May 6, 2025 • 30 mins
An anthology that offers a variety of stories, each episode transporting listeners to different settings and situations, showcasing the versatility of radio storytelling.
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Episode Transcript
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Speaker 1 (00:35):
The Chicago Motor Club resents the Wayside Theater. Good evening,
Ladies and gentlemen, The Chicago Motor Clubs Wayside Theater welcomes
you to another half hour of dramatic entertainment each Sunday evening.
(00:59):
At this same hour, enthusiastic playgers gather around their radios
to enjoy comedy or drama, mystery or romance. Tonight's play
Love Goes to Night School was written by Addison Simmonds
and presents a theme of world wide interest whether you
live in Paris, France or Paris, Illinois. And while we're
(01:20):
on geography, you might like to know that the Chicago
Motor Club gives its members a worldwide service. That's what
those three important initials on your membership cards stand for.
Speaker 2 (01:31):
A A A.
Speaker 1 (01:33):
American Automobile Association, and the Chicago Motor Club is the
club and the only club in this territory affiliated with
the American Automobile Association. But this is only one reason
why every motorist should read the club's absorbing free booklet,
spend Less to own and drive your car, Just send
(01:54):
your name and address to the Chicago Motor Club, Chicago
or its nearest branch office or call Franklin one eight
one eight, And now, ladies and gentlemen, we give you
the first act of love goes to night school. Well, well,
(02:34):
good evening, Bill, I'm glad to see you. Come in,
Come in evening with a Fairs Louise ready. No, no, Bill, No,
she isn't here. Isn't here? Why I had a date
with her? It's Saturday, isn't it. She said she'd be
ready at eight. That's what I'm sorry. Sit down, I'm
disgusted and having your difficulties with her lately. Difficulties. Listen,
(02:59):
mister Fairs. She got stubborn her every day. Ell, what
is it this night school business? Yeah, I might as
well be engaged to the Board of Education. I work daytime,
she works at night. And if I want to see her,
I have to go down to the slums, hang around
the classes out. Then I have to rescue her from
those hoboys hers and Saturday comes and just stands me up. Yeah.
(03:21):
Well but Bill, I'm sick and tired of it. We
got engaged because we expected to be married. Now she
hangs onto her career.
Speaker 3 (03:29):
Well, why don't you have a little talk with her
about it?
Speaker 1 (03:32):
Mister Pierce, I've talked my hands off. I've even drawn
diagrams to prove my case. She won't listen to reason.
Speaker 3 (03:39):
Uh yeah, yeah, I know, Bill. Her mother was sort
of the same way, but I usually got around her somehow.
Speaker 1 (03:47):
Well, how do you suggest I got around Louise on
this problem.
Speaker 3 (03:51):
Let's see, let's see. You know, Aliam, you might sort
of sweep her off her feet. Well, how do you mean, well,
just in say getting married right away, say tomorrow, tonight
at once, just to take her breath away.
Speaker 1 (04:07):
Well, I could try it if I ever get to
see her.
Speaker 3 (04:10):
Hello, here she is.
Speaker 1 (04:13):
Now's your chance. Now I'm going to beat it in
just a few minutes.
Speaker 4 (04:16):
Thanks, Hello, Bill, old thing.
Speaker 1 (04:19):
You know you're late.
Speaker 4 (04:21):
Oh now, pull in the long nose, dear. I couldn't
help it.
Speaker 5 (04:24):
I was busy forgive and forget kiss a girl, all right.
Speaker 1 (04:28):
She devil. I'll kiss you, forgive you, forget you there.
Speaker 4 (04:34):
That was nice, Bill.
Speaker 5 (04:35):
But if you forget me, I'll tear your eyes out,
I will say.
Speaker 3 (04:38):
If you folks don't mind, I'm gonna run along now
I've got some work to do.
Speaker 1 (04:43):
Good night, you love, good night, mister Pears.
Speaker 5 (04:48):
Well, Bill, I really am sorry to be late. I
had to appear before the school board with a.
Speaker 1 (04:53):
Report, and gush, Louise, can't they even give you your
night off off?
Speaker 4 (04:57):
What do you mean night off off? One of my
pupils said that i'd stand in the corner as well.
Speaker 1 (05:03):
I'm not one of your pupils. Now, look, Louise, we
were going to the theater. You were to be ready
by eight o'clock and it's after eight. Now.
Speaker 4 (05:08):
Oh, who cares about the old theater?
Speaker 6 (05:10):
Well?
Speaker 1 (05:10):
I do?
Speaker 5 (05:11):
Oh very well. You sit tight and I'll get dressed
in a hurry and we'll dash out. We won't miss much.
Speaker 1 (05:16):
No, no, just the first act, Louise. I don't want
you to go and get dressed. I want to talk
to you.
Speaker 4 (05:22):
Which is it, Bill? Do we go or don't?
Speaker 1 (05:24):
We don't?
Speaker 4 (05:25):
Very well, let's sit down then. Now what's all this
big talk about.
Speaker 1 (05:31):
It's about you and me.
Speaker 4 (05:33):
It's nice.
Speaker 1 (05:34):
I look at Louise. We're engaged to be married, aren't we? Oh?
Speaker 4 (05:37):
I hope so?
Speaker 1 (05:38):
Bill?
Speaker 4 (05:38):
If we aren't, you gave me this ring under false pretenses.
Speaker 1 (05:41):
All right, quit the kidding, Louise. I want you to
marry me right away tomorrow morning.
Speaker 4 (05:47):
Bill, are you're a joking.
Speaker 1 (05:49):
I am not question.
Speaker 4 (05:51):
I've got a whole school year ahead of me.
Speaker 1 (05:53):
Quit the school. Is that night school more important than
I am?
Speaker 4 (05:56):
I wish you wouldn't put it that way.
Speaker 1 (05:57):
Bill, Now listen hear Louise. I am telling you I
want you to quit that job now.
Speaker 4 (06:01):
I won't do it, Bill, and you aren't telling you
to do anything.
Speaker 1 (06:04):
Oh so you're all more interested in your cheesy night
school than you are and me.
Speaker 5 (06:07):
Oh right, if you want to fight than I am,
I thought so. Yes, And what's more, I'll keep right
on with my cheesy night school as long as I please.
Speaker 4 (06:14):
And it isn't a cheesy night school, Yes it.
Speaker 1 (06:16):
Is, No, it is, Yes it is. You've got a
lot of grown up bums and think they're getting an
education after working hours foroy.
Speaker 4 (06:21):
You can't say that, Bill.
Speaker 1 (06:23):
Yes I can fory foroy poy boy, Bill.
Speaker 5 (06:26):
Warner, you've said enough here here take your ring. I
don't want you and I through through.
Speaker 1 (06:32):
Louise. Do you mean that? Yes? Well, what do you
know about that busted up by a night school? Well,
I'll tell you what I'll do. Turn thembout's fair play.
I'll do a little busting up myself I'll bust up
that night school.
Speaker 4 (06:47):
You sound just a little bit crazy and I'm not
listening to.
Speaker 1 (06:50):
Well, you will get a good chance to I'll be
in that sweet smelling class of yours on Monday night
and you can just get ready for a riot. That's
what you can do.
Speaker 4 (06:58):
Oh is that so well?
Speaker 5 (06:59):
Now that we're talking nonsense, Good night, my hot air friend,
I don't want to talk with you anymore.
Speaker 1 (07:04):
Hot Air. Huh, you'll see. I'll be there in person
in the.
Speaker 4 (07:09):
Place hot air, Bill, hot is We'll see.
Speaker 1 (07:12):
If it's hot air, I've got enough drag around this town.
Get placed in that class of yours, and I'll be
there Monday night with bells on. So get the lessons ready. Teacher,
you're gonna need him.
Speaker 4 (07:21):
Bill.
Speaker 5 (07:21):
If you're going to be nasty, I'll say goodnight. You
see that opening in the wall, it's the door.
Speaker 4 (07:27):
Why don't you use it?
Speaker 1 (07:28):
All right? I will good night teacher.
Speaker 4 (07:31):
Good night, Bill Darling, good night.
Speaker 7 (07:36):
Why are you?
Speaker 1 (07:47):
The first act of love goes to night School comes
to a close attention motorists. Do you know that a
membership in the Chicago Motor Club includes a personal exident
policy at no extra cost? It's a fact that policy
provides a benefit of one thousand dollars the first year.
(08:08):
With each year's membership renewal, it increases in value until
in its sixth year it's worth fifteen hundred dollars. It
also provides for payment if the member is struck by
a car while walking or killed while in an automobile
driven by another. Just think what it means for members
to have the security, peace of mind, and protection assured
(08:28):
by that generous personal accident policy without extra cost. A
thousand or fifteen hundred dollars can come in mighty handy
when unexpected tragedy leaves us in desperate need of every
dollar we can possibly scrape together. Surely you'll be interested
in learning more about the Chicago Motor Club's twenty six
remarkable benefits to seventy five thousand member families and why
(08:52):
those fortunate folks actually spend less to own and drive
their cars. Well, here's your opportunity to find out it's
all about those interesting facts. Just write or form the
club and request your free booklet. That's all you have
to do, And just to make certain that nothing delays
you in taking quick advantage of the club's free offer.
(09:13):
We're going to present a sure and convenient way for
you to ask for that free booklet. This very evening,
between the second and third acts of tonight's play, we're
going to substitute a musical intermission in place of our
regular announcement. Just music, not a word about the club services.
You'll have plenty of time to pick up the phone
and call Franklin one eight one eight, or to write
(09:37):
down your name and address and have it all ready
to mail to the Chicago Motor Club, Chicago or its
nearest branch office. Now, the second act of Love goes
(10:06):
to night school.
Speaker 5 (10:31):
Mister O'Reilly, will you come here please?
Speaker 2 (10:34):
I'm coming.
Speaker 1 (10:36):
You want me, ma'am?
Speaker 4 (10:37):
Yes, sir, would you do a favor for me?
Speaker 2 (10:39):
Toug game, ma'am, I do mourner for you.
Speaker 4 (10:43):
Well, it isn't murder, I want Tug.
Speaker 2 (10:45):
Well, I know it ain't. Well, just the same, I
do it.
Speaker 4 (10:48):
Well, that's very nice of you, But this job is
a little less than murder.
Speaker 1 (10:52):
Just name it, ma'am.
Speaker 4 (10:53):
Tug.
Speaker 5 (10:54):
There's a man coming here tonight, and I'm afraid he's
going to make trouble in the class.
Speaker 1 (10:58):
Oh yeah, just let him try.
Speaker 5 (11:01):
Well, if he does come, and if he does make trouble,
I want you to put him out.
Speaker 4 (11:05):
You're so big and strong.
Speaker 5 (11:07):
Oh, but I don't want you to hurt him.
Speaker 4 (11:12):
Mind just put him out.
Speaker 2 (11:13):
Anything you say, ma'am.
Speaker 5 (11:15):
Thanks Tug Now now listen, I don't want you to
do anything, not a thing until I say the word.
Speaker 4 (11:20):
Is that clear?
Speaker 6 (11:21):
Clearest windshield on me truck, ma'am. I don't do nothing
until you gives me the wine.
Speaker 4 (11:25):
That's fine, Tug. Now, please go to your seat.
Speaker 2 (11:28):
Yes, ma'am is fierce or for your boy. Just let
that guy come.
Speaker 4 (11:33):
The class will come to order. Eames Brown, will you
please close the door?
Speaker 8 (11:38):
He yes, I'll close. Dog. I think he'd come to
nine school on the closed door. I say, yes, ma'am.
Speaker 1 (11:51):
I'm fair here. Now you can't shut that door on
my face. I have belong to this class.
Speaker 8 (11:57):
Yes, would Dog let him in?
Speaker 4 (11:59):
Please? Aim, he's our new student.
Speaker 1 (12:02):
Thank you evening teacher. Here, I brought you a nice
big rosy apple. There you are that guys are sissy.
I'll fight the gentleman that said that. You will.
Speaker 5 (12:15):
Hey, we'll just step outside, mister o'reiley please and you
you take that seat in the front row.
Speaker 4 (12:21):
And be quiet.
Speaker 1 (12:22):
Yauser, I'm seated. Teacher.
Speaker 4 (12:25):
You will please say yes ma'am when you address me, Yes.
Speaker 1 (12:28):
Ma'am, yauser fight jan make me.
Speaker 4 (12:32):
Mister o'reiley please, mister mister you sit down.
Speaker 1 (12:37):
Yes, teacher, R'm down.
Speaker 4 (12:39):
Now let's get on with our lesson.
Speaker 5 (12:41):
I'm sorry to say, class that some of us are
still very weak in the simplest of mathematics.
Speaker 4 (12:47):
For that reason, we must start at the beginning again.
Charlie Wong. Yes, please, I'm me here, mister Wang. Something
very easy for you. Now. How much is two and two.
Speaker 5 (13:03):
Two to.
Speaker 9 (13:05):
Dan two or two? I know, Missy please may not
know how much.
Speaker 4 (13:17):
Well. Think of it this way.
Speaker 5 (13:19):
I suppose someone brought two shirts into your laundry and.
Speaker 9 (13:22):
Two more shirts.
Speaker 4 (13:24):
How many shirts would you have?
Speaker 6 (13:27):
Me?
Speaker 9 (13:27):
Me got only one shirt?
Speaker 8 (13:30):
This shirt here? You see that's very clever.
Speaker 4 (13:34):
Mister Warner. Please look, mister one.
Speaker 5 (13:38):
What I mean is if a man brought two shirts
and two more shirts into your laundry, how many.
Speaker 4 (13:45):
Would he bring?
Speaker 8 (13:47):
How many he got? Missy?
Speaker 4 (13:50):
He has two shirts and two more shirts?
Speaker 8 (13:54):
Now, very many shirts? Huh, one man?
Speaker 4 (13:59):
How many would it? See, mister Wang? Two shirts and
two shirts?
Speaker 8 (14:04):
Ah? I have missy, missy for shot.
Speaker 4 (14:07):
Good and now let's take it just playing? How much
is too and two?
Speaker 9 (14:14):
Two and two? Aha?
Speaker 4 (14:22):
Me?
Speaker 9 (14:22):
No, missy to to for shirt, Charlie.
Speaker 4 (14:28):
Mister Wanner, kindly control yourself.
Speaker 5 (14:31):
Yes, yes, I'll try now, mister Wang without the shirts?
Speaker 4 (14:35):
Two and two?
Speaker 1 (14:37):
Is?
Speaker 4 (14:37):
How much is that the shirt?
Speaker 8 (14:40):
Missy? Uh? Without the shirt? Why are you crazy?
Speaker 5 (14:46):
To do?
Speaker 2 (14:46):
Nothing?
Speaker 4 (14:49):
Got mister Warner. Mister Wang, I'm sorry, but you'd better
stay after class.
Speaker 1 (14:55):
Yes, please, you mistake? Excuse me, teacher, but just how
much is two and two? Anyhow? Fight?
Speaker 6 (15:01):
Joan?
Speaker 1 (15:02):
Wise guy? You know how much? Jew and Joe? Nobody
asked you, leather lip. You ain't calling me a.
Speaker 4 (15:07):
Letther mister O'Reilly?
Speaker 2 (15:09):
Please you want mister ryle question?
Speaker 1 (15:11):
Pat Well, I'm waiting now stop. What's a two? Guy?
Why you're not shut up your face? I'm not come
here for to have fights. You want to fight? So
you go home, you fight with your wife. That's like
I do. I come here for the final edumacation.
Speaker 2 (15:24):
I don't like in the fights.
Speaker 5 (15:25):
Now, boy Tony, you dell come now, let's get on
with your lessons.
Speaker 1 (15:29):
Let's together. You shut off your face, You and me too,
you get a wise guy with me. We started making
a fooling around with you. I'm gonna fight Johnny.
Speaker 4 (15:35):
Mister Coppello, please behave yourself.
Speaker 1 (15:39):
But he's gotta keep a shut up too. Who do
you think he is? My wife?
Speaker 4 (15:42):
A trouble maker, mister Coppello, Pay attention.
Speaker 5 (15:45):
I asked each of you last time to find a
poem and learn it. Now stand up and recite your.
Speaker 1 (15:52):
So Let me see what does she is? Oh? Yes,
shees a good like it is meanie miney more you
mean nose or not?
Speaker 5 (16:01):
It?
Speaker 1 (16:01):
I tell you trouble you push your once in my fat.
You're doing to swell Tony, keep it up, mister teacher, police.
Speaker 4 (16:07):
It, mister Wanner, will you kindly stop interrupting?
Speaker 2 (16:09):
Oh sure, teacher, Sure go on, Tony, sure, I go on.
Speaker 1 (16:14):
Let me see us. She's a goalectee the boy. She's
a stand on the burning of deck. We leave ships
to blow their horns unless a poor boy he cannot
move the heat. She's a popped his corn.
Speaker 4 (16:29):
What's the matter?
Speaker 1 (16:30):
Please you tell me? Why not find the one I learn? Whatsameta?
That's not a good one, that's.
Speaker 7 (16:35):
A wild.
Speaker 4 (16:37):
Why?
Speaker 5 (16:38):
I don't want any of this noise, she's a popped
his corns.
Speaker 1 (16:42):
Swell stop Tony, Hey, you talk a swell pipe, but
you don't do anything about it. You are afraid, are you?
I ain't afraid, And no, Boddy Well, I think you are.
And your teacher's pet two. I don't murder you.
Speaker 4 (16:55):
Chuck Heaven takes it down.
Speaker 1 (16:56):
Well, he can't talk to me like that.
Speaker 4 (16:58):
You behave yourself now.
Speaker 1 (17:00):
Alright Miss Adam boy tugs he do.
Speaker 5 (17:02):
His teacher says, Look, tug, suppose you recite what poem?
Speaker 4 (17:07):
Have you picked out?
Speaker 1 (17:09):
What I don't want to reshite?
Speaker 4 (17:12):
Come? No tug?
Speaker 1 (17:15):
All right, but if that guy makes fun.
Speaker 4 (17:18):
Of me, nobody's going to make fun of you. I've
had all of that. I'm going to stand for Please
begin tug.
Speaker 6 (17:25):
Well it goes like this. M Roses is red hot dog.
Speaker 1 (17:32):
That's poetry for you, while the chess blue up and
kisses you big sissy.
Speaker 6 (17:37):
What none of them flowers as pretty as you?
Speaker 1 (17:40):
You big Bye ain't gonna stand for this.
Speaker 2 (17:43):
Let me at him, Miss Pierces.
Speaker 4 (17:46):
Can I throw yes, tug, I think you'd better for
the good of as ault.
Speaker 10 (17:50):
Yes, ma'am. No, you'll catch it. Miss stay away from
me dog. Now it's my trying to recite. Stay away.
You'll do your recite, not stay away from me. Man Mountain,
I show you coming, you lego, let go on me.
Speaker 1 (18:06):
You won't you nothing.
Speaker 2 (18:07):
It's the bumps rush for you to push.
Speaker 1 (18:10):
Your bodies the trouble.
Speaker 5 (18:11):
Man.
Speaker 8 (18:11):
You don't go, hos.
Speaker 10 (18:15):
You let go my next ain't letting go with your
neck not the City of pens TOI You're out, mister
and kicking and holler.
Speaker 2 (18:22):
Ain't going to do you?
Speaker 1 (18:23):
I said, tugged you.
Speaker 6 (18:24):
Open the door somebody for I'll fix you.
Speaker 1 (18:28):
Don't miss you can't get away with this. I'll come
bout your.
Speaker 2 (18:31):
Go wise guy one, two, three and out. Now, gentlemen,
I thank you for the applause.
Speaker 1 (19:03):
The second act of Love goes to night School comes
to a close. And now, ladies and gentlemen, we're going
to present an unusual and convenient idea, one that's bound
to interest you because it means money in the pocket
of every motorist. As any Chicago Motor Club member will
tell you, the Chicago Motor Club is absolutely certain that
(19:23):
you'll be interested in the money saving information contained in
its free booklet, So certain, in fact, that we're giving
you at this time a two minute musical intermission in
which to ask for your copy. Now while the orchestra plays,
just pick up the phone and call Franklin one eight
one eight, or take this time to write your name
and address on a penny postcard or a piece of
(19:44):
paper and have it all ready to mail to the club.
Here we go, friends, a musical intermission, while you call
Franklin one eight one eight for your free booklet, and
then we'll be all ready for the third act of
tonight's play. You young, you know, And now the third
(22:20):
act of love goes to night school.
Speaker 4 (22:34):
Good evening, Tug, Good evening, ma'am Tug.
Speaker 5 (22:37):
I want to thank you for the masterful job you
did last night putting mister Warner out. You did it
very skillfully without hurting anything except his feelings.
Speaker 6 (22:46):
For nothing, ma'am, I am an exploited things like that.
Anytime anybody gets fresh with yours, just leaving.
Speaker 1 (22:53):
A me man.
Speaker 4 (22:54):
Thanks, thanks, Tug. I'm sure it won't happen again.
Speaker 6 (22:58):
Well, if it does, I'll be easy or I'll be
tough with him, just.
Speaker 1 (23:02):
Like you say.
Speaker 6 (23:03):
Just so, it's only me the insults. But if they
ever insult you, ma'am. Here I'll show you what I'll do.
Speaker 4 (23:10):
Doug, put that gun away? What do you mean by
carrying that thing around?
Speaker 2 (23:14):
It's all right, mass I get a license for it.
Speaker 4 (23:17):
Well, don't show it around here.
Speaker 2 (23:20):
All right, ma'am. Anything you say anything?
Speaker 1 (23:24):
Good?
Speaker 2 (23:24):
Now go to your seat, Yes, ma'am.
Speaker 4 (23:27):
Like a flash, ma'am, the class will come to order. Now,
just a word about what happened last night.
Speaker 5 (23:36):
Of course, there'll be no more of that, but we
lost some time and we must make it up. Now
we'll go on with the poetry recitations. Close the door, please, amos, Ye.
Speaker 8 (23:46):
Close, ma'am.
Speaker 1 (23:47):
I'll close just a minute, Amos, just a minute. Let
me in what don't go in again? He's in again.
Good evening, teacher. I've brought you a nice bouquet of roses.
There you are. I don't thank me. It's just a
little token. Shit down mug. Oh you want a rose
to do you? Well? Hear you? Why tugs eat catch roses?
(24:09):
Is red? I forgot to bring violence? Tug? Why your
mug order?
Speaker 4 (24:13):
Please?
Speaker 5 (24:13):
Tug?
Speaker 4 (24:14):
You take your.
Speaker 1 (24:16):
Seat, certainly, teacher. What's on the bill of fair for tonight?
Speaker 4 (24:21):
Class? Let's get on with the poetry assignments.
Speaker 1 (24:25):
I'll call I'm not one, teacher. Tobacco is a dirty weed.
I like it. It's satisfy as no normal needs. I
like it. It makes your thin, it makes you lean,
it takes the hair right off your bean. It's the
worst blame stuff I've ever seen. I like it.
Speaker 6 (24:40):
Shit down, man till you called on a shut up muggle.
Speaker 1 (24:43):
You're called on. You can't talk that way to order?
Speaker 4 (24:47):
Please just a warner, sit down.
Speaker 1 (24:49):
Did you like my poetry, ma'am?
Speaker 4 (24:51):
No, I didn't. That's not the kind of poetry we
want in this class.
Speaker 1 (24:55):
Well I've got another.
Speaker 4 (24:56):
It goes all right, teacher, Amos wrong?
Speaker 5 (25:00):
Yeah, please stand up and recite your poemy.
Speaker 8 (25:04):
Yeah, there's a half.
Speaker 4 (25:06):
Do man, yes, Amos rise please right?
Speaker 8 (25:10):
Please?
Speaker 1 (25:10):
Yeah?
Speaker 8 (25:11):
Well can it?
Speaker 6 (25:12):
Can?
Speaker 8 (25:12):
I recy sitting down, ma'am?
Speaker 1 (25:14):
Come on, aamus, stand up with teacher olay mm.
Speaker 8 (25:21):
I stand.
Speaker 4 (25:23):
Well, I'll recite.
Speaker 11 (25:25):
Uh that I gotta do it, man, yes, Amos, Yes
he can.
Speaker 4 (25:32):
I've I've hear kind of foolish though.
Speaker 8 (25:35):
I I ain't no portry fellas.
Speaker 9 (25:38):
Oh alright man here kids.
Speaker 11 (25:42):
Uh, I have a little shadow that goes in and
out with me. And what can be the use of
him is morenocking.
Speaker 8 (25:53):
See he is very very as he something mother.
Speaker 4 (26:02):
Man speak up, Amos, go ma'am.
Speaker 8 (26:05):
I don't forget it. I don't know anymore.
Speaker 1 (26:09):
Uh.
Speaker 11 (26:10):
Maybe that gentleman now he knows the much.
Speaker 8 (26:12):
Maybe he knows.
Speaker 1 (26:14):
Yes, Samos, I think I do.
Speaker 4 (26:15):
It goes like this and no one asked you how
it went?
Speaker 1 (26:18):
Oh, yes, Amos did, didn't you? Amos?
Speaker 4 (26:20):
Yeah? Well I don't know why, Amos. Sit down, mister Warner.
Speaker 5 (26:25):
If you see fit to misbehave like a small child,
I'll have to treat you like one.
Speaker 4 (26:30):
Go stand in that corner, but I won't.
Speaker 2 (26:33):
Don't.
Speaker 1 (26:34):
I'm very comfortable right here. You know, darling, there are
certain things I won't let you get away with.
Speaker 6 (26:39):
What should you can't talk like that to teach your mug.
You'll be polite, but I'm polite. I'm very polite.
Speaker 2 (26:45):
Well, go on and stand in the corner like get
you old.
Speaker 1 (26:47):
Wouldn't you like to come and make me? Wouldn't die? Like? Do?
Speaker 2 (26:51):
I'm coming?
Speaker 4 (26:51):
Stop it? Stop?
Speaker 5 (26:52):
Sit down, talk, sit down you I withdraw the order.
You needn't stand in the corner.
Speaker 1 (26:58):
Oh there, you are a fine teacher. Why you can't
even get discipline, withdraw the order. In my estimation, lady,
you're about the worst teacher. Why don't get your but
you can't shay that or I can't. Eh, well, listen
to this as a teacher, missus pearce is a joke.
Why shake cady?
Speaker 2 (27:15):
B take cat back.
Speaker 4 (27:16):
I'll let you have it, Doug, Doug, put that gun away, Doug, you.
Speaker 1 (27:20):
Here, good back, mister. I'm giving you one chance. I
won't take anything back. I repeat as a teacher, she's
nothing but a joke. But this ain't no joke.
Speaker 4 (27:29):
Oh, Doug, what have you done?
Speaker 6 (27:33):
Tug?
Speaker 7 (27:33):
You've killed him.
Speaker 4 (27:35):
I'll let me get to him. Oh Bill, Bill, Doug,
what have you done? I give a dom Oh Bill,
Bill Holley, they'll speak to me. Somebody got a doctor?
Hur Oh Bill, Phil Honey.
Speaker 1 (27:51):
I love you. Oh why did this have to happen? Oh?
Speaker 2 (27:55):
Why go get Bill?
Speaker 4 (28:01):
No, it was all my fault. I was so stubborn, darling.
I love you so I do want to marry you Bill.
Speaker 1 (28:07):
Well, well, well, well, well said the corpse sitting up.
That's all I wanted to know.
Speaker 4 (28:14):
Bill. What does this mean? Is this another joke?
Speaker 1 (28:18):
Yes, ma'am? And such a good joke, the good old
Tugs he wanted to get in on. It was some
blank cartridges, Tugle Riley. Oh oh, gosh, ma'am. The guy
loves you.
Speaker 2 (28:27):
He told me so last night I met him outside.
Speaker 6 (28:30):
Tug. Oh, ma'am, I do no harm. Gosh, you just
said you loved the guy, didn't you. Well, you did,
didn't you. Oh but Tug well and just said you'd
marry him, didn't you. That's worth anything in it, even
a phony shooting. And just suppose he really was dead.
How'd you feel, Tug.
Speaker 4 (28:51):
I couldn't bear it.
Speaker 6 (28:52):
Darling, that's this stuff. Now married the guy? And what
he out of each misery?
Speaker 1 (29:00):
What do you say? Man? Hey, Tuck, I'll do my
own proposing Louise Honey Merriman, Why way will you tomorrow?
Speaker 12 (29:05):
Tomorrow Morning, Bill, your old bum Yes tomorrow tonight if
you want.
Speaker 1 (29:30):
The Cargo Motor Club Waisi Theater presentation I Love Go
to Night School, Come for Clothes. In the cast of
tonight's play You've Heard Our Popular stars Patricia Dunlamp in
the part of Louise, and Olin Sulay playing Bill. They
were supported by Ken Christy, Bill Bouche Brett Morrison and
Forrest Lewis. This is burn Smith speaking for the Chicago
(29:53):
Motor Clubs.
Speaker 3 (29:55):
This is the wbbm Air Theater, Wrigley Building, Chicago,
The Chicago Motor Club resents the Wayside Theater. Good evening,
Ladies and gentlemen, The Chicago Motor Clubs Wayside Theater welcomes
you to another half hour of dramatic entertainment each Sunday evening.
(00:59):
At this same hour, enthusiastic playgers gather around their radios
to enjoy comedy or drama, mystery or romance. Tonight's play
Love Goes to Night School was written by Addison Simmonds
and presents a theme of world wide interest whether you
live in Paris, France or Paris, Illinois. And while we're
(01:20):
on geography, you might like to know that the Chicago
Motor Club gives its members a worldwide service. That's what
those three important initials on your membership cards stand for.
Speaker 2 (01:31):
A A A.
Speaker 1 (01:33):
American Automobile Association, and the Chicago Motor Club is the
club and the only club in this territory affiliated with
the American Automobile Association. But this is only one reason
why every motorist should read the club's absorbing free booklet,
spend Less to own and drive your car, Just send
(01:54):
your name and address to the Chicago Motor Club, Chicago
or its nearest branch office or call Franklin one eight
one eight, And now, ladies and gentlemen, we give you
the first act of love goes to night school. Well, well,
(02:34):
good evening, Bill, I'm glad to see you. Come in,
Come in evening with a Fairs Louise ready. No, no, Bill, No,
she isn't here. Isn't here? Why I had a date
with her? It's Saturday, isn't it. She said she'd be
ready at eight. That's what I'm sorry. Sit down, I'm
disgusted and having your difficulties with her lately. Difficulties. Listen,
(02:59):
mister Fairs. She got stubborn her every day. Ell, what
is it this night school business? Yeah, I might as
well be engaged to the Board of Education. I work daytime,
she works at night. And if I want to see her,
I have to go down to the slums, hang around
the classes out. Then I have to rescue her from
those hoboys hers and Saturday comes and just stands me up. Yeah.
(03:21):
Well but Bill, I'm sick and tired of it. We
got engaged because we expected to be married. Now she
hangs onto her career.
Speaker 3 (03:29):
Well, why don't you have a little talk with her
about it?
Speaker 1 (03:32):
Mister Pierce, I've talked my hands off. I've even drawn
diagrams to prove my case. She won't listen to reason.
Speaker 3 (03:39):
Uh yeah, yeah, I know, Bill. Her mother was sort
of the same way, but I usually got around her somehow.
Speaker 1 (03:47):
Well, how do you suggest I got around Louise on
this problem.
Speaker 3 (03:51):
Let's see, let's see. You know, Aliam, you might sort
of sweep her off her feet. Well, how do you mean, well,
just in say getting married right away, say tomorrow, tonight
at once, just to take her breath away.
Speaker 1 (04:07):
Well, I could try it if I ever get to
see her.
Speaker 3 (04:10):
Hello, here she is.
Speaker 1 (04:13):
Now's your chance. Now I'm going to beat it in
just a few minutes.
Speaker 4 (04:16):
Thanks, Hello, Bill, old thing.
Speaker 1 (04:19):
You know you're late.
Speaker 4 (04:21):
Oh now, pull in the long nose, dear. I couldn't
help it.
Speaker 5 (04:24):
I was busy forgive and forget kiss a girl, all right.
Speaker 1 (04:28):
She devil. I'll kiss you, forgive you, forget you there.
Speaker 4 (04:34):
That was nice, Bill.
Speaker 5 (04:35):
But if you forget me, I'll tear your eyes out,
I will say.
Speaker 3 (04:38):
If you folks don't mind, I'm gonna run along now
I've got some work to do.
Speaker 1 (04:43):
Good night, you love, good night, mister Pears.
Speaker 5 (04:48):
Well, Bill, I really am sorry to be late. I
had to appear before the school board with a.
Speaker 1 (04:53):
Report, and gush, Louise, can't they even give you your
night off off?
Speaker 4 (04:57):
What do you mean night off off? One of my
pupils said that i'd stand in the corner as well.
Speaker 1 (05:03):
I'm not one of your pupils. Now, look, Louise, we
were going to the theater. You were to be ready
by eight o'clock and it's after eight. Now.
Speaker 4 (05:08):
Oh, who cares about the old theater?
Speaker 6 (05:10):
Well?
Speaker 1 (05:10):
I do?
Speaker 5 (05:11):
Oh very well. You sit tight and I'll get dressed
in a hurry and we'll dash out. We won't miss much.
Speaker 1 (05:16):
No, no, just the first act, Louise. I don't want
you to go and get dressed. I want to talk
to you.
Speaker 4 (05:22):
Which is it, Bill? Do we go or don't?
Speaker 1 (05:24):
We don't?
Speaker 4 (05:25):
Very well, let's sit down then. Now what's all this
big talk about.
Speaker 1 (05:31):
It's about you and me.
Speaker 4 (05:33):
It's nice.
Speaker 1 (05:34):
I look at Louise. We're engaged to be married, aren't we? Oh?
Speaker 4 (05:37):
I hope so?
Speaker 1 (05:38):
Bill?
Speaker 4 (05:38):
If we aren't, you gave me this ring under false pretenses.
Speaker 1 (05:41):
All right, quit the kidding, Louise. I want you to
marry me right away tomorrow morning.
Speaker 4 (05:47):
Bill, are you're a joking.
Speaker 1 (05:49):
I am not question.
Speaker 4 (05:51):
I've got a whole school year ahead of me.
Speaker 1 (05:53):
Quit the school. Is that night school more important than
I am?
Speaker 4 (05:56):
I wish you wouldn't put it that way.
Speaker 1 (05:57):
Bill, Now listen hear Louise. I am telling you I
want you to quit that job now.
Speaker 4 (06:01):
I won't do it, Bill, and you aren't telling you
to do anything.
Speaker 1 (06:04):
Oh so you're all more interested in your cheesy night
school than you are and me.
Speaker 5 (06:07):
Oh right, if you want to fight than I am,
I thought so. Yes, And what's more, I'll keep right
on with my cheesy night school as long as I please.
Speaker 4 (06:14):
And it isn't a cheesy night school, Yes it.
Speaker 1 (06:16):
Is, No, it is, Yes it is. You've got a
lot of grown up bums and think they're getting an
education after working hours foroy.
Speaker 4 (06:21):
You can't say that, Bill.
Speaker 1 (06:23):
Yes I can fory foroy poy boy, Bill.
Speaker 5 (06:26):
Warner, you've said enough here here take your ring. I
don't want you and I through through.
Speaker 1 (06:32):
Louise. Do you mean that? Yes? Well, what do you
know about that busted up by a night school? Well,
I'll tell you what I'll do. Turn thembout's fair play.
I'll do a little busting up myself I'll bust up
that night school.
Speaker 4 (06:47):
You sound just a little bit crazy and I'm not
listening to.
Speaker 1 (06:50):
Well, you will get a good chance to I'll be
in that sweet smelling class of yours on Monday night
and you can just get ready for a riot. That's
what you can do.
Speaker 4 (06:58):
Oh is that so well?
Speaker 5 (06:59):
Now that we're talking nonsense, Good night, my hot air friend,
I don't want to talk with you anymore.
Speaker 1 (07:04):
Hot Air. Huh, you'll see. I'll be there in person
in the.
Speaker 4 (07:09):
Place hot air, Bill, hot is We'll see.
Speaker 1 (07:12):
If it's hot air, I've got enough drag around this town.
Get placed in that class of yours, and I'll be
there Monday night with bells on. So get the lessons ready. Teacher,
you're gonna need him.
Speaker 4 (07:21):
Bill.
Speaker 5 (07:21):
If you're going to be nasty, I'll say goodnight. You
see that opening in the wall, it's the door.
Speaker 4 (07:27):
Why don't you use it?
Speaker 1 (07:28):
All right? I will good night teacher.
Speaker 4 (07:31):
Good night, Bill Darling, good night.
Speaker 7 (07:36):
Why are you?
Speaker 1 (07:47):
The first act of love goes to night School comes
to a close attention motorists. Do you know that a
membership in the Chicago Motor Club includes a personal exident
policy at no extra cost? It's a fact that policy
provides a benefit of one thousand dollars the first year.
(08:08):
With each year's membership renewal, it increases in value until
in its sixth year it's worth fifteen hundred dollars. It
also provides for payment if the member is struck by
a car while walking or killed while in an automobile
driven by another. Just think what it means for members
to have the security, peace of mind, and protection assured
(08:28):
by that generous personal accident policy without extra cost. A
thousand or fifteen hundred dollars can come in mighty handy
when unexpected tragedy leaves us in desperate need of every
dollar we can possibly scrape together. Surely you'll be interested
in learning more about the Chicago Motor Club's twenty six
remarkable benefits to seventy five thousand member families and why
(08:52):
those fortunate folks actually spend less to own and drive
their cars. Well, here's your opportunity to find out it's
all about those interesting facts. Just write or form the
club and request your free booklet. That's all you have
to do, And just to make certain that nothing delays
you in taking quick advantage of the club's free offer.
(09:13):
We're going to present a sure and convenient way for
you to ask for that free booklet. This very evening,
between the second and third acts of tonight's play, we're
going to substitute a musical intermission in place of our
regular announcement. Just music, not a word about the club services.
You'll have plenty of time to pick up the phone
and call Franklin one eight one eight, or to write
(09:37):
down your name and address and have it all ready
to mail to the Chicago Motor Club, Chicago or its
nearest branch office. Now, the second act of Love goes
(10:06):
to night school.
Speaker 5 (10:31):
Mister O'Reilly, will you come here please?
Speaker 2 (10:34):
I'm coming.
Speaker 1 (10:36):
You want me, ma'am?
Speaker 4 (10:37):
Yes, sir, would you do a favor for me?
Speaker 2 (10:39):
Toug game, ma'am, I do mourner for you.
Speaker 4 (10:43):
Well, it isn't murder, I want Tug.
Speaker 2 (10:45):
Well, I know it ain't. Well, just the same, I
do it.
Speaker 4 (10:48):
Well, that's very nice of you, But this job is
a little less than murder.
Speaker 1 (10:52):
Just name it, ma'am.
Speaker 4 (10:53):
Tug.
Speaker 5 (10:54):
There's a man coming here tonight, and I'm afraid he's
going to make trouble in the class.
Speaker 1 (10:58):
Oh yeah, just let him try.
Speaker 5 (11:01):
Well, if he does come, and if he does make trouble,
I want you to put him out.
Speaker 4 (11:05):
You're so big and strong.
Speaker 5 (11:07):
Oh, but I don't want you to hurt him.
Speaker 4 (11:12):
Mind just put him out.
Speaker 2 (11:13):
Anything you say, ma'am.
Speaker 5 (11:15):
Thanks Tug Now now listen, I don't want you to
do anything, not a thing until I say the word.
Speaker 4 (11:20):
Is that clear?
Speaker 6 (11:21):
Clearest windshield on me truck, ma'am. I don't do nothing
until you gives me the wine.
Speaker 4 (11:25):
That's fine, Tug. Now, please go to your seat.
Speaker 2 (11:28):
Yes, ma'am is fierce or for your boy. Just let
that guy come.
Speaker 4 (11:33):
The class will come to order. Eames Brown, will you
please close the door?
Speaker 8 (11:38):
He yes, I'll close. Dog. I think he'd come to
nine school on the closed door. I say, yes, ma'am.
Speaker 1 (11:51):
I'm fair here. Now you can't shut that door on
my face. I have belong to this class.
Speaker 8 (11:57):
Yes, would Dog let him in?
Speaker 4 (11:59):
Please? Aim, he's our new student.
Speaker 1 (12:02):
Thank you evening teacher. Here, I brought you a nice
big rosy apple. There you are that guys are sissy.
I'll fight the gentleman that said that. You will.
Speaker 5 (12:15):
Hey, we'll just step outside, mister o'reiley please and you
you take that seat in the front row.
Speaker 4 (12:21):
And be quiet.
Speaker 1 (12:22):
Yauser, I'm seated. Teacher.
Speaker 4 (12:25):
You will please say yes ma'am when you address me, Yes.
Speaker 1 (12:28):
Ma'am, yauser fight jan make me.
Speaker 4 (12:32):
Mister o'reiley please, mister mister you sit down.
Speaker 1 (12:37):
Yes, teacher, R'm down.
Speaker 4 (12:39):
Now let's get on with our lesson.
Speaker 5 (12:41):
I'm sorry to say, class that some of us are
still very weak in the simplest of mathematics.
Speaker 4 (12:47):
For that reason, we must start at the beginning again.
Charlie Wong. Yes, please, I'm me here, mister Wang. Something
very easy for you. Now. How much is two and two.
Speaker 5 (13:03):
Two to.
Speaker 9 (13:05):
Dan two or two? I know, Missy please may not
know how much.
Speaker 4 (13:17):
Well. Think of it this way.
Speaker 5 (13:19):
I suppose someone brought two shirts into your laundry and.
Speaker 9 (13:22):
Two more shirts.
Speaker 4 (13:24):
How many shirts would you have?
Speaker 6 (13:27):
Me?
Speaker 9 (13:27):
Me got only one shirt?
Speaker 8 (13:30):
This shirt here? You see that's very clever.
Speaker 4 (13:34):
Mister Warner. Please look, mister one.
Speaker 5 (13:38):
What I mean is if a man brought two shirts
and two more shirts into your laundry, how many.
Speaker 4 (13:45):
Would he bring?
Speaker 8 (13:47):
How many he got? Missy?
Speaker 4 (13:50):
He has two shirts and two more shirts?
Speaker 8 (13:54):
Now, very many shirts? Huh, one man?
Speaker 4 (13:59):
How many would it? See, mister Wang? Two shirts and
two shirts?
Speaker 8 (14:04):
Ah? I have missy, missy for shot.
Speaker 4 (14:07):
Good and now let's take it just playing? How much
is too and two?
Speaker 9 (14:14):
Two and two? Aha?
Speaker 4 (14:22):
Me?
Speaker 9 (14:22):
No, missy to to for shirt, Charlie.
Speaker 4 (14:28):
Mister Wanner, kindly control yourself.
Speaker 5 (14:31):
Yes, yes, I'll try now, mister Wang without the shirts?
Speaker 4 (14:35):
Two and two?
Speaker 1 (14:37):
Is?
Speaker 4 (14:37):
How much is that the shirt?
Speaker 8 (14:40):
Missy? Uh? Without the shirt? Why are you crazy?
Speaker 5 (14:46):
To do?
Speaker 2 (14:46):
Nothing?
Speaker 4 (14:49):
Got mister Warner. Mister Wang, I'm sorry, but you'd better
stay after class.
Speaker 1 (14:55):
Yes, please, you mistake? Excuse me, teacher, but just how
much is two and two? Anyhow? Fight?
Speaker 6 (15:01):
Joan?
Speaker 1 (15:02):
Wise guy? You know how much? Jew and Joe? Nobody
asked you, leather lip. You ain't calling me a.
Speaker 4 (15:07):
Letther mister O'Reilly?
Speaker 2 (15:09):
Please you want mister ryle question?
Speaker 1 (15:11):
Pat Well, I'm waiting now stop. What's a two? Guy?
Why you're not shut up your face? I'm not come
here for to have fights. You want to fight? So
you go home, you fight with your wife. That's like
I do. I come here for the final edumacation.
Speaker 2 (15:24):
I don't like in the fights.
Speaker 5 (15:25):
Now, boy Tony, you dell come now, let's get on
with your lessons.
Speaker 1 (15:29):
Let's together. You shut off your face, You and me too,
you get a wise guy with me. We started making
a fooling around with you. I'm gonna fight Johnny.
Speaker 4 (15:35):
Mister Coppello, please behave yourself.
Speaker 1 (15:39):
But he's gotta keep a shut up too. Who do
you think he is? My wife?
Speaker 4 (15:42):
A trouble maker, mister Coppello, Pay attention.
Speaker 5 (15:45):
I asked each of you last time to find a
poem and learn it. Now stand up and recite your.
Speaker 1 (15:52):
So Let me see what does she is? Oh? Yes,
shees a good like it is meanie miney more you
mean nose or not?
Speaker 5 (16:01):
It?
Speaker 1 (16:01):
I tell you trouble you push your once in my fat.
You're doing to swell Tony, keep it up, mister teacher, police.
Speaker 4 (16:07):
It, mister Wanner, will you kindly stop interrupting?
Speaker 2 (16:09):
Oh sure, teacher, Sure go on, Tony, sure, I go on.
Speaker 1 (16:14):
Let me see us. She's a goalectee the boy. She's
a stand on the burning of deck. We leave ships
to blow their horns unless a poor boy he cannot
move the heat. She's a popped his corn.
Speaker 4 (16:29):
What's the matter?
Speaker 1 (16:30):
Please you tell me? Why not find the one I learn? Whatsameta?
That's not a good one, that's.
Speaker 7 (16:35):
A wild.
Speaker 4 (16:37):
Why?
Speaker 5 (16:38):
I don't want any of this noise, she's a popped
his corns.
Speaker 1 (16:42):
Swell stop Tony, Hey, you talk a swell pipe, but
you don't do anything about it. You are afraid, are you?
I ain't afraid, And no, Boddy Well, I think you are.
And your teacher's pet two. I don't murder you.
Speaker 4 (16:55):
Chuck Heaven takes it down.
Speaker 1 (16:56):
Well, he can't talk to me like that.
Speaker 4 (16:58):
You behave yourself now.
Speaker 1 (17:00):
Alright Miss Adam boy tugs he do.
Speaker 5 (17:02):
His teacher says, Look, tug, suppose you recite what poem?
Speaker 4 (17:07):
Have you picked out?
Speaker 1 (17:09):
What I don't want to reshite?
Speaker 4 (17:12):
Come? No tug?
Speaker 1 (17:15):
All right, but if that guy makes fun.
Speaker 4 (17:18):
Of me, nobody's going to make fun of you. I've
had all of that. I'm going to stand for Please
begin tug.
Speaker 6 (17:25):
Well it goes like this. M Roses is red hot dog.
Speaker 1 (17:32):
That's poetry for you, while the chess blue up and
kisses you big sissy.
Speaker 6 (17:37):
What none of them flowers as pretty as you?
Speaker 1 (17:40):
You big Bye ain't gonna stand for this.
Speaker 2 (17:43):
Let me at him, Miss Pierces.
Speaker 4 (17:46):
Can I throw yes, tug, I think you'd better for
the good of as ault.
Speaker 10 (17:50):
Yes, ma'am. No, you'll catch it. Miss stay away from
me dog. Now it's my trying to recite. Stay away.
You'll do your recite, not stay away from me. Man Mountain,
I show you coming, you lego, let go on me.
Speaker 1 (18:06):
You won't you nothing.
Speaker 2 (18:07):
It's the bumps rush for you to push.
Speaker 1 (18:10):
Your bodies the trouble.
Speaker 5 (18:11):
Man.
Speaker 8 (18:11):
You don't go, hos.
Speaker 10 (18:15):
You let go my next ain't letting go with your
neck not the City of pens TOI You're out, mister
and kicking and holler.
Speaker 2 (18:22):
Ain't going to do you?
Speaker 1 (18:23):
I said, tugged you.
Speaker 6 (18:24):
Open the door somebody for I'll fix you.
Speaker 1 (18:28):
Don't miss you can't get away with this. I'll come
bout your.
Speaker 2 (18:31):
Go wise guy one, two, three and out. Now, gentlemen,
I thank you for the applause.
Speaker 1 (19:03):
The second act of Love goes to night School comes
to a close. And now, ladies and gentlemen, we're going
to present an unusual and convenient idea, one that's bound
to interest you because it means money in the pocket
of every motorist. As any Chicago Motor Club member will
tell you, the Chicago Motor Club is absolutely certain that
(19:23):
you'll be interested in the money saving information contained in
its free booklet, So certain, in fact, that we're giving
you at this time a two minute musical intermission in
which to ask for your copy. Now while the orchestra plays,
just pick up the phone and call Franklin one eight
one eight, or take this time to write your name
and address on a penny postcard or a piece of
(19:44):
paper and have it all ready to mail to the club.
Here we go, friends, a musical intermission, while you call
Franklin one eight one eight for your free booklet, and
then we'll be all ready for the third act of
tonight's play. You young, you know, And now the third
(22:20):
act of love goes to night school.
Speaker 4 (22:34):
Good evening, Tug, Good evening, ma'am Tug.
Speaker 5 (22:37):
I want to thank you for the masterful job you
did last night putting mister Warner out. You did it
very skillfully without hurting anything except his feelings.
Speaker 6 (22:46):
For nothing, ma'am, I am an exploited things like that.
Anytime anybody gets fresh with yours, just leaving.
Speaker 1 (22:53):
A me man.
Speaker 4 (22:54):
Thanks, thanks, Tug. I'm sure it won't happen again.
Speaker 6 (22:58):
Well, if it does, I'll be easy or I'll be
tough with him, just.
Speaker 1 (23:02):
Like you say.
Speaker 6 (23:03):
Just so, it's only me the insults. But if they
ever insult you, ma'am. Here I'll show you what I'll do.
Speaker 4 (23:10):
Doug, put that gun away? What do you mean by
carrying that thing around?
Speaker 2 (23:14):
It's all right, mass I get a license for it.
Speaker 4 (23:17):
Well, don't show it around here.
Speaker 2 (23:20):
All right, ma'am. Anything you say anything?
Speaker 1 (23:24):
Good?
Speaker 2 (23:24):
Now go to your seat, Yes, ma'am.
Speaker 4 (23:27):
Like a flash, ma'am, the class will come to order. Now,
just a word about what happened last night.
Speaker 5 (23:36):
Of course, there'll be no more of that, but we
lost some time and we must make it up. Now
we'll go on with the poetry recitations. Close the door, please, amos, Ye.
Speaker 8 (23:46):
Close, ma'am.
Speaker 1 (23:47):
I'll close just a minute, Amos, just a minute. Let
me in what don't go in again? He's in again.
Good evening, teacher. I've brought you a nice bouquet of roses.
There you are. I don't thank me. It's just a
little token. Shit down mug. Oh you want a rose
to do you? Well? Hear you? Why tugs eat catch roses?
(24:09):
Is red? I forgot to bring violence? Tug? Why your
mug order?
Speaker 4 (24:13):
Please?
Speaker 5 (24:13):
Tug?
Speaker 4 (24:14):
You take your.
Speaker 1 (24:16):
Seat, certainly, teacher. What's on the bill of fair for tonight?
Speaker 4 (24:21):
Class? Let's get on with the poetry assignments.
Speaker 1 (24:25):
I'll call I'm not one, teacher. Tobacco is a dirty weed.
I like it. It's satisfy as no normal needs. I
like it. It makes your thin, it makes you lean,
it takes the hair right off your bean. It's the
worst blame stuff I've ever seen. I like it.
Speaker 6 (24:40):
Shit down, man till you called on a shut up muggle.
Speaker 1 (24:43):
You're called on. You can't talk that way to order?
Speaker 4 (24:47):
Please just a warner, sit down.
Speaker 1 (24:49):
Did you like my poetry, ma'am?
Speaker 4 (24:51):
No, I didn't. That's not the kind of poetry we
want in this class.
Speaker 1 (24:55):
Well I've got another.
Speaker 4 (24:56):
It goes all right, teacher, Amos wrong?
Speaker 5 (25:00):
Yeah, please stand up and recite your poemy.
Speaker 8 (25:04):
Yeah, there's a half.
Speaker 4 (25:06):
Do man, yes, Amos rise please right?
Speaker 8 (25:10):
Please?
Speaker 1 (25:10):
Yeah?
Speaker 8 (25:11):
Well can it?
Speaker 6 (25:12):
Can?
Speaker 8 (25:12):
I recy sitting down, ma'am?
Speaker 1 (25:14):
Come on, aamus, stand up with teacher olay mm.
Speaker 8 (25:21):
I stand.
Speaker 4 (25:23):
Well, I'll recite.
Speaker 11 (25:25):
Uh that I gotta do it, man, yes, Amos, Yes
he can.
Speaker 4 (25:32):
I've I've hear kind of foolish though.
Speaker 8 (25:35):
I I ain't no portry fellas.
Speaker 9 (25:38):
Oh alright man here kids.
Speaker 11 (25:42):
Uh, I have a little shadow that goes in and
out with me. And what can be the use of
him is morenocking.
Speaker 8 (25:53):
See he is very very as he something mother.
Speaker 4 (26:02):
Man speak up, Amos, go ma'am.
Speaker 8 (26:05):
I don't forget it. I don't know anymore.
Speaker 1 (26:09):
Uh.
Speaker 11 (26:10):
Maybe that gentleman now he knows the much.
Speaker 8 (26:12):
Maybe he knows.
Speaker 1 (26:14):
Yes, Samos, I think I do.
Speaker 4 (26:15):
It goes like this and no one asked you how
it went?
Speaker 1 (26:18):
Oh, yes, Amos did, didn't you? Amos?
Speaker 4 (26:20):
Yeah? Well I don't know why, Amos. Sit down, mister Warner.
Speaker 5 (26:25):
If you see fit to misbehave like a small child,
I'll have to treat you like one.
Speaker 4 (26:30):
Go stand in that corner, but I won't.
Speaker 2 (26:33):
Don't.
Speaker 1 (26:34):
I'm very comfortable right here. You know, darling, there are
certain things I won't let you get away with.
Speaker 6 (26:39):
What should you can't talk like that to teach your mug.
You'll be polite, but I'm polite. I'm very polite.
Speaker 2 (26:45):
Well, go on and stand in the corner like get
you old.
Speaker 1 (26:47):
Wouldn't you like to come and make me? Wouldn't die? Like? Do?
Speaker 2 (26:51):
I'm coming?
Speaker 4 (26:51):
Stop it? Stop?
Speaker 5 (26:52):
Sit down, talk, sit down you I withdraw the order.
You needn't stand in the corner.
Speaker 1 (26:58):
Oh there, you are a fine teacher. Why you can't
even get discipline, withdraw the order. In my estimation, lady,
you're about the worst teacher. Why don't get your but
you can't shay that or I can't. Eh, well, listen
to this as a teacher, missus pearce is a joke.
Why shake cady?
Speaker 2 (27:15):
B take cat back.
Speaker 4 (27:16):
I'll let you have it, Doug, Doug, put that gun away, Doug, you.
Speaker 1 (27:20):
Here, good back, mister. I'm giving you one chance. I
won't take anything back. I repeat as a teacher, she's
nothing but a joke. But this ain't no joke.
Speaker 4 (27:29):
Oh, Doug, what have you done?
Speaker 6 (27:33):
Tug?
Speaker 7 (27:33):
You've killed him.
Speaker 4 (27:35):
I'll let me get to him. Oh Bill, Bill, Doug,
what have you done? I give a dom Oh Bill,
Bill Holley, they'll speak to me. Somebody got a doctor?
Hur Oh Bill, Phil Honey.
Speaker 1 (27:51):
I love you. Oh why did this have to happen? Oh?
Speaker 2 (27:55):
Why go get Bill?
Speaker 4 (28:01):
No, it was all my fault. I was so stubborn, darling.
I love you so I do want to marry you Bill.
Speaker 1 (28:07):
Well, well, well, well, well said the corpse sitting up.
That's all I wanted to know.
Speaker 4 (28:14):
Bill. What does this mean? Is this another joke?
Speaker 1 (28:18):
Yes, ma'am? And such a good joke, the good old
Tugs he wanted to get in on. It was some
blank cartridges, Tugle Riley. Oh oh, gosh, ma'am. The guy
loves you.
Speaker 2 (28:27):
He told me so last night I met him outside.
Speaker 6 (28:30):
Tug. Oh, ma'am, I do no harm. Gosh, you just
said you loved the guy, didn't you. Well, you did,
didn't you. Oh but Tug well and just said you'd
marry him, didn't you. That's worth anything in it, even
a phony shooting. And just suppose he really was dead.
How'd you feel, Tug.
Speaker 4 (28:51):
I couldn't bear it.
Speaker 6 (28:52):
Darling, that's this stuff. Now married the guy? And what
he out of each misery?
Speaker 1 (29:00):
What do you say? Man? Hey, Tuck, I'll do my
own proposing Louise Honey Merriman, Why way will you tomorrow?
Speaker 12 (29:05):
Tomorrow Morning, Bill, your old bum Yes tomorrow tonight if
you want.
Speaker 1 (29:30):
The Cargo Motor Club Waisi Theater presentation I Love Go
to Night School, Come for Clothes. In the cast of
tonight's play You've Heard Our Popular stars Patricia Dunlamp in
the part of Louise, and Olin Sulay playing Bill. They
were supported by Ken Christy, Bill Bouche Brett Morrison and
Forrest Lewis. This is burn Smith speaking for the Chicago
(29:53):
Motor Clubs.
Speaker 3 (29:55):
This is the wbbm Air Theater, Wrigley Building, Chicago,
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