Slither

Episode Transcript
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Speaker 1 (00:09):
It's time to turn out the lights, grab some popcorn,
and watch some horror movies. This is the Terrible Terror Podcast.
Each episode I delve into the world of horror movies.
Why don't I do it?

Speaker 2 (00:20):
Well?

Speaker 1 (00:20):
I can't really explain it, but I love these horrifying flicks.
So if you made your own movie on your phone
or made your own special effects mcgiver's style, please send
it my way. Now, what do you get when you
take a first time writer director, thrown a little bit
of trauma magic and write one hell of a fun movie?
Why you get slithered? Why? Hello everyone, and welcome to

(01:15):
a brand new episode of the Terrible Terror Podcast. I
hope that you have all been doing well, and probably
when you see this finally uploaded, it might be a
little later than normal. But that's primarily because I had
a really long night the day before I recorded this,
so I got a little bit of a late start,
later than I wanted to. Like, the body was drained

(01:36):
and the body you definitely was not able to get
up and around early. As it has. Concerts hit different
when you're older and you decide to be right in
the front of the whole thing. But hey, that's not
your problem. That's my own problem. But we're here and
we're talking slither now. For those that know, this is

(02:00):
James guns very first like directed movie, right, he had
written a bunch of movies prior to this. He had
worked with Trauma. He hadn't done any like Trauma. He
did like TV things and little mini shorts and stuff
like that with them, but primarily it was writing like
Tromeo and Juliet is his thing, right, and a bunch

(02:23):
of other things. And then his big break, surprisingly was
Scooby Doo and Scooby Doo two, which again it's really surprising,
and it's surprising to let you know that the first
Scooby Doo movie I absolutely love, especially the way that
they ended the whole thing with a surprise twist at

(02:44):
the end of the movie. And it's silly. It's very
very silly, right, But it really feels like a horror
movie for kids, Like it's still got that kitty flair
and it's still like ridiculous, but it definitely has those
like horror aspects that are really cool, and it doesn't
like play down to the kids at all, like not

(03:05):
too much. It does it sometimes, but you know, it's
fucking Scooby Doo. What the hell do you expect when
you get with that type of movie. But it's amazing
to hear, you know that when you find out that
James Gunn is the one that wrote both of them,
and I think he actually helped produce the second one,
but that was like his truly like big break in
the world of Hollywood and doing all of this stuff,

(03:28):
and you know, he's really become one of those director
like writer directors that people have, well some people have
like a love hate relationship with him. I really like
this stuff they does. If you've never seen Super you
need to do yourself a favor and see Super because
it's like the anti superhero movie that's still a superhero

(03:50):
movie and it's a lot of fun. Rain Wilson is
fucking awesome. Elliott Page is great in that movie as well,
and it's just it's a different take on the whole thing.
I didn't realize too that he was one of the
big producers of Breitburn and actually helped write parts of
the script. I don't know if he got a full
writing credit on it. He might have got a co writing.

(04:10):
And it's interesting with that because while it's not the
most complete film that I've seen, it's still a really
interesting idea, and you have that whole thing of what
if Superman actually kind of tapped in to the negative
like connotations of what he is when he was a kid,

(04:30):
like he found his powers and then he realized, Hey,
you know what, I'm more powerful than anybody else on
this planet and I could fucking rule this place. Kind
of you know, spoiler alert for the New Superman you
know movie that's out right now, and I get it,
I'm saying things early. There's something along those lines that
becomes a pot point that a lot of people are

(04:52):
upset with the current version of Superman that's out there.
Not going to say exactly what it is, but it's
still something that's in that movie that it was interesting
to have that thought kind of put into the minds
of the general public who may love like Superman in
general and wouldn't think that that has something like ingrained

(05:14):
into the storyline of Superman. It's it's hard to get there,
and it's, you know, the really big one I think
for a lot of people that got gun on the radar,
of course, was Guardians of the Galaxy. Like that there
is no way in hell that that movie doesn't make
a giant impact on a lot of people, right that.

(05:35):
Come on, I can't be talking about James Gunn without
talking about that movie. How he took a cast of
you know, pretty much, you know, still relatively famous people,
but not like super famous people beyond Bradley Cooper. But
you're throwing Bradley Cooper to the voice of a character
and he's not gonna appear on screen. Zoe Saldana, while

(05:58):
she's done some really great stuff, she wasn't really a
household name, and now she has become a little more
of it, like it helped boost the career. Who knew
Dave Batista had it in him to be a pretty
damn good actor, and his role in that Blade Runner movie,
the one with Ryan Gosling that's there, is fantastic, and

(06:18):
he's really great in the Doom movies as well. It's surprising,
but it all stems from this. And of course Chris
Pratt himself became a household name because of James Gunn
and the Guardians of the Galaxy movies, right, and then
from there it's been like Chris Pratt to Palooza and
here I am stumbling over my words with everything, But

(06:41):
it all starts from here, and it all starts from Slither,
at least in the Hollywood mainframe of him being a director.
And you can see now that I've seen a bunch
of his movies and he's a director almost like Germo
del Toro, that I'll go see what he does, right,
And I really hope that one day he kind of

(07:02):
gets away from the superhero thing. I know that's like
his passion and he has such a love for the
characters in the world in these comics and everything like that.
But I want to see him go back to a
movie like this, or even back to a movie like
super right where he just kind of gets to go
buck fucking wild and just be like, get get into

(07:23):
that trauma ness that he started with. And really, at
times Slither feels like what a trauma movie would be
if they were given like it was a major studio
and given a big budget. It's not one hundred percent.
I'm not saying that this is like a trauma movie,
because nothing is like a trauma movie. Right. What I'm

(07:45):
trying to say with this is if that you did this,
if you did Slither, in my opinion, but you let
him do whatever the fuck he wants, like trauma like
this would have been a masterpiece to some people. And
while maybe not everybody's gonna agree with my opinions on
this movie, it's a movie that I still really enjoy

(08:05):
and it's a movie that I also kicked myself in
the ass because I remember seeing it, seeing trailers for it,
and being like, this looks really interesting, but is it
interesting enough to go to the theater? And I didn't
go to the theater to see it because at the
time when it was released, which I believe was in
two thousand and six is when it was released out there,
And yeah, I'm right, just looking it up while I'm

(08:28):
doing the podcast as well. But yeah, two thousand and six,
I wasn't going out, Like I didn't have a steady
group of people, and you know, I was kind of
courting my ex at the time, and it wasn't something
that she would have necessarily gone to, you know, at
least from what I knew of her opinions later on,
probably would have something. But she also wasn't a huge

(08:50):
like go to the movies type of person, Like she
was a huge movie person and she would love going
and you know, every now and then seeing a movie
or just like watching movie movies at home and really
terrible movies at home. But she wasn't much one to
go out to movies. Well, you know, looking back on things,
could have just been I don't want to go with you.
You know, that could have been what it is. It

(09:12):
could have been a telltale sign of things to come,
but fuck me, am I right. But nonetheless, it was
something that I eventually saw at home, and it was
something that I can't remember if it was on something
like an HBO or some type of movie channel that
was there, or it was something that her and I

(09:34):
actually rented. We went out, we rented the movie, and
then I saw it at home with her, and I
loved it when I first saw it, right, And it's
been a while since I've seen this movie. Now. I
did do this movie for last year. I was doing
that thirty one and thirty one, and it was like, oh,
let's look at you know, different movies, and let's look

(09:54):
at you know. I was trying to do like sci
fi horror movies, and this kind of fits the bill.
It's funny because they consider it to be zombie horror.
But I still put it a little more on the
sci fi horror thing. I mean you can kind of
do both. I mean, alien thing that crashes in the
planet and takes control of people and then everybody turns
into like zomplified people that are controlled by one hive mind. Yeah,

(10:17):
I can see that being like zombie, but I still
lean it a little more into the sci fi world
of things. So that way that you you know, because
it's an alien creature and because there is like the
hive mind and the mind control and stuff, it little
leans a little more sci fi for me when it
comes to like this type of thing. But you know,

(10:39):
this was also well, surprisingly enough, it wasn't my first
introduction to an actor that's in this movie, right, So
it was my introduction to Elizabeth Banks. You know, I
think this was one of her first like big leading
roles in a movie. And Elizabeth Banks is kind of
a weird actress. Like she's done some killer roles and

(11:02):
she's done some absolute stinkers, like just get that out there.
One of the most surprising killer roles that she has
for me personally, was in the Power Rangers movie where
she played Rita Ropulsa, and I think she was the
best thing, like she went out she did a role
Julia for that movie, right, Like, he went all out
as m Bison and studied different type of dictators and

(11:24):
it like incorporated all of their acting or the book
like actions and manuism and some shit into making m
Bison this like dictator of dictators and everything and thinking
that the shit is hot. And while I'm not saying
that she shot herself out of space and then arrived
back here in a trash can while onto the moon,
and then it was like, you know, had a bunch
of creatures and was sending them to fight teenagers here

(11:47):
in the US or wherever the hell that it's gonna be.
I'm not saying that she did that, but like she
really gave it her all for that role, and she
played that role really really well and was really compelling
as a villain in that movie. Right And here, you know,
you can kind of say what you want about this role.
I think that she holds up relatively well. I like

(12:09):
the character, I like what she's doing with the character.
But I'm not here to talk about Elizabeth Banks in general.
Of course, I'm not also talking about Michael Rooker. You know,
I've seen him in a bunch of things previous before,
especially you know when you go back into some of
the things that he's well known for Henry Portrait of
a Sillier Killer. If you have not seen that movie,

(12:30):
you need to see that movie. It's one of my
favorite movies. I wouldn't put it in the top ten.
I would definitely put it in like the top thirty.
But him in that movie is absolutely excellent. Like that
movie is good. It's disturbing. It is a horror, but
it's a little more in the psychological horror realm, you know,
dealing with that. But it's it's a really good movie.

(12:51):
You should definitely see that movie. But the guy that
I'm truly talking about and going through all this in
this movie. And I'm also not talking about Jenni Fisher,
even though this would been my first you know, inkling
of Jenni Fisher, But she's in such a small role
in this movie, which she wasn't even going to be in,
but the person that was in the role had another
obligation that they decided to do instead. So James Gunn,

(13:13):
who was dating her at the time. I don't think
they were married. I think they married in two thousand
and eight, and then they divorced sometime later on, or
maybe they married in two thousand and two. I don't know,
but they were married for a while and he put
her into the movie. And then it's funny because when
they started doing the rounds for this, that's when the
Office started getting really popular, and she was a part

(13:35):
of the Office at that time, and so she started
doing the you know, the whole movie. You know, I
want to call it a route, but it's not, but
the whole rigamarole that's there. You go on the different
talk shows and you talk about the movie, and she's
not even like a big star of the movie, but
she was doing the promotional tour for the movie because
she was such a big star on the Office, which

(13:58):
is pretty goddamn hilarious. Says it is. So, no, I'm
not talking about Jenni Fisher. I'm getting really all round it.
I'm talking about Nathan Fillion, and Nathan Fillion like, he's fantastic,
he's a fantastic actor, voice, actor, whatever you want to
put it in. But I didn't realize that actually one
of the first things that I had ever seen him in.

(14:19):
And it's because I probably didn't recognize him, and I
don't like as much as I loved the show, I
did fall off on the show, like season three ish,
and I didn't realize that it lasted for five full
seasons as it were. And so two of my favorite
Canadian actors, comedians, action stars, whatever you want to fucking

(14:40):
call them, were in this show together. And he wasn't
in every single episode that was out there of that show,
but he was in like sixty one episodes of the show,
and I had no idea that it was a part
of it. And it's hard because I don't know where
you can even find this show to watch anymore, Like
I want to go back and see what I really
liked about the show. But for some reason, as a kid,

(15:02):
I fucking loved this show. And it was two guys
a girl in the pizza place. And I know I've
joked about that at some point on this goddamn podcast before,
but I had no idea that's where like one of
the places where he got his start. And I guess,
but for me, this was the first real experience in
a movie. For him, I know we did Firefly, but

(15:24):
it's hard to be like, oh, Firefly, Bob, you know,
I get it, you know, in Serenity is a great
fucking movie. If you haven't seen Serenity, you should see Serenity.
It's a great sendout for the serious. But the series
is only like seven episodes long and then it got canceled,
So it's hard to be like, oh, hey, you know,
he's the best thing and Firefly is what you should
remember him from. I have a hard time like being like,

(15:46):
even though he's a really great part of it, it's
not on everybody's radar that's out there, but you know,
even for me, it still is something. But I'm surprised
that what I like first saw him in was that
stupid sitcom comedy show that was out there with Ryan Reynolds, right,

(16:07):
So it's it's funny at the same time that it's
like it's not because from from what I read, the
show really started going downhill on season four and five
and lost its way. But the first three seasons are great.
Maybe that's why I fell out of love for the show,
because you know, I only watched the first three seasons really,
but I have fond memories of that show and really

(16:28):
enjoyed watching it. And that was back in the day
kids when you'd have sitcoms and you'd have TV shows,
and they'd go for a season being like twenty four
episodes instead of nowadays a season is seven. Like I
don't get. They just pushed like so much money into
TV shows that they're basically like movies now, and so
you get basically nothing. Imagine the Sopranos being made today, right,

(16:52):
I think the Sopranos was even like, you know, fifteen,
sixteen episodes. Fuck even look back at something like South Park,
where the first couple seasons it was close to twenty episodes,
sometimes sixteen. You're like, oh man, I can't believe it.
There was sixteen episodes? How do they do it so short?
And then you have one from a couple of years
ago that was like seven. It's like, what the fuck? Guys, Like,

(17:16):
come on, like if you're making these big deals which
I don't even want to get into that bullshit that's
going on with them in delaying the season further and
further and further, but it's still like, why is everything
so short? And we can't just figure out how to
make these shows for the pricing that we used to
make them before and actually give people much longer. Fucking seasons.

(17:38):
But I digress because I'm talking too much shit about this.
But nonetheless, this is officially James Gunn's first directed movie.
It's not his first written movie, but this is the
first time that he was behind the camera. Yes, he
does give Lloyd Kaufman a cameo in this I missed
it the first time that I was watching it as
part of the rewatch with everything that's doing, you know,

(17:59):
going through. Like I said, I saw it way back
in the day. I saw it for the thirty one
and thirty one and I think even did a little
mini review on this movie, and then I watched it
for Here and here is where I'm like, I know
he's in this movie. I just don't know where he
is in this movie. And he plays like drunk number two.
And then as I was getting the audio, I finally

(18:20):
saw him and I was like, Oh, there's uncle Lloyd.
So yeah. And Gunn has a history of including a
bunch of people that he's worked with in the past
or people that have influenced him and giving him like
little roles here or there. I believe that Lloyd Kaufman
was also in the Guardians of the Galaxy as well.
He might've been in volume two. I don't know if
he was in volume three. But he's always had a

(18:44):
love for Lloyd and he's always tried to incorporate him
some way shape in the movies that he's done, whether
he's it's something that he's written and he gets them
where he's producing and gets them a cameo role that's there,
or it's something that he's directing, and again they just
show up somewhere. And his brother is also available in
all of these movies. I think he's primarily done his

(19:06):
own and he has quite not like a big role.
He doesn't always have like huge roles, right Seawan Gunn
is not like the main star of any of his movies,
but he usually has something significant that pops up, and
here he does have a couple of scenes that he
is a part of, and one where he has a
lengthy speaking scene even though it's not him, he's doing

(19:28):
something else. But hey, that's what it is. I will
say that for those that have never seen Slither one,
there's no thing that I'm gonna like spoil for you
that's surprising. It's pretty straightforward as movies go, but in
this case, I kind of want you to experience it
yourself before you listen to the podcast. If you've never

(19:50):
seen Slither before, I would think that you know, in
terms of visual effects that you're not gonna get from here.
In terms of just like watch this and coming from
the perspective that this is a first time director doing
a first time thing, it's worth kind of just watching
it and then going through me because maybe I'm gonna

(20:10):
hype it up a little bit too much for you.
And it's either that or you're gonna listen to the
clips and be like, why is he so like hyped
on this movie. I don't fucking get it. I don't
really want to watch it, and I just kind of
want you to experience if you like the way that
gun does stuff, you like the way his humor is,
like it's all present in this movie, like this is
James Gunn. This is just the way it is. And

(20:33):
for some people, and honestly, when you look at the
movies that he's done, and if you look at like
IMDb ratings right from users and stuff on the site,
all of his movies in general are somewhere between like
seven and like eight point something. Nothing has gotten a nine,
Nothing has gotten a ten, and in fact, this one's
like a six point five based upon user reviews through IMDb.

(20:55):
This is the only place where I go with like
user use or star ratings here, just because even though
a lot of these sites are absolutely fucking garbage in
the way they do their content moderation, because people will
just rate things and downvote it to hell before it
even fucking comes in out, and they don't even give
it a chance because there's something that I don't like

(21:18):
it it and I didn't think they should have done
this way. So I'm just gonna not see the movie
and not judge it based upon what the movie actually does,
and then you know, they do those types of things,
and then it's everybody. Okay, I'm not singling out one
specific group of people or one specific movie, because everybody
fucking does it. Like you shouldn't be judging a book

(21:38):
by its cover until you actually read the fucking book.
That's all I'm really trying to say here, right, give
everything a fucking chance, Give everyone a fucking chance at
least once, and then when they do something fucking stupid,
then it's fucking stupid, or the movie does something like terrible,
then yeah, okay, go with it. That's fine, but at
least you can say I saw it, I understand it,

(21:59):
I know what they were going going for. I just
didn't like what they did, right, that's fine, that's valid.
But for those that just go, oh, I'm gonna go
one though, because I don't like this, Like, you're stupid.
I don't care where you fucking land on any of
your fucking thoughts. You're just an asshole, is what you are.
But nonetheless, and before I keep going on this fucking

(22:21):
soapbox and people stop listening to this podcast altogether, let's
just jump in. You know, I've wasted too much of
your time. Let's get in. Let's talk about Slither. So
the movie itself opens up with a meteor that's falling
to the planet, going through space, getting into the Earth's atmosphere,
and that's where we get to meet Nathan Fillian's cop
along with one of his deputies that's sitting in the car.

(22:43):
He's busy sleeping. The deputy is out there looking out
into the distance and he's using his radar gun on
a bird because nothing ever happens a little small podunk
town that there are, And he's talking about getting older
and you know, losing his grip on everything that is.
And that's when the meteor flies by and crashes into

(23:05):
the ground, and we see that the meteorite opens up
and it's almost like a little, you know, an alien
egg that we have there right hatching open. And then
the movie then cuts to you know, the next morning,
and we get to see this town, which is Hannah Lotters,

(23:25):
like I believe that's the name of the town, and
it's just like a really poor rundown town. Graffiti's everywhere,
people are all in the streets, kind of got your
everyday people. Got the weird guy with a weird cleft
palette that we got to focus on, and the cops
talking to people. It looks like fifty cent is back there,
fucking browsing the weares of the local you know, hand

(23:45):
me down store that we've got, the pawn shop that's there,
trying to think of his next big fucking hit. Literally,
a dude in here looks like Curtis Jackson. All right,
he's there. I thought, I swear to God, for a second,
I thought it was fifty cent. Maybe he had a
little like, you know, cameo role that was there, But no,
that's not the way the things rolled with this whole thing.
Then we get to be the mayor Jack for a

(24:06):
second that he rolls up to a car that's parked
in the middle of the street and he starts honking
at the car, calls the guy in the car and
a cocksucker, and then all of a sudden he looks
over and there's a woman with a young child saying
how to mayor, and he's like, son of a bitch. Well,
I guess you can't win them all with the whole thing.
Like it's it's a funny little scene that they've got

(24:27):
going on with this, and it definitely the intro of
this movie brings you into the world, But this isn't
one that's really setting you up to exactly what the
movie is going to be like the only thing that
you know is just based upon it. Well, maybe I
should make a correction. It kind of does to an
extent in the way that it does, I would say

(24:51):
in that it's setting you up for what the humor
is going to be like in this movie with the
mayor and this whole like awkward calling the guy cocksucker
from the car because he's getting his car really slow.
And then you know, the people of town seeing like, oh,
he's trying to hide himself and he's the mayor and
he's not supposed to be saying these things, but we're
gonna call him a fucking cocksucker in the way that

(25:11):
it is. And then the alien stuff at the beginning
of the movie and it crashing, and it it having
a good sense of like tension as it moves up
to the rock and as we're seeing and it opens up,
and then we get the music. Now, if you know
James Gunn and you know the movies that he's done,
in the way that he's directed these movies and even

(25:31):
produced some of the movies that are there, music is
very important to him. It would be like going to
Tarantino and asking him why he chooses what he chooses
for the music. And Tarantino is also very picky about
the style and the types of music that he uses
for his movies and where he uses them and how
he uses them. And James Gunn also does the same thing,

(25:54):
and when you listen to it, you know that he has.
And one of the things that I heard, and to
go back to Superman again for a second to give
you example, is that he tried to make Superman very
like punk rock. Right. There's even a line in it
where you know he's talking with Lois and doing the interview.
You've seeing the trailer, so it's not really a spoiler alert,
but they argue about like music, and he's like, I

(26:16):
like punk rock. What if being nice and helping everybody
is punk rock in the world that we are? And
that's like a big theme for Superman that's there and
the music that's used, which I love the fucking song
that this it's not a news song, but the song
with iggy pop that that's going out there, and like
it's been stuck in my head since I've seen this

(26:37):
goddamn movie. But I always love the music choices that
he does for his films and how they mesh and
how they fit into the movie and what he's going
for and how he's trying to tell a story, and
you can tell in this one that he's doing it
maybe a little bit too on the nose. It's like,

(26:57):
you know, this is my first chance, and this is
what I've really want to do with my story, and
since he's actually, you know, directing his own story, and
this is how he wants to see it brought to life,
and this is the choices on the music and how
I want to do. He doesn't know how to incorporate
it exactly like stylistically, right, it's more or less I'm

(27:18):
gonna shove this thought into your brain. But from the
the intro music, like, it's not a very happy song.
It's very somber. And you're looking over the town and
you're looking at all the dilapidated buildings and all the
different you know, graffiti that's all place. And then Curtis
Jackson is walking by wishing that he hadn't written that

(27:40):
one song that one time, because you know, it made
him look less like an actual gangster than what it was.
But that's in the past, Curtis. We know, we know
exactly what type of gangster. You're not a wangster. Not
to meet Curtis, all right, can I call you fitty?
Kind of call you fitty. You know you're gonna be
the new ball rog right, that's not very gangst. Well,
I guess kind of his gangster because it's based on

(28:01):
Mike Tyson. You do you, Fiddy, you do you? And
and uh yeah, keep making well you sold vitamin water.
But if you were making that still keep making vitamin
water man, you can do it. I have faith in you.
I don't need you chasing me down. Fitty, please please
don't chase me down. You know Kin is still like
lurking in the fucking shadows. I thought I saw him

(28:23):
last night. I was walking back from the Baby Metal
show and I had to walk down, you know, from
California Street on Elevenworth over there in San Francisco to
go get my car, and one part got really dark,
and then all of a sudden her and I was like,
why the hell am I hearing that music in fucking
San Francisco of all places? Is this Jason takes Frisco
that's going on over here? Ah shit? And so I

(28:46):
had to, like, you know, pick up my pace just
a little bit faster, so that way that he wouldn't.
I swear to god, I saw that fucking mustache behind me,
and I managed to duck in the place that had
the cars and drive away, so he may have seen
my license plate. And so if you don't hear from
me for a little while, you know that that is
exactly what got me. God Damn Caine hadter. I'm never

(29:08):
gonna escape that guy. He haunts me in my dreams.
He's no Freddy Krueger, but he might as well be.
But nonetheless, so I was trying to talk about the
music and not getting into them. But the music, like
you said, it definitely sets the tone for the scene
in what you're getting and to get an idea of
what the town is like and what everything is going on.

(29:30):
And it's only broken by that interaction with the mayor
in the car that you have there. So yes, tone
is set relatively well. Again with the music choice a
little on the nose. Again, for a lot of the
music that are gonna be in this movie kind of
is on the nose. Though I really love the last song,
the credit song that goes on in this movie. I

(29:51):
think it's fantastic. And again I still think that the
music choice is when he uses like, you know, copyrighting
music is I would say that, or you know music,
I wouldn't say, like it's not a score. That's a
better way to say it. When he's not using the
score based music, he's using artists songs. That's probably a
better way to say these things than copyrighted music, because

(30:14):
you know, I have to think in the mind of
a content creator that doesn't have rights to this bullshit
and gets taken off platforms because of twenty seconds of
a fucking song. But nonetheless, what I'm really trying to
say here is that, yes, you do get some decent
tone stuff. You get the humor that's gonna be in
the movie, you get the way that the you know,
the town is a little bit of the tension and

(30:36):
horror aspect of things. It's also funny too, because as
we're doing the pan through the town, there is a
funeral home that's named R. J. McCready's, which is an
homage to Kurt Russell and the thing right that we
have there, which I think that was pretty fun to
do in this thing. But as we go through the
town folk and everything that's going on there, we then

(30:57):
cut over to the classroom and we get to meet
Starla for the very first time, and she's talking to
her class, and then we do get to meet Grant,
her husband played by Michael Rooker, and we also get
to see a short cameo from Gun himself. At the
beginning of the movie.

Speaker 2 (31:12):
When Darwin said fittest, he didn't necessarily mean the strongest,
or the most intelligent or any one trait. He merely
meant those organisms most well suited to their environments. Now,
we humans, we think we're more fit, more evolved because

(31:32):
we're smarter, or we're neophytes. We've only been on this
earth two million years, give or take the cockroach. That
fella's been around three hundred and fifty million years. So
based on that, which of us is the more successful species?

Speaker 1 (31:51):
A lot of folks build houses on unshaped ground. The
Erosion Cambodia is one of the works.

Speaker 3 (31:56):
My friends wanted to buy a house there, but cool, hey, grant, Okay.

Speaker 4 (32:01):
Later, Heck, he's teaching environmental studies. He's gonna borrow one
of my lesson plans.

Speaker 5 (32:07):
Oh, I know what he wants tomorrow, and I ain't lenden.

Speaker 1 (32:11):
So right off the bat, based upon the scene, we
know that Starla is like an object of desire for
a lot of people. And it's not just because the
boy in the classroom is busy drawing her naked on
his little sketch pad that he's got. There. We also
get to meet another character that's gonna pop up a
lot later on that when you're watching this scene, you're

(32:32):
just kind of like, oh, it's just the classroom scene.
All the you know, the boy is just drawing naked
pictures of his teacher and then like she slaps him
to like get her to pay attention for a second,
he just looks over her like, yeah, yeah, that's right.
You see what I'm You see what I'm drawn? Yeah?
You like that? Yeah, I can draw this for you too.
You know, I can draw you like one of those

(32:52):
French girls. You know, we can go back to my
place and uh, I know that we're just in high school,
but you know I got needs, you got needs, and uh,
we could just we could just totally draw each other.
I mean you could be there first. I'll draw you first,
and then when you're when you're done, you know, getting drawn,

(33:14):
that is uh, then then you can stay exactly like that,
just just stay stay topless, or you know, if you
want to be a little more risky, you can be
a little more risky with me. I mean, were totally cool.
This is all just art that we're doing here. And
then you know, so you can stay naked so that
way that when it is time for you to draw me,

(33:36):
and you're gonna, you know, want to see the whole package,
because who doesn't want to see the whole package with me,
am I right, I mean you'll know what you're working with,
so that way that you know I'm gonna go down
there and then I'm gonna just I'm gonna sit on
the couch. Yeah, we're gonna do this weird avant garden
and I'm gonna lay back, you know, and just kind

(33:56):
of prop myself up back a little bit and then
I'll spread my legs, you know, do a little bit
of a what the what the people call manspread and yeah,
well we'll have that out and h I'll just be
wearing nothing and it'll be okay because you know, I'll
feel comfortable and safe because you're naked too, because I'm
just not that sure. And if you want me before

(34:17):
I start sketching, if you want me to, you know,
take everything off and you want to see what I'm
working with, and then we both can be naked at
the same time and we can do that thing. But
you know, then if you're just back there and you're sketching,
and make sure that you're a little off to the
side and maybe you know you can cross your legs,
but you know, not too high, you know, uh, none,

(34:37):
no reasons whatsoever that I need to see anything or anything,
but you know, try to keep your your your boobs
up and not blocking anything that I can see with
like the giant sketch pad or anything like that, so
that way you can get what I actually look like
on a regular basis. You know, have you ever heard
the phrase, uh, you know, I'm a grower, not a

(34:59):
sh or. Yeah, I want to make sure that you're
not just getting my bad side. You know, I don't
need to look like, you know, a fucking pinky or
or anything like that, you know, because because it's honestly,
it's it's quite big. A lot of my friends have
said that of my friends have seen my dick. I
mean I haven't gone around showing it to anybody anything

(35:22):
like that. No, no, no, no, no, no, no no no. I
mean my mom says I'm big. I mean, I don't
go around showing my dick to my mom. That's not
necessarily to do. And I'm not just trying to show
my dick. That's not really what I'm trying to do here,
trying to educate us. Yeah yeah, yeah, yeah, yeah, yeah.
So we know what the anatomy is because you know,
penises that come in all shapes and sizes, and and

(35:44):
it's it's the motion of the ocean. Is is what
I've been told with the whole situation that's going on here.
I mean I never had a girl. Look, I mean he,
and I mean it say anything bad about my penish. Yeah,
maybe this is just a bad idea. Maybe maybe you
shouldn't cover and I'll just imagine drawings if you want,
I bring to you later and then you tell me

(36:04):
if they're good or not. And then if you want
to see my dick afterwards, you can see my dick. Yeah, yeah, yeah,
drawing interpretation. No, no, I don't want you to draw
interpretation of my dick because I just told you that
it was small. Never mind, this is a bad idea.
I'm gonna keep creeping on the teacher, if that's okay.
But it's even how the camera work goes around Elizabeth
Banks in the scene in Starla, where you know it

(36:27):
focuses on her because she's very girl next door type
of looking person. Right, She's that like she's cute, but
she's homely and you know she's dressed professional. It's that
hot teacher that you've got there. But you can tell
that there's still something that's like natural about her beauty,
if that's the best way to say it. Like it's

(36:49):
not that she's just oh my god, she's go soda
and hot, but it's like it's librarian or it's that
old like eighties trope where you've got the girl and
she's such a nerd because she's wearing the glasses and
she has her hair up, and then the moment she
takes off the glasses and she lets down the hair
and then you see the booty and you're just like hot, Damn,
that's one of the hottest people that I've ever fucking

(37:10):
seen before. I can't believe that that nerd over there,
the one that we also use just call nerd. You
just had her out there four eyes. Yeah, go back
into your book, you little fantasy words, you fucking nerd.
You know that girl that was over there, Man, she
could be this fucking hot. And that's kind of what
you get out of this scene because you go from

(37:31):
that and then it's like an ash shot of her
her turning around wearing her little like short skirt and
then revealing her nice looking butt that she's got there,
and it's you got the kid in the classroom. That's
just like a yeah, yeah, she thought, you know, with
all the other pimply faced, fucking teens that are in
the classroom that are learning from her. But this is
also Kylie that's in the class that's there, and like

(37:54):
I said, we get introduced her, but you don't know
exactly who she is until really like the mid part
of the movie and becomes an important character in this
film later on. So so we also get to meet Grant,
whose last name also happens to beat Grant, so he's
Grant Grant. I don't get it. I know that there's

(38:16):
a joke there and they make a joke about it,
and it's kind of funny, But why would you name
your kid his last name, like if you just don't
want him to forget? Now, I don't want you to
forget your family Grant, So that's why we named you Grant.
But dah, I mean, I didn't want to be known

(38:37):
for being a Grant. I mean I always know that
I'm related to the Grants, right because it's my last name,
but my first name too, whoa son? What happens if
you get in an accident and you can't remember your name,
You don't remember your last name. You just remember your
first name. You got amnesia, but then all of a sudden,

(38:59):
last is your first name. So what brings you back
into the situation? I never thought of it like that, Paul,
Damn you smart. I'm gonna name my kid Grant Grant.
But son, your daughter is not a boy, and you
can't name her Grant Grant. I know Grant Tina Grant. Oh,

(39:23):
you went to the George Foreman school of naming your kids,
didn't you. That's a good old son of mine. I'm
pretty sure that was the conversation that they ended up having.
But you can see too that he is very over
protective of her, right, he's like an obsessive I don't
want to say abusive, because we don't really know if

(39:46):
he's necessarily abusive, but he's definitely a controlling husband. Right.
It's the type of thing where he's gonna be the
one that goes out and does whatever the fuck he wants.
But anytime anybody shows any type of interest in his woman,
who he's just talking to one of the most boring
people in the world, talking about the goddamn like building,
the like fibers of the ground and it causes this

(40:08):
and the environmentalism that's going on out here, Like, she
ain't gonna want to fuck that. Okay, I'm sorry. It
may be James Gunn, but she ain't gonna want to
fuck him in this moment because he's really dry, boring
and just like chewing up the scene to only leave
for a second. So, hey, she ain't gonna be around,
but he can tell because he like swoops in and

(40:28):
he's the one picking her up from school after she's done,
so who knows if she drives her own car, and
he just like controls where she goes and how she
does it. So it's it's a very controlling relationship, which
is a theme in the movie in terms of control
and obedience in that type of thing. And it's understandable

(40:50):
why Grant is the one that gets infected by the
whole thing into what Grant becomes later on in the
movie after he's been infected by the alien creature that's there.
So you definitely get a sense of the characteristics of
what he is and what the relationship is like in
only the small little scene from there. Then it cuts

(41:11):
over and this is where we get to see Nathan
Fillian's character Billy once again as he's looking on over
at Stella, because as we can tell, and as they
explain in the movie as it moves on, that you know,
he's had a torch for her for a very long
time and he just can't quite let it go even
though she's with Grant, and so through his eyes and

(41:33):
the other characters around it, we get to hear a
little more of what the relationship is like. That's one
match I'll never get.

Speaker 6 (41:41):
Ain't no mystery styles raising them.

Speaker 5 (41:43):
Shanny's off Saint lu dirt poor. All she even wanted
was to be a lady.

Speaker 7 (41:47):
Oh, Grant, Grant, he's always been made a green gold digger.

Speaker 1 (41:50):
Hunh oh.

Speaker 6 (41:51):
Hell, Margaret Starling's mother left her. Dad's a drunk. She's
seventeen years old. Well, Grant pulls up, big old Cadillac house.

Speaker 1 (41:58):
On the hill and college wish.

Speaker 5 (42:00):
What would you do?

Speaker 8 (42:01):
Well?

Speaker 9 (42:02):
Hell, if he had Johnny, you'd have married him too.

Speaker 3 (42:03):
What's the.

Speaker 6 (42:07):
Country you know where Johnny's people come from? Learns to
eavestrom better Zach. Hell, your mother's waiting over there. What
the hell you doing here too?

Speaker 1 (42:16):
That's one of the stupidest fucking puns for her this,
and I fucking love it so goddamn much. Where it's
what's a Johnny, Oh, it's a country, It's what Johnny's
people come from. It's so fucking stupid, but it's great.

(42:38):
Oh it's the little things that get me so excited
when it comes to these types of movies. But nonetheless,
so yeah, you know, she married him when she was
young because her father left out on them and her
mother wasn't able to support her much anymore. And here
comes in the old, good old Grant Grant, and he's
able to swoop her off her feet because he offers
her everything that she wanted, right, she just wanted to

(43:00):
be a lady. And there's a couple of things that
it makes a little more sense why she would end
up with a person kind of like Grant in that situation,
you know, in her even being a leady lady, right,
kind of shows off in the next scene where Okay,
now that I'm with Grant Grant, and maybe I don't
want to be with Grant Grant. It's you know, wedding

(43:21):
vows to death, do his part and I'm just gonna
deal with the crap that went through. And there probably
was a time too, where he did come in and
he did sweep her off his feet. I know we're
talking about Michael Rooker here, right, and seeing him make
out with anybody is kind of like a oh my god,
I can't believe I'm watching this. Nothing against you, Michael,
it's just you're You're not the most telligenic person that

(43:44):
I've seen in one of these movies before. I mean,
if I put you side by side with Nathan Philly
and I'm gonna go make out with Nathan Phillia, I'm sorry,
and he's not necessarily my type, but I have to
choose between the two because there's a gun to my head.
Well actually it's just the ax that Cane Hodters holding,
and he's telling me to choose to do so I'm sorry,
even though you're Mary Poppins, I'm not gonna go with you.

(44:05):
I'm gonna go with Nathan Fillion over here. So as
we go into the evening and we see that they're
now like, well, Michael Rooker is ready for bed, and
again I don't necessarily need to see that, but nonetheless
he's there and he's a little randy, and there is
a funny little scene that he does too, because he's
trying to get it on with Starla over here, and

(44:26):
Starla's just not having any bit of it because she's
not really in the mood with it. And again it's
I don't like you can't really tell if it's because
it's Grant or it's just really because she's not in
the mood. Like she's not necessarily a gold digger, because
the next day she definitely does try something different. As

(44:46):
we're gonna get into with the whole situation, it's so
hard not to like jump ahead into certain things when
we're doing this movie, but I'm gonna try my hardest
not to do that. But he's trying to like kiss
up all on it here and she's trying to be nice,
and then she's like, I am, I don't just have
a switch, and they's all, sure, you do, and he
flicks both of her fucking nipples, to which she's like, well,
that's fucking rude in the way that it is so

(45:08):
like she still won't stand up to him, but it's
kind of like a normal married relationship, and like, in
a way feels like maybe she's stuck, right, She's stuck
in this relationship. She got into it young. Maybe he
did like come in with the money and was going
to show her the good life, allowed her to go
to school, because there's pictures of her around the house

(45:30):
with him, with them going to college and the wedding day,
and she looks happy and everything in the pictures, and
he gave her the life that she wouldn't have had
if he hadn't stepped into her life at all. Right,
So she just kind of took the easy way out.
It's not necessarily a gold digger situation, but she maybe
in the back of her mind kind of regrets that

(45:50):
type of decision that she did. But she also knows
that she's married to him, right, and she's trying to
live by those laws that they have, the moral laws
that are set forth by marriage, and not just end
the marriage because you know what, I made a mistake
and I'm not out of this. No, this is till
death do us part. And so she's not willing to

(46:11):
just leave this relationship, right, even though she maybe doesn't
necessarily honestly, but them and I could be totally wrong
with this whole thing, and maybe she just really isn't
in the mood. But it's the actions by the character
the way that Elizabeth Banks is portraying the character in
the scene that she's just like, it's not disgusted, it's that,

(46:31):
you know, well one as they say, you know, he's
saying they haven't had sex in a while and they
both have needs and why aren't you giving it up?
Type of situation again, you have this controlling thing like, ooh,
this is all mine and I'm the only one that
can have it, no one else can touch it, and
everybody wants it. And it's weirdly reflected because even though

(46:52):
it's the kids that want the teacher right the camera
and the eye of the camera that we're getting from
you know, James gunn as we're looking at her, we're
getting like a lustful want from the eye that's there
right in the way that we're looking at her. We're
looking at her above and then we're like checking out
our ass at the same time, just like the kids are.

(47:12):
And then you go over to Bill over here, Nathan
Fillen's character, and he wants her too, right, but he
can't have her, but he won't step in and do
anything about it because he also doesn't want to mess
up her marriage. Even though they have like awkward little
conversations with each other a little bit later in the film,
so she rejects him, and then he decides that, you

(47:35):
know what, well, then I'm gonna get out of here
because I need to clear my head and go to
the bar where there's a lady singing the Crying Game
in really terrible karaoke, almost like it's fucking wing that's
saying and the crying game. You know, it's funny, it's
I like the way the scene is set up. But

(47:57):
this causes him to gain interest from one of the
women that's at the bar that supposedly that's had a
really long, fucking you know, lust for him as well,
and doesn't understand why he is with Starla, even though
you know, I think that he would better be off
with Starla than with this girl that's there too. But nonetheless,

(48:18):
after she reintroduces herself to him once again, that's when
they go out into the woods, and you know, Peter
is gonna get what Cheeters get.

Speaker 10 (48:26):
Megan Montgomery's little sister.

Speaker 1 (48:29):
You kidding me?

Speaker 7 (48:31):
Nope, Brenda, my sister Meghan.

Speaker 2 (48:36):
She was a big fattle cow, and I'd be thinking,
was he seeing her? That?

Speaker 3 (48:40):
Ain't me?

Speaker 11 (48:42):
Come on, now, you couldn't been more than ten eleven.

Speaker 1 (48:46):
Hell, that was game.

Speaker 12 (48:55):
All right?

Speaker 7 (49:04):
Oh god, we're going girl, get over here.

Speaker 10 (49:11):
When I tell you I had a crush on you.

Speaker 1 (49:16):
Oh you look at that.

Speaker 3 (49:18):
Your initials b M.

Speaker 1 (49:22):
Like a fishing ship. I'm shut up. Please, don't got
the same last name as first?

Speaker 12 (49:26):
Oh you know my little turn girls.

Speaker 1 (49:43):
Wait wait, wait, I can't startling.

Speaker 11 (49:53):
She gets wet worried about me if I'm out too late.
I'm sorry, I got.

Speaker 1 (50:03):
Star y.

Speaker 9 (50:04):
Shit, what is it?

Speaker 1 (50:18):
So not only does she come on to him in
the bar, then they go out in the woods with
each other and like start doing the heavy flirting and
everything like that. He's obviously drunk and he's easy to
like mess with because he's got his carnal needs that
his fucking you know wife is not given him, which
is not an excuse at all for any of that
type of bullshit. And so he goes out there with

(50:40):
her and she shows him the tree where she carved
his and her name onto it to prove to him
that yeah, she's always been in love with him and
everything like that. But then like then the joke comes
out that her initials are BM, which you you know,
I shouldn't have to explain that to you, should I? Hey, heye,
you over there? Oh yeah, what do you want? No,

(51:04):
all right, I guess I'm gonna talk to you. You
haven't been around for a while. I don't know why
you're here, because there's none of you in this goddamn movie. Okay,
like they're Well, there may be one, but she's not
that old for the scene that she does. Okay, she's
at least of age for the scene that she does,
but not none. Nonetheless, Okay, you know what a bum is,

(51:26):
don't you. I mean, you've been around with all these
things for a long time. I can't say that. I
I know. I mean, I'm only in high school, so
there's no reason for me to understand with that. No,
cut the bullshit. We know how exactly how fucking old
you are? Do I need to explain to you how

(51:46):
BM is funny? Oh? Well, what is it like? It's
like a car? Is that what you're you're trying to
get it? No, it's not. It's not a fucking car.
Are you fucking serious? Are you fucking with me right now?
I mean, it could be like a banana machine, but
banana machine. Seriously, you've got to try harder to be

(52:10):
this fucking stupid, Like, really.

Speaker 13 (52:13):
Oh okay, okay, maybe maybe I can get on this one.
It's uh, it's what was that one thing that was,
Oh yeah, blowjob maker? Yeah, I had one of those
back back in the day when I was just a
wee little kid. It was only a couple of years ago.

Speaker 1 (52:30):
Now, No, no, it's not a blow job maker. They
make those things. Yeah, you can buy them on Adam
and Eve. Use forty year old pretending to be a
teenager dot com to go buy yourself one for twenty
percent off. Oh yeah, you know you want it, you

(52:50):
need it right now? Yeah? No, no, no, I know
I've been single for a while. I don't need a
blowjob maker. Okay, but seriously, you really don't know what
BM stands for. No, I've never had to do. What
do you do with it? Well, you make it, for one,

(53:13):
how do you make it? It's just natural, you just naturally
make it. Is it another name for jizz? No, it's
not another name for jizz? How are you this fucking stupid?
You can get all these roles landing because you look
all because you look like a teenager. You're acting fucking
stupid dude. So that way you can keep landing this

(53:33):
role being a teenager. Yeah, you got it. Now go
take your shit talk somewhere else, motherfucker. Yeah yeah, get
get the fuck out of here. God damn it. You're
a fucking bowel movement anyway. So nonetheless, they're there in
the forest. There's it's a pretty funny joke, to be
honest with you, in the way to play it. I

(53:54):
love Michael Rooker very much, and he's he's got this
weird thing that he's kind of always Michael Rooker, and
no matter the role that he plays, except for Henry
Portrait of a serial Killer, seems to be the only
time that he isn't Michael Rooker in any of the
Michael Rooker roles. But that's before we really knew him
as Michael Rooker. But he's still a goddamn treasure for
with whatever he fucking does. I mean, Samuel Jackson is

(54:16):
Samuel Jackson in every movie that he is, and he
is a goddamn treasurer. So so can Michael fucking Rooker
be all right? He deserves the middle title of fucking
That's that's right, that's the way we're gonna refer to
him as now on anyway. So as they're there, they
notice there's some weird shit on the ground and they
notice something that's there, and it's the egg that opened
up earlier, or the piece of the metiorite that fell

(54:37):
down onto the planet. And as you know one does
when you see some weird type of space shit that
fell to the planet, you gotta go figure out what
it is, and you gotta go follow the trail. So
they follow the trail down and that's where they see
this weird like brain pod that's there, and they poke
the goddamn bear and as they're looking at it, they
see this like stingers come out of the thing. And

(55:00):
it's cool. Because this movie is a mixture of both
practical and CGI effects. Some of the CGI doesn't quite
hold up that well, but it's still pretty good for
the time, and the practical effects do holdld up pretty
goddamn well. Like this little like egg thing looks great.
The little stinger that comes out of it and shakes

(55:20):
like it's a fucking like serpent, you know. I love
the way it looks almost like a rattlesnake tail or
something like that. And then but when it gets shot
to him. There is the cool effect. I can't quite
tell if this is practical or cgi where it goes
into his body, but like, dude, the moment that thing
pops out of that and starts shaking around, I'm getting
the fuck out of there. I am not staring at that.

(55:42):
Oh what the fuck it is? I get it. He's
fucking drunk. You know, he's doing exactly what doctor Phil
wants him to do. Hey, everybody, let's get drunk. Perfect
doctor Phil. We'll go get some beers right away, maybe
some of the hard stuff, but nonetheless, like, I get it,
you're a little ineviated, you're kind of in But I
still think I would have the wherewithal to not look

(56:03):
down at this fucking thing on the ground. See it
shaken like a fucking you know, animal that's about to
attack me, Like whooh, what the fuck is that? And
so of course it shoots him and stings him right
in the center of the chest and then goes into
his body. And this is where one of the facts
doesn't really hold up that well, where the it shows
it go into like an X ray effect, and it's

(56:23):
crawling up his body and going into his brain. It's
a you know, it's nothing really special, but it's a
that's just basically what it is. So you see that
it goes into his brain, travels up his body, goes
in the brain, and then when Brenda goes over to
him to see if he's okay, he gets up and
he's got blood coming out of his nose and blood

(56:44):
coming out of his ears, and she's like you all right,
and he's like, I'm getting the fuck out of here.
So he like grabs her arm, like really heavily and
then gets up and then just walks off and leaves
her alone in the fucking woods to fend for herself
because now he's been in fan he drives home, and
when he drives home, the first thing that he does,
because he's had a good night going out there and

(57:06):
cheating on his wife a little bit and then getting
infected by an alien, you know, get a little hungry.
So he goes into the fridge and all I can
say is meat, meat, And he grabs like every single
thing of meat from his goddamn fridge and pulls it
out of the fridge. And we fade over to the
next morning to Starla waken up to an empty bed
next to her so she looks around, doesn't see her

(57:27):
husband anywhere near because he alarmed is going off, and
then starts to get ready for the day, taking her
hair out of the curlers that she's got, looks out
into the distance and sees that her husband's car actually
is there, so that means he's in the house. He
just slept downstairs away from her because he's still upset
with her. We cut downstairs to Michael Rooker. He's there, Sorry,
Michael fucking Rooker Graham creating a little like bed out

(57:51):
of leaves. He just has a trash bag full of
leaves that he dumps in the fucking basement, then puts
a net on top of it and rolls around in it.
Here's the his wife is upstairs because they're playing role.
She's playing their song overnight scenes, dinner and wine, Saturday Girls.

Speaker 14 (58:10):
I was never in love, never had the time in hustle.

Speaker 1 (58:15):
And hurry world. This is what you're getting because I'm
not getting fucking copyrighted for this whole fucking song.

Speaker 14 (58:22):
Laughing myself to sleep, waking up lonely. I needed someone
to hold me.

Speaker 1 (58:34):
So anyway, you kind of get the scene. As you know,
she's bringing a peace pipe to the situation, so that
hopefully he brings out his peace pipe and lays the
pipe onto her.

Speaker 10 (58:43):
Babe, we haven't.

Speaker 12 (58:46):
Heard the song.

Speaker 10 (58:47):
A wow, I was hoping it could be here.

Speaker 4 (58:52):
His pipe.

Speaker 12 (58:53):
It's the old jell drag you down to run out
of the dreams.

Speaker 1 (58:58):
So you put you.

Speaker 6 (59:01):
But you don't know what.

Speaker 4 (59:05):
I'm sorry about last night.

Speaker 10 (59:13):
I don't mean to push you away, make you feel rejected.
I do want to be a good wife.

Speaker 12 (59:36):
You're crying.

Speaker 15 (59:55):
Everything, move everything from that's what you love so Japan
in mind to get a climb the highest highest side.

Speaker 1 (01:00:15):
Cause your every creeper in the world to me, pretending
your routine to get those movie rolls. Boy, your every
creeper in the world to me, you're no one's fantasy.

(01:00:36):
Why can't you see for me? Oh wait, that's not
the song that we should be singing. But nonetheless, air
supply gotta love for some fucking air supply when they
put it in a goddamn movie. For a second. There,
you know, I didn't go back and erase a bunch
of the podcasts that are recorded because I was singing
the wrong air supply song or anything like that. So

(01:00:58):
you can just you know, forget about that, because I
only fucking remember two air supply songs, like what do
you want from me? It's fucking air supply, is what
it is. So he lays down the pipe and everything's good.
You know, she's like being really loving. This is where
I say, like she's still trying to live up to
her like wifely duties as it were, not necessarily saying hey,

(01:01:22):
I'm just gonna let you fuck me. I'm gonna pretend
that I fucking enjoy it. That's not the type of thing.
But like she realizes that she kind of fucked up.
She does care for him, right, So it's like a
part of her does love him and wants to do
right by him for all the things that he's done
for her. Because again you look around the house, and
especially as Grant comes through and he hears the music,

(01:01:45):
and now this is you know, infected Grant as we
should be referring him to. I see he's going through
and she's talking to him, and she's just wearing the
robe and she's got her little nighty on underneath, and
she's slowly moving the robe off of her shoulders. There's
that part of him that still grant and still has
that feeling towards her as well as he looks at

(01:02:05):
all the pictures that are on the wall and all
the pictures of the wedding and her graduation and when
they met and all these things that are there, and
you know, and she's like kind of seducing him and
being like, you know what I did mess up? Maybe
I could have just given in to you last night,
which again she doesn't really need to do, but this
is her way of playing like peacemaker to where, you know,

(01:02:28):
he ends up jumping on top of her and giving
her a guest the boning that she's been missing for
all this time. Because as she goes into work, she's
still singing the air supply song that's quote unquote their song,
and as one of the fellow coworkers notices that, she's
just very very happy, you know, the fact that she

(01:02:48):
got the pipe laid down on her guest really fucking good,
Like it was a whole new experience for the both
of them. So she expresses that with her coworker while
he's still out there looking for more meat, what are
you so smiling about?

Speaker 4 (01:03:03):
Nothing?

Speaker 16 (01:03:04):
Oh, Grant, I had a good morning, and it's been.

Speaker 10 (01:03:08):
A while, Yes, Lush, you're a married woman.

Speaker 16 (01:03:20):
Scramp, and I was like, it was like it was
discovering all these different parts of my body, you know,
like like a little boy or something.

Speaker 4 (01:03:30):
I'm telling you this morning, I sent a real change
in Grant.

Speaker 1 (01:03:42):
Nay, nay, old mister Grant.

Speaker 3 (01:03:45):
Oh hey there, killer, what can I do for Give
me a couple of your red bodies?

Speaker 5 (01:03:49):
How many you need?

Speaker 11 (01:03:51):
Eight?

Speaker 3 (01:03:53):
Not ten?

Speaker 11 (01:03:56):
Yeah?

Speaker 3 (01:03:57):
No, no, no, no, no, you know what, give me fourteen?

Speaker 1 (01:04:01):
Having a party.

Speaker 3 (01:04:04):
That something like that. Yeah, it's a little surprised with
a wife, Grant.

Speaker 4 (01:04:23):
What's this lockdowing on the door? Maybe a drilled right
into the frame. It's all busted up.

Speaker 12 (01:04:34):
Sugar funk.

Speaker 11 (01:04:36):
You really think you should be asking so many questions
when it's so close to your birthday?

Speaker 4 (01:04:40):
My birthdays not for two months, that's close.

Speaker 5 (01:04:43):
Not really my opinion.

Speaker 1 (01:04:46):
Hey, your dumb bitch, Why don't you just shut up
and do the goddamn laundry like I told you you
and stop asking so many goddamn questions? Why you gotta
be a nosy bitch all of a sudden. I mean,
I love you, I cherish you, and it's close to
your they're at the stupid horror. I mean, uh, that's
that's not the way that I really need to be
talking about you in this situation, is it. Uh No,

(01:05:07):
I'm trying to keep up appearances here. I too. Love
that shot of him inside the butcher's like part of
the grocery store that's there, where you know, he's looking down.
He's just got this big fucking grin on his face
and he's just like meat, meat, almost like he's doing
a Beavis and Butted impression for himself. He's doing both sides,

(01:05:27):
both Beavis and butt Head. You know, one says meat
and the other one laughs after they said meat. And
then when it pans out or actually just kind of
jumps to like an establishing shot of him looking down
to the meat, there's just a big old sign that
just says meat hanging up there, and it's just kind
of funny. Okay, Yes, I am a five year old
trapped in a fucking forty plus year old's body. Fucking

(01:05:50):
sue me. That's just the way that it's going to be.
And then when they get home, she notices that he's
put a lock on one of the doors, and she's like,
what the fuck is this, you know? And that's when
he comes out. Really the expression on his face is
why you're asking somebody stupid fucking questions, you bitch. But
it's just really like he's just trying to go through
his mind. He's like, I have to say something nice
and something that's not gonna get me found out here

(01:06:13):
because she's asking the stupid questions. And I just put
a lock on the door. And then I guess that
door has never had a fucking lock before. Stupid to me,
I guess, But I'll figure out what to do. Oh,
it's your birthday coming soon, isn't it. Yeah, like in
two months? Like do you not know when my birthday is?
Of course I know when it is close to me?
All right, it's all relative. What time actually is? Okay?

(01:06:34):
If anything that Stephen Hawkings is, it's Stephen Hawking. Yeah,
that's right, that's right. You know me, baby, I get
his name confused. You know, the theory of relatility, it's
the theory of relativity. I know what I'm talking about,
you dumb. I mean, I love you so much and
I just don't want to ruin the surprise, all right.
I guess I'll go back to doing laundry. Then I'll

(01:06:56):
just leave. And it's like he looks at her, and
we get another butt shot on the way out, you know,
and then he like starts getting like a rumbley in
his tumbly and he asks to rush outside to where
he's holding his gut. And we as an audience don't
know exactly what this is yet, but there is a
dog that happens to be an unlucky victim outside. Now
I'm gonna warn people, you know, for those that are

(01:07:18):
say sensitive these types of things and don't like to
see them. Uh, there is like some disturbing images of
animals in this movie, but there's no violence against animals
in this movie. So you know, I know some people
are gonna be like, well, why do you have to
say this type of thing? Or I remember, I'm like
just saying like, if you're gonna watch this movie and
you don't really do well with that, well then there

(01:07:40):
you go. I mean, I know some people that can
watch all the fucking glorious, fucking shit in the world,
but the moment that you fucking harm a dog in
a movie, then they get all fucking cry baby on you,
and you're like, okay, well, maybe I should have told
you that a dog was gonna get punched by the
villain to show that the villain's evil. All right, I'm
sorry that I didn't warn you that the villain was
going to be a villain. I don't know what to

(01:08:02):
do for you. I just I'm gonna express this. So
like you don't see him basically beat up the fucking
dog or kill the dog or anything like that. But
there is some like scenes of graphic violence that involve
animals in this movie. There psa done nonetheless, So he
stares over at the poor dog, and then it cuts
to that evening as they're getting ready to go to

(01:08:23):
the big deer fest that's happening downtown, because that's a
big thing that's there, And as he's getting dressed, we
now get to see a bunch of different like marks
all over his neck. And we also go into the
bathroom and we get to watch you know, Starla Bathe.
We don't get to see her. It's behind you know,
frosted glass that's there, all steamed up. But again, it's

(01:08:45):
that type of eye for the camera where it's like, Okay,
this is meant to be like really enticing, and we
see that Grant is definitely going through some struggles and
trying to fight some things back, because you know, he
hears the water going and he decides to walk over
towards the back bathroom. And as he gets over to
the bathroom, that's when probably not necessarily one of, but

(01:09:07):
you know, well it is one of, but it's not
the weirdest thing that happens in this movie. And that's
as he reaches over the door and sees that she's there,
his shirt begins to move and these two little dicks
pop out of his chest. Well they're more like tentacles.
And again, I think I've seen this movie before, but
maybe not. Might be something that somebody else showed me,

(01:09:28):
but I don't know if I actually actively searched out
looking for it late at night when there was nothing
else on TV and decided, oh, you know what, I
want to see what this is like, So let's look
up tentacles in people. But nonetheless, so the tentacles are
all getting all randy and they're moving out, and his
Grant as reaching over to the shower door to open it,
and I guess possibly attacker with said tentacles. He pulls

(01:09:51):
back because there is something in him that still is
attracted or I would say in love with what's there,
So that part of Grant and whatever has assimilated into
Grant can't break the idea of harming his wife. So
as she's getting ready and getting into the shower, you know,
he ends up like pulling back, and then she turns

(01:10:14):
around to look at him, and that's when he turns
around and like says, I gotta go to work and
I gotta go do something, as he's trying to shove
the dicks back into his chest. So he runs out unexpectedly,
and then we cut over to Henloter's saddle Lodge for
the Big Deer Cheer of two thousand and five as
we see Bill and his lovely deputy there talking about

(01:10:35):
what's going on as the festival has now begun.

Speaker 6 (01:10:39):
I will never understand what joy grown man gets you
some thousand dollars weapons, plows her face off, cute little.

Speaker 3 (01:10:45):
Dere Now.

Speaker 1 (01:10:53):
Surprise, you're able to lift a muggum and carrying that towards.

Speaker 2 (01:10:56):
It so long.

Speaker 1 (01:10:58):
That reminds me of something I want to tell y'all.

Speaker 9 (01:11:00):
Fuck you FETs.

Speaker 12 (01:11:05):
Okay, I'll be right there, asshole, great.

Speaker 3 (01:11:25):
Damn you are chuckling for the eyes.

Speaker 12 (01:11:30):
Thought maybe he was dead after the other.

Speaker 3 (01:11:32):
ND I am dead, don't I look it? The Olf
Mexican Or.

Speaker 10 (01:11:43):
And his moments for the weekend, I'm all alone.

Speaker 17 (01:11:47):
Listen.

Speaker 1 (01:11:48):
If I never in my life have to hear Michael
Roker go mmm ever again, I will be so fucking happy.
I do not need to hear that ever again. Okay, ever, ever, ever,
unless I watch this movie again, I don't ever want
to hear that again. Never. I just don't. It is disturbing.

(01:12:08):
It is worse than the forty year old that wants
to play a teenager him showing up every now and then.
It is worse than that. I would No, I'm not
gonna say what I was gonna say, because then he's
gonna pop up back, and I just don't need that bullshit.
So you have good old Bill here sitting in the
bar as they're beginning to like start this big festivity.
I guess where they're gonna go out for hunting season.

(01:12:29):
I guess this is to like announce that hunting season
has begun. Time to go out there and blow a
bunch of fucking holes in deer out there with guns
that maybe you shouldn't really be using to hunt deer,
but you know what this is, Marca, so go ahead
and hunt the way that you want to fucking hunt.
And so you know, I love that too, that line
that goes on between him and his little deputy friend

(01:12:51):
or the other cop or whatever the fuck you want
to call him that he is, and he's like the
line he says, you've been holding that torch so long
that you can hold your beer and then goes, hey,
got something to tell you? What fuck you?

Speaker 9 (01:13:06):
Like?

Speaker 1 (01:13:07):
I love there is some like little bits of sharp
comedic writing that I think that you know, it's good
writing for what it is, and in general, I think
that you know, the movie is pretty well written overall
for being somebody's debut and for being, you know, a
directorial debut for what it is. And he definitely has

(01:13:27):
a way, James Gunn does have a way with words
and how everything's set and so it, but it's still
not quite up to snuff of what it becomes right
and honesty. Like I feel like Super is possibly his
best written movie that's out there, and a lot of
people might say it's the first Guardians of the Galaxy,

(01:13:47):
which I would also say that's extremely written, very well,
and I think the third one is extremely well written,
especially for Rock and Raccoon stuff. Right. To have those
things that happen in that movie is absolutely astounding, to
be honest with you. And it's just these small little bits,
like his comedic timing is really well and it definitely

(01:14:09):
gets that like trauma feel when you have in the
way that the dialogue works in this movie. And then
I love that you get the Toxic Avenger like pop
up in there, and that's what they're watching on the TV.
For those that know, they fucking know, they knew it
before I had to say anything. That's there. And so
Brenda is raising that kid right because she's got her
little baby in her arm as he's watching good old

(01:14:29):
Toxy well before he becomes Toxy. And when he you know,
takes the fucking mop and instead of putting mop in
the mop bucket, he puts in the hot tub with
all the little, you know, fucking little territeenes that are
in there, or you know, mobsters that are gonna eventually
turn him into the Toxic Avenger. Mobsters, gangsters, fuck nuts,
whatever the fuck you want to call them for that movie.

(01:14:49):
But all I'm really trying to say is that she's
a good mom teaching her kid the glory of trauma
at such a young age. Okay, whatever it is, she's
doing good job, except for the fact that she's letting
Grant inside of her house. I mean that's not the
best thing. I mean, she's cheating on her as he

(01:15:11):
quotes half Mexican that she's got at home. And you know,
he's over there kind of wigged out of his mind
because he's infected by some type of alien monster from
another planet that is now going to be hellmanned on,
you know, assimilating the human race or some shit like that.
And as a healthy appetite for Vagina that that's really

(01:15:34):
what it is. He just wants to get his fucking
freak on, and he doesn't want to do with his wife,
and he wants to use his little two tiny dicks
that he's got coming out of his chest over there.
So she invites him in, and instead of continuing on
with the scene as I would have expected, we did.
Instead we go to the rooftops over there at the
deer party that's going on, the hunting party that they have.

(01:15:57):
It's such a weird thing. I just I feel like
this only happens in movies when they have this type
of like celebration that goes on because they're going to
be starting hunting season. Like, is that a thing in
the small towns in wherever the fuck this is? I
can't tell if this is the South or this is
the North, or this is the North South, wherever the

(01:16:17):
fuck this movie takes place in some little podunk little
town where I guess this is the biggest thing that
they have going is that they're gonna go kill a
bunch of fucking deer and they have a giant celebration
for it. So instead we go out into the patio
that's there. I know, I said the roof, but it's
more like the patio, and you know, Starlight is out there,
just hanging out by yourself. And that's when Bill comes

(01:16:38):
outside and they have a conversation of malp of the
awkward kind.

Speaker 2 (01:16:43):
Hey, hey, hey, Bill, what's she doing?

Speaker 18 (01:16:51):
Oh?

Speaker 6 (01:16:51):
Nothing, I'm trying to get a buzz on, but I
can't got too much musclemans.

Speaker 1 (01:16:57):
I don't know what it is really.

Speaker 4 (01:17:02):
Congratulations, by the way, thank you, I'm a promotion.

Speaker 19 (01:17:05):
Thank you.

Speaker 9 (01:17:08):
Yeah sounds weird.

Speaker 11 (01:17:10):
Have done it?

Speaker 9 (01:17:11):
Noimes so where's ald grat.

Speaker 4 (01:17:19):
I don't know who's who's supposed to meet me here
of it.

Speaker 5 (01:17:26):
Tonight.

Speaker 9 (01:17:28):
Sure it's pretty.

Speaker 5 (01:17:31):
God for countdown.

Speaker 9 (01:17:43):
On most Yeah, dejection max speech or something interesting.

Speaker 1 (01:17:49):
Yeah, okay, you know what, he is one of the
most charismatic motherfuckers that has ever grace the fucking scene.
Like I'm falling in love with him, just listening back
to him, not looking those dreamy fucking eyes in his
weird fucking nose that he's got. Yeah, that's right, Nathan
Fillion is a weird fucking nose. Go ahead, look at it,
just stare at it. It's it's weird. It's just not normal,

(01:18:12):
you know. But he's an attractive man, and he's got
this awkward, geeky type of sensibility that he's got with
him that just drives the men. I mean the women,
mad well, probably the men too. I just don't get it.
That's why it was so fucking charismatic. As the lead
fucking pilot over there on or the captain or whatever
the one fuck you want to call it on a

(01:18:34):
Firefly and everything else he's done, even I can't believe
I keep one back to fucking Superman. But even though
him as Guy Gardner, where Guy Gardner's a fucking asshole,
He's still charismatic as fuck, and it makes you just
want to jump into the sack if he's like, Hey,
go over there, bend over, I'm gonna fucking plow you
for a couple hours and be like, Okay, Nathan, not
a problem, go ahead, wreck my asshole. I don't give

(01:18:56):
a shit. Like that's the type of charm that this
man has. And it just like Ooz is in this film,
and his timing with things is just so good. Like
I know everybody but fucking sucks Ryan Reynolds fucking balls
and drains them fucking dry. Right, I have done that
at times too. I think that Ryan Reynolds is a

(01:19:16):
very charismatic guy. I think he's really fucking funny, but
I don't think he holds a fucking candle to Nathan Fillion.
And and like he's so much more popular because he's
been able to get the things done that he needs
to get done. And yes, usually he's the best part
of the goddamn movie that he's in. And I would
say here with Nathan, he's the best part of the
movies he's in too, Like just tenfold to me. I

(01:19:39):
don't know what it is. I just really like I
like this character. I in fact like all of the
characters in the movie, even the stupid side characters that
pop up in this movie. But I really like Bill
because Bill is an honest man, right, He has honest
feelings for Starla, And you can even tell him this
awkward scene that they've got going on here, it's just like,
why aren't you too fucking already? But that's because she's

(01:20:00):
an honest woman, he's an honest man. Then they're not
just gonna fuck up the relationship that she has with Grant,
even though he might be the perfect person for her,
it's just not gonna happen because he's not gonna make
that jump. He's just gonna keep holding that torch for her,
just like it's like Deputy Dude said to him, and
he's not gonna do anything about it until I guess
maybe Grant dies, maybe of have a mysterious death, maybe

(01:20:24):
all of a sudden middle of nowhere. You know, she's
gonna start going into like these murder mystery shows because
she's been married to him for so long, and she's
gonna start getting ideas like my cousin has for her husband.
I mean, that's not a real thing. No, no, no,
I'm not gonna start throwing that into the goddamn ether.
But it's kind of funny that, you know, that's the

(01:20:44):
running joke between the two of them. But nonetheless, so
the you know, the party is officially starting. The mayor
is gonna come out there, he's gonna give his speech
to everybody. And also at the same time, uh, poor
old bowel movement, and she's gonna get what's coming to her,
I guess, And we're gonna just let the hunt begin.

(01:21:07):
I would like to introduce mar Jack mcgreey.

Speaker 4 (01:21:22):
Thank you, she's and crackers.

Speaker 1 (01:21:28):
Ladies and gentlemen.

Speaker 12 (01:21:31):
Right after God invented this world of ours.

Speaker 20 (01:21:35):
He came on to Abo and he said that man
should have dominion over the fish of the sea, and
over the birds of the air, and over every living
thing that moves upon the earth.

Speaker 12 (01:21:54):
Now, I believe when God says that.

Speaker 20 (01:22:00):
He was thinking of dear Season and Wizzie and how
much damn it is to shoot a bucker.

Speaker 1 (01:22:05):
Cub are you read it?

Speaker 12 (01:22:18):
Seven six free stressed?

Speaker 1 (01:22:46):
So yeah, the whole thing just goes to ship for
poor bm over here. As you know, Grant opens his
shirt revealing that he's got these weird bumps and ship
on his chest, like he's got gonn rhea of the
fucking I guess body instead of the dick. I don't
know where the fuck you get gonn rhea. I guess
you would get in the dick or the vagina or
something like that. I've never had an std knock on

(01:23:08):
fucking wood. But nonetheless, he's got something really nasty growing
up in his chest, and his two little dicks pop
out of his chest, and then he goes off an
attacking her. Ultimately the two dicks stick into her stomach
and then he starts pumping her full of I guess
alien goo is basically what he's doing. And how about
this speech by the mayor. You know that that's exactly

(01:23:29):
what God thought of, right? God was like, what is
the most beautiful thing known to man? Is it the
invention of life?

Speaker 19 (01:23:37):
No?

Speaker 1 (01:23:37):
No, that can't be it. No, there has to be something.
I know, the arts, the Renaissance, the paintings. That is
the beauty that HU meant. No, no, no, that is
not the beauty that I thought. I know, I know
it's the blushiest landscape's nature, how it moves, how the
animals grow, how the humans think. It's absolutely no no

(01:24:00):
talking about pure beauty. If I'm gonna explain pure beauty,
I need to I need to find something that just
exemplifies that, that just makes it the best thing ever
in the world. I know, blowing the head off a deer,
that is the most beautiful thing it is. Hunting in
this little pode like nowhere town that the humans are

(01:24:21):
gonna build it thousands and millions of years after I've
created all life in the known universe that I God
have brought to this world. It's not gonna come right away,
and I'm gonna have to build it, and I'm gonna
have to teach them how to do things. I'm gonna
first gonna have to make the lands that they're gonna
go in Rome, And then I'm gonna have to make

(01:24:42):
the animals survive that the harsh wildernesses that are out
there and grow and you know, flourish in the areas
that are there. And then I'm gonna have to make
the humans. I'm gonna make them, you know, a man
and a woman one from the other, and they're gonna
go out there and they're gonna, you know, prop the earth,
and they're gonna make sure that it's a wonderful place

(01:25:03):
for every other human to live. They're gonna be the
superior species. At least they're gonna believe it, even though
we know that it's the goddamn groundhog. And when the
groundhogs finally rise up from the ashes underneath the human
society that will eventually fail, they they shall reign supreme,
using human technology for their own, and go out vast

(01:25:23):
echoes of space that are out there colonizing planets until finally,
one day they meet up with zeno morphs, because yes,
those things are actually real, and then the true beauty
will happen with the groundhog xenomorph wars that are gonna happen.
But until then, the most beautiful thing that will happen
will be in this little podank piece of fucking shit

(01:25:44):
town where an alien is coming down to slowly assimilate
all of them. But it's gonna be when they go
out there to blow the heads off of beer and
collect their meat. But not all of them are gonna
do that. Some of them are just gonna shoot the
fuckers dead. And that's gonna be even more beautiful because
they're gonna lie there dead in the and nobody's gonna
do anything with them, and they're just gonna be so
proud of themselves, and it's gonna be right there and

(01:26:06):
God himself me I will be there to watch it
all and to admire the beauty that is dear season
in this shitty little town. Yeah. I'm pretty sure that's
what God had on his head. So anyway, while they're
all celebrating, she's getting violated over there by some random
fucking alien creature that they have. We cut over to

(01:26:28):
that evening as Starla comes home, and when she comes home,
she notices that that lights are all in the whole
house and that you know, there's no side of Grant
anywhere until she turns on the lights. Then all of
a sudden, Grant shows up and he's not quite looking
like himself. He's got a little bit of an injury,
to which he just calls a beasting.

Speaker 10 (01:26:47):
Oh my god, baby, what happens to your face?

Speaker 3 (01:26:50):
It's just a beast steak.

Speaker 9 (01:26:56):
I'll be all right, have a little reaction.

Speaker 11 (01:26:59):
That's all.

Speaker 4 (01:27:01):
We got to get you to the hospital.

Speaker 11 (01:27:03):
No, no, no, no, I already saw doctor Carl give
me prescription, said she clear up soon. He said, things
like this happen, happens to people all the time. Good, well,

(01:27:24):
maybe do don't look at me like that.

Speaker 4 (01:27:31):
Yes, hi, doctor Carl, this is Starling Grant.

Speaker 1 (01:27:33):
Oh, Starla, how are you?

Speaker 4 (01:27:36):
I'm fine?

Speaker 12 (01:27:36):
Thank you.

Speaker 4 (01:27:37):
I was calling about about Grant's condition. I think that
it may be getting worse.

Speaker 1 (01:27:43):
What what condition is that?

Speaker 4 (01:27:44):
Near the one you just tell him about, Starlin.

Speaker 1 (01:27:50):
I haven't seen your husband in over a year. So
if that is a beasting that he's got on the
side of his face, not just that it's like little bumps, right,
it's just a little bit of swelling whatever. He's got
a giant lump on the side of the or the
top of his head. He's got all these other bumps
all over the side of his cheeks, all the way

(01:28:10):
down to his neck. He's drooling in random places he
hasn't drooled before. He looks like he's about five four
locos deep. Right, he's been out there fucking boozing it around,
and he's drunk as shit, and he's meanwhile, he's managed
to bump in everything he has on the way home
because you know, he drove himself there, so he might
as well drive himself back, and you just that look.

(01:28:32):
He's like, it's just a beasting baby, and don't worry
about it, don't This is just a little not on
the top of the head. That's where it got me.
Little honeybee came by and because I was trying to
go steal its honey from the tree, and you know,
I thought Winnie the Pooh had it right, but it's
just it's not that easy to do. Your head gets
stuck inside the hive, and then you're running around for

(01:28:54):
a little bit and you think that the honey's gonna
just be right there, but it's in the comb and
you can't just get it out easily the comb. You
have to cultivate it. And I just I really just
want some honey for toast. You know, it just felt
right to have that for dinner since I didn't get
to go to the deer ceremony because I had to
go to work. Remember remember when I said I had

(01:29:14):
to go work, I wasn't out there trying to plow
some other young lady that you might know, and you
might not ever want to know about what's really going
to happen to her there in the future. But yeah,
it's not good. It's not good at all. What's gonna
happen to that poor lady. But yeah, I'll be fine,
don't worry about how the doctor's race see me, don't
get us some medication. Let's just go to bed and fuck,

(01:29:36):
you know. And so the next morning she goes and calls,
and it's funny because the guy that's on the phone,
the doctor that's with her, it's funny that, you know,
the fact that he's like, oh, I haven't seen your
husband in like two years. But the voice of the
doctor that's there is Rob Zombie. That surprised the shit
on me because I don't recognize the goddamn voice. And
it took some trivia to find out that, hey, that

(01:29:57):
is actually Rob Zombie that is on the phone there
calling in. So not only does he work for Peta,
but he's an actual doctor. So nonetheless, so she finds
out the shocking truth that he is, you know, not
seeing the doctor and not getting the pills that he needs.
You know, she's been saying for a while that he
needs to do something about that dick, but now he's

(01:30:19):
got two extra dicks. To help him, which maybe sooner
or later she's actually gonna find out about. We then
cut over to Grant, who's busy stuffing a bunch of
meat into a sack to where eventually he's gonna go
out into the middle forest to meet somebody that he
might have violated. For a bit, we cut over to
Starla for a second as she's driving down the street.
When she's driving, she sees a poster board or you

(01:30:40):
know as it's known as, like a billboard, is what
I'm really trying to say here, And so she sees
a billboard with a bunch of posters for a ton
of lost pets that are out there, to which on
her face, she just kind of sees it and thinks
that's that's quite odd, and then drives forward and decides
to go home because she's gonna go confront Grant over
what she just found out with the doctor. We cut

(01:31:01):
back over to Grant and Grant has now entered a
random barn in the middle of nowhere to receive bm
just kind of hanging out, and she looks to be
a little bit bigger than she was before, not that big,
just a little heftier, like she's carrying a little bit
of water weight on her. I don't want to like
fat shame or anything like that to where we find
out that Grant's got that giant bag of meat, and

(01:31:23):
when he runs into her, we find out that she's
extremely fucking hungry.

Speaker 11 (01:31:28):
What man, come now, don't cry now, look here, you're
doing a good job.

Speaker 1 (01:31:39):
Node No, no, no, no, yeah, I got something here.
Help me feel better?

Speaker 3 (01:31:45):
Ye got too much ches? Come on now, treat yourself.

Speaker 21 (01:31:56):
Yeah, never saying all right, hey, starling, Hey, Bill, wally I,

(01:32:19):
Grant Ryan Bandy chat.

Speaker 4 (01:32:21):
Oh no, he's not home from work yet. He's not
home yet, Wally I just said, what's going on?

Speaker 9 (01:32:30):
Do you know how Brenda Gucciera is? Maybe maybe she
called the house or no, mm hmmm uh what's girl
disappeared Friday night?

Speaker 1 (01:32:42):
Signs of a struggle in the house.

Speaker 5 (01:32:44):
Here in town.

Speaker 1 (01:32:45):
Yeah.

Speaker 9 (01:32:46):
The thing is, people saw Grant going into her house
and that's the last thing I've seen it.

Speaker 4 (01:32:53):
It must have been someone that looks like Grant.

Speaker 9 (01:32:56):
Yeah, maybe, but have him give me a call soon
as she gets you.

Speaker 11 (01:33:05):
All right, all right?

Speaker 9 (01:33:07):
Thanks?

Speaker 1 (01:33:10):
Not so he's got her all holed up in the
middle of nowhere out there and he's just feeding her
tons of fucking meat. She's so hungry. She feels like
she can't say she ate her hunger, and that she's
gonna burst any moment, but she needs something to eat.
And you know, I love how he's like, nah, nah,

(01:33:30):
you don't look fat, you're doing look ugly. You're doing
a good job. Good job. Here, I got you a
bunch of raw meat. Treat yourself. Make sure that you
get enough of that meat up in there. All right,
we want to make sure that you're nice and fed
and that you're good. Who's gonna be my good little piggy.
Who's gonna do the little pig noise? Do you little

(01:33:51):
pig noyes? Yeah? Yeah, you doing a little big noise
or treat yourself. You gotta make sure you do that shit.
So then we go over and we see that Bill
and the other deputy Wally that's there. They come up to,
you know, Starla, who's taking the trash out to the
corner because you know, Grant's not there, so she's got
to fill a role somehow. And as she does that,
they Camlon approach her basically saying that Grant was seen

(01:34:13):
going into her house and so you know, she can't
believe that that's actually what's going on. So she goes
back inside and sees, you know, looks at the card
that she got from Bill, and then she sees the
door that's there and decides, you know what, it's time
to go and check things out because what Grant's been
telling me, yeah, necessarily isn't the truth. So she goes

(01:34:34):
to the closet, grabs a baseball bat, and then starts
beating the shit out of the lock that's on top
of the door. Eventually she does bust it open, and
she goes downstairs, and it's very dark down there, and
when she finally gets down to the bottom and she
gets a light on the situation, she sees the horrors
that confront her because when she opens the smell is
very very hard for her to take, and there are

(01:34:55):
flies just buzzing everywhere as she goes down the steps,
and what she ends up finding down there is not
necessarily a very pleasant site for anybody to see. But
you know, it's a bunch of dead animals, including which
I assume is their dog, possibly the neighbor's dog, but
there are tons of coyotes, there's a bunch of dogs

(01:35:16):
that are down there, and it is just a bloody
fucking mess. I think there's even a bobcat, possibly a
regular house cat that's down there. I don't fucking know,
but if it was a regular house cat that was
down there, I'm pretty sure it's just lavishing in the
fact that all these other animals are dead and it's
gonna help the alien actually take over the planet, because
fuck humans, that's exactly what cats think. So she goes

(01:35:38):
back upstairs and decides to give Bill a call to,
you know, tell her about what she found in the
basement downstairs with Grant. But as she's trying to get
a hold of him, all of a sudden we get
I love the little pacing scene of her going back
and forth trying to leave a message, and then you
see Grant in the window for a second and she
doesn't notice him at all, But then when he walks,
she walks back over. Then all of a sudden, he

(01:35:59):
starts making noises to make his presence known where he's like,
oh god, damn it, bitch, I can't believe you're trying
to fucking turn me in, And so he starts smashing
on the window and then when she goes and tries
to run out the back of the house, who's there.
Why it's good old Grant with some extra bumps all
over his fucking face. He's got this weird poll up
thing going on on the other side of the head,
the opposite side of where like the welt was. And

(01:36:22):
so there's I like this scene in the way that
it's done. And again it's like Grant thinks that she's
betraying him, like he's still acting like Grant, Like it's
a mixture of the two. And I guess that's kind
of what I really like in this situation here, in
that he's finally giving in to the alien side of

(01:36:43):
the brain that's there, not just into the side of
Grant that still loves her and doesn't want to do
any harm to her, right, And so when he goes
in a confronts her, he's finally like, I didn't want
to do this to you, And so he starts opening
his chest and that's when the two you know, dick
come out of his chest and start to try to
penetrate her. But she grabs the side table and bashes

(01:37:05):
him on the head and tries to run away. And
when she does that, he ends up jumping on top
of her and then wrapping his arm around her neck.
And it's not just that he wraps the arm around her,
it starts to like grow out right, like it's a
giant fucking tentacle on its own. And as he's trying
to choke her out and either kill her or knock
her the fuck out, that's when the cops finally show

(01:37:27):
up Bill and everybody does, and they confront Grant, but
Grant with his weird squiggly arm, runs out of the house.
And it's like the transformation is furthering, but it's also
very silly at the same time, and the way that
it looks, because it's just kind of like dangling out there,
like he's fucking stretcher Armstrong, but the cornstarch has, you know,
stopped working as well as it did, so it's kind

(01:37:47):
of just like dangling there instead. He Remember when you
had a stretch of Armstrong back of the day, don't you, kids,
Probably not, probably just people around my age, remember that motherfucker.
He was a doll that was filled with like cornstarch,
and you'd like stretch him out and then he would
reform back like you could stretch him out really far,
but at some point it just kind of the strength

(01:38:09):
of the corn stars would fade away, so it would
no longer retract and it would just be a giant,
dangly arm guy that you would have there, Or if
you want to stretch out his head, then he'd have
a neck that was like, you know, it's like plastic Man.
You remember the old hand of Barbarer cartoon. Kids. Yeah,
I'm gonna keep saying like old fucking references for people
that only get these things. I fucking love the Plastic

(01:38:30):
Man cartoons, by the way. Like it was stupid, it
was really dumb, but it was like the highlight of
my day whenever those cartoons came on, like either Cartoon
Network when it was first coming on for the nostalgia purposes,
or it was part of the block with all the
old hand Bear cartoons used to watch as a kid.
But nonetheless, I am completely and utterly dating myself now.

(01:38:51):
So he runs off. Bill tries to run back outside
to go after him, but Grant has disappeared. Flash forward
to three days later and now still searching for Grant. Right,
the mayor is fucking pissed off and he can't believe
that they don't have any type of clue where this
motherfucker is. But unfortunately for them, they you know, he's

(01:39:11):
kind of fled the coup and at least he's hiding
out there somewhere, and they explain to you know, good
old Mayor that he's not really that much human anymore
and something is odd with him. He's kind of like
squid lack, is what they say. And in this scene
you can actually see Lloyd Kaufman sitting there as a drunk,
just sitting at the table doing absolutely nothing. But he's

(01:39:33):
in a bunch of shots that go over the scene
that happens.

Speaker 5 (01:39:36):
Oh damn, canceled a bunch of fucking warns.

Speaker 9 (01:39:37):
I don't know how any of them got elected.

Speaker 5 (01:39:39):
They blamed me for it.

Speaker 3 (01:39:40):
Like it's like it's.

Speaker 12 (01:39:41):
Bills, Bill.

Speaker 6 (01:39:42):
We need to talk to me shit more than Jack.

Speaker 5 (01:39:45):
We need to find his grant.

Speaker 3 (01:39:46):
I mean, yesterday town council lit a Roman Candles.

Speaker 4 (01:39:49):
Stuck it up, Lass, Jack.

Speaker 9 (01:39:50):
You leisure activities ain't my own business, right, Don't you
fuck with me? Bill?

Speaker 4 (01:39:53):
Your post heer's chief is in dire straits.

Speaker 20 (01:39:54):
Nobody wants to go hunt in the town with a
pet murder and kidnapper, and we'll.

Speaker 9 (01:39:57):
Find him jack in many places. It looks like a
damn squid worlds.

Speaker 7 (01:40:01):
Maybe see she heard you say, squitch, she's gonna go
out and create a god damn hysteria.

Speaker 1 (01:40:05):
Shelby, you're gonna create a hysteria?

Speaker 4 (01:40:07):
Not today, Bill?

Speaker 9 (01:40:08):
What's this?

Speaker 6 (01:40:09):
I thought we could use that like a police sketch, Chief,
You know, take a door to door, see if anybody
recognizes them.

Speaker 1 (01:40:16):
It's all show some respects right now. And you you
don't know what was in there. You said it was dark.

Speaker 12 (01:40:21):
You don't know what the hell you saw?

Speaker 9 (01:40:22):
His arm was all bendy mare.

Speaker 20 (01:40:24):
Well, it's obvious, sebastad's got lime disease.

Speaker 9 (01:40:26):
What lime disease?

Speaker 20 (01:40:29):
You touch some dear feeces and then you eat a
sandwich without washing your hands.

Speaker 7 (01:40:34):
You got your lime disease and.

Speaker 9 (01:40:35):
That makes you look like a squid.

Speaker 12 (01:40:39):
Oh, why fuck you all for laughing? Chief?

Speaker 4 (01:40:42):
Another attack over at the cast of Vets.

Speaker 1 (01:40:44):
What grand's been stealing animals off farms edge of town? Both,
let's go. Don't forget your guns.

Speaker 6 (01:40:50):
We don't want any lime disease popping out at us.
Oh ho ho ho ho, high fucking hah, I reckon
Grant ain't got one of them puppy kilenders on his desk.

Speaker 9 (01:41:00):
Don't strike me as a real doc. Lovers all Hi.

Speaker 1 (01:41:06):
Knock this and set clear on over ere put that down,
numb nuts.

Speaker 5 (01:41:10):
He drugged the cow through here? How can one man
do that, slay all them dogs by hisself?

Speaker 6 (01:41:17):
Well, he's got to be in the forest, all three
ranches from alongside it.

Speaker 9 (01:41:20):
I think we should get up a posse that in there.

Speaker 5 (01:41:25):
It's one hundred thousand acres.

Speaker 8 (01:41:26):
Be founding a needle in a fuck stack?

Speaker 6 (01:41:30):
Gah, there's some folks together. I think I know where
doctor Doolittles goes to strike next.

Speaker 1 (01:41:34):
Okay, I want to know what the hell a fuck
stack is? Like, I know what a haystack is, and
I know the saying finding a needle in a haystack?
But is a fuck stack just a giant fucking orgy?
Is it like just a bunch of dudes that are
fucking like trying to prevent the future from happening. Or
is it like, you know, men and women getting it on,

(01:41:56):
and it's hard to find the needle and the fuck
stack because there's so many women, Like how many people?
Does it take to make a fuck stack? Is it
like ten? Like can they stack high enough? Or do
you need to have like a good base on the bottom,
so like your bottom has to be like twenty people deep,
and then you know it's more like a fuck pyramid.

(01:42:18):
But if you want to stack like you can't make
it all pointy because if it was like a pyramid,
then the person that was on the top, he's not
fucking anybody, right, or she's not fucking anybody. Well I
guess she could be, because it could be the guy
that's like below her and she's just on top and
that's how it makes the top. But if it's a
dude on top of the pyramid, he's he like fucking

(01:42:38):
some other dude in the ass. Like what's going on?
Like how do you make a fuck stack?

Speaker 9 (01:42:43):
That?

Speaker 1 (01:42:44):
That's what I really want to know and get out
of this. But yeah, the mayor's pissed off. He can't
believe that a bunch of dogs are being killed out
there by one man. They can't believe it either. But
the amount of like gore and everything that they've done
to these poor animals that are there, Yeah, it's pretty
I mean they go on a scene and the dog
is basically split in two with its guts all hanging

(01:43:04):
out its head. There there's a German shepherd's head over there,
and the fucking tweeds. And then you have a cow
that's been torn apart somewhere further down, because again Grant
is just trying to get more meat and more meat
and more meat to go ahead and feed good old
BM over there. So so of course Bill he has
a plan on how they're going to find Grant and
what they need to do next.

Speaker 9 (01:43:25):
After Grant ran.

Speaker 6 (01:43:26):
Off, a calf went missing from here Ragular's ranch. Two
nights ago, a mayor was stolen from this property owned
by fitz Gibbon, that rancher with the cleft palate. I
know that guy, bloods like my more too proud when
you came out neither well we and then we got
the cast of bits right here. That's where last night
ships storm took place. And if he keeps that pattern next,
he's gonna end up here owned by a family called

(01:43:47):
the Strip Myers. I know you' all tired, you've already
seen your families. We're gonna have to go there tonight,
I know. And wait, cool, get that some of this sheep.

Speaker 1 (01:43:57):
Yeah, yeah, all right, Baus, my little darling there is. Hey, Belle,
we got this grenade to confiscate from them jokers wanted
to use it fish for trout.

Speaker 6 (01:44:11):
We should be all right before we got all right,
I didn't know the Ruskies were invaded.

Speaker 1 (01:44:20):
Have you seen this guy?

Speaker 5 (01:44:21):
You'd wish they was.

Speaker 4 (01:44:31):
Just give me one second, Bill, I heard you going
to get Grant. I think I should go with you.

Speaker 9 (01:44:37):
Well go, honey, no, no, bail.

Speaker 6 (01:44:40):
Well, I don't belee you precedure, but I'm sure there's
a heap of regulations against taking.

Speaker 1 (01:44:43):
A civilian mistake. Hey, Comming, this is my fault, is
your fault. He tried to kill you.

Speaker 4 (01:44:47):
He had all those physical symptoms. He was actually to
kill your I was just trying to pretend it was.

Speaker 1 (01:44:52):
But I can't.

Speaker 4 (01:44:55):
Is that girl still out there? How are you gonna
find her?

Speaker 11 (01:44:58):
How?

Speaker 4 (01:44:58):
Unless you bring Grant back a line you be. Your
only chance of doing that is with me.

Speaker 1 (01:45:06):
She's got a point. They're gonna go to every out house,
every whore house, every hen house, every dollhouse, every porno
shop that he could possibly go to where he could
find the meat that he's looking for, and they're gonna
make sure that they catch him well, no, actually a
figure that he's working in a pattern. I love that
they use the little squids on the board too, even

(01:45:27):
though like in the previous scene they had a little
squid like Beanie Baby that they're using and they were
making the joke that, oh, it's a good representation of him.
Used it as an artist sketch, you know, the go
to houses. That's where it is. And it's that same
looking fucking squid that they've got on the goddamn poster
wall that they're using to like track his movements throughout
the county. So they're gonna get all their shit together
and they have like a huge fucking arsenal here. I've

(01:45:50):
not seen so many assault rifles in such a little,
small podown fucking police station that what you see out here,
I mean, I get the shotguns, okay, Like that seems
like something that you would have at a police station.
I think even most police cars have one shotgun inside
of it, like break in case of emergency that you
need to shoot people with beanbags or some shit like that,

(01:46:11):
like that type of shotgun they got in the car.
But like assault rifles in a community like this, you
would expect just like you know, pull action rifles something
like that, or bolt action rifle that they would have
that just in case some animals coming by. They just
need to take a couple quick shots and they'll be
able to take the goddamn thing down and you know,
take it down easily. I mean, even the mayor is like,

(01:46:31):
isn't that just a little bit of an overkill type
of thing, and they're like, Nope, not when you were
dealing with we're dealing with it. If you saw what
we saw, then you know what, you would take the
same corehautions that we're taking here. So they're getting prepared
themselves to go out and fight Grant and take him out.
I like how they also point to the grenade, and
I wonder if the grenade is gonna be used later
in the film. So when he goes outside, that's when

(01:46:54):
Starla shows up and she's like, it's my fault that
things were going on. Bill doesn't want to get involved
because he just does want to get into any type
of trouble and wants to like kind of keep her
away from if they have to kill her husband, then
we don't want you, you know, He again he's trying
to be the good guy in this situation here, but
you know, she really has a point. Maybe she can

(01:47:16):
reason with him, maybe she can bring him down, bring
him in peacefully, and that's the hope that they're going
to do. Then we take a little bit of a
side you know, story arc here where we go over
to the girl that we saw at the beginning of
the movie, Kaylee, right. We see her with her family.
We see her sisters, or her twin sisters, which they're
not exactly identical twins. They look similar, but they're not

(01:47:39):
identical in the way that they are, and one looks
kind of weird, kind of alien like. But you know what,
I'm not gonna judge a little kid in a film
like this. But we see the dad, we see the mom.
They start talking about how you know it's gonna be
family fun weekend sometime soon, and that you know, she's
got her nails all done, and the mom's like, oh,
that's interesting thing that you on her nails. Neck. She's like,

(01:48:01):
that's from Hittoshi. She's Japanese. Where the fuck her name was?
But it is like a Japanese like, you know name
that they used in the goddamn movie. So it's weird
that we see there and this is the person's farm
that they're going to do their stakeout on. Is basically
what it is. But it's weird that we get to
be kind of like reintroduced to this character that I

(01:48:21):
didn't even realize in the beginning that she was in
the beginning of the film, Like I just like, oh, okay,
she just suddenly pops up here, not knowing that she's
been here the entire time. So she really still doesn't
have a big part at all. All we see is
that like she's there with her family, and then all
of a sudden, you know, they're coming out to the fam.

(01:48:42):
They're saying, we're gonna spend the night in your yard,
and they're like, cool, spend the night in my yard.
So we see everybody out there. The different cops are
all stationed. We've got two like militia people, some black dude,
and some other dude, which I think that's supposed to
be the half Mexican is who that's supposed to be.
That's supposed to be her husband that's helping them find

(01:49:03):
the dude so they can find his wife or whatever
the fuck he is I don't know, but he gets
probably the coolest death in the entire fucking movie. Spoil alert. Yeah,
he dies. So as they're all waiting around there in
the field, that's when Bill decides to kind of break
the tension that's going on and tell a story about
him and Starla as kids.

Speaker 6 (01:49:24):
Hey, Storna, you remember that time were kids and you
can knocking on my window in the middle the up.

Speaker 9 (01:49:35):
So Starna here is twelve, I guess I was fourteen.

Speaker 6 (01:49:39):
I said, Starta, what the hell you're doing out there?
She says she's going to run away to Hollywood and
be a big star, and she knew I was in
the rotc.

Speaker 9 (01:49:48):
So she says she needs a bodyguard and invites me
to come along.

Speaker 6 (01:49:51):
And I said, Starla, if there's anyone could take care
of herself, I think it's she.

Speaker 9 (01:49:58):
I'm going to have to decline.

Speaker 5 (01:50:01):
How far did you get about the bus stop?

Speaker 4 (01:50:05):
This ranger Rick here called.

Speaker 5 (01:50:07):
My dada of a cop from the get go.

Speaker 4 (01:50:09):
You so much bucked up our faming ports in there,
Bill party.

Speaker 9 (01:50:16):
Yeah, yeah, I guess maybe I did your set squid.

(01:50:41):
It got worse. It looks like something that fell off
my dick during.

Speaker 1 (01:51:01):
The war, They what what the hell happened to your dick?
And which war was it?

Speaker 12 (01:51:07):
Like?

Speaker 1 (01:51:08):
Was it World War two? Was it World War One?
Was it Vietnam?

Speaker 19 (01:51:13):
Like?

Speaker 1 (01:51:13):
Were you there and you decided to get yourself a
little bit of Vietnam strange while you were there and
got something? And how does that fall off your dick?
I mean, I there are questions here that I don't
know if I necessarily need answers for, but maybe some
type of answer would be warranted. Like literally, he's a

(01:51:37):
you know, an alien dude, right, he's more like a
slug that's there that's kind of crawling out there in
the distance. And this in the distance when they're doing
the long shots here, it's a practical effect. It's a creature.
Like it's cool. I like the way that it looks.
It does look a little bit cheesy, but at a
distance like that, it's kind of cool in the way

(01:52:00):
that it moves and everything like that. It's obviously on
a track and everything like that, but it holds up.
I still think that, I again, I'm such a sucker
for practical effects that you could have a fucking sock
puppet back there with just a little bit of makeup
on it and it kind of looks like, you know,
a little alien monster with giant teeth, and I'd be like, man,
that practical effect is fucking cool. Like, maybe not that far,

(01:52:25):
and if that was being done for a joke, I mean,
I did see Thanks Killing three, which was all done
with puppets, and the sooner that I forget about that
movie the way better it's gonna fucking be let me
tell you about that. But nonetheless, it's still kind of
cool that we have it back there. So now that
Grant is out there trying to attack the cow, they
all jump into action, and of course they're not able

(01:52:48):
to save the cow in time to make sure that
Grant doesn't, you know, do anything terrible to it, they
just kind of watch in the distance of what's going
on as it cuts the cow's head open with its
tentacles and the cow just falls to the ground. Okay, alright, lied,
there is some violence against an animal, a cgi animal though,
that we have there. Nanny wraps his tentacle around the

(01:53:08):
cow and starts a dragon in the forest, so everybody
decides they're gonna run after it. But the one that
runs after it first happens to be Starla as she
approaches Grant and tries to reason with him.

Speaker 4 (01:53:20):
It's okay, Grant, you're just sick as all. You're just sick.

Speaker 5 (01:53:29):
We're just here.

Speaker 1 (01:53:30):
Take you to get some help right now, and.

Speaker 4 (01:53:36):
I will stay by you, just like I swore I would.

Speaker 1 (01:53:42):
We're better or worse, bunch of fucking lord.

Speaker 3 (01:53:47):
Grant.

Speaker 4 (01:53:50):
Marriage is a sacred Vaughn. Right, Baby, It's gonna be
all right, Grant, just come with us.

Speaker 1 (01:54:16):
Stop brod Ther's sot of a bitch. I don't care
what kind of leparsy you got.

Speaker 19 (01:54:22):
We need to find that girl.

Speaker 1 (01:54:25):
Now. You can make his peaceful or you can make
it hard. Okay, so you get one of the coolest
kills in the whole movie that happens here at this
scene to this fucking idiot. But Grant, he definitely has
gone through some as what would David Bowie say, Yeah,

(01:54:45):
chit chit, chit changes. Yeah, he's uh, not necessarily looking
like himself anymore. He definitely looks like a creature from
outer space. And there's one scene that they have in
here where they show the monster over there and it
does not look proportionally anything like what Grant looks like.

(01:55:06):
When they do the up close version of Michael Rooker
in the makeup right, nothing nothing even close, like like
it looks closer to the thing special needs cousin more
than anything else. It doesn't even it's it's bad. It's
really bad when you see it because it looks so

(01:55:31):
much tinier than it actually is, Like unless this guy
is like seven foot two and the creature is supposed
to be like six foot four, like it completely dwarfs it.
But then when you get the like close up shot
of Grant and the thing is is it just looks
like it's a mannequin with like some really cheap ass
wig put on top of it. You know, like it's

(01:55:52):
an aging fucking thrash metal star from back in the
eighties or hair metal star from back then. Not necessarily
thrash metal, because some of those guys still hold themselves
up pretty well. But man, and he's got like two
more dicks growing out the top of his head. This
is just one giant penis monster. Well I'm really trying
to say here. It just it's it's funny when you

(01:56:14):
see it, but then you go back and you look
at him, and when you look at him straight up,
like the makeup looks really good. You know, half of
his face is changing. Like the right side of his
face is a little like elongated out with like these
really sharp teeth. That's like the alien side and the
monster's side, and the left side has still got the
humanity left in him, so it still looks like Michael

(01:56:36):
Rooker on that side. But he's like not that short here,
and he's got weird hair and like weird shit growing
out the top of him. But the less we talk
about that the better. And you know, he is just
like a giant slug monster is basically what he is.
He almost looks like the end boss of a lot
of Final Fantasy games. That's really what I'm trying to
say here, where it's just like a blob. It's a

(01:56:57):
blob of monstrous shit that we've got going on here.
And so the guy tries to stop him from like
moving on. And that's where I believe that like he's
somehow related to Brenda in some way, shape or form.
You know, he's the good Bm's husband. You know, he
deals with her. Shit doesn't really take her anywhere, but
you know, he deals with her, and so like he's

(01:57:21):
out there trying to force him to tell him exactly
where the girl is and how to get her back
and everything like that, and fucking Grant just whips his
arm out Hella quick and then slices him right up
the middle of him. And while most of this is
just CGI in terms of the gore that happens in

(01:57:41):
the scene, it still holds up pretty well and it's
still really cool fucking looking scene, as like you look
at his face and it's just kind of a red
line that's there, and he like blinks and his eyes
kind of go in opposite directions, and then it like
pulls out to like a medium shot that we have here,
and all of a sudden, his body just splits apart

(01:58:03):
and his guts fall out. So part of it I
believe is done with CGI, And especially when the monster
runs away, it looks it looks pretty bad, a little
out of place that's there, but I believe that, like
the guts falling out from the center of him, like
that looks practical, but then the separating of the skin
kind of looks, but it's or it's just really one

(01:58:24):
well done CGI for that moment, but not the other
moments that are there. So he kills him and slithers
off into the forest. See what I did there, As
they all give chase to him, and of course the
mayor there is there to do his little quips with
everything that's going on and how fucked up everything is
in this situation. So they continue slowly moving through the

(01:58:46):
forest trying to chase after Grant, and you see, like
I like the little scene where Wally's kind of walking
through the woods, and then the background it kind of
fades in and you see the little tail of Grant
like slither through the water, which leads them to the
giant house in the middle of the forest there, and
before they go knocking in on the door, you know,
Bill looks back at Waldey and he's like, Okay, who's

(01:59:07):
going in? And so they do rock paper scissors, and
Wally fucking cheats, And if I was fucking Bill, I
wouldn't hold up for any of that type of shit,
because you go, you know, rock, paper, scissors, shoot, and
then he shoots, and he shoots with rock, and Bill
shoots with paper, and then all of a sudden, Wally goes, no,
I meant scissors, And so Bill has to go in

(01:59:28):
there first because they're hearing weird noises that are coming
from there, and as they go inside there, what they
find inside is probably one of the highlights of the
movie that most people are going to remember, and that's Brenda.
You see, Brenda has been turned into what this movie
considers to be a breeder, right, That's why she's so hungry,

(01:59:50):
That's why she just wants constantly eat, because she's got
something brewing in that belly of hers and it's nothing
that you really want to see. Well, when you go
inside and you see Brenda again for the very first
time since last time we saw her, she is just
one giant, and I mean giant ball of human flesh.

(02:00:11):
You basically get a face, then the rest of her
skin that's like poking out there. Her hands look like
nipples on the side of her body. Like it's huge,
and it's a good, big, practical effect. I really love
the way this thing looks, even though it's goddamn disgusting.
And of course, poor Brenda over here, she wants them

(02:00:34):
to kill her.

Speaker 12 (02:00:35):
Something's wrong with me? Yeah, oh Jesus God.

Speaker 19 (02:00:49):
Oh.

Speaker 9 (02:00:52):
Brenda.

Speaker 12 (02:00:54):
But I didn't want no one seeing me like this.

Speaker 5 (02:01:03):
That was my poor Bill?

Speaker 18 (02:01:06):
Is he all right?

Speaker 9 (02:01:07):
Was fine? Brenda?

Speaker 15 (02:01:09):
Uh?

Speaker 9 (02:01:11):
Sure what's going on here? Exactly?

Speaker 7 (02:01:17):
I'm so fucking hungry, Bill, I'm so hungry. I never
knew anyone could be so hungry. You one sending me
a piece of that that possum over there.

Speaker 9 (02:01:32):
Just I think we best get you to the hospital
right quick.

Speaker 12 (02:01:42):
What the fuck they're gonna do with her in the hospital?

Speaker 4 (02:01:45):
Bill?

Speaker 1 (02:01:45):
Shut up Jesus doing that. The tools is moving relaxed.

Speaker 12 (02:01:52):
I guess, don't do that ship It hurts, bitch.

Speaker 9 (02:02:09):
Well, the bastard let us here.

Speaker 1 (02:02:11):
So just like our good friend Admiral Akbar would say,
it's a trap. Yeah, And basically that's what's happened. Grant
has let them hear to the trap as poor Brenda
she rips apart and exposes the inside of what but
what's inside her? That's a great way to fucking say it.
And all these little worms start busting out of her

(02:02:32):
body as she just fucking explodes into a pile of flesh, well,
into a pile of worms. Basically, And like the effect
itself is, Honestly, it's not the best, but I like
the look of all the little worms that come out
in the wave of worms. It's not a practical effect
with those things that are there. Even though some of

(02:02:53):
the worms that they do use our practical effects, but
not all of them are as They basically like come
out as like a tidal wave of these little fuckers
and start attacking everybody there, and they start jumping in
the mouths of all the other officers are there except
for the female officer Bill Starla, and then Jack gets

(02:03:15):
wiped out outside. He gets like washed out with it.
But he even though he's like he goes underneath a
wave of the little worm things that are there, ultimately
he doesn't have any enter his mouth at that time.
And even as they come out of this, he even says,
those bastards try to enter my mouth. And so we

(02:03:35):
have Starla. She falls to the ground, and you know,
that's when Bill realizes that, hey, these things are trying
to get in your mouth. Cover your mouth, and like
there's a I love the little scene that they have
where she falls onto the ground. Right after everybody, of course,
is getting all the little worm fuckers to go into
their mouths and everything like that. And that's where some
of the practical effect is, especially the old guy that

(02:03:57):
talks about something falling off his dick and the younger
officer there, they're both like convulsing on the ground with
a worm hanging out of their mouth. And then we
have Wally who's also managed to get a worm in
his mouth as well, and so she slips and falls,
and then the worms try to come after her, and
she takes a knife stabs one, and then Bill gets
on top of her, covers her mouth with his hand,

(02:04:18):
covers his mouth with his other hand, and then as
everybody in the back they're basically choking on Dick back there, well,
worm Dick. The worms try to go and get into
the mouths of Bill and Starla, but they're unable to,
so then they dissipate relatively quick and leave out into
the world as Bill and Starla look on in horror

(02:04:38):
at what's to come for the rest of the town.
We then cut over back over to Kaylee's house, right Kylie, Kaylee,
whatever the fuck her name is, the teenager of the movie,
as we get kind of an homage to a nightmare
on Elm Street, and this is one of the scenes
from the trailer, and this is the only time you're
gonna get any type of boob, and you gotta look
very hard to find the boob. In this scene, because yes,

(02:05:01):
she's in the bath. It's very like perfectly placed soap
bubbles and everything that's in the bath there, so you know,
it's just when she gets out of the water for
a second after the thing attacks her in the water
that there's a small flash of nipple and that's basically
are you going to get And honestly, I've never noticed
it until I had to pause it while I was

(02:05:23):
getting audio and I was thinking things, and I let
it run in the background. I was like, oh crap,
I'm trying to do this stuff and do the editing.
And then I looked over and perfectly posited it on
the boob. I don't know how I did it. I
guess I've got some type of sixth sense, maybe some
type of six cents. I don't know what it is.
But anyway, so we go over to her farmhouse and
she's taking a bath and mom is knocking at the door,

(02:05:43):
telling her, Hey, you're gonna get out of there soon.
Come on, it's almost time to go to bed. And
then she puts on her head for bones like the
rebellious teenage that he is she is, and starts relaxing
more in the bath. The mom then goes over the
little girls and tells them, what are you guys doing.
They're like, we're reading and they're reading goose Bumps in
the Bed and everything, which again, you're teaching your kids

(02:06:03):
right by letting them read that type of stuff. And
she tells them, don't worry. Tomorrow's family fun day. So
we got to all get our sleep and make sure
we're all well rested for tomorrow. So the kids turn
out the lights and they get ready to go to
bed as we watch one of the worms or some
of the worms climb up the side of the house.
Then we go back over to Kayley and we see
that a worm has climbed into the window. And this

(02:06:24):
is where we get the Nightmare and Elmstreet scene because
it crawls up the bathtub jumps in the water because
the water feels fine. And this is also another thing
that I have to ask. Do the worms have to
go up in through the mouth?

Speaker 19 (02:06:39):
Like?

Speaker 1 (02:06:40):
Are there no other holes that they could go up into?

Speaker 19 (02:06:44):
Like?

Speaker 1 (02:06:44):
Could they go up the pea hoole? Can they go
up the vagina? Can they go up the butthole?

Speaker 18 (02:06:49):
Like?

Speaker 1 (02:06:49):
Which way can they go up? Is it just the mouth?
Is it because that's the only way they can fit
because they're too girthy. Like, I don't know, I would
assume that the best way for like this worm to
get this bitch in the tub is to actually go
into the water and either going through the hooha or
going through the no go hole, like one of the
two places that are there, so whichever it is. But yeah,

(02:07:12):
it goes into the water and it starts swimming up
to her, and that's when she's able to, at the
last minute recognize that something's coming, possibly because of the
currents that are happening in the water as it's swimming
faster towards her. Freaks out. She jumps out of the
tub and then falls onto the floor and the worm
crawls onto her back, and as she's screaming and trying

(02:07:33):
to get it off her back, it suddenly disappears, but
it reappears, jumping around her from her shoulder and getting
into her mouth, and it starts trying to burrow its
way in, and she's able to take her nails that
you know, her Japanese nails that she's done, and she
digs it into the worm, holding it back, and that's
where she starts seeing like the history of the worm

(02:07:54):
and I really like this idea. It doesn't really go
super far in this movie, and it kind of does,
but it's it's a short enough sequence to kind of
give you, like an up to date of whatever it is, like,
because the Monster's not gonna tell anything out to us,
and it's nice that we have this little thing here

(02:08:14):
at least to give us some backstory on the monster.
Where she's seeing far off worlds where the monster has
taken over the different species that are out there. So
the moment that the little worm things invade their hosts,
they become part of the hive mind and they learn
and know everything that it knows and knows its whole lifespan.

(02:08:35):
So she has it there and she's learning all this
all the way up into this point to what they
see when Grant first saw the monster and it basically
stabbed him in the chest with its little, you know,
dart thing that it had, little blow dart monster thing
that they've got there. So she finally seated a clod
out of her mouth, throws against the wall, then goes

(02:08:55):
and grabs a hair straightener, you know, a hair iron,
whatever you want. I want to fucking call it and
then burns the shit out of the little fucker on
the ground. Runs out of the bathroom and is approached
by her mom, who pukes blood onto her face because
now she's been infected. So her mom is like freaking
out and basically dying on her and she's got blood

(02:09:16):
all of her face, and her first reaction is, oh, crap,
I need to check on my sisters because they're screaming
from the other room. So she goes to the door.
She tries to open it, but it's locked. She's unable
to open, and then all of a sudden, she sees
tons more of those worms climbing up the stairs, so
she grabs like a horse statue that's just nearby, and
instead of like knocking off the door handle, she starts

(02:09:39):
pounding the door with the head of the horse until
she's able to break open the door. This girl's fucking strong,
even with that thing. I think it would take a
lot of fucking force to do that, where you could
use the weight to come down onto the handle of
the door and maybe knock it off faster. But what
the fuck do I know? These are the cheapest doors
known in human existence. I guess they got him from Walmart.

(02:10:01):
So she busts down the door, and she's too late,
as both of her sisters are on the floor convulsing,
having swallowed the worms that are there. And then the
worms start entering the room, and so she sees a
way out, which is an open window, and she climbs
up onto the top of the first story over the
house that she's in, and because the worms are now

(02:10:21):
climbing up the side and slowly gathering to her, she's
not able to escape from them, but she decides that
the best thing for her to do is to just
jump off the roof and onto the grass below, which
she does, not really hurting herself, but definitely like, well,
she probably hurt herself, but she it was not enough
to like for her to get up and start running

(02:10:42):
to the truck that's over there trying to escape. And
when she gets inside, I am so glad that this
movie didn't use the trope of like the keys are
hidden inside of the truck, because she tries to go
over there and turn it on, but the keys aren't there,
and instead of just like reaching for the goddamn you
know whatever, the visor that's up there and pulling it

(02:11:03):
down and the keys popping out and like, yeah, I
can drive away. No, Instead, she's locked inside of the truck,
happily away from the worms, seeing her dad collapse on
the porch, and then she has to go and basically
the car gets completely covered by the worms trying to
break into her. And I would also think that the

(02:11:24):
worms might be strong enough to like break open the
glass or something like with enough weight onto the car,
Like you would think that would be good enough to
crack the window, but maybe it's built taka tough, so
you know it's not gonna crack under pressure. That's all
I'm really trying to get out here. So she has
to wait the night out, or at least weight the

(02:11:45):
worms out, and so we cut from there. So it's
a this is a well done scene. I like the
tension that builds. I like the bathtub scene, not just
because you get to see boob for a second. You
know that ends up being a bonus because more than
likely you won't without me pointing it out. You don't
even fucking notice the boob. But I just like how
it definitely can feel that, you know, nightmare and elm

(02:12:07):
Street vibe that's going on with the worm and it's
meant to be like the claw coming out, you know,
when Freddy's doing it. But it gets a good tension
And even though she kind of wakes up at the
most opportune time to get out of like the trance
of listening to the music hanging out the bathtub, like
the struggle with the little creature is still real and

(02:12:29):
still is tension field. And like I said, I really
like the little backstory stuff you get seeing the distant
planet and seeing like the oh God, it's it's the groundhogs.
It is this the future? No, this is their home
planet that we're watching. This thing destroyed the groundhogs before
the Xenomorphs could have a chance to fight them, but
they found refuge here. Do you think these things this

(02:12:53):
works for the Xenomorphs? Is this all gout in God's plan?
Is this how the groundhogs came here to Earth. I
have to study this more. I need to understand what
God's thinking and hopefully we can find a way. But
but I can't. I'm in the middle of a podcast.
We're just gonna have to leave it at that. But anyway,
so it's attacking like a planet full of groundhogs and

(02:13:15):
you can see that it's you know, it's it looks
really good. This is one of the cases where the
CGI is actually really well done and holds up really well.
It's because it's very fast paced. It's cut, you know,
it's very hyper in the way that it's doing the
cuts from one scene to the next little scene that
he's going through in the evolution of where this monster started,

(02:13:37):
this parasite that's out there, where it came from, and
how it assimilates and takes over whole planets and then
just spreads itself out to other parts of the universe
and the unfortunately, you know, we just got to it. Now.
Does it do like a starship Troopers bug type of
thing where it's got the ability to toss these asteroids,

(02:13:58):
you know, across space and time in land in different places.
Or did it like eat up all the resources of
that planet and the planet died and exploded and then
it shot off into space. We'll never really know, but
it's enough backstory that we don't have to and we
get a better explanation as she ends up talking to

(02:14:19):
everybody eventually, but it still gives us something to understand
about the creature and to see what it's done and
what it will do the planet. So after we've had
this experience with Kylie, we go back over to the
barn where they all come together and realize that they
need to go after Grant shall come in eleven forty one.

Speaker 9 (02:14:40):
Any paramedics out here right away? I got full menteln Shelby, There, Shelby,
we've got an emergency here.

Speaker 1 (02:14:52):
This is Berrol. Oh God, Shelby.

Speaker 12 (02:14:58):
No time for a break, Shelby, I mean it, Showby,
They alive. Prist Jesus, Praise Jesus. That's fucking pushing it.
This shit's about as far from God as shit can get.
You know, you ever seen anything like that? You ever
heard of anything like that?

Speaker 1 (02:15:20):
Huh?

Speaker 2 (02:15:22):
Me?

Speaker 11 (02:15:22):
Neither?

Speaker 20 (02:15:23):
And I watch Animal Planet all the fucking time.

Speaker 6 (02:15:26):
I got no reception out here. I'm run back to
the car trying to call the paramedics from there.

Speaker 4 (02:15:30):
That's with those worms out there.

Speaker 9 (02:15:32):
Yeah, well that's changed a pace from showing deer. All right,
you three get these folks out of the bar and
all the rotten stinch. You can't be doing them any good.
You take this, I got my cold.

Speaker 4 (02:15:43):
Be careful.

Speaker 9 (02:15:45):
Yeah, there's a thought.

Speaker 1 (02:15:46):
Yeah, I love the reactions there too, like he's definitely
in the case of I can't believe this shit is happening.
What just fucking happened here? I really don't know, but
oh my god, why am I stuck in this situation?
And then you got the mayor over here with this
whole like because the deputies like, praise Jesus, Praise Jesus
that they're alive, and he's just like, praise Jesus, Praise God.

(02:16:09):
Who the fuck cares about that? What type of God
would make this shit? It's the same type of God
that would praise the beautiful shooting of fucking deer. That's
the type of God that this is that we've got
going on over here. I mean, come on, I watch
Animal Planet all the goddamn time, and I'd never seen
shit like this before, which would be very interesting if

(02:16:30):
there was actually an Animal Planet show about a strange
space parasite that comes to planet Earth, takes over humans,
and then breathes it by making humans these giant wombs
where a bunch of worms are gonna pop out of
it and then go invade other species by going down
their throats, basically deep throating their throats so deep that
they decide that they love the alien, they're always going

(02:16:52):
to be a part of the alien. Like that'd be
a weird fucking show, and that'd be very very fucking specific,
almost be like OJ Simpson writing a book called If
I Did It Right, very fucking specific, and the things
that you're talking about that you've been blamed for that
allegedly you did, and you decided to write a book

(02:17:13):
about this bullshit and saying, well, if I did it,
this is the way I would, And if Animal Planet
was making a show about this, and saying this is
some weird hypothetical, it make me believe that maybe that
shit is actually real, right, But nonetheless, so Bill goes
out to the car. He runs the distance that it
needs to take you out there, but he sees a

(02:17:34):
deer in the woods, and then all of a sudden,
the deer is attacked by the different little you know,
worm there, and then he just kind of runs off.
As we hear the deer crying pain out there, We
cut back over to Starla and the crew, you know,
the mayor and the female deputy that's there, as they've
all got something wrapped around their mouth to make sure
that no other worm's there, and they're trying to take
care of the officers by bringing them out of the

(02:17:56):
shed and out into the open and trying to wash
their face with a little water spout that they've got
hanging out there. She goes over the water spout to
dampen her rag a little more, to clean them off
some more. And that's when somebody decides that, hey, they
maybe are dead, but they're definitely in control by somewhat.

Speaker 8 (02:18:17):
I sugar Plum marriage.

Speaker 18 (02:18:22):
It's the second man. Just like you said, Well, I'm
sorry for trying to strangle you all. I lost my head.

Speaker 8 (02:18:37):
I didn't mean to do none of them things that
don't no, kill them pets, not Mike, Branda wom But
it's my name.

Speaker 1 (02:18:55):
Nature, ain't it.

Speaker 8 (02:18:57):
I can't even blame someone for acting.

Speaker 18 (02:19:00):
According to his own nature.

Speaker 8 (02:19:06):
I wanted to tell you what was going on, but.

Speaker 1 (02:19:10):
I was afraid you wouldn't love me.

Speaker 9 (02:19:11):
No, woman, I never knew you.

Speaker 4 (02:19:16):
Startling, Wally, you're right, Maybe you better sit back down,
you know it look so good?

Speaker 5 (02:19:25):
Hey, uh.

Speaker 19 (02:19:32):
Huh m hm, okaykay.

Speaker 5 (02:19:56):
Nay, open the door, jellybe, oh.

Speaker 19 (02:20:00):
God, the door.

Speaker 1 (02:20:03):
You should have come on that barrel.

Speaker 22 (02:20:08):
You're away, God, there's no excuse, no excuse not to
be with your family, the family fun days in a car.

Speaker 1 (02:20:17):
You'll better just step back down. You need to get
some rest. You're sick.

Speaker 12 (02:20:25):
You know, You'll just take a step back now, all right.

Speaker 9 (02:20:30):
There you go, Shugar from why accusing cans for you.

Speaker 1 (02:20:36):
Both sides of the story.

Speaker 5 (02:20:38):
Why are you talking like Grant?

Speaker 1 (02:20:39):
Because I am Grant, I'm your husband.

Speaker 8 (02:20:43):
You swore to honor and old baby, she put that
goddamn gun down.

Speaker 12 (02:20:53):
You got a wife from horror.

Speaker 1 (02:21:03):
I am gonna say to what. I swear to God,
you ain't gonna suit me, Starlo. I told you you
always needed me to set.

Speaker 12 (02:21:12):
You, you freckanser.

Speaker 1 (02:21:15):
I got the balls crass across. So this is when
the other characters are starting to learn about the whole
hive mind thing that's going on here, right, because all
of a sudden, these guys popped up. They're perfectly fine,

(02:21:37):
even though they're kind of walking just a little funny,
but they're able to communicate directly with Starlav. But they're
talking as though they were Grant. Right, So, and we're
still in that situation where he's I wouldn't say that
he's trying to like forgive her, but he's trying to
understand why she's doing what she's doing because he needs

(02:21:57):
to be the one to protect her. Right, Like that
part of Grant is still active withinside whatever this creature is.
And this creature, even though that it's taking over and
it's like the dominant part of the body, it still
has everything in it that is Grant and has now
been assimilated into this final being of the new being

(02:22:21):
that it's going to be right. So now it has
feelings still for Starla, and so it doesn't want to
hurt her. It just wants her to come along with them.
And I don't know if they're gonna be like turning
her into something or like, no, I just want you
to be by my side type of thing, even though
I'm a creepy, fucking monster. How could you do those

(02:22:42):
things to me? And this is where she finally also
fights back, right and you're getting the feeling that this
has all been like type of like pent up. I
don't want to say anger, but animosity that has finally
reached his tipping point to where she given in because
he's given her such a good life and that everything's been,

(02:23:04):
you know, fine, She's got what she's want, even though
it's kind of been at the sacrifice of what she
really needed to do, Like she wants to be on
our own, even Bill like tells her, I always think
that you were strong enough by yourself, you know, with
that story of them as a little kid back in
the day, and that you know, once she went underneath Grant,
she lost that strength because she just kind of gave

(02:23:27):
in to him. And even though in the beginning it
might have been fine, it was a whirlwind romance. It
was a guy that said the right things, and that
you know her you know, daddy wasn't around, he was dead,
and her mommy wasn't really taking care of her. And
here comes along a guy that will provide for her
and is treating her right and sweeps her off her feet.
But it finds out that's not really what she wanted

(02:23:49):
or what she needed to say, that he's abusive. Well,
you can make arguments, but I don't think physically is
anything that's there, at least nothing in the movie emotionally mentally,
probably because of the way that he treats her because
it's like his thing that nobody else can have, and
he's jealous if anybody is trying to show any type

(02:24:09):
of interest in her, even though he tends to have
that train of thought that, oh, everybody wants to just
fuck my wife, right because she's so beautiful, but they
can't have her, and thinking that, you know, maybe he's
insecure about himself as well, that she would automatically leave them,
you know, leave him for them, and it's like, I

(02:24:30):
don't know, like she's very like committed to him, And
though he's not very committed to her, because he still
goes out there and kissing on fucking bowel movement, sitting
out there, even though he was drunk, I still don't
think that that was the right thing to do. So
while he's like threatening her and she's got the shotgun
and she's getting ready to like shoot this guy right,
shoot Wally in the fucking face, that Grant is telling her, Oh,

(02:24:53):
you just don't have the strength because here I am.
I was always the one to protect you, and I
was always the one that needed to do everything. You
can't do anything for yourself. You would never fucking shoot me.
And then she pulls out the trigger and blows his
fucking brains out all over the ground to the point
that the little worm is just hanging out of the head,
and that's when they all grather it together and they
run away. But unfortunately the female depy. She does get

(02:25:16):
it right, she gets like the Wally looks at her. No,
it's not Wally, it's the younger kid what. I don't
know what the guy's name is. But he turns over
to her and he spits this green shit at her
and hits her in the neck, and it's like acid
or some shit like that and kind of burns her.
And then her face starts like growing all big, to
the point that she collapses on the ground. Supposedly, I

(02:25:39):
would assume that she's just fucking dead, is really what
she is. So they escape. We have you know, the
mayor and her. They run off into the woods, trying
to run away from the now resurrected officers that are
there that are being controlled by Grant. Meanwhile, over there
at Cayley's house, we have her waking up in side

(02:26:00):
of the truck as her parents are now knocking on
the outside of the vehicle. They're trying to get into
the car to let her and trying to say whatever
they can to get her to open the door. To,
at which one point, the dad version of everything goes
and grabs a brick and starts to bash the window
open so that you know, they'll get out of the car.

(02:26:22):
But that's when Bill arrives to save her at the
last possible minute, when he hears the screams and sees
what's going on. And they tried it like it's funny
because the family tries to like play it off, or
at least Grant tries to play it off like, Nah,
everything's okay, but they're all walking weird and they've got
all the bumps and stuff. It's just you know, it's

(02:26:43):
a beasting or poison ivy that I've got. When he asks,
like what the hell is wrong with them, but Kaylee
does say to him that, hey, no, they're just pretending
they've got those worms in them, like we need to
get the fuck out of here. As like even the
creepy like fucking sisters, like I love it when one
of them comes up to the door and she's like,

(02:27:04):
just open the door, Kayley. It's family funday. You know,
it's family funday. And so you know, they decide to
try to escape, and as like, you know, Bill realizes
they need to get the fuck out of there. Somebody
else comes from behind him and hits him in the
back of the head and he falls to the ground.
And the guy's got like basically what kind of looks

(02:27:24):
like a pipe with like a cinder block on the
end of it, and tries, no, actually, it's a shovel.
I think, yeah, it's a shovel, and so tries to
smash him in the head with the shovel. He grabs
his gun from the holster, but he can't pull it out,
so he just shoots the gun through the full holster
and basically blows off the guy's foot in a pretty

(02:27:45):
bloody scene that's very practical as well, and so another
guy tries to grab him. He then you know, manages
to dodge that guy and get out of the way,
and that's when the sister spits some of the green
stuff their way, and he pulls back at the last
second to not get sprayed, and he kind of looks
like he's like, what the fuck is that and they
run off into the forest. So we then follow Starla

(02:28:07):
and the Mayor being chased by the other guys, and
basically we watch both teams run away from all the
different townsfolk that have now been you know, transformed by
the worms. Both Bill and Kaylee get over to the car.
He puts Kaylee in the back seat, jumps in the
front seat, and gets the car ready to get the
hell out of there. And as they drive down the road,

(02:28:29):
you know, and I love that, there's another one that
tries to spit at him, and then it ends up
spitting on the window, and he's just like, holy shit,
like are you okay? And everybody's like surrounding. He's trying
to call into the office, trying to call him to
jennif Fisher, and Kayla's just in the back seat like
get the fuck out of there. And then in the
distance he sees the mayor and Starla running around being
chased by you know, the other officers. So then he

(02:28:52):
decides at this point he's gonna step on the gas
and go and help them. The mayor gets like tangled
up in something and tries to run away, but he
ends up like I think, gets tangled on bob wire
or some type of wire, And while he's trying to
get it up, the one officer comes towards him, the
one that spit at the other officer, and like you know,

(02:29:12):
tries to attack him, but Jack manages to push him
off into the road, and then he like comes up
to the mayor and he's like and that's when Bill
comes by and just runs him the fuck over and
sends him flying, and then Starla appears on top of him.
And when Starla appears on top of him, that's when
she stabs him through the neck with a piece of

(02:29:33):
like pole, like a metal pole that's there. And so
they get him all into the car and then they
drive away and then all the monstrous people that are
out there, they all call to Starla in grants saying
don't go start as they all drive off. It's it's
a well done scene. I again, I really enjoy this.

(02:29:56):
I like the pacing of it. I like the tension
that's built in there. I like even the comedic aspects,
especially when it comes to Nathan Fillion when he's looking
at everything and he's like more of a I can't
believe this shit is going on situation that we've got
going here, and then eventually when everybody starts attacking just
he's like, I'm I'm so done with the shit. Like

(02:30:16):
that's the face he has for most of the movie
is that. I am done with the shit? Why is
this shit happening? Now? I wish this shit wasn't happening.
Why did it have to happen on my fucking watch?
And I can't believe it. We need to get the
fuck out of here and get away. And so he
grabs them all in the car and as they're driving.
You know, there's a midlife Crifusis that happens with the

(02:30:38):
mayor when there isn't any of his favorite drink in
the car.

Speaker 9 (02:30:41):
So, how's everybody's evening?

Speaker 1 (02:30:45):
Good?

Speaker 9 (02:30:47):
Good?

Speaker 19 (02:30:49):
Thanks?

Speaker 9 (02:30:56):
Show me.

Speaker 21 (02:31:02):
She'll be there.

Speaker 2 (02:31:04):
Hey, Chief, how you doing?

Speaker 17 (02:31:05):
Did you find that?

Speaker 3 (02:31:06):
Oh?

Speaker 4 (02:31:08):
There's a skeeter in here? Driving me bonkers?

Speaker 9 (02:31:11):
Shelby, you seen any of these? I don't know what
to call them.

Speaker 1 (02:31:15):
They're like big slugs, only they're fast.

Speaker 12 (02:31:18):
No slugs.

Speaker 1 (02:31:19):
But your mama called, She said, the toilet's all backed
up again. Once you come over as soon as you're
finished there.

Speaker 6 (02:31:25):
All right, sweetheart, listening, I need you to listen to
me just for a second, okay, she said, it's what you've.

Speaker 15 (02:31:29):
Done in there on Sunday?

Speaker 9 (02:31:30):
What caused the backup? All right, listen, I need you do.
I needed to get the CDC on the horn for me. Okay, Shelby,
are you nodding?

Speaker 12 (02:31:45):
Uh?

Speaker 4 (02:31:45):
Yeah, sorry, I'll get you right back.

Speaker 9 (02:31:52):
There's a big tree in her front yard, and who
it's got into the pipes? Don't mess us with the
whole system on the way to me.

Speaker 1 (02:32:00):
Choses lots of paper, Sure she does, even though Mama
said that it was you that caused all the problems
here and what you've done on Sunday is what clogged
up the goddamn shitter, So clogging shitters aside, He does
manage to get back into h Q and tell Jenni
Fisher what exactly she needs to do, which is contact

(02:32:21):
the CDC. But of course, when she finally starts going
to do it, all of a sudden, she's attacked by
the worms inside, who break from the ceiling fan or
the ceiling exhaust that's there and begin to attack her. So,
you know, everything seems to be going pretty well as
it is, but of course things aren't looking very good

(02:32:42):
in the car because there's no more goddamn mister pib
in the damn thing.

Speaker 9 (02:32:47):
Where is the mister pib?

Speaker 7 (02:32:50):
I told your secretary to pack mister pib It's only coke.
I like.

Speaker 11 (02:32:57):
Goddamn Brenda's floating like a water balloon.

Speaker 20 (02:33:00):
Worms driving my friends around like the goddamn skin guards.

Speaker 1 (02:33:03):
People are spitting assent at me.

Speaker 20 (02:33:05):
Turn't even the god of Jase And now there's no
fucking god.

Speaker 1 (02:33:08):
Damn mister beeB Jesus Christ Jack. Let me get right
on it.

Speaker 4 (02:33:16):
It was me, I became it him.

Speaker 23 (02:33:22):
Part of him who.

Speaker 9 (02:33:27):
Who missus Grant's husband. But he wasn't always him.

Speaker 24 (02:33:37):
He came from.

Speaker 9 (02:33:44):
It's a goddamn Martian. Martians is from Mars Jack or it's.

Speaker 8 (02:33:47):
A general term meaning outer space.

Speaker 9 (02:33:50):
Fucker isn't looking it up?

Speaker 5 (02:33:52):
Cocksucker enough, kywie, what do you mean?

Speaker 22 (02:34:02):
His real face looks like a needle, But he's always
got another. He goes from place to place, worlds, planets,
killing them.

Speaker 18 (02:34:13):
Some of you can't pregnant.

Speaker 4 (02:34:15):
Others he just takes over with his worms, and the rest.

Speaker 12 (02:34:18):
He eats till they're gone.

Speaker 5 (02:34:24):
Now he's here.

Speaker 9 (02:34:26):
Are you seeing these worms? These worms in their brain?
You're seen. They're all connected. It's like they're all one deal.

Speaker 5 (02:34:31):
An ani one that doesn't appropriate.

Speaker 10 (02:34:34):
It spreads grows, absorbing the minds and bodies of the
organisms around it. It's a conscious disease.

Speaker 20 (02:34:46):
If I warn about shit my pants, I'd be fucking fascinating.

Speaker 10 (02:34:51):
We're back, everything's gonna be okay.

Speaker 1 (02:34:54):
So we kind of finally know exactly what it is, right,
it's some type of species. It makes breeders, it makes followers,
and the rest. It just fucking gobbles up. So, like
the big thing about this scene, the most important thing
to know is that mister Pib is exactly the soda

(02:35:14):
that's needed in times of crisis. Okay, when things are
looking the worst, when everything has gone to shit, you
reach for Koch's really shitty version of doctor Pepper, which, honestly,
I kind of like not to be, you know, sidestepping
mister Pib or anything like that. He doesn't have a PhD.

(02:35:35):
He's not a doctor, so you know, he can't go
around calling himself doctor Pib. All right, But he's a
hard working, blue collar pib. I mean, he spends every
day in the fields. He's getting his cows together, He
whips his fucking sheep, he shaves his fucking goats, just
like any other man would do out in the fields.

(02:35:56):
He just doesn't have that fancy degree from the fancy
university you think mister PIB went to Yale. You think
he went to Harvard. No, No, he's been working since
he was five, all right. He has a nice family,
Missus Pib. She might be cheating on him, he doesn't
really know, but he knows that she loves him. And

(02:36:17):
he's got two little pibs at home that he works
so hard to give them the life that he never had.
So why don't you motherfucker's lighten up and give mister
PIB a goddamn chance. And mister PIB, if you had
a goddamn zero version that was available in regular stores,
I'd buy you more often. How about that? How about
them apples, mister pib? All right, So get on that

(02:36:38):
fucking zero version that actually tastes relatively good. You can't
get it in like a drink machine, but you can't
get it out there in the fucking wild. I don't understand.
I used to prefer mister PIB to dr pepper, but
can't find no no sugar fucking mister PIB anywhere. So
get on it, Get on your fields, toil, shave your
fucking goats, and become a zero version that's available stores.

(02:37:00):
All right, all right, we're good Anyway, No, the real
thing that we learned about in this whole situation is
that they confirmed the Hive mind and basically Kaylee went
the whole thing about how she became a part of
it for a little while and how you know, she
was able to tap into it and understand exactly what
it is. So that causes Bill to go ahead and

(02:37:23):
call back into the office to see if she's contacted CDC.
But of course now she's been control by Grant and
the Grant alien that's out there. And it's funny because
in this little scene that is she calls back in,
she's like, I've got something special for you, and he's like,
oh shit, what is it? And then it turns out
that it's a car that somebody else is driving that

(02:37:44):
fucking t bones them, and they're they're surrounded by all
the different Grant monsters that are there, or Grant infected,
i should say, and they rip Carla out of the
car before Bill can grab her, and they leave him
Jack and Kaylee alone. But they do managed to pull
Jack out of the car as well, but they don't
manage to get Kaylee at all, and Jack is taken

(02:38:06):
along with Starla, out into wherever Grant is right now,
so you know, now that Kaylee's okay and so is Bill,
it's time for them to figure out exactly what they
need to do next. And you know what, it's not
like Jack just got fucking just randomly taken like Bill
didn't try. Kaylee managed to get out on her own,
but Jack was knocked out, so he tried to grab

(02:38:29):
him as the other monsters were grabbing him, but they're
just way too powerful. So that leads Bill and Kelley
off into a corner to kind of try to hide
from everything because once one see them, they all see them,
and they'll all go after them. And they decide what
they need to do, and that's get the goddamn grenade
where speed is here?

Speaker 23 (02:38:52):
Okay, right, there's a grenade in that station, not value
is that? And destroy Grant. He's a center the whole system. Right,
Does that mean the whole thing will be destroyed?

Speaker 24 (02:39:04):
Maybe?

Speaker 9 (02:39:05):
Maybe? Okay, Okay, you wait here, all right? Stay hid?

Speaker 1 (02:39:17):
Yeah, just go ahead, stay here where all the other
people are all walking around. They possibly get you, pull
you out, turn you into a goddamn breeder, or fucking
just eat you. Who knows what's gonna happen to you
if they get in touch with you. But just stay hid.
Everything will be perfectly fine if you just hang out
in goddamn corner instead of coming along with him and
maybe fucking helping out. Bill, you think you might need

(02:39:39):
a little bit of help in the situation that you
might be getting into. Nah, just stay here. Everything will
be fine. I'll be fine, You'll be fine. We can
just fucking go on with our lives and then we'll
go say fucking starla. So he goes and grabs a
rock of all things to protect himself with as he
goes inside the police station, trying to figure out how

(02:39:59):
he he can get the grenade and also avoid being
you know, transformed or possibly eaten or whatever it is
by these little slugs that are over there. So he
goes to the computer, tries to call, and then there's
like some noises that happen in the background, and it's
actually pretty good on the tension and the way that
it's built. We see that there's blood over everything that's there.

(02:40:21):
He tries to get onto the phone, realizes that the
lines have been cut and the power has been cut,
so he's not able to contact anybody. I also love
the fact that you know her character has Jenni Fisher's
character has an I love cats like mug that's there
on the counter there. So as he's looking around, he decides,
you know what, I gotta go over to the weapons

(02:40:43):
cabinet and I need to get the goddamn grenade. And
that's where he sees the deer from earlier that he
ran away, now completely possessed, and it starts to attack him,
and it's a goddamn it's the fakest fucking deer that
you've ever seen. And I love when you go out
to the reaction shots on the outside a fucking Kaylee
as she looks over at the window and she sees

(02:41:03):
that he's just flying across the you know, the police station,
being thrown around by the deer, and you got the
deer then on top of him, the really bad deer
costume that's there, the monster deer, and it's biting him
and it's attacking him, and then all of a sudden,
here comes Kaylee to save the day and knocks it
the fuck out with a fire extinguisher. Doesn't kill it,

(02:41:25):
but knocks it the fuck out. So they grab their
grenade and they decide now it's time to go on
to face Grant and to save Starla, and they figure
out where he's possibly going to be, and that's at
Starla and Grant's home. So he gives Kaylee a gun, says,
get ready to use this, and away we go. So

(02:41:45):
now we get the final section of the movie, and
you know, I think it's a well done piece that's there,
and there's a lot of stuff that happens and doesn't happen.
But like the interesting thing is when all the people
are around her and they're like cleaning her up, and
it's all Grant and like they're obsessing over her at
the same time as they're cleaning her, like, oh, you

(02:42:06):
got a little bit of blood there, and everything's gonna
be okay. We'll just wipe you down, just every a
little bit and then okay, I'm gonna brush your hair
at the same time. But oh my god, you got
such a pretty face that I gotta just I gotta
stare at it, and I gotta make sure Grant knows
he loves me, Like you know, I know that he can't,
you know, fuck her right as the blob that he is.

(02:42:28):
I mean, he could try. I guess could use his
like tentacles or something like that, but I don't think
that's really gonna work. But do you think that he
would use one of the other dudes to do the
deed because he's basically them right, So it's not like
she's cheating, like if she were to like, you know,
give in, or he was able to like control her

(02:42:48):
in a way, or what do he like do like
a cucking type of situation, like put a worm in
her and then force her to have sex with somebody
else while he watches, And then he takes his two
little small and starts like masturbating them and then like
the little alien sploge sperm just suddenly goes on the
ground and he's like wasting it. But he's like so
into being cucked as an alien now because he can't

(02:43:10):
have regular sex with her that that's just the way
that he's gonna do everything. Like do you really think
about that? Is it just me? Probably is just me?
So anyway, So they're cleaning her up and they're getting
ready to present her to you know, alien grant that's there,
and when they do, you know, she's basically brought downstairs

(02:43:33):
and we have Bill and Kaylee show up to the
house and figure out what they're going to do, and
they get to see how they're assimilating into him, and
you see this really gigantic dude, this really fat guy,
like stripped down out of his clothes and you get
to see his giant man ass. So, you know, if
you really want to see some men nudity or men

(02:43:53):
nudity male nudity, I guess I should really be saying,
then this is your scene. This is the way that
you want to go. So it like slowly walks over
to the blob that is now Grant and then like
starts shoving itself into the blob that's there. We also
to see that the mayor is being dragged into the
house and he's going to be turned into one of

(02:44:16):
the breeders, right, So he's put downstairs with all the
other breeders there, and there is a funny scene with
one of the ladies that's there and she's like chewing
on the meat that's that's in the underground and then
he looks and he's all disgusted.

Speaker 17 (02:44:29):
She's like, don't you look at me, don't you judge me.
I'm fucking hungry. And this is all I have to
eat and I can't stop eating, and I just need
to keep eating.

Speaker 1 (02:44:39):
Then she starts like waddling over and she's got this big,
full like belly, like gigantic fucking belly that has all
the swimming worm things inside of it and everything. It's
like jiggling everywhere. She's not like naked or anything like that.
It just jiggles all over the place. You got Starla
waking up and now she's in her nightie from the
night that they had sex, or the morning that they

(02:45:01):
had sex when he was alien Grant, and she's kind
of like lost and confused on where everything is, and
she decides to go downstairs to face Grant. Jack tries
to get away, but then he gets tempted. And I
love the way the scene is because like she's walking
downstairs and she's hearing their song air Supplies playing again.

(02:45:23):
It's not I'm All of Love, you know, it's the
other song that's in the goddamn movie and I'm not
gonna sing it again, don't worry about it. And so
that music starts playing. You know, no no, no, no, no,
no no no, you know, cause you are every woman
I said I wasn't gonna sing, but like that starts playing,

(02:45:44):
and at the same time, it like switches between Bill
and Kelly trying to get to the house, and then
Grant downstairs suddenly like getting hungry and smelling the meat
and then slowly walking back downstairs from the base and
getting to the meat and then grabbing the meat and
eating the meat as lustfully as Grant does when he

(02:46:06):
looks over at Starla. There also is an escape scene,
so before he's like fully turned into breeder, and it's
when the fat lady like rushes at him and he
tries to run away, and he manages to get out
of the basement, but then he's attacked by the two
little dicks, to which he gets stabbed in the neck,
and he gets like fed force full of all the
alienes and he becomes a breeder. And that's when you know,

(02:46:28):
when he finally wakes up from that, that's when he
gets all hungry when Starla does leave the room. Before
she does, she does manage to go grab a hair brush,
removes all the bristles from it and is going to
use as a weapon that she sticks in her panties,
like literally she lifts up her night skirt and then
it shows her white panties and then she puts it
on the side of it and puts the skirt down

(02:46:50):
and goes downstairs and now becomes the big confrontation between
Starla and Grant. She looks at him, and she looks
at him as you know, a partner that's like lost
her husband, and he's like put pictures of them all
over the place, but they're all covered in blood, you know,
from all the different people that have decorated the whole house.

(02:47:11):
And when she finally like and she's crying the entire
time that she's seeing this because she knows that this
isn't the man that she married, and the fact that
he's an alien beast that's hell bent on, you know,
taking over the entire population of Earth, running the resources
is dry and then going to another planet where it
can steal the resources there and possibly defeating the groundhogs

(02:47:31):
before they can get into space and fight the xenomorphs. So,
you know, so we go from here and then when
we go downstairs, he calls her a bitch, like right
away Grant does, and you know, she ends up trying
to talk some sense into him, but of course does
the old switch a root and stabs him in the neck.

Speaker 12 (02:47:54):
Run off a party.

Speaker 24 (02:47:56):
You just want to fuck him now, the starl I
have you grown until I'm everywhere. Kill I'm all, and
you'll know what it feels like to be then dreams
working for the block.

Speaker 10 (02:48:17):
I just thought you were trying to kill me, and
then you can't expect me not to go through huh,
some adjustments after all these changes, you've done a real
nice job decorating.

Speaker 12 (02:48:35):
Baby.

Speaker 4 (02:48:37):
You like these memories?

Speaker 1 (02:48:40):
Yeah, I know you don't want to hurt me.

Speaker 19 (02:48:43):
Grant.

Speaker 4 (02:48:52):
Yeah, you like being called Grant.

Speaker 11 (02:49:00):
I can do that.

Speaker 3 (02:49:02):
I can call you that.

Speaker 4 (02:49:05):
Because you're lonely right. You've been alone so long I
can't even imagine.

Speaker 15 (02:49:12):
I bet.

Speaker 4 (02:49:15):
You don't have to be alone anymore.

Speaker 10 (02:49:21):
Because you and I we could meet together. I never
had much use for this world anyway. I can stay
with you while you do what you need to do,
because it's your nature.

Speaker 1 (02:49:41):
And I see that now I'm here for you. So
that's when she reaches into your panties, pulls out the
brush and then stabs him right in the neck, and
you know thinks that she's gonna kill him, but it's
not enough to kill him as it is and so

(02:50:01):
he just takes his tentacle and fucking slaps her halfway
across the room, knocking her down. And then we go
back outside to Bill and Kaylee as they're trying to
get in the house and they're seen by a dude.
So he runs for the front door and he dies
for the door over a bush. The thing spits at
him and he manages to block it with the mat

(02:50:22):
that's there, shooting his gun and then you know, basically
alerting the rest of them that hey, they're here. Kaylee
gets grabbed by a dude, and when she gets grabbed
by the dude, that's when you know, she takes the
gun and blows his head open as well. They break
into the house and there's a great little scene. There's
two really funny scenes that happen here. One is when

(02:50:44):
the mayor comes up the stairs and reaches over to them,
and then he looks at fucking Bill and he's like,
kill me, kill me, and Bill just takes his gun
and fucking shoots him in the head and just keeps
walking forward to go. He's like, all right, I'll fucking
kill and then goes to get a fucking Starla and
Starla is like, you know, she's basically kind of like

(02:51:07):
after she's been knocked down, she's recovering and she's basically
trying to get up and the you know, Grant's looking
at her and he's like you think that you can,
you know, stop me? And then he has the grenade.
He's pulled the pen and he's like yep, and he
goes to throw it, and then Grant just knocks it
out of his hand and he knocks it behind a couch.
So he jumps over behind the couch, grabs the grenade,

(02:51:32):
tries to use it once again, and then Grant once
again fucking whacks him with his fucking tentacle and throws
him out the window into the backyard, to which the
grenade lands in the pool and just does a small explosion.
He's like, shit, now, it's kind of like what are
we going to do? Now? Uh, we have Grant grabbing
a giant sofa, And it's good that, you know, for

(02:51:54):
Kaylee at least that Grant is not a goddamn werewolf,
because he picks up the sofa and he throws it
at her, and she would have died fucking instantly because
this hit harder than anything in fucking van Helsing. He
didn't just like bump you know, Kaylee into a sofa.
He literally picks it up and throws it at the
room and knocks her into a wall with it. Right,
so she's taken out of commission. We don't know if

(02:52:16):
Kaylee is dead, and I'm pretty sure that she should
be from the hit that she took from that, because
that would have killed any fucking person the way that
it was thrown across the room. And so you have
you know, Bill outside trying to regain his composure, and
as he is, there's a propane tank that's been knocked
over as well in is a leaking gas and then

(02:52:37):
the tentacles from Grant come outside the window and one
of them stabs him in the stomach, and he's able
to grab the other tentacle and he's fighting to hold
it back, and so the gou is being basically shoved
into Grant, and he's trying to turn Grant into a breeder.
But Grant, with what little power he has left, takes
the tentacle and shoves it in the top of the

(02:52:59):
protein tank and then screws it on so that way
the tentacle can't leave the propane at all. Meanwhile, Starla's
trying to get up and get the gun, but she
gets wapped it in the face by fucking Grant, who
you know, once again is like, bitch, you're not listening.
You just need to stay there. So now that the
propane tank is pumping a bunch of propane into Grant,

(02:53:20):
that becomes Starla's opportunity to just fucking end it. And
they missed a great opportunity to have a one liner
at the end of this movie, right because you know,
you've got Bill being dragged into the house. You know
Grant's about to kill him. You know, Bill just says
shoot him, shoot him. Starla picks up the gun and

(02:53:42):
then all she had to say was from death to
us part and then shoot him, but instead she looks
at him lovingly. He looks back at her like, oh, bitch,
you're gonna shoot me, and he also goes like, yeah, okay,
here's what you have to do, and she shoots him
in the stomach and then Grant explodes into a giant, gory,

(02:54:05):
bloody mess and everybody on the outside that was controlled
by the worms falls down dead. So you've killed the
town is basically what you've done and the only survivor
so far that we know of our Starla and possibly Bill.
But we do find out that Kaylee, yes, she does
survive the sofa, so she's stronger than you know, a

(02:54:27):
were wolf attacking girl, so she could survive that type
of attack. And yes, Bill does survive as well. So
as they walk over to him to make sure that
he's okay, you know, we get basically what is the
end of the movie. And one of the things I
didn't play for you guys was another great joke that
they did where after Kaylee, you know, saved Bill from

(02:54:47):
the attack on the deer, he looks at her with
a straight face and he said, you know what, I'm
gonna tell people. She's like, what do you mean tell people?
He's like about the deer? What about the deer? I'm
gonna tell him, I saved you, so thank you for
saving me. But I'm gonna tell him that I saved you.
And she's just like, okay, whatever, that's fine, you know,
because these are a savider once in the situation before.

(02:55:09):
So he's lying on the ground hurt, but he's still alive.
Keilee is gonna explain that, you know, he can't become
a breeder unless both of the small dicks enter into
his body. He tells good old Starla to tell well,
he tells Kaylee tell the story about the deer. As
they walk into the sunset with I think one of

(02:55:30):
the greatest ending songs in a movie that I've heard
in a long time. And thus the movie ends that you.

Speaker 2 (02:55:38):
Regret not running off with me in the Hollywood, Now
I will, Sara, I always regret to that.

Speaker 6 (02:55:53):
Visiapville is just a few miles down to ten at
that hospital there, green stupid thing up top. Oh hey,
Kyliehyn't you tell me strength that story about how I
saved you.

Speaker 9 (02:56:07):
From that dear?

Speaker 5 (02:56:08):
Oh yeah, they'll save me from a deer.

Speaker 19 (02:56:13):
Oh yeah, En.

Speaker 1 (02:56:33):
Said, I love you for a time.

Speaker 12 (02:56:40):
I'll say, just skin believe your.

Speaker 24 (02:56:45):
Mind, y very down, and then I'm ready to say when,
oh baby.

Speaker 1 (02:57:00):
Just leave me the fuck loon. And so that was
slither But actually that's not the ending, right, them walking
away completely covered in blood, Bill with a giant hole
in his fucking stomach, but still walking perfectly fine, Her
covered in the blood of her ex husband. Now till

(02:57:21):
death do they part? Why there actually is a stinger
in this movie, and the stinger of course, involves a cat,
and the cat is walking into the room looking at
all eating all the pieces of human that are there.
This tastes really great. I really want to eat the
rest of the humans, because you know, the cat's gotta
be fed, and when the cat's not fed, it's gonna

(02:57:42):
eat on whatever the fuck is over there. Like if
I were to die in my house, I'm pretty sure
Charlie would eat my fucking corpse. And whether or not
she'd be able to get it before Zach don't really
fucking know. So the cat goes over there, and then
the little brain pod is actually still there, well his
brain is still there, which has as the little stinger
thing that's in there, And so the screen fades to black.

(02:58:05):
You hear a cat go and scream, and then the
cat is infected and that's where the movie actually ends.
So that was Slither and Slither is a very fun movie.
It's just fun. I love the characters. I love the
humor that's used in it. The music is really used

(02:58:27):
really well. Are there some shitty things with it? Yeah,
it's not like a huge budget movie for what it is, right,
I mean the movie was made on a modest fifteen
million dollar budget, so it didn't have a huge, huge
budget for what it was, and then it did manage
to break in twelve point eight, but it was considered
to be a box office flop, and that really wasn't

(02:58:51):
any you know, merit on its own, I would say,
because the film was really rated very high by critics
in general. I mean it's eighty seven percent on Rotten Tomatoes.
It's an average of a six point nine, so like
a seven there, like I said, over there on IMDb,
it's liked by a lot of people. It's just and
it even won like you know, some awards that were

(02:59:14):
out there. Entertainment Weekly rated as number one on the
must list that they had there that you know, the
Sliver DVD was picked as Michael Phillips, you know, pick
of the Week for the Ebert and Roper Show. It
was listed as one of the top twenty five DVDs
of the year by Peter Travers of Rolling Stone. And
you know, there are some that didn't like the movie,

(02:59:34):
like of course Roger Ebert, you know, two thumbs down
for the way that it is that it was all
zombied out after the wave of zombie themed films that
had happened around the time, right, So I think there
was just like maybe it wasn't the right time to
be releasing a film like this. But you know, it
just audience. It didn't really mesh as well, at least

(02:59:57):
theatrically with audiences, but it did get accolades and it
did do well when it came to home video. I
mean it's whole theatrical run between US and Canada. It
like I said, it got twelve point eight million. So
it's not a success. It'd technically be considered a flop,
but it didn't stop James Gunn from getting more movies
to do on his own and to write and direct

(03:00:19):
other things that were out there. So overall, what would
I rate this movie? So in terms of the gore,
it's a four out of five. It almost gets into
five out of five territory. It's not quite there because
there is a lot of CGI type of stuff that
goes on, and sometimes I kind of knock that down.
But it is pretty gory. It pretty is pretty bloody,

(03:00:40):
and you know, it has some really great scenes. It
has a really great kill and I do love the
scene where fucking BM explodes. Even though it's completely like CGI,
it still like looks cool. And I like the way,
like the wave of things that come out of her
and the skin exploding and all that stuff. And even
though it doesn't quite hold up as something that maybe
practical would do, like the practical effect of her just

(03:01:03):
being that giant fucking blob is insane, Like that is
a really cool practical effect that they put together. And
you know, it's it's just fun in the way that
gore is used in this movie, and a lot of
it though unfortunately a lot of it has to do
with animals and that might turn some people off right unfortunately.
And then in terms of the crap factor, it's like

(03:01:25):
a two out of five for the crap factor that's here.
And the reason is is because of some of the
shitty things that Like, there are some laughable things that happen,
and there's some bad dialogue at times, there's some humor
that doesn't really hit. It's few and far between for
me personally, and like that one puppet that they use
for Grant in the like the open field looks so

(03:01:47):
bad and the deer looks so bad, like it's like
Sam Raimi, like back in the beginning of Evil Dead, right,
that type of feeling to it. So it's like cheesy,
but it is like terrible at the same time, So
you know, that's why it gets a two out of
five for the crap factor. The fun, I think this
is a five out of five. This movie's very fun.
It is going to be. Your mileage may vary for

(03:02:09):
some people if they don't like James Gunn's humor and
they don't like the actors or anything like that, but
I think everybody turns in a great role. I like
Elizabeth Banks a lot in this movie, even though sometimes
her accent kind of wanes every now and then. I
really love Nathan Fillion in this role. Fucking Michael Rooker
is great. And even the side character's fun. Even Jenna
Fisher having to replace somebody that just left and just

(03:02:31):
being put into the film, like, she still puts out
a good character. And I like the way the characters
handled in the movie, and it's it's just a bit character,
but it's great, Like there isn't things. The only character
that I would say maybe it's not the best is Kaylee,
and it doesn't really make sense why we're introduced to her.
What it does like we're introduced her so early on, right,

(03:02:53):
and then she's really much of a nothing burger other
than to almost get like turned by the worm and
knows everything about the monster, but then doesn't really do
a whole lot for the rest of everything that's there. So,
you know, overall, i'd definitely give this a four out
of five sugar plums. It's not quite at the level

(03:03:16):
that you think I was gonna say, small dicks, didn't you, Yeah, yeah, no,
sugar plums. I love it when Michael Rooker says sugar plum.
But nonetheless, I do think that it's just missing a
little bit extra and a lot of it could really
just be budget. If it had a higher budget, then
maybe they could have gone more hog wild. And I
feel that the studio still had its hands in it

(03:03:37):
being somebody's directorial debut, even though they've done quite a
bit of things that have been really popular. But to
take a movie that's kind of out there with this,
and you're grabbing something that maybe fits what's being released
at the time, where there's an overabundance of zombie shit
that happens to be out and then here you're gonna
take this movie so it's just kind of like, all right,

(03:04:01):
you know, we'll give it to you, but we're gonna
hold back on some things. So and that ultimately hurts
it kind of docks at a point. But it's a
very fun movie. I really enjoyed this movie. It's great
seeing again if you haven't seen it in a really
long time, and to sit and really discuss the movie
is a lot of fun. So that all being said,
that is it for the end of this podcast, and

(03:04:23):
I hope that you guys have enjoyed it. I've enjoyed
in recording this one as well. Again, I do apologize
that maybe this one's coming out a little later than
it normally does. It's just with me and everything that's been,
you know, with the last couple of days or the
last day, I should say, and just being kind of
draining with everything that's there. You know, I just didn't
record it as early as I wanted to. I actually

(03:04:46):
wanted to get a little more sleep than you know,
maybe I normally would. So, And you know, if you
want to follow the podcast, you're more than welcome to you.
You can follow me out there. I'm available on Facebook,
dot com, slash Terrible Terror Podcast Instagram Terror Terror Podcast,
where you can see some pictures and little snippets of
video from the Baby Metal show that I went to.
If you are interested in it, you can go check

(03:05:08):
that out, and then you can also check me out
on you know, Twitter, t Underscore Teenerscore podcast if you
really want to, and of course Blue Sky Terrible Terrors
on Blue Sky, and then as always, I'm available on
Twitch and YouTube. Terrible Terror Podcast over there on YouTube,
Terrible Terrors over on Twitch. Right now, on Mondays, we
are playing through resid Evil five, So come by, say

(03:05:31):
hi and see Paramol Pat and I completely get mad
and yell at each other when we steal each other's
herbs and fucking ammo and when Paramol Pat shoots barrels
and blows me up. All right, you guys all take
care of your cells and each other, and I'll see
you soon

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