Episode Transcript
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Speaker 1 (00:02):
And now stay tuned for the mystery program that is
unique among all mystery programs, because even when you know
who's guilty, you always receive a startling surprise at the
final curtain.
Speaker 2 (00:13):
In the Whistler, I am the Whistler, and I know
(00:33):
many things.
Speaker 3 (00:34):
For I walk by night. I know many.
Speaker 4 (00:37):
Strange tales hidden in the hearts of men and women
who have stepped into the shadows. Yes, I know the
nameless terrors of which they dare not speak.
Speaker 1 (00:53):
Yes, friends, it's time for the Whistler, rated by independent research,
the most popular West Coast program in radio history. And
(01:17):
now the Whistler's Strange Story.
Speaker 5 (01:25):
With my own eyes.
Speaker 4 (01:34):
Although it was past for the Florida sun was hot
and blinding, and Christine wished, for the twentieth time she
hadn't left her dark glasses back at the hotel. She
wished too, that she weren't so tired of walking that
the New York doctor who had prescribed a rest for
her and had sense enough not to recommend Florida at
the height of the winter season. And she wished fervently
(01:56):
that somewhere in Crescent Bay she'd find a place to
live something less than twenty dollars a day. It was
despondency more than anything else that made her stop before
the big house with a tall white wall around it,
look down the walk to the door, and decided to
give it a try. It was a big house, there
must be extra rooms, and they couldn't do more than
(02:18):
say no, yes.
Speaker 6 (02:21):
Well, I'm sorry to bother you, but I was hoping
you could help me. You see, my doctor's ordered me
if my health. I arrived there before yestery at least.
Speaker 7 (02:30):
What did you say, come in? Oh, thank you? This way.
Speaker 6 (02:37):
Oh my name's Christine McKay. I'm saying at the hotel now,
but I really can't afford to stay there any longer.
And I went, oh, sorry, I didn't see that chit's
so right outside and it's so dark.
Speaker 7 (02:49):
Aning, Oh, never mind that, come over here and sit down.
Thank you.
Speaker 8 (02:53):
Now, have you decided where you want to stay?
Speaker 7 (02:58):
Decided?
Speaker 8 (02:58):
Well, this is an older house, but I think you'll
be comfortable. I could let you have that room at
the top of the stairs. It has its own private bag,
I mean, and there's an acre or so of garden
inside the wall in the summer house.
Speaker 7 (03:11):
I'm sure you'd be happy here. Wait, a minute. You
mean I can have the room. I want you to
take it.
Speaker 8 (03:16):
I'm I'm a little lonely here, and well i'd like
to have someone around.
Speaker 7 (03:22):
What about the rent? Would ten dollars be too much?
Ten dollars a week, Let's make it seven point fifty.
Is that all right? It's wonderful. You'll take the room there.
Of course, you don't know what this means to me.
Speaker 8 (03:38):
Drake, Missus Henry Drake. Here Now I want you to
movie and right away tonight. Here's the key, and I
write down the address so you'll be sure to find
the house again. Now let's see. Oh oh, here's a
piece of paper, twelve twenty Biscayne Road. There there are.
(04:00):
Thank you, Missus Drake. Thank you so much.
Speaker 7 (04:02):
Nana.
Speaker 8 (04:03):
You run along and get your things. When can you
come back?
Speaker 6 (04:07):
Well, I've awful lot to do in town. I may
be late.
Speaker 8 (04:10):
You can let yourself in with your key and go
right up to your room on the left at the
head of the stairs.
Speaker 7 (04:16):
But you will be here tonight, of course, Missus Drake.
I'll be here tonight.
Speaker 4 (04:33):
It's after eleven when you return, Christine, and you're dead
tired as you let yourself in the front door and
walk up the stairs to your room. You're glad the family,
if there is one, is asleep, that there'll be no
introductions and polite conversation to keep you from bed. And
it's a lovely bed, a lovely room, much nicer than
(04:54):
anything you'd expect it. As you undress, you make a
mental note to remember Missus Drake and your prayers tomorrow
night when you're not so tired. Ten minutes later, you're asleep,
But it's a peculiar sleep, blackness at first, and complete rest,
(05:17):
and then later something that seems to intrude, something annoying,
almost frightening, And then suddenly you find yourself sitting bolt
upright in bed, listening for some reason. You're trembling. As
you get out of bed, walk to the door and open.
Speaker 3 (05:36):
It a crack.
Speaker 4 (05:39):
A man passes the door of your room, close enough
for you to see what he's carrying. It's the body
of Missus Drake, with the scarf she was wearing this afternoon,
tightly knotted around her neck. You know now what she meant,
don't you, Christine, when she told you she'd feel better
with someone else in the house. She was afraid this
(06:02):
man was going to kill her. You can hear his
footsteps on the boardwalk outside in the garden, and rather
than take a chance on facing him somewhere down there
in the darkness, you decide to lock yourself in your
room and wait until morning. You turn the key in
the lock, and a few minutes later you hear his
(06:23):
steps on the boardwalk again, coming back to the house.
There's no more sleep, of course, nothing but a kind
of paralysis. And five eternal hours before it's light and
your watch reads seven o'clock. He doesn't know you're here, Christine,
and he mustn't know until you've had a chance to
(06:45):
see the police last. You brace yourself, open the door,
and walk softly to the stairway.
Speaker 9 (06:59):
I beg your Did I frighten you? Well, I'm sorry,
but you see you frightened me too. I didn't know
I had a visitor.
Speaker 6 (07:08):
Well, I I thought I could leave without disturbing you
and a missus Drake.
Speaker 7 (07:13):
I plan to take a morning walk down to the beach.
Speaker 10 (07:15):
Did you say, missus Drake?
Speaker 7 (07:18):
Why yes? Didn't she tell you?
Speaker 10 (07:21):
Tell me what she re rented.
Speaker 7 (07:23):
Me the room at the head of the stairs yesterday afternoon?
Speaker 10 (07:25):
She no, no, she didn't tell me that. When did
you come here last night?
Speaker 7 (07:33):
I was a little late and what time? I don't know?
Speaker 10 (07:36):
Tell me what time?
Speaker 7 (07:38):
I think about eleven?
Speaker 5 (07:40):
Oh?
Speaker 10 (07:42):
I see.
Speaker 7 (07:44):
How if you don't mind waiting about it?
Speaker 10 (07:46):
And why did you come to this house?
Speaker 7 (07:50):
Well? I came to Florida of my health.
Speaker 10 (07:52):
Health? What's wrong with you?
Speaker 7 (07:54):
Nerves? Mostly?
Speaker 10 (07:55):
I need a rest o nerves? Did you? Did you
sleep well last night?
Speaker 7 (08:00):
Fairly well?
Speaker 10 (08:00):
Good goodness? Nothing like sleep for a case of nerves.
Speaker 7 (08:06):
Now, if you don't mind, don't.
Speaker 10 (08:07):
Go, let me fix you some breakfast. What about it?
I think i'd better go ridiculous going off without breakfast?
Just a cup of coffee?
Speaker 7 (08:13):
Please?
Speaker 9 (08:14):
I won't take no for an answer. I insist that
Why are you looking at me like that?
Speaker 7 (08:22):
You don't intend to let me go?
Speaker 11 (08:23):
Do you?
Speaker 10 (08:25):
Don't be silly?
Speaker 7 (08:26):
There's no point in bluffing any longer. Why don't you
have missus Drake fix hers some breakfast?
Speaker 10 (08:35):
Yes?
Speaker 9 (08:35):
Yes, I suppose I shouldn't bluff any longer. You're in
a pretty bad way, young lady. You see, that's why
I asked you about your illness. Nerves do funny things.
What do you mean my wife isn't here. She's been
in Fort Lauderdale for a week. I'm at a loss
as to how you got in and where you got
the amazing idea that she rented a room to you.
Speaker 6 (08:54):
I saw you last night walking down the hall carrying
her body in your arms with a scoff.
Speaker 10 (09:01):
You do need the rest, don't you? Nightmare like that is?
Speaker 7 (09:03):
Tell me it was a nightmare. I saw it with
my own eyes.
Speaker 10 (09:05):
My dear, Easy to let me go.
Speaker 9 (09:08):
Of course, I'll let you go. As a matter of fact,
I want you to go. Well, how do you think
it looks for a man to have a pretty girl
in the house with his wife out of town.
Speaker 10 (09:19):
I've got a reputation, you know.
Speaker 5 (09:20):
Now.
Speaker 9 (09:20):
You run upstairs and get your things, and if you
insist on leaving without breakfast, I'm afraid I can't drive
you to where you're going. You'll have to call a
taxi and a word of advice, My dear, take care
of yourself, will you? You do need the rest?
Speaker 5 (09:53):
Oh back to the whistler.
Speaker 4 (10:10):
Yes, Chris, you saw it with your own eyes. And
this man, this murderer, has the colossal effrontery to tell
you that you were dreaming.
Speaker 3 (10:19):
He es got you down to the taxi.
Speaker 4 (10:21):
Smiles at you patronizingly as he helps the driver with
your luggage, and then he waves to you as you
drive off.
Speaker 7 (10:31):
Driver, Yes, ma'am, forget the hotel. I want you to
take me to police headquarters.
Speaker 4 (10:41):
It all fits, doesn't it, Chris. The strangeness in Missus
Drake's manner when she rented you the room yesterday was fear.
She knew this man was going to kill her. But
it's tragic that she didn't know how soon it would happen.
You know exactly what you're going to say when you
get to police headquarters and an hour later you're talking
to the desk.
Speaker 6 (11:00):
Side in the morning that a noise awakened me. I
went to the door, opened it just in time to
see him walk past, carrying the body of this woman,
his wife.
Speaker 7 (11:09):
I think she was strangled with a scarf.
Speaker 5 (11:12):
What does happened?
Speaker 7 (11:13):
Twelve twenty Biscayne Road? What was there twelve twenty Biscayne Road.
Speaker 5 (11:19):
Wait a minute, lady, you must have that wrong. What
was the woman's name?
Speaker 7 (11:22):
Missus Henry Drake, do you know what you're saying? I've
made it plain enough. He's a murderer. I want you
to arrest it. Wait a minute, I'm tired of waiting.
I waited outside for half an hour to get in here.
Take me to the Chief of Police or whoever your
superior is.
Speaker 5 (11:35):
I'll do better than that, lady, I will. I'll take
you in to see the commissioner. Come on here we
are go ahead, aod morning commissioner.
Speaker 9 (11:48):
Good morning, Joe. What's the matter of young lady? Still
troubled with nerves?
Speaker 7 (11:55):
There's no point in my sting here s not at all.
Speaker 10 (11:59):
Close the door.
Speaker 9 (12:00):
Yes, my name is Henry Drake, young lady, I'm a
police commissioner here in Crescent Bay.
Speaker 5 (12:06):
Commissioners. She was telling me some yon.
Speaker 10 (12:08):
Yes, yes, I know, Joe. She told it to me
about an hour ago.
Speaker 7 (12:12):
It wasn't a yawn. It was the truth, and you
know it.
Speaker 5 (12:16):
Now.
Speaker 6 (12:16):
If you'll excuse me, I'll find someone who'll do something
about it.
Speaker 9 (12:18):
Just a minute now. I've tried to be lenient with
you because I know you're not well. I want to
convince you, however, that you are making a very serious charge.
Speaker 7 (12:26):
I'm quite aware of that.
Speaker 5 (12:28):
Very well.
Speaker 9 (12:28):
Joey's commission call in Chief of Police Norton and Captain Evans,
of homicide.
Speaker 10 (12:33):
If this lady is.
Speaker 9 (12:34):
Going to tell her story, I think she should tell
it to the proper people. And that's all you have
to say, Miss McCain, That's all I know. You can
understand my embarrassment, gentlemen. Where she got that key to
(12:55):
my house as a puzzle?
Speaker 10 (12:56):
Of course? I think though that the fact that she
admits so.
Speaker 9 (13:00):
She came here for her health, her nerves might account
for her strange dream. And the imaginary woman who rented
her the room.
Speaker 7 (13:07):
Tell you I saw it with my own eyes.
Speaker 10 (13:09):
Just a commissioner is chief. Where is your wife Fort Lauderdale?
Of course? You know I sent her there a week ago.
Speaker 7 (13:17):
That's impossible. I talked to her yesterday. He's lying. I
tell you.
Speaker 10 (13:20):
If you'll on need check all right with me?
Speaker 9 (13:25):
Send a wire please to the manager of the Kenworth
Arms Hotel in Fort Lauderdale. Advise return wire whether missus
Henry Drake is a registered guest as of today and
if she is there now asmon Will that be satisfactory,
Miss McCain, I think soon right.
Speaker 10 (13:47):
Send it out, Miss Dixon. We'll wait here for an answer.
Speaker 7 (13:59):
I mean, here's the answer to that. Why are mister Drake.
Speaker 5 (14:03):
Oh good, let's see.
Speaker 10 (14:11):
Mm hmm. Here you are, miss McKay. I suppose you
read it.
Speaker 7 (14:16):
Missus Henry Drake has been our guest since the sixteenth.
Sitting in lobby at this moment.
Speaker 10 (14:25):
Graves, Well, I guess that order settle.
Speaker 7 (14:28):
That doesn't settle anything.
Speaker 6 (14:30):
It only means some woman is staying at that hotel
posing as missus Drake.
Speaker 10 (14:34):
What now, Chief, He's pretty persistent.
Speaker 7 (14:37):
How far is Fort Lauderdale?
Speaker 3 (14:38):
A couple of hours?
Speaker 7 (14:39):
Do you know, Missus Drake? Have you met her?
Speaker 3 (14:41):
Of course?
Speaker 10 (14:41):
I know.
Speaker 7 (14:42):
Let's go down there right now.
Speaker 6 (14:43):
I'll prove to you that this woman in Fort lauda
Dale is an impostor commissioner.
Speaker 10 (14:48):
I know how you feel about all this. It's the
craziest situation I ever saw.
Speaker 9 (14:52):
But I think it'll be embarrassing to turn this girl
loose until we've satisfied her she's wrong. You're absolutely right, Chief,
You get a car ready, I'll drive down there with you.
Speaker 3 (15:12):
Third floor, she's in three fourteen down.
Speaker 10 (15:15):
You're right, thank you.
Speaker 3 (15:18):
I hope this will satisfy you, Miss mcchay.
Speaker 7 (15:20):
It will.
Speaker 10 (15:21):
You'll admit it all a bad dream. If my wife
is in this.
Speaker 7 (15:24):
Room, I'll tell you after I see her.
Speaker 10 (15:27):
Here we are three fourteen. Yes, it's Henry, darling, Henry.
Speaker 9 (15:37):
What on earth? Oh it's a long story. I'm afraid
I could come in please, you know Chief Norton, my dear,
and this is miss McKay.
Speaker 7 (15:46):
Henry.
Speaker 11 (15:47):
Is something wrong? I'm sorry Henry sent me here for
a rest.
Speaker 10 (15:51):
You know.
Speaker 7 (15:52):
I'm afraid I'm not being very hospitable.
Speaker 9 (15:54):
We don't want to upset you, darling, but miss McKay
seems to have two very persistent ideas. One you rented
the room at the top of the stairs to her
yesterday afternoon, and two that I strangled you with a
silk scarf at two o'clock this morning.
Speaker 7 (16:08):
Oh no, why, Henry, I don't understand you.
Speaker 9 (16:12):
Don't look at me, my dear. I don't understand it either.
We're sorry to bother you, missus Drake. We felt we
had to clear it up in the lady's mind before
we turned the loose.
Speaker 11 (16:20):
Of course, yes, of course, Well, young lady, I don't
quite know what to say to you. As you can see,
I am alive.
Speaker 10 (16:29):
She's a very unusual girl. He's got a will of iron.
Speaker 9 (16:32):
I was bowled over this morning to find her in
the downstairs hallway about to leave. She'd got a key
from Lord knows where and blithely spent the night in
our guest room. Turned up at headquarters this morning with
the story, are you satisfied now, young lady?
Speaker 7 (16:47):
This this is his wife?
Speaker 10 (16:51):
Yes, this is missus Drake. Is she the one you
think granted you the room?
Speaker 8 (16:57):
Right?
Speaker 7 (16:59):
I don't know. It was so dark I couldn't see
her face very well.
Speaker 10 (17:04):
It was too dark four in the afternoon and too dark.
You were here yesterday afternoon, weren't you, Agnes?
Speaker 7 (17:11):
Of course I was. I was playing bridge.
Speaker 9 (17:14):
Jeez, please, and I think I've had enough. Come on, Chief,
let's go back to the office.
Speaker 11 (17:17):
No, Henry, wait a minute. I'm trying to think. You
don't really know this girl, Henry.
Speaker 10 (17:23):
Agnes, of course I don't know her.
Speaker 7 (17:24):
I see. I wonder perhaps this could be the election.
Isn't it coming up next month?
Speaker 10 (17:31):
Yes? But what's that got to do with it?
Speaker 5 (17:33):
Well?
Speaker 11 (17:33):
Couldn't it be that, well, that she's part of some
sort of plot to discredit you, make you lose that election.
Speaker 7 (17:38):
Listen, Missus Drake, believe me, please.
Speaker 11 (17:40):
That's what you're up to, young lady. This whole fantastic
story is a plot against my husband, Henry. I'm coming
back to Crescent Bay. I'm not going to leave you
alone up there another mill.
Speaker 10 (17:49):
No, no, see here, Agnes. That won't be necessary.
Speaker 11 (17:51):
I want to Henry, I want to come back. I
want to help you.
Speaker 10 (17:54):
Would your rest, Agnes.
Speaker 9 (17:55):
We decided you'd stay here at least from the sixteenth
to the twenty eighth.
Speaker 10 (17:59):
Your rest is important.
Speaker 7 (18:00):
And remember I know, please, please all of you. I
I'll forget about it. I'll admit I'm wrong. Just please
take me back to the hotel.
Speaker 4 (18:18):
You're bewildered, now, aren't you, Chris, frustrated and helpless. Yes,
As you pace the floor of your hotel room, the
past twenty four hours does.
Speaker 3 (18:27):
Seem like a dream, and you almost believe you did
have a nightmare.
Speaker 4 (18:31):
That is until you reach into your purse for a
cigarette and run across a scrap of yellow paper, the
one the lady who rented the room gave you with
her address on one.
Speaker 7 (18:40):
Side, twelve twenty Biscayne Road.
Speaker 4 (18:44):
That's not a nightmare, is it, Chris, The address she
wrote and handed to you. Slowly you turn the torn
scrap of yellow paper over. It's the top part of
a telegram, the printed Western Union heading, and part of
the line of code letters a telegram. Chris A long chance,
but it's worth investigating. This telegram might shed some light
(19:06):
on your bewildering situation. You rushed to the Western Union office.
I'm sorry, miss that's not our code belongs to Palm Cove,
about twenty miles north of here.
Speaker 10 (19:23):
Here's the copy of the wire, ma'am. It is filed
on the fourth.
Speaker 7 (19:26):
Thank you, missus.
Speaker 6 (19:29):
Will let it Drake five O six April Way, Seattle, Washington,
Happy to settle on your terms, provided you come here
in person between the sixteenth and twenty eighth, Henry.
Speaker 10 (19:45):
Is that what you wanted?
Speaker 3 (19:46):
Man?
Speaker 7 (19:47):
Yes, yes, this is just what I wanted.
Speaker 5 (20:00):
Oh wait a minute, missmakes listened to me, were.
Speaker 7 (20:03):
You, sergeant? I've got to see the chief. They told
me he was down here working tonight.
Speaker 3 (20:06):
I can't see him. That's all there is too.
Speaker 7 (20:08):
I've got proof this telegram.
Speaker 5 (20:09):
Sure, sure you had proof this morning until you did.
Now run along and be a good girl. I've been
on duty twelve hours straight now and I'm in no
mood to play games again.
Speaker 7 (20:19):
You just let me see Chief Norton.
Speaker 3 (20:20):
For a minute what I said. The answer is no.
You're sure you're right now, aren't you?
Speaker 10 (20:31):
Chris?
Speaker 4 (20:31):
There were two missus Drakes, Missus Wiletta Drake of Seattle
and Missus Agnes Drake of Crescent Bay. And you know
now that Willletta's body lies hidden somewhere inside the high
wall that surrounds the Drake House.
Speaker 3 (20:45):
As you ride back to the hotel and the taxi,
you try to think.
Speaker 4 (20:49):
Suddenly you remember something else about your nightmare, Henry's footsteps
on that board walk out to the pergola and back
of the house. You know you're taking a chance, but
you have to act now. Tomorrow might be too late.
Speaker 7 (21:02):
Driver, Yes, I've changed my mind.
Speaker 6 (21:05):
Take me to twelve twenty Biscayne Road.
Speaker 7 (21:14):
Will you wait please. I don't think I'll be long,
but be sure to wait please.
Speaker 3 (21:24):
The house is dark.
Speaker 4 (21:24):
As you walk through the garden, passed it and out
to the boardwalk in the pergola. You're sure the body
is somewhere near the boardwalk. You start in the pergola
itself and begin lighting matches. There's nothing under the window seats,
no signs of fresh dirt, and the shrubbery around it
in the tangle of buc and via climbing over the
summer house, in the rose beds, the tool shed, the hothouse,
(21:49):
the shallow ornamental well next to the boardwalk. Ten minutes pass.
The matches are gone now and you've found nothing, not
a sign. There's nothing to do but go back.
Speaker 10 (22:10):
I'm sorry you did that, miss mackay.
Speaker 7 (22:14):
It's you.
Speaker 10 (22:16):
You found her, didn't you, under the boardwalk?
Speaker 7 (22:20):
Under the boardwalk.
Speaker 10 (22:21):
Oh it's too bad.
Speaker 7 (22:24):
Yes, yes, it's too bad. Her name was Valletta, wasn't it.
She was your first wife.
Speaker 10 (22:33):
She was my present wife too.
Speaker 9 (22:36):
You see, I I found myself in a very difficult position.
Bigamy is an extraordinary problem. That's not the the most
unfortunate part.
Speaker 10 (22:50):
Though.
Speaker 9 (22:51):
You are such a nice girl, so so determined, so
so fine. I am not going to enjoy killing you too.
Speaker 7 (23:01):
Don't be absurd. There's a taxi out there waiting for me.
Speaker 9 (23:04):
No, no, you see, I dismissed the taxi five minutes ago.
Speaker 10 (23:11):
Shall we walk into the house.
Speaker 1 (23:21):
The whistler will return in just a moment with a
strange ending to the night's story.
Speaker 10 (23:26):
And now back to the whistler.
Speaker 3 (23:35):
There's no turning back, now, is there?
Speaker 4 (23:37):
Chris, you're sure Henry Drake is going to kill you,
and his grip on your arm so tight that your
hand turns cold, tells you he means what he says.
Before you can even think to cry out, the heavy
door is closed behind you.
Speaker 10 (23:52):
I wish there was some other way.
Speaker 9 (23:55):
I knew i'd have to kill you sooner or later
when you told me you'd been in the house all night.
Speaker 10 (23:59):
Please listen. I knew then that you had seen it.
Speaker 9 (24:01):
You couldn't help seeing if there was a struggle, and
we'll let her cry it out.
Speaker 10 (24:06):
I'd hoped I could bluff.
Speaker 9 (24:07):
You out of it down at the headquarters. Not for
my sake, believe me, it was for yours. I didn't
want to kill you too, But now I have to
look Gordon.
Speaker 6 (24:20):
You'll never cover it up this way, Please don't.
Speaker 7 (24:24):
I thought I thought i'd find you two together.
Speaker 10 (24:27):
Agonist you shot. Shouldn't have come.
Speaker 7 (24:29):
I told you I know, Henry, and now I see
why it.
Speaker 10 (24:31):
Is, Agnes. You don't understand.
Speaker 11 (24:33):
I understand, Motheran you know, Henry. Do you think I'm blind?
I'm known for a long time that there was another
woman in your life. When you insisted that I go
to Fort Lauderdale. For a while, I knew why you
wanted me out of the way so that you and
this this woman.
Speaker 7 (24:46):
Well, No, Missus Drake, you're right. I want to hear
anything you have to say.
Speaker 9 (24:49):
Agonist you're so very wrong. You're upset. You don't, Henry.
Speaker 7 (24:52):
I am upset, but I'm not wrong. I know what
I'm doing.
Speaker 3 (24:56):
No, Agnes had a gun.
Speaker 11 (24:59):
You've humiliated long enough, Henry. I didn't want to embarrass
either us before Chief Norton. That's story that trumped up,
thinly veil story the two of you brought with you
to Fort Lauderdale.
Speaker 7 (25:09):
What a food you must.
Speaker 11 (25:11):
Think, I am, Missus Drake, if you'll only listen, get
her out and get her out right now, Henry out
till your agness I mean it.
Speaker 7 (25:17):
I won't stand for it is any longer.
Speaker 5 (25:19):
Can I leave here?
Speaker 7 (25:20):
To leave present day?
Speaker 9 (25:22):
You heard her, Miss McKay, I I don't know what
to do.
Speaker 7 (25:27):
Get out, I do, or I will.
Speaker 10 (25:30):
I'll suit him. You'd better do what she says if
I go.
Speaker 7 (25:35):
Mister Drake, you realize where I'm going what I'm going
to do, don't you?
Speaker 9 (25:44):
Yes, Miss McKay, I know exactly where you're going, and
just what you're going to do, and this time I
think they'll believe you. But I don't seem to have
her very much choice in the matter.
Speaker 5 (26:03):
Do what? All music for the Whistler composed and conducted
(26:43):
by Wilburt Hatch and is the property of Herman Music,
Incorporated as CAP Hollywood, California. Broadcast rights granted solely to
audio arts productions Lamarada, California,