November 21, 2023 • 39 mins
Most of the stations aired two episodes each week, usually on the weekends and many times back to back.Many of the stories are based on Rod Serling's scripts from the original Twilight Zone series, and are slightly expanded and updated to reflect contemporary technology and trends and the lack of a visual component. In addition to adapting all of the original episodes aired on the TV series, the radio series has also adapted some Twilight Zone TV scripts which were never produced, scripts from other Serling TV productions, and new stories written especially for the radio series.
Taking Serling's role as narrator is Stacy Keach. Different Hollywood actors, such as Blair Underwood and Jim Caviezel, take the lead role in each radio drama. In addition, several stars who appeared on the original TV series, such as H.M. Wynant, Orson Bean and Morgan Brittany, appear, although purposely not in the roles they originated on television. The series features a full cast, music and sound effects and is produced in the flavor of classic radio dramas but using today's technology.
In addition to being an homage to the original Twilight Zone TV series, the radio dramas pay tribute to the era of classic radio drama, including allusions to radio dramas such as Gunsmoke, the presence of radio legend Stan Freberg in many episodes, and the sons (Stacy Keach, Ed Begley Jr.) of radio drama personalities Stacy Keach Sr. and Ed Begley as stars in the series.
Taking Serling's role as narrator is Stacy Keach. Different Hollywood actors, such as Blair Underwood and Jim Caviezel, take the lead role in each radio drama. In addition, several stars who appeared on the original TV series, such as H.M. Wynant, Orson Bean and Morgan Brittany, appear, although purposely not in the roles they originated on television. The series features a full cast, music and sound effects and is produced in the flavor of classic radio dramas but using today's technology.
In addition to being an homage to the original Twilight Zone TV series, the radio dramas pay tribute to the era of classic radio drama, including allusions to radio dramas such as Gunsmoke, the presence of radio legend Stan Freberg in many episodes, and the sons (Stacy Keach, Ed Begley Jr.) of radio drama personalities Stacy Keach Sr. and Ed Begley as stars in the series.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:10):
You unlocked this door with the keyof imagination. Beyond it is another dimension,
a dimension of sound, a dimensionof sight, a dimension of mind.
You're moving into a land of bothshadow and substance of things and ideas.
You've just crossed over into the twilightzone. Looks like a storm's coming
(00:49):
in a storm? Did you saya storm? Don't you mean another storm
like the one we had yesterday andthe day before and last week and all
months. I'm sorry, sorry,like you were yesterday and last month and
all year and the whole twenty yearswe've lived on this freezing nothing in the
island. I can't help it,Marie. I wish I could do my
(01:11):
research somewhere else. But this placeis this place, it's so special.
Special. Yeah, that's a wordyou could use for it. I mean
there are no trees, no TV, no stores except that little grocery store
next to that shack they call therestaurant. Yes, this is really a
special place. Well, I'm sorry, I didn't know it takes so long.
(01:36):
I just didn't know. I wouldn'tfigure it out until now, Wait
a minute, figure it out.Now you're done, you know, we
really done here? I think,so what exactly did you figure out?
I mean, will it make usany money? Will you be famous?
A Nobel price maybe, or aresearch grant. No one can know what
(01:59):
I've discy govern Marie. It's justtoo dangerous. That is just great.
I spent twenty years shivering in thatstone shack you call our home, waiting
for you to make your big discovery, and now you can't tell anyone about
it. I think you can tellme. There's a large granite outcrop that
(02:23):
underlies this small island. The magneticfield beneath it has created this very unique
place where remarkable things happen in thisparticular spot. It's the only spot on
Earth where it occurs. That's whythis place it's so special. A lot
(02:46):
of physicists and geologists have theories aboutit, and I found it. What
particular spot are we talking about?You mean that little sheet of rock that
you point instruments at day every day. In nineteen oh eight in Siberia,
there was an explosion. It wasequal to a small nuclear bomb. Most
(03:09):
people assumed it was an asteroid ora comet, but a few proposed that
it was a collision with a riftin the space time continuum, another dimension
traveling through space that intersected with theEarth and created a terrifying explosion. You
(03:30):
want to blow up this island.The rift in this location is shifted somehow
so it doesn't explode. I mean, I've been able to observe its a
curve six times over the twenty yearswe'd been here, and I finally figured
out how to trigger the shift.That small rocky shelf is a door to
(03:52):
the infinite number of parallel universes.I should have listened to my father.
He said you were a flake andI would never be happy. I'm going
back into the house. Hey,Benny, come here, Benny, and
then I'm leaving you. Wait,wait, let me show you. Please,
at least watch. I mean,you've waited twenty years, don't you
(04:15):
want to see what this is allabout. I developed a handheld device that
aligns the particles of the matter thatfill that space a certain way. When
I activate it, a shift occurs, a shift in dimensions. Now,
if you just stand back from therock shell, I don't like this.
It's not that dramatic. Really.You see that small plant growing in the
(04:39):
crack of that rock. That's aweed. Matt, Well whatever, Now
just watch this Well, what doyou think. The weed's gone? Pretty
amazing, isn't it. Yeah,the guys at the hardware store will sell
a million of them, well fortyseven to the other people on this island.
(05:00):
Who what does zap their weeds withyour gizmo? Marie. It's not
just the weed that's gone, it'severything that occupied that space. I mean,
look again at that area. Noticehow the rain drops and the spray
from the ocean are just now wettingthat circle of rock. That entire area
of about ten meters was exchanged withthe matter that occupied that space in a
(05:26):
parallel universe. Our weed and allthe rock and the rain water are now
occupying that space in another dimension,and now this matter is here to replace
it. Look, I'll show youagain. Sometimes the swap is a little
(05:46):
more dramatic. It just seems thatin many parallel universes the same sort of
things happen. What do you think, Wow, you made the skeleton of
a dead rotting fish appear in thisdimension. At least up to a few
(06:09):
seconds ago, that fish was aliveand still swimming in the sea in a
parallel dimension. It was dead.Now it's here, and the fish that
was in this dimension. The samefish is now alive in a parallel universe.
Wait, you're telling me that fishisn't dead, but it is now.
I mean in this universe, butin the other universe I just shifted
(06:31):
from its alive and frolicking. Arewe alive and frolicking in another universe?
There's no way of knowing, althoughit's quite possible that we are. Only
things could be different in small waysor extremely dramatic ways. The possibilities are
infinite, which would indicate the potentialfor significant change. So if I stood
(06:55):
on that spot, would I disappearMarie? Ye, well, that's not
a good idea. Or with theMarie from the other universe show up?
Oh good god. The thought ofan infinite number of copies of myself living
on this island is horrifying. Itwouldn't be a good idea to stand on
that spot. I mean, there'sno coming back. I mean I can
(07:18):
shift space and cause the rift tooccur, but I can't bring anyone back.
It just seems to be a continualexchange of other possibilities. I want
to try, try what I want. To stand on that rock mat and
you send me away, Maybe thingswill be different. Marie, you can't.
(07:39):
It's irreversible. There's no guarantee you'lleven survive the shift. The weed
survived. You brought it from somewhereelse and sent it somewhere else. You
have to do this for me,But you're not really changing anything. You're
just exchanging it for something else.If you or I were to shift to
another dimension, our counterpart would suddenlyfind themselves in this dimension. I mean,
(08:03):
things could be the same or verydifferent for them. There's no way
of knowing. But who's to saywe're not having this exact same conversation somewhere
else right now? If there areinfinite numbers of us somewhere, there's a
Marie who's making the trip, andI'm the Marie who's still stuck on this
island. Give me that thing.No, please, I'm going. No,
(08:24):
let's let's talk about this. No, you don't understand the consequences,
any consequences better than the stop.No, let go, Benny, No,
come back here, get away fromthat dead fish. Benny, you're
coming with me? No, giveme? No? Oh my god,
(08:45):
with the dog, Matt, wherethe dog go? He's gone? Bennie,
come back here. I don't know. I don't know. I told
you I can't control where anything goes. It just changes places. So how
come another verseion? Some of thedog didn't appear? I don't know.
I want my dog, Benny.Where did you go? What did you
(09:07):
do with my dog? Give methat thing? I'm going after him.
Marie, wait, I'll go withyou. Meet Marie Thompson, the wife
(09:35):
of a physicist who spends his timestudying infinite worlds except the one that he
shares with the woman. Her patienceis worn thin, but the constant erosion
of wind water and the time shehas spent on a cold and lonely island.
All she wants is what life hasnever given her, A chance to
(09:56):
be someone else and somewhere else,regardless of the car, get to cost
without a price tag, and IT'SNSEOfor a limited time from that purveyor of
lost hope and endless dreams called theTwilight Zone. And now the Twilight Zone
(10:22):
and our story Another Place in Time, starring Malcolm McDowell with Stacy Keach as
your narrator. Have some tea,you're cold and wet. I'm sorry about
(10:43):
the dog, Mary. You shouldn'thave grabbed the device. We can get
another dog. People do that allthe time, and they I'm leaving you.
I'm not staying here, but Idon't blame you. Go into town
and arrange the faerry. Assuming thereis a fairy. We're in another place
(11:07):
in time now, Marie. Thingsmight not be like they were. We
might not even have a dog.I'm not leaving until I find Benny.
Marie, where are you going.I'm going to find my Benny. If
he's on the island, I'm goingto find him. Welcome. Sorry,
Marie, I didn't see you.Well, you're not going out in that
(11:28):
gale, Lie. It's really startingto storm out there. I have to
find something. Hello, Matt,everything okay, oh yeah, yeah,
no, everything's fine. Jim.You probably should call Marie back here.
It's really starting to blow out there. Yeah. Wow, good idea,
(11:50):
Jim. Let me ask you something. Have you seen a dog? You
mean Benny? Benny? Yeah?Have you seen him? Oh? Well,
I figured he'd be inside here withyou folks. Three. You found
him. He was running across themeadow. I called him and he came
(12:15):
running. He knows me, Heactually knows me. That's great, Maria.
I can't explain it, but that'sgreat. Oh, Benny, Benny,
Benny on the Matt. Remember whenthat wolf bit his ear and drew
it? Jobs all better wolves?Yeah, then he got cornered by a
(12:37):
wolf and got a bit of afright a while back. His ear was
almost torn off. But it lookslike it's ah. It healed real.
Well, Matt, I've lived onthis island for sixty two years. I
have never heard anyone talk about seeinga wolf. Really, that's great.
(12:58):
Did you hear that, Benny?No more wolf story about it? Probably
wasn't a wolf. Must have beenanother dog or something, eh, I
guess, although I was always underthe impression Penny was the only dog on
the island. Well, look,you folks, take care of yourselves.
Well, we'll see you later.Huh yeah, yeah bye. Such a
(13:22):
good dog, good dog. Youknow, we should probably do more listening
than talking until we get used towhat's going on in this dimension. It
worked, didn't it. I meanit really worked. This is the best
news I've had in a long time. You have fun here on your little
land. You do whatever you want. I'm leaving, Yeah, I know.
(13:43):
I'll get into town when the stormcalms down and arrange the ferry to
the mainland. Fairy hell with thefaerry. Benny and I are going to
take another little trip with your gizmo. His ear is all better. But
look at this stone shack. Look, Matt, nice job on the dog's
ear. Now, let's keep thisthing going. It's progress. You are
(14:05):
aware of the word progress, aren'tyou. I'll set you up on the
ferry and we can pack you upwhenever you want pack. What would I
pack? Look at this collection ofjunk. I don't want to think from
this rock cut is all yours.Now get the gizmo and get me and
Benny out of here. I'm goingwith you. Oh really, what's the
(14:26):
problem. You're looking for something betterfor yourself, Marie. I have to
go with you. If you shiftinto a new dimension and it's a terrible
place, you'll be trapped. Theinterface, the device, the gizmo.
It's not easy to operate. Butoh god, this is all wrong?
Is that so, mister Wright,Whether you don't have to go if you
(14:50):
don't want, does he? Bennyurry? This isn't fair either of us.
I mean, not us here,but the Matt and Marie living in
another dimension. I mean, whenwe should to another dimension, we change
places with them. There are versionsof ourselves suddenly thrust into a different place
and time that they we wouldn't necessarilyunderstand. Now, let's keep going.
(15:13):
Now you want to go now inthis storm? Well, why don't you
pick us a day with nice weather. I can't pick anything. It just
happens. I've been waiting my entireadult life for this, and I'm not
stopping now. Ready when you are, Matt? You are going to join
(15:37):
us on this little rock stage,aren't you? Matt? What are you
waiting for? Get over here andlet's get out of this storm. Raw
old that the dog can just doit? Fine, but we can't keep
doing this, you know, Ohmy, nicely done, mad Five sunny
(16:11):
days a year on this island,and you found a perfect one. This
isn't about the weather, Marie,go slow, ask questions, or better
yet, just just listen a bit. Listen. Okay, I'm listening.
(16:32):
Oh no, oh, don't tellme, Matt. Oh, Matt.
Not good, not good at all. Glad to hear. We've got to
go. What's the matter? Whatdo you see? Hello? Are we
listening? It's a baby crying?You know, maybe you're not so good
at this shifting thing, after all. I mean, it's coming from our
house, our same crummy little rockhouse, and now there's a baby inside
(16:57):
of it. I told you longago. No kids, Marie. That
baby's parents there, Oh, thereas a version of us from this dimension
who have suddenly found themselves in theplace and time we just came from,
only without their baby. Think whatwe've done. That baby's parents are back
(17:19):
in that storm we just left withouttheir child. Do you realize what we're
doing to people ourselves? In aninstant, they're in another place and their
child is gone forever. Another versionof ourselves will show up here, and
what are they gonna think? We'llget over it. We're doing it to
(17:40):
ourselves. No one's getting hurt exceptus, So what's the problem. Matt
grabbed the dog and set that thing. However you do it? This isn't
right. Matt, shut up andget us out of here. Ye Rain
(18:11):
perfect. What happened to the sun? Oh gods stop. Okay, let's
go take the break that you wanted. There's the shack waiting for us.
Come on, Benny, all right, Mary, this is it. This
is the last shift we make.Oh no, this is the first look
(18:37):
at this places are shambles. Itlooks abandoned. No one's lived here for
some time. You mean we haven'tlived here for some time? Well,
what do you know? Somewhere there'sa version of us that finally came to
their senses and got off this island, I guess. So I wonder where
we went. Oh, please pleasemake it London, Paris, anywhere but
(18:57):
here. Well, I don't thinkthere's anything to eat here. I found
a tin of tea. Let meget a little fire started and we'll see
if we can improvise a place tosleep. We're sleeping here. We're staying
here, at least I am.You said you were leaving, and I'm
(19:18):
not stopping you. The wood burningstove still looks pretty good. It'll be
warmer in a minute. How longdo you think we've been gone from here?
I'd say a couple of years,maybe more, hard to tell.
So if you're staying here, it'sgoing to really confuse a lot of people
if I show up in London andyou're not around. If that's all you
(19:38):
care about, hmm, Well,that fire's going good will at least be
warm. Now I'm going to seeif I can find some water. To
make some of this tea. I'llbe here. Unfortunately, Matt, Matt,
(20:04):
is that you? Hello? Yes, Hello there, Jem. You
know, I never thought i'd seeyou here again, especially well, especially
after what happened. Yeah, right, well, we thought we'd come back,
you know, for a visit.We you're not here with Maria Marie
(20:27):
No, no, the dog.I mean I came back with the dog.
So do you visit Marie at all? Yeah? Yeah, I visit
her. I visit her, yeah, so not too long ago. Do
they still have her in solitary confinementor have they let her into the general
(20:47):
prison population prison? I mean,yeah, yeah, she's she's still in
prison. I was surprime as yourvisit her at all. I mean,
any mother who would kill her baby, But then well she obviously needed psychiatric
care. Look, I'm sorry toeven bring it up. I just didn't
(21:07):
figure you'd ever want to come backto this place after what happened here.
But I guess I just wanted toget some closure. It looks like you've
got a fire going in your oldhouse. I'm kind of cold. I'll
come into town and see you tomorrow. Okay, you take care of yourself,
(21:27):
find your water, Marie, wehave to get out of here now.
Well, listen to you, mister, I'm not leaving just when it's
starting to get warm in here.You want to go back out in the
rain, Murray, You're supposed tobe in present, in this universe,
in this place and time. Youkill the baby and are in prison,
(21:52):
Marie, how could you? You'vegot to be kidding me. I didn't
do it. It was someone else. We're leaving right now. We have
to find a different dimension. Grabthe dog and let's go. I never
should have listened to you. Wehave to find a dimension when we're not
in jail, where an innocent babywon't be in danger. And then this
(22:15):
is it. It's over over foryou maybe, but not for me.
Don't you get it? This iswhy no one can know about this.
What if everyone decided to do whatyou're doing. You can't go shopping for
the perfect life. Someone else worksso hard to achieve perfect life. Is
that what you call the life wewere living? Now, activate that thing.
(22:38):
This has to end. You getit right next time, and it
will end. Oh, that's better. You're getting good at this. At
least the weather put Wait. Damnit, Matt, you've done it.
(23:00):
I can't believe this. Damn you, Matt. Where's the dog? I
thought, well, I thought youhad him. We have to go back
and get the dog. We can'tgo back. I've told you there are
infinite possibilities. We'll never find thesame dimension, only different ones. Then
(23:23):
you're just going to have to findus a dimension where I have my dog
again. Look look at our house. It's enormous. It looks it almost
looks like a small castle. Let'sgo see it. Maybe the dog's in
there, Benny, are you here? Boy? Is he here? I
(23:51):
don't know, but congratulations, thehouse is amazing. I never thought stone
walls could look so good. GoodMatt, we must be rich. Maybe
you did sell your invention, Marie. This stops here. I'm going to
destroy the device. Why don't youget it? Haven't you been paying attention
to your own words? If everythingin all of these dimensions are so much
(24:15):
the same, who's to say thereare other versions of you using your little
gizmo to do exactly what we're doing. The only thing is we're going to
be without one because you got alittle problem. Here. We finally get
to a place where things are likeI want them. To be buff.
We're gone because we traded places withanother version of me and you, because
(24:37):
they have the gizmo and we don't. I can only hope that if I
make this decision now, there areother versions of me in other dimensions making
the same decision. Fine, destroythe stupid thing, but not until I
have my dog back. You've takeneverything away from me with your little lifetime
of research. I finally got thehouse right, and now I want my
(25:00):
dog. You should hide, Forall we know, you might still be
in jail, don't you wish?Fine, Fine, I'll hide in one
of the rooms. Look at allthe rooms, which one? Which one?
Coming? Marie? Go now I'mgoing afternoon. Matt malcol Hello,
(25:25):
Hi, jem how thanks what Matt? You're not in uniform. That's quite
a risky, know, right myuniform? I yeah, I spilled something
on it, and Marie or someone'scleaning it. Marie is actually cleaning your
uniform. I wouldn't have expected that, at least not with all the servants
(25:47):
you have. I mean, well, you know what I mean. Why
Hello, Marie, Jim, It'sso nice to see you. I overheard
you and Matt talking. I here'syour uniform, Matt, I forgot we
had another one hanging in the closet. Yes, why, thank you,
Marie. Good god? What isthat on the arm? Is that a
(26:12):
swastika? Yeah? I guess yep, that's what it is, all right.
I can't believe it a swastika.This is nuts. Oh, be
careful there, Matt. People don'ttake kindly to any disrespect for their reiche.
Right. Oh, I'll best begoing. You know, I saw
(26:36):
your dog running around over by thebase. I figured the commandant might not
take kindly to that, so Igot your dog tired ab outside. Benny,
Benny, mat He remembers me,it's Benny. It's my Benny.
And his ear is all fine,and the weather is fine, and this
house is just fine. And Ihave never been so happy, Jim,
thanks for bringing the dog back.I have to, and you know,
(27:00):
get into uniform and head over tothe base. Right, I'll see you
tomorrow. You did it, Matt, You did it, Marie. God,
it's a Nazi uniform. It hasa swasti car And don't you see
what this means. It means theNazis won the war. Well, maybe
(27:22):
they're not bad anymore. It's beena while since the war. I mean,
come on, we've got it allgoing here. Give it a few
days. No, no, no, no, no, out of the
question. This is madness. Welljust listen to you. You can't wait
to give it another go. Justremember to program your little gizmo for perfect
house, beautiful weather, nice dog, no babies, and just for you,
(27:47):
no Nazis. And can you makeyour house a little bigger next time?
I mean, why not that?What is this a cruel joke?
(28:08):
We're right back where we started that? Where are you going? I'm going
inside? Well, at least someonehad a fire going, but as for
everything else, still the same.I'm tired. I want to rest.
(28:32):
We're staying. We're staying, Areyou sure? I mean, how do
you know there aren't any Nazis here? Plus we're poor and the weather is
horrible, and I'm living in ahut. I'm going to lay down.
I'm tired. I'm not going anywhereexcept in bed. You do that,
you go lay down and dream aboutyour world without Nazis. I still have
my dream, and tomorrow we're goingto go find it. I'm resetting the
(28:56):
device tomorrow and push the button andtrying the device under the rock platform and
sending it into another dimension. It'llbe gone for good, and this game
will be done. This is over. Good night, goodnight, Matt,
Yeah, you have your good night. I'm gonna sit here and try to
(29:19):
pretend I'm living in a castle witha man who's amounted to something. That's
okay, Benny, that's okay.Mummy will fix it. You'll see.
You see that gizmo sitting on thekitchen table there, that crummy old wooden,
wobbly kitchen table. That gizmo isgoing to take us somewhere special tonight,
(29:41):
Benny. He's already set it upfor us. All we have to
do is stand on the rock ledgeand press the button. And when we
get back to the castle, you'llhave your own room and we'll take long
walks in the sun, and Mummywill have a a new version of her
husband. You watch, Benny.Mommy will make it all better. Are
(30:07):
you ready? Don't wake up daddy. We have a big surprise for him,
a new Marie just for him.I'll just take our little gizmo here
and come on, why, let'sgo, Benny, get over here.
(30:37):
Mommy's gonna push the button. Nowwe're going to the castle. Are you
ready here? Benny, Benny,tell Benny, damn dog? Hello,
(31:00):
Hello there, Hello, Matt.I decided to go for a little walk.
Oh, it's a nice day fora walk. And by the way,
what a lovely house we have anda garden? Well, well,
(31:21):
thank you? Oh, Benny,Benny, Benny, tell here you would
Doug? You? Is that anyway to say hello to mommy? Hell
boy, that's a good dog.Scout Scout, his name is Scout.
Oh. That won't do it all. He's going to have to get used
(31:41):
to. Benny. Oh, I'msorry, but do I know you?
Look? I know you're Matt.I have been a bit of a chore
for the last day or two orwas it three? I don't even know
if we're supposed to call them days. I mean, what are they anyway?
Excuse me, but what are youtalking about? Well, I guess
(32:05):
it's my turn to do all theexplaining. Matt. We're over here,
I'm I'm talking to someone. Oh, Matt, who is that in my
garden? That's my wife Angela.Huh, Sorry I didn't catch your name.
It's Marie, Matt ring a bellMarie who Marie White Thompson, your
(32:35):
wife? We met in high school, went to college together, and got
married right before we moved to thisor at least a version of this island.
Well, I only knew one Mariein high school, but we didn't
go to college together. Yes wedid, Matt, it's me Marie.
Remember your high school sweetheart? Whatare you an identity thief? So you
(33:01):
remember? Well, the last thingI remember about Marie was her wake and
her funeral. I just met herin high school. Three days later,
she was hit by a car andkilled. What do you mean she was
killed? Look if you stole heridentity, I'm calling the police. I'm
not dead to you, idiot.Hey, I don't know what you're trying
to pull here, Matte. HiAngela. Look, this woman says she's
(33:25):
someone I knew in high school.Who's dead? Oh, Angela, that's
your name, Angela. So she'sthe best you could do. Hey,
nice garden, Angela. But I'vegot news for you. He's no fine,
Matt. Let's go back to thehouse. Mam Oh, that's great,
Matt. You can't get anything righteven when you're not here. Benny,
(33:50):
stop it, whoever you are,I'm calling the police. Go ahead
and call the police. You're moron. I'm getting out of here, and
goodbye, missed perfect little god norwife Benny. Get over here, Oh
forget it, dog, stay herewith these lovebirds. I'll find a new
version of you in the next dimension. I think she's crazy, crazy,
(34:14):
watch this, sweetheart, Matt,get over here, Matt, don't go
near her. She's not acting right. Right, it's not the word for
it. Matt. You programmed thisthing before you went to bed. What
did you do? I can't getto work, Angela, go back to
the house called the constables. Shesounds dangerous. Would you get over here
(34:35):
and fits this thing? There's everyversion of you, an idiot. You
can't leave me here. This isn'tI was supposed to be supposed to.
(35:07):
I don't know where she came from. I saw Matt talking to someone and
went out to say hello, andshe just started talking and acting very strange.
Do you think she's crazy? There'snothing she was saying or doing that
any sane person would do. Wegot her on a boat to Liverpool.
I'm pretty sure they'll commit her.I don't think you have to worry about
(35:28):
her anymore. Your folks have agood day. I feel so sorry for
that woman. Did she say sheknew you? Yeah, well, used
the name of a girl I metbriefly in high school, but she's long
dead. Funny thing though, fora good second I thought she actually kind
(35:51):
of looked like her older Yeah,older, but just a slight resemblance.
Until she started acting nuts and Ijust want to get away. She sure
held onto the rock. Well,that's the other thing. She kept saying,
stuff about I don't know about anotherdimension and parallel universes or what that
(36:12):
sounds like. How you used totalk when we first got here. Yes,
but there's nothing to it. I'vebeen all over this island and all
the theories about it aren't true.But I never did study the shawline.
Maybe it's worth a look. Ha. Yeah. Maybe I'll get the old
instruments out tomorrow and point them atthat rock, and I'll paint a picture
(36:34):
of you holding this. What's that? It's that thing she was holding.
She called it a gizmo. Imeant to give it to the constable.
I'll give it to him tomorrow.Oh, that's actually a very sophisticated little
device. Maybe i'll take it apart. First. All the police are going
to do with this is put itin a box and then probably sell it
at an auction. Do you thinkit's worth something? I mean, should
(36:59):
we offer to pay for it?Technically it's her prophecy. We should give
it back to her, but Iwant to study it a bit first.
She won't need it where she's going. Oh oh, hello here, it
looks like another storm coming. That'sno surprise. Let's get inside. Yeah,
(37:20):
good idea. And then maybe tomorrowwe'll see what that rock and this
gizmo is all about. Is itpossible we all live in multiple dimensions?
(37:47):
One woman knows for sure. Awoman on a mission who has found her
destination, a destination not made ofdreams, but a nightmare of her own
creation in a universe that doesn't knowher name, a nightmare that could only
take place in that unique dimension knownas the Twilight Zone. Another Place in
(38:20):
Time, starring Malcolm McDowell with StacyKeach as your narrator, was written for
The Twilight Zone by Steve Newby.Heard in the cast were Sarah Wellington,
David Darlow, and Martin Astrop.The producers of the Twilight Zone wish to
thank CBS Enterprises and the Rod SerlingEstate for making this series possible. This
copyrighted radio series is produced and directedby Carla Mauri for Falcon Picture Group.
(38:45):
Sound design, custom Foly effects,recording, and editing are produced in the
Serni Americans Sound to Picture Theater bysound designers Craig Lee, Bob Benson,
and Tim Sarney. Music for theTwilight Zone is provided by CBS and American
Music Company Incorporated, New York.To learn more about the Twilight Zone radio
dramas and to download episodes, includingsix free episodes on our homepage, visit
(39:08):
our official website at twilight Zone radiodot com. Doug James speaking
You unlocked this door with the keyof imagination. Beyond it is another dimension,
a dimension of sound, a dimensionof sight, a dimension of mind.
You're moving into a land of bothshadow and substance of things and ideas.
You've just crossed over into the twilightzone. Looks like a storm's coming
(00:49):
in a storm? Did you saya storm? Don't you mean another storm
like the one we had yesterday andthe day before and last week and all
months. I'm sorry, sorry,like you were yesterday and last month and
all year and the whole twenty yearswe've lived on this freezing nothing in the
island. I can't help it,Marie. I wish I could do my
(01:11):
research somewhere else. But this placeis this place, it's so special.
Special. Yeah, that's a wordyou could use for it. I mean
there are no trees, no TV, no stores except that little grocery store
next to that shack they call therestaurant. Yes, this is really a
special place. Well, I'm sorry, I didn't know it takes so long.
(01:36):
I just didn't know. I wouldn'tfigure it out until now, Wait
a minute, figure it out.Now you're done, you know, we
really done here? I think,so what exactly did you figure out?
I mean, will it make usany money? Will you be famous?
A Nobel price maybe, or aresearch grant. No one can know what
(01:59):
I've discy govern Marie. It's justtoo dangerous. That is just great.
I spent twenty years shivering in thatstone shack you call our home, waiting
for you to make your big discovery, and now you can't tell anyone about
it. I think you can tellme. There's a large granite outcrop that
(02:23):
underlies this small island. The magneticfield beneath it has created this very unique
place where remarkable things happen in thisparticular spot. It's the only spot on
Earth where it occurs. That's whythis place it's so special. A lot
(02:46):
of physicists and geologists have theories aboutit, and I found it. What
particular spot are we talking about?You mean that little sheet of rock that
you point instruments at day every day. In nineteen oh eight in Siberia,
there was an explosion. It wasequal to a small nuclear bomb. Most
(03:09):
people assumed it was an asteroid ora comet, but a few proposed that
it was a collision with a riftin the space time continuum, another dimension
traveling through space that intersected with theEarth and created a terrifying explosion. You
(03:30):
want to blow up this island.The rift in this location is shifted somehow
so it doesn't explode. I mean, I've been able to observe its a
curve six times over the twenty yearswe'd been here, and I finally figured
out how to trigger the shift.That small rocky shelf is a door to
(03:52):
the infinite number of parallel universes.I should have listened to my father.
He said you were a flake andI would never be happy. I'm going
back into the house. Hey,Benny, come here, Benny, and
then I'm leaving you. Wait,wait, let me show you. Please,
at least watch. I mean,you've waited twenty years, don't you
(04:15):
want to see what this is allabout. I developed a handheld device that
aligns the particles of the matter thatfill that space a certain way. When
I activate it, a shift occurs, a shift in dimensions. Now,
if you just stand back from therock shell, I don't like this.
It's not that dramatic. Really.You see that small plant growing in the
(04:39):
crack of that rock. That's aweed. Matt, Well whatever, Now
just watch this Well, what doyou think. The weed's gone? Pretty
amazing, isn't it. Yeah,the guys at the hardware store will sell
a million of them, well fortyseven to the other people on this island.
(05:00):
Who what does zap their weeds withyour gizmo? Marie. It's not
just the weed that's gone, it'severything that occupied that space. I mean,
look again at that area. Noticehow the rain drops and the spray
from the ocean are just now wettingthat circle of rock. That entire area
of about ten meters was exchanged withthe matter that occupied that space in a
(05:26):
parallel universe. Our weed and allthe rock and the rain water are now
occupying that space in another dimension,and now this matter is here to replace
it. Look, I'll show youagain. Sometimes the swap is a little
(05:46):
more dramatic. It just seems thatin many parallel universes the same sort of
things happen. What do you think, Wow, you made the skeleton of
a dead rotting fish appear in thisdimension. At least up to a few
(06:09):
seconds ago, that fish was aliveand still swimming in the sea in a
parallel dimension. It was dead.Now it's here, and the fish that
was in this dimension. The samefish is now alive in a parallel universe.
Wait, you're telling me that fishisn't dead, but it is now.
I mean in this universe, butin the other universe I just shifted
(06:31):
from its alive and frolicking. Arewe alive and frolicking in another universe?
There's no way of knowing, althoughit's quite possible that we are. Only
things could be different in small waysor extremely dramatic ways. The possibilities are
infinite, which would indicate the potentialfor significant change. So if I stood
(06:55):
on that spot, would I disappearMarie? Ye, well, that's not
a good idea. Or with theMarie from the other universe show up?
Oh good god. The thought ofan infinite number of copies of myself living
on this island is horrifying. Itwouldn't be a good idea to stand on
that spot. I mean, there'sno coming back. I mean I can
(07:18):
shift space and cause the rift tooccur, but I can't bring anyone back.
It just seems to be a continualexchange of other possibilities. I want
to try, try what I want. To stand on that rock mat and
you send me away, Maybe thingswill be different. Marie, you can't.
(07:39):
It's irreversible. There's no guarantee you'lleven survive the shift. The weed
survived. You brought it from somewhereelse and sent it somewhere else. You
have to do this for me,But you're not really changing anything. You're
just exchanging it for something else.If you or I were to shift to
another dimension, our counterpart would suddenlyfind themselves in this dimension. I mean,
(08:03):
things could be the same or verydifferent for them. There's no way
of knowing. But who's to saywe're not having this exact same conversation somewhere
else right now? If there areinfinite numbers of us somewhere, there's a
Marie who's making the trip, andI'm the Marie who's still stuck on this
island. Give me that thing.No, please, I'm going. No,
(08:24):
let's let's talk about this. No, you don't understand the consequences,
any consequences better than the stop.No, let go, Benny, No,
come back here, get away fromthat dead fish. Benny, you're
coming with me? No, giveme? No? Oh my god,
(08:45):
with the dog, Matt, wherethe dog go? He's gone? Bennie,
come back here. I don't know. I don't know. I told
you I can't control where anything goes. It just changes places. So how
come another verseion? Some of thedog didn't appear? I don't know.
I want my dog, Benny.Where did you go? What did you
(09:07):
do with my dog? Give methat thing? I'm going after him.
Marie, wait, I'll go withyou. Meet Marie Thompson, the wife
(09:35):
of a physicist who spends his timestudying infinite worlds except the one that he
shares with the woman. Her patienceis worn thin, but the constant erosion
of wind water and the time shehas spent on a cold and lonely island.
All she wants is what life hasnever given her, A chance to
(09:56):
be someone else and somewhere else,regardless of the car, get to cost
without a price tag, and IT'SNSEOfor a limited time from that purveyor of
lost hope and endless dreams called theTwilight Zone. And now the Twilight Zone
(10:22):
and our story Another Place in Time, starring Malcolm McDowell with Stacy Keach as
your narrator. Have some tea,you're cold and wet. I'm sorry about
(10:43):
the dog, Mary. You shouldn'thave grabbed the device. We can get
another dog. People do that allthe time, and they I'm leaving you.
I'm not staying here, but Idon't blame you. Go into town
and arrange the faerry. Assuming thereis a fairy. We're in another place
(11:07):
in time now, Marie. Thingsmight not be like they were. We
might not even have a dog.I'm not leaving until I find Benny.
Marie, where are you going.I'm going to find my Benny. If
he's on the island, I'm goingto find him. Welcome. Sorry,
Marie, I didn't see you.Well, you're not going out in that
(11:28):
gale, Lie. It's really startingto storm out there. I have to
find something. Hello, Matt,everything okay, oh yeah, yeah,
no, everything's fine. Jim.You probably should call Marie back here.
It's really starting to blow out there. Yeah. Wow, good idea,
(11:50):
Jim. Let me ask you something. Have you seen a dog? You
mean Benny? Benny? Yeah?Have you seen him? Oh? Well,
I figured he'd be inside here withyou folks. Three. You found
him. He was running across themeadow. I called him and he came
(12:15):
running. He knows me, Heactually knows me. That's great, Maria.
I can't explain it, but that'sgreat. Oh, Benny, Benny,
Benny on the Matt. Remember whenthat wolf bit his ear and drew
it? Jobs all better wolves?Yeah, then he got cornered by a
(12:37):
wolf and got a bit of afright a while back. His ear was
almost torn off. But it lookslike it's ah. It healed real.
Well, Matt, I've lived onthis island for sixty two years. I
have never heard anyone talk about seeinga wolf. Really, that's great.
(12:58):
Did you hear that, Benny?No more wolf story about it? Probably
wasn't a wolf. Must have beenanother dog or something, eh, I
guess, although I was always underthe impression Penny was the only dog on
the island. Well, look,you folks, take care of yourselves.
Well, we'll see you later.Huh yeah, yeah bye. Such a
(13:22):
good dog, good dog. Youknow, we should probably do more listening
than talking until we get used towhat's going on in this dimension. It
worked, didn't it. I meanit really worked. This is the best
news I've had in a long time. You have fun here on your little
land. You do whatever you want. I'm leaving, Yeah, I know.
(13:43):
I'll get into town when the stormcalms down and arrange the ferry to
the mainland. Fairy hell with thefaerry. Benny and I are going to
take another little trip with your gizmo. His ear is all better. But
look at this stone shack. Look, Matt, nice job on the dog's
ear. Now, let's keep thisthing going. It's progress. You are
(14:05):
aware of the word progress, aren'tyou. I'll set you up on the
ferry and we can pack you upwhenever you want pack. What would I
pack? Look at this collection ofjunk. I don't want to think from
this rock cut is all yours.Now get the gizmo and get me and
Benny out of here. I'm goingwith you. Oh really, what's the
(14:26):
problem. You're looking for something betterfor yourself, Marie. I have to
go with you. If you shiftinto a new dimension and it's a terrible
place, you'll be trapped. Theinterface, the device, the gizmo.
It's not easy to operate. Butoh god, this is all wrong?
Is that so, mister Wright,Whether you don't have to go if you
(14:50):
don't want, does he? Bennyurry? This isn't fair either of us.
I mean, not us here,but the Matt and Marie living in
another dimension. I mean, whenwe should to another dimension, we change
places with them. There are versionsof ourselves suddenly thrust into a different place
and time that they we wouldn't necessarilyunderstand. Now, let's keep going.
(15:13):
Now you want to go now inthis storm? Well, why don't you
pick us a day with nice weather. I can't pick anything. It just
happens. I've been waiting my entireadult life for this, and I'm not
stopping now. Ready when you are, Matt? You are going to join
(15:37):
us on this little rock stage,aren't you? Matt? What are you
waiting for? Get over here andlet's get out of this storm. Raw
old that the dog can just doit? Fine, but we can't keep
doing this, you know, Ohmy, nicely done, mad Five sunny
(16:11):
days a year on this island,and you found a perfect one. This
isn't about the weather, Marie,go slow, ask questions, or better
yet, just just listen a bit. Listen. Okay, I'm listening.
(16:32):
Oh no, oh, don't tellme, Matt. Oh, Matt.
Not good, not good at all. Glad to hear. We've got to
go. What's the matter? Whatdo you see? Hello? Are we
listening? It's a baby crying?You know, maybe you're not so good
at this shifting thing, after all. I mean, it's coming from our
house, our same crummy little rockhouse, and now there's a baby inside
(16:57):
of it. I told you longago. No kids, Marie. That
baby's parents there, Oh, thereas a version of us from this dimension
who have suddenly found themselves in theplace and time we just came from,
only without their baby. Think whatwe've done. That baby's parents are back
(17:19):
in that storm we just left withouttheir child. Do you realize what we're
doing to people ourselves? In aninstant, they're in another place and their
child is gone forever. Another versionof ourselves will show up here, and
what are they gonna think? We'llget over it. We're doing it to
(17:40):
ourselves. No one's getting hurt exceptus, So what's the problem. Matt
grabbed the dog and set that thing. However you do it? This isn't
right. Matt, shut up andget us out of here. Ye Rain
(18:11):
perfect. What happened to the sun? Oh gods stop. Okay, let's
go take the break that you wanted. There's the shack waiting for us.
Come on, Benny, all right, Mary, this is it. This
is the last shift we make.Oh no, this is the first look
(18:37):
at this places are shambles. Itlooks abandoned. No one's lived here for
some time. You mean we haven'tlived here for some time? Well,
what do you know? Somewhere there'sa version of us that finally came to
their senses and got off this island, I guess. So I wonder where
we went. Oh, please pleasemake it London, Paris, anywhere but
(18:57):
here. Well, I don't thinkthere's anything to eat here. I found
a tin of tea. Let meget a little fire started and we'll see
if we can improvise a place tosleep. We're sleeping here. We're staying
here, at least I am.You said you were leaving, and I'm
(19:18):
not stopping you. The wood burningstove still looks pretty good. It'll be
warmer in a minute. How longdo you think we've been gone from here?
I'd say a couple of years,maybe more, hard to tell.
So if you're staying here, it'sgoing to really confuse a lot of people
if I show up in London andyou're not around. If that's all you
(19:38):
care about, hmm, Well,that fire's going good will at least be
warm. Now I'm going to seeif I can find some water. To
make some of this tea. I'llbe here. Unfortunately, Matt, Matt,
(20:04):
is that you? Hello? Yes, Hello there, Jem. You
know, I never thought i'd seeyou here again, especially well, especially
after what happened. Yeah, right, well, we thought we'd come back,
you know, for a visit.We you're not here with Maria Marie
(20:27):
No, no, the dog.I mean I came back with the dog.
So do you visit Marie at all? Yeah? Yeah, I visit
her. I visit her, yeah, so not too long ago. Do
they still have her in solitary confinementor have they let her into the general
(20:47):
prison population prison? I mean,yeah, yeah, she's she's still in
prison. I was surprime as yourvisit her at all. I mean,
any mother who would kill her baby, But then well she obviously needed psychiatric
care. Look, I'm sorry toeven bring it up. I just didn't
(21:07):
figure you'd ever want to come backto this place after what happened here.
But I guess I just wanted toget some closure. It looks like you've
got a fire going in your oldhouse. I'm kind of cold. I'll
come into town and see you tomorrow. Okay, you take care of yourself,
(21:27):
find your water, Marie, wehave to get out of here now.
Well, listen to you, mister, I'm not leaving just when it's
starting to get warm in here.You want to go back out in the
rain, Murray, You're supposed tobe in present, in this universe,
in this place and time. Youkill the baby and are in prison,
(21:52):
Marie, how could you? You'vegot to be kidding me. I didn't
do it. It was someone else. We're leaving right now. We have
to find a different dimension. Grabthe dog and let's go. I never
should have listened to you. Wehave to find a dimension when we're not
in jail, where an innocent babywon't be in danger. And then this
(22:15):
is it. It's over over foryou maybe, but not for me.
Don't you get it? This iswhy no one can know about this.
What if everyone decided to do whatyou're doing. You can't go shopping for
the perfect life. Someone else worksso hard to achieve perfect life. Is
that what you call the life wewere living? Now, activate that thing.
(22:38):
This has to end. You getit right next time, and it
will end. Oh, that's better. You're getting good at this. At
least the weather put Wait. Damnit, Matt, you've done it.
(23:00):
I can't believe this. Damn you, Matt. Where's the dog? I
thought, well, I thought youhad him. We have to go back
and get the dog. We can'tgo back. I've told you there are
infinite possibilities. We'll never find thesame dimension, only different ones. Then
(23:23):
you're just going to have to findus a dimension where I have my dog
again. Look look at our house. It's enormous. It looks it almost
looks like a small castle. Let'sgo see it. Maybe the dog's in
there, Benny, are you here? Boy? Is he here? I
(23:51):
don't know, but congratulations, thehouse is amazing. I never thought stone
walls could look so good. GoodMatt, we must be rich. Maybe
you did sell your invention, Marie. This stops here. I'm going to
destroy the device. Why don't youget it? Haven't you been paying attention
to your own words? If everythingin all of these dimensions are so much
(24:15):
the same, who's to say thereare other versions of you using your little
gizmo to do exactly what we're doing. The only thing is we're going to
be without one because you got alittle problem. Here. We finally get
to a place where things are likeI want them. To be buff.
We're gone because we traded places withanother version of me and you, because
(24:37):
they have the gizmo and we don't. I can only hope that if I
make this decision now, there areother versions of me in other dimensions making
the same decision. Fine, destroythe stupid thing, but not until I
have my dog back. You've takeneverything away from me with your little lifetime
of research. I finally got thehouse right, and now I want my
(25:00):
dog. You should hide, Forall we know, you might still be
in jail, don't you wish?Fine, Fine, I'll hide in one
of the rooms. Look at allthe rooms, which one? Which one?
Coming? Marie? Go now I'mgoing afternoon. Matt malcol Hello,
(25:25):
Hi, jem how thanks what Matt? You're not in uniform. That's quite
a risky, know, right myuniform? I yeah, I spilled something
on it, and Marie or someone'scleaning it. Marie is actually cleaning your
uniform. I wouldn't have expected that, at least not with all the servants
(25:47):
you have. I mean, well, you know what I mean. Why
Hello, Marie, Jim, It'sso nice to see you. I overheard
you and Matt talking. I here'syour uniform, Matt, I forgot we
had another one hanging in the closet. Yes, why, thank you,
Marie. Good god? What isthat on the arm? Is that a
(26:12):
swastika? Yeah? I guess yep, that's what it is, all right.
I can't believe it a swastika.This is nuts. Oh, be
careful there, Matt. People don'ttake kindly to any disrespect for their reiche.
Right. Oh, I'll best begoing. You know, I saw
(26:36):
your dog running around over by thebase. I figured the commandant might not
take kindly to that, so Igot your dog tired ab outside. Benny,
Benny, mat He remembers me,it's Benny. It's my Benny.
And his ear is all fine,and the weather is fine, and this
house is just fine. And Ihave never been so happy, Jim,
thanks for bringing the dog back.I have to, and you know,
(27:00):
get into uniform and head over tothe base. Right, I'll see you
tomorrow. You did it, Matt, You did it, Marie. God,
it's a Nazi uniform. It hasa swasti car And don't you see
what this means. It means theNazis won the war. Well, maybe
(27:22):
they're not bad anymore. It's beena while since the war. I mean,
come on, we've got it allgoing here. Give it a few
days. No, no, no, no, no, out of the
question. This is madness. Welljust listen to you. You can't wait
to give it another go. Justremember to program your little gizmo for perfect
house, beautiful weather, nice dog, no babies, and just for you,
(27:47):
no Nazis. And can you makeyour house a little bigger next time?
I mean, why not that?What is this a cruel joke?
(28:08):
We're right back where we started that? Where are you going? I'm going
inside? Well, at least someonehad a fire going, but as for
everything else, still the same.I'm tired. I want to rest.
(28:32):
We're staying. We're staying, Areyou sure? I mean, how do
you know there aren't any Nazis here? Plus we're poor and the weather is
horrible, and I'm living in ahut. I'm going to lay down.
I'm tired. I'm not going anywhereexcept in bed. You do that,
you go lay down and dream aboutyour world without Nazis. I still have
my dream, and tomorrow we're goingto go find it. I'm resetting the
(28:56):
device tomorrow and push the button andtrying the device under the rock platform and
sending it into another dimension. It'llbe gone for good, and this game
will be done. This is over. Good night, goodnight, Matt,
Yeah, you have your good night. I'm gonna sit here and try to
(29:19):
pretend I'm living in a castle witha man who's amounted to something. That's
okay, Benny, that's okay.Mummy will fix it. You'll see.
You see that gizmo sitting on thekitchen table there, that crummy old wooden,
wobbly kitchen table. That gizmo isgoing to take us somewhere special tonight,
(29:41):
Benny. He's already set it upfor us. All we have to
do is stand on the rock ledgeand press the button. And when we
get back to the castle, you'llhave your own room and we'll take long
walks in the sun, and Mummywill have a a new version of her
husband. You watch, Benny.Mommy will make it all better. Are
(30:07):
you ready? Don't wake up daddy. We have a big surprise for him,
a new Marie just for him.I'll just take our little gizmo here
and come on, why, let'sgo, Benny, get over here.
(30:37):
Mommy's gonna push the button. Nowwe're going to the castle. Are you
ready here? Benny, Benny,tell Benny, damn dog? Hello,
(31:00):
Hello there, Hello, Matt.I decided to go for a little walk.
Oh, it's a nice day fora walk. And by the way,
what a lovely house we have anda garden? Well, well,
(31:21):
thank you? Oh, Benny,Benny, Benny, tell here you would
Doug? You? Is that anyway to say hello to mommy? Hell
boy, that's a good dog.Scout Scout, his name is Scout.
Oh. That won't do it all. He's going to have to get used
(31:41):
to. Benny. Oh, I'msorry, but do I know you?
Look? I know you're Matt.I have been a bit of a chore
for the last day or two orwas it three? I don't even know
if we're supposed to call them days. I mean, what are they anyway?
Excuse me, but what are youtalking about? Well, I guess
(32:05):
it's my turn to do all theexplaining. Matt. We're over here,
I'm I'm talking to someone. Oh, Matt, who is that in my
garden? That's my wife Angela.Huh, Sorry I didn't catch your name.
It's Marie, Matt ring a bellMarie who Marie White Thompson, your
(32:35):
wife? We met in high school, went to college together, and got
married right before we moved to thisor at least a version of this island.
Well, I only knew one Mariein high school, but we didn't
go to college together. Yes wedid, Matt, it's me Marie.
Remember your high school sweetheart? Whatare you an identity thief? So you
(33:01):
remember? Well, the last thingI remember about Marie was her wake and
her funeral. I just met herin high school. Three days later,
she was hit by a car andkilled. What do you mean she was
killed? Look if you stole heridentity, I'm calling the police. I'm
not dead to you, idiot.Hey, I don't know what you're trying
to pull here, Matte. HiAngela. Look, this woman says she's
(33:25):
someone I knew in high school.Who's dead? Oh, Angela, that's
your name, Angela. So she'sthe best you could do. Hey,
nice garden, Angela. But I'vegot news for you. He's no fine,
Matt. Let's go back to thehouse. Mam Oh, that's great,
Matt. You can't get anything righteven when you're not here. Benny,
(33:50):
stop it, whoever you are,I'm calling the police. Go ahead
and call the police. You're moron. I'm getting out of here, and
goodbye, missed perfect little god norwife Benny. Get over here, Oh
forget it, dog, stay herewith these lovebirds. I'll find a new
version of you in the next dimension. I think she's crazy, crazy,
(34:14):
watch this, sweetheart, Matt,get over here, Matt, don't go
near her. She's not acting right. Right, it's not the word for
it. Matt. You programmed thisthing before you went to bed. What
did you do? I can't getto work, Angela, go back to
the house called the constables. Shesounds dangerous. Would you get over here
(34:35):
and fits this thing? There's everyversion of you, an idiot. You
can't leave me here. This isn'tI was supposed to be supposed to.
(35:07):
I don't know where she came from. I saw Matt talking to someone and
went out to say hello, andshe just started talking and acting very strange.
Do you think she's crazy? There'snothing she was saying or doing that
any sane person would do. Wegot her on a boat to Liverpool.
I'm pretty sure they'll commit her.I don't think you have to worry about
(35:28):
her anymore. Your folks have agood day. I feel so sorry for
that woman. Did she say sheknew you? Yeah, well, used
the name of a girl I metbriefly in high school, but she's long
dead. Funny thing though, fora good second I thought she actually kind
(35:51):
of looked like her older Yeah,older, but just a slight resemblance.
Until she started acting nuts and Ijust want to get away. She sure
held onto the rock. Well,that's the other thing. She kept saying,
stuff about I don't know about anotherdimension and parallel universes or what that
(36:12):
sounds like. How you used totalk when we first got here. Yes,
but there's nothing to it. I'vebeen all over this island and all
the theories about it aren't true.But I never did study the shawline.
Maybe it's worth a look. Ha. Yeah. Maybe I'll get the old
instruments out tomorrow and point them atthat rock, and I'll paint a picture
(36:34):
of you holding this. What's that? It's that thing she was holding.
She called it a gizmo. Imeant to give it to the constable.
I'll give it to him tomorrow.Oh, that's actually a very sophisticated little
device. Maybe i'll take it apart. First. All the police are going
to do with this is put itin a box and then probably sell it
at an auction. Do you thinkit's worth something? I mean, should
(36:59):
we offer to pay for it?Technically it's her prophecy. We should give
it back to her, but Iwant to study it a bit first.
She won't need it where she's going. Oh oh, hello here, it
looks like another storm coming. That'sno surprise. Let's get inside. Yeah,
(37:20):
good idea. And then maybe tomorrowwe'll see what that rock and this
gizmo is all about. Is itpossible we all live in multiple dimensions?
(37:47):
One woman knows for sure. Awoman on a mission who has found her
destination, a destination not made ofdreams, but a nightmare of her own
creation in a universe that doesn't knowher name, a nightmare that could only
take place in that unique dimension knownas the Twilight Zone. Another Place in
(38:20):
Time, starring Malcolm McDowell with StacyKeach as your narrator, was written for
The Twilight Zone by Steve Newby.Heard in the cast were Sarah Wellington,
David Darlow, and Martin Astrop.The producers of the Twilight Zone wish to
thank CBS Enterprises and the Rod SerlingEstate for making this series possible. This
copyrighted radio series is produced and directedby Carla Mauri for Falcon Picture Group.
(38:45):
Sound design, custom Foly effects,recording, and editing are produced in the
Serni Americans Sound to Picture Theater bysound designers Craig Lee, Bob Benson,
and Tim Sarney. Music for theTwilight Zone is provided by CBS and American
Music Company Incorporated, New York.To learn more about the Twilight Zone radio
dramas and to download episodes, includingsix free episodes on our homepage, visit
(39:08):
our official website at twilight Zone radiodot com. Doug James speaking
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