August 16, 2025 • 30 mins
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
What teertown the tag of the roaring West?
Speaker 2 (00:10):
What teer town now Passo Cheyenne, Powder River tombs song?
What tear town?
Speaker 3 (00:30):
Here?
Speaker 4 (00:31):
Is the adventurous story of the early West, the tamed
and untained, from Cheyenne to calgarys from Dad, say the
poker flat. These are the towns they fought to live
in and lived to fight for, taming procibles of credom.
Speaker 5 (00:45):
What tear town fun here?
Speaker 3 (01:54):
Child? Yes, yes, that's what most folks is called. Dooslys
frontier town, loud and lusty, tough and tumbling like the
score of other frontier towns. L Passo, Cheyenne, two stone
only difference probably is the name of the town DULs
(02:14):
Rios Spanish for two rivers. My name is Remington, Chad
Remington born in Des Rios twenty dard years ago. Read
the NSIL. I went upstate to school to study law,
and I wouldn't have come back, I guess if I
hadn't gotten word that my father was found murdered, murdered
(02:36):
in cold blood. So I threw a few things into
a carpet bag, took the first stage coach out of Denver.
Men stretched my long legs by walking the familiar rutted street,
past the stores with false fronts, the half dozen saloons.
(02:59):
Oh to the white Golby house that belongs to Judge
Fillmore and his daughter Libery.
Speaker 6 (03:04):
I thought father should have written him a letter, chead.
Speaker 7 (03:07):
Don't think it would have been easier on it, since
there was nothing you could do about it anymore.
Speaker 3 (03:12):
You always wanted to let me down easy, Libby. The
judge was right telegraphing me.
Speaker 1 (03:16):
I was sure that's the way you'd feel about it.
Speaker 3 (03:18):
The boy h exactly what happened. They found your father
based down in the corral with an arrow between his
shoulder leads arrow. It was an arrow, all right, jed
regular engine arrows. Minute I heard, I rode right out
to his range. Missell, No indians run gosheos, No bad
(03:41):
indians John here.
Speaker 6 (03:43):
Don't think so. They blamed it on John Tollfeatter, the
Indian who used to work for your father.
Speaker 3 (03:48):
John Talfeather was as fond of my father as as
I am. What's more, John was a chalk toarn Chuk
toys haven't used arrow since the Mexican wars. Well, it
was John coming out tell him, my uncle Levyll, that
loose mouth gossip. John Talfeader's dead jam They strung him
up the same.
Speaker 1 (04:07):
Night your father was umb.
Speaker 2 (04:11):
Who's strug I'm I'm.
Speaker 3 (04:13):
Mob headed by your father's own neighbors, Rape and Bret Kincaid. Kincaids,
I should know this is no factors we're living in
any longer. May be the frontier, but it's the frontier
of civilization.
Speaker 1 (04:27):
I heard you make that speech before, my boy.
Speaker 3 (04:30):
For all the good it does, this country will never
be anything but a lawless wilderness until men learn the
respect the due processes of law. Why do they think
I left the ranch and went off to school.
Speaker 6 (04:41):
We know, Jack, We agree with you father. People around
like the Kincaids.
Speaker 7 (04:46):
What you're going to do.
Speaker 3 (04:47):
I'm going to do something and you can bet on that. Now.
Speaker 1 (04:50):
Don't go flying out the handle, young man. The Kincaids
are gunfighters, both of them.
Speaker 3 (04:55):
A lot worse than that if they mentioned poor John Tallfeader.
If there's any law in the country at all, they're
going to pay for it. Okay, you and liberal excuse me, judge,
I'll lay my bags here. Who's chat? Where are you
going to start with it? Down to the livery stable
running myself a horse.
Speaker 2 (05:20):
Sad down. Only can you have a horse and the
best horse on every stable provides, but you.
Speaker 1 (05:26):
Can have money.
Speaker 2 (05:26):
I'm a fire, what a sad hand? The shirt right
off my.
Speaker 3 (05:30):
Back, jerokee, you haven changed one bit. It sounds just
the way you didn't when I met you for the
first time, peddling genu wine, Cherokee rattlesnake oil off the
back of that big wabble.
Speaker 1 (05:43):
Hell, yes, sir, do you remember no Chayes sorrey.
Speaker 2 (05:47):
Now, if you just gather around post his hands, I
want to call your attention to this little preparation to
hold here in my hand. There's little bottles sold regularly
for three dollars everywhere. How you want to know what.
Speaker 1 (05:59):
The little does?
Speaker 2 (06:00):
And I'm going to tu get me moves walks, bum
his bunnings and cracking chart pole grumat whoa, oh there
you old horse beef artsy yourana, I lament my complaints.
Speaker 3 (06:13):
I'll just make it duct to Cherokee O'Bannon.
Speaker 2 (06:16):
Thank you, counsel objection to stage. Come on, I'll get
you a horse. Yes, and see one of the quietest
stillness broken down. Hayburger's is God but a fancy fancy lawyer.
Speaker 3 (06:29):
If you know what's good for you, old Benn, and
you won't call me fancy pants.
Speaker 2 (06:33):
Don't worry, said, I've seen you ride. I've got a
good bag for you. But you mind, my boy, your first,
well the first. What i'd like to ride along with you?
If we call right with you?
Speaker 3 (06:46):
Come along, Cherokee. I enjoy having your company. Now you
just get the horses. I'd like to be on my way.
Speaker 2 (07:02):
That's tamp there's your range. You can see it right
to the NASA.
Speaker 3 (07:06):
Haven't tanged my TASKI no out of bed. There's the
creek and the cottonwoods where I used to swim when
I played hooky for home on Holy watch U watch
up watch that for it bless. I'm mistaken, and I
still think I am. Someone's moved our wire. My fence
used to run along the other side of the creek
(07:27):
up to that saddle rock.
Speaker 2 (07:29):
Sure I used to.
Speaker 1 (07:31):
It doesn't any more.
Speaker 2 (07:32):
I thought you knew do what My last spring there
was a big rock slide right over there. Still the
old pick bottom of rock. Change the course of the
spree for your father's soul. That little stiff the king pay.
Speaker 3 (07:45):
You, sure, Trkee is without water, and it's a quarter
of a section over here. Wouldn't raise gophers.
Speaker 2 (07:51):
All the way I heard it on account of you
moving up state to be lawyer's part of the sun
off his cattle didn't care about the waters. I mean,
but that's ridiculous.
Speaker 3 (08:02):
Once a month ago he wrote me to go over
to the stock show at the Capitol and see if
I couldn't find him a new Herford greeting bull.
Speaker 2 (08:08):
Wow, I don't be a storngins off on Sara wouldn't
be buying any bull if he was giving up ranch.
And now what he don't.
Speaker 1 (08:17):
Think you was.
Speaker 3 (08:19):
Come on, Cherokee, turn that pony around. We're riding over
and playing a call on rape and Breck Kincaide.
Speaker 2 (08:25):
Get around there, long legged, loose tornant scuffle Causie.
Speaker 3 (08:36):
Neither Rape nor Breck seems surprised to see me. But
they did seem a little shocked when I started to
ask questions about this striple line Cherokee, except my father's
SOLDI or maybe shocked isn't the right word at that
they were indignant, indignant and downright hospital. You mean to
say you think I'm lying, Remington, I'm not meaning to
(08:57):
say anything, Rafe. I just asked you and Breck are
very simple question. What do you mean simple question? You
asked us to show you the deed your old man
signed when we bought that property for me. I know
what I asked, Grec, but I still have to see
the deed. Why are you I got a good mind.
If you really had a good mind, Rafe, you wouldn't
(09:19):
go reaching for your gun. I'm not wearing one. Yeah,
that's a guy. You're the holier than now. Genter. Didn't
like the way your neighbors ran your hometown. You went
away to college.
Speaker 1 (09:31):
You uh, he was too good for us.
Speaker 3 (09:34):
I can force you to produce that deeds, you know,
oh you can. Well, he wouldn't like to try it,
would you. I don't mean beat it out of you,
although I believe I still couldn't.
Speaker 1 (09:46):
He believes he still could rape.
Speaker 3 (09:48):
Whether you too realize that I'm not. We have a
court in this county, and I could make you produce
the deed and court. I just didn't think that'd be
a friendly thing to do. Get no place trying to
butter us up with that friendly port ah, let it
go break. The deed's over in the table drawer. Get
(10:09):
it in short to mister high and mighty. I'd appreciate
it very much.
Speaker 1 (10:12):
If you would, good father and turn over in his grave.
Do you know what a duty you have for a son?
Speaker 3 (10:18):
Unless you two have to say about my father, the
better off will be other us. Yeah, look for yourself.
Speaker 1 (10:27):
That's the deed.
Speaker 3 (10:29):
That's the deed. Alright, Well now you're satisfied. Yeah, I'm satisfied.
His signatures a forgery. Why you don alright, squeeze trigger
if you want to. I don't think even you would
wanna go into court for gunning down an unarmed man. Yeah, well,
(10:52):
who's to say you weren't packing a gun? The race rife?
Speaker 1 (10:56):
He's got me his witness.
Speaker 3 (11:00):
I'm a lawyer.
Speaker 1 (11:01):
You know what witnesses.
Speaker 3 (11:02):
I don't you, Chad? You called me a liar. He
said I forged that deed. Nobody calls me them names
and goes on living. And I imagine you've killed men
for a lot less too, unless you got the set
to shoot. While I'm standing in front of.
Speaker 2 (11:20):
Funny, what's cop Tuck come ray?
Speaker 1 (11:24):
Freak of Cherokee sad must to let him outside?
Speaker 3 (11:26):
Yeah, I forgot I had, But well, right, you gotta
look that.
Speaker 2 (11:30):
To turn go or not? The next one we get
the warner and even my Cherokee Indian ral snake before.
I'll never cured one from five holes.
Speaker 1 (11:42):
Go on, race, Cherokee's got the drop on you.
Speaker 2 (11:48):
That's fun. Come on, Chad's time you were leaving here.
Speaker 3 (11:52):
You're right, Cherokee. Go on the slope, and the next
time you come up here, I'm shooting you for trespassing.
Thanks for your advice, Raf, and for your help too.
I'll be seeing you, Jete soon.
Speaker 1 (12:07):
Mington.
Speaker 3 (12:08):
Next time I see you, you better be packing a gun,
because I will. I'll be looking for you. I intend
to be looking for you too.
Speaker 1 (12:17):
Both of you.
Speaker 2 (12:20):
Oh con and reeve if he goes from town to
shooting off that pig market yet.
Speaker 3 (12:24):
Up right, I ain't afraid of no man who scared
to pack of guns. He had his champ while he
was here, and he told him if they I almost noticed.
Speaker 1 (12:35):
That one's yeller yellow clean through.
Speaker 4 (12:48):
They'll return to the dramatic climax of Frontier Town in
just about one minute.
Speaker 1 (13:57):
And now Spuntier Town.
Speaker 3 (14:17):
Well, when we left the Kincaid's ranch, I was pretty
firmly convinced that my father's signature had been forged, and
the deed under which the Kincaid's claimed title to the
creek and that strip of land around it. Cherokee and
I had pounded leather and left a trail of dust
all the way from the Kincaid's to Judge Gillmore's house
in Dos Rios.
Speaker 2 (14:36):
The cherry sure cimus livy Chad's here about this, and
I am at my Cherokee. Indian rattlesnake oil was an
absolute positive cure for ee here, missus man all away
from double ammonia hand names.
Speaker 3 (14:50):
I'm even sure than that. I'm as sure as anyone
can be, even seeing the deed for a few seconds.
I did. You couldn't miss the even pressure of a
pen on the paper, and no one writing normally writes
that way. Do you mean to say it was tree
he was traced or copied, or I just know that
my father didn't write it there himself. I hate to
sound like a judgement boy, but do you think you're
(15:13):
going to be able to prove it? Judge? I hate
to sound like a lawyer, but I've either got to
prove that or leave tell.
Speaker 2 (15:21):
Of course, I am a't doctor hardon expression I'm a lawyer,
but it seems reasonable sense to me. Said, I've board,
if he go down and have a little talk of the.
Speaker 1 (15:31):
Board, the Marshal.
Speaker 3 (15:34):
It isn't often that I can agree with someone in
doctor O'Bannon's profession, but this I think he's right.
Speaker 7 (15:40):
Well, Chad, ti'd like we'll all go along with you. Look, Judge,
the Marshall must be in at his horse.
Speaker 6 (15:55):
Tied off in front.
Speaker 3 (15:56):
Good, because I'm in no mood to waste any time.
Speaker 2 (16:00):
You know what he means by that, miss Libby. He's
aiming on getting back up state, not staying here.
Speaker 3 (16:05):
Oh she had not really, I'm afraid, sir Libby, this lynching,
this fretching, the kincaids, nothing's changed here. It's still the
same boisterous, belligerent frontier top.
Speaker 1 (16:16):
Well, no, Chad, it's not as bad as all that here.
Let me open the door for you, and if you
don't mind, I'll wait for your hair outside.
Speaker 2 (16:26):
I always feeling strange when the door.
Speaker 1 (16:28):
Closes behind me in a Marshall's offense.
Speaker 3 (16:31):
With what's on your conscience, I'm not surprised after you, Libby, Well,
Chad Remington, I was expecting you to back to those reels.
But I'm downright sorry that it had to be under
these circumstances. Oh hotey, Judge, Miss Levine Marshall, Chad would
like to ask you a few questions about his father's death.
(16:53):
My father's murder. You're sure right about that sn that
Loco Dingin hit him smack between the shoulder blades like
a target was painted there. I suppose you know that
Chuck DAWs gave up bow and arrow fighting years ago. Marshall,
Of course they did. John toll Feather reckoned, had known it.
We wouldn't blame it on him, And when I found
(17:13):
that boat hidden under his bunk, had him dead. The
rights you found the boat, We got it right here.
That's the thing that done in your father. Thanks takes
him mighty strong man been his boot. John top Feather
(17:36):
not only was old, but he'd been sick for years. Suh. Well,
he had enough strength lift to pull at once us.
How is it since you found this evidence you didn't
arrest John and bring him in here or well? They Well,
it was three or four boys with me when I
rode out to your father's place, and then the Kincaid
brother joined us, and well, I reckon. There's no reason
(17:59):
with a bunch of angry men, especially when Wright's on
their side. In other words, you just stood aside and
let him take your suspect and string him up. Sirspect
nothing I tell you.
Speaker 1 (18:10):
We had him dead to right. Well, you wouldn't have
had him dead to rights in my court without more
proof than that.
Speaker 3 (18:16):
I don't know he was getting excited about it, now, Judge,
did you find anything else that day? Marshall? No, I
can't say that that by sinners. I did bring something
else in that. You probably want your dad Bill holstring gun.
Speaker 2 (18:28):
I got him right here to test.
Speaker 3 (18:29):
Yes, Rushall, i'd like to have his gun. Well here
you ares n and I hope you understand. Yes, I'm
starting to understand a lot. I'll see you again, so Rushall,
come on, let me.
Speaker 2 (18:49):
Go.
Speaker 1 (18:49):
I almost willed to get you.
Speaker 2 (18:51):
Guess who just rolled in the town. Never mind, I'll
tell you right what could pay?
Speaker 3 (18:57):
Were they looking for me? Could it be?
Speaker 1 (18:59):
Could be?
Speaker 3 (19:00):
That's good, very good, shaid.
Speaker 2 (19:02):
You don't mean you're going down knocking.
Speaker 3 (19:04):
At myself form Libby, No, I am doing a strap basis,
so I don't look at me and saw your eyes.
I canna pop out of your head, Libby. I'm only
going now. I'm reasonably able to take care of myself.
Speaker 6 (19:17):
Cat, you'll be careful and.
Speaker 3 (19:20):
Being doubly careful and taking a bodyguard with me with
Cherokee and I find what I hope we'll find. You
can get out your law books, Judge, because we'll be
having a case for you to try and your court
mighty soon. With the Kincad brothers in town, it certainly
(19:43):
seems safe to go back out to their ranch. When
we got there, I headed straight for the desk with
a so called bed was kept well. Cherokee started to
ransack the rest of the house. Suddenly I could hear
Cherokee's heavy boots come pound, he taught me from another room.
Speaker 2 (20:02):
Chad, Hey, Chad, just certainly playing the right hunch.
Speaker 3 (20:05):
Looks here, where'd you find those Cherokee?
Speaker 2 (20:09):
The bedroom in the back room. This is only a
few of them. There must be twenty thirty arrow heads
back there.
Speaker 3 (20:16):
So John Tugh had a murdered my father. It was
a free, cold blooded swine. Throw all the.
Speaker 1 (20:23):
Kitten cage done?
Speaker 2 (20:25):
Hey, what's next?
Speaker 1 (20:26):
You've got there?
Speaker 3 (20:27):
That paper ass enough for those narrow heads to put
the noose around the Kincaide next here. See they've bought
some land from my father, all right, but not the
piece down by the creek is thedeed for ten acres
up on the north side, next to the grove of jackpines.
All they did was to copy your signature off this
steed and trace it on the other.
Speaker 2 (20:47):
Yeah, even I could see the difference from the side beside. Well, Tad,
I suppose now you're going back into town and call
them out.
Speaker 3 (20:55):
Hey, no, Cherokee, I'm not and taking this evidence into
the mars swearing out of warm for their arrest.
Speaker 2 (21:03):
You sound like you've been drinking rattlesnake oil wire. Them too,
would never let theirselves be arrested.
Speaker 3 (21:08):
Oh, they got everybody bluffs around here. Come on, Cherokee.
They're getting back to town. Come on, Cherokee. The only
two places we haven't been to. And there the Kincave's
(21:35):
horse is tied up in front of the Lucky Seven casino.
You see the brands k borrow. You're gone.
Speaker 1 (21:41):
I do fire the bushwacking blizzards.
Speaker 3 (21:45):
Go fetch the marshall. I'm waiting here to make sure
they don't get away. You can see them both from here,
Marshall at the pharaoh table. Don't want to Chad. This
ain't no time to try to harm the jail. They've
(22:05):
been drinking well them two is arly enough cold silver.
I'm sorry you don't like your job, Mrshall, Maybe if
you liked it a little better, it wouldn't be necessary
to do things like this here duty. No, you see here,
Chad Redmonton, and I don't take lip like that from
no man. You'll be taking a lot more than that
if you don't get busy. Come on, we're going inside. No,
(22:28):
but mark my words, we're not having no shooting scrapes, Marshal.
If I were you, i'd start moving. Come on, just
keep walking, muscle.
Speaker 2 (22:49):
How man of the house, and take off them.
Speaker 3 (22:57):
Sorry to interrupt your game, right, Your luck's just brought
out anyhow. I remember what I told you this morning.
I said, next time I saw your I was gone
away for mourning. You don't try scratch a leather.
Speaker 1 (23:12):
Look who's here.
Speaker 3 (23:13):
The dude brought the law with him. You want something, Marshall. Oh,
Chad here sent for me, says he's got some kind
of proof you killed his father. So he thinks I
killed his father? Does he well, if I thought someone
shot my father, I wouldn't need any law man to
(23:34):
take care of him. He's got laws to handle things
like that. They're cuddy good enough for me, Marshall. He
got an idea just Betty has since Chad. Once us arrested,
why don't you depotize him? Then? Being the law he
(23:54):
thinks I have, he can take us down to the
calaboose if she thinks she can. Great. Now, I didn't
come in here looking for trouble, and you, being on
the prod, ain't helping me. Now, I shally, you're going
to arrest the king Kate's and sure, sure wait if
they ain't gonna come peaceful, and well, I'm going back
(24:17):
and get me a couple of deputies. All right, Marshall,
I don't intend to tell you how to run your
job going. I'm gonna stay here and wait for you, okay, said,
but don't you go stir up no trouble while I'm going,
yem stir up trouble. Don't make me laugh.
Speaker 1 (24:36):
Ed Marshall's card Adi real brave armbre He couldn't wait
through un out.
Speaker 3 (24:42):
I didn't run out Remington this morning. You called me
a liar and a crook. Now you're coming here. Ain't
calling me a murderer. That's rightly. I cause you a liar,
a crook, and a murderer.
Speaker 1 (24:56):
And we haven't even started yet.
Speaker 3 (24:59):
Mister, that's the only one thing to tell you. Go
for your gun. Sorry, it's one piece of advice I
can't take.
Speaker 1 (25:08):
You're right, Rafe, it's jasper yellow.
Speaker 3 (25:13):
Sure he is yellow, clean through. You're gonna find out
rape if I am or not. Yeah, Oh, he's gonna
hit me with a wet handkerchief or something. You ain't
got the salt to clear your holster. The only time
I draw a gun is in self defense. I don't
(25:33):
know why you don't fill your hand. Boy, should ill?
Because I called you a liar, I've called your crook,
and I'm calling you a cold blooded, sneaking murderer. Even
I wouldn't let a man call me that to my face.
Go on, you got quite a reputation for slinging guns.
(25:54):
What's stopping you now?
Speaker 1 (25:56):
I ask to get out of here before I blow
you out.
Speaker 3 (25:58):
To blow me out, you have to draw, and I'm waiting.
They fin knew you were everything miserable a man could be,
But I never thought you were a spineless as a
gutless coward.
Speaker 2 (26:11):
Are you put beat him so that record? Stop that
son back before I have to break you all.
Speaker 3 (26:31):
I thank you now we don't need the Marshall. One
king cabs left is going to jail anyhow well, Libby, just.
Speaker 6 (26:54):
So, I hate saying goodbye.
Speaker 3 (26:56):
I hate saying goodbye to what everyone?
Speaker 6 (26:59):
Well you will, right, an't you?
Speaker 2 (27:03):
Well?
Speaker 3 (27:03):
I might not that it'll do much good. I'm afraid, Lily,
not the littly.
Speaker 7 (27:07):
Just what do you mean?
Speaker 3 (27:09):
I always heard women knew everything by intuition.
Speaker 6 (27:11):
You mean, but there's someone else upstate, someone you.
Speaker 3 (27:16):
Go to marry upstate? NoHo mentioned upstates?
Speaker 6 (27:19):
No race dead and step Can Gates. That means you're
leaving town again?
Speaker 3 (27:23):
An't well, Yes, I'm talking about twelve miles out of town, Libby.
I'm moving into my father's ranch. Oh yea you know
you sure I am?
Speaker 1 (27:32):
Now?
Speaker 3 (27:32):
I guess there's enough trouble around those rails for another
good lawyer. Yep, livey I'd come home.
Speaker 2 (27:37):
Ah well, he never gonna get home. You don't get started.
Speaker 3 (27:42):
How about inviting me for dinner tomorrow night?
Speaker 6 (27:44):
Huh hut of course.
Speaker 3 (27:47):
Well then we're pretty Senor Liby.
Speaker 2 (27:49):
Get started, Jerkey, we got miles to cover. How fair
boy they cracks?
Speaker 5 (27:56):
Don't forget Lively mind step of five.
Speaker 8 (28:13):
Music School school Sets, Stool.
Speaker 9 (28:54):
Music Music, Frontier Town, Starn Text Chandler.
Speaker 1 (29:15):
Came to You from Hollywood.
Speaker 4 (29:17):
The series is directed by Paul Franklin and supervised by
Joel Murcott.
Speaker 1 (29:22):
The music is composed and played.
Speaker 3 (29:23):
By Bob Mitchell.
Speaker 4 (29:25):
Be sure to be with us again, this time one
week from today for another fine action adventure story with
your favorite young Western star. Text Chandler Frontier Town is
a Bruce Else production.
Speaker 8 (30:01):
SA
What teertown the tag of the roaring West?
Speaker 2 (00:10):
What teer town now Passo Cheyenne, Powder River tombs song?
What tear town?
Speaker 3 (00:30):
Here?
Speaker 4 (00:31):
Is the adventurous story of the early West, the tamed
and untained, from Cheyenne to calgarys from Dad, say the
poker flat. These are the towns they fought to live
in and lived to fight for, taming procibles of credom.
Speaker 5 (00:45):
What tear town fun here?
Speaker 3 (01:54):
Child? Yes, yes, that's what most folks is called. Dooslys
frontier town, loud and lusty, tough and tumbling like the
score of other frontier towns. L Passo, Cheyenne, two stone
only difference probably is the name of the town DULs
(02:14):
Rios Spanish for two rivers. My name is Remington, Chad
Remington born in Des Rios twenty dard years ago. Read
the NSIL. I went upstate to school to study law,
and I wouldn't have come back, I guess if I
hadn't gotten word that my father was found murdered, murdered
(02:36):
in cold blood. So I threw a few things into
a carpet bag, took the first stage coach out of Denver.
Men stretched my long legs by walking the familiar rutted street,
past the stores with false fronts, the half dozen saloons.
(02:59):
Oh to the white Golby house that belongs to Judge
Fillmore and his daughter Libery.
Speaker 6 (03:04):
I thought father should have written him a letter, chead.
Speaker 7 (03:07):
Don't think it would have been easier on it, since
there was nothing you could do about it anymore.
Speaker 3 (03:12):
You always wanted to let me down easy, Libby. The
judge was right telegraphing me.
Speaker 1 (03:16):
I was sure that's the way you'd feel about it.
Speaker 3 (03:18):
The boy h exactly what happened. They found your father
based down in the corral with an arrow between his
shoulder leads arrow. It was an arrow, all right, jed
regular engine arrows. Minute I heard, I rode right out
to his range. Missell, No indians run gosheos, No bad
(03:41):
indians John here.
Speaker 6 (03:43):
Don't think so. They blamed it on John Tollfeatter, the
Indian who used to work for your father.
Speaker 3 (03:48):
John Talfeather was as fond of my father as as
I am. What's more, John was a chalk toarn Chuk
toys haven't used arrow since the Mexican wars. Well, it
was John coming out tell him, my uncle Levyll, that
loose mouth gossip. John Talfeader's dead jam They strung him
up the same.
Speaker 1 (04:07):
Night your father was umb.
Speaker 2 (04:11):
Who's strug I'm I'm.
Speaker 3 (04:13):
Mob headed by your father's own neighbors, Rape and Bret Kincaid. Kincaids,
I should know this is no factors we're living in
any longer. May be the frontier, but it's the frontier
of civilization.
Speaker 1 (04:27):
I heard you make that speech before, my boy.
Speaker 3 (04:30):
For all the good it does, this country will never
be anything but a lawless wilderness until men learn the
respect the due processes of law. Why do they think
I left the ranch and went off to school.
Speaker 6 (04:41):
We know, Jack, We agree with you father. People around
like the Kincaids.
Speaker 7 (04:46):
What you're going to do.
Speaker 3 (04:47):
I'm going to do something and you can bet on that. Now.
Speaker 1 (04:50):
Don't go flying out the handle, young man. The Kincaids
are gunfighters, both of them.
Speaker 3 (04:55):
A lot worse than that if they mentioned poor John Tallfeader.
If there's any law in the country at all, they're
going to pay for it. Okay, you and liberal excuse me, judge,
I'll lay my bags here. Who's chat? Where are you
going to start with it? Down to the livery stable
running myself a horse.
Speaker 2 (05:20):
Sad down. Only can you have a horse and the
best horse on every stable provides, but you.
Speaker 1 (05:26):
Can have money.
Speaker 2 (05:26):
I'm a fire, what a sad hand? The shirt right
off my.
Speaker 3 (05:30):
Back, jerokee, you haven changed one bit. It sounds just
the way you didn't when I met you for the
first time, peddling genu wine, Cherokee rattlesnake oil off the
back of that big wabble.
Speaker 1 (05:43):
Hell, yes, sir, do you remember no Chayes sorrey.
Speaker 2 (05:47):
Now, if you just gather around post his hands, I
want to call your attention to this little preparation to
hold here in my hand. There's little bottles sold regularly
for three dollars everywhere. How you want to know what.
Speaker 1 (05:59):
The little does?
Speaker 2 (06:00):
And I'm going to tu get me moves walks, bum
his bunnings and cracking chart pole grumat whoa, oh there
you old horse beef artsy yourana, I lament my complaints.
Speaker 3 (06:13):
I'll just make it duct to Cherokee O'Bannon.
Speaker 2 (06:16):
Thank you, counsel objection to stage. Come on, I'll get
you a horse. Yes, and see one of the quietest
stillness broken down. Hayburger's is God but a fancy fancy lawyer.
Speaker 3 (06:29):
If you know what's good for you, old Benn, and
you won't call me fancy pants.
Speaker 2 (06:33):
Don't worry, said, I've seen you ride. I've got a
good bag for you. But you mind, my boy, your first,
well the first. What i'd like to ride along with you?
If we call right with you?
Speaker 3 (06:46):
Come along, Cherokee. I enjoy having your company. Now you
just get the horses. I'd like to be on my way.
Speaker 2 (07:02):
That's tamp there's your range. You can see it right
to the NASA.
Speaker 3 (07:06):
Haven't tanged my TASKI no out of bed. There's the
creek and the cottonwoods where I used to swim when
I played hooky for home on Holy watch U watch
up watch that for it bless. I'm mistaken, and I
still think I am. Someone's moved our wire. My fence
used to run along the other side of the creek
(07:27):
up to that saddle rock.
Speaker 2 (07:29):
Sure I used to.
Speaker 1 (07:31):
It doesn't any more.
Speaker 2 (07:32):
I thought you knew do what My last spring there
was a big rock slide right over there. Still the
old pick bottom of rock. Change the course of the
spree for your father's soul. That little stiff the king pay.
Speaker 3 (07:45):
You, sure, Trkee is without water, and it's a quarter
of a section over here. Wouldn't raise gophers.
Speaker 2 (07:51):
All the way I heard it on account of you
moving up state to be lawyer's part of the sun
off his cattle didn't care about the waters. I mean,
but that's ridiculous.
Speaker 3 (08:02):
Once a month ago he wrote me to go over
to the stock show at the Capitol and see if
I couldn't find him a new Herford greeting bull.
Speaker 2 (08:08):
Wow, I don't be a storngins off on Sara wouldn't
be buying any bull if he was giving up ranch.
And now what he don't.
Speaker 1 (08:17):
Think you was.
Speaker 3 (08:19):
Come on, Cherokee, turn that pony around. We're riding over
and playing a call on rape and Breck Kincaide.
Speaker 2 (08:25):
Get around there, long legged, loose tornant scuffle Causie.
Speaker 3 (08:36):
Neither Rape nor Breck seems surprised to see me. But
they did seem a little shocked when I started to
ask questions about this striple line Cherokee, except my father's
SOLDI or maybe shocked isn't the right word at that
they were indignant, indignant and downright hospital. You mean to
say you think I'm lying, Remington, I'm not meaning to
(08:57):
say anything, Rafe. I just asked you and Breck are
very simple question. What do you mean simple question? You
asked us to show you the deed your old man
signed when we bought that property for me. I know
what I asked, Grec, but I still have to see
the deed. Why are you I got a good mind.
If you really had a good mind, Rafe, you wouldn't
(09:19):
go reaching for your gun. I'm not wearing one. Yeah,
that's a guy. You're the holier than now. Genter. Didn't
like the way your neighbors ran your hometown. You went
away to college.
Speaker 1 (09:31):
You uh, he was too good for us.
Speaker 3 (09:34):
I can force you to produce that deeds, you know,
oh you can. Well, he wouldn't like to try it,
would you. I don't mean beat it out of you,
although I believe I still couldn't.
Speaker 1 (09:46):
He believes he still could rape.
Speaker 3 (09:48):
Whether you too realize that I'm not. We have a
court in this county, and I could make you produce
the deed and court. I just didn't think that'd be
a friendly thing to do. Get no place trying to
butter us up with that friendly port ah, let it
go break. The deed's over in the table drawer. Get
(10:09):
it in short to mister high and mighty. I'd appreciate
it very much.
Speaker 1 (10:12):
If you would, good father and turn over in his grave.
Do you know what a duty you have for a son?
Speaker 3 (10:18):
Unless you two have to say about my father, the
better off will be other us. Yeah, look for yourself.
Speaker 1 (10:27):
That's the deed.
Speaker 3 (10:29):
That's the deed. Alright, Well now you're satisfied. Yeah, I'm satisfied.
His signatures a forgery. Why you don alright, squeeze trigger
if you want to. I don't think even you would
wanna go into court for gunning down an unarmed man. Yeah, well,
(10:52):
who's to say you weren't packing a gun? The race rife?
Speaker 1 (10:56):
He's got me his witness.
Speaker 3 (11:00):
I'm a lawyer.
Speaker 1 (11:01):
You know what witnesses.
Speaker 3 (11:02):
I don't you, Chad? You called me a liar. He
said I forged that deed. Nobody calls me them names
and goes on living. And I imagine you've killed men
for a lot less too, unless you got the set
to shoot. While I'm standing in front of.
Speaker 2 (11:20):
Funny, what's cop Tuck come ray?
Speaker 1 (11:24):
Freak of Cherokee sad must to let him outside?
Speaker 3 (11:26):
Yeah, I forgot I had, But well, right, you gotta
look that.
Speaker 2 (11:30):
To turn go or not? The next one we get
the warner and even my Cherokee Indian ral snake before.
I'll never cured one from five holes.
Speaker 1 (11:42):
Go on, race, Cherokee's got the drop on you.
Speaker 2 (11:48):
That's fun. Come on, Chad's time you were leaving here.
Speaker 3 (11:52):
You're right, Cherokee. Go on the slope, and the next
time you come up here, I'm shooting you for trespassing.
Thanks for your advice, Raf, and for your help too.
I'll be seeing you, Jete soon.
Speaker 1 (12:07):
Mington.
Speaker 3 (12:08):
Next time I see you, you better be packing a gun,
because I will. I'll be looking for you. I intend
to be looking for you too.
Speaker 1 (12:17):
Both of you.
Speaker 2 (12:20):
Oh con and reeve if he goes from town to
shooting off that pig market yet.
Speaker 3 (12:24):
Up right, I ain't afraid of no man who scared
to pack of guns. He had his champ while he
was here, and he told him if they I almost noticed.
Speaker 1 (12:35):
That one's yeller yellow clean through.
Speaker 4 (12:48):
They'll return to the dramatic climax of Frontier Town in
just about one minute.
Speaker 1 (13:57):
And now Spuntier Town.
Speaker 3 (14:17):
Well, when we left the Kincaid's ranch, I was pretty
firmly convinced that my father's signature had been forged, and
the deed under which the Kincaid's claimed title to the
creek and that strip of land around it. Cherokee and
I had pounded leather and left a trail of dust
all the way from the Kincaid's to Judge Gillmore's house
in Dos Rios.
Speaker 2 (14:36):
The cherry sure cimus livy Chad's here about this, and
I am at my Cherokee. Indian rattlesnake oil was an
absolute positive cure for ee here, missus man all away
from double ammonia hand names.
Speaker 3 (14:50):
I'm even sure than that. I'm as sure as anyone
can be, even seeing the deed for a few seconds.
I did. You couldn't miss the even pressure of a
pen on the paper, and no one writing normally writes
that way. Do you mean to say it was tree
he was traced or copied, or I just know that
my father didn't write it there himself. I hate to
sound like a judgement boy, but do you think you're
(15:13):
going to be able to prove it? Judge? I hate
to sound like a lawyer, but I've either got to
prove that or leave tell.
Speaker 2 (15:21):
Of course, I am a't doctor hardon expression I'm a lawyer,
but it seems reasonable sense to me. Said, I've board,
if he go down and have a little talk of the.
Speaker 1 (15:31):
Board, the Marshal.
Speaker 3 (15:34):
It isn't often that I can agree with someone in
doctor O'Bannon's profession, but this I think he's right.
Speaker 7 (15:40):
Well, Chad, ti'd like we'll all go along with you. Look, Judge,
the Marshall must be in at his horse.
Speaker 6 (15:55):
Tied off in front.
Speaker 3 (15:56):
Good, because I'm in no mood to waste any time.
Speaker 2 (16:00):
You know what he means by that, miss Libby. He's
aiming on getting back up state, not staying here.
Speaker 3 (16:05):
Oh she had not really, I'm afraid, sir Libby, this lynching,
this fretching, the kincaids, nothing's changed here. It's still the
same boisterous, belligerent frontier top.
Speaker 1 (16:16):
Well, no, Chad, it's not as bad as all that here.
Let me open the door for you, and if you
don't mind, I'll wait for your hair outside.
Speaker 2 (16:26):
I always feeling strange when the door.
Speaker 1 (16:28):
Closes behind me in a Marshall's offense.
Speaker 3 (16:31):
With what's on your conscience, I'm not surprised after you, Libby, Well,
Chad Remington, I was expecting you to back to those reels.
But I'm downright sorry that it had to be under
these circumstances. Oh hotey, Judge, Miss Levine Marshall, Chad would
like to ask you a few questions about his father's death.
(16:53):
My father's murder. You're sure right about that sn that
Loco Dingin hit him smack between the shoulder blades like
a target was painted there. I suppose you know that
Chuck DAWs gave up bow and arrow fighting years ago. Marshall,
Of course they did. John toll Feather reckoned, had known it.
We wouldn't blame it on him, And when I found
(17:13):
that boat hidden under his bunk, had him dead. The
rights you found the boat, We got it right here.
That's the thing that done in your father. Thanks takes
him mighty strong man been his boot. John top Feather
(17:36):
not only was old, but he'd been sick for years. Suh. Well,
he had enough strength lift to pull at once us.
How is it since you found this evidence you didn't
arrest John and bring him in here or well? They Well,
it was three or four boys with me when I
rode out to your father's place, and then the Kincaid
brother joined us, and well, I reckon. There's no reason
(17:59):
with a bunch of angry men, especially when Wright's on
their side. In other words, you just stood aside and
let him take your suspect and string him up. Sirspect
nothing I tell you.
Speaker 1 (18:10):
We had him dead to right. Well, you wouldn't have
had him dead to rights in my court without more
proof than that.
Speaker 3 (18:16):
I don't know he was getting excited about it, now, Judge,
did you find anything else that day? Marshall? No, I
can't say that that by sinners. I did bring something
else in that. You probably want your dad Bill holstring gun.
Speaker 2 (18:28):
I got him right here to test.
Speaker 3 (18:29):
Yes, Rushall, i'd like to have his gun. Well here
you ares n and I hope you understand. Yes, I'm
starting to understand a lot. I'll see you again, so Rushall,
come on, let me.
Speaker 2 (18:49):
Go.
Speaker 1 (18:49):
I almost willed to get you.
Speaker 2 (18:51):
Guess who just rolled in the town. Never mind, I'll
tell you right what could pay?
Speaker 3 (18:57):
Were they looking for me? Could it be?
Speaker 1 (18:59):
Could be?
Speaker 3 (19:00):
That's good, very good, shaid.
Speaker 2 (19:02):
You don't mean you're going down knocking.
Speaker 3 (19:04):
At myself form Libby, No, I am doing a strap basis,
so I don't look at me and saw your eyes.
I canna pop out of your head, Libby. I'm only
going now. I'm reasonably able to take care of myself.
Speaker 6 (19:17):
Cat, you'll be careful and.
Speaker 3 (19:20):
Being doubly careful and taking a bodyguard with me with
Cherokee and I find what I hope we'll find. You
can get out your law books, Judge, because we'll be
having a case for you to try and your court
mighty soon. With the Kincad brothers in town, it certainly
(19:43):
seems safe to go back out to their ranch. When
we got there, I headed straight for the desk with
a so called bed was kept well. Cherokee started to
ransack the rest of the house. Suddenly I could hear
Cherokee's heavy boots come pound, he taught me from another room.
Speaker 2 (20:02):
Chad, Hey, Chad, just certainly playing the right hunch.
Speaker 3 (20:05):
Looks here, where'd you find those Cherokee?
Speaker 2 (20:09):
The bedroom in the back room. This is only a
few of them. There must be twenty thirty arrow heads
back there.
Speaker 3 (20:16):
So John Tugh had a murdered my father. It was
a free, cold blooded swine. Throw all the.
Speaker 1 (20:23):
Kitten cage done?
Speaker 2 (20:25):
Hey, what's next?
Speaker 1 (20:26):
You've got there?
Speaker 3 (20:27):
That paper ass enough for those narrow heads to put
the noose around the Kincaide next here. See they've bought
some land from my father, all right, but not the
piece down by the creek is thedeed for ten acres
up on the north side, next to the grove of jackpines.
All they did was to copy your signature off this
steed and trace it on the other.
Speaker 2 (20:47):
Yeah, even I could see the difference from the side beside. Well, Tad,
I suppose now you're going back into town and call
them out.
Speaker 3 (20:55):
Hey, no, Cherokee, I'm not and taking this evidence into
the mars swearing out of warm for their arrest.
Speaker 2 (21:03):
You sound like you've been drinking rattlesnake oil wire. Them too,
would never let theirselves be arrested.
Speaker 3 (21:08):
Oh, they got everybody bluffs around here. Come on, Cherokee.
They're getting back to town. Come on, Cherokee. The only
two places we haven't been to. And there the Kincave's
(21:35):
horse is tied up in front of the Lucky Seven casino.
You see the brands k borrow. You're gone.
Speaker 1 (21:41):
I do fire the bushwacking blizzards.
Speaker 3 (21:45):
Go fetch the marshall. I'm waiting here to make sure
they don't get away. You can see them both from here,
Marshall at the pharaoh table. Don't want to Chad. This
ain't no time to try to harm the jail. They've
(22:05):
been drinking well them two is arly enough cold silver.
I'm sorry you don't like your job, Mrshall, Maybe if
you liked it a little better, it wouldn't be necessary
to do things like this here duty. No, you see here,
Chad Redmonton, and I don't take lip like that from
no man. You'll be taking a lot more than that
if you don't get busy. Come on, we're going inside. No,
(22:28):
but mark my words, we're not having no shooting scrapes, Marshal.
If I were you, i'd start moving. Come on, just
keep walking, muscle.
Speaker 2 (22:49):
How man of the house, and take off them.
Speaker 3 (22:57):
Sorry to interrupt your game, right, Your luck's just brought
out anyhow. I remember what I told you this morning.
I said, next time I saw your I was gone
away for mourning. You don't try scratch a leather.
Speaker 1 (23:12):
Look who's here.
Speaker 3 (23:13):
The dude brought the law with him. You want something, Marshall. Oh,
Chad here sent for me, says he's got some kind
of proof you killed his father. So he thinks I
killed his father? Does he well, if I thought someone
shot my father, I wouldn't need any law man to
(23:34):
take care of him. He's got laws to handle things
like that. They're cuddy good enough for me, Marshall. He
got an idea just Betty has since Chad. Once us arrested,
why don't you depotize him? Then? Being the law he
(23:54):
thinks I have, he can take us down to the
calaboose if she thinks she can. Great. Now, I didn't
come in here looking for trouble, and you, being on
the prod, ain't helping me. Now, I shally, you're going
to arrest the king Kate's and sure, sure wait if
they ain't gonna come peaceful, and well, I'm going back
(24:17):
and get me a couple of deputies. All right, Marshall,
I don't intend to tell you how to run your
job going. I'm gonna stay here and wait for you, okay, said,
but don't you go stir up no trouble while I'm going,
yem stir up trouble. Don't make me laugh.
Speaker 1 (24:36):
Ed Marshall's card Adi real brave armbre He couldn't wait
through un out.
Speaker 3 (24:42):
I didn't run out Remington this morning. You called me
a liar and a crook. Now you're coming here. Ain't
calling me a murderer. That's rightly. I cause you a liar,
a crook, and a murderer.
Speaker 1 (24:56):
And we haven't even started yet.
Speaker 3 (24:59):
Mister, that's the only one thing to tell you. Go
for your gun. Sorry, it's one piece of advice I
can't take.
Speaker 1 (25:08):
You're right, Rafe, it's jasper yellow.
Speaker 3 (25:13):
Sure he is yellow, clean through. You're gonna find out
rape if I am or not. Yeah, Oh, he's gonna
hit me with a wet handkerchief or something. You ain't
got the salt to clear your holster. The only time
I draw a gun is in self defense. I don't
(25:33):
know why you don't fill your hand. Boy, should ill?
Because I called you a liar, I've called your crook,
and I'm calling you a cold blooded, sneaking murderer. Even
I wouldn't let a man call me that to my face.
Go on, you got quite a reputation for slinging guns.
(25:54):
What's stopping you now?
Speaker 1 (25:56):
I ask to get out of here before I blow
you out.
Speaker 3 (25:58):
To blow me out, you have to draw, and I'm waiting.
They fin knew you were everything miserable a man could be,
But I never thought you were a spineless as a
gutless coward.
Speaker 2 (26:11):
Are you put beat him so that record? Stop that
son back before I have to break you all.
Speaker 3 (26:31):
I thank you now we don't need the Marshall. One
king cabs left is going to jail anyhow well, Libby, just.
Speaker 6 (26:54):
So, I hate saying goodbye.
Speaker 3 (26:56):
I hate saying goodbye to what everyone?
Speaker 6 (26:59):
Well you will, right, an't you?
Speaker 2 (27:03):
Well?
Speaker 3 (27:03):
I might not that it'll do much good. I'm afraid, Lily,
not the littly.
Speaker 7 (27:07):
Just what do you mean?
Speaker 3 (27:09):
I always heard women knew everything by intuition.
Speaker 6 (27:11):
You mean, but there's someone else upstate, someone you.
Speaker 3 (27:16):
Go to marry upstate? NoHo mentioned upstates?
Speaker 6 (27:19):
No race dead and step Can Gates. That means you're
leaving town again?
Speaker 3 (27:23):
An't well, Yes, I'm talking about twelve miles out of town, Libby.
I'm moving into my father's ranch. Oh yea you know
you sure I am?
Speaker 1 (27:32):
Now?
Speaker 3 (27:32):
I guess there's enough trouble around those rails for another
good lawyer. Yep, livey I'd come home.
Speaker 2 (27:37):
Ah well, he never gonna get home. You don't get started.
Speaker 3 (27:42):
How about inviting me for dinner tomorrow night?
Speaker 6 (27:44):
Huh hut of course.
Speaker 3 (27:47):
Well then we're pretty Senor Liby.
Speaker 2 (27:49):
Get started, Jerkey, we got miles to cover. How fair
boy they cracks?
Speaker 5 (27:56):
Don't forget Lively mind step of five.
Speaker 8 (28:13):
Music School school Sets, Stool.
Speaker 9 (28:54):
Music Music, Frontier Town, Starn Text Chandler.
Speaker 1 (29:15):
Came to You from Hollywood.
Speaker 4 (29:17):
The series is directed by Paul Franklin and supervised by
Joel Murcott.
Speaker 1 (29:22):
The music is composed and played.
Speaker 3 (29:23):
By Bob Mitchell.
Speaker 4 (29:25):
Be sure to be with us again, this time one
week from today for another fine action adventure story with
your favorite young Western star. Text Chandler Frontier Town is
a Bruce Else production.
Speaker 8 (30:01):
SA
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