
That's all it is back there, isn't it, big mouth,
Please tell me that's what it is. I'll believe you.
Oh yeah, it's so big fucking baby. But I'm the
biggest sellar baby powder in this entire city. And you
see that over there, Why that's just hamp to be
made into clothing. That's all they're gonna do with that.
They're gonna sew up a couple of things here or there,

(01:00:22):
and they're just gonna make some wonderful clothes for you. Yeah,
you're gonna get yourself a nice little hemp dress.

Speaker 6 (01:00:28):
You know.

Speaker 1 (01:00:28):
It's much cheaper than cotton. All right, nobody's gonna be
doing that over there. Oh and that liquid stuff over
there that we call the uh the smegma one, Yeah,
that's that's just uh, that's just IV fluid. It's it.
You just injected your ve Gotta heat it up a
little bit and inject it in yourself and then you
feel better, all right. You don't need to like have

(01:00:49):
that constant drip, instant hydration and it sends you to
a far away place that makes you feel good, all right.
And you see that crystal stuff over there, Yeah, yeah, yeah,
that's just rock candy, all right, but we gotta call
it meth because you know that's what people are used to. Well,
I don't understand this, Big Mo. Why do people take

(01:01:11):
your rock candy, break it down, put it in a spoon,
and then they light it up and then they injected
or they put it into like a pot of sorts
and then they smoke it because that's the best way
to taste rock candy. Smoke that shit. Now, if you
ever smoked my shit, I'm fucking leaving you because you

(01:01:31):
need to be fucking clean. You understand that that's what
Big Mo wants around here want. She wants a clean bitch.
That's what she wants. Like, that's the type of girl
that you need to get yourself, Finny, and I get it.
The voices they went off, but nonetheless, so we see
them get taken off. We see that Sally grabs Tommy's

(01:01:54):
hands at the very end of everything, and then we
go over to Big Mo's operation as Vinnie in to
ask Big Big Mo for her help because he needs
to get the boys out of prison, right and to
make sure that you know they're able to run the
streets and that they can help her in her operation.

Speaker 5 (01:02:14):
Big Model, we gotta talk, still talk. I got a problem,
all right, My boys all got pinched and I need
to raise three grand in bailing out.

Speaker 8 (01:02:27):
Well, I look like a bank. Oh, Big Mo's so mean.

Speaker 4 (01:02:32):
You keep quiet the whole gang. You say, how did
you manage.

Speaker 7 (01:02:39):
That these kids from the neighborhood growing up to be
a real pain in the ass. One of them, one
of them shot a video. Well, we were pulling apart
some old biddy's car and he gave it to the cops.

Speaker 6 (01:02:53):
Then he I've been trying to bring you along, you know.

Speaker 4 (01:03:01):
No, I gotta know.

Speaker 6 (01:03:05):
You can't show many.

Speaker 4 (01:03:08):
No, Big Mo, I ain't turning soft.

Speaker 8 (01:03:13):
Good bring I'm trouble like her, share her more of night, can't.
I'm gonna show you that I am the punk.

Speaker 4 (01:03:24):
Call me out three grand?

Speaker 1 (01:03:26):
Okay again? Meg Foster is the second best character in
this movie is Big Mo and she literally is having
a fucking blast playing this character. Every time she's on
the scene, she steals it one like it is fun
to watch her as this character as much fun as
watch mister Sumatra do his character. I absolutely love the

(01:03:48):
two of these characters very much. And she needed way
more screen time in this movie than she actually got
because she literally is a scene stealer in this movie.
It's also at this time that I started the vibes
of another movie in the back of my head, even
though it's not the same, it definitely and I think
it's the soundtrack to this movie. Like, and this is

(01:04:09):
the thing that I like about Full Moon Pictures movies,
right when we get into them, Yeah, are they cheesy?
One hundred percent way cheesy, silly and just fun. Right,
They're They're stupid. They're stupid fun. That's all you're really
gonna get out of these movies. If you like these
types of movies, Right, if you can't stand Full Moon Pictures,

(01:04:29):
like a specific co host of a podcast that we know,
then you you know, you just don't. I feel like
you don't get it in a way, and it's not
I'm not saying that in a negative way, Like why
I like these pictures and why I like watching these movies.
And the thing is, I like watching more of the
style of Full Moon movies rather than some of the

(01:04:52):
other ones that maybe take themselves a little too seriously
and are just bad to be bad, right, or not
bad to be bad, but like they're bad bad. They're
not really funny bad, they're not silly bad. They're just bad.
And there are some Full Moon movies that are like this.
But when we get in the line of doing like

(01:05:12):
the famous ones or even some of these like lesser
known ones, especially the really early ones in the catalog,
like they're playful, the music isn't super serious. And the
thing is is that you have a movie, like, you know,
out of the three that we've done, you have Killjoy, right,
which is probably the more serious out of all the

(01:05:34):
three that we've watched so far, and then you have
Head of the Family, and then you have this And
they're on three different scales of what I call like
the full Moon you know formula for the most part, right,
the ones that would make would be entertaining for me,
where it's got its lighthearted moments, it's got, you know,

(01:05:54):
sometimes serious little moments that go in there, and a
lot of it has to do with the soundtrack, and
that's where this one does excel in that, Like everything
here is very playful and not always does it sound
like Daniel but I know he mainly did the title
and there's probably another song that was used in this,
but there are hints of him through different portions of

(01:06:17):
the music. And it's very lively. It's very comedic in
the way that it's done. It's very scene specific, like
here we go talking to Big Mo, who's supposed to
be the big gangster in the area, and it's got
that old school gangster vibe to it.

Speaker 4 (01:06:32):
Did you do.

Speaker 1 (01:06:34):
You know, with the horns and everything like that, And
it's very like generic, but it fits and it gives you,
you know, especially it's not a serious scene, like it's
kind of playful, kind of funny in the movie that
I'm trying to compare to. In the longest fucking route possible,
you know, I said I was gonna take the scenic route,
but I ended up taking the four hour scenic route

(01:06:56):
to the place that's only fifteen minutes away. Munchies. I'm
getting very Munchies vibes from this movie in terms of
it being playful in the way that they're doing things
with the story and the way that the music works,
and you know, Munchies is definitely a silly fucking movie
in the way that it is. And it's a very

(01:07:16):
old episode of the podcast now for how long I've
been doing this goddamn podcast, But it's I get those
vibes where it's not taking itself seriously on purpose, right,
it knows what it is, it knows what it's going
to become. And this is one of those movies that
goes nowadays where I wish some of these movies that

(01:07:38):
end up in the theater, right when they do a
theatrical release of some of these horror movies that we have,
especially these like Childhood Story horror movies that they've been
on this kick of, where I want them to do
something like this. I want it to be playful. I
want it to be silly and not take itself super serious.
And that's one of the reasons why I kind of

(01:07:59):
like screen Boat, you know, not necessarily as much as
I like Popeye, but it's something that you know, I
felt played with it and played around with things and
got silly when it needed to get silly. And that's
what these types of full moon movies do, right, and
why I really enjoy them and why it's fun to

(01:08:20):
like review these types of films. So you have this
this scene or even she's going around, she's chilling the
scene that she's got here, you know, telling her a
little babe over the corner to shut the hell up
and look pretty, type of you know, attitude that she's
got going on. She's the big boss. She's got this
big old fucking stogy in her mouth and looking at
him like, what am I supposed to do? Vinnie? What

(01:08:41):
do you think? I'm just a fucking bank for you.
And then eventually, you know, she gives in to him
because she likes the kid, and then she goes up
and she grabs his fucking balls to see if he
actually has the balls to do what she says to do,
and like, yeah, I think you got the balls, so
that if I, you know, end up having you buy
the balls, that you'll do exactly what I need to
do because now you're in my debt, and this is
the way we're gonna handle these things. You know, I

(01:09:03):
don't normally like these types of things. I like balls
that are further up on the body if you catch
my drift. But you got a nice set on you,
and sure I'll help you out. So Vinny goes and
he bails out his boys from the precinct that's there,
and they decide to go ahead, you know, and do
what Mos says and get the kids as they basically

(01:09:24):
drive off from the police station and rip them from
the stoop that they're sitting at and bring them over
directly to Big Mo. And of course, being confronted by
one of the biggest gangsters in the area that they
live in. Still, doesn't you know, put anything in Tommy's
head that he's not supposed to be doing what he
thinks he's gonna be doing. Let's that righteous fucking justice

(01:09:46):
boner that he's got in his body, the moment that
he sees something that he thinks he can do to
be like the hero and like stop the crime that's happening,
like he's a real fucking superhero. He just won't let
that boner go down, right, he went that righteous boner
is just too fucking righteous. He can't contain it in
is goddamn pants, all right? I know, he's like a

(01:10:10):
young kid, and it's probably not the biggest it's going
to be, but still it is just blaring out there.
It is just rock fucking hard, and he can't wait
to show it off to Sally after what he's done.
But he's just a complete fucking idiot because he doesn't
know what he's fucking dealing with. Hey, big mom, these
are the twarps that got the guys pitched a photographer.

Speaker 8 (01:10:36):
What are your names?

Speaker 6 (01:10:39):
I asked the goddamn question.

Speaker 8 (01:10:42):
My name is Tommy Larsan and this spill.

Speaker 4 (01:10:45):
It doesn't matter what your pals they can't talk for themselves.

Speaker 8 (01:10:48):
You it's your name. His name is Freddy.

Speaker 6 (01:10:55):
Right now, you're gonna get off of the warning. I
want you to keep your mouth shut.

Speaker 4 (01:11:00):
What do you say?

Speaker 8 (01:11:02):
I save anybody?

Speaker 3 (01:11:03):
Dad?

Speaker 8 (01:11:03):
He's a rap bastard of blogs in a jail cell.

Speaker 4 (01:11:08):
We got ourselves a tough guy.

Speaker 8 (01:11:14):
Uh, you should think about coming to work for me.
Do him what Vinnie does, robbing people, breaking heads.

Speaker 4 (01:11:21):
Delivering Eh?

Speaker 8 (01:11:24):
I don't think so.

Speaker 4 (01:11:27):
That's a shame.

Speaker 7 (01:11:29):
Uh.

Speaker 16 (01:11:29):
Now I gotta figure out what to do with you.

Speaker 6 (01:11:34):
Right now.

Speaker 8 (01:11:35):
I got business.

Speaker 4 (01:11:37):
That the last of it.

Speaker 1 (01:11:38):
Yeah, wold days as, what do you want.

Speaker 4 (01:11:42):
In the back.

Speaker 8 (01:11:43):
We'll count that out late in the night.

Speaker 4 (01:11:44):
Yoh, Big mom m drivers pals just pulled up outside.

Speaker 8 (01:11:48):
Let him wait.

Speaker 6 (01:11:50):
I want you, sure duh, take these punks into the storeroom.
I want you to tie him up.

Speaker 4 (01:11:53):
Feeling real good?

Speaker 6 (01:11:54):
Then I want you to get lost cause I got
business now.

Speaker 1 (01:11:58):
Got any more bright ideas?

Speaker 4 (01:12:02):
Almost got it loose?

Speaker 8 (01:12:04):
Come on working for me, Freddy.

Speaker 4 (01:12:08):
I just want to go home.

Speaker 1 (01:12:10):
Come on, you want to die?

Speaker 8 (01:12:26):
Yeah, I'm getting box as the main laps at base here?

Speaker 4 (01:12:30):
All right, Hey, Tommy, what's all this? Their number slips?

Speaker 6 (01:12:38):
Something were to happen to these really screw up Big
Mo's operation, don't.

Speaker 8 (01:12:43):
I just want to get out of here.

Speaker 4 (01:12:44):
I don't care about any stupid pieces of paper.

Speaker 10 (01:12:47):
No, no, listen, who's ever got a bed here could
say they picked any number at all, and Big Moe
won't be able to tell if they're telling the truth
or not.

Speaker 8 (01:12:54):
You have to pay them all off.

Speaker 4 (01:12:55):
Book.

Speaker 7 (01:12:56):
It's one thing having the vipers mad at us, but
Big Mo's in a whole differently.

Speaker 1 (01:13:01):
He's right, Tommy, Yeah, Tommy, you need to listen to
fucking Billy and fucking Freddy over here. Freddy is already
crying in the corner saying he doesn't want to fucking die.
His asthma's about to fucking kill him right now because
of the shit that he's in. You saw him fucking
faint in front of a Big Mo over here. He
couldn't give his fucking name out of his mouth. He's
fucking Hulk Cocain and that shit opening his mouth up

(01:13:23):
like a goddamn fish. Bro, I don't know what that
doesn't sound like a fucking fish. I get it. Please
don't clip that, But it's still like, it's ridiculous in
the way that this justice boner that he's got is
just like, oh my god, those are slips. If we
fucked with that shit and fucked with like fucking Big

(01:13:44):
Mo's like money that we've got going on here, then
we'd be fucking heroes and she'd have to pay everybody
out and we'd ruin her and it'd be fucking great.
You idiot, She knows that's you one. Big Mo's fucking stupid. Well,
her henchmen are fucking stupid by putting them in the
same fucking room as those goddamn slips. Why would you
do something like that? In case, you know, you didn't

(01:14:06):
do a good job tying their fucking hands, like the
fucking goons didn't. These damn vipers really didn't over there.
And it's funny because the big fat one of the
vipers is not Booger, it's the other dude, like he
wears a gang jacket that says Vipers for most of
the movie, Like, all right, you're affiliated with a gang,
and you know people are gonna know that you're in

(01:14:27):
that gang and not really be much like of an
incognitist type of guy that we've got going over you. Right,
You're not gonna be able to hide in the fucking
shadows and shit like that. But you know, it's just
it's dumb. It's dumb of a criminal to wear their
fucking name on their shirt like they are like a
super villain or some shit like that, Like you know,
the red viper here, I am. I shoot fucking asps

(01:14:50):
out of my fucking sleeves. What the hell is an
asp gonna do to me? You mean one of those
like billy club type of thing. No actual fucking snakes
got you know, these fire ring them all over like
he's fucking spider Man. But it's snake's shooting all. That
would be the best fucking superhero ever, like just using
snakes to like beat people up and poison them to death.
I guess basically it would be like a super villain, right,

(01:15:11):
if we're gonna do that, you know what would be
You could be the Red Viper asp Man something like that.
I don't really fucking know, just fear my attack asp
you know, that type of thing going on. But nonetheless,
like you have them here, and I get it, Tommy,
you want to do the right thing. But good old

(01:15:32):
Bill over here is right, like she's in a whole
another fucking league. Then what the fucking vipers are? They're
just a bunch of fucking punk kids that are just
terrorizing street, being bullies and breaking down cars. They're not
going out there fucking shooting people, killing them and you know,
maiming them and leaving them in their own pole of

(01:15:53):
blood in the middle of the street to like teach
everybody a fucking lesson. That's not what they're really doing
around here, right. They're just being assholes, that's all they are.
So you go out there, you take video of them
being an asshole, then that's fine. Get them caught by
the police. But then Big Mo is like giving money
to have them sprung when she's got people on the inside.

(01:16:15):
Because when she's talking about getting the people, we're gonna
get you some big main lobsters, those are fucking cops.
So she's been paying off the goddamn cops. And she
couldn't have paid off the cops and been like, all right,
let me talk to my you know insider, we'll get
your guys out of jail and have them, you know,
done with, and instead, you know, she's busy giving money
away so they can bail them out. So they're still

(01:16:36):
gonna have to go back there and pay their bill,
which I'm pretty sure none of these fucking punk ass
kids is gonna be able to pay that back to
Big Mo or pay their way out of that still
end up back in court, which is what they're gonna
have to do, and then still go back to fucking jail.
So hey, they're not gonna have to be able to
deal with Big Mo much in the future except for
you know, work with her basically, so she is down

(01:17:00):
stairs none the wiser, and that's when you know, Tommy
gets the great idea that we need to take these
tickets and we need to get the fuck out of here.
He realizes that they're coming upstairs and that if they
see them out of their chairs tied up, that they're
gonna be in big trouble. And he sees that there's
an exit through the top of the roof, so they
work on getting out of there, you know, Billy and Freddie.

(01:17:21):
They managed to get out, but with his giant fucking
justice boner that he's got, he grabs the tickets and
shoves them up there so that way they can take
them to the roof and steal the tickets to ruin
big most gambling operation that she's got. She's not totally
gonna be out of money, but that's probably a lot
of money that she's gonna be fucking out of. And so,
you know, they escape. The Big Mo's goons almost grabbed Tommy.

(01:17:44):
They do grab his leg for a second, but they
can't hold onto it and they manage to get the
fuck out of there. Of course, that upsets Big Mode
to no end, so she decides to go and pay
Vinnie a visit and tell Vinnie what she needs to do.

Speaker 8 (01:17:58):
And punks he brought over.

Speaker 4 (01:18:04):
They got loose, so I mean they live here where
they gonna go?

Speaker 11 (01:18:12):
They took my slips?

Speaker 4 (01:18:16):
Hear me?

Speaker 11 (01:18:18):
My slips?

Speaker 4 (01:18:22):
Shit?

Speaker 6 (01:18:23):
Yeah, and seeing is that from your term kind of
makes it your responsibility. The only way that I can
see him making it up is by working it off.

Speaker 4 (01:18:40):
What did you say, big mom?

Speaker 12 (01:18:42):
Yeah?

Speaker 1 (01:18:47):
Let me you think of it like this, what ain't
up for it? Get you know?

Speaker 4 (01:18:58):
I'm up for it.

Speaker 1 (01:19:04):
So she goes over to his place and then she
gives him a bunch of guns like. It's pretty hilarious
in the way that it's done, because you know, he's like,
how do you want me to take care of it?
And she's like like this, and then she pulls out
a revolver. Well, she pulls out like, you know, a
regular handgun. I don't know, like a glock or something
like that. I don't really know guns. So you're gonna

(01:19:25):
have to excuse me on my fucking ignorance because it's
just the way that I feel. Go ahead, own them.
I don't really give a shit. I'm never gonna touch one.
I don't ever really want to be around one unless
it's a paintball gun. That's just fucking me, right, And
so she hands over the smaller you know, pistol, and
then she hands over a giant revolver and then she
hands over a fucking shotgun to give to him, like

(01:19:47):
you're gonna have to go take care of this, And
so Vinnie is like, all right, I guess I'm gonna
do what you're gonna have to do. You know, we're
gonna do what you want me to do. And so,
you know, as we look on Tommy and Billy and
Freddy as there walk around in the middle of the
night on an empty street with these giant fucking rucksacks
of all Big Mo's tickets that they're carrying with them,
who decides to pull up? Why it's Vinnie and the

(01:20:10):
crew in Vinnie's piece of shit fucking little cargo wagon
that he has there that if anybody looked outside, they
know exactly whose fucking card is with what the car
nags it's about to happen, and they basically perform like
a drive up shooting. It's not by because they don't
drive by them. They literally drive out there with guns

(01:20:30):
blazing to get out of the car. And then there's
this little scene from the trailer where you've seen them
with all the smoke and it's really weird. I don't
like that shot like at all, Like, just use the
way that you have everything there. Instead, you have them
get out of the car, there's the big building that's
in the back. They bring out the guns, they have
the lights focused on them, and then there all of

(01:20:51):
a sudden, there's a ton of fucking fog behind them,
to which then it switched to them showing like the
front of the guns and them all like wincing and
firing it. And the only person that look like he's
dedicated in firing his goddamn gun is Vinnie with the shotgun.
And we all know at that distance the shotgun ain't
gonna do shit. It's just gonna spread the fucking like

(01:21:13):
bucks shot out and it maybe he's gonna get them
a little bit, and it's gonna kind of hurt, but
that's it. The real people that did the killing happen
to be the other two, right, even though big Fatty
over there, he's fucking closing his eyes and pointing the
gun hopefully in the direction that the kids are and
pulls the trigger a couple times as they gun them down,

(01:21:34):
and then they try to escape, And when they try
to escape, they don't go grab the fucking bags. And
I was like, yeah, idiots, at least go get the bags.
And that's when Vinnie's like, go grab the bags, you idiots,
and the two run over there, grab the bags and
fucking go off, and that's when everybody else starts like
turning on their lights and opening up the windows, like
this is a regular occurrence that happens that until the

(01:21:56):
car leaves are not gonna check on what's going on outside.
I mean, the moment that I hear gunshots in the
area that I'm at, I'm up out of my bed
looking out the window to make sure it's nowhere fucking
near me. Meanwhile, the people that live in this neighborhood,
they decide to check at the very last fucking minute,
and that's where they see the poor kids that are
dead down there. We cut over to sal and she's

(01:22:16):
like Tommy and then runs to her window looks out
in the street. Tommy like, oh God, of course that's
the way it is. We cut over to Vinnie, who's
going back into Big Mo's to tell him that, you know,
he's completed the job and here's your shit, to which
she's very grateful and moves him up the ranks.

Speaker 8 (01:22:36):
Oh you did good, Vinnie broke your cherry?

Speaker 1 (01:22:43):
Well what you get in the case of the nerves?

Speaker 4 (01:22:47):
Look and punks we wacked. I mean they were just kids,
you know what.

Speaker 7 (01:22:51):
I was just thinking about what would happen if we
got pinched?

Speaker 4 (01:22:54):
What what do you mean what?

Speaker 1 (01:22:57):
I thought you were just gonna rough them up a bit.

Speaker 6 (01:23:00):
And he just gave him a couple of slaps, you know,
give him a bunch of wax, that's all.

Speaker 8 (01:23:03):
What is this?

Speaker 6 (01:23:03):
You think we go around killing kids?

Speaker 8 (01:23:05):
All?

Speaker 6 (01:23:05):
Yes, yeah, well you just forget about what he said.
Oh yeah, now you go on u huh like a business. Okay,
take her home?

Speaker 4 (01:23:17):
Okay, Okay, I just got a little scared. It's all right.

Speaker 6 (01:23:23):
Anybody gets pinched and it's gonna be youth, So don't.

Speaker 4 (01:23:26):
Go turning punk on me. Now I need you.

Speaker 9 (01:23:32):
This is bad.

Speaker 8 (01:23:32):
This is really fucking bad.

Speaker 4 (01:23:36):
What you have to do?

Speaker 6 (01:23:38):
Now that I see you can handle it, I'm gonna
make you.

Speaker 8 (01:23:40):
My right hand hand in the neighborhood.

Speaker 4 (01:23:41):
Huh you like that, wouldn't you, Benny? Sure, I'd like that.

Speaker 8 (01:23:47):
Yeah, sure you would.

Speaker 9 (01:23:49):
As you're a.

Speaker 6 (01:23:49):
Smart kid, and your job is going to be making
sure that everyone in the neighborhood does business with us,
pays us a percentage. Yeah, and you can handle that.

Speaker 4 (01:24:00):
Yeah, I can hand one. Yeah, and I look at that.

Speaker 6 (01:24:07):
I mean, I want you to go get you so
so clos you're working for me now? And oh, I
want you to watch your mouth around missing.

Speaker 1 (01:24:18):
Oh what do you mean, big bo? I don't I
do understand what you mean by whacking them like you
you're killing kids over here or something like that. That
doesn't make any sense to me. No, no, no, we're
not killing kids. What do you think we're doing?

Speaker 6 (01:24:31):
Well?

Speaker 1 (01:24:31):
When when I say he whacked him all right, like
you know, jerked him off, That's what I'm talking about
over here. That's what you gotta understand. But that's even worse,
Like why wouldn't you just kill them? Why? Why? Why
are you jerking off these kids? They're kids? Man, that's
gonna get you any worse trouble than if you just
went straight up killed them. I mean no, not, I

(01:24:54):
mean mean slapped him a couple of times, like roughed
them up a little bit. Yeah that's it. Oh okay,
I I thought you were running some type of like
young kid, a sperm collecting ring or something like that,
like they did a little something. You get scared them
a little bit, and they got too excited. They got
a fear boner over there, and and then you just
had to whack them and collect the sperm. And then

(01:25:16):
you're gonna sell it on the black market or some shit.
I would not go back into the room over there
and see that collection that I've got, because it's not
gonna make you very happy. So don't worry about you know,
kid sperm? All right, all right, you just take your
pretty little face and go off. Everything's gonna be perfectly fine.

(01:25:36):
And wait, wait, wait, wait, does that mean that when
you say other people gonna get whacked, they're they're getting
slapped in the face too, Like we don't. You don't
do anything right, you do, that's all you do. You
just rough up people. You don't. You don't really do it.
And it's just because they owe your money because they're
dead beats, and and your legitimate business and and you
gotta make sure that you're doing this stuff right, right,

(01:25:58):
that's the way. That's what you mean. When you tell
people go whack somebody, they're just gonna slap them in
the face. They're not being jerked off either, and you
don't collect their sperm. Uh yeah, yeah, that's right. We
never ever collect sperm except for those one times. You see.
I do run that bank over there, right, that one bank.
You know, we help women get have kids that they

(01:26:19):
can't have kids normally they either don't have, you know,
a spouse or or anything like that.

Speaker 12 (01:26:26):
You know.

Speaker 1 (01:26:27):
Uh, why the way I always see random guys go
in there then like, oh, they get in for the wives.
They get it for the wives, don't. Don't you worry
your pretty little ahead about anything. Yes, everything here is
a legitimate business, all right. I'm registered with the government.
Everything that we earn here goes into a bank and
it earns interests, and I got CDs and all these
types of things, even though I only deal in cash

(01:26:48):
because cash is king. Remember I told you that, honey,
Remember I told you over there, cash is king. Don't
worry about it. Everything be fine. Like so fucking stupid,
but nonetheless, like you have her there, they've killed the
kids you have how stupid? Her fucking little woman arm
Candy that is there. And now Vinnie is going to

(01:27:10):
be the person that runs the neighborhood that collects the
money from all the businesses that deal quote unquote business
with Big Mo in the area, and he's gonna move
up on the ranks. We go back over to the
crime scene and we see that, you know, the kids,
they're dead. The police have roped off the area. Sally
is looking on and mister Sumach comes up and he's like,

(01:27:30):
what happened over here? And so I was like, Tommy
and Billy and Freddie, Well, it's probably more like Tommy
and Billy and that one kid, the black kid. They're
all dead. I don't know his name. I barely met
him the other day when I was making out with Tommy,
and I really didn't really care to know his name.
I just wanted to get some more loving in with

(01:27:53):
Tommy and maybe show him a couple of things that
Vinnie was asking me to try. But I wasn't ready
to do with Vinnie. But I'm ready to do with Tommy.
But I'm not gonna do that anymore, because you know,
that would be necrophilia. Hey, I just can't do that shit,
you know. And it's you know, and mister Sumatra looks on,
and then it goes over to the funeral and everybody's
crying there and mister Sumatra's walking by all the different

(01:28:15):
bodies that are well, all the bodies of the kids,
And I guess they went and saved on some money
because all three of them are having the same funeral
at the same time. And I mean, if you want
to be economical about it, I guess that's the way
you do it. But wouldn't each one of the families
have their own funeral? They don't want to like mix there.
I mean, the only father that we see here happened

(01:28:36):
to be Tommy's father. We don't see Billy's parents show up.
We don't even see Tommy's fucking mom show up, Like
she's not in the crowd. Sally's there hanging out with
Tommy's dad. Do you think that she was maybe using
Tommy to get to the dad and was like, I
can be the better wife to you than your wife
ever was That would be kind of weird. So I
don't want to think about that type of thing in

(01:28:57):
this type of movie, especially when we learn a couple
of things about Sally later on in the whole you
know how old she actually is type of thing. But nonetheless,
so he's walking around there, he says his condolences over
to mister Larson, and you know, Tommy is Sally's sitting
right there next to her, and you know, he she
just kind of looks away off into the distance. And

(01:29:17):
then we go back to Miss su Mantra, who breaks
into the morgue later in the night, looks at the
boys and says, don't worry, you'll be able to get
your vengeance, and then takes out a hacksop well and
cuts their heads off and takes their heads with them
to bring them back to his apartment, like it's ridiculed.
And then in his apartment, he's got a goat that's

(01:29:39):
hanging above a cauldron that's bubbling and boiling in like
it's I don't know if that's a skinned goat or not,
or like that's supposed to be a Satanic goat. I
don't know. It's a red goat. It looks like it
has a bunch of fur on it. It looks like
it's been hanging above this cauldron for some time and
maybe he let all the blood out of the goat

(01:29:59):
or something like that. But you know, drops the heads
directly into the boiling liquid, and you know, gets ready
because he tells them that don't worry we're gonna bring
you back, and you're gonna be the tools of vengeance
or where the fuck they're going to be, as he
begins the process of shrinking their heads by throwing them
in his cauldron of boiling, boiling, toil and trouble. So

(01:30:24):
from here we cut over to the next day and
we see that Sally is walking along the street and
that's when Vinnie shows up once again and tries to
sweet talk her and basically like apologize for the way
that he was acting and what he you know, not
necessarily for him killing Tommy, but for the way that
he treated Tommy to get back on her good side

(01:30:44):
and to get her to become his girlfriend once again.

Speaker 5 (01:30:46):
Look, I just want to talk, Okay, I have nothing
to stay to the opinion. Just hear me out, please, Look,
I just wanted to let you know that I'm really
sorry about what happened to Tommy Lass.

Speaker 11 (01:30:59):
All right, you hated Tommy Larson.

Speaker 4 (01:31:02):
I'm sure I was pissed at the guy, but I
didn't want I'm dead.

Speaker 5 (01:31:05):
You weren't as the funeral, I didn't exactly feel welcome,
you know, And then I got to thinking about what
would have happened at the same thing had happened to me,
and I just didn't like the idea. What I'm trying
to tell you is that.

Speaker 4 (01:31:21):
I've gone straight.

Speaker 11 (01:31:23):
All right, all right, you could laugh if you want.

Speaker 5 (01:31:25):
I'm gonna go to night school, become a businessman, learn
how to steal a mane or legal alike.

Speaker 4 (01:31:32):
Well, I'm just kidding, all right. Could you smile for me?

Speaker 8 (01:31:36):
Please?

Speaker 4 (01:31:37):
You got a beautiful smile.

Speaker 11 (01:31:38):
You really do good?

Speaker 4 (01:31:40):
Have ton.

Speaker 8 (01:31:44):
That freak?

Speaker 12 (01:31:46):
Din'd you dare say anything bad about mister Sumuatra guy
wasn't going too and say you're sorry, I'm sorry.

Speaker 4 (01:31:56):
Okay, you're happy.

Speaker 1 (01:31:58):
Now, Yeah, okay, You're gonna become a legitimate businessman. I'm
gonna go school, gonna go do that night because that's
the only time that I have free, because you know,
during the day, I do nothing but running around with
the other chair. I mean, I do helpful things in
the community, like take single moms out on that. I mean, like, uh,

(01:32:18):
go out there and help the kids in the park,
like push them in stuff and make sure that not
push them to the ground or anything like that. But
I go over there and I push them on the
swings and make them feel comfortable. And make sure they're
having fun and that the mamas gets a little bit
of time to themselves. That's yeah, that's what I do.
And so I'm gonna do night school. All right, We're
gonna go at night. We're gonna go have some fun

(01:32:41):
and and and I'm gonna learn business things and then
I can I can steal from the rich and then
give to the pull, just like you always wanted me to. Okay, hey,
I'm good over you. Come on, get back with me.
Everything's gonna be fine, Okay, I believe you. And so
she's smiling and getting they're gonna end up back together,

(01:33:02):
even though you know, a couple of days before, she
was making out with good old Tommy over here, expressing
how much he likes him and she'd rather be with
him than be with fucking Vinnie. But now, all of
a sudden, because Tommy's dead and shit, oh well, might
as well go back over to Vinnie, Like what what
the fuck is wrong with you?

Speaker 4 (01:33:19):
Why?

Speaker 1 (01:33:19):
Why would you do that type of bullshit? So, you know,
and that's when mister Sumatra walks by, and then mister Matra,
we cut over to him as he's starting to go
into his uh, his residence into his condo that's over there,
and he's approached by a couple of people that are
smelling some bad things in his house.

Speaker 4 (01:33:37):
Sir, present planet, this is Sumatra. There's been a terrible
stench coming from here apotophan.

Speaker 9 (01:33:50):
As you can see, this kat has not been well
at well. That is the source of that terrible stench.
Please be patient. The doctor's predicted that he will soon
be bursting with health. Good night until tomorrow.

Speaker 4 (01:34:21):
Is a nice back cat for seasoning my boss that
as you please?

Speaker 6 (01:34:31):
What what? What? What?

Speaker 1 (01:34:33):
What did? What did you do that poor cat? It
wasn't dead already, was it? I mean I kind of
kind of hope that it was. If you're gonna go
and put the cat to feed to your heads and
a cauldron like and then you're blaming the smell on
the goddamn cat that's obviously fucking dead and obviously the

(01:34:55):
fucking figgst thing that I have seen in the law,
it's time like that is that is either something that
is dead as a fucking door nail like stiff as fuck.
Oh no, my my poor cat is not doing very well.
And the cat doctor, you mean the fucking vet like,

(01:35:16):
oh yeah, I've heard of the Cat Doctor. Didn't they
do a song about it? I heard the Cat Doctor.
He once said to me, I heard the cat Doctor
that this pussy will be free. I heard the cat Doctor.
You know that that song, that old famous song that
was out there with those things and coming buy houses
and making sure that everything's going to be perfectly fine. Yeah,

(01:35:38):
that that that fucking cat Doctor. Like they're just I understand,
they're old people. They're out there, they're worried about the smell.
Smells like death inside the goddamn apartment. It really fucking sinks,
and it's uh seeping out everywhere to everybody else there,
and they're complaining about it. And he's just like, oh, yeah,
it's this uh, it's this dead cat in front of
our building. I mean, I mean this the sick cat.

(01:35:59):
It's it's not fucking dead. Let me just let me
just pick it up and I'll take it with me upstairs,
even though it's been causing a lot of the smells.
And don't worry that. The cat Doctor says that everything's
gonna be fine. It's it's gonna be fucking great. Now
I'm fucking worrying about it. It's gonna be gat. I'm
not like, you know, some old voodoo Haitian you know,

(01:36:20):
priest guy that is trying to be you know, a
couple of dead kids back from the dead, well at
least their spirits, and attaching them some shrunken heads so
they can exact revenge on the idiot kids that fucking
killed him. No, no, no, no, I'm not doing anything
like that. I'm just taking care of this poor sick
little putty tat that we've got here. I mean, he's

(01:36:41):
just he's not doing very well, so it's okay, you know. No, No, Now,
I've got a couple of shrunken heads. I mean, I've
got an appointment to wait for with the cat doctor.

Speaker 12 (01:36:55):
Right.

Speaker 1 (01:36:55):
Not to be confused with the cat Daddy that that's
somebody totally else that loves his cats very very much.
But yeah, he literally takes the stuffed dead cat and
then this thing is is so so terrible. The face
on this thing definitely doesn't look like it's a real
fucking cat. Like I would have been kind of okay

(01:37:15):
with like a sleeping cat, you know, and I'm not
like okay with putting a cat into like, you know,
a thing that's supposed to be a pot of liquid
or anything like that with some shrunken dead heads and
like doing that to a live animal or anything like that,
I'm not okay with that. But like for the scene,
like you just have like an old sleepy cat that's
out there in the front, and he picks up a

(01:37:36):
real cat and then when he puts the cat in,
like he kind of hides it in a way to
put in there, but he literally is picking up, you know,
a taxidermy cat and then putting said taxidermy cat inside
the fucking water. And it's like it's if you went
to you know, somebody that's barely learning how to do taxidermy.
Like they can get the body okay and get it

(01:37:56):
in a decent position, but they can't get the face
to look like a cat's face anymore. It's almost like
looking at you know, those one people that ruined that
Jesus painting and then they repainted Jesus on there, you
know that meme for years back now, probably like ten
plus years back. Yeah, it's like looking at that, that's
the cat face. Is the Jesus face. That's the thing.

(01:38:18):
It doesn't really look like the goddamn cat. But nonetheless,
So he puts the cat in begins to prepare everything.
He starts like shaving like the bottom of his feet
and putting that into the cauldron. I don't know why
that works. You know, he's got a lot of callouses
back there, and he needs to make sure he gets
rid of all the dead skin and maybe the shrunken
head's feet off dead skin. I don't really know. He's

(01:38:39):
at least he's using a pet egg right making sure
that everything's like baby butts smooth on the bottoms of
his feet. And so he's going there, and then he's
got the heads all in front of him as he
prepares to finally bring them back to awaken them as
their new bodies. As now the spirits have entered into

(01:38:59):
the shrunk and heads, and he's bringing them back to
get them prepared to take their vengeance.

Speaker 4 (01:39:05):
Oh my boys, it's time for your awakening.

Speaker 9 (01:39:17):
In the most high name of the most high Spirit,
in the name of the most high line of Judea
hally Selassie, in the name of the most high Duvalier
and the mute, I command.

Speaker 4 (01:39:38):
You awaken, Awaken. What have we here? The diffuse ball,
how rare.

Speaker 8 (01:39:55):
I can't feel my body.

Speaker 9 (01:39:58):
You're a spirit animating fl Now, Tommy, the whole building.
Betty out here with you too, Okay, I command you
to awaken. William, I command you to awaken.

Speaker 8 (01:40:21):
Maybe he'd rather stay dead, mister Sumatra.

Speaker 9 (01:40:24):
Nonsense, nonsense, Tommy, I shall entice him. Eat the wizzle,
Eat the wizzle. Now he awakens her awakens.

Speaker 4 (01:40:42):
Tommy, eat it, eat it.

Speaker 1 (01:40:46):
You don't now, crios.

Speaker 4 (01:40:51):
Long, awaken, Freddy? I command.

Speaker 6 (01:41:02):
What was that?

Speaker 9 (01:41:04):
You are drawing electricity from the air, Tommy stimulated him.

Speaker 11 (01:41:09):
Look out, they have guns.

Speaker 8 (01:41:11):
It's okay, Freddy, it's Oliver.

Speaker 1 (01:41:14):
Now.

Speaker 8 (01:41:15):
I feel so weird.

Speaker 6 (01:41:18):
I feel like.

Speaker 8 (01:41:20):
Tommy, are we dead?

Speaker 4 (01:41:22):
You're no longer dead, Freddy. I have boiled you, and
I have lovely dried you.

Speaker 1 (01:41:29):
I have yeah, I mean it's in the shrunking heads.
Thanks so lot, mister Sumatra.

Speaker 4 (01:41:34):
Uh, well, am, you have awakened fully.

Speaker 13 (01:41:38):
This is so bad.

Speaker 3 (01:41:41):
This is so bad.

Speaker 1 (01:41:43):
So he's brought them all back, and the only one
that has powers right now happens to be Tommy. Right,
he's a what he calls like an electric fuzzball or
where the fuck he is, and so he's like generates
electricity in the air. And you know, of course with Billy,
he was a fat ass in life. And the way

(01:42:04):
they we're gonna bring him back here, you know, he
doesn't want to quite wake up. You know what, I
don't really want to be a shrunken head. I just
really kind of want to stay dead. Just let me
be fucking dead, dude, Just let me let my spirit go.
I was dreaming. It was great. I was surrounded by
forty two fucking virgins. I didn't know what to do
because you know, I happened to also be one of them.
But they were all playing magic the gathering, and I

(01:42:26):
had this badass fucking commander deck and I was beating
their ass in so fucking hard. And then all of
a sudden I smelled fucking food. And that's what fucking
woke me up. Like here, eat the whizzle, eat the beans.
You love jelly beans, Fatty, Here, Fatty, let's get you
some more, Fatty Fatty two, I for, Oh yeah, You're
gonna be the biggest shrunken head that I've ever fucking seen.

(01:42:49):
Don't worry about it, Fatty. There's a reason why your
head is not as little as theirs. That's because even
when you did your fat motherfucker And I know you
love food, so here's some food. Eat up. Here you go,
like it's so fucking ridiculous. And then for Freddy, like
Tommy is the one that wakes him up, like he

(01:43:09):
shocks him a little bit and that causes him to
like wake up, and then he's remembering the last thing
that happened to him. It's like they got guns and
they're shooting us. It's like, that's so ridiculous. And when
we get to their powers, like we only know Tommy's
right now, but the powers of the other two or
what type of heads that they are, it's it's really
fucking ridiculous. Like for one, I'm totally fine with before

(01:43:34):
the other it's so fucking stupid and so like kind
of stereotypical. If if only he was another nationality and
not necessarily black, it might be even more fitting. But
it's just the way that it is. And I guess
the way that the movie works, Tommy is the leader,
just like the Green Maybe maybe they are gonna be

(01:43:57):
some sort of like Power Rangers type of team and
he's gonna eventually call some type of shrunk and green zword.
But he's the leader. He gets the best power out
of the group and gets his power right away because
he's fucking special or some shit I don't really know,
and so he's awakened them all and then he kind
of goes into a little more explanation of what they

(01:44:21):
are to an extent, and then what their prime objective
is going to be and lets him know that, yes,
you will have powers, and yes I've brought you back
so I can you can get your vengeance.

Speaker 8 (01:44:33):
I want to see my own, Lacey. I won't be
like this.

Speaker 17 (01:44:37):
I'd rather be dead.

Speaker 4 (01:44:39):
We am. You cannot mean such a team.

Speaker 10 (01:44:42):
If being this way means laying out on a table
all the time, yeah, he means it.

Speaker 4 (01:44:49):
You three will have the power to soar the heavens.
How do we do that?

Speaker 8 (01:44:54):
You gonna get a golf club and knock us around.

Speaker 4 (01:44:57):
You may have lost everything below your chin, William, but
not your sense of humor. Yeah right, so hear me. Now,
powerful unknown abilities, wait your discovery. I shall guide you
into this new and remarkable existence. Use your mind to

(01:45:26):
use your mind to stay any air. Great I mean
great me. Hey, ye, my children, I found a clown.

(01:45:54):
Good Come to me, children, Come to me now, here
in my condominium. Who will be safe?

Speaker 1 (01:46:06):
So, at least for now, the only person that we
know that has any power is fucking Tommy, right, and
he's like explain to them, you know, I kind of
agree with Bill. I think I would rather be dead
than turned into a shrunken head. And Tommy, you know,
he also makes a good point. Well, if this is
all we're going to be is just a bunch of
heads on a fucking table and we're not really gonna
do anything, then yeah, I'd rather be fucking dead too.

(01:46:28):
Why would I want to be alive? Why would I
want to have to deal with this shit?

Speaker 3 (01:46:32):
Right?

Speaker 1 (01:46:32):
Just fucking let me be dead. But no, he explained
to them, don't worry. You're gonna get powers. You're gonna
become stronger, and you'll be able to basically fly. And
he picks them up and he throws them in the
air and sends them on their way. Now, I'm not
gonna say that the special effects are anything fantastic, Okay,
for the timeframe that this movie was released and for

(01:46:54):
it being you know, it was supposed to be a
theatrical so there's probably a little extra money that was
put into this one, right, instead of you know, what
you would expect for Full Moon Picture, especially since Paramount
back this one. I mean, honestly, if you can believe it,
there was eight hundred thousand dollars put into this movie,
which blows my fucking mind for what it is, and
honestly for nineteen ninety four, the effects are not terrible. Right.

(01:47:19):
The cat may have looked really bad, so you know
where the budget went to went to the heads flying around, right,
not the other stuff, not the really bad looking goat
that was hanging inside of his living room, and definitely
not to the cat. But like the effects of the
heads as they fly around, it's not bad. I like
the way the little models of the heads looked so
that he you know, before they came to life, and

(01:47:41):
even when they were on the little thing like it
was still a little kind of bad, but like in
a charming type of way, because you can tell that
it was just like, you know, it's their heads poking
through a hole and they just green screened it on
top of the plate that they're sitting on there, but
you can't quite notice it. You just know how the
effect was done. It's that type of thing. It's not

(01:48:03):
necessarily anything that's like, oh, you know, they spend all
this money and you can still fucking see it like
it was something that was made nowadays, right ninety four,
Still pretty good technology. Not something that you're gonna see
in a movie that gets a budget of like forty
million or something like that, but for something that's eight
hundred thousand, pretty good, pretty good looking. I mean, this

(01:48:24):
is one of those cases where, like the sets look
pretty damn good. You can tell that it was filmed
maybe in a backlot or maybe it was actually filmed
on a street rather than just being in a warehouse somewhere,
and they just had whatever they did. It's not like
going into kill Joy's world, you know, and it basically
being the junkiest fucking construction site that you've ever seen,

(01:48:45):
with just random garbage all over the goddamn place. Like
you get the insides of houses that look like they're
regular houses. You've got the streets that look like it
is the streets of New York and stuff like that.
Maybe it's a little more clean than you would expect
it to be, but it's not that bad. And I mean,
with all things considered, in the way that it's done,
so the effects they're they're good at times and then

(01:49:08):
they're bad at times. That's just the way that it is.
Like I do like it when they're flying around the
room trying to control themselves, and then Freddy's head pops
directly in front and he like screams at the camera, like,
I like the way that it looks. Is it a
little cheesy? Can you tell it's a green screen overlay
on top of this, Yeah, you can tell that type
of thing. But at the same time, it still looks

(01:49:32):
pretty good for what it is. So then from here
we then go into like a training montage because you know,
mister Sumatra over here he told them that he's going
to train them to control their powers, and we see,
you know, Tommy going over there using his lightning, and
then we get the power that Freddy has. And this

(01:49:56):
is the one that I'm like, Okay, so you know,
let's not talk about Freddie right away. Let's let's go
over to Billy, right, because Billy's the third one that
they show, and Billy has turned into like a vampire, right.
He's got bigger teeth, he feeds on blood, he's training,
he's got a mannequin that he's feeding on. And you know,
it's got a cutting its neck and he goes and

(01:50:19):
he's sucking on the neck, sucking out the blood. All right,
So Billy likes to eat, so he gets something where
he eats blood. All right. Kind of works, Tommy, the
brains of the operation. I don't know what the justice
boner how that turns into like, you know, telekinetic lightning.
But hey, whatever, So what does Freddy have? What is

(01:50:40):
Freddy's great fucking ability? If I were to tell you
that his ability was something, uh kind of gangster, kind
of from a certain city in California that's halfway between
southern California and another northern California, you know, two hours

(01:51:00):
maybe three hours away from the Bay Area, would would
you think that that's what his ability was?

Speaker 11 (01:51:05):
Like?

Speaker 1 (01:51:06):
You know, if I really wanted to be stereotypical and
you know, possibly kind of terrible, you know, it would
be like, oh, the ability to fry chicken or the
ability to eat a ton of watermelon, because you know,
he's black, and that's what people would have thought about
in the nineties.

Speaker 4 (01:51:21):
No, No, it's not that.

Speaker 1 (01:51:23):
It's nothing like that, right, nothing that bad stereotypical that's there.
But this is still pretty bad. Like it's supernatural ability
and supernatural ability. And then Freddy's ability is to be
from Fresno, California. That's right. His ability is to shank
fools with a switchblade knife. He just gets to carry

(01:51:46):
around a knife in his fucking mouth. Like that's not
a special ability, that's just something that he can do. Oh,
maybe he's fast enough so nobody notices and he gets
in there really fast. And again that's kind of a
stereotype too, like what what did freddie fucking play track?
You know, he had asthma, you know, so maybe he
has a shrunken head he lost that was his special

(01:52:07):
ability to lose that, And it's just like, you know what,
I always wanted to shank fools, and that's what I'm
gonna do. But he doesn't even really shank fools. He
goes over there and he just slices him on the neck.
That's what I'm saying. Like if he was like, you know,
Mexican instead of black, you know, or Cuban instead of black,
or Dominican instead of black, or Puerto Rican instead of black,
maybe it would be may Maybe he is, you know,

(01:52:27):
he just happens to be you know, a dark skin
fucking Puerto Rican, Like that's what he is. I don't
fucking know, but like he gets this short end of
the fucking straw. The shittiest fucking ability out of all
of them is to slice people in the neck with
a goddamn knife. And that's what he's being trained on.
I why, I don't really fucking know. So that's right.

(01:52:50):
We go through the montage of them doing everything we
see that, you know, and Tommy of course has the
best fucking ability, and he's shooting lightning bolts and stuff
from his fucking head. So we go to one year later,
and when we go to one year later, we see that,
you know, the vipers, they've now they're running the streets
over there, and we've got Booger and his fat friend
going out there and shaking people down for money, specifically

(01:53:13):
Tommy Larson's dad, where he pulls out money from the
register and gives it to them, and then they take
some beer from his fridge and they walk the hell
out of there as they laugh at them. Right. We
then go and we see that, you know, mister Sumatra,
he's going out there and he's sending the boys on
their very first mission out into the world after they've

(01:53:34):
been training for the last year. And we also see
you know, Tommy talking with before that, talking with Booger
and getting the collections and him saying, hey, this is
all the money. He's like, oh, we're gonna correct collect
the rest tomorrow, and like, well, have you got mister
Sumatra yet? And I guess mister Sumatra is the only
person that Booger just does not want to deal with.
He's like, I don't want to deal with that guy.

(01:53:55):
He fucking creeps me out. And he's like he won't
agree to doing any of this. But Vinn, he's like, no,
you need to get this for Big Mo. He's the
only guy in this neighborhood that's not connected and not
paying us, and he need to go out there and
need to do it. And he says, otherwise, I need
to do something with you, because now he's got a
big fucking head now that he's like, you know, the
right hand man for this area. And Booger reluctantly agrees.

(01:54:17):
So then, like I said, we go to mister Sumatra
as he releases the boys and sends them out on
their very first mission, to which they go out into
the streets of the city and fly over. And this
is where we see like shrunken head cam as they're
flying in. They're obviously flying over models and it looks
fine for the way it is, and honestly for them

(01:54:39):
to build the models just so they can do this
a camera effect kind of cool. Not gonna lie right
for ninety four for what it is. Again, for the
budget that they've got here, I think it's kind of
cool in the way that it looks. Does it look realistic, No,
it's obviously models that they're flying through, But the fact
that they even built this is honestly kind of cool,
and I give them props for it. So they're looking

(01:55:00):
for evildoers over the city so that way they can
you know, use and basically prove themselves that they've trained
well enough. And we go upon two thugs that are
trying to assault a woman. So they they're grabbing her
over in the alleyways. They're dragging her over into the corner.
They're stripping her a little bit. You don't see anything.
It's not like her boob pops out. It's basically like

(01:55:21):
a bra that she's got going on there. Like I said,
this is a movie. You can show kids. It's not
like super violent or and it's not even gory at all.
It's got a couple of like I wouldn't say disgusting
things in it, but everything's like campy in the way
that it is. So the boys detect that evil is
being done, and they rush to the woman's aid, flying

(01:55:41):
in the sky, and like they show all their like
powers for a second, where like, you know, Billy's floating
up first and he bears his fang. Yeah it's right,
I'm not gonna suck, I'm blood yeah. And then here
comes in Tommy, floating in and the little electrical currents
are around him, you know, Yeah, I'm gonna zap some wolves.
And then here comes Freddy, and Freddy swoops in and

(01:56:04):
then all of a sudden he's just normal. And then
he turns around and he's got the fucking switchblade knife
in his mouth. Shasher, poor, We're all right good? What
were you saying, Freddy? I can't understand you need to

(01:56:25):
take that thing out of your mouth if I don't
have my knife?

Speaker 16 (01:56:29):
Ah, nothing, Okay, you were which are not ryeing hang powers?
And him we're just broad shocking me what I want?
Shut fucking hands the hold around to the bucket. You
don't what happened to do it? Oh my god, there's
my knife to go over there and shabby guy and.

Speaker 1 (01:56:52):
Yeah, that's fucking Freddy in a nutshell. So we go
through as we get trunk and head vision again as
they're floating down and eventually they catch up to the
criminals that are assaulting the woman and she's like smacking
him in the head with her stuff. She notices them
flying towards her, and you know, as they fly, Freddy
slices the one dude's throat open to what she goes

(01:57:14):
and grabs her purse, and good old you know, Billy
comes down and begins sucking on his neck and draining
the blood from his body. And then the other friend,
you know, the other criminal that's there, like sees the
heads and like shrieks, and well, he doesn't suck the
blood out of the guy that's on the ground, he
sucks the blood out of the other friend that's there,

(01:57:35):
and then you know, Tommy zaps him in the forehead
with his lightning, incapacitating both of the two dudes that
are there. So the first night is deemed to be
a success. In general that he's you know, they've managed
to take down these two criminals and ultimately also turned
them into zombies as well. Tommy has some philosophical thoughts

(01:57:59):
as they're flying through and he's like, I need to
take a stop and I need to check on something.
I'll rejoin you guys a little later. Don't worry about me.
Just start heading back home while I take care of something.
Because this is the show that Tommy is still remaining, like,
has a bit of his humanity still remaining in him,
and he's not completely just a minded zombie, shrunken head

(01:58:25):
drone like he you know, I guess like the other
two are, because the other two are just talking about
we have smite to the evildoers and like they're talking
more like followers and under the command, where Tommy is
kind of even though he's kind of talking in that way,
he doesn't really have that feeling. So what does he do.

(01:58:45):
He goes to check up on Sally, who's sleeping in
her bed with a big old picture of Tommy right
next to the bed. So he floats up over to her,
looks over her, and then sees that around her nick
is a heart shaped necklace that says Vinnie and Sally,
and he kind of gets pissed and like builds up lightning,

(01:59:06):
you know, and then like looks at her and then
flies away, and she wakes up for a second, looks
at the picture of Tommy, and he rejoins the group.
So he rejoins goes back to some Sumatra's place, where
he talks to them about the good job that they've
done for the night and how their powers have grown
and they're ready to begin their quest for vengeance on

(01:59:27):
the people that actually killed them. We then cut over
to the alleyway and we see that the two bodies
that the boys killed have now risen up as zombies
and they look and it's funny because one of them,
the nickname Agase, is given the other guy Stinky, and
so they look around the alley he's already to clean
up Stinky, and then they start picking up trash from
the alleyway and throwing it in the bin, like they've

(01:59:50):
become zombies, but they're doing good deeds that they wouldn't
have done before. So it's it's weird kind of interesting
that that's what they're doing, Like they're basically turning them
into good deed zombies from being like bad dudes, right,
They weren't bad enough dudes to go out there and

(02:00:11):
save the president that's been kidnapped by ninjas. They're not
that type of bad dudes. They're just like regular bad dudes.
But now all of a sudden doing good things. So
from there we fade over into the next day as
we hear radio broadcast as there's a bunch of this
shit that's happening all over the city, and we also
check in with Vinnie and what's going on with Big Mo.

Speaker 17 (02:00:35):
A new and frightening disease seems to be attacking local
criminals throughout the city. The mystery illness is characterized by
a peculiar shuffling gait, a total loss of bowel control,
and a compulsion to pick up litter and clean graffiti.
Victims exhibit an alarming drop in blood pressure, the trust
to look a pulse or respiration, what doctors call a
pseudo walking death control urge the public not CHANCT unless they.

Speaker 4 (02:00:58):
Have criminal records.

Speaker 7 (02:00:59):
Yeah, I just got out of class.

Speaker 11 (02:01:00):
Now they give you a ton of homework.

Speaker 4 (02:01:02):
Also, well, there's a movie later. I thought maybe you'd
like to go to it.

Speaker 5 (02:01:06):
Yeah, I guess so okay, I'll pick you up around seven,
all right, bye bye.

Speaker 8 (02:01:14):
So you're still pulling that girl's chang.

Speaker 11 (02:01:17):
Hey, guys, gotta do what a guy's gotta do.

Speaker 15 (02:01:19):
Yeah, well, you ought to be ashamed of yourself.

Speaker 14 (02:01:23):
Telling her he's still in school.

Speaker 7 (02:01:26):
Movie you're gonna see her, Don't you fucking worry about
what movie?

Speaker 4 (02:01:31):
Booger?

Speaker 7 (02:01:32):
All right, what you ought to be worried about is
what I'm gonna do to you if I hear you
ain't taking care of that Sumatra thing yet.

Speaker 11 (02:01:38):
Look, I'm telling you, man, that guy's in the real
bad scene.

Speaker 1 (02:01:40):
A right.

Speaker 7 (02:01:42):
I can't believe that you're actually afraid of a broken
down ord loser like that.

Speaker 1 (02:01:46):
What the hell's wrong with you? You tell him?

Speaker 8 (02:01:49):
Vinnie?

Speaker 11 (02:01:51):
Maybe you think it's a little thing, right, Maybe think
it's a little thing.

Speaker 4 (02:01:54):
Huh.

Speaker 3 (02:01:55):
I don't think it's a little thing.

Speaker 11 (02:01:56):
Okay, booger, you know why, because it's principal. I don't
think it's no little thing.

Speaker 4 (02:02:03):
Then, all right, Look, if I had to ask you again,
all right, I.

Speaker 7 (02:02:10):
Just might lock you up in a closet with that
oh fucking freak.

Speaker 13 (02:02:12):
Now, would you like that?

Speaker 4 (02:02:13):
Huh?

Speaker 1 (02:02:13):
All right, I'll take care of it slight.

Speaker 4 (02:02:16):
No go.

Speaker 1 (02:02:17):
So yeah, he's still pulling fucking it, even though we
saw the little necklace around Sally's neck again and they're
back together, but now that it's a year later, like
they're still together, right, and he's basically still leading her on,
telling her that he's going to school, but don't worry,
I'm gonna pick you up. We're gonna go see a movie.
What are we gonna go see? What was available at
this time?

Speaker 4 (02:02:37):
I don't know.

Speaker 1 (02:02:38):
Maybe we can go what do you want to see?
You want to see Interview with a Vampire?

Speaker 15 (02:02:42):
Oh?

Speaker 1 (02:02:42):
I don't know if I can deal with that type
of movie. Oh oh, maybe we go out there and
we go see you know, what was that one movie
that we saw, Clear and Present? Ding't you we go
see that movie? Maybe we go see Speed. You know,
I know how much you lack Keanu Reeves, but I
don't know. Maybe it makes you a little too moist
for somebody else that isn't me. I know, I know,
I know it's gonna be at the cheap boat theater. Okay,

(02:03:04):
it's what I can afford it this time. You know,
I'm going to school, Okay, I got these things. But
it's it's surprisingly still out there. You got your choice. Actually,
there's two movies we can go see. Okay, we can
either go see Cabin Boy, all right, I know how much?
How do you like that those funny pictures that are
out there? Or another funny picture. We can go see
House Party three.

Speaker 4 (02:03:24):
All right.

Speaker 1 (02:03:24):
They're doing it again. I can't believe it. They did
it once, they got away with it, they did it again,
and they got away with it, and now they're doing
it a third time. I mean, come on, we can
go see Kid and Play. Don't you like Kid and Play?
You like them music, don't you? Yeah, We're gonna go
see House Party three, all right. I'll pick you up
at five because I know that's when you get out
of school, all right, and we'll go straight to the

(02:03:46):
theater because that might still be matinee during this time, right,
it's during the week, and it's gonna save me a
little bit of money, and then afterwards, I'll take you
out for a nice uh what we got around here?
Hot dog? That's from the corner vendor over there, that's right.
Something cost me about like seventy five cents at this time,
so you know, yeah, I know you're you're cheap, did
but you're gonna be with me and we're gonna be happy.

(02:04:06):
That's the way we're gonna do these things. I know,
I know, I'm still in school and I'm not making
a whole lot of money, and you see, I still have,
like you know, I actually have a nice car. Now
don't ask me where I got it and how I
got the money for it. But uh, you know, we
we'll I'll pick you up, we'll go out. Maybe maybe
I'll bring the old station wagon out for you know
a little while. Even though I called being like a
cow wagon early in the movie, you would have the

(02:04:28):
fuck I called it. But yeah, I'll bring it out
for old time sake and we can like, uh make
out in the back of something after the movie. I
know how much you love kidd and play, So yeah,
let's go. We're gonna see a house potty three. I
think I've decided what we're going to see and you're
gonna like it, you don't. I mean the love of
my life that that's what we're gonna do. So you know,
and then you know, Booger doesn't want to deal with

(02:04:50):
fucking you know, mister Sumatra because he scares a living
shit out of him. And I think that if you
know the way that they handled him in the next scene,
I wouldn't want to deal his fucking ass either, especially
way that he he holds himself. He used to be
an ex copies from Haiti. Looks like you probably beat
anybody's fucking ass by just looking at him. But that's
the way that things are gonna roll. And so because
he doesn't want to be in trouble with Big Mo

(02:05:12):
and with Vinnie over here, he's gonna go and he's
gonna deal with mister Sumatra and try to get him
to pay up for protection in the area right, make
sure that they get their piece of the pot. And
then Big Mo gets up off the couch and grabs
Vinnie by the ass for some reason, because I guess
that's the way that she shows power. You know, she

(02:05:32):
does it first to make sure that they have the
balls to do the job that they're going to do,
and he's got nice, big balls, and she likes those balls.
And then she wants to make sure that he's a
tight ass enough to make sure that she gets her
money right, because the tighter the ass, the more money
that he's not gonna spend of hers and he's gonna
give her the full amount, you know, and maybe she
just likes, you know, harassing young boys. I don't really know,

(02:05:54):
Eve though he's good. She got a nice hot piece
of ass back there anyway that you know, she can
have it in time, but she can't have the young
boys like she used to. So we follow Booger and
fat Dude I don't even remember what his fucking name
is as they go over to mister Sumatra and try
to get him to pay. And that's when mister Sumatra,
you know, stands up to them and then his eyes

(02:06:16):
like glow super red, which freaks Booger the fuck out.

Speaker 4 (02:06:21):
Wyan Mine want to know.

Speaker 1 (02:06:22):
Missus mistress and Madra.

Speaker 4 (02:06:27):
And what do you mount that doors won't relax?

Speaker 11 (02:06:31):
Missus Simatra?

Speaker 8 (02:06:32):
This is ain't can it take long?

Speaker 12 (02:06:33):
A right?

Speaker 17 (02:06:34):
They gotta admit, mister Simatra, it's been off a peaceful
around here lately.

Speaker 7 (02:06:38):
No burglaries, no robberies, nothing being run on the shopkeepers.

Speaker 4 (02:06:42):
You mean, the shopkeepers who pay for protection. Well, yeah,
we do a pretty good job, and now you come
to me for payment.

Speaker 11 (02:06:51):
Look, mister Samatra, you've been benefiting. Why shouldn't you pay
like everyone else?

Speaker 4 (02:06:54):
Right?

Speaker 9 (02:06:56):
Of course, I am the one who cut out your
tongue with bot tuctors and roast them, and I should
take your brain and chill them. The purpose is garnishment.

Speaker 1 (02:07:12):
Those are some pretty good reasons at Booger.

Speaker 4 (02:07:15):
Yeah, ah, oh.

Speaker 16 (02:07:22):
Man, do you see that?

Speaker 4 (02:07:25):
Man?

Speaker 1 (02:07:25):
I don't care no more, my man here, I don't
care no more. Fuck Mini man, fuck him.

Speaker 8 (02:07:33):
I told him mister Smatch was a more bad scene
and let him take care of himself.

Speaker 1 (02:07:36):
I don't care no more. I don't fucking care.

Speaker 4 (02:07:39):
Hey, wait a book. Two of your enemies are moments
ago were master. Here go the mal factors. Now.

Speaker 1 (02:07:56):
I just love the way he says mau factors, Like
maybe he should have been Emperor Palpatine, right, No, those malefactors. No, no,
maybe maybe not. I would have been fine with him
just being his own character. Maybe he could have been
Mace Windhu, you know, instead of Samuel Jackson, because you know,
as upset as I am that he wasn't used to

(02:08:19):
his fullest in those movies. He never had the chance
to go out there and say, hey, where's my lightsaber?
Which one the one that says badass? Motherfucker on it,
Like I really would have loved to have said that
in Star Wars, but you know, George Lucas kid friendly film,
nothing like that's gonna really happen, even though probably should
have at some point. So he sends the kids after

(02:08:41):
Booger and fat Dude over here. As we go back
to Booger's apartment and Booger for some reason is just
walking around and just a towel in the place, and
we get the one scene of like side ass in
the movie from behind the fucking shower curtain, which happens
to be Booger. So if you and it's not even
like you don't get it's behind a curtain, right, and

(02:09:02):
it's like a crappy one of those like shower liner
type curtains that he's got going on there, so you
really can't see anything if you were trying to see
man ass. But it's still like even folded in a
way so that you're only seeing like part of the rump,
even though when you know Freddy goes in there and
slashes him the neck and then Tommy like you know,

(02:09:22):
shocks him. You can see Pubes, but you don't see
anything else that's there. You don't see his ass, You
just see him in the shower. So if you wanted
some nudity, there you go. You get pubes in this movie.
And you know, poor booger, he dies in the shower,
as you know. We then cut over to Vinnie and Sally,
who are busy in the car making out, and that's

(02:09:44):
when Vinnie is trying to get her, you know, to
give it up to what she says she's not ready for.
And that's when we find out the age of fucking
Sally in this movie.

Speaker 11 (02:09:56):
I just don't want to, Vinnie.

Speaker 4 (02:09:59):
I just don't want to, Vinnie.

Speaker 12 (02:10:01):
You think that's funny.

Speaker 4 (02:10:03):
Oh, come on, Sally, you know how I feel about you.

Speaker 11 (02:10:05):
Right, that's not the point. I'm just not ready.

Speaker 4 (02:10:09):
Well what do you mean you're not ready?

Speaker 8 (02:10:10):
I mean you're almost sixteen, right, Look.

Speaker 12 (02:10:12):
Vinny, if you can't wait, then maybe you better find
yourself another girlfriend.

Speaker 4 (02:10:18):
All right, walk home? I will.

Speaker 1 (02:10:25):
I hope you get run of of you a dumb
ass little bitch. Wait a second, Wait a second. So
this is a year later after they've been dating, and
he says, at this point, you're almost sixteen, So that
means that right now, she's fifteen years old. Means when
they were first dating, she was fourteen years old and

(02:10:49):
he has got to be at least eighteen nineteen. That's
fucking ridiculous. Like I like looked at her and even
I said to begin the podcast, I was like, oh, well,
she's probably like seventeen, you know, something like that. Oh
year later. Now if maybe she was like sixteen at
the time, and like even if he was eighteen, you know,

(02:11:12):
maybe you could have said, well he was seventeen, he
wasn't in school, but he was talking about, Oh, I'm
gonna go to school and i'm gonna go to business
and i'm gonna do all these things and hey, look
at me over you. I'm gonna be a better man
for you and everything like that and we can get
back together. But he was saying it to basically a
fourteen year old girl, like come on, dude, Like, okay,
I can get it. If he was maybe you know,

(02:11:34):
it was high school, and even then i'd still be
like a senior dating a freshman, Like it's not uncommon,
it's not terrible because you're both there, but once you're like,
you know, an adult, like eighteen nineteen, I really don't

(02:11:54):
feel like you should be dating a fourteen year old,
and it would make sense that she would be the
same eight as freakin' Tommy, And that lends a little
more to what like he was saying to her, like, hey,
figure it out, Like he comes from a bad home.
He's a bad dude. And honestly, like maybe he was saying, like,

(02:12:16):
look at this dude, he's your boyfriend, and look at
how fucking old he is. He's your boyfriend. Maybe that
should be a fucking clue of the type of guy
that he actually is if he's that fucking old, Because
like I said, I get it, I get it when
you have you like you know people that maybe she

(02:12:36):
at the time of the filming in this movie, maybe
she was like nineteen and she looks like she's like
a lot younger. Right. They do that all the time
because they're gonna put him in situations. Even this movie,
they're putting it in a couple of situations that'd be like, oh,
you only want somebody that's like an adult, even though
they're gonna play a younger person. It's just to get
away with that type of thing for what we're going

(02:12:58):
to do in this film, Like, I really don't know
what age she was at the time of filming this movie.
I really don't want to look that up. It's not
something that I would really go back and actually look for,
especially when we had like this thing like, oh, hey,
you know, if she's supposed to be fourteen, does that
mean that she's really like a child actor? Like she's
a young teenage actor and she could have been a

(02:13:19):
little bit older than fourteen. Maybe she was seventeen for
this movie. And for you know, two of the scenes
she did. Again, if there's no nudity in this but
there's two scenes, I'm like, why are we doing this
or do we have some type of like stunt double
in those scenes to show those scenes that are there
in this movie? You know, those things going on and

(02:13:41):
when we're gonna get to it, because they're gonna be
coming up relatively soon, right in terms of where we're
going with in the movie. But it's still like weird
because this guy definitely looks like he's almost in his
thirties playing somebody that is younger, with her being a
lot younger. And now it's like, I get it's acting,
it's actors in this type of bullshit that's going on,

(02:14:03):
But I was just I was kind of blown away
by this little thing in the movie, and it was
just like weird to me. And it made sense with
her and Tommy because Tommy Devin looks like he's a
young teenager, Like I said, I think he's like fifteen
or something. In this now it makes sense that, like,
you know, the two of them would get together and
they'd kiss and all these other things, and she'd be
a little shy and he'd be a little like dorky

(02:14:25):
about it, not really understand what's going on, you know,
But she still decides to see him, And where the
hell are her parents in this whole situation with her
having a boyfriend that's that much older than she is,
right unless, of course, you know, he's meant to be
like sixteen and at the time and now he's seventeen,
but he's working for Big Mo. But he's talking about

(02:14:47):
I don't fucking know, I don't want to get into it,
and the weird implications that this would have for this
type of movie, for the whole thing. So he kicks
her out of the car, tells the bitch to walk
home on her own. She takes off the necklace from
her neck, throws it at him and walks away, ending
her relationship with Vinnie for fucking good least, that's what

(02:15:07):
we're hoping is going to happen in this situation, right,
And then we go back to the apartment of Booger
as we see that, you know, fat man has fallen
asleep on the goddamn couch with a TV on the
you know, fuzz because I'm guessing still, I'm trying to
remember in ninety four if that still was a thing
that was happening. I think that it was not on
cable channels, but on like regular TV where they go

(02:15:29):
off the air and then it's just like TV static
that you have in the background, which is something that
just doesn't exist anymore. TV just continues, whether it's infomercials
or old you know, commercials for random fucking CD collections
that you could get. Oh it's the America Rocks of
the nineties. Oh it's you know, is that Freedom Rock?

(02:15:52):
You know those types of commercials that would show up
in the middle or Girls Gone Wild like that was
the big thing. I remember Comedy Central. You'd fall asleep
watching old reruns of south Park that they would have on,
and you'd wake up in the middle of the night,
and it'd be nothing but like random commercials for Girls
Gone Wild and whatever the fucking other porn videotapes that

(02:16:13):
you could pick up because it's two in the morning,
and they happen to be the loudest fucking commercial that
would wake you up in the middle night. You'd have
the commercial for like metamucal oh, and make sure that
you take this in the middle of the day so
that way that you can poop. Okay, okay, Grandma, you
really need that fiber and you're not processing it as
much as you could, and then all of a sudden,
the girl Girl's Gone Wild. It'd be the loudest fucking

(02:16:33):
commercial that you'd ever hear in your life. We got
the hottest chicks from around the fucking world.

Speaker 13 (02:16:40):
You want Asians, you want Blacks, you want Mexicans, you
want a good old what southern girl?

Speaker 1 (02:16:46):
We got it for you.

Speaker 13 (02:16:47):
Boobs will be all over the place. Hey, mom, are
you listening to this? Your son is watching smut in
the middle of the night. Wake the fuck up because
it's girls on Wild.

Speaker 1 (02:17:01):
Like those are the commercials that you would get in
the middle of the night that would wake you up
that everybody and their mother could fucking hear. But when
they would do the fucking oh yeah, we're gonna gonna
be showing you this uh way to do these knitting
stitches that we've got here, and you can get these
highlights books for everybody. Quiet at fucking commercial in the world,

(02:17:23):
South Park would come on, ain't Kenny, what's going on?
Quiet as fucking show you to ever, so you turn
it up just a little bit so that you could
listen to it to fall asleep, because at that time
we didn't have like the sleep timer on the TV.
And then those commercials would come on and they just
fucking blare to everybody and ruin your fucking ears like
I did on this podcast. But nonetheless, so we go

(02:17:44):
back over and fat Boy goes and looks for Booger.
He's like, man, it's been like five hours and you
still haven't come in the shower. He goes over the shower,
sees the water still running, turns it off. He's like, ah,
it's fucking nice cold, what's going on? Opens up the
other part of the shower, even though you can see
the legs of fucking Booger hanging out in the shower
and what happens, Well, Bugger's fucking dead, and so he

(02:18:05):
freaks the fuck out, backs up, and then all of
a sudden, the shrunken heads attack him and kill you know,
good old fat dude. That's there. We cut over to Vinnie,
and Vinnie's driving up to mister Sumatra's place because he
hasn't seen the boys and he wants to know where
the fuck they are, so much for get out here.
I want to talk to you.

Speaker 4 (02:18:26):
What do you want, doomed one?

Speaker 1 (02:18:28):
Who you call him doomed?

Speaker 7 (02:18:30):
I'll break your goddamn head now listen. I'm looking for
Booger and Putt, and I know that you've seen him
because they were on their way over here to see you.

Speaker 9 (02:18:38):
Your friends are suffering the torments of hell, for they're
terrible sins.

Speaker 4 (02:18:45):
Soon it will be your dune sins.

Speaker 5 (02:18:48):
What do you know about my sins?

Speaker 4 (02:18:51):
Your friends are in the alley over there, all right,
See you.

Speaker 5 (02:19:01):
Later, afro pops.

Speaker 7 (02:19:12):
What do you two idiots think you're doing?

Speaker 1 (02:19:15):
You think this is funny? The garden.

Speaker 11 (02:19:32):
Knit nachelluntity.

Speaker 1 (02:19:38):
So you may have heard some things in the background there,
some random little noises that we've got going on. Well,
of course, that happens to be them farting, because as
you heard in the radio broadcast earlier as well, that
they did some like you know, they're not just zombies
that are cleaning everything doing good deeds, like these guys
are weeding the garden for mister Sumatra, but they also

(02:19:59):
are extreme flatulent, so they're farting up a storm as
they are zombies. And you know, they approach Vinnie there
as Vinnie approaches them, and they try to get him
to help weave the garden, and that's when Booger turns
around to him, and what you hear is him opening
his mouth and there's just a bunch of fucking worms
hanging out of his mouth as like trying to scare him,

(02:20:20):
and Vinnie just runs the fuck away, escaping the whole
thing and getting away from his boys that now have
been turned into some of the good deed zombies that
are there. We see Sally come back home from you know,
her long walk, after being well after being dumped and
dumping Vinnie at the same time, I would say that

(02:20:40):
the feeling was mutual. And she's lying on her bed
and she's looking up and she looks at the image
of Tommy and she's crying and just kind of wishing
that he was there, and she falls asleep. We then
cut over to the morning where she's now walking into
the cemetery where Tommy is buried, and she's bringing flowers
over to his and she begins to explain to the

(02:21:02):
grave site that she should have been there and she
had something to confess to him, and she does confess
that to his grave to when Tommy the shrunken head
shows up. And we're gonna talk about something that happens
at the end of this clip, because you know, they
say in life that teenage boys are horny as fuck,

(02:21:24):
and I was a teenage boy, and yeah, it was
hard to, you know, conceal the boner, especially when it
would just randomly happen in the middle of class, because
you know, the girl next to you that you kind
of had the hots for, even though you're not like
totally into her, but she was wearing a tank top
and she hadn't started wearing a bra yet, so you
got to see a little side boom and then all
of a sudden, your little pecker decides to whoop, you know,

(02:21:47):
in the middle of there. You're like, holy shit, I
really need to learn how to fucking control this, whereas
nowadays from you know, some men around my age, you
know they need help in doing that, and we all
wish we could go back to the time where hey,
you know he was ready when he was ready, versus
now you know he maybe needs a little bit of fluffing.
You know, you get yourself a professional fluffer to help

(02:22:07):
you be fine, you know, not speaking from experience or
anything like that. No, no, no, no, never, never never.
But yeah, So anyway, let's let's find out what happens
between Tommy and Sally here.

Speaker 12 (02:22:20):
I know I haven't visited you lately, but I never
forget about you. I wish I had the courage to
tell you how I really felt.

Speaker 11 (02:22:34):
I guess I was afraid you would laugh.

Speaker 12 (02:22:39):
So I'm gonna tell you now. I love you, Tommy,
even mummy little I think I loved you. I wish
you were here so badly.

Speaker 8 (02:22:53):
I am here, Sally, Well, don't be afraid.

Speaker 1 (02:22:56):
Sally, it's me.

Speaker 8 (02:23:02):
It's Tommy.

Speaker 11 (02:23:05):
Oh my god.

Speaker 1 (02:23:06):
No, mister Somat brought me back from the dead.

Speaker 4 (02:23:09):
It was Benny who murdered me. So I can't believe.

Speaker 10 (02:23:11):
If I won't, I will show you Sally, I will
implant my memories inside your skull and you will know
the truth. Beare witness, Sally bare witnesses. My life was
so cruelly torn for me in the prime of my youth.
Mister Somatra came to where I lie awaiting burial, severing
my head from my corpse.

Speaker 11 (02:23:34):
He prepared my head so that it could.

Speaker 10 (02:23:35):
Receive my restless, wandering spirit once more. And when he
raised me from the dead, he taught me to use
my special powers so that I could revenge upon Vinnie
and his friends for so cruelly murdering me. That's such
a young and tender age.

Speaker 8 (02:23:58):
Now you know what happened that night, Sally, our lovers
cut short.

Speaker 10 (02:24:03):
Oh my god, Tommy, let me be close to you now, Sally,
let us share a last embrace.

Speaker 11 (02:24:11):
How can we do that?

Speaker 8 (02:24:14):
I will show you, Sally.

Speaker 4 (02:24:18):
Tony, what are you doing?

Speaker 1 (02:24:21):
I can't see.

Speaker 4 (02:24:24):
Tommy.

Speaker 11 (02:24:24):
Wait, Tommy come back.

Speaker 1 (02:24:28):
So he goes and you know, visit her as she's
visiting his grave back there, and then he uses his
other power to transfer his memories into her, knocking her
onto the grass, but you know, laying her down softly.
He doesn't just like zapp her and she like oh
and then falls down. No, he kind of like hits her,

(02:24:48):
and then she slowly falls backwards onto the grass, possibly
ruining somebody else's grave. But fuck them, that's not Tommy's grave, right,
because she runs away from him when she first sees him,
and I'd fucking run too. As he's trying to explain, Hey,
I'm back from the dead and Vinnie killed me. No, no,
I won't hear it. He came from a bad home.
I can't believe he did that shit. He's like, Nope,
that's not what happened. He fucking killed me. Here, I'm

(02:25:09):
gonna show you. And then like after she's professed her
love for him, after the dude's fucking dead, like, I
think I loved you all this time, even when we
were little kids. I think I loved you, like you know, Okay,
maybe you would have sounded silly, but at least he
would have fucking known. You went up to him and
you kissed him. That means that you liked him and

(02:25:30):
you wanted to be with him, and you're making out
with him, Like, just say, then, you know, I think
I've always been in love with you. Tommy, Just fucking
say it. Just get it fucking over with. You don't
have any other days. Maybe tomorrow, you know you're gonna die.
He's gonna die. Profess your love, be done with it,
and you don't have to fucking worry about it. That's
why kids are fucking stupid. But nonetheless, what what what

(02:25:51):
are you gonna lose? What are you gonna lose? Honestly,
you're not gonna lose anything, all right. Maybe it's gonna
be like, oh, he's not gonna reciprocate. Oh well you
got rejected. At least you have your thing. But he
did make out with you, so I'm pretty sure he's
receptive to the idea. Okay. But nonetheless, so she sees
it and then she's like, oh my god, Like what

(02:26:11):
do we do? He's like, I just want to be
close to you, Sally, And it's like, oh, well, how
are we gonna do that? Well, I may not have
a dick, but I still got hormones, so I need
to get me some. And he like floats over to
it and then goes up her shirt and like I
can only assume sucks on a tit Like that's the
only thing that I feel like he can do is like, here,

(02:26:34):
let me embrace you in the only way I know how.
Tommy needs Milki's. Tommy really needs those milkies. You know,
I don't fucking know what does a shrunken head do
to be like close to somebody other than like, you know,
goes up her goddamn shirt and she's like, no, I

(02:26:56):
can't stand it. And then she like opens up her
shirt and you get a shot of like, you know,
her covered boobs. And that's where I'm like, I hope
that that was a stunt boob right there, especially if
she was like around the age that she should be,
because I don't want to be looking at nobody's boobs
like in ninety four whatever, I'll look at those boobs
all the fucking time. Here in you know, twenty twenty five,

(02:27:20):
I Am not gonna be looking at those boobs, like
whether they're inside of a bra or not, Like no, no,
that's okay, Yeah they're boobs, but it's fine. I'll turn
away for this moment. And so like just flashes the
camera as he flies out. Then he flies away. So
Tommy got his and then he fucking bolted, you know,

(02:27:41):
probably like her dad did when he said he was
going out for milk and cigarettes. I really don't know,
because I haven't seen any of her parents in this
fucking movie, so I don't know if either of them
are fucking around, and she lives with Grandmama somewhere out there.
Maybe they went on an expedition somewhere. They said they
were gonna go to some random island to go and
you know, find some quote unquot dinosaurs and don't worry,

(02:28:01):
we'll be back, you know, And then they never fucking
showed back up. So it's just it's crazy that that's
exactly like what they did for this, that he went
up her fucking shirt and then flew out of her
shirt and went a wait, this is the way i'm
gonna show you that I love you and that will embrace.
I'm gonna go rub against your titties. I'm gonna motor

(02:28:23):
boat that shit because I need to get me some
You don't know what it's like, how horny I was
that day, How you know, my little Tommy went fucking
crazy and I couldn't do anything about it. I had
the worst fucking blue balls of my life, and I
was left dying with those blue balls because I thought
that this justice boner would go away, and how happy
you would be that I turned in Big Mo and

(02:28:44):
that you would, you know, really profess yourself to me,
and then I could get rid of this. But instead
I died with a justice blue ball boner over there.
And that's what I've been caring for these past well,
I guess this past year. And you don't know what
it's like to have a spirit that has the memory
of my justice boner, and I need to release it somehow,

(02:29:05):
even though I can't get rid of it. So he
has like a phantom justice boner is what he's fucking got.
So he gets his, he flies off, and then she
goes over to mister Sumatra's place after he's explained everything
and confronts mister Sumatra, who tries to brush it off
in the beginning. And she's like, let me see Tommy,
and he's like, Tommy's not here. She's like, fuck you,

(02:29:26):
I know exactly what's going on. I saw the goddamn
shrunk and heads barges her way and sees the cauldron
that's boiling there, and then confronts him and tries to
get the information out of him.

Speaker 11 (02:29:36):
He said Vinnie Bennadetti killed him.

Speaker 4 (02:29:39):
That is true.

Speaker 8 (02:29:41):
I dated Vinnie for nearly a year.

Speaker 12 (02:29:43):
If you knew he was a killer, why didn't you
warn me?

Speaker 9 (02:29:47):
Good and Hostsome girls in their teens experience loving feelings
in their hearts.

Speaker 4 (02:29:53):
For evil doers, Olly, but mights me. Boys will revenge.

Speaker 11 (02:30:00):
Wait a second, how many are there?

Speaker 4 (02:30:03):
You seen Tommy? Behold the other three together?

Speaker 12 (02:30:10):
Jesus God in heaven, mister smatch, how would you be
so cruel?

Speaker 4 (02:30:13):
Cruel it is?

Speaker 12 (02:30:14):
It's the cruelest thing there.

Speaker 9 (02:30:15):
Ever was, no Sally, for these boys are no longer
human in any sensitive way. These beings that you confront
now shed no tears, have no sympathy, nor do they suffer, Sally.
What animates them now is to desire for revenge.

Speaker 12 (02:30:35):
I refuse to believe that Tommy was too good of
a person. He cared about people, He believed in doing
the right thing until.

Speaker 11 (02:30:43):
It got him killed.

Speaker 4 (02:30:44):
He is a fine boy, that is true.

Speaker 12 (02:30:47):
But his body may be dead. But Tommy's spirit that's
a different thing altogether. Nothing can touch that.

Speaker 4 (02:30:54):
Perhaps you're right, my child. Love can do many strange
and wonderful things.

Speaker 8 (02:31:00):
Forgive me, Sally, I know I discussed you now, no,
it was just a.

Speaker 11 (02:31:06):
Shock of seeing you like that.

Speaker 12 (02:31:08):
But you're still Tommy, and if you discussed me, I
wouldn't be able to do this.

Speaker 9 (02:31:23):
Never ever seen her, but human head made so small
to show affection of dissord.

Speaker 11 (02:31:34):
I told you, Tommy, spirit winches.

Speaker 8 (02:31:35):
Roll over and die.

Speaker 1 (02:31:37):
Okay, wait wait wait wait wait wait wait wait we're
gonna get into that last bit that's there. Wait wait
wait wait wait wait why why why are we doing this? Why?
Why why are we even doing this? Why? Why why? Okay,
So she confronts him and then she tries to tell
mister Sumatra missus. Jamatra's like, no, they're just beings of
vengeance now, so you can't really do anything about it,
you know. That's what drives him, that's what motivates them.

(02:32:00):
They don't have emotions, they don't have feelings, they don't
know anything of love. Okay, don't be a stupid idiot.
And I love how he tells her too. You know,
young teenage girls, Uh, they're fucking stupid and they like
the people. They like the bad boys. They don't realize
that the good boys. You know, this fucking trope that
everybody tells everybody that oh, just girls always like the

(02:32:22):
bad guys. They always like the the guys that treat
them wrong. And that's why I can't get a date.
I'm the good guy, and it creates that whole other
stupid fucking professor sona that's out there that like, no,
I was the good one. You know, everybody. I think
every dude, no matter what type of dude you are,
has thought that way at some point, right, And there

(02:32:43):
are genuinely nice dudes that they're not creeps. And you know,
you know, it goes both ways, because there's people that
tell them that, you know, those types of nice dudes,
that you can't be that guy because it's creepy and
you know, you shouldn't be acting that way to women.
And they don't really, they're not really receptive of that
type of thing. And YadA YadA, YadA, yah YadA like

(02:33:05):
that type of thing that's there, right, I get that
that type of thing, and it really hurts those guys
that are just genuinely nice guys and treat people well,
and then for some reason they just can't get anything right.
And I'm not just talking about sex, like they go after,
you know, and sometimes those nice guys go after the

(02:33:28):
girls that are not good for them either, But it's
the ones that are just like, eh, well, I'll never
get a girlfriend because me me me, me, me, me
me me. The only like the bad boys and the
people that wanted I could treat it right now, Sometimes
it just doesn't work out. That's just the way that
it is. She's not that into you. You just need
to accept it. Rejections a fucking thing, Get the fuck

(02:33:49):
over it. But I'm pretty sure that some of the
bad guys also went through those things. And some of
the bad guys too, can't have a tough exterior. They're
not all fucking assholes all the time. They can be
a prick, but when they were with the right person,
with that person, they're like the sweetest person ever in
the world. Maybe they have views that don't agree with yours.

(02:34:11):
Maybe they're an asshole to the people. They're just very
stubborn in the way that they are, but the way
that they treat their relationship is truly loving, and it
really is something about that. They're just like strong in
their personality and it's something that you don't jive with.
So are there bad dudes that are just bad dudes
and treat people terribly. Fuck yes, are there good dudes

(02:34:35):
who really aren't good dudes and are just bad dudes?
Fuck yes? Okay, that's all I'm trying to get off
my soapbox at this moment. But it's just like this
stereotype in here where it's like, oh, well, girls only
like the bad guys when they're young, and then they'll
realize that the good guys are the ones that they
got to get the fuck out of here with that
bullshit that they have in there. Yeah, there's something about

(02:34:58):
the mystery. It's the same thing for dudes. It's the
same thing for me and some of the people I've dated.
It's just like there's something about that person and the
way that they act that just happens to be enticing.
Maybe it's something that like, oh I don't really do
that stuff, but for some reason that attracts me, you know.
And then again you date that person and they they're

(02:35:19):
not really like their exterior when you're with them one
on one. You know, it'd be like me being attractive
to like the alternative girls that are out there, people
that have like a lot of tattoos and maybe they
do pale things, like their skin is paler than normal
because they put stuff on and whatever, and some people
may look at that person like, E know, why would

(02:35:40):
you want to be with somebody like that? And I'm
like I kind of find that attractive. I don't know why,
I just do. And then you meet some of those
people and they've got the kind of souls in the
fucking world, right, Some of them are assholes, some of
them are not. And it's just about how do you
get to know somebody? You know, it's like saying that
you don't like fat chick and because of just the

(02:36:01):
way they look, but you get to know somebody and
then you're with him regardless of the way that they are.
I mean, it just happens. And that's the way fucking
things are anyway, need get off the goddamn soap box again.
But to get to the big point here of her
like going in there and the way that she's gonna
prove to mister Sumatra that no, that's not what Tommy is.

(02:36:24):
Tommy's a good person, Tommy believes in the right thing.
He still has feelings, he still has hope, he still
has YadA, YadA, YadA, And she like turns around and
like it's so ridiculous because he like floats out and
he's like, I know you discussed me. He said, no,
that's not what if you discussed me, could I do this?
And so she turns around and opens her fucking blouse

(02:36:46):
and flashes them her tits like she so that he
can go back inside of her dress and fucking lay
against her tits Like why why why is he doing
Like why are we doing this?

Speaker 6 (02:37:01):
What?

Speaker 1 (02:37:02):
Why is that the reason why it's so bad? Oh
my god, I can't believe the whole thing that's going here,
Like if I was disgusted by you, I wouldn't show
you my preuvecent titties. Here come suckle big boy, Like

(02:37:24):
oh god. So like she proves that he does have
a heart. There's like an image of his head next
to the boobs, like lying on the boobs there and
her crying and being so happy that she's sharing her
tits with his head. I don't know, and he's just
like laying there and it's meant to be sweet, but
it's so just fucking weird that that's the way. And

(02:37:46):
then Miss Sumatra's just so astounded by the fact that
he shows love and no head has ever done this before.
And yes, this is the way that they are. So
we cut back over to Vinnie, who is like free
out in his apartment right because he ran into Booger
and you know, a fat dude that happened to be
the zombies, and he's like hiding out there. He's smoking

(02:38:08):
a ton, he's drinking shots of whatever the fuck he's
drinking water but it's probably supposed to be vodka or tequila.
Where the fuck he drinking, And he's like got his
gun ready in case they come in, and he hides
in a corner until he falls asleep, and when he
falls asleep, that's their time to strike as they break
into his like now big furnished apartment that he's got

(02:38:30):
there and they start to go after him. And he's
got this fucking neon sign in the background that just
says cool, like it looks cool, but it looks fucking stupid.
And he's also got this like bird like painting on
the wall, like it's terrible, like the direct decoration of
this guy like probably is somebody that's only like fifteen
years old, but not really. And he's also got a

(02:38:52):
painting that lights up in the background like like the
cheesiest fucking painting that you could possibly have in the
world is one that has a ton of lights or
light has like backlit and shit and like makes the
water flow, but instead it's like a scene of Italy
where the lights are on the background. This is where
you know you have too much money and terrible taste

(02:39:12):
to buy some bullshit like that. But he gets out
of the apartment by diving out of the window, and
it looks like he's on like the second or third story,
but I don't know where the fuck he is. He
dives out, goes in the street, and more zombies come
after him, and he like freaks the fuck out to
the point that he's surrounded by zombies. He's asking for
mister Sumatra for whatever he did, just take get them

(02:39:34):
away from me, Get them away from me. And then
he begins to, like I said, be surrounded by all
the different zombies are out there. And then he runs
into the shrunken heads and he ends up running away
from them because they really don't do anything. They just
kind of like taunt him and smile as they're like
scaring the living shit out of him. I don't know why,

(02:39:55):
you know, Freddy didn't pull out his shank and slice
his neck and Tommy didn't use his light powers and
you know, go after him. And I just don't get
why they didn't bother to just take Vinnie out right there,
but instead they're playing with their you know, their prey,
I guess. So we then cut back over to the

(02:40:16):
apartment and we see that this is fucking great too,
that mister Sumatra is getting them prepared because they're gonna
go to Big Mo's and attack, and he's talking with
Sally and he's trying to explain a little more and
she wants to help them get their revenge as well,
and you know he wants her to be involved, but

(02:40:37):
there's only one way that you know, she can help out.
As I love how he explains to her, like, you know,
the whole thing. I'm gonna play the fucking clip because
otherwise I'm gonna spoil it because it's fucking hilarious. But
he's sitting there in his traditional like Haitian cop garb,
which happens to be a fucking pimpsuit. He's god and

(02:41:01):
it's great because this is blue suit in this black
sweight hat and he just leads a fucking feather out
there and to be called fucking huggy Bear. So fucking great.
But anyway, Sally wants to hemp, you know, to help out,
and he's gonna be you know, he's in his pimpsuit.
He's gonna explain.

Speaker 4 (02:41:20):
How is that really the.

Speaker 11 (02:41:21):
Uniform they were in the Tanta of Coruit.

Speaker 4 (02:41:23):
Well, yes, my child and I wore it priorly back
in my homeland.

Speaker 11 (02:41:29):
So what's the big occasion?

Speaker 4 (02:41:31):
Good night? I wish to set up all old accounts.
Are you anxious?

Speaker 12 (02:41:38):
Yeah?

Speaker 11 (02:41:39):
But I have a lot of faith in you. What
do you have cooking in your nap.

Speaker 4 (02:41:45):
Special recipe for Finny and his evil comrade Big Mode.

Speaker 11 (02:41:52):
Is there anything I can do to help?

Speaker 4 (02:41:54):
Yes? But are you ready? Sally? A capital punishment Haitian style.

Speaker 1 (02:42:04):
Cap.

Speaker 12 (02:42:07):
I don't know.

Speaker 15 (02:42:11):
What would I have to do.

Speaker 4 (02:42:15):
Before we proceed. I must ask you something, take care
of you answer, But this is very very important I
must know now. Sory is your maiden head intact?

Speaker 11 (02:42:33):
If you're asking if I'm a virgin, yeah, I am.

Speaker 9 (02:42:39):
Only a female who has never had a male member
inside of her body can complete this particular spell.

Speaker 11 (02:42:48):
You aren't gonna sacrifice me or anything, are you? Of course?

Speaker 4 (02:42:51):
Not, my dear child, go into my bedroom and dress
in the gown in my classroom. I will wait for
you here.

Speaker 1 (02:43:02):
So that's an interesting way to explain that. You know,
she has to be a virgin, right, Like She's like,
you know, is your female head intact? Her female dick?
Is that what you're talking about? Her badge? Like you
could have said it in a different way. Female head?
Who the fuck talks like that? Like that to me

(02:43:25):
is just such the weirdest thing. And then she's like,
if you're asking that virgin? Yeah, man, good cause no
man or no woman that's ever had a male head
inside of her body. What the fuck? Who wrote that
piece of dialogue? That's so coddamn ridiculous, And especially the
way that he looks good because I'd get more money

(02:43:45):
for you on the streets out here. I mean, you're
gonna help out. You gonnaed to go dress in that
pure white dress I got back. I just happened to
have it in your size. I know it might be
a little short and shows off your pennies, but you
know it's gonna be the way that we're gonna make
sure that you do this thing and you are a virgin, right,
because I'm trying to get a good mine. I mean,

(02:44:06):
I'm not trying to get any money for you. Don't
worry about this baby girl. But uh, you know, they
don't caught me. Missed a Sumatra and in fact, you're
saying it wrong. My first name is actually Kama and
it's Sutra, not so Matra. I mean it is Sumatra.
Oh yeah, I'm gonna get lots of money for this, uh,
this virgin white bitch over here. I'll tell you what

(02:44:28):
I mean. I didn't mean to talk like that. I'm
not really a pimp. It's just it's so weird. Who
this hell says? Haven't had a male head penetrate her
body before? Why didn't you say female head? How didn't
penetrate her box? Okay, how's your box doing? Hadn't indicinately

(02:44:51):
It's just so bad, it's so fucking terrible. But nonetheless,
they go ahead. They gathered a with the heads, and
it's time to attack Big Mos and it's gonna be
time for zombification. As he gathers with Sally and they
drive over into Big Mos. As she's wearing her you know,

(02:45:13):
it's not a short dress. It's a long white dress
for what it is, but she changed extremely fast as
he's sitting out there fucking laughing, so she says, you know,
he says to her, are you ready to go? You're
sure you can do this? And she's like, yeah, let's
go get those sons of bitches. And then he's got
this like horn that is like, you know, fucking weird,

(02:45:34):
like deer horn or elk corn or whatever it is,
and then he blows into it, I guess, calling out
the other zombies to come and help with the whole thing.
As we go over to Big Mos and we see that,
you know, her bitch is getting so excited because she's
bought her some new jewelry. She bought her new pearl
necklace because she can't give her the type of pearl

(02:45:55):
necklace that she wants to give her because you know,
she don't have a dick. But nonetheless, her girl's hell
of excited about thing. As Vinnie busts in after being
chased by the zombies all night Nats, when Sumatra and
the gang show up and tell them to get ready
for zombie vacation, Booger and Putt are dead.

Speaker 7 (02:46:13):
They're fucking dead, they got but now they're walking around
fucked up, and now they want to fuck me up,
just like they're all fucked up.

Speaker 6 (02:46:20):
Okay, tell me who's dead, Booger and pudd It was
the fucking heads.

Speaker 11 (02:46:27):
What's that you're talking about? Heads?

Speaker 1 (02:46:30):
Heads, little heads. They're flying around.

Speaker 7 (02:46:32):
They got ponytails, they got teeth, they got bugged out eyes.
They belong to mister Sumatra. There, little and the brown
they're flying around. They're chasing me all over the freaking place.

Speaker 4 (02:46:41):
And that ain't the worst of it.

Speaker 7 (02:46:43):
At first they were all messed up, boogirl putt right,
But now they're really freaking messed up. I mean they
got they got they got skid falling over their face.

Speaker 1 (02:46:51):
They're chasing me around everywhere.

Speaker 7 (02:46:53):
They got maggots falling off out of them. They got
the lights, they got the it's not coming after me.

Speaker 6 (02:47:02):
Listen, Vinnie, I think you've been under a lot of
stress lately.

Speaker 15 (02:47:05):
I think you know.

Speaker 1 (02:47:06):
I know this beautiful little blood.

Speaker 6 (02:47:07):
She's got a condo down to Flora.

Speaker 7 (02:47:09):
You don't believe me, you stupid pigs.

Speaker 9 (02:47:22):
Lieutenant Colonel Aristide Pierre defeat a ton of Toime mccoot retired.
Now we'll be bound to my condominium for Zombie Vacation,
tell the old man.

Speaker 1 (02:47:38):
I loved you. When he just busts in and he
just fucking takes out his gun and shoots the dude
right in the head. It's the most violent thing that
happens in this whole movie. And it's not even that bloody.
It just looks like a black dot on the dude's
head because you actually see him get the hole up there,
but it doesn't look like, you know, no blood comes out.
He just kind of gets a hole and falls over,

(02:47:58):
but it's not even a hole, just looks like it's
a stamp, like like Sumatra just took out his fucking
cock whacked it on his head and that was it.
He's got a mushroom stamp on his fucking forehead and
so he kills the guy comes in after Vinnie's feek
freaking the fuck out, which he should. He's been chased
around by floating fucking little heads, you know, zombies all
over the goddamn street, trying to like grab him and

(02:48:21):
take him to Sumatra's place and everything like that, and
he's trying to tell big moment of he's gonna be fucking,
you know, panicking and everything, and she doesn't believe him.
The lights start flickering, and in comes, you know, here
comes Karma Sutra coming through the goddamn door, killing people
and telling them them get ready for zombification. And that's
when you know, they start going crazy, and you know,

(02:48:43):
all of a sudden, zombies break through the door and
start attacking everybody. Big Mo's trying to shoot people. She
starts punching a bunch of zombies her like bitch is
walking around on the ground trying to get out of there.
Sumatra is just like laughing in the corner as the
zombies are just beating and stomping the shit out of
all of her henchmen that are there, and he's just

(02:49:03):
having a grand old fucking time. And so while they're
doing everything, that's when Sally walks in with the heads
above her spinning hella fast, like they're the fucking crawl weapon,
and you know, Vinnie starts begging her to like hold
them back, stop them from attacking and everything like that.
And then as she approaches them, like they break out

(02:49:25):
and like they're fucking still spinning around, and Freddy like
can't control himself yet, and then you know, as he
finally is like Okay, I'm fine. I might be a
little sick. Do do shruck and heads throw up? I
don't really know. Tommy like zaps them all together as
they're approaching them, and that's when Sumatra tells them, hey,
you know what, you need to make sure that they

(02:49:46):
don't die here. They have to die in my condo.
And that's when Mo takes over, holds fucking Sally by
gunpoint because none of the zombies are there to protect her,
you know, stops them from fighting, and unfortunately, mister Sumatra
gets shot me.

Speaker 4 (02:50:03):
Thank you must be consummated my condominium.

Speaker 14 (02:50:09):
Call them fucking things up now, there's.

Speaker 4 (02:50:11):
No power on earth. Saved you from your day of.

Speaker 14 (02:50:15):
Brickley woman, letty Mittie come on out of there, tell
me what's going on here.

Speaker 6 (02:50:35):
Everything is gonna be all right, you baby.

Speaker 4 (02:50:36):
We're away going on a little vacation.

Speaker 6 (02:50:38):
Okay, let go on my arm, go get the carbit
of you.

Speaker 16 (02:50:40):
Now.

Speaker 1 (02:50:41):
It's fucking great because like she just steps in and
she's like, tell him to fucking stop, and he's like,
there's no way that this can end. And she just
turns around and fucking shoots him, shoots him. Rind the
goddamn stomach, to which he falls down to the ground,
and then all of a sudden, the zombies just fucking
stop and the heads like close their eyes and they
float down towards the ground, and so she gathers up
everybody and they get the fuck out. Now it's really

(02:51:03):
weird because I didn't go check on tub in or
another service for this part of the movie because I
really didn't feel like sitting through the ads at the time,
and I could have done it on the desktop computer
and actually saw if something went weird. But like the
version on YouTube, for some reason, the sound just completely
cut out, and it cut out until the next scene
where the dialogue began. So I feel like the music

(02:51:24):
that was playing in the background like they silenced it
because it was copyright music and for it to be
on YouTube, they muted that section of the video, right,
So if you're watching this on YouTube, I will warn
you here you're gonna lose a little bit of the soundtrack.
But once it comes back into the dialogue and the
sound effects covering most of the music in the background,

(02:51:44):
everything's fine for the way that the movie works. So
she gathers everybody up in the car and they start
to drive off and we see that Sumatra is not
actually dead. Everybody just kind of wakes up and he
says something to the heads and you don't get hear
what it is, but basically I'm pretty sure because my
volume went out. He told them to go ahead and

(02:52:05):
chase them and he'll be okay. So the heads begin
to follow the car and su Mantra gets the help
of Booger, the Booger Zombie and the fat Guy Zombie
to help him get into his car and to begin
to chase. And now the chase is on as we
have Vinnie, Sally, Big Mo and the you know, Big

(02:52:25):
Mo's bitch are in the back of the car and
Big Mo's mid bitch is like completely freaking out.

Speaker 17 (02:52:36):
It's them heads.

Speaker 1 (02:52:37):
You remember them kids we wake last year.

Speaker 7 (02:52:39):
Those are their heads and missus Somata Head brought it back.

Speaker 1 (02:52:42):
From the dead. No, no, no, Rennie, he's been under
a lot of stress.

Speaker 14 (02:52:47):
Likely you don't know what he's talking about.

Speaker 4 (02:52:49):
Then give the order. Can't quiet.

Speaker 1 (02:52:55):
Do it? Sh hide.

Speaker 4 (02:53:11):
And I'd get away.

Speaker 12 (02:53:12):
This seem.

Speaker 9 (02:53:14):
This night.

Speaker 1 (02:53:18):
Sumatra is just so fucking cool. You can run, but
you can not hide. It's It's like, man, I just
love that character. And again I love Big Bo too,
the way that she's going on there. She's still trying
to convince her woman to be like, no, no, no,
Vinnie's just been under a lot of stress lately. Don't
worry about it. Everything's gonna be fine. We didn't kill

(02:53:39):
no kids. Who said we killed kids? I never said
to kill no kids. There were no kids killed. Those
aren't even fucking shrunken heads back there. Okay, it's just
like everything else you've seen inside the warehouse. It's not
really what you think it is. It's just your mind
playing tricks on you. Oh really yeah, And then Sally,
of course, has got to speak up. He may have
pulled the trigger, but she's the one that said to
go in and fucking kill them. And so they begin
a car chase in the movie where Sumatra is chasing

(02:54:03):
after everybody that's in Vinnie's car, and then there's the
little scene that just seems like it's out of nowhere.
It's one of those scenes where it seems like it's
just in there to pad time on the movie where
there's a bunch of people on this bus and this
is what I was talking about earlier, where everybody that
was on the bus was specifically like they won from

(02:54:23):
a video store, like the part of this contest. And
so they all work at some place and they all
want to be in this movie and there are a
bunch of like doomsday people inside of it, and Richard
Elfman plays the head of the people and he's like
doing his like preacher thing in the car as the
car gets runned off the road and jumps into a river,

(02:54:44):
I guess, killing everybody like they wanted to or whatever
it is. And the bus driver he's busy drinking up
on the front, so you know he could have corrected
what they were doing, but you know he's like, fuck it,
I might as well die anyway. They're all gonna die,
but fuck it. So everybody dies, and then they get
attacked by the shrunken heads as they continue off right,

(02:55:06):
So they're driving along the highway or they're out going
over the bridge, and as they're going over the bridge,
the heads attack the car. Freddy comes in with his
knife and tries to knife. He tries to shank the wheels,
but these wheels must be made of something super super tough,
or his knife must super super fucking suck, because he's
not even though it's like rubbing against him and it's

(02:55:26):
like sparking off, it's not doing any damage to the tires.
Maybe they have bulletproof or knife proof tires, fuck if
I know. And then you know, Big Mo takes a gun,
reaches it out the window, tries to shoot at Freddie.
But that's when Billy comes in and starts biting her
on the arm and sucking her blood, and she's able
to shake him off, and she reaches in the car
because you know, she's got a bunch of guns and

(02:55:48):
that fucking like trench coat that she wears that she
pulls out the shotgun and starts to like point it
at Freddy, but then Billy tries to stop her, and
she points the shotgun up and blasts Billy out of
the air. Freddie is still trying to you know, damage
the tire, and then she takes the shotgun to him
and he dodges out of the way, but unfortunately he

(02:56:08):
dodges in front of the tire and is run over.
And then we see the whole time, where's Tommy. How
come Tommy's not helping him? Where's Tommy and his fucking
lightning powers? Well, we get one of the clips from
the trailer where Tommy he starts flying at the car
and he says, look at me, Sally, look at me.
Look at me, Sally, look at me. I'm doing something.

(02:56:30):
Lightnings up busts through the windshield and then flies directly
into Vinnie's mouth, causing the car to crash in a
random alley, even though they were still supposedly on the bridge.
So he does a really good job of like driving
around and keeping control until you can get to like

(02:56:50):
the streets where everybody can catch up and not stop
on the bridge and fly off the bridge or anything
like that. But they crash. Vinny gets out of the car,
choking on Tommy and then falls to the ground as
we see Moe get out of the car with Sally
putting the gun to her head, and Moe tries to
make a deal with mister Sumatra.

Speaker 4 (02:57:11):
Let's talk to deal.

Speaker 6 (02:57:13):
You don't want nothing bad to happen to the little girl,
and I don't want to be turned into one of
them things.

Speaker 4 (02:57:20):
What was done to these creatures. It's not for the
like of you women.

Speaker 9 (02:57:25):
These armies are able to walk to Earth for a
short period of time before they deteriorate into a brown liquid.

Speaker 4 (02:57:35):
What I have reserved for you is far more permanent.

Speaker 6 (02:57:41):
Yeah, well then let's all go to hell together.

Speaker 4 (02:57:50):
Time has come, woman, accept your bait.

Speaker 8 (02:57:54):
You see your time.

Speaker 12 (02:58:05):
You're bleeding pretty bad, mister Sumatra.

Speaker 4 (02:58:09):
I have healing confusions at my condo, Sally, we will
go there now. Hey, what do you want to do
with me?

Speaker 9 (02:58:21):
You can go wherever you please for a freshy one.
Or I asked us that you do not reveal what
you've seen here this evening.

Speaker 14 (02:58:32):
Don't worry, mister, Nobody believe this in a million years.

Speaker 4 (02:58:41):
Thanks, Yeah, I just go.

Speaker 1 (02:58:44):
Okay, So she tries to make that deal, and as
she's gonna go and shoot Sally in the head, that's
when her bitch steps up moves the gun out of
the way, and she ends up shooting into the sky,
and you know that bullet's gotta fly somewhere and fall somewhere,
so hopefully he doesn't hurt anybody, and ends up Tommy
coming out of the middle of nowhere. He's still okay,

(02:59:05):
and he shocks the shit out of her, and they
grab her and Vinnie wrap him up and put him
in the car. And then as they're driving back to
Sumatra's place they pick up the two heads of both
Freddie and Billy because they just happen to know where
they are on the fucking bridge. I guess. I don't
know how they figured it out, but they managed to

(02:59:26):
find them in the middle of nowhere in the pitch
black dark, well not totally pitched back, because there's the
lights from the bridge, but still how small these fucking
shrunken heads are. They shouldn't have been able to find them,
like super easy or anything like that. So on the
drive back, we have Sally asking I'd love the response
to Sumatra why he killed the guy, like he just

(02:59:48):
shot him right away the moment that they opened the door,
and he explains that as they go back to the apartment,
and when they're in the apartment, that's where we get
the final scenes of the movie. And that's what we're
playing like all ti together to finish this whole podcast
up where they've now wrapped them, they're getting them ready,
and she's the one that's gonna be casting the spell

(03:00:09):
that's gonna turn them into the zombies that aren't gonna
be like the zombies that they've created so far, because
those zombies actually have a lifespan which I kind of
like that. They explain that that, you know, they're not
gonna be these guys because eventually they're just gonna de
deteriorating to brown liquid because they keep shitting themselves. Is
that what it is? Is that why they're so flatulent

(03:00:29):
that they're basically like shitting themselves to death and they're
just gonna become a pile of shit in the middle
of nowhere and can just be cleaned up when they're done. Ugh,
that's terrible. I wouldn't want to be turned into that
type of zombie. You know, it'd be like the shit
demon from Dogma. You know, if I'm gonna come back
as a demon, that's not the demon that I'd want
to come back as. So they take them back to

(03:00:51):
the apartment. She is given the book and she's going
to become the next I guess like Haitian voodoo priestess
or whatever they're doing, and she's going to be able
to control the boys and live with Tommy and Freddie
and Billy forever. As Sumatra is allowing her to finish
the spell. He's got his healing stuff at home, so
he's going to be all right and ultimately turn them

(03:01:14):
into zombies that are going to do his will for
the rest of their zombie life and be forced to
walk the earth forever. Because that's not the He's not
going to give them a deterroring shit life. He's going
to give them the worst experience ever, and that's going
to be the revenge upon them. Right. And so as
she finishes casting the spell, she takes the boys. She

(03:01:36):
goes out to the balcony, and that's where the movie
itself ends.

Speaker 11 (03:01:43):
Will you be able to fix them like they were?

Speaker 4 (03:01:46):
Of course? Sorry it did? Are they not?

Speaker 11 (03:01:51):
Can I ask you a question, mister Samatra, Go ahead, Sammy?
How come you shut the guy when.

Speaker 8 (03:01:59):
You open the door.

Speaker 9 (03:02:02):
There's a old Haitian proverb and the tom thumping a
coot comes knocking.

Speaker 4 (03:02:09):
Don't answer the door. Now real work begins.

Speaker 12 (03:02:33):
Ah, any two back, things didn't work out better?

Speaker 4 (03:02:38):
He was just much where Tommy go there with the others.

Speaker 11 (03:02:47):
They're just laying here.

Speaker 4 (03:02:48):
They have completed their mission and now they sleep until
needed again. You're sorry. There's the new hype creatures at
the the dorm. Well be their caretaker. They are yours
to take.

Speaker 6 (03:03:04):
You.

Speaker 4 (03:03:04):
Now may begin you in plantation the top of page seventy.

Speaker 15 (03:03:09):
Nine, In the name of the most high du Valier
and the name of the most benevolent highly Selassie, in
the name of the TomTom McCoo, please heed this virgin.

Speaker 11 (03:03:22):
Who beseeches you for your blessing.

Speaker 1 (03:04:52):
And so that was shrunken heads. They're all wrapped up there,
and then they're getting ready for the ritual and to
be you know, killed and turned into zombies. But that's
actually not the end of the movie, right, because surprisingly enough,
this movie has a stinger scene because we never see

(03:05:12):
them actually turn into zombies, right, we just see that,
you know, she's looking out over the balcony and you know,
looking out into the distance as she's got the heads.
And even though they're not gonna be able to return
Tommy and the boys back into the regular bodies, they're
gonna be under her command for the rest of time.
And she's now the new high priestess of the religion

(03:05:33):
that they have there, and they live happily ever after,
I guess, by having them suck on her titties or
something like that. As she gets older. What happens when
you know, Tommy, you know, she ends up getting older
and wants to have a boyfriend, but Tommy's still around.
She's gonna explain that, Oh yeah, that's just my uh,
you know, titty sucker that I have come out every
once in a while. He's happy, he gets a little

(03:05:55):
bit of boob and then you know, he goes away
and it's not a problem. Don't worry about him at all.
And so the very stinger at the end of the
movie is watching you know, the big Mo's bitch and
her like coming across them in the middle of nowhere.
We see what they look like. She screams, and the
movie ends.

Speaker 4 (03:06:15):
That's good. Sure, it's just great place.

Speaker 1 (03:06:18):
I know.

Speaker 4 (03:06:19):
He takes.

Speaker 1 (03:06:25):
Jesus, what's that. And they don't really look like the

(03:06:46):
other zombies. They just kind of got like stitched up faces,
that is pretty much what it is. And they still
have the two things in their nose, so they look
kind of like the shrunken heads, but they're not the
shrunken heads. They're like full size people. So they probably
have the spirits in the body, and they like obey Sumatra, uh,
and you know, basically are doing again good deeds, like

(03:07:07):
they're shown cleaning up graffiti from the vipers and everything
like that, and you know, Big Mo's bitch is now
a bitch to somebody else. Uh, basically, she's moved on
to a new woman and that that's the end of
your movie. So of course there's still one other thing
we have to go to, but we'll talk to you know,
will in just a second. So the movie itself is fun.

(03:07:30):
This is a very fun movie. It's very silly, it's
extremely lighthearted, and it definitely feels more like a kid's
horror movie, even though the language isn't necessarily like a
kid's horror movie than it does like your regular you know,
full moon horror movies. Like it feels more like a
blood dolls like than anything else. There's nothing really violent

(03:07:50):
that happens in this movie. The only one that happens
when the dude gets shot in the head. I also
love too that mister Sumatra like the old Haitian proverbs saying,
have don't open the door for their police or else
you're gonna get shot in the head. That's very fucking specific,
is what it is. Like, You're just gonna live by that.
What if you just walked up to somebody's like you know,

(03:08:11):
you're going and selling girl Scout cookies with your granddaughter.
Somebody opens the door. Oh they opened the door for
the police. Boom, shoot them in the head. Ah shit,
I forgot we were supposed to sell girl Scout cookies.
Like it just seems like it's so specific and ridiculous.
But like I said, overall, the movie's just kind of fun.
Is it cheesy? Yeah, sometimes it's a little bit too

(03:08:32):
heavy on some of the comedic aspects of the movie,
But it's not really scary. It's it's kind of whimsical.
It's pretty shitty overall, like just in its like design
and production. But it's probably one of the better produced
full Moon pictures that I've seen, and it definitely shows
with a much higher budget than I would have expected

(03:08:54):
for this type of movie. Right, it definitely feels like, yeah,
it has direct to video type of feel, but it
does also feel like it could have been a theatrical release.
But I would say in the eighties versus the early nineties, right,
if this was at the height of all the really
cheesy horror movies that came out in the eighties, Like

(03:09:16):
it really has an eighties feel with being a nineties
horror movie, and I wouldn't really even call much of
a horror movie. It's more of like a sci fi
fantasy comedy than anything else with the heads, but in
what they're doing in the thematically, that's why it kind
of gets lumped into the horror category. Right. So it's
fun and it's definitely you you gotta know what you're

(03:09:37):
getting into when you get into this movie, and it's
definitely silly. The dude that plays Sumatra is freaking fantastic.
I love that character so goddamn much and it's one
of the better characters that I've seen in a full
Moon picture. Right, Julius Harris that plays Sumatra in this
movie does an excellent job as that character is he

(03:09:58):
wouldn't sometimes, yeah, a little bit, but it definitely seems
like he's having fun like I would expect if you
were to do something now like today to do this
type of movie. It's like a Michael Clark Duncan kind
of character, or even a Ving Rains type of character
like that he would play, where he's just kind of
having fun with the movie. Like you've ever seen the
movie The Slam and Salmon by the Broken Lizard Guys,

(03:10:19):
Michael Clark Duncan plays the owner of the restaurant and
he's absolutely ridiculous in this movie. And if he were
to be in this role, and you know, God rest
his soul as well, like he would be excellent as
this type of character, just to have fun with the role,
do it just for the laughs and to be entertaining.
Same thing with Meg Foster. Meg Foster is fucking fantastic

(03:10:41):
in this movie. She's chewing up the scenery in this
movie and it looks like she's having a ton of
fun doing it. And big mo I just wish was
in this movie more so I could watch Meg Foster
chew it up even more. It's really fantastic. And the
rest of the actors they're okay. Sally is kind of
bland and she's a bit part of it, but she's fine.

(03:11:02):
And same thing with Tommy when he has more life
to him until he turns into a shrunken head. But
I think that's supposed to be what they're trying to
get across with those guys, and that they're kind of
like brainless zombies, even though he has emotions and he
actually shows affection, right, that's the big wow factor for
this and like, oh my god, I can't believe that

(03:11:23):
they are, so when we're going through and rating the movie,
the gore in the movie is a straight up one
out of five. It's not gory at all. Even when
they do have blood, it's like a slice on the neck.
You don't really see much. There's nothing really going on,
So I'd say there crap factor. I'd give it a
three out of five, just because the effects don't really
hold up. That fucking cat and that goat make me laugh.

(03:11:44):
The fact that he's wearing this like pimp suit as
a cop uniform, Like, I don't think i'd ever see anybody,
even if he's a detective. I wouldn't see them wearing
that shade of blue to be out there being a
cop like. It just doesn't feel right in general. And
there's a couple of things in terms of the way
through the sets and what they do with some of

(03:12:05):
the zombies, and it just it really feels like it
feels really low budget, with feeling high budget at times,
and again with an eight hundred thousand dollars budget, it's
pretty good for what they did and the fact that
this actually, you know, Richard Elfman put a lot of
his own money to get this a theatrical relief release

(03:12:25):
after Paramount pulled out. It's pretty astonishing and that I
would have liked to see a movie like this in
the theater. I don't think that it would have done
well right, But if I was as into these types
of movies as I am now and they had a
theatrical showing of it, I total to go see it.
You know, fun factor, it's a four out of five.
This movie's fun, it's silly. If you don't like the

(03:12:46):
way they do the comedy or what you heard just
doesn't float your boat might not be for you. But
for me, this is kind of a my alli. It's
not a so bad it's good horror movie. It has
those moments, but I actually think that it is a
good horror movie. Is it a great horror movie? No,
it's not. You know, it just falls short. But would
I watch it again? Would I show it to people?

Speaker 4 (03:13:07):
Yeah?

Speaker 1 (03:13:08):
I think if they were interested in it, And I
think if what you heard you think you liked it,
watch it. You'll probably enjoy it very much. If you're
a fan of Full Moon's more silly horror movies, watch it.
You'll really enjoy this. So overall, I'm gonna give this
a three out of five Justice boners. I was really
close to giving it a four, but there are just
some things in it, and in some parts of the

(03:13:30):
story a little bit in the beginning, I felt like
maybe the beginning was just a little bit slower than
it should have been. And for being only like an
hour and twenty two minutes for the film, and that
hour and a half mark that most you know Full
Moon Pictures actually are, I felt that it dragged a
couple of times, but overall, it's still entertaining, and I
love a movie that I can go in and make

(03:13:51):
fun of, and that's why I say it's a good movie,
not a great movie. But I still think that if
you're interested, you can find it, and it's available there
on YouTube. And but the audio quality and YouTube sometimes,
like you heard in the clips that I made, goes out.
And I chose to use YouTube since I use YouTube Premium,
so I don't have the ads and I didn't have
to sit through the ads downstairs, and that's where all

(03:14:12):
my time signatures and shit from. But I didn't realize
was gonna have that section, and then I probably could
have gone back to tuby to do it, but eh, whatever,
that's the way things roll in me trying to get
these podcasts together, I just kind of stick with whatever
I watched it on, so and I thought maybe it
was just something happened with the TV. But it also
happened when I was getting the audio again, so it's
specifically that part of the movie that it happens at.

(03:14:35):
So uh, With all that being said, that is it
for this episode. Oh but we got to check in
with one more person before I go and do all
the plugs and thank you guys for listening. Hey, Will,
how do you want to end this movie? Remember this
whole time, he's been going through talking about the movies,
but this shrunken head has been chasing around. He's been
trying to figure out who set this thing upon me,

(03:14:58):
who made this shrunken head to come o after me?
And the shrunken head eventually tells him that, hey, you know,
I don't have anything against you. I used to be
one of your writers, but you'll let me go. But
I would not really want to go after you and
kill you. So he's like, who could it possibly be?
And they captured the head and he was all excited,
And now you find out exactly who sent it after will,
and it happens to be the big monster that's on

(03:15:20):
the set with him, and we get an awkward ending
between the monster and Billy.

Speaker 4 (03:15:25):
I kind of like tonight's movie, kids got their revenge.
They sailed off over the city. Not exactly a happy ending.

Speaker 2 (03:15:31):
But as satisfyingly gross one.

Speaker 4 (03:15:36):
Is that all you have to say?

Speaker 3 (03:15:37):
Actually know, for all these shows, I've been waiting for
the chance to talk, but you've never let me. I
feel like George Takai back here?

Speaker 2 (03:15:50):
Is that why you sent the head writer writer's head
after me?

Speaker 3 (03:15:53):
You told him not to give me any lines.

Speaker 4 (03:15:55):
You're a monster. It makes strange. I didn't know you
had anything to say. Well I do, all right say it.

Speaker 3 (03:16:06):
I want to make love to you all night now,
Oh boy.

Speaker 4 (03:16:13):
I think we're gonna have to have some of this dialogue. Reatten.

Speaker 3 (03:16:16):
I want to kiss you long and hard, with lots
and lots of tongue. What do you look at the
time we gotta go?

Speaker 2 (03:16:28):
Could someone try and get that writer back here, get
him a laptop, get him typing. Maybe he can come
up with something better by the next time you see
us here on.

Speaker 4 (03:16:39):
Fright night.

Speaker 3 (03:16:43):
Boo, Bill, come back.

Speaker 1 (03:16:47):
I love you, Bill, so yeah, it was the monster
that did it because he wanted to tell Bill how
much you loved him. Oh god, it's so fucking terrible.
There's no wrapping at least this time, so you don't
have to sit through a next to wrap at the
end of the podcast or anything like that. But yeah, so,
and it's not a disgusting ending. It is an ending.
The ending I think in a way I kind of

(03:17:10):
wanted them to be able to turn the boys back
into boys, Like he's like, yeah, I can use my magic.
Don't worry about it. You like, you can learn how
to do it, or like give her some hope or
something other than here you go. You have them through yours.
They're always going to be this fuck you bye, you know,
that type of way with everything in it. But it's
not a disgusting ending. It's not like it's funny because

(03:17:32):
when you watch this that way, and when you watch
it as these fright night things, that part comes before
the credits. And the only reason I knew there was
a stinger was because I let the credits run as
I was writing some last minute notes on my notepad
rating it, and like anything that I wanted to point
out and go through it, and then all of a
sudden it went to that and I was like, huh,

(03:17:53):
there's actually a stinger and that was it, and I
was like, okay, that's funny. So it makes me wonder
did I miss a stinger? I know I didn't miss
one on Head of the Family, but did I miss
one on Killjoy? Right? Would there have been one at
the end of that as well? I don't think so,
but hey, there was one on Shrunk and Heads, which
surprised the shit on me. So once again, thank you
guys so much for listening to the podcast. I do

(03:18:15):
really appreciate everybody that listens, gives suggestions, and does a
lot of stuff I'm going to be doing. I think
something little more recent, there was something I did want
to check out, and it's now available on video on demand.
I'm still debating on it because it's not yet available.
Maybe by the time that I'm going to do the podcast,
maybe it'll have rentable instead of biable, because I really

(03:18:36):
don't want to pay twenty dollars to rent this fucking thing,
especially when I think that it's going to be terrible
and it's funny. I want to mention this too. The
dude's voice for the Monster. I've been playing a lot
and actually finished it because you know, I've been home
all this time. This was actually my first week back
to work, which was fucking fantastic that I've been playing

(03:18:59):
Obscure Claire Expedition thirty three and I actually finished it.
I loved that fucking game. It's one of the best
role playing games that I've played in years. If you've
heard about it in your role playing junkie, especially for
a little more on the j RPGI j RPG side,
like I am, you should be trying out that game.
But there's a character in there that's named Eski who
I absolutely love, and it sounds almost like the fucking

(03:19:22):
monster in this It's really funny. But yeah, check that out.
The other thing that before I go, Now, like I said,
there's some weird things that happened to me in the
last week. Unfortunately, my oldest dog passed away on Friday
night last week. It was really uh surprising, and I'll

(03:19:46):
probably go a little more into what happened, but it's
weird that I had the some of the conversations on
that Friday episode and that night like that happened, and
I was like, uh, so, you know, it's it's taken
me a little longer to record this episode than I
wanted to. So I do want to apologize, but I
want to give you kind of reasons why because usually
when I record these, I record them on Saturdays, and

(03:20:08):
like motivation has been hard all week to even watch
the movie, to even get into this, like get out
of this funk, and you know, it's just it's such
a weird and surreal thing. You know, I had to
put a cat down last year, and this one was
much different because I didn't have to put him down.
He actually passed away in my home and I was

(03:20:31):
lucky enough to be able to comfort him in his
last moments. So you know, things things happen, you know,
and it's it's funny. And we talked in this movie
where she doesn't say I love you, you know, and
you know you do. And I don't mean to end
this episode on a sad note or anything like that,
but you know, don't hold back talking to people or

(03:20:53):
or expressing yourself to the ones and the things that
you love. You know, animals aren't things. They come a
part of your family, and that's one of the hardest
things about having a pet is that eventually you're going
to outlive them and you're going to have to say goodbye.
So you know, you may get annoyed by these these
animals or you know, people may piss you off, but
don't let it run everything, because you don't know when

(03:21:16):
you're gonna have that moment that you're not going to
be able to be there with them and for them,
and you're just gonna disappear, or they're going to disappear
from your life and you're not gonna be able to
You're gonna be left with this guilt that you have there.
And I'm lucky enough at this point, you know, with
the passing of Ace that I you know, have have
the peace with it because I got to be there

(03:21:36):
and I these last three weeks that I've been home,
I've been able to spend every day with him, and
you know, this is something just really freaky that happened.
I don't know what brought it on. I know it's old.
Age is a lot of it and he hasn't really
been showing signs of anything and it just kind of sucked.
But probably talk about a little more on the mini episodes,

(03:21:58):
So just be ready for that. But you know, and
I do want to bring Dave on as well. We
wanna talk about full Moon Pictures as well. So the
mini episode, we're trying to work it out how we're
going to do it. I don't know if it's something
we're gonna do like live. I don't think so, because
I really haven't talked to it to Dave on that
front with the whole thing. So, but we're gonna figure

(03:22:21):
out some movies talk. We're gonna talk about full Moon
Pictures and maybe some of the big ones or the
ones that we really like. We're gonna do like a
top list like of our like our favorite ones or
the ones that are like our top five. But both
of us are kind of just like, maybe there's a
lot of other ones that we haven't seen, you know,
haven't seen as many Full Moon Pictures as we think

(03:22:43):
we have, and so maybe just more or less like, hey,
out of the ones we've seen, what are some of
our favorites or why do we like these movies so much?
And maybe just have like a generalized conversation. So I'd
be part of that mini episode, So look forward to that.
If we can't get it in this mini episode, because
of time constraints or things. We're gonna do it soon.

(03:23:03):
So if it's not in this one, it'll be in
the following one, because I want to make sure that
our schedules line up too, because with me going back
to work and with Dave with his busy schedule and
my recording and us being hours apart, it makes it
hard for us just to have a recording day and
or maybe just gets pushed back to day and we
instead of the mini episode we released on Saturday, you

(03:23:25):
get released on Sunday because as the time we have
with each other. So but yeah, if you with all
that depressing and at least that informative stuff there, If
you want to follow the podcast, follow the podcast is
available on all podcasting platforms. We are out there. We
are on you know, we I am out there on

(03:23:45):
everything that you can kind of find. Most streaming platforms
you can find me. You can also check it out
Facebook dot com slash Terrible Terror Podcast, Instagram dot com
slash Terrible Terror Podcast. If you want to message me,
that is the best platform to do it. Respond there
a lot more though in some cases if we're not
following each other for some reason, I try to follow

(03:24:07):
the people that follow the podcast, if they're not like bots.
I try to at least one conversation usually afterwards. Sometimes
I don't. Sometimes I do, and I apologize if I,
you know, didn't follow you back. And but you know
there are there is a section where it's like request
of messages, and I don't always check those. So if
you can't reach me there, you can reach me on

(03:24:28):
the Facebook. You can reach me through Twitter if you're there,
you can reach me through blue Sky. So on Twitter,
of course, if you're still using that platform, you can
find me out on the Exciting the Irrevercle, the wonderful
handle that everybody's known to come and love of T Underscore,

(03:24:49):
T Underscore Podcast, Blue Sky Terrible Terrors. On Blue Sky,
you can find me out there, follow me there, message me,
tag me and shit if you want to do that.
And of course you can find out YouTube dot com
slash Terrible Terror podcast and Twitch dot tv Slash Terrible Terrors.
When I am streaming now on Twitch, I am also
streaming on YouTube, so you'll see those streams pop up Mondays,

(03:25:11):
Tuesdays and sometimes Sundays. So guys, take care of yourselves
and each other and I'll see you soon.

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