Female Officer’s Forbidden Affair with Prisoner – Shocking Scandal Exposed - True Cheating Stories 2025

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Have you and Perker ever been out of the camera's view.
This question cuts straight to the heart of the matter,
like a knife slicing through Charlene's fragile defense. She shakes
her head, claiming she has done nothing suspicious and always
stayed in monitored areas. Then an unexpected detail emerges. Charlene
admits to using an app to create a secondary phone number,

(00:22):
which she calls a sideline number. While Charlene explains that
this is simply a convenient tool, it raises even more suspicion.
Could this secondary number be away to hide something. The
shadow of doubt looms ever larger. If the Stamford prison
experiment taught us anything it's that the allure of power
can corrupt even the most ordinary people. This danger becomes

(00:45):
especially pronounced in prisons, where correctional officers will near absolute
authority over inmates. Today, we delve into a gripping case
from a men's prison in Texas. Initially, the story appears
to be a typical case of power or abuse. A
female correctional officer accused of an inappropriate relationship with a

(01:05):
male inmate, but the truth is far more complex. The officer,
using her knowledge of patrol schedule and camera blind spots
managed to keep her actions hidden, at least until rumors
among inmates sparked an investigation. Now we're about to witness
how Charlene O'Banion handles the mounting pressure during her interrogation.

Speaker 2 (01:27):
Yes, we mean, are you good any water?

Speaker 3 (01:43):
Some mon name's Tom Langer. I'm a detective here with
magomma thanks Order, protective leader. So I'll kind of like
give you a break rundown and while we're and then
we'll kind of I need to get like there's some
name and information from him, and then we'll go into
a little more detail. Okay, let me just get a

(02:04):
few things. What's your last night?

Speaker 4 (02:05):
Obay O B A N I O N.

Speaker 3 (02:11):
Just want.

Speaker 4 (02:13):
O B I own.

Speaker 5 (02:16):
Charlene s h a ar, how's expecting to see? For
some reason, most people are h A R L E
E N.

Speaker 3 (02:27):
Now's your birthday? Nine?

Speaker 1 (02:30):
Charlene walks into the interrogation room, trying to appear composed.
But is this calmness genuine or is it just a facade?
The detectives begin with basic verification questions, setting a seemingly
casual tone. Charlene denies any wrongdoing suggesting that the rumors
may have originated from another inmate, Justin Kocher, who tried

(02:51):
to contact her on Facebook after his release. Is Charlene
truly innocent or is she weaving a story to hide
the truth. Her initial commfidence keeps us guessing.

Speaker 3 (03:03):
What's good fun for you?

Speaker 6 (03:04):
Nine four nine nine four six five zero?

Speaker 3 (03:09):
Where do you live at?

Speaker 6 (03:11):
Two hundred Fountain Lane, number one two three zero four?

Speaker 3 (03:18):
That's the one on the loop on one on five.

Speaker 4 (03:21):
Okay, yeah, Conor of Texas seven seven three zero four.

Speaker 3 (03:27):
You know your Jervis Lessons number? Oh no, but I.

Speaker 6 (03:30):
Haven't read two five eight two six three nine zero.

Speaker 3 (03:36):
I appreciate it. So we're detectives. We're not like internal
affairs or anything like that. So what is being investigated
could be a criminal investigation, and that could just be internal.
But I'll tell you that to tell you that this
is a voluntary interview. If you don't want to talk
to us, you're welcome to walk out at any time. Okay.

(03:56):
Having said that, let.

Speaker 2 (03:57):
Me see.

Speaker 3 (03:59):
We we're notified of a possible improper relationship between you
and Jacob Parker, so we're here for that. I just
don't want to talk to you about it and get
your side of that story.

Speaker 6 (04:15):
I don't like about it.

Speaker 7 (04:17):
I will.

Speaker 3 (04:18):
Do you know who I'm talking about?

Speaker 4 (04:20):
Yeah, he's in Pop six Okay.

Speaker 1 (04:24):
The detectives ramp up the pressure, referencing evidence of recorded
prison calls. Charlene, visibly unsettled, clings to her explanation, claiming
that Cocher's jealousy might have fueled the rumors. The tension
in the room is palpable as Charlene's fragmented story begins
to raise more questions than it answers.

Speaker 6 (04:45):
I mean, he's just trustee that we have, you know around.

Speaker 3 (04:49):
Yeah, okay? Have you talked to him on any jail
phone calls or anything like that?

Speaker 6 (04:57):
No?

Speaker 3 (04:58):
Not at all. Uh is that cell phone number you
gave me? Is that a cell phone or a house number? Okay?
Do you have any other cell phone numbers?

Speaker 8 (05:06):
But you.

Speaker 3 (05:09):
Yeah? Where you typically assigned to the hill?

Speaker 4 (05:14):
I depend Sometimes I'm in Pot five, Sometime I'm in
like today, I'm an equad.

Speaker 6 (05:20):
Sometimes I'm kind.

Speaker 3 (05:22):
Of just all moves around. And where is Jacob? A
trusted it?

Speaker 6 (05:29):
Um?

Speaker 4 (05:31):
I think he's in laundry.

Speaker 6 (05:32):
I've seen him in laundry.

Speaker 4 (05:33):
I don't think he's out on the floor or anything
like that.

Speaker 3 (05:36):
Okay, And where would you think that what this allegation
will come from? If there's like if there's nothing to it.

Speaker 6 (05:46):
Well, I had.

Speaker 4 (05:48):
A feeling this was coming.

Speaker 6 (05:49):
So there was an inmate named Coker, Justin Coker, and
he got out of He got out of.

Speaker 4 (05:55):
Here for I don't know what period of time, and
he tried to attacked me on Facebook and he sent
me a message and I blocked him on Facebook. And
I guess one time Parker was going back to Equal
to use the bathroom and he was talking like at

(06:18):
the window with me, like at Equal because I was
an equal. He was talking through the window, and I
guess Cocher like didn't like that, which I had no
contact with him or anything, and I don't know why,
like he went up to I don't know what was
said between them, but he went up to Parker and
said something and then Parker ended up leading back go

(06:40):
went back to the laundry, and Parker had told me
that he had gone up to him and was like
don't talk to her or something crazy like that, and
I was just I kind of just brushed it off.
I was like whatever, like you know, because he had
already returned, like he was out, and then he returned,
and while he was out, that's whenever he tried to

(07:02):
contact me.

Speaker 1 (07:03):
One detective bluntly asks, if you're innocent, why did you
anticipate being investigated. Charlene's responses become increasingly disjointed, and her
body language betrays her inner turmoil. The detectives make it
clear that they suspect Charlene isn't being entirely truthful, and
the stakes grow higher with every passing second.

Speaker 4 (07:24):
So but again, I never spoke to him or anything
like that, And I mean that was that. I just
I didn't think anything of it. I'm just like, don't
listen to him, you know, And that was it.

Speaker 3 (07:37):
Okay. So did he say, wow, he's that Coper told
him that, or.

Speaker 4 (07:45):
He just said that. Coker was like, don't talk to her,
do you know, Cocher, He's just he was. He was
a male booking trustee for a very short period of time,
and I mean I worked equal several times during that time.
So you know, he's kind of like in gee quad

(08:05):
and like back and forth.

Speaker 3 (08:07):
Okay, when when do you think that happened?

Speaker 6 (08:13):
I guess if you want to go.

Speaker 3 (08:15):
Okay, it's Cocher back in Joie.

Speaker 6 (08:18):
He came back, but I think he he left.

Speaker 4 (08:21):
I don't know if he like got released or he's
in TDC now or something like that. Okay, he's not
in the facility anymore.

Speaker 3 (08:29):
So I'm just not trying to be rude here. I'm
just why would you expect this conversation to come up
from that like now if that happened a few months ago.
I'm just I'm trying to get where you were getting
out there. Well, you said you were kind of expecting.

Speaker 4 (08:43):
Oh, I don't know why like this, I'm wondering if
like Coker maybe said something like to get him in
trouble or me in trouble. Like I don't know if
that's the only thing I think that's like related that
has any to do with Parker.

Speaker 1 (09:02):
So, under the mounting pressure, Charlene finally admits that she
knew Parker before he became an inmate, but insists that
they have no relationship in the present. However, her admission
only deepens the mystery. The detectives scrutinize every word, every pause,
searching for cracks in her story. Attention escalates as Charlene

(09:24):
becomes more defensive.

Speaker 3 (09:27):
I was kind of told of this about what you think, Chris,
about four thouve minutes ago. So I don't know. I
don't know exactly where how it started, like who it
started from, but I was told that it was brought
to somebody's attention. And then when he looked at jail
calls and there's JELP calls between you and Parker and

(09:48):
all that stuff's recorded. So I don't think you're being
completely truthful. I kind of know that you're not. And
I'm not trying to be removed when I say that. Yeah,
I'm just kind of trying to lay it out on
the tape before you. You kind of get one shot
at this of being truthful, and people perception means a
lot in criminal cases and internal cases. It's a it's

(10:13):
a huge deal. It sways people to do a mirroad
of different things, you know, and this is kind of
your chance to to paint your own image. So can
you kind of tell me, um, hum, what's going on?

Speaker 9 (10:36):
Yeah?

Speaker 4 (10:37):
Whatever you heard?

Speaker 3 (10:40):
Well, I don't want to I want to know from you,
like I don't. I'm not trying to go off rumor.
I want I just want to know what happened. It's
my job just to find the truth. And that's it.

Speaker 6 (10:54):
I guess a few years ago.

Speaker 4 (10:56):
Uh huh, we we talked and then I ended up
here and then he ended up here. I didn't know
he was here or I didn't like it wasn't anything
like that.

Speaker 3 (11:07):
Oh and okay, so when you say, y'all talk kind
of dated a little bit before you started.

Speaker 4 (11:15):
No, like you like my boyfriend, I just knew him.

Speaker 3 (11:21):
Okay, so y'all kind of talking in a sexual nature?

Speaker 4 (11:25):
No, oh no, now that he's here, no, I mean
the interrogation shifts focus to Charlene's past.

Speaker 1 (11:34):
She reluctantly acknowledges a brief physical interaction with Parker outside
of prison, years before either of them ended up in
their current roles. However, she maintains that their relationship never
crossed any lines while he was incarcerated. Her hesitation and
careful choice of words add to the detective suspicion. The

(11:54):
conversation becomes a delicate dance, with Charlene trying to protect
herself while the detectives aim to uncover every detail.

Speaker 4 (12:03):
It's never been like like phone sex or anything like that.

Speaker 6 (12:07):
Like that's not, but like we all joke around, like
we all make like you.

Speaker 4 (12:12):
Know, like that's what she said type yeah things, but
it's never like So.

Speaker 3 (12:17):
What about some of these phone conversations.

Speaker 4 (12:20):
No, no, not here or the phone.

Speaker 3 (12:22):
No, I just mean conversations you are having on the phone.

Speaker 4 (12:24):
No, no, like like.

Speaker 3 (12:28):
Sexual well not I'm not saying having phone sex talking
about sexual acts. My from what I'm listening to on
the calls, I take it is that you've given him
oral sex at some point, is what I gathered from
these calls.

Speaker 4 (12:42):
No, that was like in the world. But we never
like we never dated.

Speaker 3 (12:47):
We just but you've you've had physical relationship with him
when you were both out.

Speaker 6 (12:54):
Yeah yeah, that was before it was we never like
had sex or anything.

Speaker 3 (13:00):
It was just kind of like that you gave him
world sex. Yeah okay, but that.

Speaker 4 (13:05):
Was before like I knew you would end up here,
or that I would end up here anything like that. Okay, yeah,
what a I know.

Speaker 3 (13:13):
I'm sorry to get in your business, but the allegation
has been made, so I want to have as much
dethrill as I can say either. What so when do
you think that was about? I know it's gonna be
hard to it was a couple of years ago.

Speaker 4 (13:27):
Let me think I was I want to say, like
in the past three years, because I was in a
seven year relationship and that ended about three like three
and a half years ago and some time after that.

Speaker 3 (13:45):
Okay, And can you kind of give me like more detail,
like where y'all met and things like that, like how
how did you come to know him? And where this
all happened?

Speaker 4 (13:56):
Then we just met through friends.

Speaker 6 (13:59):
I don't remember.

Speaker 1 (14:03):
Finally, Charlene admits to having a short lived intimate relationship
with Parker in the past, but insists it ended long
before she began working at the prison. This revelation, instead
of clearing her name, only adds fuel to the fire.
Were the prison phone calls truly innocent or do they
contain evidence of something far more inappropriate? One detective delivers

(14:26):
a veiled warning, you only get one chance to tell
the truth. Charlene's silence fills the room as everyone waits
for her next move, the weight of the moment pressing
heavily on her shoulders.

Speaker 6 (14:40):
I don't know where.

Speaker 4 (14:43):
We went to remember, then we went to go eat somewhere.

Speaker 6 (14:48):
I don't know.

Speaker 4 (14:49):
He was with his friends, and like we just all
kind and he was with one of his friends.

Speaker 7 (15:02):
No, I remember.

Speaker 4 (15:03):
It was just like a group of friends that we
all and then some friends brought other friends and other
friends brought other friends.

Speaker 3 (15:09):
Do you remember in eight of your friends that were there?
Mm hmm.

Speaker 4 (15:15):
I was there with my friend Christy, which she lives
in Dallas, and she came to Houston for like the weekend.
Like it was like a long weekend. I think it
was Labor Day weekend.

Speaker 3 (15:28):
Okay, yeah, anybody else that you remember there?

Speaker 4 (15:33):
M We went to eating, we went to a few works
and and that was it. We changed numbers and then
we kind of talked for a little bit, made up
a few times.

Speaker 3 (15:45):
And then that was just that. What kind of conversations
have you had with him since you've started working here
and he's been in the jail.

Speaker 4 (16:05):
Talking about what would happen after he got out?

Speaker 3 (16:08):
Yeah, and then the joke call recordings? Have you been
talking to him like while you're at home? Like he
calls you from the jail while you're at home or Okay?
And how many how many calls do you think you'll
have had together? Several?

Speaker 6 (16:26):
I mean I can't counting.

Speaker 3 (16:30):
Okay, So y'all talk pretty regularly. I haven't listened to this,
but apparently there may be some talk in the calls
about like photographs. Have you given any any photographs?

Speaker 6 (16:45):
I give him a photograph of his mom what she
had asked.

Speaker 4 (16:48):
For, and of his dog, Jacks.

Speaker 3 (16:51):
Have you given you any any photographs of you? Okay?
So what do you think that he's gonna say about this?

Speaker 4 (17:04):
When I told you that we had something going on,
you know, a few years back, and ended up here
and I saw him and then I mean, obviously like
he pretty on my numbers, so that top secret.

Speaker 1 (17:23):
The interrogation begins with what seems like an innocent question,
did you give Parker any photos? Charlene confidently responds that
she only gave him a photo of his mother, which
he had requested, But when asked if she gave him
a photo of herself, the tension starts to surface. Charlene
firmly denies it, citing strict prison regulations that would have

(17:45):
uncovered such actions immediately. However, this explanation doesn't fully dispel suspicion.
The detectives gaze hints at a bigger question, is Charlene
telling the truth. Her seemingly solid defense begins to show cracks.

Speaker 3 (18:00):
H how get your number?

Speaker 4 (18:07):
You had it from back then? Back then, and I've
had I've had the same number first fifteen.

Speaker 3 (18:15):
So one of the things we're gonna be doing is
like looking at cameras and stuff too. Has there been
any times where we all were alone? Mm hmm. Have
you go out a camera view or anything like that,
anything that's gonna look suspicious that way? I don't think so.

Speaker 10 (18:32):
No.

Speaker 4 (18:33):
I mean when he worked Beakquad, no even no, okay,
I mean when I've entered the plot, I've always stayed
like at the desk, you know.

Speaker 3 (18:44):
Have you escorted him anywhere or anything like that?

Speaker 2 (18:47):
Okay?

Speaker 3 (18:48):
And when was when did he go from Beakquad to
Pot six?

Speaker 11 (18:56):
I think it was a while back. Maybe, I don't know. Honestly,
it's been months. He was in there and then he
got taken out and then he went back. But I
can't I don't recall how far back he was. It's
been months though he's been. He went from be Quad.

Speaker 3 (19:18):
Back to and then this other number I think is
this Your number was seven to zero seven night five
four one five.

Speaker 4 (19:30):
Yeah, so you have two different phone numbers or that's
just from an app Okay, yeah, because I guess.

Speaker 6 (19:38):
He told me that.

Speaker 4 (19:40):
I guess it was like it was like an very
out of area code. It's like cheaper or something like that.
So it's just an app number. Okay, yeah, it's just
like a sideline number. But it's just it's one phone.

Speaker 6 (19:55):
It's just that that number is from an app.

Speaker 3 (19:58):
Okay, what app us?

Speaker 4 (20:00):
It's called sideline?

Speaker 3 (20:02):
Okay, Now what a what camophone do you have? Is
that in your car? Or is it on you? Or
is that what kind of walker or something?

Speaker 1 (20:21):
Have you and Perker ever been out of the camera's view.
This question cuts straight to the heart of the matter,
like a knife slicing through Charlene's fragile defense. She shakes
her head, claiming she has done nothing suspicious and always
stayed in monitored areas. Then an unexpected detail emerges. Charlene
admits to using an app to create a secondary phone number,

(20:44):
which she calls a sideline number. While Charlene explains that
this is simply a convenient tool, it raises even more suspicion.
Could this secondary number be away to hide something? The
shadow of doubt looms ever larger.

Speaker 3 (20:59):
Give me just a few minutes, if you're okay with
him stop out for a second and then I'll be
back in. Okay, some from that I sung before we
step out there. So you got your phone number from
three three and a half years ago, Yeah, and he
remembered it over three three and a half years. Yeah.

Speaker 4 (21:16):
I mean he's really close to his mom, so he
probably just got it from his mom. And then he
told me.

Speaker 6 (21:20):
To upload a sideline number, and then I uploaded side number.

Speaker 3 (21:24):
How did you get the sideline number? Did you give
it to him or did he like, how did you
come up with that number?

Speaker 4 (21:30):
On the app? You just select the number and then
you have aged.

Speaker 3 (21:33):
Him back in just a minute, all right, it's gonna
get the recording of just the most recent haul for
us to listen to some kind of my attempt behind that,

(21:54):
because I still fuck you. You're coming out with the
whole thing. So, like I said, I'm not trying to
badger even nothing. I just think that it's important that
we know well exactly what happened. So initially he said,

(22:19):
you kind of like played it off like you hardly
knew him.

Speaker 6 (22:22):
I mean I just, oh, you kind of like stood
there and right now.

Speaker 3 (22:30):
Parker, Yeah, I think he's in box six. But I
just looked in the system, there's like almost four hard calls.
So between y'all, yeah, you see him, you see where
I'm coming from, kind of how it would seen from my.

Speaker 6 (22:43):
Point of view, I mean, yeah.

Speaker 1 (22:51):
The detective plays their trump card nearly four hundred calls
between Charlene and Parker. The room falls into an eerie silence. Charlene,
trying to remain composed, starts to show signs of unease.
How do you explain this? The detective's sharp question slices
through the air. Charlene quickly claims the calls were just
casual conversations. Yet the tremble in her voice tells a

(23:14):
different story. What truth is being hidden behind her rushed explanations.

Speaker 3 (23:24):
Like I said, no no judgment here. I just want
to I mean, so we'll go into all those Do
you want of us the truth?

Speaker 4 (23:43):
Yes, I hesitated to admit that, But I mean.

Speaker 3 (23:55):
Because this sounds a certain way. This doesn't sound like
a three year This sounds flu within the last few
days to me. This call, now, if you remember what
y'all talked about yesterday, but this sounds with a pretty
recent event to me.

Speaker 4 (24:13):
Okay, I mean, like the conversation reasons what happened in
the conversation? Okay, well I don't remember I remember.

Speaker 3 (24:24):
So mention.

Speaker 6 (24:26):
I always forget, like what I did yesterday.

Speaker 1 (24:29):
Yeah, if nothing was wrong, why can't you remember the
content of your recent conversations? The detective presses on, backing
Charlene into a corner. She excuses herself by saying she
has a poor memory, but it's clear this is an
attempt to evade the issue. The pressure mounts, and Charlene's

(24:52):
explanations start to lose coherence. Every passing second intensifies the
tension in the room, as if even the air itself
health is weighing heavily on her shoulders.

Speaker 3 (25:06):
True story, Yes, mus.

Speaker 12 (25:11):
Skip basketball though, Yeah I did.

Speaker 13 (25:28):
Baby go Thatt, babe gets what.

Speaker 14 (25:34):
Oding I just won the black jack game.

Speaker 9 (25:44):
I just want Narget hour.

Speaker 14 (25:51):
Did Wow?

Speaker 13 (26:01):
I really wouldn't. I really wouldn't like Tripp and tripern
about that because I've won the last three games.

Speaker 1 (26:08):
In about you, yeah, okay, The conversation temporarily shifts to

(26:32):
lighter topics as Charlene begins talking about mundane things like
needing to clean out her refrigerator. On the surface, this
seems like idle chatter, but it's actually a calculated move
by the detective. Creating a sense of comfort is a
psychological tactic to make Charlene drop her guard. Every small detail,
from how she answers to how she changes the subject

(26:54):
is being closely observed. Does Charlene realize she's walking into
a trap?

Speaker 15 (27:00):
Did you just call me a stupid That's that's what
you sounded like a while ago.

Speaker 7 (27:05):
No, I didn't say a uh, yeah you did. I mean,
maybe just a little, but I wouldn't. I didn't sound
that much.

Speaker 14 (27:14):
You you exaggerated, and that.

Speaker 2 (27:25):
I need to clean left.

Speaker 7 (27:28):
I'm putting, dude, I'm putting. I'm putting the leftover MACI
even though we all know what can happen.

Speaker 15 (27:42):
Yeah, you're not gonna eat them.

Speaker 9 (27:47):
I am gonna be that's kind of like a science
experiment inator.

Speaker 7 (27:54):
It looks like that right now, not a life right. Yeah,
it's not that bad. But there's I there's yeah, yeah,
I'm on yours. I'm like, I need to clean that
bridge out. I got a lot of stuff to clean
and get rid of before you come home. Did anyone hear.

Speaker 13 (28:25):
What are you gonna do?

Speaker 15 (28:26):
If I say, did you know what I said.

Speaker 7 (28:32):
I said, there's a lot of things I need to
clean and get rid of before you come home. I'm
just fucking let's try to make you think I have
all clear.

Speaker 14 (28:48):
Yeah, I bet you do?

Speaker 16 (28:51):
What? What? What?

Speaker 1 (28:57):
The conversation shifts further, delving into stories about Charlene's friend
Leslie and her complicated relationships. While it seems unrelated, the
detective remains patient. Every seemingly innocuous detail could be a
potential lead. Is Charlene trying to distract from the investigation
or is this her way of buying time to collect

(29:18):
her thoughts. It feels as though the truth is being
pulled further away from the surface.

Speaker 8 (29:25):
What could I possibly have?

Speaker 6 (29:29):
Like?

Speaker 2 (29:29):
What was?

Speaker 14 (29:31):
I don't know.

Speaker 17 (29:31):
You've probably got this weird sex swing hanging from the
ceylar and cannot find things as a swing set.

Speaker 7 (29:38):
Oh, if I had that sex wing, you better believe
I'd leave that sucker up for you.

Speaker 9 (29:42):
Would you really?

Speaker 18 (29:44):
Oh?

Speaker 14 (29:44):
Yeah, you'd let me put you in it.

Speaker 9 (29:48):
Yeah, with a gag bar and everything.

Speaker 7 (29:55):
Yeah, they for sure.

Speaker 15 (30:02):
You would let me put you in it.

Speaker 17 (30:05):
Yeah, I'd be mowing you down. And we look, we
look out the slide and glass door. Do you have
a slide and glass door that goes to the fact
like a regular door.

Speaker 7 (30:17):
The door door, it's.

Speaker 13 (30:19):
Just a regular a double door.

Speaker 7 (30:22):
No, just one door.

Speaker 13 (30:26):
Does it have like the little blind thing that you
slide up and down to open it?

Speaker 7 (30:30):
Yeah, but Seth Leslie's little boy broke it, so I
haven't had a b Yeah, Seth's broke.

Speaker 18 (30:40):
Then have you talked to her Leslie?

Speaker 13 (30:44):
Yeah, back or bear or whatever.

Speaker 7 (30:51):
He changed his mind, Like, oh shocker, he changes his mind.
That's literally what he told her. I changed my mind.
I don't want to be with you. I don't want
to work beans out. So he just has thought.

Speaker 18 (31:08):
Huh huh, what'd you say?

Speaker 9 (31:12):
I said, he's gonna end up making that I have
sewer tide of box. He needs leave her alone or
fucking disharment.

Speaker 7 (31:18):
Yeah, that's what I told Edlie. Yeah, and like he's
just keeping you in this limbo like yes, I want
you know I don't want you. Yes, I want you know,
I don't want you. I'm like fuck that.

Speaker 9 (31:31):
True?

Speaker 17 (31:32):
Is she write a big woman or what?

Speaker 1 (31:35):
The final moments of the interrogation take an odd turn
as Charlene reminisces about her ex boyfriend commenting on Leslie's beauty.
On the surface, this seems like an irrelevant story, but
is it an intentional effort to deflect the detective's focus.
The detective, though composed, is undoubtedly recording every detail, each word,

(31:56):
each expression from Charlene is being scrutinized. Any inconsistency in
her story could be the thread that unravels the entire situation.
Charlene might think she's controlling the interrogation, but in reality,
she's being carefully cornered. This psychological chess match will reveal
either the truth or deepen the mystery.

Speaker 7 (32:19):
Lesley, it's very short, so like Leslie and I I
think we almost weigh the same. But she's very short,
like short, like her nine year old daughters almost as
tall as her. Like, she's short, so she looks really chunky.

(32:39):
She looks weighted, like if she was just like maybe
like fixing, just taller, like I don't feel like she
would look as chunky. But she's just really short, and
so she just wished all she can be Yeah, yeah,
she can be really pretty. My ex boyfriend of seven years,
she always thought Leslie was really pretty. Yeah mm hmm, yeah,

(33:05):
he was always crushing on her. She's like, Lastie's really pretty,
and I'm like, yeah, she's pretty. She's my best friend,
of course I think she's pretty.

Speaker 9 (33:14):
Yeah.

Speaker 14 (33:16):
Yeah.

Speaker 7 (33:18):
Love's gained a lot of weight in the past couple
of years. But I think it's because of the stress
that Bear puts her in, because she didn't used to
be like that.

Speaker 15 (33:32):
But I don't know, I could.

Speaker 19 (33:41):
I think that no matter what, you should always want
to be in some kind of good shape, you know,
at least at least for your you know, your spouse
or whatever.

Speaker 13 (33:51):
You know what I mean.

Speaker 18 (33:52):
Yeah, And my mom was always like that, you.

Speaker 19 (33:56):
Let yourself go and get comfortable.

Speaker 18 (34:01):
Yeah.

Speaker 7 (34:01):
Now, my mom was always like that, Like she'd be
in her pajama's all freaking day. But before my dad
got like an hour before my dag a home, she
gave a shower, she'd do her hair, she'd do her makeup, like,
she made sure she can look like rags whenever my
dad got home, like she is wanted to look nice
for him. And I think it's really important.

Speaker 18 (34:24):
I mean, you're stuck with me regardless, but.

Speaker 7 (34:28):
Like this, I just want you to look at me
sometimes be like, damn, a woman's fine.

Speaker 14 (34:35):
I didn't want.

Speaker 1 (34:38):
The interrogation seems to take a calmer turn as Charlene
shares details about her best friend, Leslie. She mentions how
Leslie has gained significant weight over the years, which Charlene
attributes to the stress from a toxic relationship. What seems
like an innocent anecdote may be a subtle attempt to
divert the detective's attention. Arlene also shares a memory of

(35:01):
how her mother always made an effort to look presentable
before her father came home, emphasizing the importance of maintaining
one's appeal in a relationship. While her tone is casual,
it reveals her ability to express emotions eloquently. Is this
skill being used strategically to steer the interrogation?

Speaker 14 (35:22):
Super fine? Oh god, you are fine? Mm hmmm, you're fine. Yeah, yeah,
fuck y'all, fuck y'ah. And you got a live ass

(35:50):
fucking head game. Oh mhm.

Speaker 7 (36:01):
It was in my best moments. I was just trying
to get it done. And that don't even get me
thinking about that, because it makes me so horny, like
just going back and thinking about yeah, oh yeah, yeah,

(36:25):
I mean you felt me. I always like soaking through
my clothes.

Speaker 14 (36:30):
You're like, and what is that word like when somebody
just always like can get horny like at that, I guess.

Speaker 7 (36:35):
I guess, yeah, I get very horny, very easy, like
I'm I always want to have Like that's not even
uh huh not good. I mean I felt like I
just like, look at someone, I'm like, oh my god,
I'm so fucking horny. No, like, of course, like I

(36:56):
only get horny for you.

Speaker 20 (36:58):
Okay, Yeah, he can't see how that sounds, from what
my point of view, more like a more recent thing
than three years ago.

Speaker 1 (37:17):
The tension rises as Charlene shifts to discussing her past
intimate connections. She admits to being easily attracted physically, but
quickly clarifies that this only applied to Parker during their
prior encounters. When discussing the present, Charlene firmly denies any
inappropriate behavior while Parker was incarcerated. Although her denial seems resolute,

(37:40):
there's a subtle hesitation in her tone, as if she's
trying to draw a distinct line between her past temptations
and her current reality of scrutiny.

Speaker 21 (37:50):
No, no, I've given for and that's what he was
bring to and it was not in the jil.

Speaker 3 (38:03):
So do you think this dude's really gonna cover for you?
Like if I bring him in here and we start
playing this and all that, you really think this dudes.

Speaker 6 (38:14):
He's gonna tell me what he told you?

Speaker 3 (38:17):
Yeah, I need you to tell me this when y'all
met and all this stuff, Like tell me that how
all that happened? With as much detail as you can
tell me, like everything that you can remember.

Speaker 4 (38:39):
I didn't have the time. I didn't want to be
in a relationship. I just got gone out of a
seven relationships. So was I looking for anking serious?

Speaker 3 (38:51):
So like where did y'all? How many times do you
think y'all met up?

Speaker 6 (38:56):
Maybe more than by less than ten?

Speaker 3 (39:02):
Yeah, and do you remember where we usually? It was?

Speaker 16 (39:07):
Just like?

Speaker 1 (39:10):
The detective probes deeper into Charlene's relationship with Parker before
his imprisonment. She admits they met around five to ten times,
mostly in social settings, but insists there was no romantic involvement. However,
when asked for more details, Charlene struggles to recall specifics.
Her vague responses make the detective's question, how can someone

(39:32):
remember an important connection yet fail to provide clear memories
is Charlene hiding something beneath the surface?

Speaker 4 (39:45):
Wasn't anything like the one places they didn't want to
do anybody?

Speaker 3 (39:49):
Like where was he eleven at the time?

Speaker 2 (40:00):
Uh?

Speaker 3 (40:00):
What's where? Where's that?

Speaker 2 (40:02):
Odd?

Speaker 6 (40:04):
Uh?

Speaker 3 (40:05):
In U king? What street? Or like what area? In
U can it was in?

Speaker 4 (40:10):
I mean I have horrible sense direction.

Speaker 6 (40:12):
It's just a mukni Is it ninety?

Speaker 16 (40:17):
No?

Speaker 6 (40:17):
Fifty nine?

Speaker 3 (40:18):
Wait?

Speaker 6 (40:18):
Is there a ninety?

Speaker 3 (40:20):
No? Yeah, there's fifty nine is like the main freeway.

Speaker 6 (40:23):
But there's not a ninety, so then it must be
fifty nine somewhere.

Speaker 3 (40:27):
K Okay where were he living at the time?

Speaker 6 (40:32):
Here?

Speaker 3 (40:33):
Where that oh fountain? Okay?

Speaker 4 (40:36):
Step in there for.

Speaker 3 (40:40):
Those three Okay? And you have the same phone number? Yeah?
And uh did you get one blow job? More than one?
And what it's my problem here is Fitt you talk

(41:03):
about how profound this was, like just giving him this
blow job was, but you like don't remember anything about
anything about it. It's like it's like you're just telling
me something that you're having trouble coming up with details about,
you know what I mean? Like, if it's that.

Speaker 4 (41:21):
Perform give, how do you describe a job?

Speaker 16 (41:25):
Is that?

Speaker 3 (41:26):
I want to know about the blow job. So if
this is a suspectful thing that happened three years ago,
I feel like you kind of remember some stuff about.

Speaker 4 (41:33):
It, like we said in the car, you know.

Speaker 3 (41:37):
Like when I ask you who was there him? Of course,
like when y'all met or whatever. And then when I
asked who else, you said it was like a bunch
of friends. Yeah, but you can remember one about it
for thirty seconds. That's not making sense to me.

Speaker 1 (41:50):
The story shifts when Charlene describes how Parker lived in
New Caney while she remained at her current residence. This
detail seems ordinary, but when asked for other clarification, Charlene's
descriptions become murky. When questioned about her phone number, she
confirms it hasn't changed in three years. Yet, with nearly
four hundred calls recorded, why can't she remember the details

(42:13):
of these frequent contacts. The inconsistencies in her narrative are
becoming harder to ignore.

Speaker 6 (42:20):
I mean, with my.

Speaker 4 (42:21):
Friend Christie, and there were other people there, I mean,
son of some of them. Like I knew who they
were that I'd seen before, but I didn't know them
personally or anything. I mean, it wasn't my they were
my friends. I was there to hang out with my
friend Christie because she was out of town. And I

(42:43):
mean she came from out of town.

Speaker 3 (42:45):
Does Christine know this girl? Or Okay, So walking me
through how y'all got to talking when y'all see each
other on the jail again or whatever? How did how did?
How did it build to the story? Y'all were talking
almost four hundred.

Speaker 4 (43:00):
Times I'd see them, and I mean, of course I
recognized him and he recognized me. But it was just
there wasn't nothing like I mean, my thoughts weren't like

(43:22):
I was going to pursue anything. You know, I can't
speak for like his thoughts at the time, but it
wasn't anything like that. And you know, he was respectful.
He never you know, did anything to like signal or anything.
And uh, I guess I had gotten a message from

(43:47):
his mom saying that I guess like jacobat talked to her
and he mentioned that.

Speaker 6 (43:52):
I was, you know, here, and he just told her
tell me.

Speaker 1 (44:04):
Charlene begins to recount how she reconnected with Parker. She
claims Parker's mother reached out to her on Facebook, relaying
that Parker missed her and wanted to call. This small
detail immediately catches the detective's attention, as the involvement of
Parker's mother adds another layer of complexity to the case.
Charlene tries to portray this communication as a natural progression

(44:27):
over time, yet the detective's lingering questions remain, why would
Parker think of Charlene after all these years? And how
did a seemingly minor interaction lead to nearly four hundred
calls that.

Speaker 4 (44:42):
He loved me or he missed me, or he saw me.
I don't remember like something like that. Why she had
as if he can call me?

Speaker 6 (44:51):
And but it was over the course of.

Speaker 4 (44:57):
Like it wasn't just like one day like oh I
saw you and.

Speaker 3 (45:01):
Then we just started calling m Yeah, so he his
mom reached up to you.

Speaker 4 (45:06):
I mean I've had her on Facebook, Okay.

Speaker 3 (45:08):
So she sent you like a Facebook message? What is
her name?

Speaker 16 (45:17):
Is?

Speaker 6 (45:18):
What I mean? I don't want to get her involved in.

Speaker 3 (45:22):
Like this mess.

Speaker 16 (45:24):
You know.

Speaker 3 (45:25):
It's it's really just like details of the story. There's
ways like i'n find it anyways. It's part of his
emergency contact in the jail.

Speaker 4 (45:34):
We'll just keep it as y'all figure it out. Obviously
y'all can do that, but I want to.

Speaker 3 (45:43):
Okay, So where was his how whenever y'all like first
started talking on the phone.

Speaker 6 (46:03):
I guess I don't know.

Speaker 4 (46:06):
He was back and forth, like he would get fired
and you would come back and get fired at that time,
I acute, honestly.

Speaker 3 (46:16):
Okay, Yeah, and then how often do you see that?

Speaker 6 (46:25):
I'll stop by, I'll be in there for like an.

Speaker 1 (46:32):
When the detectives press for more information about Parker's mother,
Charlene hesitates and expresses reluctance to involve her in the investigation.
Her refusal to provide the mother's phone number seems protective,
but also raises suspicion. Is Charlene trying to conceal something.
She explains that all communication with Parker's mother occurred through

(46:53):
Facebook messages, sidestepping direct phone calls. This evasive behavior only
fuels the detective curiosity as they piece together the story.

Speaker 21 (47:05):
Yeah, I'll go down there every day, but like, if
I'm in the area, I'll go in there.

Speaker 3 (47:11):
What do your coworkers say when it happens? I don't know,
just seeing I don't know, likek it will be. I
don't about ordinating to me nothing. I mean, I do
you play it off for something else?

Speaker 6 (47:24):
We all talk in like, you know, we're all I
would like to think we're all pretty close.

Speaker 4 (47:29):
So you know, sometimes I'll go in there, or I'll
go and talk to Bailien Pod seven or you know.
I mean, I'm just I'm familiar with all my coworkers,
so I don't just like talk to like one person,
like I could talk to everybody and everybody on our.

Speaker 3 (47:46):
Shift, so.

Speaker 6 (47:48):
Like I'm in the area.

Speaker 3 (47:51):
To chat.

Speaker 4 (47:52):
I mean I talked to you know, whoever's in the pot,
But I mean I don't go in there like yeah,
I mean sometimes he just sleep. Sometimes he's out on
the reck yard or you know, I'm not like where's
he at?

Speaker 2 (48:11):
You know?

Speaker 3 (48:12):
Yeah, Okay, what did you mean? A minute ago, we
were like, we're talking about his mom's name. You were like,
if y'all figure it out.

Speaker 4 (48:28):
Well, yeah, I just don't want to.

Speaker 6 (48:32):
Yeah, No, I don't want to.

Speaker 4 (48:34):
I don't want to drag her name in it.

Speaker 6 (48:35):
I mean, if she's on his emergency contacts.

Speaker 3 (48:38):
Then what kind of can you tell me what y'all's
conversation was like without dragging her name into it. I'm
just curious that I don't know, wrapping my head around
that just seems kind of different.

Speaker 4 (48:52):
She just send me a message said, Jakes told me
he saw you and he missed yours.

Speaker 3 (49:00):
Did you know her before this? He signed on Facebook?
Boy did you know her? Yeah?

Speaker 4 (49:06):
Like prior?

Speaker 3 (49:06):
Yeah, okay, so he've done to her house and other house.

Speaker 1 (49:14):
Charlene continues to defend her narrative, stating that her interactions
with Parker's mother were limited to casual Facebook messages. She
claims that Parker's mother only passed along a message saying
that Parker missed her. However, when the detectives press her
to detail how their reconnection in jail evolved into nearly
four hundred calls, Charlene struggles to maintain her composure. She

(49:39):
insists the communication developed naturally over time, but her increasingly
fragmented responses suggest otherwise. It feels as though the mask
she's wearing is beginning to slip.

Speaker 3 (49:52):
Yeah, do you have her phone number? So I asked
that because those are things that I can verify, you
know what I mean, Like like you're telling me what
you're telling me, But if I can call her and
talk to her about how she knows you and all
that stuff. That's so, I guess do you know or

(50:15):
is it in your phone? Oh?

Speaker 4 (50:17):
My heart, No, no, no, I don't know.

Speaker 6 (50:19):
I usually I usually call her, Well, we have conversations.

Speaker 4 (50:22):
It's using through Facebook, like I never usually call her
directly because she never responds to text messages. So if
I have a message to send her, I send it
to Facebook and and then if she needs to call
me or I call her, it's.

Speaker 3 (50:36):
Just Facebook, okay, and your Facebook is your Facebook name?
Just your first and last name. But there's obviously four
hundred joke call that I might have to go through
all of those. Is there anything that's gonna pop up
that's not driving with your what you're telling me today?

Speaker 4 (51:00):
I guess we've been talking and it's been what it's been,
So I'll just say that we like what do you
mean like in like obviously there's something going on between us?

Speaker 6 (51:12):
Like do you mean like? Like what am I? What
do I need to tell you? Like there's something going
on between us.

Speaker 3 (51:18):
I just didn't know if y'all had sech full contact
inside of the chill. No, it was, It's what I'm
trying to find out, not at all.

Speaker 1 (51:30):
Anywhere the detective goes straight to the point, was there
any inappropriate physical contact between you and Parker in the jail?
The question feels like a dagger, forcing Charlene to confront
the truth. Initially, she denies everything, but under mounting pressure,
she finally admits to a moment of intimacy that occurred

(51:52):
a few months ago. She explains that it happened while
Parker was assigned to clean the hallway. Her reluctant confession
not only heightens the tension in the interrogation room, but
also deepens the detective suspicions about her earlier denials.

Speaker 3 (52:08):
Do you have many questions coming on mind?

Speaker 8 (52:10):
Yes, so not just one thing. And I want you
to understand this about both of us. Both of us
are better than homicide detects. Okay, I've been knowing this
a lot, all right. You seem to have blanks in
your remember and when we get to certain details, but
you remember being groped in the blow job from three
years ago. Find that hard to believe. Okay, this is

(52:33):
your one chance to be honest with us.

Speaker 3 (52:35):
Once we get up and walk out.

Speaker 8 (52:36):
And we're done, We're done, yeah, And honesty is the
only thing that's going to help you with us. So
my advice to you right now is to be honest
with us. Have y'all had any inappropriate contact, whether it's
growthing below, jobs, vaginal anal sex, anything and jobs? Yes,
I am being volder to get a point across.

Speaker 16 (52:57):
Yeah.

Speaker 4 (52:57):
No, it's not none of that.

Speaker 3 (53:02):
And what is it? How long ago was that? Uh?
A few months ago? How long have you worked here?

Speaker 6 (53:12):
Uh?

Speaker 3 (53:15):
This year? Was he already here?

Speaker 4 (53:17):
He was?

Speaker 8 (53:18):
Okay, do you know how long he's been here?

Speaker 3 (53:21):
Don't know. So a few months ago you gave him
a blow job.

Speaker 8 (53:26):
In the back of the beat in the speak?

Speaker 3 (53:30):
Was any were there any other witnesses to it? Okay?
I'm just wondering.

Speaker 4 (53:35):
Because were people standing around?

Speaker 3 (53:36):
Well you were you work days?

Speaker 19 (53:38):
Right?

Speaker 3 (53:39):
Yes?

Speaker 8 (53:39):
Were you working days at the time. That's why I'm
asking was anyone around? Because I mean, everybody's up in
Dayton Jails lockdown.

Speaker 1 (53:50):
Charlene elaborates that Parker was allowed to work alone that
day due to security concerns involving other inmates. However, the
detectives are not letting her off the hook so easily.
Was there anyone else who might have seen this? The
question forces Charlie to admit there were no witnesses. She
insists the incident was not planned, but the nervous tone

(54:10):
in her voice suggests otherwise. Could there be more to
this story than she's letting on?

Speaker 3 (54:19):
So how how did this come to have? What was
he a floor worker or how did that happen? How
did y'all get to be along at that time?

Speaker 4 (54:28):
Yeah, they had They brought him from the pod to work.
There was uh, they brought him from a pod, and
I don't think that day brought anybody else from It
was just him, But there was, you know, a lot
of drugs and stuff being passed around Hills.

Speaker 6 (54:45):
So they didn't want anybody from be quad out on
the floor because we didn't know who source was or
who was passing around.

Speaker 4 (54:55):
So they pulled someone.

Speaker 6 (54:58):
They pulled the a worker from the ponds.

Speaker 3 (55:01):
Yea from a pot.

Speaker 4 (55:02):
And then previous day they had walked two parts. So
it was just kind of one of those things like
anybody volunteer. And then it was him.

Speaker 3 (55:14):
Where exactly where that y'all go.

Speaker 4 (55:17):
The hallway and before like.

Speaker 3 (55:20):
Back towards like fifteen sixteen, closer towards the entrance, or
like at the very end of.

Speaker 4 (55:29):
The hallway, still if you're entering with fifteen sixteen, it
was like closer to the.

Speaker 3 (55:36):
Entrance, okay? And then where did he go afterwards? He
just continued to work.

Speaker 4 (55:43):
Yeah, I guess he was like, Okay, do.

Speaker 3 (55:48):
You remember what bosses were working with you that day?
Like the sergeants like who you're coworkers in the quad
were like who was man? And the tickets and all
that stuff?

Speaker 1 (55:59):
Did detects? Next question corners Charlene further was this arranged beforehand?
Through phone calls? Charlene quickly denies it, claiming it was
a spontaneous occurrence, but as the detective presses for details,
cracks begin to show in her narrative. She describes Parker
kissing her as they passed in the hallway. While her
words seem certain, her anxious demeanor betrays her discomfort. Her

(56:23):
story struggles to maintain the detective's trust as doubts begin
to pile up.

Speaker 3 (56:29):
We're in there, Clark, and was that a one time
you'd get any one blow job? And that's it? How
long have y'all been talking on the phone up until
that point? What month? Uh? Is that the only thing

(56:53):
he came to work? And before I think.

Speaker 4 (56:56):
It was two days that he was in and like
within a week.

Speaker 3 (57:01):
Did anything happen on the second day? And was this planned?
Like didn't you talk about this on the phone or
anything before me? It wasn't you kind of go into
detail exactly, like what and how it happened.

Speaker 4 (57:23):
Yeah, he was pushing.

Speaker 6 (57:24):
He was gonna push clean up into fifteen.

Speaker 4 (57:26):
Sixteen and I needed two roll the doors open, you know,
so you can go in. So I had to keep
it unlock, you know, that little picket area so that
you can roll. And we were walking back there and
he leaned to kiss me, and I just.

Speaker 1 (57:48):
The detective shifts the focus, asking if Charlene ever passed
notes or personal items to Parker. She admits to writing
him a letter, but insists there was nothing inappropriate about it. However,
her tone grows increasingly uneasy, and her hesitation to provide
further details raises even more suspicion. It feels like she
is desperately trying to hold on to the remnants of

(58:11):
her credibility.

Speaker 3 (58:15):
He just looked and then I know this is stupid,
but that's just the way things work. What do you
mean by ball job?

Speaker 4 (58:26):
I put his stick in the mouth.

Speaker 3 (58:27):
Okay, Yeah, and did he ejaculate well? And is there
anything you need you want to add or anything? Yeah?
Has anything else happened?

Speaker 16 (58:41):
No?

Speaker 6 (58:41):
No, we haven't had some facility, has not. He hasn't
gone over my pants. It was just that that.

Speaker 3 (58:50):
You have you brought him anything in? No? No, never
naked pictures? Did you get him any photographtaurant.

Speaker 6 (58:58):
Take naked pictures?

Speaker 8 (59:01):
Have you written any letters, passed many notes?

Speaker 3 (59:05):
Or has he written you letters or past few notes?

Speaker 2 (59:07):
Yeah?

Speaker 4 (59:07):
I wrote him a letter.

Speaker 6 (59:11):
Like just I'll like write something down and.

Speaker 4 (59:17):
There's nothing like that's nothing like that. You wouldn't hear conversation.

Speaker 3 (59:26):
Yeah, and your fine. You've said that it's in a backpack.
Is it in like a worklocker?

Speaker 20 (59:34):
No?

Speaker 6 (59:35):
I think it's an equal I've had it. Oh, won't
have No?

Speaker 4 (59:40):
Sorry, Yeah, Joe want.

Speaker 3 (59:47):
So part of these investigations or we have to let
it self down and stuff. I can either do it
buck to a search warrant or you can give consent
to search that. It's it's kind of up to you.
How do you want to do that with the warrant.

Speaker 1 (01:00:04):
That kind of the interrogation escalates as the detectives turn
their attention to Charlene's phone. They request access to verify
her claims, explaining that it's a critical step in the investigation.
With visible tension, Charlene agrees to sign the paperwork and
provides her passcode. This moment feels like a turning point.

(01:00:24):
The tension in Charlene's eyes and the detective's unrelenting focus
create a charged atmosphere. It's as if every piece of
data on her phone could be the missing puzzle piece
that completes the bigger picture.

Speaker 3 (01:00:38):
I'm not saying this to try to talk the indie
other ones kind of laying your options out on the table.
The search warrant takes a little while with that, have
to write it, and you know, I'm not back to
work for the Monday, and sometimes it takes a week
or two. With consent, we usually try to download them.
This we're kind of at the mercy of the computer.
How long it takes to download them. Try to download
them and give them back so you have my consent.

(01:01:02):
I'll have to do a written consent.

Speaker 6 (01:01:07):
What's the what are you looking for? Like just calls
or you.

Speaker 3 (01:01:10):
Know, like calls and messages just to just to make
sure that what you're telling sis so I think that
you are being truthful now, but we we also have
to kind of do our due diligence to find out
everything that we can do. What is your past.

Speaker 6 (01:01:25):
Five to two two? It's like there's a lot of numbers.

Speaker 4 (01:01:28):
I don't know how many two's just like do five
to to to two. I think there's like a I
think it's a sixth.

Speaker 3 (01:01:34):
Ode so five and the twos.

Speaker 4 (01:01:37):
Yeah, yeah, so I think there's like five twos because
there's six numbers.

Speaker 3 (01:01:49):
I'm gonna find the form real quick and then we'll
we'll do that and try to get this going real quick.
So can't be done think.

Speaker 1 (01:02:01):
As the paperwork is finalized, Charlene seems to accept the
inevitable consequences of her actions. She acknowledges the possibility of
losing her job, her tone resigned but tinged with faint hope.
The detectives explain that the internal and criminal investigations are
separate processes. However, it's clear that the evidence they uncover
could bring an abrupt end to Charlene's career. Her mental

(01:02:24):
state now resembles a tightly wound string, ready to snap
at any moments.

Speaker 6 (01:02:44):
But I feel like I know the answer and losing
my job.

Speaker 3 (01:02:48):
So that's that's not really up to me. Internal affairs
is aware of the allegation and they will probably the
investigation is separate from lage because there's it's it's too
totally different. Thanks, So yeah, uh it it's a possibility,

(01:03:09):
but I don't once say I don't make the decision.
So it's put your first name again.

Speaker 6 (01:03:13):
For that's h A R l e E N.

Speaker 3 (01:03:20):
In the birday again five eighty nine, and I'll kind
I'll give you a rundown all some of the stuff
a little better you.

Speaker 6 (01:03:36):
Mh and uh two fountain mine and the apartment is
one to three zero four one.

Speaker 3 (01:03:51):
Two three zero four. That's kind of a mind blister
there three zero I don't and konrad zero four for
the form of the same that you authorize them, gonna

(01:04:12):
cansure yourselfice to search, colect, take process, will I go on? Sorry.

Speaker 1 (01:04:25):
The interrogation approaches its conclusion as the detectives focus on
collecting the last pieces of information from Charlene. Her phone's
data will be thoroughly analyzed and any discrepancies in her
statements will soon come to light. Charlene agrees, but her
unease is unmistakable. She knows time is working against her.

(01:04:45):
The room is heavy with tension, filled with unanswered questions
and the looming promise of revelation. Will Charlene's story hold
or will it crumble under the weight of undeniable evidence?

Speaker 6 (01:04:59):
H eight r l E five ten of eighty nine
two hundred Fountain Lane one two three zero four.

Speaker 3 (01:05:22):
Seven three zero four.

Speaker 6 (01:05:28):
Nine three six four nine nine four six five zero.

Speaker 3 (01:05:36):
Let's put us. It's just saying, so basically, what the
software does, it just takes everything off of it. So
it's saying.

Speaker 21 (01:05:49):
Forgive that.

Speaker 18 (01:05:50):
Just m yeah, M.

Speaker 3 (01:06:00):
Interesting therapy, m hm. So my partner started the phone stuff,
so we'll get that, don't sins. We can't.

Speaker 9 (01:06:10):
The way.

Speaker 3 (01:06:14):
Kind of the way this goes from here is we
talked to the dist Attorney's office. They make the determination
on forwardas and all that stuff. So I don't have
an answer for you there on that right now, but
I will be talking to him about everything of charges.
Like so it's it's illegal to have sexual contact with
an inmate as an employee, so I said, the ball

(01:06:36):
kind of be in their cord, but I'll let you
know as soon as they hear something. I meant that's
up to the day's office. But employment wise, I will

(01:07:00):
makes some notifications and then we'll get the ball roll
on that stuff too. Okay, So if you'll just ain't
type from in here for a little bit, I'm want
to get some stuff squared away. You need water or anything,
I'll get you a cup of water.

Speaker 1 (01:07:13):
The interrogation takes a serious turn as the detective explains
the next steps. Charlene learns that the case will be
forwarded to the District Attorney's office to determine legal charges,
including the potential criminal consequences of having inappropriate contact with
an inmate. When questioned about alleged drug activity in the jail,

(01:07:34):
Charlene immediately denies any involvement, stating emphatically that she has
never even used marijuana. She agrees to provide a DNA sample,
her voice firm, but her eyes betraying subtle anxiety. Each
moment feels like another layer of pressure added to an
already overwhelming situation.

Speaker 3 (01:07:53):
So the phone to generate the report. Oh, let me done.
I talked to like the internal affairs people. When they're
going to send somebody over to talk to you, Let's
start their So it's brought to my attention. You mentioned
the real been some drug stuff in the jail. Do

(01:08:14):
you have anything to do with that at all?

Speaker 4 (01:08:16):
Absolutely not.

Speaker 3 (01:08:19):
So I guess they have some evidence they've gathered, like
the drugs will go back, and I don't think they're
worried about the one today. I think there's been something
going on before that. Would you be willing to consent
to a DNA swall just so they can test that
against that? Okay? Cool? And you know what I already
filled going out because that's the former accident I had.

Speaker 4 (01:08:41):
Yeah, I'll take all that.

Speaker 3 (01:08:44):
I'm never.

Speaker 4 (01:08:47):
Done or anything.

Speaker 3 (01:08:50):
Yeah, when I said earlier, oh that's the wrong form
DNA have your information in here. This is just saying
that you consent to and what it is is a
buckle swallow. I bring key to two key tips. I'll
give them to you you swallowing around your mouth. We'll
put them in a bag. And so if you consent
to that, son, Oh right, and I'll get the stuff

(01:09:13):
to do that.

Speaker 6 (01:09:14):
Okay, that tiny, but I really don't Oh yeah, I
can do that.

Speaker 22 (01:09:21):
Give me for a second, can we do that little test?
Can we do the swashy in just a minute that
it won't take me for a second.

Speaker 3 (01:09:36):
Okay, well okay, hmm okay. So, like I said, I'm
gonna tear this open. Let you grab them just like
five ten seconds to throw them on each cheek and
then I open yeah, and I'll hold this open like

(01:09:58):
do separate. Thank you doing me of them make it easier.
But that's not what uncomfortable. It's weird Cotton.

Speaker 1 (01:10:06):
Charlene cooperates with the DNA swab process, a silent yet
significant moment in the investigation. Her willingness to comply may
appear to bolster her innocence, but the tension in the
room remains palpable. The detective meticulously prepares the legal forms,
explaining every detail to Charlene. Though she nods in agreement,

(01:10:27):
her restrained posture suggests she is grappling with the weight
of the consequences that loom ahead. Is she preparing herself
for the inevitable fallout.

Speaker 10 (01:10:40):
Charlene was sentenced to one hundred days in jail for
the crime of improper sexual activity with a person in custody.
I hope it was worth it. If you want to
listen to the full jail call, just continue watching otherwise,
I'll see you in the next video. Thanks for watching.

Speaker 18 (01:11:00):
Good bet.

Speaker 14 (01:11:02):
Maybe it gets what.

Speaker 18 (01:11:04):
O days.

Speaker 14 (01:11:05):
I just won the black jack game. I just want
nintet hours.

Speaker 16 (01:11:21):
I did.

Speaker 9 (01:11:28):
Whah, I really wouldn't.

Speaker 13 (01:11:32):
I really wouldn't like tripping tripping about my liking story
this week because I've won the last three.

Speaker 14 (01:11:38):
Games in a.

Speaker 7 (01:11:49):
Just crazy.

Speaker 9 (01:11:51):
It's just by you.

Speaker 7 (01:11:55):
Yeah, kah.

Speaker 14 (01:11:58):
Okay you.

Speaker 13 (01:12:03):
That's what you sounded like a while ago.

Speaker 7 (01:12:06):
No, I didn't say a uh yeah you did. I mean,
maybe just a little, but I would I didn't sound
that much.

Speaker 14 (01:12:14):
You you exaggerated some episober.

Speaker 1 (01:12:24):
A recorded jail call reveals another side of the story.
Charlene's tone shifts dramatically as she talks to Parker, her
voice warm and playful. They discuss winning blackjack games and
everyday topics like cleaning out the fridge. This seemingly mundane
conversation paints a stark contrast to the high stakes interrogation room.
Yet every word in this call further highlights the closeness

(01:12:47):
of their relationship, contradicting Charlene's earlier denials. Could this casual
banter be the key to unraveling the truth.

Speaker 7 (01:13:00):
I'm putting, Dude, I'm putting. I'm putting the leftover maca
even though we all know what's gonna happen.

Speaker 13 (01:13:14):
Yeah, you're not gonna eat them.

Speaker 9 (01:13:19):
I am gonna be like, that's kind of like a
science experiment.

Speaker 14 (01:13:24):
In that.

Speaker 7 (01:13:27):
It looks like that right now.

Speaker 9 (01:13:28):
Not gonna lie.

Speaker 18 (01:13:30):
Yeah, it's not that bad.

Speaker 7 (01:13:32):
But there's I there's yeah, yeah, your I'm like, I
need to clean that freage out. Yeah, I got a
lot of stuff to clean and get rid of before
you come home. You didn't even hear.

Speaker 17 (01:13:58):
What are you gonna do if I up?

Speaker 16 (01:14:01):
Hey?

Speaker 7 (01:14:01):
Did you know what I said? I said, there's a
lot of things I need to clean and get rid
of before you come home. Wow, I'm just fucking let's
try to make you think I have all secret?

Speaker 16 (01:14:20):
Yeah you do? What?

Speaker 14 (01:14:25):
What?

Speaker 7 (01:14:26):
What?

Speaker 1 (01:14:30):
The jail call takes a more intimate turn as Charlene
and Parker exchange flirtatious jokes and personal comments. Their candidness
reveals a level of comfort and emotional connection that aligns
more with a romantic relationship than a professional interaction. Charlene's
earlier attempts to downplay their connection seem increasingly implausible. The

(01:14:52):
light hearted tone of the call may feel harmless on
the surface, but it underscores the gravity of the allegations.
She is facing.

Speaker 8 (01:15:02):
What what could I possibly have?

Speaker 16 (01:15:06):
Like?

Speaker 14 (01:15:06):
What would don't know?

Speaker 17 (01:15:08):
You've probably got this weird sex swing hanging from the
ceiling and Canna Pine thinks it's a swing set.

Speaker 18 (01:15:15):
Oh, if I had that.

Speaker 7 (01:15:15):
Sex wing, you better believe I'd leave that sucker up
for you.

Speaker 14 (01:15:19):
Would you really you'll let me put you in it?

Speaker 9 (01:15:25):
Yeah, with a gag bar and everything.

Speaker 7 (01:15:32):
Yeah, baby, sure.

Speaker 9 (01:15:39):
You would let me put you in it.

Speaker 13 (01:15:41):
Yeah, I'd be mowing you down.

Speaker 17 (01:15:45):
And we look, we look out of the slide and
glass door. Do you have a slide and glass.

Speaker 15 (01:15:49):
Door that goes to the pack like a regular door?
The door, it's just a regular a double door.

Speaker 7 (01:15:58):
No, just one door.

Speaker 13 (01:16:03):
Does it have like the little blind thing that you
slide up and down to open it?

Speaker 6 (01:16:06):
Yeah?

Speaker 7 (01:16:07):
But Seph Leslie's little boy broke it, so I haven't
had a Yeah, Seth's broken.

Speaker 14 (01:16:18):
Have you talked to her Leslie?

Speaker 9 (01:16:21):
Yeah?

Speaker 14 (01:16:22):
Or bear or whatever?

Speaker 7 (01:16:28):
He changed his mind?

Speaker 16 (01:16:30):
Like, oh shocker, he changed his mind.

Speaker 7 (01:16:33):
That's literally what he told her. I changed her mind.
I don't want to be with you. I don't want
to work things out.

Speaker 9 (01:16:41):
He's gonna make it because he just has suicide thoughts.

Speaker 18 (01:16:45):
Huh huh, what'd you say?

Speaker 14 (01:16:48):
I said, he's gonna end.

Speaker 9 (01:16:49):
Up making that I have suicidal thoughts and to leave
her alone or fucking dish on.

Speaker 7 (01:16:54):
Yeah, that's what I told Leslie. Yeah, I like he's
just keeping you in this flimbo like.

Speaker 18 (01:17:00):
Yes, they want you, No, I don't want you. Yes,
I want you.

Speaker 7 (01:17:03):
No, I don't want you. I'm like, fuck that.

Speaker 1 (01:17:06):
Charlene shifts the conversation to her best friend, Leslie, discussing
her struggles with weight and a stressful relationship. Her empathetic
tone reflects a deep concern for her friend's well being,
revealing a more personal and compassionate side of her personality.
While this part of the conversation may seem unrelated, it
adds a layer of complexity to Charlene's character. Could this

(01:17:30):
compassion for others be what led her to cross professional boundaries,
or is she simply deflecting attention from her own actions?

Speaker 9 (01:17:39):
True?

Speaker 17 (01:17:41):
Does she write a big woman or what.

Speaker 7 (01:17:46):
Lesley? It's very short?

Speaker 18 (01:17:49):
So like.

Speaker 7 (01:17:51):
Leslie and I I think we almost weigh the same.
But she's very short. Like a short like her nine
year old daughter is almost as tall as her. Like,
she's short, so she looks really chunky. She looks weight
like if she was just like maybe like fix them
just taller, Like I don't feel like she would look

(01:18:12):
as chunky, but she's just really short, and so she
just wished all she can be Yeah, yeah she can
be really pretty. My ex boyfriend of seven years she
always thought Leslie was really pretty. Yeah, m hm, yeah,

(01:18:33):
he was always crushing on her. She's like, Lesbie's really pretty,
and I'm like, yeah, she's pretty. She's my best friend.
Of course I think she's pretty.

Speaker 9 (01:18:41):
Yeah.

Speaker 14 (01:18:43):
Yeah.

Speaker 7 (01:18:45):
Leslie has gained a lot of weight in the past
couple of years, but I think it's because of the
stress that Bear puts her in because she didn't used
to be like that.

Speaker 14 (01:19:00):
But I don't know, I could.

Speaker 19 (01:19:08):
I think that no matter what, you should always want
to be in some kind of good shape.

Speaker 13 (01:19:14):
You know, at least at least for your you know,
your spouse or.

Speaker 14 (01:19:18):
Whatever, you know what I mean.

Speaker 18 (01:19:20):
Yeah, And my mom was always like that.

Speaker 14 (01:19:22):
You let yourself go and get comfortable.

Speaker 7 (01:19:28):
Yeah. No, my mom was always like that, Like she'd
be in her pajama's all freaking day. But before my
dad got like an hour before my dad got home,
she did a shower, she'd do her hair, she'd do
her makeup. Yeah, Like, she made sure she didn't look
like rags whenever my dad got home. Like, she always
wanted to look nice for him. And I think it's

(01:19:49):
really important.

Speaker 18 (01:19:51):
I mean, you're stuck with me regardless, but.

Speaker 7 (01:19:58):
I just want you to look at me sometimes be like, Damn,
my woman's fine.

Speaker 14 (01:20:02):
Im why.

Speaker 1 (01:20:05):
Charlene reminisces about her mother, who always made an effort
to look presentable before her father came home. This anecdote
underscores her belief in maintaining appearances and respect in relationships.
Her tone is reflective, almost wistful, as if she's seeking
comfort in these memories. But within this reflection, Liza question

(01:20:26):
has Charlene been applying the same principle in her interactions
with Parker, blurring the lines between duty and desire?

Speaker 14 (01:20:36):
Super fine? Oh god, you are fine. M hmm, you're fine. Yeah, yeah,
fuck y'all.

Speaker 7 (01:20:55):
Fuck y'all.

Speaker 14 (01:21:02):
And you got a live ass fucking head game. Oh my.

Speaker 7 (01:21:14):
H it wasn't my best moment. So just trying to
get it done, and that don't even get me thinking
about that because it makes me so horny, like just
going back and thinking about yeah, oh yeah, yeah. I

(01:21:39):
mean you felt me always like soaking through my clothes.

Speaker 14 (01:21:44):
You're like, an, what does that word like when somebody
just always like can get horny like at that?

Speaker 7 (01:21:49):
I guess I guess, yeah, I get very horny, very easy,
Like I'm I always want to have that Like that's
not even huh not good. I mean I feel like
I just like look at someone, I'm like, oh my god,
I'm so fucking horry. No, like of course, like I

(01:22:10):
only get honey for you.

Speaker 1 (01:22:13):
As the call continues, Charlene and Parker delve into more
intimate and personal topics. Their conversation becomes deeply revealing, filled
with laughter, flirtation, and subtle admissions of affection. The emotional
depth in their words starkly contrasts Charlene's earlier claims of
a platonic relationship. This call, full of vulnerability and connection,

(01:22:35):
feels like the smoking gun in a case where every
detail matters. Charlene's voice may carry warmth, but each word
pushes her further into the shadow of doubt. Is this
the moment where her carefully constructed defense begins to unravel.

Speaker 7 (01:22:52):
Yeah, I'm not just like, oh my god, look I
just saw someone's dick. Ho no like for you, but like,
oh my god, it's.

Speaker 14 (01:23:05):
Like a yeah mm hmmm.

Speaker 15 (01:23:11):
H Jonathan never make it back today.

Speaker 7 (01:23:17):
No, he said he's gonna. He said yesterday that he
would let me know whenever he was on his way
back so he could plan our trip.

Speaker 15 (01:23:25):
But yeah, I said he ain't getting cold feet?

Speaker 14 (01:23:31):
Is he?

Speaker 18 (01:23:32):
I don't know.

Speaker 7 (01:23:34):
Tomorrow, but I'll check him tomorrow. I want to like
be on top of him and make him feel like
he has to answer to me. I mean, he's an.

Speaker 18 (01:23:40):
Adult, but.

Speaker 13 (01:23:42):
He sounds young than a motherfucker.

Speaker 7 (01:23:46):
Oh no, No, he's really over eight really mm hmm.
It's a big time.

Speaker 16 (01:23:59):
Oh really mm hmm.

Speaker 14 (01:24:03):
Like I took him like being like this really skinny.

Speaker 6 (01:24:06):
Uh.

Speaker 9 (01:24:14):
I pictured him looking like Dexter's laboratory kind of.

Speaker 7 (01:24:18):
No, he's big and he has really long, curly hair,
and he has a puby looking beard and it's so disgusting.

Speaker 9 (01:24:34):
Yeah, well it's his it's his wife, right.

Speaker 1 (01:24:38):
The conversation takes a humorous turn as Charlene and Parker
share their opinions on the people around them, Peppering their
dialogue with lighthearted, sometimes sarcastic comments. Charlene paints vivid pictures
of her impressions, showing her sharp wit and comfort. In
this exchange. The relaxed tone between them underscores their familiarity,

(01:25:00):
revealing a closeness that feels at odds with the formal
boundaries expected in her role. The banter may seem harmless,
but it adds another layer of intimacy to their relationship,
which continues to raise questions about the nature of their connection.

Speaker 18 (01:25:18):
No, she looks like what's.

Speaker 7 (01:25:23):
You know, the minion the dye, the dye where he's
really top heavy and then really skinny at the bottom.

Speaker 14 (01:25:29):
That's what his girl looks like.

Speaker 7 (01:25:33):
She's super top heavy, like huge muffin top like and yeah, yeah,
she looks like a cannabiscus that just halfway busted open
top part.

Speaker 13 (01:25:54):
She's thinking about you.

Speaker 15 (01:25:57):
Hello, she's crazy, you know, thinking that they're just sexy.

Speaker 13 (01:26:07):
M when they or not.

Speaker 7 (01:26:11):
No, I don't know. I was just glad whenever he
decided to leave his old girlfriend because that bitch had
like eight kids. And yeah, and my cousin Jonathan always
wanted a family and kids, and she had already tighter toobe,
so he would never have kids of his own. Who
hauld just always have them? And yeah, he is so sweet,

(01:26:37):
like he is so good to his women. He is like,
seriously like the best dad. He takes his daughter with
him everywhere he goes.

Speaker 13 (01:26:50):
He talked about his own daughter.

Speaker 7 (01:26:53):
Yeah, yeah, I'm telling you he practically raised him. You know,
his daughter just loves him to death. He takes her
everywhere he goes, Every single place he goes, he takes
his daughter.

Speaker 1 (01:27:12):
Charlene recounts stories about a family member, highlighting his devotion
to his children. Her admiration for these qualities adds warmth
to the conversation, offering a glimpse into her values and
emotional depth. Yet, beneath this seemingly innocent discussion, there's an
undercurrent of something more significant. The bond between Charlene and

(01:27:32):
Parker appears increasingly strong as they share personal anecdotes. The
emotional closeness between them becomes undeniable, casting doubt on Charlene's
earlier denials of any impropriety.

Speaker 17 (01:27:46):
Yeah, hop, pully be.

Speaker 16 (01:27:51):
Shit, I have not what she just said. You're like, Oh,
how I do it.

Speaker 13 (01:28:06):
I said, I'm probably not gonna go to work in
the morning either. I'll probably take one more day off
and I'm go ahead the next the next day.

Speaker 18 (01:28:12):
Have you ever seen the.

Speaker 7 (01:28:14):
Oshead?

Speaker 16 (01:28:15):
Do you said?

Speaker 13 (01:28:17):
Saturday?

Speaker 9 (01:28:19):
Oh?

Speaker 18 (01:28:21):
Have you seen the movie Bridesmaids?

Speaker 14 (01:28:24):
Oh?

Speaker 13 (01:28:25):
I don't know?

Speaker 10 (01:28:28):
It is?

Speaker 18 (01:28:29):
So that's what I was watching right now waiting for
you to call me. So funny.

Speaker 7 (01:28:37):
It was like cracking up.

Speaker 17 (01:28:39):
Is it the movie where those two dudes trying to find.

Speaker 7 (01:28:44):
No, Like, no, it's about girl getting married and her bridesmaids.
But it is so funny. There's just one part where
they all go, Uh, the maid of honor is like

(01:29:05):
really poor and she doesn't have a lot of money,
so and she drives like this oh beat up car.
But she's the maid of honor, right, she's the bride's
best friend. Well, there's this other ladies who's like really written,
another bridesmaid of hers who's like really rich and like
is always competing and like making it seem like she's
really the best friend. So the Maid of Honor, it's like, Oh,

(01:29:28):
we're gonna go to this great place. It's so delicious.
You know, we're all gonna go eat, and then they
pull up to like this little hole in the wall,
like you know, restaurant, and they're like, uh, you know,
this other bridemaid is like all foujie, so she's like,
what the hell.

Speaker 18 (01:29:44):
Is this place?

Speaker 7 (01:29:45):
So anyways, they all eat like the meat, like the
food there, and then they go try on bridesmaid's dresses.

Speaker 1 (01:29:53):
The mood lightens further as Charlene talks about the movie
Bridesmaids she's been watching. Her animated description of a hilarious
scene reveals a playful and carefree side of her personality.
This moment of levity contrasts sharply with the gravity of
the situation she's in, offering a temporary escape from reality.
But even in these lighthearted exchanges, the ease and intimacy

(01:30:17):
of her relationship with Parker shine through, painting a picture
of a connection far deeper than Charlene might admit.

Speaker 7 (01:30:25):
And then they all got like food poisoning, and so
they're all in like these dresses, like they each have
like a different dress on.

Speaker 18 (01:30:33):
And then when Lady's like.

Speaker 7 (01:30:36):
Like she's like, oh God, and she's like they all
start like getting sick from their stomach and then they
only have like one bathroom like in that little like
like dress boutique, like wedding dress plates, and so one
girl like runs to the bathroom throws up in a toilet,
but then then there's another fat girl there. She's like,

(01:30:57):
you off the toilet, get off the toilet, and then
she hands up like sitting on the sink.

Speaker 18 (01:31:02):
And then another girl comes in behind her and.

Speaker 7 (01:31:05):
Tries to throw up in toilet but throws up on
the top of the girl's head.

Speaker 15 (01:31:09):
Just it's so it's just.

Speaker 7 (01:31:12):
So funny because they're all sweating and they're like their
stomachs are like wow. And then the fat girl she
made like she farted or burned or something. The bride
is like, oh, you know, make this boy like what
the hell? She's like, honestly, I don't know if that
came out to the top and through the bottom.

Speaker 18 (01:31:29):
I just don't know. It's so funny.

Speaker 7 (01:31:35):
We have to watch it. It's hilarrious and.

Speaker 18 (01:31:38):
Huh crazy, so funny, like I don't even know that
came out to the top of the bottom.

Speaker 7 (01:31:50):
It's choking over here. I love it and love your baby.
You're my face great?

Speaker 18 (01:32:01):
Did you laugh? No?

Speaker 13 (01:32:02):
One didn't laugh?

Speaker 18 (01:32:04):
Well that what do you think it's not like you
sneeze or went or something.

Speaker 1 (01:32:14):
The conversation turns affectionate as Charlene and Parker discuss her
mischievous dog Jack. Their playful banter about who Jack loves
more reveals a tender side to their relationship, filled with
mutual teasing and shared affection. Charlene's laughter and Parker's soft
responses hint at a dynamic that goes beyond casual friendship.

(01:32:35):
These moments of vulnerability and warmth bring their bond into
sharper focus, leaving little doubt about the depth of their
emotional attachment.

Speaker 7 (01:32:45):
In my favorite, You're my favorite in the whole world, babe, babe,
is Jack's gonna die?

Speaker 18 (01:32:54):
No, it's what happened.

Speaker 14 (01:32:57):
I don't know.

Speaker 13 (01:32:57):
He just he was sick for something or something.

Speaker 9 (01:33:00):
He's good now.

Speaker 14 (01:33:01):
He ate turn the fish today.

Speaker 17 (01:33:04):
He ate a hamburger.

Speaker 7 (01:33:08):
That's why that dog gets sick.

Speaker 18 (01:33:10):
Yeah, he ate a stone and a water bottle.

Speaker 7 (01:33:15):
Control all your mama's shoes.

Speaker 13 (01:33:18):
That's That's really why I've been calling my mama like that,
because I've been checking on him. But he's good.

Speaker 7 (01:33:25):
Oh my god, I was so sad.

Speaker 18 (01:33:27):
Oh that dog drives me crazy. Always doing some ship.

Speaker 7 (01:33:31):
He's not supposed to, but I care.

Speaker 11 (01:33:34):
Yes I did.

Speaker 18 (01:33:37):
Jack loves me, babe.

Speaker 15 (01:33:39):
He loves I don't know.

Speaker 7 (01:33:43):
We'll see about that when you get out, because I'm
pretty sure.

Speaker 16 (01:33:46):
What I know.

Speaker 7 (01:33:49):
He loves you, but he loves me. Every time I
sit on the couch, he's always like, he always wants
to get on the couch with me and lays on
my leg.

Speaker 13 (01:34:01):
And he jumps like he's six month old.

Speaker 7 (01:34:06):
Yeah, you have one that had left.

Speaker 1 (01:34:15):
As the call winds down, the tone shifts to one
of heartfelt sentiment. Charlene and Parker exchange tender good nights,
with Parker reminding her to lock her front door, a
gesture of care and protectiveness. This intimate farewell serves as
the final note in a call brimming with affection. Every word,
every laugh, every pause in their conversation builds a narrative

(01:34:37):
of a relationship that feels deeply personal. While the words
themselves may seem ordinary, the emotions they carry speak volumes
about the closeness between them.

Speaker 7 (01:34:49):
Lovely times three, A lovely times three? Sleep good baby,
okay mm hmm, Yeah, I was remembering if I lost it,

(01:35:12):
and yes I did lock it?

Speaker 13 (01:35:14):
About me.

Speaker 7 (01:35:20):
I don't have to dream about you because you're real.

Speaker 15 (01:35:23):
Oh my god, that was a good one that.

Speaker 7 (01:35:32):
I love you by.

Speaker 18 (01:35:35):
The caller has hung up.

Speaker 1 (01:35:36):
With undeniable evidence, this story extends beyond mere testimony, raising
profound questions about ethics and responsibility in the workplace. He
will face serious charges for inappropriate behavior with an inmate,
potentially leading to years of imprisonment or additional penalties under
the law. This is a powerful reminder of the importance

(01:35:58):
of maintaining boundaries and professional ethics. We hope this story
makes you reflect on the consequences of poor choices. Share
your thoughts in the comments below. What punishment do you
think fits this situation. Don't forget to hit the subscribe
button to stay updated on future stories and enjoy exclusive
perks from us. Thank you for watching.

All Episodes

Female Officer’s Forbidden Affair with Prisoner – Shocking Scandal Exposed

Episode Transcript

Popular Podcasts

On Purpose with Jay Shetty

Stuff You Should Know

The Joe Rogan Experience

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Female Officer’s Forbidden Affair with Prisoner – Shocking Scandal Exposed