July 11, 2024 • 31 mins
On this episode host Notorious Lotto, is joined by guest Clyde The Producer. We talk about what lead him to producing, getting his first placements as a producer, working with Chicken P and more!
Instagram - @clydetheproducer_
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Instagram - @clydetheproducer_
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:01):
Yeah that me and y'all not mean, you're mean, you already know who
I am. It's been a minute, it's been a minute. Y'all have
seen me regularly on here doing apod. I'm back with episode two for
things they won't say interviews. Y'allalready know who I am. Your host,
notorious ltt oh aka Lotto Bean takingten nine shots like I'm Kobe Bean.
(00:25):
And we got a special guest inhere today, legendary producer from my
hood. You already know where I'mfrom. Two to one on the south,
but that's here north there, butlegendary millions. The streams going right
now, beat's going crazy through thetown, not even just through the town,
(00:46):
through the whole Midwest. I gotmy boy Clyde the producer here,
man, what's going on today?How you doing? Bro? See how
you feeling? My boy? I'mglad to finally put this in you know,
put this in play, get thepod going, and you know it's
been a minute to you know,get into action. But I'm glad we
hear man like I said this episodetwo and you already know how I get.
(01:06):
We jumped right into the things andjust get right into the nitty gritty
out the gates. Let's just goahead, go to the back, to
the way back, way back.Not too deep far back, but just
a little bit to the beginning faras your producer history, like what made
you want to like become a producerout the gate or what even brought you
(01:27):
to music? Honestly, Bro,I just used to like rattle my ears,
bro, Like it didn't like makesense at first, but as like
the older I got and the moreI could like tap my feet when I
was around sea stacks for a littlebit, like you know, every now
and then while he was doing hereshout out stacks, see stacks like I've
(01:49):
seen fl. I looked up FLand I was like, I started on
my phone though, Okay, garageMan, I made my first beat on
garage Man. Okay, well,Liken, you like give us a time
frame. When was that, Isay, two thy seventeen eighteen, okay,
shit, right around that junior senioryear. Okay, I was on
garage Man, and I didn't knowwhat I was doing cuts on here,
(02:12):
No, yeah, yeah, Ididn't know what the fuck I was doing,
Bro, I was pushing buttons.I didn't know how to like mix.
I didn't know what the equ it'sreverbs like all the you was green
as here all these buttons, bro, and I didn't know how to do
nothing. I just wanted to,Like, I just know I wanted to
like the eight A Waits bro.I love eight A Waits bro out the
whole beat. Eight of Waits iswhat gets me the most, for sure,
for sure. So you saying backin twenty seventeen, right, that's
(02:36):
when you like started, So goingback to the end, Like, I
mean, you just said you wasaround sea stacks and things of that nature.
But who would be like besides likethe people you was around, who
was some inspiration for you far asjust musical wise or even producer wise to
even make you want to, youknow, go that direction south Side,
like I seen like the not thevery beginning of like the beginnings of Metro,
(03:00):
seeing the beginning. It's not thebeginnings, but like the growth is
atoven, you know, like themain lex. I was like watching them
grow YouTube. Yeah at World,I'm watching the lives like I'm listening to
their songs. I don't even careabout the song. I just want to
hear just listening to the beats patterns. I do want to hear the melodies,
the instruments, like the drums,like I said, the ways,
(03:21):
like around our time when we wascoming up, Bro, that's when like
a way started slapping hard, likelike the transition of music, just like
it changed the switch and we intothe whole new realm of music. And
like as I was driving, likewith anybody speakers knocking and out, like
I love that ship. It alwaysdid change every turn me up every time,
(03:43):
bro, no no bullshit. Alwayslike you said it, it always
came and changed the whole sound liketo just music period. Put this on
a whole different trajectory. Like thefrequencies is just different. But like they
really like rattled my ears. IfI could explain it, I would,
but I can't even explain how likeit a way. It's like I know
the melody is like the main purposeof the beat, but like I can
(04:06):
base a whole beat around the eightaway no yeah yeah, and then like
I let that and the like percussionsinfluence the whole rest of the beat and
I can go, you know,you can make different versions, but nine
times out of ten that's going.That's what I'm focused on when I'm making
the beat. Exactly exactly. So, like you said, you started out
(04:27):
early on garage band and things ofthat nature. We jump around a little
bit on things they won't say justto let you know, but I want
you to speak on some of theearly struggles of being a producer and just
trying to get your beats out andjust even placements. When I first started
bro like, I used to asklike people to teach me, Like I
(04:48):
to ask a few people around scene, like teach me how to do this,
teach me how to do that,and yeah they'd be like, yeah,
I got you boom, but youknow, you know how you know
it ain't Nobody really liked teach menothing. So like YouTube was all I
had in the early stages, andI had fl probably a year before I
actually knew how to like make anactual pattern or like understand what the eq
(05:11):
and like the master like I didn'tunderstand it when I first had access to
it. I was given a computerfor little drum kits like from like early
stages, whole telorbyte full of likedrums like one shots, and I didn't
know. I gave it back,damn and I didn't know it was like
whoever, bless you yeah, likehe one of the ones that like first
(05:34):
put me in the game, likehere he gave me. He gave me
the midi board. He gave methe computer and it was all in like
a container like some old and itwas he had the head set in it
and mic in it, like itwas all set up. He said.
I hear your ears, he said, and I hear how you hear music.
(05:54):
He was like, so, justdo what you can with it.
And I opened it, but likeI didn't nothing I the fuck I was
doing with it. So I gavethe shit back. I'm like, bro,
I kept the mini board like youcan't. I don't, Like I
don't know how to use fls likeFL. I think it was like FL
nineteen, like one of the earlystages of FL. I just gave it
back. Bro, what FL wedon't know twenty four? Oh yeah,
(06:16):
okay, yeah that was a minute. Yeah, bro, bless him now,
swear to god, we're still incontact today, bro, And he
just like, mind blown. Bro, I don't. I don't be getting
it sometimes either. But the musicshit is like like substantially like in my
brain forllon like wake up, goto sleep, get off work music studio,
(06:38):
like I don't go to sleep.So you're doing beats every day,
every day, almost every day,not every single day, but right around
like even if I'm not here though, so about every day. Yeah,
okay, because I mean you obviouslygot to take some time off mental,
mental breaking, things of that nature. It's only right, Okay. This
is two part question. First off, how long does it take you to
make a beat? And then walkingthrough the process of you making a beat?
(07:03):
So if I'm sampling, okay,because it's the difference. So if
I'm sampling, I can do asample and like throw some drums on it,
you know, like some some typicalI ain't gonna say typical, but
some a Midwest beat, not Midwest, but like the sound that's floating right
fating around here. I can doone in about ten minutes, twenty minutes,
(07:24):
thirty minutes. But if I wantto do my own melody, and
I want to do my own everysingle thing on, give me like an
hour two hours. Like I can'tread, Like I can't read music,
okay, so like everything is literallyoff my ear. I don't like.
Yeah, I can read like certainnuts and I learned. I just learned
how to read majors and minors,so I can read it to an extent.
(07:45):
So that's why it takes me acertain amount of times to like connect
my patterns together when it comes toactually making my own melodies exactly once I
get through the melody and I canjust throw, you know, throw the
rest on it, like I'm supposedto. Yeah, give me about an
hour, two hours, good hourtwo But for the sound that's floating around
here right now with a sample isanywhere from ten to thirty minutes. But
(08:05):
I wouldn't say the samples is floatingbecause a lot of people are starting to
realize, like samples come with alot of side when it comes to terms
and you know, complications like yeah, we can make a hit, but
nine times, I mean, Iain't gonna say nothing, but it's a
hygh percentage that you know, eitherthey might not clear it or they gonna
(08:28):
take a substantial amount from it.Since you didn't, I mean, you
brought it up, let's talk aboutit. Let's just talk about the business
side of being also a producer,and like just what you said about using
samples and things of that nature,and just far as working with even artists,
just music period let's talk about thebusiness and just having your things.
You're like your business in line,your name, you're publishing. How you
(08:48):
go about that. I can't sayI have it in line, but I
do a lot of research. Andthat's why I like, you know,
when it come to paperwork, ifit's thirty five pages, right, all
thirty five pages, you're not lying. The little words get you then throw
they'll throw quick numbers in that addup to a whole the ump. You
(09:11):
just gotta you just gotta fluently readthrough them, because it's the game.
It's chest not checkers. Andy.You is not lying. How they play
it, you all the way.That's how they respect you. But if
you just quick and you just gonnasign off, they gonna they throw it
at you. But you gotta youknow, it's like I said, I'm
learning in myself and you know yourvalue. Shout out beach Stars because that's
(09:35):
who I uh go through. Yeah, for publishing, it's quick, it's
simple, it's easy, and it'slike, no, I'm familiar with it.
I ain't gonna say dumb down,but I know I know what makes
sense. It makes sense, it'sright there, it's in the right term.
It's just in the right word foryou, I'm familiar with the stars.
When did you realize things were startingto click for you? Because right
(09:58):
now, you you know, it'sa lot going on with you and your
name. Right now, your yourbeats, your tag is it is floating
around everywhere. So for you,when did you feel like, like,
Okay, I'm getting some traction thisship, this should makes sense now recently
like recently okay, not rolling recently, I'm talking like recently recently, m
(10:18):
M. Because like Roland was like, you know, Roland was cool that
it went through the roof, right, Like I love Roland. I appreciate
it so much that on My BoyChicken, like it was amazing. Yeah,
But like if you know, likeyou can get some traction and it
like if you don't hold the tractionand you got to regain you know,
(10:39):
like I just had to like learnhow to get more consistent with myself when
it comes to like making like musicoverall, because like you can take a
break, cool, but like ifyou're not in a position to take a
break, the break is going tobe some damage overall. Can't let that
wave die down. And you know, everybody got their own lives outside of
like music. So like if we'renot really like you got to take care
(11:01):
like other ship, its priority thingsgoing on in life. You got to
make sure you got somewhere to stay. You know, you got to handle
your business so like when it comesto like you know, you got to
make sure your financial is in asituation before you like just call yourself like
I'm a top producer. I'm nota top producer. I'm just like a
producer who's trying to rise and growlike everybody else. But I'm not like
(11:22):
you know, we all growing,like the whole Midwest as an industry is
growing as a whole. I'm notin a position to be like yeah,
like I didn't feel that at first, but like now it's like it's becoming
rapid, and I just got tokeep on working, keep on working.
Like you know, you gotta takecare of your mental too, exactly,
So like you got to be ableto balance everything out, understand, like
(11:46):
you're in the music industry, noexactly exactly. Can't just be half and
half. You gotta get it's aclean balance all the way. And like
I like that you said the Midwestis you know, just as a whole
is coming up on a rise.How do you feel about just the recent
surge of just I was just saymore pup, just more exposure for the
(12:07):
Midwest as a whole. Like it'severywhere. I mean, you got JP,
you got Chicken, you got everybodyin race scene. There's just so
much going on. How do youfeel about it? Low to hear about
it, brot to be a partof it, Like the fact that I'm
like and I'm a part of it, Like I an't denying that I'm not
a part of it. No,you can't. That's no denying that you
definitely part of it. It's crazybecause like we growing, Like everybody remember,
(12:30):
like we didn't get that recognition,you know, not for really,
but everybody remember Atlanta in the inthe twenty fourteen sixteen fades. But like
a in a way, bro,we have that growth. It's just as
long as everybody like Steve's Stoning Chickand p JP, Big Frank yeah boys,
and then like as long as everybodykeep going, bro, it's it
(12:50):
can't be stopped. Bro, Andeverybody love it. It's TikTok, Like
it's TikTok crazy. People love dancingright now. That's how I know the
world was turned like the world isdancing again. No, no bullshit.
That is me to me, likeit's like a dougie, but it's not
the dougie. It was turned upback then, but they turned up right
now. You can't. You can'ttake that, bro. That ship is
amazing. Trying to be tough nomore. It's coming from here, bro.
(13:11):
Yeah, everybody, little jig witheverybody. Everybody doing with the little
jig. I do crazy, bro, I do so moving along, man,
how did you and mister link up? Man? Because you know,
I mean that was my research.I seen, I seen. You know,
(13:31):
I think I was. I waslooking for a studio, yeah,
because I was doing all my workin like headphones in the crib, just
just on the fly, moving everywhere. I was. I used to go
to my boy bar studio, butyou know that slowed down, so I
was really just in the crib,just doing my own how you can.
I was with my boy a Zmy boy that take the picture shot it
(13:56):
they know on the pot man,he was like, uh, slide over
here on my boy loo boo booboom he cool boom boom. So I'm
like that. I was living aroundthe corner, so I'm like cool.
So I came over here, bro, and I was just sitting here talking
and he let me cook up.And that's been that since. I just
(14:20):
kept coming and we just started lockingin bro, like and my boy can
spit too, So like I wasturnt with it. I'm like bat so
like I know somebody that could gowith me. I'm like cool, this
valid and like, bro, likewe've just been connected every since, bro,
And like eventually I was like bro, like once like once I felt
like we had a little take off. I'm like, bro, like like
(14:41):
you want to be my manager?Get like that. It's like ship like
bro, and like that like ship, and like every time I get like
a placement anything, Bro, likeyeah, I call you like shout out
my emails, shout out a louBro, shout out man. They don't
heard his music. Get music onthe way, Bro. But like all
my emails here and all my businesses, I don't go to no meetings,
(15:03):
none of that. Like I gota manager around and I went through like
I tried, like Bro. Iused to try to pay like different people,
and then I got like finance,bro, and like it wasn't motherfuckers
from here. So you know,it's just around like you know, motherfuckers
just hear me and they're like yeahboom, yeah we boom, we can
do this, we can do thatcheese, and then it just goes and
(15:24):
it happened like four times. Iwas trying to invest in myself, like
you do the right thing. Igot finess for thousands trying to management.
But that's the that's the trials andtribulations people don't know about. I mean,
motherfuckers see you hit these numbers inthese different streams and just think,
hey, bro made to be Ican do it. It's like not saying
a person can't, but you gotto put that time in and invest,
(15:46):
like like you just said you acouple of times that ship. You know,
I can discourage you make a motherfucker. I want to do this now
like like I can, like youknow, it's numbers involved now, like
streams that can say like I havelike dis choreography, no, yeah you
got you got to show for SASo like exactly, I got finessed.
(16:07):
But like ship, as long asI ain't quit, bro, because like
I ain't gonna lie. I stoppedfor like months at a time sometimes see
and then like to like start fromlike now I stopped, you get finised
a few times, like I saidthat she could hurt her heart. You
know, I wasn't selling either,so it's like, all right, you
think it ain't meant for you?Like did am I supposed to be doing
this? Yeah? Bro, itused to it used to hit, it
(16:29):
used to hit hard. And thenI got my first placement with fifty fourth
Baby. It didn't drop though,but like I feel like that was my
first major placement because he was likeon the rise at the time. So
he was, but I mean itdidn't like you said, it didn't drop,
but it was. It was around. Biggas heard it for sure,
he heard it, So I'm likethat and he was super hot at that
time. Fifty four Baby was smoking. I got I got a couple with
(16:52):
some of them, like some ofthem, bro, and the like,
the stuff just wasn't dropping, SoI'm just like Okay, I stopped again.
And then like I get going ona crazy like go and this is
around the time, like right whenI met Lou, Like I've been on
crazy goal since bro, NonStop.In the studio, I get off work.
I work all day, bro,So I get off around and I
(17:14):
be in the student about two threein the morning, like this ship like
a game about the week. Yes, it's not NonStop. And if I'm
not, like I said, Igot speakers at the crib so like and
shout out my neighbors because they nevercalled the police something because I'd be blasting.
Got to hear it the right way. It's the only way you can
listen to it, and the onlyway if the police come, I'm telling
them the same thing, like come, wake, come, I'm just like
(17:36):
I gotta make it. I can'tnot make it, and like, yeah,
it's cool with the headphones, butall the real producers know making beats
with headphones and speakers is different.Bro, It's not the sick I've been
told. I've been told it rattled, and if it's a hit, it
rattled different. Like it's like heaven. Bro. Even if people don't think
it's a hit, it might notsee how you want it to. It
(17:57):
might not pop off right away,but you can still sit listen to you.
You can feel it. You feelme, you can feel it,
like it's crazy. Bro. Okay, you spoke on Rolling earlier with Chicken.
I just want to talk about it, Like, how did you feel
when you hit your first million.Bro, I didn't even know I got
the placement. Like life was crazy, Bro, just happened. Like I
(18:21):
woke up to it like I was. I seen the live and people will
send it to me and I'm listeninglike old, yeah, it's a hit.
The whole time it's you. I'mlike, and I played the beat
like I played the live over Damn, this is mine. I'm sitting my
road kids on my back and I'mjust like wait a minute, hold on
(18:44):
to get off me. This ismine, Like this is my beat.
And then he like, you sendme your number. Okay, she started
having fast and just like just startedhappening. Bro. Then then like bro,
just everything happened and so on.From then, I just been teed
and lit since taking it at likework studio, like I really work with
(19:07):
all day, Like yeah, you'rereally honing your craft and go to the
stow. Bro. Then, likeI said, I'm not in the stew.
I got my stuff, so Idon't like have to be in the
student make it. But so it'snot stopped. It's no matter where you
at. You like I can tryto go to sleep. I've done it.
I've tried to get off work andjust just I'm getting back up and
go out by my computer. Bro, you're not wrong at all at all,
(19:32):
my ears, Like I can't.I don't know if like people just
sit and quiet like like no fans, no nothing like just complete silence,
bro. But I could never exactly. I mean, when you love something,
you love something, it's always you'renot wrong at all. And the
output you doing right now, likeI said, your name and I'm hearing
that tag everywhere. You got shipwith Maya Maya p right, I like
(19:56):
that new joint like I said,you got the joints with a chicken.
It's like your ship everywhere and youon fire right now? Yeah? Bro,
how how how has it been collabingwith fuels? Like what's your what's
your relationship with fuels? First,he's from the Netherlands, bro, Like
okay, okay, he from overthere. What was my mind? Bro?
Like okay, he think it's crackingover here, cracking over there?
(20:19):
Exactly. Yeah. He talked aboutthey do campfires and stuff and just kick
it on the regular. Yeah,and I just talked about we got skyscrapers
and stuff. They got the landbro. No exactly, you know,
like they got like you know,they just like it's different, like it's
overall different, like stuff that wemight want to hear, and like the
way we want to kick it here. Yeah, they legally kick it there,
(20:41):
like the police don't shut them downexactly. They just over there lit
having fun. They just be kickingit. Bro. But like Roland came
about, Bro, like we've beenlocked in every he thought I was so
cold, Bron, I thought hewas cold. He thought I was cold,
Like how did how did it comeabout? Like how did y'all get
tapped in or locked in? Ithink it started up YouTube. I was
I was no, it was IG I seen the song and I clicked
(21:07):
on this page and like he dohis own kids, So I'm like cool,
So like bro se mean kid,uh huh. And he showed he
sent me the link to one ofhis kicks that he already dropped and I
downloaded it. And so I juststarted making stuff and I think I ended
up on like a weekly and hejust started sending me stuff on a weekly
(21:30):
list. And one of the beatswas called Blessed in one of the loops
which came about to be rolling way. I know I want to go with
it and all the way. Yeah, so he didn't like he was like,
who's chicken because he from over therefrom another lest you don't know who
I don't know who Chicken is.I'm like, hell, well, bro,
(21:51):
we just know we got a placement. He not knowing what's going on,
like he's not new to like likehe had he already had play not
yes, but he's just not knowingwhat's going like that's not not him to
it. Most people not. Well, it's cold. I'm like, then
put that boy on chicken, brolike bro shoutout, shout out fewer,
(22:15):
shout out the Netherlands. And heonly like two years in bro, like
he's only been so he he's movingfresh. I don't know how his brain
work, bro, But like,I don't know, Bro, that's cold
to me, shout out fewers.Man, I'm gonna have to with you
fuel. We're gonna have to getyou on I said, as well,
we gotta get him on the Potter. I'm gonna have to. You have
to set something up. I comeout there, Hey, I get the
(22:37):
past something like it. I meanin the Netherlands. So, I mean,
besides working with fuels, is thereany other like producers you want to
work with. I work with myboys all the time. Shout out as
I work with I work with grabbinghim every once in a while, grab
(22:59):
a only one g. Shout outto them boys, you know Manchion Mob.
Shoutout Mancha Mob. I work withhim every now and then. But
I want to work with TM eightyeight bro. Mm hmmm. You know,
like we got our own specific sound, bro. But I'll be in
that sound with Tim like he gotlike the radical nonsense, Like yeah,
I know what you like. Idon't know it's sound. It's just when
(23:23):
you hear it, you know it. It's like he comes like movie scene
music, and I just be like, I don't know. I just need
to be a part of that,bro, because like I'll be sitting there
and be they an't even drop yet. I just know it's it's five bro.
But t M eighty eight south Side, of course, I want to
work with Energy out of Detroit.Shoutout Energy. I love Energy. That's
his name. I forgot his name. Uh, I forgot his name.
(23:48):
But it's a couple of producers thatgot some his maybe face that I want
to work with. Shout out likethey sleep on e nice. Nice,
that's that baby real? Hey,he holding Flint down. He definitely holding
Flint down, Bro, holding Flintdown. Since we're talking about real,
do you think, I mean Riobeen going for a minute. Do you
(24:11):
think he's gonna have the same runthat he had when he got before he
got locked up. I ain't gonnacall it get out the automatic like same
exact run, but like he's stillgonna be real, real alive, they
rapping like real, No, theyare, they are? You feel me?
All right? I don't know howyou're gonna come out, That's what
I'm saying. It all depends onhow he gonna do it. But like
he can come back and like getright back. He's still gonna have that
(24:33):
juice. He gotta have one ofthem first day outs. Okay, he
got one of them, got it, you know? Okay, I ain't
gonna lie. I don't know nobodytopping though. That was probably one of
the best first day outs that theJim got. Okay, while we just
talking about the fucking who's the bestout of Michigan, we're not gonna just
say Detroit or Flint, just Mischigans. I can't even call it, Bro,
(25:02):
It's tough, I know, becauseyou got it's a lot. You
got like Flint and then like everybodylike, I don't know, you can't
even call it, man, Idon't know how Michigan split up sign just
you know what I'm saying. Theygot de Troy and Flint, Yeah,
with them to Detroit. Yeah it'sFlint, you feel me exactly in the
main two areas. Can't I can'tcall that one. That's how I want
(25:25):
to call it is. It's tough, and it's so many. It's so
much coming out of Michigan, likelike you said, from Flint and Detroit,
so much, so many artists.It's non stop, and they they
they finally getting back to that sound. A few of them artists was on
some other stuff. I'm like,yeah, I fell off from a lot.
That's how I originally transitioned to Milwaukee. And I said it like I
(25:49):
said, I gotta like figure theysound that the Milwaukee song. Yeah,
like because at first, Bro,I couldn't even make like the eight away
pattern. I'm like, bro,this is so off, Like you know,
it's like you know, they gotsome like it's a little goofy.
Sometimes it is a little different becauseI wasn't liking the sign at first,
I'm not gonna lie, and thenI wouldn't like right away until like the
(26:11):
you know, like the hard likeget money, Like I was trying to
exact the goofy like the ass clap, and I was trying to make I
know he was on the old Milwaukeesound. But like as we transitioned,
Bro, I just started clicking.I mean, you spoke when I asked
you earlier about some producers you mightwant to work with. You mentioned I
(26:32):
think I heard his name here fromUkraine. If I'm not mistaken, y'all
got one. Y'all got one?I think right, I got a couple,
bro, see talk about how thatcame to life. I was one
of the first people to ever messwith me as a producer shout out as
like in the like early early beginnerstage. See, I must have seen
something in you. I was like, Bro, here like I said,
(26:55):
I need something like all the timehere, Bro, Like, so keep
going, keep the mic close.You good? He like, he just
just send them, Bro, hego to school. So like, yeah,
he took a break, and I'mlike, bro, don't worry about
nothing. I got it. Bro. And these last couple of placements.
He thought I was playing. Bro. I just through like fou at him,
(27:17):
like, bro, here we gotanother one. Here, we got
another one. Like damn. Aslong as he stay tapped in with me,
Bro, I appreciate him alive,bro, Like he just be sending
you have been coming left and rightwith themplacements. They have been coming left
and right. And like I said, I really funk with that might be
joint heavy, like it's crazy shegot you. It's so catchy, like
(27:41):
it's going crazy to show me money. Just I was like, Wow,
that was fire. That was thatwas crazy. Tell me she said she
was gonna do it, and I'mlike, you know, like I know
she was going to do it.Do it like that? She just got
to go on crack. Yeah thatI ain't gonna lie. That ship went
viral. I was seeing it.When when I'm starting to see certain ship
on Twitter that I normally don't seeon Twitter that I usually would have to
(28:03):
see on Facebook or Instagram, I'mlike, yeah, she she did.
She got one. She got onefor sure. Yeah. Bro. So,
like far as the when it comesto artists, you know, we
talked about producers. What's some ofthe artists you want to work with going
you know, for well, youknow, like I'm trying to I'm not
(28:26):
branching off of Milwaukee, but I'mtrying to expand more so. I'm trying
to get into like the Memphis sound. Okay, like the Memphis wave is
just crazy because they be bugging toThey Memphis too, and yeah, I'm
trying to get into Memphis. Theybe turned. I respect that may be
so turned. The big extra plugwhat's his name? Ap I forgot actual
(28:52):
pack? Oh yeah, I knowyou're talking about. Yeah, I'm trying
to work with a couple of themfor show show for show, even ke
if I can get it. Butyou know, you want to you want
to tap into that Memphis sound.I'm trying to get into Memphis. That
Memphis sound is heavy though right nowI funk with that Memphis son to be
like, man, I mean yougot Atlanta black. I love it.
(29:14):
I love that Memphis stuff. Iwould go. I would go Memphis,
then I would go Atlanta. They'renot wrong. I mean Atlanta always gonna
be prevalent. It's in Atlanta.Yeah, it's one of them spots.
You can go to Atlanta if youstart doing the right networking you like in
the studio all my life, youto my rope, that quick show show.
(29:34):
So what's what's in store next forClyde to producer? What can we
expect next from you? I stillgot a lot of unreleased music. Swagger
tail, swagger to drop man.Everybody tells swagger to drive, swagger to
drive, tell tell you to drive, you gotta drive. And Luke got
like two mixtapes for the music.Ship ain't gonna I ain't gonna tell nobody
(29:56):
else but Bro, it's a lotof unreleased music that I'm just sitting that
I don't know when they gonna drop, but I'll just be sitting on it.
I drive like I could drive tomy own music now and it blows
my mind, like and it released, but I got released too, But
my unreleased music that I'm just sittingwaiting on people to drive. Yeah,
(30:18):
Bro, it's gonna be a greatsummer. No, I mean shit,
you got the summer lit already.It started off great like you said earlier.
Bro, just got to keep thatmomentum, stay consistent to fall to
winter and it don't stop. Itdon't stop. It's a full circle thing,
full circle moment. So let everybodyknow at home, and just on
a platform where they can find youand you know, reach you and get
(30:41):
in contact with you. I canadd me on IG Clyde the Producer Underscore.
Uh yeah, me on my YouTubeis IG Clyde the Producer, So
you can find me on IG Beachstarts. If you want beach check my
website. Clyde, you go there. But rather than that, I'm all
over IG. Just get get inwith me. Appreciate y'all. Man,
(31:02):
you already know who I am.I already know what this is. It's
things they won't say. Man.I appreciate my boy Clyde coming to getting
it, getting it cracking. Man. Appreciate you man. Continue to like,
subscribe and comment on all the videoson the channel. Man, as
we continue to grow. I appreciateeverybody tuning into these interviews and be on
the lookout for interview number three andwere out of here all right,
Yeah that me and y'all not mean, you're mean, you already know who
I am. It's been a minute, it's been a minute. Y'all have
seen me regularly on here doing apod. I'm back with episode two for
things they won't say interviews. Y'allalready know who I am. Your host,
notorious ltt oh aka Lotto Bean takingten nine shots like I'm Kobe Bean.
(00:25):
And we got a special guest inhere today, legendary producer from my
hood. You already know where I'mfrom. Two to one on the south,
but that's here north there, butlegendary millions. The streams going right
now, beat's going crazy through thetown, not even just through the town,
(00:46):
through the whole Midwest. I gotmy boy Clyde the producer here,
man, what's going on today?How you doing? Bro? See how
you feeling? My boy? I'mglad to finally put this in you know,
put this in play, get thepod going, and you know it's
been a minute to you know,get into action. But I'm glad we
hear man like I said this episodetwo and you already know how I get.
(01:06):
We jumped right into the things andjust get right into the nitty gritty
out the gates. Let's just goahead, go to the back, to
the way back, way back.Not too deep far back, but just
a little bit to the beginning faras your producer history, like what made
you want to like become a producerout the gate or what even brought you
(01:27):
to music? Honestly, Bro,I just used to like rattle my ears,
bro, Like it didn't like makesense at first, but as like
the older I got and the moreI could like tap my feet when I
was around sea stacks for a littlebit, like you know, every now
and then while he was doing hereshout out stacks, see stacks like I've
(01:49):
seen fl. I looked up FLand I was like, I started on
my phone though, Okay, garageMan, I made my first beat on
garage Man. Okay, well,Liken, you like give us a time
frame. When was that, Isay, two thy seventeen eighteen, okay,
shit, right around that junior senioryear. Okay, I was on
garage Man, and I didn't knowwhat I was doing cuts on here,
(02:12):
No, yeah, yeah, Ididn't know what the fuck I was doing,
Bro, I was pushing buttons.I didn't know how to like mix.
I didn't know what the equ it'sreverbs like all the you was green
as here all these buttons, bro, and I didn't know how to do
nothing. I just wanted to,Like, I just know I wanted to
like the eight A Waits bro.I love eight A Waits bro out the
whole beat. Eight of Waits iswhat gets me the most, for sure,
for sure. So you saying backin twenty seventeen, right, that's
(02:36):
when you like started, So goingback to the end, Like, I
mean, you just said you wasaround sea stacks and things of that nature.
But who would be like besides likethe people you was around, who
was some inspiration for you far asjust musical wise or even producer wise to
even make you want to, youknow, go that direction south Side,
like I seen like the not thevery beginning of like the beginnings of Metro,
(03:00):
seeing the beginning. It's not thebeginnings, but like the growth is
atoven, you know, like themain lex. I was like watching them
grow YouTube. Yeah at World,I'm watching the lives like I'm listening to
their songs. I don't even careabout the song. I just want to
hear just listening to the beats patterns. I do want to hear the melodies,
the instruments, like the drums,like I said, the ways,
(03:21):
like around our time when we wascoming up, Bro, that's when like
a way started slapping hard, likelike the transition of music, just like
it changed the switch and we intothe whole new realm of music. And
like as I was driving, likewith anybody speakers knocking and out, like
I love that ship. It alwaysdid change every turn me up every time,
(03:43):
bro, no no bullshit. Alwayslike you said it, it always
came and changed the whole sound liketo just music period. Put this on
a whole different trajectory. Like thefrequencies is just different. But like they
really like rattled my ears. IfI could explain it, I would,
but I can't even explain how likeit a way. It's like I know
the melody is like the main purposeof the beat, but like I can
(04:06):
base a whole beat around the eightaway no yeah yeah, and then like
I let that and the like percussionsinfluence the whole rest of the beat and
I can go, you know,you can make different versions, but nine
times out of ten that's going.That's what I'm focused on when I'm making
the beat. Exactly exactly. So, like you said, you started out
(04:27):
early on garage band and things ofthat nature. We jump around a little
bit on things they won't say justto let you know, but I want
you to speak on some of theearly struggles of being a producer and just
trying to get your beats out andjust even placements. When I first started
bro like, I used to asklike people to teach me, Like I
(04:48):
to ask a few people around scene, like teach me how to do this,
teach me how to do that,and yeah they'd be like, yeah,
I got you boom, but youknow, you know how you know
it ain't Nobody really liked teach menothing. So like YouTube was all I
had in the early stages, andI had fl probably a year before I
actually knew how to like make anactual pattern or like understand what the eq
(05:11):
and like the master like I didn'tunderstand it when I first had access to
it. I was given a computerfor little drum kits like from like early
stages, whole telorbyte full of likedrums like one shots, and I didn't
know. I gave it back,damn and I didn't know it was like
whoever, bless you yeah, likehe one of the ones that like first
(05:34):
put me in the game, likehere he gave me. He gave me
the midi board. He gave methe computer and it was all in like
a container like some old and itwas he had the head set in it
and mic in it, like itwas all set up. He said.
I hear your ears, he said, and I hear how you hear music.
(05:54):
He was like, so, justdo what you can with it.
And I opened it, but likeI didn't nothing I the fuck I was
doing with it. So I gavethe shit back. I'm like, bro,
I kept the mini board like youcan't. I don't, Like I
don't know how to use fls likeFL. I think it was like FL
nineteen, like one of the earlystages of FL. I just gave it
back. Bro, what FL wedon't know twenty four? Oh yeah,
(06:16):
okay, yeah that was a minute. Yeah, bro, bless him now,
swear to god, we're still incontact today, bro, And he
just like, mind blown. Bro, I don't. I don't be getting
it sometimes either. But the musicshit is like like substantially like in my
brain forllon like wake up, goto sleep, get off work music studio,
(06:38):
like I don't go to sleep.So you're doing beats every day,
every day, almost every day,not every single day, but right around
like even if I'm not here though, so about every day. Yeah,
okay, because I mean you obviouslygot to take some time off mental,
mental breaking, things of that nature. It's only right, Okay. This
is two part question. First off, how long does it take you to
make a beat? And then walkingthrough the process of you making a beat?
(07:03):
So if I'm sampling, okay,because it's the difference. So if
I'm sampling, I can do asample and like throw some drums on it,
you know, like some some typicalI ain't gonna say typical, but
some a Midwest beat, not Midwest, but like the sound that's floating right
fating around here. I can doone in about ten minutes, twenty minutes,
(07:24):
thirty minutes. But if I wantto do my own melody, and
I want to do my own everysingle thing on, give me like an
hour two hours. Like I can'tread, Like I can't read music,
okay, so like everything is literallyoff my ear. I don't like.
Yeah, I can read like certainnuts and I learned. I just learned
how to read majors and minors,so I can read it to an extent.
(07:45):
So that's why it takes me acertain amount of times to like connect
my patterns together when it comes toactually making my own melodies exactly once I
get through the melody and I canjust throw, you know, throw the
rest on it, like I'm supposedto. Yeah, give me about an
hour, two hours, good hourtwo But for the sound that's floating around
here right now with a sample isanywhere from ten to thirty minutes. But
(08:05):
I wouldn't say the samples is floatingbecause a lot of people are starting to
realize, like samples come with alot of side when it comes to terms
and you know, complications like yeah, we can make a hit, but
nine times, I mean, Iain't gonna say nothing, but it's a
hygh percentage that you know, eitherthey might not clear it or they gonna
(08:28):
take a substantial amount from it.Since you didn't, I mean, you
brought it up, let's talk aboutit. Let's just talk about the business
side of being also a producer,and like just what you said about using
samples and things of that nature,and just far as working with even artists,
just music period let's talk about thebusiness and just having your things.
You're like your business in line,your name, you're publishing. How you
(08:48):
go about that. I can't sayI have it in line, but I
do a lot of research. Andthat's why I like, you know,
when it come to paperwork, ifit's thirty five pages, right, all
thirty five pages, you're not lying. The little words get you then throw
they'll throw quick numbers in that addup to a whole the ump. You
(09:11):
just gotta you just gotta fluently readthrough them, because it's the game.
It's chest not checkers. Andy.You is not lying. How they play
it, you all the way.That's how they respect you. But if
you just quick and you just gonnasign off, they gonna they throw it
at you. But you gotta youknow, it's like I said, I'm
learning in myself and you know yourvalue. Shout out beach Stars because that's
(09:35):
who I uh go through. Yeah, for publishing, it's quick, it's
simple, it's easy, and it'slike, no, I'm familiar with it.
I ain't gonna say dumb down,but I know I know what makes
sense. It makes sense, it'sright there, it's in the right term.
It's just in the right word foryou, I'm familiar with the stars.
When did you realize things were startingto click for you? Because right
(09:58):
now, you you know, it'sa lot going on with you and your
name. Right now, your yourbeats, your tag is it is floating
around everywhere. So for you,when did you feel like, like,
Okay, I'm getting some traction thisship, this should makes sense now recently
like recently okay, not rolling recently, I'm talking like recently recently, m
(10:18):
M. Because like Roland was like, you know, Roland was cool that
it went through the roof, right, Like I love Roland. I appreciate
it so much that on My BoyChicken, like it was amazing. Yeah,
But like if you know, likeyou can get some traction and it
like if you don't hold the tractionand you got to regain you know,
(10:39):
like I just had to like learnhow to get more consistent with myself when
it comes to like making like musicoverall, because like you can take a
break, cool, but like ifyou're not in a position to take a
break, the break is going tobe some damage overall. Can't let that
wave die down. And you know, everybody got their own lives outside of
like music. So like if we'renot really like you got to take care
(11:01):
like other ship, its priority thingsgoing on in life. You got to
make sure you got somewhere to stay. You know, you got to handle
your business so like when it comesto like you know, you got to
make sure your financial is in asituation before you like just call yourself like
I'm a top producer. I'm nota top producer. I'm just like a
producer who's trying to rise and growlike everybody else. But I'm not like
(11:22):
you know, we all growing,like the whole Midwest as an industry is
growing as a whole. I'm notin a position to be like yeah,
like I didn't feel that at first, but like now it's like it's becoming
rapid, and I just got tokeep on working, keep on working.
Like you know, you gotta takecare of your mental too, exactly,
So like you got to be ableto balance everything out, understand, like
(11:46):
you're in the music industry, noexactly exactly. Can't just be half and
half. You gotta get it's aclean balance all the way. And like
I like that you said the Midwestis you know, just as a whole
is coming up on a rise.How do you feel about just the recent
surge of just I was just saymore pup, just more exposure for the
(12:07):
Midwest as a whole. Like it'severywhere. I mean, you got JP,
you got Chicken, you got everybodyin race scene. There's just so
much going on. How do youfeel about it? Low to hear about
it, brot to be a partof it, Like the fact that I'm
like and I'm a part of it, Like I an't denying that I'm not
a part of it. No,you can't. That's no denying that you
definitely part of it. It's crazybecause like we growing, Like everybody remember,
(12:30):
like we didn't get that recognition,you know, not for really,
but everybody remember Atlanta in the inthe twenty fourteen sixteen fades. But like
a in a way, bro,we have that growth. It's just as
long as everybody like Steve's Stoning Chickand p JP, Big Frank yeah boys,
and then like as long as everybodykeep going, bro, it's it
(12:50):
can't be stopped. Bro, Andeverybody love it. It's TikTok, Like
it's TikTok crazy. People love dancingright now. That's how I know the
world was turned like the world isdancing again. No, no bullshit.
That is me to me, likeit's like a dougie, but it's not
the dougie. It was turned upback then, but they turned up right
now. You can't. You can'ttake that, bro. That ship is
amazing. Trying to be tough nomore. It's coming from here, bro.
(13:11):
Yeah, everybody, little jig witheverybody. Everybody doing with the little
jig. I do crazy, bro, I do so moving along, man,
how did you and mister link up? Man? Because you know,
I mean that was my research.I seen, I seen. You know,
(13:31):
I think I was. I waslooking for a studio, yeah,
because I was doing all my workin like headphones in the crib, just
just on the fly, moving everywhere. I was. I used to go
to my boy bar studio, butyou know that slowed down, so I
was really just in the crib,just doing my own how you can.
I was with my boy a Zmy boy that take the picture shot it
(13:56):
they know on the pot man,he was like, uh, slide over
here on my boy loo boo booboom he cool boom boom. So I'm
like that. I was living aroundthe corner, so I'm like cool.
So I came over here, bro, and I was just sitting here talking
and he let me cook up.And that's been that since. I just
(14:20):
kept coming and we just started lockingin bro, like and my boy can
spit too, So like I wasturnt with it. I'm like bat so
like I know somebody that could gowith me. I'm like cool, this
valid and like, bro, likewe've just been connected every since, bro,
And like eventually I was like bro, like once like once I felt
like we had a little take off. I'm like, bro, like like
(14:41):
you want to be my manager?Get like that. It's like ship like
bro, and like that like ship, and like every time I get like
a placement anything, Bro, likeyeah, I call you like shout out
my emails, shout out a louBro, shout out man. They don't
heard his music. Get music onthe way, Bro. But like all
my emails here and all my businesses, I don't go to no meetings,
(15:03):
none of that. Like I gota manager around and I went through like
I tried, like Bro. Iused to try to pay like different people,
and then I got like finance,bro, and like it wasn't motherfuckers
from here. So you know,it's just around like you know, motherfuckers
just hear me and they're like yeahboom, yeah we boom, we can
do this, we can do thatcheese, and then it just goes and
(15:24):
it happened like four times. Iwas trying to invest in myself, like
you do the right thing. Igot finess for thousands trying to management.
But that's the that's the trials andtribulations people don't know about. I mean,
motherfuckers see you hit these numbers inthese different streams and just think,
hey, bro made to be Ican do it. It's like not saying
a person can't, but you gotto put that time in and invest,
(15:46):
like like you just said you acouple of times that ship. You know,
I can discourage you make a motherfucker. I want to do this now
like like I can, like youknow, it's numbers involved now, like
streams that can say like I havelike dis choreography, no, yeah you
got you got to show for SASo like exactly, I got finessed.
(16:07):
But like ship, as long asI ain't quit, bro, because like
I ain't gonna lie. I stoppedfor like months at a time sometimes see
and then like to like start fromlike now I stopped, you get finised
a few times, like I saidthat she could hurt her heart. You
know, I wasn't selling either,so it's like, all right, you
think it ain't meant for you?Like did am I supposed to be doing
this? Yeah? Bro, itused to it used to hit, it
(16:29):
used to hit hard. And thenI got my first placement with fifty fourth
Baby. It didn't drop though,but like I feel like that was my
first major placement because he was likeon the rise at the time. So
he was, but I mean itdidn't like you said, it didn't drop,
but it was. It was around. Biggas heard it for sure,
he heard it, So I'm likethat and he was super hot at that
time. Fifty four Baby was smoking. I got I got a couple with
(16:52):
some of them, like some ofthem, bro, and the like,
the stuff just wasn't dropping, SoI'm just like Okay, I stopped again.
And then like I get going ona crazy like go and this is
around the time, like right whenI met Lou, Like I've been on
crazy goal since bro, NonStop.In the studio, I get off work.
I work all day, bro,So I get off around and I
(17:14):
be in the student about two threein the morning, like this ship like
a game about the week. Yes, it's not NonStop. And if I'm
not, like I said, Igot speakers at the crib so like and
shout out my neighbors because they nevercalled the police something because I'd be blasting.
Got to hear it the right way. It's the only way you can
listen to it, and the onlyway if the police come, I'm telling
them the same thing, like come, wake, come, I'm just like
(17:36):
I gotta make it. I can'tnot make it, and like, yeah,
it's cool with the headphones, butall the real producers know making beats
with headphones and speakers is different.Bro, It's not the sick I've been
told. I've been told it rattled, and if it's a hit, it
rattled different. Like it's like heaven. Bro. Even if people don't think
it's a hit, it might notsee how you want it to. It
(17:57):
might not pop off right away,but you can still sit listen to you.
You can feel it. You feelme, you can feel it,
like it's crazy. Bro. Okay, you spoke on Rolling earlier with Chicken.
I just want to talk about it, Like, how did you feel
when you hit your first million.Bro, I didn't even know I got
the placement. Like life was crazy, Bro, just happened. Like I
(18:21):
woke up to it like I was. I seen the live and people will
send it to me and I'm listeninglike old, yeah, it's a hit.
The whole time it's you. I'mlike, and I played the beat
like I played the live over Damn, this is mine. I'm sitting my
road kids on my back and I'mjust like wait a minute, hold on
(18:44):
to get off me. This ismine, Like this is my beat.
And then he like, you sendme your number. Okay, she started
having fast and just like just startedhappening. Bro. Then then like bro,
just everything happened and so on.From then, I just been teed
and lit since taking it at likework studio, like I really work with
(19:07):
all day, Like yeah, you'rereally honing your craft and go to the
stow. Bro. Then, likeI said, I'm not in the stew.
I got my stuff, so Idon't like have to be in the
student make it. But so it'snot stopped. It's no matter where you
at. You like I can tryto go to sleep. I've done it.
I've tried to get off work andjust just I'm getting back up and
go out by my computer. Bro, you're not wrong at all at all,
(19:32):
my ears, Like I can't.I don't know if like people just
sit and quiet like like no fans, no nothing like just complete silence,
bro. But I could never exactly. I mean, when you love something,
you love something, it's always you'renot wrong at all. And the
output you doing right now, likeI said, your name and I'm hearing
that tag everywhere. You got shipwith Maya Maya p right, I like
(19:56):
that new joint like I said,you got the joints with a chicken.
It's like your ship everywhere and youon fire right now? Yeah? Bro,
how how how has it been collabingwith fuels? Like what's your what's
your relationship with fuels? First,he's from the Netherlands, bro, Like
okay, okay, he from overthere. What was my mind? Bro?
Like okay, he think it's crackingover here, cracking over there?
(20:19):
Exactly. Yeah. He talked aboutthey do campfires and stuff and just kick
it on the regular. Yeah,and I just talked about we got skyscrapers
and stuff. They got the landbro. No exactly, you know,
like they got like you know,they just like it's different, like it's
overall different, like stuff that wemight want to hear, and like the
way we want to kick it here. Yeah, they legally kick it there,
(20:41):
like the police don't shut them downexactly. They just over there lit
having fun. They just be kickingit. Bro. But like Roland came
about, Bro, like we've beenlocked in every he thought I was so
cold, Bron, I thought hewas cold. He thought I was cold,
Like how did how did it comeabout? Like how did y'all get
tapped in or locked in? Ithink it started up YouTube. I was
I was no, it was IG I seen the song and I clicked
(21:07):
on this page and like he dohis own kids, So I'm like cool,
So like bro se mean kid,uh huh. And he showed he
sent me the link to one ofhis kicks that he already dropped and I
downloaded it. And so I juststarted making stuff and I think I ended
up on like a weekly and hejust started sending me stuff on a weekly
(21:30):
list. And one of the beatswas called Blessed in one of the loops
which came about to be rolling way. I know I want to go with
it and all the way. Yeah, so he didn't like he was like,
who's chicken because he from over therefrom another lest you don't know who
I don't know who Chicken is.I'm like, hell, well, bro,
(21:51):
we just know we got a placement. He not knowing what's going on,
like he's not new to like likehe had he already had play not
yes, but he's just not knowingwhat's going like that's not not him to
it. Most people not. Well, it's cold. I'm like, then
put that boy on chicken, brolike bro shoutout, shout out fewer,
(22:15):
shout out the Netherlands. And heonly like two years in bro, like
he's only been so he he's movingfresh. I don't know how his brain
work, bro, But like,I don't know, Bro, that's cold
to me, shout out fewers.Man, I'm gonna have to with you
fuel. We're gonna have to getyou on I said, as well,
we gotta get him on the Potter. I'm gonna have to. You have
to set something up. I comeout there, Hey, I get the
(22:37):
past something like it. I meanin the Netherlands. So, I mean,
besides working with fuels, is thereany other like producers you want to
work with. I work with myboys all the time. Shout out as
I work with I work with grabbinghim every once in a while, grab
(22:59):
a only one g. Shout outto them boys, you know Manchion Mob.
Shoutout Mancha Mob. I work withhim every now and then. But
I want to work with TM eightyeight bro. Mm hmmm. You know,
like we got our own specific sound, bro. But I'll be in
that sound with Tim like he gotlike the radical nonsense, Like yeah,
I know what you like. Idon't know it's sound. It's just when
(23:23):
you hear it, you know it. It's like he comes like movie scene
music, and I just be like, I don't know. I just need
to be a part of that,bro, because like I'll be sitting there
and be they an't even drop yet. I just know it's it's five bro.
But t M eighty eight south Side, of course, I want to
work with Energy out of Detroit.Shoutout Energy. I love Energy. That's
his name. I forgot his name. Uh, I forgot his name.
(23:48):
But it's a couple of producers thatgot some his maybe face that I want
to work with. Shout out likethey sleep on e nice. Nice,
that's that baby real? Hey,he holding Flint down. He definitely holding
Flint down, Bro, holding Flintdown. Since we're talking about real,
do you think, I mean Riobeen going for a minute. Do you
(24:11):
think he's gonna have the same runthat he had when he got before he
got locked up. I ain't gonnacall it get out the automatic like same
exact run, but like he's stillgonna be real, real alive, they
rapping like real, No, theyare, they are? You feel me?
All right? I don't know howyou're gonna come out, That's what
I'm saying. It all depends onhow he gonna do it. But like
he can come back and like getright back. He's still gonna have that
(24:33):
juice. He gotta have one ofthem first day outs. Okay, he
got one of them, got it, you know? Okay, I ain't
gonna lie. I don't know nobodytopping though. That was probably one of
the best first day outs that theJim got. Okay, while we just
talking about the fucking who's the bestout of Michigan, we're not gonna just
say Detroit or Flint, just Mischigans. I can't even call it, Bro,
(25:02):
It's tough, I know, becauseyou got it's a lot. You
got like Flint and then like everybodylike, I don't know, you can't
even call it, man, Idon't know how Michigan split up sign just
you know what I'm saying. Theygot de Troy and Flint, Yeah,
with them to Detroit. Yeah it'sFlint, you feel me exactly in the
main two areas. Can't I can'tcall that one. That's how I want
(25:25):
to call it is. It's tough, and it's so many. It's so
much coming out of Michigan, likelike you said, from Flint and Detroit,
so much, so many artists.It's non stop, and they they
they finally getting back to that sound. A few of them artists was on
some other stuff. I'm like,yeah, I fell off from a lot.
That's how I originally transitioned to Milwaukee. And I said it like I
(25:49):
said, I gotta like figure theysound that the Milwaukee song. Yeah,
like because at first, Bro,I couldn't even make like the eight away
pattern. I'm like, bro,this is so off, Like you know,
it's like you know, they gotsome like it's a little goofy.
Sometimes it is a little different becauseI wasn't liking the sign at first,
I'm not gonna lie, and thenI wouldn't like right away until like the
(26:11):
you know, like the hard likeget money, Like I was trying to
exact the goofy like the ass clap, and I was trying to make I
know he was on the old Milwaukeesound. But like as we transitioned,
Bro, I just started clicking.I mean, you spoke when I asked
you earlier about some producers you mightwant to work with. You mentioned I
(26:32):
think I heard his name here fromUkraine. If I'm not mistaken, y'all
got one. Y'all got one?I think right, I got a couple,
bro, see talk about how thatcame to life. I was one
of the first people to ever messwith me as a producer shout out as
like in the like early early beginnerstage. See, I must have seen
something in you. I was like, Bro, here like I said,
(26:55):
I need something like all the timehere, Bro, Like, so keep
going, keep the mic close.You good? He like, he just
just send them, Bro, hego to school. So like, yeah,
he took a break, and I'mlike, bro, don't worry about
nothing. I got it. Bro. And these last couple of placements.
He thought I was playing. Bro. I just through like fou at him,
(27:17):
like, bro, here we gotanother one. Here, we got
another one. Like damn. Aslong as he stay tapped in with me,
Bro, I appreciate him alive,bro, Like he just be sending
you have been coming left and rightwith themplacements. They have been coming left
and right. And like I said, I really funk with that might be
joint heavy, like it's crazy shegot you. It's so catchy, like
(27:41):
it's going crazy to show me money. Just I was like, Wow,
that was fire. That was thatwas crazy. Tell me she said she
was gonna do it, and I'mlike, you know, like I know
she was going to do it.Do it like that? She just got
to go on crack. Yeah thatI ain't gonna lie. That ship went
viral. I was seeing it.When when I'm starting to see certain ship
on Twitter that I normally don't seeon Twitter that I usually would have to
(28:03):
see on Facebook or Instagram, I'mlike, yeah, she she did.
She got one. She got onefor sure. Yeah. Bro. So,
like far as the when it comesto artists, you know, we
talked about producers. What's some ofthe artists you want to work with going
you know, for well, youknow, like I'm trying to I'm not
(28:26):
branching off of Milwaukee, but I'mtrying to expand more so. I'm trying
to get into like the Memphis sound. Okay, like the Memphis wave is
just crazy because they be bugging toThey Memphis too, and yeah, I'm
trying to get into Memphis. Theybe turned. I respect that may be
so turned. The big extra plugwhat's his name? Ap I forgot actual
(28:52):
pack? Oh yeah, I knowyou're talking about. Yeah, I'm trying
to work with a couple of themfor show show for show, even ke
if I can get it. Butyou know, you want to you want
to tap into that Memphis sound.I'm trying to get into Memphis. That
Memphis sound is heavy though right nowI funk with that Memphis son to be
like, man, I mean yougot Atlanta black. I love it.
(29:14):
I love that Memphis stuff. Iwould go. I would go Memphis,
then I would go Atlanta. They'renot wrong. I mean Atlanta always gonna
be prevalent. It's in Atlanta.Yeah, it's one of them spots.
You can go to Atlanta if youstart doing the right networking you like in
the studio all my life, youto my rope, that quick show show.
(29:34):
So what's what's in store next forClyde to producer? What can we
expect next from you? I stillgot a lot of unreleased music. Swagger
tail, swagger to drop man.Everybody tells swagger to drive, swagger to
drive, tell tell you to drive, you gotta drive. And Luke got
like two mixtapes for the music.Ship ain't gonna I ain't gonna tell nobody
(29:56):
else but Bro, it's a lotof unreleased music that I'm just sitting that
I don't know when they gonna drop, but I'll just be sitting on it.
I drive like I could drive tomy own music now and it blows
my mind, like and it released, but I got released too, But
my unreleased music that I'm just sittingwaiting on people to drive. Yeah,
(30:18):
Bro, it's gonna be a greatsummer. No, I mean shit,
you got the summer lit already.It started off great like you said earlier.
Bro, just got to keep thatmomentum, stay consistent to fall to
winter and it don't stop. Itdon't stop. It's a full circle thing,
full circle moment. So let everybodyknow at home, and just on
a platform where they can find youand you know, reach you and get
(30:41):
in contact with you. I canadd me on IG Clyde the Producer Underscore.
Uh yeah, me on my YouTubeis IG Clyde the Producer, So
you can find me on IG Beachstarts. If you want beach check my
website. Clyde, you go there. But rather than that, I'm all
over IG. Just get get inwith me. Appreciate y'all. Man,
(31:02):
you already know who I am.I already know what this is. It's
things they won't say. Man.I appreciate my boy Clyde coming to getting
it, getting it cracking. Man. Appreciate you man. Continue to like,
subscribe and comment on all the videoson the channel. Man, as
we continue to grow. I appreciateeverybody tuning into these interviews and be on
the lookout for interview number three andwere out of here all right,
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