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May 6, 2025 33 mins
An anthology that offers a variety of stories, each episode transporting listeners to different settings and situations, showcasing the versatility of radio storytelling.
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Episode Transcript

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Speaker 1 (00:12):
The Chicago Motor Club presents the Wasside Theater. Welcome to
the Wayside Theater, ladies and gentlemen, that unusual radio playhouse
specializing in dramatic entertainment for the whole family. Each Sunday

(00:34):
evening at this hour, the Chicago Motor Club presents the
play of the week, written especially for the Wayside Theater.
And now to every motorist, here's the message of the week.
Learn how to spend less to own and drive your car.
That's exactly what the Chicago Motor Club seventy five thousand
member families are doing every day of the year. Why

(00:56):
many of them save much more than the cost of
membership through the Club's emergency road service alone. Don't delay
finding out how you yourself can enjoy real motoring pleasure
and real motoring economy. Put in your request this very
evening for the Club's free booklet with its interesting titles
spend Less to Own and Drive your Car right to

(01:19):
the Chicago Motor Club, Chicago or its nearest branch office,
or just call Franklin one eight one eighth. This evening's play,
written for the Wayside Theater by Tanya Corday, is entitled
mad Cap Princes, an exciting story of expert marksmanship of

(01:41):
Dan Cupid among blue blooded targets. And now the Chicago
Motor Club presents the first act of mad Cap Princes.

Speaker 2 (01:56):
You agree with me, Siah, that your years a declaiming
and didn't keats anything should happen to your majesty? Would
you not rest easier if the Princess Alwyn had a
worthy consort by her side?

Speaker 1 (02:09):
Methinks the princess is well able to care for herself.

Speaker 2 (02:12):
She's a head strong, willful minx, but she has a
level head on her shoulders. And then I doubt not
we'll make a fine ruler true through your majesty, But your.

Speaker 1 (02:23):
Subjects are cleanly?

Speaker 2 (02:24):
Did she take a husband?

Speaker 1 (02:25):
After all, she's twenty?

Speaker 2 (02:29):
It would perhaps be better if my little Alman settled
down before I leave her.

Speaker 1 (02:36):
Are you anyone in mind?

Speaker 2 (02:38):
Yes, sire, there is Claude, King of sharant Awake, woman
of a man with its perfumed poodles in the bos.
That is the Rudolphus the nob a gross fat wretch
who thinks of nod for this park said that leaves
Prince Garabelle, Sire, But well, what's the matter with him
with not, sire, No, he's the fine young man, that

(03:00):
handsome and of manners, irreproachable, but well well, but he
has no other interest in life.

Speaker 1 (03:07):
But he's hunting, your majesty.

Speaker 2 (03:09):
His father, King Prism, has suggested marriage to him, but
he'll hear not of it. He's very determined, sire, determined,
may have just whatell we needs. But your majesty, King
Prism has vowed that his son shall not marry, but
of his own free will.

Speaker 1 (03:30):
That's all right, you go mm hm.

Speaker 2 (03:32):
It so happens that Prism owes me a tidy little
sum that he borrowed from me for his last war.
I'm sure the Prince will listen to reason. He run
along now and said, my granddaughter.

Speaker 3 (03:47):
To me, use that for my grandfather.

Speaker 2 (03:59):
Yeah, my child, to tell you that the marriage has
been arranged for whom for you? Elluis for me?

Speaker 3 (04:08):
Surely you just, sire.

Speaker 2 (04:10):
No, My dear messengers are already being sent to king
prison informing him of the honor conferred upon his son.

Speaker 3 (04:18):
And whose idea was this? Grandfather?

Speaker 1 (04:21):
Well, eh, tebow and I uh talked you too first.

Speaker 3 (04:26):
It wasn't really your wish at all. Well, it's just
best to forget it as quickly as possible, as I.

Speaker 2 (04:32):
Have no intentions to wear go a yoga to speak
for your sovereign in his wife.

Speaker 3 (04:36):
Oh forgive me, grandfather, but do not ask me to
marry any man yet.

Speaker 2 (04:41):
It's time you cease traddling a horse and running with
the huntsman a woman. It's time you started acting that one. Grandfather,
I jest not, and every word is truth.

Speaker 3 (04:51):
But Grandfather, was it not you yourself who taught me
to ride beside you in the hunt, to know no
weakness and say things like a man?

Speaker 1 (05:00):
Nay? So I did because I loved you and wished
you with me for waste that uh.

Speaker 2 (05:09):
These marriage must uh proceed as I've said.

Speaker 4 (05:12):
Nay, sir, I am not one of your surch to
be disclosed of as you see sit.

Speaker 3 (05:17):
I am the Princess Alwyn, and I shall wed whom
I please.

Speaker 1 (05:21):
You you dare to fight me hurt? The King's will
is my law, but I'll never never agree to wed law.

Speaker 5 (05:42):
But Alwyn, you will have to marry sometimes. Perhaps the
prince Garabella is not so bad after all, I know.

Speaker 3 (05:48):
He's very handsome.

Speaker 5 (05:50):
How do you know, wife, when your grandfather sent those
messengers to king prison.

Speaker 3 (05:54):
One of the goldman told me all about the prince.

Speaker 5 (05:57):
M I'll look see you, not very tall and strong,
and he knows no fear. While our men were there,
a prisoner seized a spear and threw it at the king.
His father, Garabel threw up his arm and took the
spear upon it. It was a frightful wound, and he
baars the scarlet on his arms.

Speaker 3 (06:15):
Even now. All this may be true, but it interests
me little.

Speaker 5 (06:19):
Forsooth it should, for you'll have to marry him.

Speaker 3 (06:22):
Willie Milly, and the king so willed. If the princess
were not here, he.

Speaker 6 (06:26):
Could wed no princess, could he?

Speaker 3 (06:29):
How speak you?

Speaker 5 (06:30):
I mean that we two are going to run away.
Oh have you taken leave of your senses? Wherein the
kingdom could we hide that we would not be found.

Speaker 3 (06:38):
I know of such a place. Go and have the
horses saddled at once.

Speaker 1 (06:42):
I'll show my.

Speaker 4 (06:43):
Grandfather, and not to be driven into a marriage.

Speaker 1 (06:56):
Oh, it isn't as if I didn't understand myself. On
other occasions I have accepted your decision. Ah, but this
is different. I'm so sire. Well, it is my misfortune
to wal King Zadak a large sum of money, and
if this marriage is not consummated, that will mean war.

(07:17):
Where could you not raise the money by taxes and
return it to me? It is well and much wiser
to ensure our diplomatic relations with Kabia. So if old
King Zadak has a granddaughter he wants to marry off,
it's not for us to question why, and there's no
other way scattered out. So I am to give up
my freedom and marry a damsel I've never even seen.

(07:40):
But if she be beautiful will be a pleasant surprise. I
think not much of such surprise as father. Howbit, there
seems nought else but to agree, And this I do
on one condition, and that is that you give me
a fortnight's start with Buttram, I have a mind to
have a look at this print, says before I put

(08:01):
my neck in the noose. The curtain falls on the
first act of Madcap Princes. Ladies and gentlemen, nobody has
to tell you that electric lights are better than oil lambs,

(08:22):
or the telephones are better than carrier vigeons. Well, here's
something just as true. Being a member of the Chicago
Motor Club is far better than just owning and driving
a car seventy five thousand member families. No one appreciate
that fact. They're actually assured maximum motoring pleasure at minimum

(08:43):
motoring costs. Think what it means to have twenty six
money saving services and benefits at your beckon calls. Take
the Club's emergency road service, for example, No matter what
happens to your car, day or night, you're always as
close to help as the nearest telephone. Just listen to
what doctor BLG. Woods of Lincoln Park, West, Chicago says.

Speaker 2 (09:05):
Anytime you want a recommendation as to your service, just
call on me.

Speaker 1 (09:10):
In two years, three.

Speaker 2 (09:12):
Emergency calls all answered in twenty minutes five o'clock.

Speaker 1 (09:16):
And missus Anna M. Hecker of Chicago rites.

Speaker 6 (09:19):
Thank you for prompt service in my hour of need.
Neither darkness nor rain prevented your service from reaching me
within twenty minutes after calling. I think the Chicago Motor
Club is essential for women drivers.

Speaker 1 (09:34):
In case of tire trouble, weak battery, a frozen radiator,
or any other motoring difficulty, just call Franklin one eight
one eight in Chicago in club territory beyond Cook County,
you get in touch with the nearest official service station.
And even though you are completely outside club territory, just
call an affiliated service station. Because the Chicago Motor Club's

(09:58):
emergency road service is worldwide. And by the way, friends,
even five mile towing service is free. You'd better get
the club's valuable free booklet right away. Send a postcard
to the Chicago Motor Club, Chicago, or call Franklin one
eight one eighth. You really won't have any excuse for

(10:18):
not getting that free booklet because right after the next
act at the night's play, we're having a musical intermission
long enough for you to write the Chicago Motor Club
or call Franklin one eight one eight. So don't fail
to take immediate advantage of this valuable free booklet offer.
Between act two and three, you will have plenty of

(10:39):
time to write the club or phone Franklin one eight
one eight and ask for that free booklet. And now

(11:04):
the second BacT curtain risers on mad camp princes what

(11:25):
ho ah didn't keeper can't care for two way worried
travelers and their horses.

Speaker 7 (11:31):
Oh, I must decire you a bit ter, be put
away for the night, sits you down before you on
fire and I'll bring these some cold bannocks in the
joint of beef. Would you care for a penkin of
tea or a nagnavade?

Speaker 1 (11:47):
All the ale for us? And also a bit of cheese,
and you have it? And how cold they use? Here are?

Speaker 7 (11:53):
I am called simeon one who hears it, And never
was a truer name given for day in and day out,
I hear'll share my wife who talks without end? I
ask end hurrying with your suffer, while stide feed? And
what are your horses? And bit them down?

Speaker 1 (12:13):
Come? Let's sit by the fire and sup. It was
the last few miles carried a chill into my bones,
and blazing log spills warmth and comfort. Where bert here
we be in enemy country? And shortly we shall see
that damsel for whom I am to bought her my soul.
From all reports we hear she's a wild vane and
you'll take some taming. But has also said she was

(12:34):
very beautiful and well loved by her subjects, and that
she enjoys the hunt. I want no maid hunting with meh.
It comes up food? Ah, thank you dame, And are
you the Sarah then who talks? You seem for young
to be the wife of our hosts.

Speaker 3 (12:52):
Nasa, I am but one who served here. Will your
lordships have about all?

Speaker 1 (12:57):
Only the ale and cheese? I asked for what you mistake?
We be not lords, but only two who come seeking
service with the king of this realm. My friend here
is Robert, and I am called Stephen. Here lass is
a florin for you.

Speaker 3 (13:13):
Oh, thank you, sir, coming Sarah your pardner, sire.

Speaker 1 (13:20):
M methinks she has fine manners for the serving wench,
and her form is not hard to look upon. I
noted it, not Bert, but there was something in her face.

Speaker 3 (13:34):
Here's your ale and lord you.

Speaker 1 (13:36):
Will be the second to make that mistake. We are
not lords, but thank you for the ale er. Where's
the maid who served us first?

Speaker 3 (13:45):
She had a task given her? Is there all else?

Speaker 8 (13:47):
Say?

Speaker 1 (13:48):
Thank you? Not hold less? What are you called?

Speaker 3 (13:51):
I am Una?

Speaker 1 (13:52):
Sair and thank you Na. And here's a florin for.

Speaker 3 (13:56):
You, Thank you, sir.

Speaker 5 (13:58):
And when you be ready, and I will light you
to your room zones.

Speaker 1 (14:05):
But they grow pretty wenches in this part of the country.
Now this one a little off the Boxham's side, but
quirt withal thank you, not sire, I had not noticed bird.
It was the other I had wished to see again.
Well tomorrow I will I finished. Then let us call

(14:25):
for candles and let your angel light us to bed.

Speaker 6 (14:39):
How now, Princess, I had your word that you'd stay
out of sight when I agreed to hide you here.

Speaker 1 (14:47):
That's good day.

Speaker 6 (14:48):
What will his Majesty do when he discovers that I've
haided you and running away?

Speaker 3 (14:53):
Don't cry, Sarah.

Speaker 5 (14:55):
They will be here but a short time, and then
we shall never see them again.

Speaker 3 (15:00):
It gets a little lonely.

Speaker 5 (15:01):
Here, you know, Oh, Sarah, please me, I do the servant,
never child.

Speaker 3 (15:07):
Let you na do it?

Speaker 1 (15:10):
Well?

Speaker 3 (15:11):
I may have then, go ahead and have your way,
but I.

Speaker 1 (15:15):
Know no good will come of it. No, Why, oh
why did you have to come here? Why?

Speaker 3 (15:21):
Sarah? Whom would I turn to if not to my
old nurse?

Speaker 6 (15:25):
I promised your sainted mother i'd look after you, and
that I will as long.

Speaker 3 (15:30):
As they're breast in this old body. Whom do you
suppose there really are, Sarah?

Speaker 5 (15:37):
He the dark one I mean, said they were serving men,
But he has the manners of a great lord, and
he gave me a florin.

Speaker 1 (15:45):
You never took it, did you win me?

Speaker 3 (15:47):
Yes, why not?

Speaker 5 (15:49):
When I return home I shall have a pissed and
wear it is a lucky charm.

Speaker 3 (15:54):
Is that the only reason you wish to keep it?

Speaker 6 (15:57):
You're not taken with this dark young man, of course,
not you.

Speaker 3 (16:03):
The other was very nice also. It is only that
you and I shall play a little game with them,
and no harm would come, And I hope not.

Speaker 5 (16:12):
No.

Speaker 3 (16:12):
Run along to bid you good knight.

Speaker 1 (16:27):
Well the way journey on our way to this, I
think not, But the horses are badly in need of breast.
You're assured it's the horses you're thinking about. What other
calls be there?

Speaker 2 (16:40):
Ah?

Speaker 1 (16:40):
Here comes up breakfast nose cakes smell good, my girl,
and tastes even better, sir.

Speaker 3 (16:49):
I have but baked them a short time since.

Speaker 1 (16:51):
Then they shall taste doubly sweet, since your hands have
touched them.

Speaker 3 (16:55):
Lah, think you so to all me?

Speaker 1 (16:58):
No, only to the young and pretty one er. Have
you lived around here long all my life?

Speaker 3 (17:04):
Sir?

Speaker 1 (17:05):
Then perhaps you can tell us something of your princess,
can tell us what sort of made she be?

Speaker 3 (17:10):
Ooh, she is not to look upon, and her hair
is red. She is of the temper, most vile and
hath a tongue like a forked arrow.

Speaker 1 (17:18):
He thinks you, like the lady not had a bold wench.
But if the princess were here, thy tongue would not
clapper claw so much. I warrant you.

Speaker 3 (17:26):
You asked me what I thought, and I said what
I thought? Your pardon if I offended? Now perhaps you
will answer me a question.

Speaker 1 (17:34):
Speak, mistress.

Speaker 3 (17:35):
You say you come from the north.

Speaker 5 (17:37):
Have you, by any happy chance ever seen the Prince
scarabelle Ah?

Speaker 1 (17:41):
Yes, my girl, as many times? In fact I know him? Well?

Speaker 3 (17:44):
What then is he like? This Paragon?

Speaker 1 (17:46):
Prince Paragon who named him?

Speaker 5 (17:49):
So?

Speaker 1 (17:49):
He's a choppy rogan fairly withal. He thinks of not
save his dogs and horses, and hates all women. Oh
what is thy interest in him?

Speaker 3 (17:58):
Only that he is to wed our princess. And I
was curious, as all.

Speaker 5 (18:01):
Are both off the pasture, coming on, Sarah?

Speaker 3 (18:08):
Is there anything else?

Speaker 1 (18:08):
Say a moment, and I'll go with you. I should
like to turn my horse out also.

Speaker 3 (18:13):
As you wisher, art ready of a certainty, then let
us be gone to the pasture.

Speaker 1 (18:30):
Whinny a quaint name that suits you well, for wisome
you are. Your skin is like that of a babe,
and your eyes are those of a doe lasser.

Speaker 5 (18:39):
For the pretty speech, it's a pity to waste it
on a poor country lass who doesn't believe a word
you say?

Speaker 1 (18:46):
And why think you I mean it?

Speaker 5 (18:47):
Not?

Speaker 1 (18:48):
Oh, here's the style. Let me help you over it.
Thank you, my lord.

Speaker 5 (18:53):
And it is not necessary for you to keep your
arm around my waist longer.

Speaker 1 (18:57):
And who will stop me life? Not Sarah, but this
ah dagger, eh, I fear not, mistress. I'd prefer the
poignards kiss to that of any wench yours most of all,
a che were.

Speaker 5 (19:09):
A man, i'd blesh you to your knee.

Speaker 1 (19:11):
You've lost your cap sounds, but you're beautiful when you're
in a temper. Your gold red hair, your cherry red lips,
your devilish red temper.

Speaker 3 (19:20):
And now you have quite finished.

Speaker 5 (19:22):
Shall we return home and I'll climb the style this time?

Speaker 1 (19:33):
The second act of Madcap Prentice comes to a close.
Your attention, If you please, ladies and gentlemen, right now
is an unusual chance to take immediate advantage of the
Chicago Motor Club's important free offer. During this musical intermission.
You'll have ample time to put in your request for

(19:55):
that valuable free booklet entitled spend Less to Own and drive.

Speaker 2 (19:59):
You your car.

Speaker 1 (20:01):
Every club member realizes the importance of the proved information
this booklet contains. While our orchestra plays, call Franklin one
eight one eight, or write down your name and address
and have it all ready to mail to the Chicago
Motor Club, Chicago or its nearest branch office. The third
act of Madcap Princess will not start until you've had

(20:23):
plenty of time to take advantage of this money saving opportunity.
We're all set for your request, ladies and gentlemen, a
musical intermission while you call Franklin one eight one eight
for your free booklet on the value of club membership,
or write down your name and address. A penny postcard
will do, and have it all ready to mail to
the club now. Don't forget special night operators are waiting

(20:46):
for your call to Franklin one eight one eight right now,

(23:06):
and now, ladies and gentlemen, the third act of Madcap Princess.

Speaker 5 (23:27):
This is a fair night, Stephen, Does that trouble you?

Speaker 1 (23:32):
My lord? A great dear mass. On the morrow, Bram
and I must take the road to the castle.

Speaker 3 (23:38):
Why must you needs go?

Speaker 1 (23:39):
Stephens? Well, in a few days the tourney begins. How
can I leave you, Winnie?

Speaker 3 (23:46):
Would it then mean so much to you.

Speaker 1 (23:49):
Everything in the world, My sweet I love your Winnie.

Speaker 5 (23:56):
Oh why didn't you tell me before?

Speaker 3 (24:01):
Hold me tight, for I feel I know this cannot last.

Speaker 1 (24:05):
Your lips, darling, those red lips I once goned, sweet,
I loved you even then. I am your Stephen.

Speaker 3 (24:17):
Oh dear my lord. Now must you go to morrow?

Speaker 1 (24:21):
I must go, but I'm coming back to you with
the morn will be on our way. But finess has

(24:42):
no desire to leave them. Careful how you call me?
The name is Stephen, and you well know what my
interest is here, to be sure, sire, But have I
not to say myself? What mean you? You know that?
And you're fortunate you have nothing to keep her from you.
So here is my bress, single bird, your dumb, the helpless,

(25:04):
the black knight away vinegar village. Send young maid to
serve me. Ah, that is better. Bring the bread and cheese, girl,
and wine to wash it down. No kiss, win, let
me go Bert, I'll settle with him. Tire, you would
be fatal for tomorrow when you are wounded in a
tavern brawl.

Speaker 3 (25:21):
No wonder they call you the black Knight.

Speaker 9 (25:22):
The name becomes you well ha ha, you have the
spirit of the world heat if I like my women
with temper.

Speaker 1 (25:33):
Take your hand from the maid.

Speaker 8 (25:34):
Villain stippling the life hastmas alley. Don't you dare stop
me with my own confidence? Draw your sword, your tuney
brave words from a great card.

Speaker 1 (25:46):
I'm God, rap more candles, tell us, sire, let me
handle it away, but I'll take care of carry that.

Speaker 3 (25:56):
You stop the robber kills.

Speaker 1 (25:59):
It's too late now, pray I want to help him.
Call that fencing a fruntry fool. That pretray too bad
for got a bit more.

Speaker 8 (26:08):
Oh look, Stephen has been wounded, has but a shoulder
wound and the left Praise God, stand back this business
boys me.

Speaker 1 (26:15):
I must need to end it quickly. Name of the safe.
Steven's running through Stephen, Robert.

Speaker 3 (26:25):
He's falling.

Speaker 1 (26:26):
He's been left into the settlers. He's trying to speak tomorrow,
darn to the castle and then to.

Speaker 5 (26:39):
Robert.

Speaker 3 (26:41):
Is he dead?

Speaker 1 (26:43):
Nay, he has but fainted. He's a strong person, and
this be but a scratch. I'll hear Sarah with the
dressings in hot water. Now I can go for Simeon.

Speaker 3 (26:53):
Oh see Sarah, how is poor unblea? Quick? Help me
to cut his leave?

Speaker 5 (27:00):
So look the scar who did it? Just?

Speaker 4 (27:07):
It is the Prince?

Speaker 3 (27:10):
Oh good bye, my darling. You know what what I
must do. Take good care of them for me, won't you?
And tell Simon to saddle our horses. You and and
I ride to the castle tonight.

Speaker 5 (27:24):
M h.

Speaker 10 (27:36):
W one, Majesty King Sana cofobia and s in honor Sprince,
my love of Columbia.

Speaker 11 (27:55):
Your majesty, there is me later as see there, Sis's intervene.

Speaker 10 (28:09):
A loyal highness, a princess alway.

Speaker 3 (28:20):
Verily you know I am all in the twitter. Thanks
though I look well.

Speaker 5 (28:24):
You are a dream, Alwyn. You're like a fairy princess.
Never have I seen one more beautiful and dear you
wish me well.

Speaker 3 (28:33):
We are nearly to the throne. There he sits beside
grandfather Mark.

Speaker 5 (28:39):
How pale he is, how wan you look his eyes
down cares that he may not.

Speaker 3 (28:44):
See the princess. We approach, He will hear you.

Speaker 1 (28:52):
Prince Karabelle, allow me to present my granddaughter, the princess al.

Speaker 5 (29:00):
You, my Lord be disappointed in your princess.

Speaker 1 (29:05):
Your majesty, I have the honor to request the hand
of the princess Alwin in marriage. It is granted my
son with an old man's blessy.

Speaker 5 (29:22):
Thinkest thou wilt be able to put up with this
awful princess for the rest of thy.

Speaker 1 (29:26):
Life, Aye, vile temper and all. But never shall I
forget Sweet Winny of the tavern.

Speaker 5 (29:32):
No, why Stephen, who would have died for and given
up a princess in.

Speaker 1 (29:37):
A throne, removed thy wimple, alwin. But I may see
the moon upon thy hair, thy glorious red hair.

Speaker 3 (29:45):
And equally red temper. But all that is past now,
s Garabelle. For you, I will settle down.

Speaker 1 (29:53):
Settle down. Indeed, you shall ride beside me in your
leather breeches, with a spear in your hand, and the
wind and your hair.

Speaker 3 (30:00):
I have a cast even or.

Speaker 1 (30:03):
Your poor arm by the road. There's not the matter
with the other, nor thy lips Ah beloved. In all
the years to come, let us always keep this moment
with us, my Madcap Princess. The Chicago Motor Club's Wayside

(30:32):
Theater production of Madcap Princess comes to a close, Ladies
and gentlemen, I'd like to give you one of the
finest Christmas gift suggestions. I know of what would be
more appreciated by a motorist than a membership in the
Chicago Motor Club. It's a year long gift and it's
economical too. The club is prepared an attractive gift package

(30:55):
containing the membership card, the club emblem, various maps, and
other items of lasting usefulness. You may enclose your personal
Christmas card. If you wish for complete details, phone Franklin
one eight one eighth, or drop a note to the
Chicago Motor Club, Chicago or the branch office nearest your home.
And don't forget, Ladies and gentlemen, when you write or

(31:17):
phone the club, be sure and request that valuable free
booklet yours merely for the asking. It explains how seventy
five thousand member families are spending less to own and
drive their cars. Remember, write to the club or just
call Franklin one eight one eighth. In the cast of

(32:30):
the night's play, you heard our popular stars Olin Sulley
playing Scarabelle and Patricia Dunlaff playing Olwen. They were supported
by Leslie Woods Constance Crowder, Forrest Lewis, Herb Butterfield, Bill Bouchet,
Brett Morrison, and Michael Romano. Be sure and be with
us again next Sunday evening at this same hour for

(32:50):
the Wayside Theater. This is Burnsmith speaking for the Chicago
Motor Club. This is the You'll be be amerathe at
her Wriglar Building in Chicago
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