A Woman's Right to Shoes (Part 1)

Episode Transcript
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Speaker 1 (00:04):
Hey, Hey, it's shar Hey, this is Denver, and we're
just like that. Welcome to the unofficial recap podcast for
Max's original series. And just like that, we're so excited. Denver.
You're ready, I'm ready, all right, so let's get things started.

(00:24):
If we're just like that, as you just heard in
our intro, Denver and I are back for another episode
another week, this time season three, episode five, Under the Table.

Speaker 2 (00:37):
Now, before we start, I will say I enjoyed this episode.
Something about it felt really light. Yeah, and I think
that's kind of the tone I like for it to
keep going.

Speaker 1 (00:48):
I think that I enjoyed it most because we didn't
see Aiden. We didn't even hear his well, we didn't
hear his name.

Speaker 2 (00:54):
But that's it. Maybe that's why I liked it so much.

Speaker 1 (00:57):
There is no aid and I really have to grapple
with I had this feeling speaking to the ease of
this episode. I just feel like I'm just really missing
Professor Morning Show this season.

Speaker 2 (01:09):
Me too, and I didn't think that I wouldn't notice
her absence, but I definitely I feel it.

Speaker 1 (01:16):
Because we see where Sema and LGW is going, and
I feel like Naya's character was just starting, like that
storyline had so much potential because she was leaving Andre
Rashad and I just would have I just was missing her.
This episode in particular, I feel like she brought some
grounding to this group, some common sense to this group.

Speaker 2 (01:35):
Yeah, some blackness and not to w is not. But
I feel like Professor Morning Show's experience was inherently just
a little.

Speaker 1 (01:41):
Different types of blackness for correct.

Speaker 2 (01:43):
Correct, Yeah, I feel like Curtis is a little bit
more wide reaching. So but I enjoyed it.

Speaker 1 (01:50):
I did as well. Before we start, though, do you
want to I think we got to speak pipe. We
got doing this week from an old friend.

Speaker 2 (01:58):
Okay, okay, who's the friend?

Speaker 1 (02:00):
Do you want me to tell you? Do you want
me to bury the lead or do you want me
to just matter of fact? You know what, I'll let them.
I will let them tell you. It's a familiar voice.

Speaker 3 (02:10):
Okay, Hey, y'all, nasch Agan. Now, I know I said
that I was hate watching, but now I'm just kind
of strongly dislike watching because this episode was not that bad.
Everything was cute. Charlotte, Seema, Miranda, Look, let's cut to it.
Whyat the way that I felt a switch in my hand,

(02:35):
and I heard the sound of hot water in a
bathtub running. By the end of that episode, I was triggered,
if they don't get Medea out there to the country
to get that boy together?

Speaker 2 (02:49):
What?

Speaker 1 (02:50):
And also did anybody clock how.

Speaker 3 (02:54):
The eyes that Aiden was making at boyfriend? I'm starting
to think that that's maybe why he sprung up Carrie
staying until Wednesday for the party?

Speaker 1 (03:06):
What's going on? Anyway? Can't wait to hear what y'all have
to say? Let me keep listening. Ok Well, first, right, hey, Nash,
I love when we get our old friends calling in.

Speaker 2 (03:20):
I know, me too, me too. I mean maybe, I mean,
maybe Aben. Maybe Aiden didn't want to be there, just
kind of like solo dolo because he feels a way
with new boyfriend. So he was like, Carrie, you're here,
why don't you go ahead and stay?

Speaker 1 (03:32):
Well? What type of eyes was was Aiden making? Dash
didn't really alude. Were they like hateful eyes? Were they
lustful eyes? Well?

Speaker 2 (03:38):
I think they were more like, oh, you don't really
go here? Okay, you know what I mean.

Speaker 1 (03:43):
To that point, someone brought up you know, I was
corrected a million times over that Carrie was right wearing
a helmet when she was riding the uh the thing
thing you know how we I was like, what was she?
But also at the beginning of last week's episode, Aiden
is not Greek Carrie with the kiss until she hops
on the avy, like she asks him like are you

(04:06):
gonna kiss me? Like there's like two separate scenes, and
I was like, I didn't. I did not notice that.
Also when I listened to because I don't always listen
to the Companion podcast with the writer's room, and when
I do, I make sure that it's like after we've
done our recording, because I don't want to be influenced
or let anything like I don't want any of my
projections or anything to be take it because they know
everything that's going to happen. Yeah, but it was a

(04:28):
metaphor when Wyatt broke the windows, like a shattering of
the glass, like a back to reality, like this anything
you were imagining with Aiden, this is it's like symbolism
with him grabbing the paint roller because I didn't know
what tool he used either.

Speaker 2 (04:42):
I thought it was like a rock or something.

Speaker 1 (04:44):
I thought it was a pitchfork.

Speaker 2 (04:46):
Oh you're right, he did, like a yeah, yeah, yeah, yeah, yea, yeah.

Speaker 1 (04:49):
Yeah, but it was one of the paint rollers. He
grabbed a paint roller and he shattered the window.

Speaker 2 (04:53):
Well, I'm being.

Speaker 1 (04:57):
Are you ready to jump into this episode?

Speaker 2 (04:59):
I am? I am because I thought everything was shattered,
but then we find out this episode things aren't quite
as shattered as I thought. So let's get into it.

Speaker 1 (05:09):
And I want to remind people really quickly. If you
want to join the ranks of Nash and the others
and let your voice be heard, head on over to
speakpipe dot com slash. We're just like that. We love
hearing from you all. Also be sure to rate us,
you know, give us five stars down to the Apple podcast.
You know we have a visual component now, so come
on down to the YouTube backslash at the at sign.

(05:30):
We're just like that show. And if you want to
watch us, watch us, let us do it. Watch us,
watch us do it, watch.

Speaker 2 (05:40):
Us do it.

Speaker 1 (05:41):
So here we are.

Speaker 2 (05:44):
Yes.

Speaker 1 (05:44):
This episode opens up with Carrie looking Ova. She's looking
oh fu.

Speaker 2 (05:50):
I was like, where are you going in the window?

Speaker 1 (05:52):
Right? Where are you going? With this slick back? Ova
in the window and she's narrating more lines of her
book and the sentiments I noticed are about stepping off
of the expected path and going wherever life leads you.
It's like risk taking. That's that's what she's speaking to.
And that's what she noticed as a man who looks
like he's pretty incognito and he's getting out of a car.

(06:15):
He has luggage and he's headed to the apartment under hers.

Speaker 2 (06:20):
Now, how did I not know until now that there
was an apartment under there?

Speaker 1 (06:24):
You know what? In fairness denver me either because they
kept referring it to it as the Grammarcy House. So
when Carrie was doing all that running from upstairs to downstairs,
remember the kitchen door, I assumed that was the whole
to do of it.

Speaker 2 (06:37):
Well, one thing, where were those rats in that garden going?
Were they staying in the garden? Were they in the basement?

Speaker 1 (06:45):
It was abandoned for six months out of the year.

Speaker 2 (06:49):
And then did he just get back? Oh, he did
just get back, So that makes sense. So that makes
sense as to why he wasn't out there when they were,
you know, pulling everything up. But I just feel like
that's the one thing about New York that I don't
think I'll ever get down with. You can have a
big ass house all of these rooms, all this thing,
and there's somebody going to be right up on top
of you. Yeah, it's not for me. It's just not

(07:09):
for me.

Speaker 1 (07:10):
I have mixed feelings about it. I don't like it
because you just I mean, but we'll get into it
as yeah, so and then we get the montage. I mean, really, Denver,
can we get some emotion for the damn shoe collection?

Speaker 2 (07:23):
My god, my god, Hey, now if I were a woman,
I feel like that would have got me off. Denver.
I reround it wound.

Speaker 1 (07:34):
As someone you know, I love my heels.

Speaker 2 (07:36):
I loves Yeah, you are heels.

Speaker 1 (07:39):
Bright the way I'm taking you all suggestions. Shar is
in the market for a tennis shoe. Okay, I need
a good All my shoes. My shoe closet is majority heels,
like eighty five percent heels. And then I got some
sandals and I got some boots, but they're not weather appropriate,
like like they're for fall winter, they're not for summer.
And I need like a sneaker.

Speaker 2 (07:59):
I need like a a sensible walking shoe.

Speaker 1 (08:02):
Now hold on, I ain't care and hugar, now, I
hate the ground dumb, but I need I want something fashionable.
But I'm thinking like a new balance or an idi
da what's installed right now?

Speaker 2 (08:19):
I mean I wear APLS a lot. There's a store
at that grove, like a running shoe, and.

Speaker 1 (08:24):
You wear them like for walking, like the gym.

Speaker 2 (08:26):
I wear them all the time.

Speaker 1 (08:28):
Okay, well I'll take some suggestions from you, but also
people listening, I shar is in the market for a
damn tennis shoe. I don't have any, So anytime it
rains or I travel out of Los Angeles where I'm
not in and out of my car, I'm like, yeah,
but again, some commotion for this damn shoe collection. It
was and I noticed, like when she first was walking,

(08:50):
I was like, there's zooming in on these these sparkly
orange open toe, you know, strappy sandals. And then we
got the montage and I was like, oh, this is
what I watched this show for. This is off the runway.

Speaker 2 (09:02):
So so for me, what I thought was interesting is
I think every episode thus far it's open with the
shot of shoe the cat, so I was expecting it
again in this episode. But then I got like actual
shoes in this montage, and I was like.

Speaker 1 (09:12):
Oh, because a woman has her right to shoes.

Speaker 2 (09:16):
We'll get we'll get that.

Speaker 1 (09:18):
So so from there, as this is happening, we see
that the man that's underneath Carrie, he is It's a
juxtaposed scene because he is becoming increasingly frustrated. We see
him tossing and turning because apparently he is trying to sleep,
but he can't because Carrie is upstairs being the cat
walk assassin.

Speaker 2 (09:38):
Not my problem, honestly, not my problem.

Speaker 1 (09:41):
And we're gonna talk nay later on. In this up
there's some questions.

Speaker 2 (09:45):
You know, I already got oh yeah, oh yeah, I'm ready.
I'm ready.

Speaker 1 (09:48):
I might have something for me too, I do. But
he finally decides to confront Carrie, and he is angry,
I mean irate. And in this scene we learned that
his name is Duncan Reeves. Now we don't know much
abo at dunk and we know his name, and we
know he is pissed at Carrie. What were your takes
on this confrontation? Sir?

Speaker 2 (10:05):
Who are you? First of all? Who are you? And
why would you speak to a woman in that manner?

Speaker 1 (10:10):
And British?

Speaker 2 (10:12):
I don't care and I don't I don't care. I
just it pissed me off. And it took me to
a place and I don't think I would have entertained
it as long as.

Speaker 1 (10:20):
I did, as long as long as Carrie did well
she did. Yeah, Yeah, I try to be neighborly. I
try to be neighborly. And I should mention that this
episode I have in my notes. I forgot to mention
this episode was one of the spicier ones. Is it
pertains to conflict. There was a lot of conflict this episode, right,
But I enjoyed watching it unfold. And I try to

(10:40):
be neighborly. And I don't know if your neighbors are
like my neighbors, But my neighbors I don't know if
it's the millennial or the Midwestern girl in me or what.
But people don't like speaking, and I'm like, I don't
know if this is like.

Speaker 2 (10:51):
I don't talk to money. I'll talk to the one
girl down the hall because we have a mutual neighbor
who you hate. So we've talked.

Speaker 1 (10:57):
Say hi, like you're in the hallway and you don't
say hello.

Speaker 2 (11:00):
No, I hate my neighbors. Oh my gosh, I'm like them.

Speaker 1 (11:04):
In fairness though though Denver I live in like Villa
bungalow type situation. You're in a more like standardized corporate You.

Speaker 2 (11:13):
Got a situation right right. But I will say when
I was at my old building at the Roosevelt Well,
two things I knew. All my neighbors there loved them,
They were great. And the only sound I ever heard
in that apartment was the sound of my neighbor's heels.
And I would only and I would only hear them
when I would be in the bathroom, because you have

(11:35):
bathrooms have like less insulation for all the parting. So
whenever she would walk around, I would hear clock conk
and I'd be like, Okay, she's ready to leave. But
that's the only sound I ever heard. So I understand
Duncan's annoyance to a degree, but.

Speaker 1 (11:50):
The approach, you don't understand the approach.

Speaker 2 (11:52):
No, he said, have you no rugs? Have you no
ear plugs? Motherfucker? My god?

Speaker 1 (11:58):
Their solutions on both. But I but but the point
I was trying to make is that I didn't know
if it was like because I can't gauge their ages.
You know, LA can be very mixy. I don't know
if they're peers of mine or younger like with that
gen z angst. But I'm like, we gotta start having handshakes,
not even with neighbors, but we gotta start. We cannot
lose the art of direct contact, a direct eye contact

(12:20):
rather and a handshake. Like it costs nothing to say hey,
Like I'm the I'm the neighbor that's going to say hey,
how you doing if we're passing each other in the hallway,
because I feel like you never know when you might
need a neighbor. That's true direction we're heading.

Speaker 2 (12:34):
Cow Like, I love her building. She knows all of
her neighbors. It's one of like old Hollywood motel vintage
kind of building. Huh. I mean they with like the
pool in the courtyard, you know. Yeah yeah, yeah, yeah,
Like they leave their doors open. They're always like cooking
if somebody has something extra. It's like a compound almost yeah,
and it's very cool. Like I like that. So if
somebody goes out of town, somebody will watch the cats and this,

(12:56):
that and the third. I'm like, that's really nice. That's
very there for.

Speaker 1 (13:01):
Forever, Okay, because I just it costs you nothing to
say hello. But also I get that people are in
different situations. But so yeah, like I mentioned. We learned
that his name is Duncan reeves. He's used to silence
because the woman who lived in the apartment before Carrie,
she was bedridden. As Carrie keeps emphasizing and reiterating like, yeah,
well you had silence in this church mouse aesthetic because

(13:24):
she was in the bed. Carrie pleads her case in
this scene and she mentions that, you know, for what
it's worth, I'm not throwing any parties. I'm not rollerblading,
I'm not bowling.

Speaker 2 (13:33):
Duncan don't find them like I'm just walking, which I mean.

Speaker 1 (13:36):
Fair Well, here's my thing as a girl who loves heels,
and I know that this is a TV show, and
we know that Carrie can be impractical. I don't walk
around my home in my heels. I leave my shoes
at the door, and I wear slippers. I wear house shoes. Yes,
I'm not trotting through my house. And Carrie got a

(13:57):
lot of floors in a lot of house, you know,
to be trotting through. So I was like, damn, who
am I slipping? Like she says she don't even know
how to walk in flat so it's.

Speaker 2 (14:05):
Like, I mean and my initials. Dog was like this
is New York, so you're walking around these streets and
then you're checking through your house in those same shoes.

Speaker 1 (14:13):
Yeah. Well, so when this comes up, I got I
got a call back for your.

Speaker 2 (14:18):
I know, but that was my first thought. I was like,
this is nasty.

Speaker 1 (14:20):
No, it's really gross. It's really gross, especially because Carrie
is not in and out of cars like Sema. Carrie
does a lot of walking and she's no stranger to
public transit if she needs to take it.

Speaker 2 (14:29):
And then she was talking about rugs, so like, so
you just wiping it on your rugs too. I hope
they're not cream No, definitely not.

Speaker 1 (14:35):
They definitely weren't creamy.

Speaker 2 (14:37):
That's nasty.

Speaker 1 (14:38):
So but Duncan mentions he's a night owl and he
works all night and sleeps during the day. He asked
Carrie not to wear her heels too far. Yeah, that's
that's a bit too far because I pay rent here.
Then we get our next scene, Carrie, Charlotte, Miranda, and
Seemar out to lunch and they're catching up. Carrie fills
Miranda and the table in about like Duncan and everything

(15:01):
that's going on, and Miranda cuts her off and mentions
that she has a neighbor that blasts heavy metal rock
music I have in my notes hard Pass. I think
I already know your answer to my question. But if
you have to choose, if you had to choose between
neighbor blasting music or neighbor, you know, being a catwalk
assassin in their heels, which would you choose? Which poison

(15:24):
would you pick?

Speaker 2 (15:26):
Well, considering I have neighbors who blast music all night
that tends to keep me up, hence why I hate them,
I'm gonna go with the heels.

Speaker 1 (15:36):
Oh my gosh. I always think about when people do
things like that. Yeah, like, what about the people who
have babies? Like I feel like i'd be considerate.

Speaker 2 (15:44):
Yeah, no, it's it's actually insane. And the people who
live well, it's two. So the people who live above
me and the people who live next to me, they're friends, right,
So they're in cahoots. So they're running up and down
and and and and if I'm not mistaken, I think
they're all streamers.

Speaker 1 (16:02):
So you live next to DDG and Kyson.

Speaker 2 (16:05):
It's basically so they're up at crazy hours of the night.
I hear screaming, they're playing music. And granted, you know
it's a multi family building, so you can't complain like.

Speaker 1 (16:15):
I was saying, your building has always been a little trendy.

Speaker 2 (16:17):
Huh, it's trendy.

Speaker 1 (16:19):
So you mean to tell me that you moved up
and you got worse neighbors. Yes, you're supposed to get
better neighbors as you moved up, Like you're up there
in the clouds now where your apartment is.

Speaker 2 (16:30):
Yeah, and it's it's it's crazy. They It'll be like
three o'clock in the morning and I'll hear doom and
and oh, I'm calling front desk and I'm calling people,
and I'm like, it's either next door or upstairs. So
they'll shut it off upstairs and then they'll come and
then they'll come downstairs. So I'm like, it's one of them.

Speaker 1 (16:52):
That's what gels us together because neither one of us
are opposed to calling the front desk.

Speaker 2 (16:56):
Absolutely no, And.

Speaker 1 (16:59):
You, while listening and feel how you want to feel
about it, I do not object to calling down to
the front desk. But then during so during this, Seema
reminds Carrie that she told her about Duncan and he
lives there six months out of the year. That's how
we find that out, and then Charlotte mentions your earlier
point like, girl, it's unsanitary to be walking around in

(17:23):
your house, Like why don't you just take your shoes off?
And so in my notes, I have a callback. I
was waiting to bring this up. Okay, do you know
what I'm I'm gonna say? So, do you remember that
one episode of Sex in the City where Carrie like
reunited with an old friend or an associate, and the
woman had just had a baby, and she invited Carrie
to her home it was like one of them apartments

(17:45):
in Brooklyn or whatever, like, to her home to the baby.

Speaker 2 (17:48):
Shower, and Carrie goes, and.

Speaker 1 (17:50):
She remember she asked her to take off her shoes
at the door because we don't allow shoes in the house.
Carrie enjoys the shower, and then when it's time to go,
her shoes are missing, and they're like seven undred dollar
Manolo's or whatever they're missing, and that becomes like the
b plot storyline of the entire episode.

Speaker 2 (18:07):
Yes, and I think that episode name was a woman's
right to shoes If I'm not mistaken, Oh really I
think so.

Speaker 1 (18:12):
Oh this brings me so much joy, But that's what
that made me think of, like, Carrie probably don't take
off her shoes because she got a lot of trauma.
She got PTSD.

Speaker 2 (18:19):
Around that, but not in her own home. But not
in her own home. But a couple of things from
this scene that stuck out to me. Carrie's instant, well,
what does that have to do with me? You know,
Carrie gets a lot of flak for being very self centered.
So the fact that she kind of verbalized that, I
was like, Okay, she's just you know, kind of setting
her waist, which we'll see later too, And it reminded

(18:40):
me how Sima just truly is my girl, because her
instinct was to kill him. She's like, she's like, we
just got to kill him.

Speaker 1 (18:46):
By the way, I saw a TikTok of a black grandma.
That was her advice. She was like, if a man
cheat on you kill him. And I was like, well,
well there's a story there with the ancestors.

Speaker 2 (18:59):
There is there is And then of course Miranda knew
who this man was, so.

Speaker 1 (19:03):
Yes with Duncan once it's brought up, Charlotte knew who
he was to because remember, Harry's been reading one of
those biographies for five years now and Miranda's like, oh,
I finished in a weekend. They both get excited because
Duncan Reeves is an author and he is known for
his biographies. Honey, like, I guess that Winston Churchill one

(19:23):
is which shut out? I went to Churchill Elementary School,
so shut out to church.

Speaker 2 (19:27):
I knew who.

Speaker 1 (19:27):
Winston Churchill was when I was in kindergarten. Oh my god,
American propaganda. So Miranda goes, Carrie, take your damn shoes off, bitch.
Like Duncan, according to what was the Sight that Good Reads,
Duncan got writer's block and I've been waiting on his
new book for years. Take your damn shoes?

Speaker 2 (19:48):
But you friend, are you?

Speaker 1 (19:50):
Duncan's well, well, that's a that is a question that's
going to keep bubbling up in this episode. So then
we get the next scene. Carrie and Charlotte are walking
in talk in there chatting, and Charlotte asks the latest
scoop on Carrie and Aiden's relationship. Carrie mentions in short
that she's being realistic while holding on to romance. And

(20:10):
I felt like this was a classic Carrie Charlotte scene
because Charlotte's like, oh, I can imagine being away from Harry,
and Carrie's like, well, luckily you don't have to, like,
let's cut.

Speaker 2 (20:20):
This out of the leg. Let's just yeah, I'm not
even going down there. I'm not playing this game with you.
I'm not I'm not doing it.

Speaker 1 (20:26):
Luckily you don't have to, so let's change the damn subject.
I'm doing what's best for me and my relationship right now,
what I feel is best for me and my relationship.
But then we get the next scene. Miranda is at
home and she's trying to get some work done and
the heavy metal is blasting, so she grabs her legal pad,
those infamous legal pads with the yellow striped paper, and

(20:48):
she writes a note and slides it under the neighbor's door,
and moments later the music stops and Miranda's able to
get back to work.

Speaker 2 (20:56):
Good for her, I'm glad that worked. I don't think
that works in most situations.

Speaker 1 (21:01):
First of all, I do not want to live in
an apartment where there is even a crack small enough
to slide a piece of paper under my door, because
that means if paper can get under there, anything can
get up under there.

Speaker 2 (21:14):
Jesus be a Wedther strip.

Speaker 1 (21:16):
Like yeah, no, no, no, I'm not. I'm not doing
that neither.

Speaker 2 (21:20):
You want to take a break here, Yeah, let's take
a break here. Let's take a break here, all right,
and we are back. I think we left off with
have you metal notes under the door?

Speaker 1 (21:30):
Yes, But then but then we get our next scene
and oh my gosh, Charlotte and Harry are out for
an after dinner walk and that is when Harry reveals that, Hey,
remember the time I peede myself at the club. Remember
the erectile dysfunction that I was experiencing. I decided to
go get it checked out, and I have prostate cancer.

Speaker 2 (21:54):
Now. I kind of saw this one coming, really I did.
I did. I didn't want to, like, you know, put
that out there. But when he couldn't get it up
after he peted on himself, Minusta was always having prostate issues.
I don't think it was gonna I it was gonna
be cancer, yeah yeah, yeah, But I thought that it
was going to be a prostate type situation.

Speaker 1 (22:14):
Yeah yeah, yeah. I think that I watched, because you know,
I watched twice. I think we both do. And I
was like, I was, I was trying to question, like
how Harry could have approached this, and I think this
was the best delivery he could have given Charlotte, which
was ripping the band aid off, because Charlotte is one
of those people that's going to be dramatic anyway, and

(22:36):
it's better to just if he has a calm delivery
about it. It turns the temperature down a little bit
versus if he were you know, a bit more you know, dramatic.
Because Charlotte immediately freaked out when she learned this of
this information, and it's understandable for sure. Her mind. You
hear the big C word, your mind goes to a
million and one different places, absolutely, and so he assures

(22:58):
her that he'll be okay. Prostet Is prostate cancer has
a ninety eight percent survival rate I guess for men
in his age group. But Charlotte's already too far gone.
But there's no way of getting around that, Like she's
in her head, there's no way of getting around it.
But Harry makes one request, and that is that Charlotte
not tell anyone, not the kids, not their friends, anyone,

(23:18):
no family about his diagnosis. What did you think about this?

Speaker 2 (23:21):
I understand it, but I feel like it's incredibly unfair.
I feel like, at least the children should know, because
now not only have you burned me with the news,
now you've burned me with being unable to share or
like even my own way, even though it's not really
about her, you know what I mean. Now she has
to keep a secret. Yeah, I have to have to
deal with this devastating news and I have to actively

(23:45):
keep a secret, you know.

Speaker 1 (23:47):
And I'm listening. I'm listening.

Speaker 2 (23:50):
No. And the thing about cancer, any illness, is it
doesn't just affect the person, that affects her loved ones too.

Speaker 1 (23:55):
Right, it's a diagnosis for everyone a sense.

Speaker 2 (23:58):
Everybody has to process and you know, come to terms,
and you've basically cut off charlotte support system and you've
good made it where it's just you, you know, the
point person she can talk to.

Speaker 1 (24:10):
It.

Speaker 2 (24:10):
I just don't feel like that's fair.

Speaker 1 (24:11):
It's really it really isn't. And that's a heavy burden
to bear, especially for someone like Charlotte. Also in the scene,
she suggests quitting her job so she can, you know,
take care of him, and he waves that off, that's ridiculous,
And then she mentions canceling the upcoming glamping trip that
they have scheduled but Harry insists that she don't cancel it,
reassuring her that everything will be okay.

Speaker 2 (24:37):
He's such a good man.

Speaker 1 (24:39):
He is.

Speaker 2 (24:39):
I like hair, He's such a good man.

Speaker 1 (24:41):
Speaking of men that we have different opinions on. Our
next scene is LTW and Herbert and they are with
their family and there and LTW is gearing up for
her trip to Atlanta with Marion and reminding Herbert of
protocol for this governor's island glamp trip, which he insists

(25:02):
that she never told him about. Now you know, I
hope you thought of me while watching this scene because
I rolled my eyes so far to the back of
my head. I know you did see my asshole. I
was just Herbert just drives me up a wall.

Speaker 2 (25:18):
And if I'm being honest, he actually kind of pissed
me off in this scene, like pissed off episode. I
was like, are you kidding me?

Speaker 1 (25:29):
I have in my notes Herbert is only concerned about Herbert.
That seems to be his primary focus.

Speaker 2 (25:34):
Herber don't give a damn about shit.

Speaker 1 (25:36):
No, it seems to be his primary focus. And that's what,
in my opinion, makes him inherently her fourth child.

Speaker 2 (25:43):
She got to keep up wrong you're not wrong, but
I just think that, you know, they work for each
other in some weird way.

Speaker 1 (25:51):
They do work for each other. But it also spotlights
a call back to Grace and how this was supposed
to take one year and went to eight. I think
she had more help than that household. This documentary would
have been done years ago. She's doing so much by
herself because Harry, granted, you know, he gives a good,
good lifestyle to the kids, but LTW is an equal

(26:12):
contributor to that as well. But if he were more
active and present and less self centered, this documentary might
have been done years ago. Maybe, so one could only tell.
Then we get our next scene. Seema is at the
bank with Linda. Is that her name, Linda, And she's

(26:34):
pleading her case because Sema wants to take out this
loan for this office space or this office that she
saw in Tribeca. Because you know, Seema's branching out on
her own and she's justifying all of the purchases for
her lavish lifestyle. I was living in this scene. I
was living because she's absolutely correct wrong. Linda is hearing

(26:55):
her out on some sister girl on the sister girl
tip like I get it. She also warrants that you know,
her boss or her supervisor is a bit of an asshole.
But despite that, Seema still has an overall good feeling
about this loan. I feel like when Seema walked out
of the bank, she had a good feeling about this.
Now you sent me something.

Speaker 2 (27:16):
Well before that. I want to say it was interesting
because I honestly I couldn't tell if Linda was on
her side or not. Like, I couldn't tell if she
was like, you know, going with the young girl I
got you, if.

Speaker 1 (27:25):
She was like and like a secret hater.

Speaker 2 (27:28):
Yeah, I couldn't tell.

Speaker 1 (27:29):
I see when I first watched it, I felt that way.
The second time I watched it, I felt like she
was earnestly like I'm gonna look out for you. But
you felt like she might have been on some like.

Speaker 2 (27:38):
Okay, smiling not yeah.

Speaker 1 (27:40):
I hear these stories every day, smiling not yeah. I mean,
I don't know, what do you all think?

Speaker 2 (27:45):
Let us know what you let us know.

Speaker 1 (27:47):
Was Linda being a hater or was she really on
some solidarity?

Speaker 2 (27:51):
Well, so when I saw that clip I sent you
earlier that you were about to bring up, yeah, I
realized it's the same Linda from when Carrie was trying
to get a loan teen seasons ago and the original series,
and I was like, well, I'll be damn, it's the same.

Speaker 1 (28:04):
And I love when when they do this. I love
and just like that. I love a good callback, especially
if I can remember, because you and I don't always remember.
But that's what we depend on our co host for
because they'll be like, remember Midsty what was her name,
Misty Vaughan, Buffling or something like that with the dick
and we we just breathed through that and people were like,

(28:24):
you don't remember her husband?

Speaker 2 (28:30):
So uh yeah.

Speaker 1 (28:31):
I love a good call back.

Speaker 2 (28:33):
But the difference in that scene with Carrie is Carrie
had no assets.

Speaker 1 (28:39):
Sella god stuff Carrie. Carrie had nothing but audacity. That's
what Carrie had trying to get that long had, right
wise woman audacity.

Speaker 2 (28:50):
Oh man.

Speaker 1 (28:51):
So then we get our next scene. Carrie pays Duncan
a visit and she brings a piece offering a welcome wagon,
if you will, and it's a basket of goodies from
local shops in the neighborhood. Duncan invites Carrie in and
reveals that he's a writer Carrie acts like she didn't
already know this, but she knew from lunch earlier. She

(29:12):
reveals that she's one as well. I have in my
notes that this was a spicy exchange between these.

Speaker 2 (29:16):
Two, So I like Carrie trying to like kind of
flirt her way out of trouble. Yeah no, no, not trouble,
so to speak. But she does awkwardness.

Speaker 1 (29:24):
Yeah, yeah, but it was it was spicy. He's British
and spicy. He got a smart.

Speaker 2 (29:29):
Mouth, he does, he does. I saw looking at my
notes now and I said earlier so I said, share
the courtyard. I guess they share the garden. So who
has dominion over what happened decorating because I know he
says that he liked it before, but she's like, well,
I'm changing it and.

Speaker 1 (29:45):
It was a right highway. And I think Carrie has
dominion because she's there year round. He's there six months
out of the year. To your earlier point about the
rats and things like that, I noticed in this scene.
I literally have it down in my notes. They got
his door wide open, Yeah, Like she walked in and
the door is wide open, and he's on the first
floor of what used to be a rat Highway. You

(30:07):
don't you want to take your chances like that.

Speaker 2 (30:09):
I mean, in an all fairness, it doesn't look like
he gets the best light or ventilation down there.

Speaker 1 (30:15):
This place looks so depressing compared to carries, and I
wondered if it was one of like the something like decorating.
But to your point, I think just where his apartment
is positioned, he gets the shit in of the stick
when it comes to natural light bus because the garden,
the backyard has tall cement walls to it, so he

(30:37):
gets it just looks so his place looks depressing and
hers is all open and airy and light.

Speaker 2 (30:44):
I don't understand how the New York real estate market
even functions, Like some of the shit I see that
shouldn't even be like a space that would be habitable
separate from the main house. It should all be bundled together.

Speaker 1 (30:54):
I know people who are in basement apartments that are
worse than that, Like that's a luxurious one to keep
some people that I know. But yeah, so while she's
in there, you know, they're they're having this small talk.
He offers her tea and she's like, no thanks, By
the way, there's English tea in there. From tea time
across around the way and he gives her with the gift.

(31:14):
So she gives him a gift and he hands her
an Amazon package. When she opens the package, it is
a pair of the ugliest slippers, some of the ugliest
slippers I've ever seen.

Speaker 2 (31:32):
I would have sapped him with them. I would have
sapt him with him, honestly, God Like, how dare you
you mean? You had all this time to go on
Amazon find these slippers, order them, and you cannot order
yourself some ear plugs.

Speaker 1 (31:47):
True, I keep forgetting about the ear plug part, but.

Speaker 2 (31:50):
True, I mean true, solve your own problem.

Speaker 1 (31:54):
Noise canceling headphones.

Speaker 2 (31:56):
You know. And and furthermore, if you you're a writer
and you know you need solitude, why in the hell
would you move to New York go upstate?

Speaker 1 (32:06):
Direct? Quote, this is New York City. There's noise. And
that's also a good point. He could be in Ithaca, Rochester. Hell,
he could even be a New Rochelle, which isn't too
far from New York City, but it's suburban enough where
you'd get some solitude and right and quiet. Like they're
on a main street. It appears we don't know what street.
They're on, but it appears that they're not on a

(32:27):
side street.

Speaker 2 (32:27):
I'm a New Yorker, just noisy in general. And then
at first I thought, well, maybe his subject is in
New York and maybe he has to be there. That
would be like the only logical reason as to why
a writer who needs silence would even be in New York,
New York City. And then me find out later it's not,
but it don't make sense to me.

Speaker 1 (32:43):
Well, she ends up rejecting these slippers, of course, and
she mentions that she'll soon have a thick rug and
she will try her best not to disturb.

Speaker 2 (32:51):
Him, seeing Carrie's already doing too much, Like I'm trying
to be trying my best not to disturb you. I know,
I know.

Speaker 1 (32:58):
I have neighbors that black music. It doesn't bother me though,
because it's not rock music. Sometimes it's not even hip hop.
Majority of my one neighborho blast music is mostly like jazz.
I'm like, I can do ninety four to seven the
Wave one time in the pandemic. My neighbor to my left.
I don't have a neighbor to my right, but the
neighbor to my left. I was on Instagram. Instagram Live.

(33:21):
I'm only laughing because if you know, you know, pandemic,
shark quarantine, shar and Instagram live.

Speaker 2 (33:26):
My god.

Speaker 1 (33:28):
And it was like eleven PM. This was like at
the beginning of lockdown, and my landlord texts me and
she said, I was in here being too noisy. What yeah. Oh.
It pissed me off so bad because this is when
everybody was well, majority of people were furlough like, no
one was going into work, no one was even working.
This was at when it was like the first like

(33:49):
week or two where there was so much confusion. This
is before companies had zoom accounts figured out and think
this before working virtually was an option. I'm talking about.
This is like m hmm, March seventeenth, March twenty first,
And she sure did.

Speaker 2 (34:04):
And I was like, girl, that's crazy.

Speaker 1 (34:08):
You know I'm live round the clock of this bitch.

Speaker 2 (34:10):
You know that's crazy. I'm gonna take me a.

Speaker 1 (34:12):
Little break and I'll be back at two thirty am
to finish my conversation.

Speaker 2 (34:16):
I feel like I'm the most considerate neighbor ever, Like
I feel about to make noise, you know, even when
johnta'stomping around his boo. I'm like, can you not stop
so loud? Just in general? Like yeah, you know, because
I want that same respect in return. But I'm also
not unreasonable, you know what I mean. Like if I
if I am gonna make noise, it'll be maybe like
a Saturday night, you know, between the hours of like

(34:37):
right seven and eleven, you know, right, I'm watching a movie.
I'll turn the volume up, but I'll turn the base
down so it's not rattling, you know what I'm mean.
I try to.

Speaker 1 (34:45):
You try to be cognizant and neighborly, which is a
fair minimum.

Speaker 2 (34:49):
And I think that's why I gets a pissed off
when I don't get that in return, because I'm like,
I know how hard I try to beat up.

Speaker 1 (34:55):
Well, as Wendy Williams would say, some people were raised
up and others were dragged. You don't know.

Speaker 2 (35:02):
Is going to be shout out to Wendy. I hope
she's doing better.

Speaker 1 (35:05):
I hope she's doing okay as well. I think about
her on a weekly basis, And I love this one.
And Brendan are still so plugged in, like they are
there honey.

Speaker 2 (35:14):
Yeah.

Speaker 1 (35:14):
But then we get our next scene. Charlotte is preparing
dinner and Anthony clocks her. I mean, that's her best friend.
He clocks the hell out of her and asks if
she's okay because she seems so distracted. And that's when
we get Lily and Rock. They don't want to go glamping.
They come into the kitchen, they don't want to go glamping.
But Charlotte is not having this shit. She's very snappy,
she's on edge. Lily pleads her case because Lily apparently

(35:36):
splits Diego, her boyfriend. Diego's weekends with him and his
boyfriend Eric, and if she's not there, it puts her
at a disadvantage.

Speaker 2 (35:47):
This is so funny to me, because girl, you're in
high school, like, why are you doing this?

Speaker 1 (35:55):
So I thought that this spoke to because at first
in my notes, I said, let's talk Polly in all caps, right,
But I had to remove the adult conversations I've been
having about this and put it in the scope of
an angsty teenager because I'm like, ah see, poly people
don't talk like this. What do you mean a disadvantage?

(36:17):
What's your end goal? Ain't you ain't you supposed to
be satisfied playing your role? And everybody down everybody's chilling.
What do you mean put you at a disadvantage? But
when you're in high school, like someone, you.

Speaker 2 (36:29):
Want your boyfriend.

Speaker 1 (36:32):
And in fairness, this isn't taking away from any poly relationships.
I think a lot of people, even as adults in
poly relationships just want their boyfriend.

Speaker 2 (36:41):
Well I heah.

Speaker 1 (36:47):
No judgment, no judgment. But as someone who served as
a sounding board, it just it just in my view,
there's always someone that's more gained to it than the other.
And yeah, that leads down a road. But nevertheless, nevertheless,
Charlotte is not budging. She don't give a damn about Diego,

(37:08):
Eric or any of the other characters in this play.
Lily is going glamping period. Like Charlotte picked up the
wooden spoon, she ain't playing. The next scene, we get
carried on the phone with Miranda and she's filling Miranda
in on everything, and Miranda is half listening because she's
reading text message and Miranda and I have a question

(37:31):
coming up for you about this. But Miranda in this
conversation says that her neighbor informs her that there's nothing
he can do about the loud music. I should mention
that the rock is going again. There's nothing he can
do about the loud music because he's not supposed to
be renting out in the first place. Now to our
earlier point about being front desk girlies, I would have
put an end to this, oh, absolutely, because I pay

(37:52):
rent here.

Speaker 2 (37:52):
Absolutely, I pay rent here. Like what? But then I
would thought, Well, then I thought, does Miranda run the
risk of losing her spot if she were to call
the front desk, right? Because because she's talking to the
landlord right yeah? And he, I guess the way I

(38:15):
interpreted it, he can't complain about the noise because Miranda
is not supposed to be there.

Speaker 1 (38:22):
Miranda is supposed to be there. That's her apartment?

Speaker 2 (38:24):
Is that her? Probably? Because I thought she was airbnbing
in a two bedroom? But didn't you tell the girl
in the bar? You know, Brady took the man up too.
We saw the house Brady's living on and I'm in
an airbnb?

Speaker 1 (38:35):
Is that what she said?

Speaker 2 (38:37):
I think so? So I think she's the one who's
not supposed to be.

Speaker 1 (38:40):
So she's not okay in my mind, I think you're
absolutely correct. In my mind, they because it's coming back
to me now, because they sold that Brownstone. That's what
old girl was like, Oh you let the house. In
my mind, they were.

Speaker 2 (38:55):
The neighbor, gotcha right, right right, So that's what I
thought of first two.

Speaker 1 (39:01):
That detail matters well because.

Speaker 2 (39:03):
We had the same initial response soon as he said
and I was like, oh, whitch, I'm shutting all this
shit down.

Speaker 1 (39:07):
Don't worry about it.

Speaker 2 (39:09):
It's fine, it's fine, it's fine. And then when I
went back to the rewatch, I was like, well, wait, no,
Miranda's the one in the place where the man's not
supposed to be airbnbing, So the man can't be like
my tenan's complaining of this. That and the Thordy right right,
it's supposed to be.

Speaker 1 (39:24):
So my second question is also in this scene, Carrie
takes some offense to Miranda reading text while they're on
the phone. But in my notes, I said, literally, I
do this, Oh honey, I said, I admit, like I
do multitask when I am on the phone when there's
a phone call, unless it is something super super serious
that requires my undivided attention. If we're just shooting the breeze,

(39:47):
I'm likely going to be multitasking, and that includes reading
and responding to text. Messages. But I'm also not opposed
to telling you wait, Denver, hold on one second. Let
me just respond to this really quickly. If it's something
like because someone could be texting me paragraphs right well,
you know, and if we just catching up about Kenzo
and the latest flavor salmon snack, like, I, well, how
do you feel about this?

Speaker 2 (40:08):
Oh no, I'm a multitasker down, I mean, and I'm
so good at it, like it's almost second nature. Like
we've been on the show and I'm putting out a
fire between my mom and my sister be a text
right now, and nobody has any idea, like you know,
you know, I can always fly something off, and like
that's just kind of how I've conditioned myself to function. Now.

Speaker 1 (40:26):
See, I don't think I can do it while working.
My phone is on D and D for that for
that reason alone.

Speaker 2 (40:31):
Oh no, So I have a split screen, so I
have all the showsuff over here and then here, and
my shit's on D and D too, except my mom
and my sister. So they're the only ones who can
actually get through. And if they can come through, I'm like,
oh god, you know, yeah, yeah, yeah.

Speaker 1 (40:46):
So so Carrie offers Miranda one of her extra rooms
for Miranda to stay in, but Miranda turns down the offer,
and instead she asks Carrie to hook her up with
Sema so that she can move like she can find
a place. Carrie tap dances around this before conceding that
she doesn't want to mix friends with business because it
is too risky.

Speaker 2 (41:07):
And I'm glad you said it. Yeah, I'm glad you
just said it, Rick.

Speaker 1 (41:11):
And Miranda's very grown to be, like, Okay, I get it.

Speaker 2 (41:13):
And I think that that was kind of the first
instance in this episode, which we'll see later where I'm like,
you know it, actually being really grown about this. So
I appreciated that.

Speaker 1 (41:23):
I might have told Miranda to ask Sema herself.

Speaker 2 (41:26):
That's what exactly. Don't don't.

Speaker 1 (41:29):
I won't be a conduit. I won't be the linking
thank you you asked Sema. At this point, Miranda should
be comfortable enough with Seema anyway. I feel this might
have been around for three years.

Speaker 2 (41:39):
Right, But me was Kerry kind of read Miranda kind
of read talking about she's unemployed.

Speaker 1 (41:44):
Yeah, what else? What else she got to do? Befind
me an apartment? Uh? Then we get when the call
is over Miranda goes back across the hall with that
legal pad and she slides another note under the door,
and that's when the door opens.

Speaker 2 (42:03):
Yep, and there was a crazy white man, but.

Speaker 1 (42:08):
With a meat cleaver. Are you channeling me right now?

Speaker 2 (42:13):
I am.

Speaker 1 (42:15):
I am butt naked with the meat cleaver.

Speaker 2 (42:17):
And that is a reason why I don't interact with
my neighbors directly, the ones I have issues with.

Speaker 1 (42:23):
And I was going to say, in fairness, you do have,
and from what I've seen some this is not too
far out of the scope of potentially one of your neighbors. No, No,
we should also mention that this man is hurling threats, right,
he says direct quote, if you slide another note under
my door, I will fucking cut you to pieces.

Speaker 2 (42:45):
Yeah, I'm not knocking on doors. I'm not trying to
establish anything. You know.

Speaker 1 (42:51):
It's and it's not like Miranda was even down the hall,
like he didn't, you know, It's not like she like
slid a note and like ran down the hall to
try to get back to like she's across the hall.
And he answered that thing so quickly. I was like, oh,
absolutely not.

Speaker 2 (43:04):
But then I'm also like, okay, so Miranda if this
is going to be an issue ear plus noise canceling
had phones, Like, at some point you have to solve
like if if the problem is not going to solve itself,
you have to solve your own problem.

Speaker 1 (43:15):
But you know what, to your point, I hear you
loud and clear, But I think about, like just how
inconvenient that is, Like it's I think in theory it
sounds like just get ear plugs, but like I'm trying
to chill. I'm trying to relax and watch TV and
unflind and decompress and talk on the phone. Maybe you

(43:35):
can't do nothing about phone interception. And you got you know,
Ozzy Osbourne blasting and.

Speaker 2 (43:43):
I hear you, and I think that by on principle,
you know that would I would push it as far
as I could until the button neked man is with
the meat cleve. I'm like, okay, well we got to
go to Plan B. You know, like this ain't changing
at that point. Like I'm going to be inconvenienced either way,
either buy the earplugs or buy this man. So at
least I'm gonna make it work for me.

Speaker 1 (44:04):
Luckily, Miranda has a plan C. All right, because our
next scene, we see her showing up at Carrie's door
with her belongings, and Carrie is excited because it'll be
just like when they shared a place in the nineties
on Bank Street.

Speaker 2 (44:16):
Which which is funny because I remember you mentioned what
Carrie was going to do with the house in the
bedrooms now that Ad and White aren't coming up, and
in my mind, I was like, somebody's moving in. I
don't know who, but somebody's moving in, and so it's
nice to see this episode of Okay, well, somebody's moving
in all moving, you know, temporarily, but I was like,

(44:36):
that makes sense.

Speaker 1 (44:37):
Carrie's trying to be a good neighbor, though, honey. She
asked Miranda not to wheel that luggage. This scene made
me laugh out loud because I said, oh, these thinking.

Speaker 2 (44:46):
A little spicy, okay.

Speaker 1 (44:48):
Because Miranda notices that Carrie's got some new couches and
she starts walking over towards them, and Carrie asked her
to take off her heels, and Miranda's like, seriously, girl,
you're still wearing yours. And Carrie It's like, yeah, but
I know how to.

Speaker 2 (45:01):
Walk in mind, and that's a read only a friend
could deliver. I like, but I don't even I can
say what I heard what it translated to in my head,
but what I heard was No, I'm.

Speaker 1 (45:13):
Not gonna what you hear, Denver, because I know how
you think. As Ni Leek said, I.

Speaker 2 (45:17):
Know, I'm not gonna say.

Speaker 1 (45:21):
A call back to last week's episode with fingers figuring
it out.

Speaker 2 (45:25):
Yep, yeah, as you walk like a you know, he's
trying to.

Speaker 1 (45:29):
Say that she walked like a Blene. She walked like
Analise keating in them heels.

Speaker 2 (45:33):
No, no, not exactly, well technically kind of, you know what,
I'm just gonna shut it.

Speaker 1 (45:42):
Doing a lot with Jeane Gray.

Speaker 2 (45:44):
She was, she was.

Speaker 1 (45:46):
And so then there's a knock at the door, and
of course that there is the assumption that is Duncan's
mean ass coming to complain. But instead it's a delivery
guy and Carrie is caught off guard because she didn't
order anything. But it's a gift from Aiden and it's
the table, and Carrie is flattered. Even the delivery guys like, damn,

(46:07):
that is romantic.

Speaker 2 (46:10):
Yeah, so here's the thing.

Speaker 1 (46:14):
Take it away.

Speaker 2 (46:15):
Happy from Happy for my girl, like the most romantic
thing ever. I was like, oh, that's adorable, like that's
so sweet and thoughtful and all of that good stuff.
But fuck, I had on my notes all caps. Fuck
I thought we were moving away from Aiden, and it's like,
just when we think we are leaving this man in
the dust, somehow he pulls us right back in.

Speaker 1 (46:37):
Ain't that how life works?

Speaker 2 (46:38):
And I'm so over it? For some of us, I'm
just I'm I'm I'm I'm over it.

Speaker 1 (46:43):
That's why I'm like, I'm hoping that this is a
parting gift.

Speaker 2 (46:46):
Like I was so conflicted because I was like, oh,
she got the table and this is really really romantic,
like I had all it's so sweet romantic.

Speaker 1 (46:55):
I messed up gift because Aiden one thinking about that
damn table. If Carrie would not have reminded him, to me,
it would have been more romantic if it would have
shown up without Carrie having to essentially prompt him.

Speaker 2 (47:08):
Well, I mean, I wonder when he bought it, Like
did he buy it right after that conversation where he
was like I did it quick? Or did he buy
it after? You know?

Speaker 1 (47:16):
No, he bought it after that conversation, because remember he
thumbs down it and moved on right.

Speaker 2 (47:20):
But then I was like well, maybe he bought it
after everything went to shit and then he felt embarrassed, like, well,
let me make it up real quick and buy a table.
I don't know.

Speaker 1 (47:28):
Let me stop rolling my eyes because redemption is possible.
Stop being so cynical about everything.

Speaker 2 (47:34):
Yeah, I'm still not teammate, and it's gonna take more
of it now.

Speaker 1 (47:37):
I want.

Speaker 2 (47:39):
Gone gone. I want him gone gone.

Speaker 1 (47:42):
So Miranda then spots Duncan. I laughed at this scene
because she spots Duncan as he's walking back into his
house and she fans out as she asked him to
sign her copy of Winston Churchill. And I wonder if
it was improved where Carrie Goes. Where did that book
come from?

Speaker 2 (47:57):
I mean she said it as I was thinking it
because it was a blink kill and I like she
had it in her purse, yes, she did, like not
even in the luggage and stuff she brought to stay.
She had it in her like ready to go.

Speaker 1 (48:07):
She was like, maybe I'm going to Carry's house to stay,
and I know you know who sat downstairs, neighbor. I
don't listen, Miranda, I'm not I'm not.

Speaker 2 (48:16):
Mad at it, I hollered.

Speaker 1 (48:18):
I'm not mad at it, and of course he he
says I'm shady in this scene as well as he
was signing it.

Speaker 2 (48:24):
Yeah. Yeah, it was, I just can't remember.

Speaker 1 (48:26):
Yeah, he says some of it was, Oh, because they
were going to bring the like bumpers up there, and
he was like, no need you know, she doesn't have rows.

Speaker 2 (48:33):
Oh the shoe covers. Yeah.

Speaker 1 (48:37):
So our next scene we're in flight with maryon in
lt W and LTW is impatient because she's running behind
schedule for this family glamping trip, and but Marion clears
the way gets her up out of there.

Speaker 2 (48:51):
Yeah, he does.

Speaker 1 (48:52):
He has jokes though. Again I wonder if the Chala
May reference was was improved.

Speaker 2 (48:57):
Oh maybe maybe.

Speaker 1 (49:00):
He had jokes like Marion, Yes, it's a man's name too.
What are you looking at Shalla May?

Speaker 2 (49:05):
Mm hm. I mean my question was what airline is this?

Speaker 1 (49:09):
It was it was like Burgundy and cream.

Speaker 2 (49:11):
Yeah, it was giving International, not from Atlanta too.

Speaker 1 (49:15):
It was giving like this has been left over from
it from from the eighties, from the Dallas set.

Speaker 2 (49:23):
I don't know. Yeah.

Speaker 1 (49:24):
It So then we get our next scene and we're
with the Wexleys and the Golden Blats and they're glamping
Herbert is annoyed, which is annoying me. An adult LTW
shows up and she's late. But and and Herbert, I
should mention, does not appear that he wants to be there.

(49:46):
Mosquitoes are tearing Harry's ass up, and then it's time
for some morees. Now there's no chocolate.

Speaker 2 (49:54):
I think what annoyed me about Herbert in this particular instance,
as you've already relinquished the fact that you're going, so
you're there with your family, that's your family. Be happy,
you know what I mean? Like do you just not
want to be with your family? Like whether like whether
or not you have shit to do or not? Like
this is still your family already?

Speaker 1 (50:14):
Is that campaign you don't go? Damn?

Speaker 2 (50:16):
Are you a still your kids just spending quality time?
You're already not going, like you're not there right? Happy face?
Like also like do you just not want to do
something cool with your kids? Like I just Also I
don't have kids, so I wouldn't know.

Speaker 1 (50:32):
But been a kid, and that's.

Speaker 2 (50:35):
If I have them, I would want to do ship
like that with them, I would imagine.

Speaker 1 (50:38):
But see that's the point I'm making because you don't
have children, but you've been a kid, and kids, especially
in that age, like kids can be foreign pick up energy. Yeah,
like we can pick up that dad doesn't want to
be here, Like what the fuck?

Speaker 2 (50:51):
Like that's it's Yeah.

Speaker 1 (50:53):
It's because you don't always have the wherewithal to zoom
out and look at the bigger picture. And you might
take that on and think he doesn't want to be
with you.

Speaker 2 (51:01):
Make it a U problem exactly.

Speaker 1 (51:03):
And I don't want to get all like cerebral with yeah,
but it's the truth.

Speaker 2 (51:08):
Yeah, it is the truth. It is.

Speaker 1 (51:10):
And so yeah, now it's time to make some mores.
And there's no chocolates, no chocolate, and the Wexleys have
an argument, literally a contentious argument in front of everyone
about this. Now, let me ask you this. Do you think,
because the script got flipped, do you think that Herbert
really told LTW that he forgot the chocolate?

Speaker 2 (51:32):
I do?

Speaker 1 (51:33):
An you think LTW was so wrapped up in her
work crush.

Speaker 2 (51:35):
I think chocolate. I think she had the chocolate beside
her the entire time, so it didn't dawn on her
that she forgot the chocolate because she had it. She had.

Speaker 1 (51:43):
But she also she also noted that like babe, I
was walking around the Atlanta airport for hours. I could
have been grabbed chocolate had you told me. So that's
what made me think that, like maybe he didn't say anything.

Speaker 2 (51:53):
Well, as somebody who has been in the situation in
their own relationship dozens of times where you do say
something in the person just does not remember you saying
it and you know you said it, and it turns
to an argument. I believe Herbert on this one.

Speaker 1 (52:08):
So do you all put everything in writing now, because
that would be my solution.

Speaker 2 (52:11):
No, because it's always like dumb shit like stuff you
wouldn't even think about that you need to remember. It's
not like we're remembering items, but it's like, yeah, remember
yesterday I said that we were gonna do whatever whatever. No,
I didn't. I mean I said it like you know
what I mean, Like I don't. And it's one of
those things where it's like you can't convince somebody of
their reality, you know. So, I mean, if the reality
is you didn't say it, and yours is you absolutely did,

(52:34):
at some point, that's open. Well, I mean at some
point you just have to let it go. Like you
can't convince somebody of something that didn't happen for them,
even though it did, you know what I mean. And
I think that's the area of growth that I've experienced
because you know, in my nature, I'm gonna beat you
into submission and I'm gonna be like you. I said it,

(52:54):
motherfucker you better, you know, but I can't do that.

Speaker 1 (52:58):
And a ladies and gentlemen, you just do you just.

Speaker 2 (53:00):
You can't do that.

Speaker 1 (53:02):
And siblings.

Speaker 2 (53:03):
Oh maybe it's aries Leo in here, so it's you know,
it's real fire. Oh it's firefire in here. So we
just you know, we know each other. So it's like,
you know, I said it. You may not have heard me,
but I definitely say it.

Speaker 1 (53:16):
But I definitely I sd what I said.

Speaker 2 (53:19):
Well, I didn't hear you because you didn't say it.

Speaker 1 (53:22):
Okay, well, okay, Well Charlotte snaps and put An puts
an end to this whole exchange because it's chocolate, not cancer.

Speaker 2 (53:33):
What does that even mean?

Speaker 1 (53:35):
It just she just gives me so many Uh what's
old girl's name? Uh gosh, I can't remember her last
her character's last name, but Gretchen from Mean Girls. It
was giving. We should totally just stop, Caesar.

Speaker 2 (53:48):
Yeah, and you know what what's interesting. I was talking
to John Tay about this last night. Charlotte's character, I
think in the season in particular, seems so erratic, and
she's always kind of been erratic, kind of aloof you know,
but I feel like everybody else is kind of grown

(54:09):
in some ways, like they've kind of settled into older
and the stuff that battles and doesn't rattle them. You know,
they're the same people. Yeah, reactions aren't really the same. Yeah,
you know, Charlotte doesn't react or act as if she's
lived all of this life.

Speaker 1 (54:22):
She still is also indicative of how we all grow
at our own pace.

Speaker 2 (54:28):
Yeah, well, she just hasn't like like, it seems like
she's even.

Speaker 1 (54:31):
More tightly wound today than she was in her thirties.

Speaker 2 (54:35):
Yes, And it's just it's kind of thrown me off
a bit. I wonder if all the questions.

Speaker 1 (54:42):
Like girl fifty, I wonder if that comes with being
a parent, or if that comes with staring your own mortality,
you know, as you get closer to the to the
quote unquote finish line, or if that comes with just
being old are and being more hyper aware of everything.

(55:02):
I get what you're saying. As you age you should
have some sembilance of peace, You should be as frantic
in life.

Speaker 2 (55:09):
But like, I don't even remember old Charlotte being as
yeah emotive, you know what I mean, so emotive, you
know what I mean. I don't remember her doing that
when she was younger. So the fact that I feel
like she's doing it even more now.

Speaker 1 (55:23):
Yeah, the big Charlotte eyes, as the principal calls it. Yeah,
came in here, giving me the big Charlotte eye.

Speaker 2 (55:28):
Yeah. Like, girl, calm down, like we're fifty damn.

Speaker 1 (55:33):
Do you want to take a break here another Yeah.

Speaker 2 (55:34):
Yeah, let's break. Let's break. But I you know what
I'm saying, Like, I feel like she's so like annoying.
I don't remember her being this annoying. Yeah, she's annoying.
Brings back whenever.

Speaker 1 (55:51):
Okay, welcome back, Welcome back two. We're just like that.
Denver and I are recapping season three, episode five, and
now we're in the next scene and I spot my
initials yeah on Carrie's phone. Carrie is texting Samantha, which

(56:11):
I think is so funny because you just asked, wasn't
it last week? Just asked, and I was like, no,
you ain't getting no, damn Samantha. I think Samantha's over with.
And my mind was in the context of Kim Cattrall
making a cameo, I forgot how they could just like etch,
just like Carrie could be texting Stad for Blatch if
she wanted to. But she's texting Samantha and she's getting
the low down on Duncan. And I wrote in my

(56:34):
notes that I love that they incorporated that familiar sex
in the City music bed. Whenever Samantha text, it gets
all spicy yeah with the music, and it's a callback
to the movies in particular, because I don't think they
were using that sound in the show. That jingle. Rather
in the show that's a jingle from the movie franchise.

(56:56):
And I said, I have in my notes, notice how
the last time did you see that? The last time
that they text like they don't talk. And I also
noted that their messages have no flavor, which is indicative
of how things can sometimes go when friends grow apart
but you're still friendly, right, But like, I'm like, their

(57:19):
messages are so bland, Like I feel like in real life,
if I didn't talk to a friend in a long
time and I randomly just drop in their inbox asking
them about someone. I'm gonna be like, by the way,
how you been, Let's catch up sometime.

Speaker 2 (57:35):
So I think I took it a little bit differently,
like I think I stand a little corrected, and you know,
I could do without Samantha because this didn't make me smile.
I was like, it's because the music. It's maybe maybe,
but I think the way that they brought her in,
it was almost as if like they've been kind of
like keeping up with each other kind of loosely, you know, yeah,

(57:55):
And I feel like that is a bit more realistic
to like how they would have fallen out and after
the whole that came to your dinner, it turned around
blah blah blah blah blah, Like it's nice to know
that they're still in each other's orbit. Yeah, but not
just like day to day and they're not estranged like
completely right, you know what.

Speaker 1 (58:14):
I mean, Amantha's in London. They don't really acknowledge the
time difference. But but but.

Speaker 2 (58:19):
It made me believe like, you know, maybe they facetimed
or maybe they.

Speaker 1 (58:22):
Right right, okay, fair, you know, maybe they.

Speaker 2 (58:25):
You know, catch up every now and then, maybe they
check up on each other and right, And I feel
like that's enough because because because it went from not
speaking to she was going to pop up at the
dinner to you know, Carrie being comfortable enough to hit
her up, being like, hey, so tell me about this man,
and knowing that she would know him, assume she would

(58:45):
know him in London.

Speaker 1 (58:48):
Well, Carrie definitely asked about Duncan, and Samantha responds and says,
they say he's a lot of fun and Carrie and
She's like why and Carrie's like, he's living under me,
And of course Samantha's like, I wish he were under me.
Perfect Samantha. I love that. Miranda points out that, like, well,
Duncan is six', five so that is her kind of

(59:08):
fun mine, too S. J from S j TO, sj
that's my kind of fun.

Speaker 2 (59:13):
Too so he's So and THEN i, thought, wait he's
six five in that, Basement so the basement must have
pretty tall.

Speaker 1 (59:19):
Ceilings, Yeah carrie's pretty up there is SHE i feel
like it looks, low BUT i feel like it might
Match carrie's. Ceilings, okay Like carrie's got tall.

Speaker 2 (59:30):
Ceilings would.

Speaker 1 (59:31):
Know i'm just Saying carrie's got tall. Ceilings we see
That aiden fits in there just, Fine SO i wouldn't
duncan fit in in his. Apartment. Yeah from, There miranda
needs a second opinion on this gorgeous orange jumpsuit that
she's wearing Because joy has invited her to stay the.
Night carrie Offers miranda the perfect, accessory which really did

(59:56):
set that out.

Speaker 2 (59:57):
Perfect it's the outfitt all. Perfect please me to believe
they style the entire, thing and THEN i will take
one thing, off, yeah because it was too.

Speaker 1 (01:00:05):
Perfect, yeah And miranda's hesitant to take. IT i don't
want any designery stuff because you know that one time
It carris, like oh you lost my whatever type of
a handbag it.

Speaker 2 (01:00:14):
Was but, yeah that was a very coded moment, too
you think so for sure it was a very mean
coded moment. TOO i will never bring it, up But i'll,
remember you know WHAT i, Mean, Like i'm not going to.

Speaker 1 (01:00:28):
Forget i'm going to remember BECAUSE i more than likely
wrote about.

Speaker 2 (01:00:34):
It, yeah AND i kind of want you to feel
bad about, It So i'm going to bring it up
when you bring it up and give you all the
details Because i'm.

Speaker 1 (01:00:39):
Chilling BUT i miss my. Bag so then we get
the next, scene It's miranda At joy's apartment and they're making,
out but they're making out with an audience Of socrates
And sappho The italian.

Speaker 2 (01:00:51):
Greyhounds don't you got the dog's? Names of, course my
NOTES bbc lady has two.

Speaker 1 (01:00:58):
DOGS i got the dog's Name socrates And.

Speaker 2 (01:01:04):
SAPPHO i mean fire names Like i'm no shade namesire, names.

Speaker 1 (01:01:10):
And SO i don't. KNOW i don't, know correct me
If i'm if this sounds, Ignorant but of COURSE i
know Who. Socrates socrates Is. Sappho i'm not really that
familiar with. That Does sapo have anything to do with BEING?

Speaker 2 (01:01:21):
SAPPI i don't, know because you know, Lesbians, yeah maybe
maybe interesting but.

Speaker 1 (01:01:34):
Wild Cunt joy uh puts The italian greyhounds out of
the room and her And miranda they resume their makeout,
session but before things have a chance to get hot and,
heavy the dogs get to whining outside the. Door now
in your, face.

Speaker 2 (01:01:51):
Like oh my. God all the TIME i was, LIKE
i have all capture Relatable let me this. Dog you,
know HE i don't do it or anything in front
of the.

Speaker 1 (01:02:04):
Dog you said that with about. Shoe it makes me feel.

Speaker 2 (01:02:07):
Weird, Yeah but What i've learned is if he's in the,
ROOM i can put a blanket over. Him he'll just
lay down under the blanket and that's good. Enough IF
i put him out of the, room doesn't like feeling shout,
out so he will Howl. God and there have Been
i'm not going to go into those. Details you about to.

Speaker 1 (01:02:25):
Say it's been times all y'all been howling up and there.

Speaker 2 (01:02:29):
There have been times where like we LIKE i put
him in his crate just because maybe we weren't in the. Room,
yeah and he's he's in the crate just. HOWLING i was,
like animal, like we're right, here like you can hear,
me like right? Here?

Speaker 1 (01:02:50):
Now Does?

Speaker 2 (01:02:50):
Ken?

Speaker 1 (01:02:51):
Ken? So does does he have any sort of love?
Life how does he act at dog? Parks is he?
Gay is he? Straight is he? By is he?

Speaker 2 (01:02:58):
Paying?

Speaker 1 (01:02:59):
What? What? CAUSE i can't imagine having a love Life.

Speaker 2 (01:03:03):
Ken it's not that dog. Friendly, so you know's a few.
Dogs but we had a party for him at my
Cousin duan's, house And dwan has three, dogs one, Girl i'm,
sorry two, girls and one. Boy they ran around they're
being all cute and next THING i, Know kenzo is
just humping all of. Them, oh AND i was, like,

(01:03:26):
well happy. Pride and it started with the boy AND
i looked At John tay and he looked at me
and looked At duan and we were, like, WELL i,
MEAN i guess he is his father's, child so, LIKE
i don't. KNOW i don't think he's. Gay kenzo you?
Gay he just looked at, me.

Speaker 1 (01:03:48):
Don't play with.

Speaker 2 (01:03:48):
ME i think he's Like. DIEGO i think anybody can get.
IT i THINK i think HE'S i think he's so
deprived of dog. Touch he's, like.

Speaker 1 (01:03:56):
So he'll go With eric Or lily basically, OKAY i.

Speaker 2 (01:04:00):
Think.

Speaker 1 (01:04:01):
Well also in this, scene as it, Wraps joy gets so,
frustrated she, said why DID i get? Cats AND i
came here to say in the in the name of,
relatable cats will play on your face. Too they'll be
out outside in the hallway wailing. Too they will like
it's not exclusive to.

Speaker 2 (01:04:17):
DOGS i used to shut my hat out WHEN i
was back in my mom's house as a, kid and
that kind would hold outside the.

Speaker 1 (01:04:23):
Door, yes cats will, wail, honey but, HELL.

Speaker 2 (01:04:27):
I have some questions about this scene in. Particular, yeah
so what were the dogs doing before they got to the,
bedroom Like miranda just like walking and they went straight
to the room and started making. Out question and, two
Did miranda put on that suit and scarf to just
go there and take it? Off? Like so that's a
lot of, well.

Speaker 1 (01:04:46):
That's What that's what she said when she was getting.
Dressed she said she didn't want to do her walk
of shame in the morning and slutty. Outfit SO i
Guess miranda was spending the night there to take it
off and then she was going to put it back
on in the morning and go to.

Speaker 2 (01:04:58):
WORK i, MEAN i under oh, Work, okay that makes.
Sense that's What i'm.

Speaker 1 (01:05:03):
Thinking that's WHAT i got from the. Scene and she was,
like she did?

Speaker 2 (01:05:05):
That what you have?

Speaker 1 (01:05:06):
Done, no, HONESTLY i would BRING i would have brought
a change of. Clothes, yeah BECAUSE i IF i get invited,
Over i'm going over cute but. Comfortable i'm not wearing
no jumpsuit and no matching.

Speaker 2 (01:05:20):
Scarf so are you going like full spinning night bag
stuff to shower with the whole? Thing are you getting
are you getting ready there or are you just gonna
kind of like Wing.

Speaker 1 (01:05:28):
I'm getting ready, There i'm getting which is so. Funny
there was a debate sparked online BECAUSE i guess this
guy was, trying was flying this girl, out and the girl,
goes do you have? TOWELS i need to know BEFORE i,
Leave and he's, like, fellas what are we? Doing you know?
WHAT i burst out as someone.

Speaker 2 (01:05:44):
Who like they don't have men don't have.

Speaker 1 (01:05:46):
Time, no, like this is not. Uncommon this is this
is not uncommon if you're in a certain age group
for young men to only have like a face towel
and a tow for. Them oh, yes oh, yes oh,
yes this is so. Common and so because it was

(01:06:08):
brought to the, INTERNET i screamed at the top of
my lungs because this is not something that's widely talked about.
Publicly but there's so many, men regardless of RACE i
should mention who don't have a lot of.

Speaker 2 (01:06:22):
TOWELS i, Mean i'm sound like a mismatch towel like
that makes, sense but like not have them at. All,
no that's that's.

Speaker 1 (01:06:27):
Crazy they'll have.

Speaker 2 (01:06:29):
One that's.

Speaker 1 (01:06:30):
Crazy i'm not. Joking SO i was cracking up that
this girl was, like BEFORE i leave this, house BEFORE
i fly out, there you got toiles, right because sis
was going to pack her own, towels which in that,
Case i'm not being. Fly i'm not flying out to
stay with someone and be hugged up and sleeping with
them and. Stuff and you ain't got toiles for. Me
that's the least you can, do or for, yourself because

(01:06:52):
they're not just for.

Speaker 2 (01:06:53):
Me that's. NUTS i, MEAN i couldn't even tell you
how many guest. Howlest matter of, fact last time somebody
came to stay, here it was some friends From. Atlanta
we went across to the store we will not name
right now because we don't fuck with, them and we
got an entire set of you, know like disposed like
they're not, disposable but well they ended up being, disposal

(01:07:13):
but like the pack of ten wash clalls for two,
dollars and it's like a whole set you would like
five and six dollars, towels just so they would just
have fresh towel when we watch them, first but just
so they would have fresh.

Speaker 1 (01:07:22):
Towels, yeah, WELL i think in, fairness most gay men
THAT i, know of, course have a reasonable amount of
towels and even like extra toothbrushes and anything that you.
Need i'm talking specifically about straight men and it is
what it. Is you all can weigh, in let us
know it speakpipe dot. Com, yeah we're just like. That
let me know If i'm on an island here or
if you can, relate because this is it's very it's.

Speaker 2 (01:07:44):
PLEASE i want to hear about it Because i'm actually
this Is i'm fascinated by. This this is a.

Speaker 1 (01:07:48):
Phenomenon i'm surprised you've never heard of. THIS i spent
time In.

Speaker 2 (01:07:51):
Atlanta no straight manags is kind of you, know, Desolate
BUT i don't spend a lot of time in that.
World i'm an, adult you know WHAT i. Mean like
my days, is my days of chasing after and fantasizing
over straight men have. Ended they've been able for, many,
many many many. Years, yeah you, know ONCE i realize
they don't, walk maybe it a wash because they don't
have toes.

Speaker 1 (01:08:11):
Mm that's another podcast for another. Day so it's so
funny because as you, Know joy mentioned that she should
have gotten. Cats we See carrie trying to get some,
sleep but shoe is on her. Head she was not
Letting carrie get any. Sleep she's the purring is, loud

(01:08:31):
which is also very. Common shout out to the cat
owners out, there you already know what it. Gives, yes
they're either one of my. Sisters her cat lays on her,
chest like gets very, upset and my sister doesn't sleep
on her, back which is very.

Speaker 2 (01:08:45):
Uncomfortable oh my.

Speaker 1 (01:08:46):
God but the cat will lay on her chest or
get on her back and. Whatever so she gets, Up
carry gets up to put shoe out of the room
when AND i should mention my mind when to shoe
was trying to Wake carry up about. SOMETHING i immediately
assumed That carrie had like a bug or a rodent
in her house because she was me owing and like

(01:09:07):
sometimes cats will do that as. Well but she gets
up to put shoe outside of her room when.

Speaker 2 (01:09:14):
She's fucking jump.

Speaker 1 (01:09:16):
SCARE i love That Cynthia nixon does not mind bearing at.
All Cynthia, nixon we know we see my titties a
few times a season ever Since sex in The. City,
Like Cynthia, nixon don't give a damn about a nudity.

Speaker 2 (01:09:30):
Clause and it's not even the fact that it was her.
RIGHT i just didn't expect, Nakedness.

Speaker 1 (01:09:39):
Carl it's just in.

Speaker 2 (01:09:41):
General AND i THINK i said it scared me because
it did scare. Me but it scared me because it was.

Speaker 1 (01:09:49):
UNEXPECTED i, mean and in, Fairness miranda was irritated because
she was expecting to spend the. Night like imagine the
irritation when you're going over your CRUSH's house to spend
the night and something interrupts. That, LIKE i ain't trying
to hear none of that, Shit, CARRIE i ain't trying
to hear none of that. Shit but she's Clearly miranda's very,
comfortable and so we get the next. Morning this is

(01:10:10):
when things get. Spicier the next. Morning Notice carrie was
walking around her apartment in. FLATS i noticed THAT i
got her.

Speaker 2 (01:10:20):
Flat song, somewhere.

Speaker 1 (01:10:23):
And they're cute. Flat they're not house, shoes but they're.
Flats she takes a moment to admire her, table WHICH i,
thought okay on the picture the table didn't look cute to.
Me but in that room and carried out, room it
ate it. Ate it looks gorgeous in, There and so
she takes a minute to admire her new table before
heading into the, kitchen where she Finds, miranda who is

(01:10:46):
Eating carrie's last yogurt and her last, banana And carrie
is noticeably a bit.

Speaker 2 (01:10:52):
Irritated, now this is WHERE i was irritated With, carrie
because you know that you're having, guests either stop the
fridge up or be prepared to just give your shit,
up like it's you, KNOW i understand like the personal,
annoyance but also like it's kind of your, guest so

(01:11:14):
just you, know be a good.

Speaker 1 (01:11:15):
HOST i, THINK i think a guest in context to
this conversation with these, two it does a bit. Disserviced
it does too much heavy lifting Because carrie And miranda
are like siblings at this. Point so Although miranda is a,
guest is like girl that show says.

Speaker 2 (01:11:32):
Right let me just give her the. Yogurt and it
wasn't that. Deep it.

Speaker 1 (01:11:35):
Wasn't and AGAIN i also understand the very human nature
of being a bit, irritated But carrie was doing a
lot she.

Speaker 2 (01:11:42):
Was but then also like, girl you know you knew
she was. Coming why did you not stop the? Fridge
like what did? You what did? You what was she gonna?

Speaker 1 (01:11:50):
EAT i love the dialogue. Here you don't eat? Yogurt,
YES i? Do since when SINCE i turned, Fifty miranda's
LIKE i thought it was it's a house yogurts used
to smoke a sick for.

Speaker 2 (01:12:03):
Breakfast, right WHICH i mean and FAIR i mean because,
AGAIN i think as time goes, on people do change
and they adopt new, things and if you're not with
them twenty four to, seven you may you maybe don't
realize you know? What which can you just?

Speaker 1 (01:12:16):
Know Like i'm. NOT i don't know if we've ever
talked about this on this. Podcast i'm not a big breakfast,
girl But i'm definitely not reaching for a banana tea
and yogurt like.

Speaker 2 (01:12:27):
Ill i'm not a yogurt. Person i'm good for, you
THOUGH i KNOW.

Speaker 1 (01:12:32):
I would have thought that you would. Be you're so
health conscious and your probotics.

Speaker 2 (01:12:35):
AND i want to be LIKE i try to. BE
i JUST i don't like.

Speaker 1 (01:12:39):
IT i, REMEMBER i remember a time when you was
Eating chipotle for. Breakfast you was there at ten thirty
to get your protein in before you went to the. Gym,
yes and it was the freshest.

Speaker 2 (01:12:48):
Yesterday oh you still do. It you still do. It
so here's the. Thing i'm not a big fan of
like breakfast foods me. Either they got a very savory,
person but for, Breakfast i'll do mostly eggs and the chicken,
preast which might sound crazy or some type of that's
what people, say but it tasts, goodness a lot of.

(01:13:08):
Protein Sometimes i'll throw some toast on. There but, again
IF i went to the, gym Then i'll just go
To CHIPOTLE a ten thirty and just Get.

Speaker 1 (01:13:15):
Yeah, Yeah i'm a savory girl. TOO i will eat breakfast,
food but it has to be. Savory i'll take a
skillet an. OMELET i, do honestly think So chipotle should
consider adding an egg an egg. Bowl, yeah the morning, situations.

Speaker 2 (01:13:29):
IF i need more, points go over there and get
a breakfast.

Speaker 1 (01:13:32):
Burrito

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