August 17, 2025 • 26 mins
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Episode Transcript
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Speaker 1 (00:09):
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshall and the Smell of
Guns Smoke Gun move for, starring William Conrad, The story
(00:41):
of the Violin that moved west with Young America and
the story of a man who moved with him.
Speaker 2 (00:47):
I'm that man, Dylan, United States Marshall, the first man
they look for and the less they want to meet.
It's a chance they job, and it makes a man watchful,
a little lone lad.
Speaker 3 (01:01):
Oh, it's a prime Thereindy gets from them room.
Speaker 4 (01:16):
Minding that bed up there don't get no softer what
that gest. I was just telling you, mister Doby, the
bed up in number four don't have no more gift
to it than old McClellan's saddle.
Speaker 5 (01:26):
Well, I don't know what were you doing up there, anyway,
I see that drummer pack. Your dad's out of here,
so I know it wasn't in there no more, so
I went on up.
Speaker 6 (01:34):
You got no right to go in my rooms, no
right at all.
Speaker 5 (01:36):
Well, now, mister Derby, I've been figuring I might take
that room some day, and I was just kind of.
Speaker 6 (01:41):
Looking it over, so were having shake gesture.
Speaker 7 (01:43):
You're talking a lot of foolishness.
Speaker 6 (01:45):
You can't afford to stay in the doghouse.
Speaker 5 (01:46):
Well, I don't hurt nothing for a man think about.
Speaker 8 (01:48):
Better than his selson.
Speaker 6 (01:50):
What in the world is that? It's a fight right
outside my hope.
Speaker 5 (01:55):
Now now, now, don't upset your telling mister Doby. You
just sat there. I'll go on out myself any dam yeah.
Speaker 9 (02:03):
Hair now, yeah, man, I think you better sit out.
Speaker 6 (02:09):
With your jabber hair and our hair. You don't leave
Charlie b You better mind your own business, yester, I said,
move along.
Speaker 10 (02:16):
Now, leave him be.
Speaker 11 (02:19):
Shot, quit him.
Speaker 6 (02:23):
Otage after okin, I just simmer down.
Speaker 12 (02:27):
Don't need to get some hard No, you are to
be ashamed.
Speaker 13 (02:30):
Big collers like you push no.
Speaker 14 (02:31):
Old man around.
Speaker 6 (02:32):
We didn't mean no harm.
Speaker 12 (02:34):
You were just trying to get him the top, ragging
at us to quit his talk.
Speaker 5 (02:37):
It don't make no difference to me what you are
trying to do. Go on, get get so you can't
walk down the street without he stops you and talks.
Speaker 6 (02:45):
Your ear off.
Speaker 4 (02:46):
I said, get.
Speaker 1 (02:49):
Come on, you hurt charling, No, No.
Speaker 12 (02:53):
He hate hurt you take more than them, young.
Speaker 5 (02:55):
Budgets to hurt me or they pushing me around for.
Speaker 12 (03:00):
Just trying to kill him something.
Speaker 14 (03:01):
That's all.
Speaker 12 (03:02):
Young folks ain't got the gumpson to listen when they
do them the most good. Well they'd have got shot
down easy shaw. Who's gonna shoot him? For anybody had
drawn way they is handling them guns.
Speaker 7 (03:16):
I didn't hear no shooting.
Speaker 14 (03:17):
Of course she didn't. There wasn't done.
Speaker 12 (03:19):
They're talking about a fast draw and they'd been shut down. Sure, Charlie,
was you trying to tell him how to do it?
Young and Di don't listen. You try to tell him,
but they just don't live.
Speaker 5 (03:31):
Well, you just sat there quiet like that.
Speaker 7 (03:33):
They won't bother you.
Speaker 12 (03:34):
Know, real Joe, they've got both of them before they
even slapped the letters. The way they are doing it, well, sure,
real Joe. Would I drew anybody back?
Speaker 14 (03:43):
And that that goes back aways on it?
Speaker 12 (03:45):
Young smarty Alexey won't listen to Dolly. Hey, they kind
of wings you and I didn't they.
Speaker 5 (03:54):
I guess maybe they did. There was a few elbows
flying around.
Speaker 12 (03:57):
When you better put some beefsteak on it, man, need
you I shrit these days seeing the good.
Speaker 11 (04:03):
Game shooting me.
Speaker 1 (04:05):
Sure, well all right then you you.
Speaker 5 (04:06):
Just set up there, Charlie now, and you let me
know if you get bothered more.
Speaker 12 (04:11):
Nobody will dedition no more, no matter how much you
got to killing it.
Speaker 5 (04:15):
Yeah, well, I'll see you sometimes. You take care of yourself, Charlie.
Speaker 12 (04:18):
Nobody will delition.
Speaker 6 (04:34):
There ya, thank you, thank you, Kitty.
Speaker 5 (04:38):
Can't you sit down leis uh maybe for a few minutes.
Speaker 10 (04:41):
I got.
Speaker 13 (04:44):
I got to check over the whiskey supply of time
pretty soon.
Speaker 6 (04:47):
Well, now, I wouldn't want to interfere with that.
Speaker 5 (04:49):
It'd be a terrible tragedy for dodge, for a saloon
ran dry.
Speaker 10 (04:53):
Yeah, most of these minute, rather see the river goes right.
Speaker 6 (04:56):
Well, you're both sounding pretty high and mighty.
Speaker 5 (05:00):
A couple of fellows aren't exactly te tails. It won't
just philosophize in the kiddy, nothing personal.
Speaker 6 (05:07):
I'll come Matt bind you too, bears dot, because I
won two games of checkers.
Speaker 5 (05:11):
That's why he's slowing up, kiddy.
Speaker 10 (05:14):
Oh he's slowing up.
Speaker 5 (05:15):
Ah, I've knowed it. Oh doctor, Yeah, mind, I fact
see you for a minute. We'll sure not justice or
not every Well, don't think I'm thinking we might go
on over your art.
Speaker 12 (05:27):
Chester.
Speaker 7 (05:28):
Look at me, Chester, woman's kidding.
Speaker 10 (05:33):
You've got a black eye. Let me see that, Chester,
You sure have and it's a beaut Well.
Speaker 5 (05:40):
That's right, I guess, Doc you you've got something to
put on it. The man hard to protect his eyes sight.
Speaker 6 (05:46):
It's a little late.
Speaker 5 (05:47):
For that, Chester, You should have ducked.
Speaker 10 (05:50):
Yeah, why'd you pick that up?
Speaker 6 (05:51):
Chester?
Speaker 11 (05:51):
Oh?
Speaker 6 (05:52):
I was just trying to help at all.
Speaker 5 (05:54):
You just don't pay your body to try and do
a good deed anymore.
Speaker 10 (05:57):
What were you trying to help?
Speaker 5 (06:00):
Charlie wants his name, sets out in front of the
dodge house talking to anybody who listened.
Speaker 10 (06:04):
Charlie, don't tell me he gave.
Speaker 7 (06:06):
You that eye?
Speaker 5 (06:06):
No, Doc, nor of course not. Couple of young smart
Alec was picking on him and I mixed in it
and come out with this.
Speaker 13 (06:14):
It doesn't look like you accomplished much now stop.
Speaker 6 (06:17):
Teasing him, you too, That was a nice thing you did, Chester.
Speaker 3 (06:22):
Thank you.
Speaker 1 (06:22):
I'm off all right.
Speaker 5 (06:24):
But the old goot's bound to get into more trouble.
Speaker 7 (06:27):
Ah.
Speaker 5 (06:27):
How's that why he keeps telling folks what they are
to do? And you normals don't need too many people
who want to listen. No old man like him tell him.
Speaker 13 (06:35):
How to draw a gun, Droy gun.
Speaker 5 (06:37):
He's always talking about the gunfighters of olden days, and
folks get tired of listening to that.
Speaker 13 (06:42):
Well you better not listen either, Chester, You only got
one more ride now, don't pay.
Speaker 8 (06:47):
Any attention to him.
Speaker 5 (06:48):
Chester, I'll fix that eye up a little raw meat.
Speaker 6 (06:52):
That's about the best thing. Yeah, and a few less jokes.
I never did know what was so funny about a
black eye.
Speaker 12 (07:00):
Come on, Chester, now you see, boy, you gotta be
careful about how you work the barrel. You gotta have
(07:22):
a good true barrel.
Speaker 8 (07:23):
On your gun.
Speaker 6 (07:25):
You sure can.
Speaker 8 (07:25):
Little knife mister, oh well.
Speaker 12 (07:27):
Uh, boys, don't take much to douce and whiling. All
you got to do is have a sharp knife and
remember seeing your hands for what you're making.
Speaker 6 (07:38):
M Well, you gotta remember that gun, mister.
Speaker 12 (07:41):
Oh my like I have for the blade of the
Texas Sun on my back. Man, don't forget them things.
Speaker 5 (07:50):
It's all got my paws gun.
Speaker 12 (07:53):
Uh that that part there's different?
Speaker 10 (07:56):
Uh this yere h?
Speaker 3 (07:58):
Yeah?
Speaker 12 (07:58):
Yeah, Well they got new fangled ideas. You don't need
no notch in the cylinder to make a good gun.
Speaker 6 (08:07):
Well, Pa shoots it ain't.
Speaker 12 (08:10):
Nobody needs nothing better than his gun. While Real Joe
could hit anything.
Speaker 14 (08:16):
He could see.
Speaker 12 (08:17):
No Real Joe, Yes I knew him.
Speaker 7 (08:20):
He seem john shooting.
Speaker 12 (08:21):
Uh stood ride with him by.
Speaker 9 (08:24):
Jingle, mister w you recklick things.
Speaker 6 (08:26):
You could kill me for.
Speaker 12 (08:28):
Sure, Boy, I recollect real good. I recollect the time
down in border country and he faced down three men
using a gun like this free.
Speaker 8 (08:40):
Was he drawn on him?
Speaker 12 (08:42):
Well, yes they drawed, but that was the last thing
they ever did.
Speaker 6 (08:47):
He don't seem likely. No man could do that.
Speaker 14 (08:50):
M Real could do it.
Speaker 12 (08:52):
He is good with a gun, you real good?
Speaker 9 (08:56):
Go on, mister kill me?
Speaker 6 (08:57):
How he gun?
Speaker 10 (08:58):
Well? He wait?
Speaker 12 (09:00):
Was Rio is coming along a trail by some cutting woods?
Speaker 10 (09:04):
You still spinning them yards?
Speaker 5 (09:06):
Old man telling me about Real.
Speaker 10 (09:07):
Joel Real Joe. He's telling you about Rio Joe stood with.
Speaker 6 (09:15):
Me if I told don't listen to him.
Speaker 10 (09:18):
Boy, it's your old fool.
Speaker 6 (09:19):
It's like to himself talk. You've never seen a gunfighter
like Rial Joe. His whole life.
Speaker 10 (09:26):
Run so hard and knowing and stopped you.
Speaker 8 (09:30):
He just talks so much.
Speaker 10 (09:31):
The old town's tired of him. Boy, you don't want
to get took in by an old blowhard.
Speaker 12 (09:37):
Now you looking here, real Joe, mister, I was telling you,
street boy, you believe me, don't you?
Speaker 6 (09:53):
What can you prove it?
Speaker 8 (09:59):
I don't, now, boy, I don't know.
Speaker 3 (10:21):
Oh right, talking about it?
Speaker 5 (10:30):
Hey, sly that bottle down this way and you're rasping.
Speaker 6 (10:35):
Thanks. Hey, you're the two fellas give that Marshall's help
for a black guy Chester.
Speaker 12 (10:45):
Well, he was asking for it, working out of his business.
Speaker 10 (10:49):
You know, first I thought the old man.
Speaker 6 (10:51):
Give it to it, Old Charlie, all he does is talk?
Oh he sure does that.
Speaker 10 (10:58):
Oh don't he's you tink?
Speaker 8 (11:01):
Nobody else know how to draw.
Speaker 6 (11:04):
Him? And real Joe, why you don't even wear a gun?
Speaker 14 (11:11):
No?
Speaker 5 (11:12):
No, I don't.
Speaker 14 (11:14):
I ain't never seen him draw.
Speaker 10 (11:15):
He just talks about it. You don't seem like a
fella talks that much on the back his play.
Speaker 6 (11:22):
Oh Charlie, ain't got no plate to back that mighty
interest and put it up to him.
Speaker 10 (11:30):
What you mean, my he interested?
Speaker 14 (11:34):
What are you aiming at?
Speaker 6 (11:36):
I just got me a smart idea how to get
rid of that old man.
Speaker 5 (11:41):
Wait a minute, raft, he ain't done nothing bad enough to.
Speaker 1 (11:44):
Get shot for.
Speaker 6 (11:45):
No, who's talking about shooting.
Speaker 10 (11:49):
You said, get rid of her. Sure I did, and
it'll work. And all you gotta do is just call
his bluff.
Speaker 12 (11:57):
How's that?
Speaker 7 (11:58):
Whoa?
Speaker 6 (11:59):
Get him out street and tell him he's got the
face up to one of us or else, keep his
mouth shut and leave time.
Speaker 10 (12:09):
Let it be calling. If he's sure, he ain't gonna
draw you know, it's not a call like him. That'll
be nothing for him to do. But again, come on,
let's go fetch him.
Speaker 6 (12:20):
I ain't George tonight right now, ain't no reason to
sleep on it.
Speaker 14 (12:23):
Come on.
Speaker 6 (12:39):
That sh come on right down these stairs.
Speaker 5 (12:43):
Wait a minute and keep your boy down, and we
got something to show you outside the mini the middle
of the night.
Speaker 6 (12:49):
It ain't gonna make much difference, old man. Yeah, I
drag him right out in the middle of the street.
Speaker 5 (12:57):
You're not saying, you know, I free up together to
get it when if you're talking.
Speaker 12 (13:01):
You ain't got enough guts to water shot gun with you.
Speaker 5 (13:04):
He's gonna shut him up rasping.
Speaker 6 (13:06):
He'm sure he's making a lot of noise for the
old man standing.
Speaker 14 (13:09):
Around his drawers.
Speaker 12 (13:13):
He's dragging a man from his bed, and you just
give me a chance to get at different you a chance,
old man down in Texas.
Speaker 3 (13:19):
We just struck you up.
Speaker 6 (13:20):
Or you've been talking mighty big for a man that don't.
Speaker 12 (13:23):
Wear no old gun, and you're lucky.
Speaker 6 (13:25):
I don't now.
Speaker 10 (13:27):
We'll just see about that. We're gonna give you one man.
Speaker 6 (13:31):
We're gonna see just how much you learn from rio joff.
Speaker 12 (13:37):
Half that's.
Speaker 10 (13:40):
Throw let me throw, let him go my show.
Speaker 6 (13:49):
We were just having some fun with it.
Speaker 10 (13:51):
Let him go. He's sure needed the list hit up.
Any lessons from you? Go on, I got away from here.
Speaker 13 (14:01):
Well, there ain't no call.
Speaker 6 (14:02):
To get roup about it, marshall. Somebody had to shut
the old man.
Speaker 13 (14:06):
You listen to me, I find you pestering him again.
I'll be roughing away. You're gonna really understand you go
on and get out of here.
Speaker 6 (14:16):
Well he hasn't any.
Speaker 10 (14:23):
Come on, Charlie, you'll go back to your room.
Speaker 12 (14:28):
Ah, you don't need to give me no help, marshall.
Speaker 10 (14:32):
I can take care of myself. Sure, I know that, Charlie.
Speaker 14 (14:37):
I wasn't scared of him.
Speaker 12 (14:39):
I just stood up to him. Yeah, come on upstairs,
And nobody never got by with nothing like that before.
Speaker 10 (14:49):
I don't worry about it.
Speaker 7 (14:51):
It's not gonna happen again.
Speaker 14 (14:52):
I know, I Marshall.
Speaker 13 (14:54):
I uh, Charlie, you matter fact I'm in for few minutes.
Speaker 12 (15:01):
Huh uh Oh, well a way, Yes, you can shoot yourself.
Speaker 13 (15:11):
You'll figure out to stand and dodge.
Speaker 7 (15:13):
Charlie.
Speaker 12 (15:14):
Well, I did kind of have it in my mind.
Man likes to place to settle.
Speaker 7 (15:20):
Yeah.
Speaker 13 (15:22):
You don't need to change your mind because of those rocks, Charlie,
i'land 'em.
Speaker 12 (15:27):
Uh, no need of that, Marshall. Oh uh would you
step over this way? I'd like to get in that trunk.
Speaker 7 (15:36):
Oh yeah, sure.
Speaker 13 (15:48):
Ah. If I could have had those guns a long time, Charlie, Yes,
I have hm good shape.
Speaker 12 (16:03):
Your old friend, Marshall, I take good care of him.
The kind of sumfort me to have him with me.
Speaker 13 (16:11):
Yeah, I uh, I wouldn't got any idea about starting
to wear them again.
Speaker 7 (16:19):
Charlie.
Speaker 13 (16:21):
They're old guns.
Speaker 12 (16:24):
Oh and I'm an old man. Is that what you're saying?
Speaker 13 (16:30):
Oh, you're old enough to leave your gun flights behind you? Okay,
won't you remember that?
Speaker 6 (17:05):
I hope they didn't hurt the old man.
Speaker 13 (17:08):
No, they didn't hurt him, not physically anyway.
Speaker 6 (17:11):
I guess his tried to repeat.
Speaker 5 (17:13):
Yeah, it's terrible to me too.
Speaker 8 (17:17):
Do you think he's gonna leave town?
Speaker 7 (17:19):
I don't know, Kiddy. I wouldn't blame him, but he didn't.
Speaker 6 (17:21):
No, it'd really be a shamed.
Speaker 12 (17:24):
He wasn't doing any harm, telling his stories, and the
kids seemed to like him.
Speaker 13 (17:29):
Yeah, but Rasp didn't.
Speaker 10 (17:33):
That grasp killer.
Speaker 6 (17:35):
He's always been a bully, un.
Speaker 10 (17:37):
Like I hear my name mentioned, RAI you did, Rasp,
and I'm glad to repeat what I said.
Speaker 5 (17:42):
I called you a bully.
Speaker 10 (17:47):
Uh No, that ain't really like miss Kiddy. It isn't Marshall.
Why don't you move along?
Speaker 7 (17:55):
Rasp?
Speaker 6 (17:57):
I keep forgetting you're the big Marshall taking care the ladies.
An old man around town.
Speaker 13 (18:03):
I have an idea that one particular old man can
take care of him.
Speaker 6 (18:06):
So you've been listening to too many a story?
Speaker 10 (18:10):
I'm not so sure they're just stories. What do you mean?
Speaker 13 (18:14):
I saw a pair of horse.
Speaker 10 (18:15):
Pistols in his room last night, and they looked like
they had a lot of way.
Speaker 6 (18:19):
That old who don't wear.
Speaker 13 (18:20):
No gun, he's wearing one now, Old Charlie, I wouldn't
get in his way.
Speaker 7 (18:27):
If I were you.
Speaker 6 (18:29):
You mean that old geezer, my draw on me.
Speaker 10 (18:32):
No, you've been took in by his tall.
Speaker 13 (18:36):
I'm just telling you to be careful. He's not gonna
forget what you did.
Speaker 7 (18:40):
To him last night.
Speaker 6 (18:40):
All right, Martia, I'll play along. I'll tell you one thing,
that old man better not start nothing.
Speaker 13 (18:49):
I'll wear my guns all the time.
Speaker 10 (18:51):
So do I arresp.
Speaker 7 (18:54):
You ain't scared me on Marshall.
Speaker 10 (18:56):
I'll be around, so will I arresp So long? Miss kidding?
Speaker 8 (19:09):
Really think there's gonna be trouble man?
Speaker 13 (19:13):
I don't know, kiddy, Oh, Charlie was pretty upset.
Speaker 8 (19:16):
Well, you gotta stop it.
Speaker 13 (19:17):
Don't let him put on those guns in march around
until I get himself killed.
Speaker 10 (19:21):
I can't take him away from him, kiddy?
Speaker 13 (19:23):
Why can't you cause he hasn't done anything.
Speaker 10 (19:26):
Oh well, I forgot.
Speaker 13 (19:28):
You have to sit and wait until something happens, til
somebody gets killed before you can do anything.
Speaker 12 (19:33):
Kid, Why don't you just go stop this thing now
before someone gets hurt?
Speaker 7 (19:39):
Oh?
Speaker 10 (19:40):
I don't see what I can do. Oh huh ah,
I love di?
Speaker 6 (20:01):
Yeah, where where are you bound for?
Speaker 13 (20:03):
I went over the telegraph office?
Speaker 7 (20:04):
Ooh along, alright.
Speaker 10 (20:08):
I've been waiting for a wire from Washington about the
time I.
Speaker 6 (20:11):
Came in.
Speaker 5 (20:13):
And I takes your badge away.
Speaker 10 (20:15):
I didn't for days like this. They're welcome to it.
Speaker 13 (20:22):
Hello, Ed, you've got something for me?
Speaker 6 (20:25):
Well, that's your funny team, Marshall.
Speaker 12 (20:27):
Something just did come in.
Speaker 6 (20:30):
I was gonna bring it up as soon as I
hit my dinner.
Speaker 13 (20:32):
Yeah, yeah, y u h iks yeah, Well see you later.
Speaker 3 (20:44):
Ed.
Speaker 5 (20:51):
They don't look too happy about what's in that wire.
Speaker 3 (20:54):
Man.
Speaker 10 (20:55):
This wire isn't really good news, doctor.
Speaker 13 (20:57):
It's something I've been expecting.
Speaker 5 (21:00):
At your salary, did they?
Speaker 12 (21:02):
No?
Speaker 10 (21:02):
I wish it was that simple.
Speaker 5 (21:06):
What's our hurry?
Speaker 6 (21:08):
Where are we go?
Speaker 13 (21:09):
I wanna find old Charlie and take his guns.
Speaker 8 (21:11):
Out of it?
Speaker 5 (21:12):
You mean that wire was about old Charlie?
Speaker 10 (21:15):
Yeah, I'd ask a couple. You better stick with me, Doc,
you may be needed.
Speaker 6 (21:20):
Sure, what's yeah Chester on my way.
Speaker 12 (21:32):
John, He grasped an old Charlie's.
Speaker 10 (21:35):
Yeah, the wire was too late.
Speaker 14 (21:37):
What's then?
Speaker 13 (21:38):
Never mind?
Speaker 10 (21:38):
You look at Charlie over there, doctor, surely.
Speaker 5 (21:43):
I'm pretty herass dead and stunning.
Speaker 7 (21:47):
Yeah, he's dead.
Speaker 5 (21:50):
That old man just stood there.
Speaker 10 (21:51):
Who's could be?
Speaker 6 (21:53):
Let raft draw first?
Speaker 13 (21:54):
Uh huh?
Speaker 7 (21:56):
And he shot him down with one of them old pistols.
Speaker 10 (21:58):
I'm not surprised we'll see him. How would say, doctor?
Speaker 11 (22:11):
He's not good man, he's not good at all. Marshall, Yeah, Charlie,
I I ain't gonna make it.
Speaker 10 (22:24):
I don't worry about it.
Speaker 14 (22:26):
Oh, I don't. I don't care about that. It's pastime
for me to settle.
Speaker 7 (22:35):
But Marshall, Yeah, I'm right here at Charlie.
Speaker 8 (22:39):
Oh, I want you to know.
Speaker 14 (22:42):
I wasn't making up them stories.
Speaker 13 (22:46):
I know you weren't.
Speaker 14 (22:48):
I wasn't making no no brags.
Speaker 7 (22:52):
Or no bluffs.
Speaker 14 (22:54):
I I did stand with Rio Joe.
Speaker 10 (22:59):
Yeah, I know.
Speaker 9 (23:01):
I I could shoot too. I I could shoot as
good as he could. I could draw as fast as
real Joe a child, you couldn't you. You believe me, Marshall, Yeah,
(23:22):
I believe it.
Speaker 8 (23:27):
I figure maybe you kind of knows the whole thing.
Speaker 7 (23:34):
Yeah, I do. I guessed it real, sure, sure.
Speaker 14 (23:41):
UH.
Speaker 8 (23:43):
Tell the others for me, tell 'em. I tell him
I weren't no.
Speaker 14 (23:50):
No fake.
Speaker 7 (23:53):
I uh He's call him, Yeah, mister don.
Speaker 5 (24:10):
Just a minute ago over that you call him.
Speaker 10 (24:14):
Roo Chester.
Speaker 7 (24:16):
Old Charlie was real.
Speaker 3 (24:19):
Mm.
Speaker 14 (24:21):
That's just terrible, dying like that, nobody knowing who you are.
Speaker 7 (24:28):
I don't know Chester. I have a hunch real to
like it. Just this way, I've had to arrest him.
Speaker 13 (24:34):
Otherwise, Rayo has been a wanted mine for twenty years.
Speaker 1 (24:43):
M But Houston, directed in Hollywood by Norman McDonald, started
(25:17):
William Conrad as Matt Dillon Us Marshall. The story was
specially written for Gunsmoke by Marion Clark, with editorial supervision
by John Nesson. Which featured in the task were Ralph Moody,
Lawrence Dodkin, Dick Bial, Sam Edwards, Victarron and Jack Moyle.
Arley bare Is Chester, Howard McNair is Doc, and Georgia
(25:37):
Ellis is Kiddy. Those is George Walsh inviting you to
join us again next week when CBS Radio presents another
story of the Western Frontier, when Matt dyllon Chester, bub Put,
Doc and Kitty, together with all the other hard living
citizens of Dodge will be with you once more. It's
(26:00):
America growing West in the eighteen seventies. Its gum Smoke.
Latest News follows then Mitch Miller with Tonight's guest Stars
on the CBS Radio Network
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshall and the Smell of
Guns Smoke Gun move for, starring William Conrad, The story
(00:41):
of the Violin that moved west with Young America and
the story of a man who moved with him.
Speaker 2 (00:47):
I'm that man, Dylan, United States Marshall, the first man
they look for and the less they want to meet.
It's a chance they job, and it makes a man watchful,
a little lone lad.
Speaker 3 (01:01):
Oh, it's a prime Thereindy gets from them room.
Speaker 4 (01:16):
Minding that bed up there don't get no softer what
that gest. I was just telling you, mister Doby, the
bed up in number four don't have no more gift
to it than old McClellan's saddle.
Speaker 5 (01:26):
Well, I don't know what were you doing up there, anyway,
I see that drummer pack. Your dad's out of here,
so I know it wasn't in there no more, so
I went on up.
Speaker 6 (01:34):
You got no right to go in my rooms, no
right at all.
Speaker 5 (01:36):
Well, now, mister Derby, I've been figuring I might take
that room some day, and I was just kind of.
Speaker 6 (01:41):
Looking it over, so were having shake gesture.
Speaker 7 (01:43):
You're talking a lot of foolishness.
Speaker 6 (01:45):
You can't afford to stay in the doghouse.
Speaker 5 (01:46):
Well, I don't hurt nothing for a man think about.
Speaker 8 (01:48):
Better than his selson.
Speaker 6 (01:50):
What in the world is that? It's a fight right
outside my hope.
Speaker 5 (01:55):
Now now, now, don't upset your telling mister Doby. You
just sat there. I'll go on out myself any dam yeah.
Speaker 9 (02:03):
Hair now, yeah, man, I think you better sit out.
Speaker 6 (02:09):
With your jabber hair and our hair. You don't leave
Charlie b You better mind your own business, yester, I said,
move along.
Speaker 10 (02:16):
Now, leave him be.
Speaker 11 (02:19):
Shot, quit him.
Speaker 6 (02:23):
Otage after okin, I just simmer down.
Speaker 12 (02:27):
Don't need to get some hard No, you are to
be ashamed.
Speaker 13 (02:30):
Big collers like you push no.
Speaker 14 (02:31):
Old man around.
Speaker 6 (02:32):
We didn't mean no harm.
Speaker 12 (02:34):
You were just trying to get him the top, ragging
at us to quit his talk.
Speaker 5 (02:37):
It don't make no difference to me what you are
trying to do. Go on, get get so you can't
walk down the street without he stops you and talks.
Speaker 6 (02:45):
Your ear off.
Speaker 4 (02:46):
I said, get.
Speaker 1 (02:49):
Come on, you hurt charling, No, No.
Speaker 12 (02:53):
He hate hurt you take more than them, young.
Speaker 5 (02:55):
Budgets to hurt me or they pushing me around for.
Speaker 12 (03:00):
Just trying to kill him something.
Speaker 14 (03:01):
That's all.
Speaker 12 (03:02):
Young folks ain't got the gumpson to listen when they
do them the most good. Well they'd have got shot
down easy shaw. Who's gonna shoot him? For anybody had
drawn way they is handling them guns.
Speaker 7 (03:16):
I didn't hear no shooting.
Speaker 14 (03:17):
Of course she didn't. There wasn't done.
Speaker 12 (03:19):
They're talking about a fast draw and they'd been shut down. Sure, Charlie,
was you trying to tell him how to do it?
Young and Di don't listen. You try to tell him,
but they just don't live.
Speaker 5 (03:31):
Well, you just sat there quiet like that.
Speaker 7 (03:33):
They won't bother you.
Speaker 12 (03:34):
Know, real Joe, they've got both of them before they
even slapped the letters. The way they are doing it, well, sure,
real Joe. Would I drew anybody back?
Speaker 14 (03:43):
And that that goes back aways on it?
Speaker 12 (03:45):
Young smarty Alexey won't listen to Dolly. Hey, they kind
of wings you and I didn't they.
Speaker 5 (03:54):
I guess maybe they did. There was a few elbows
flying around.
Speaker 12 (03:57):
When you better put some beefsteak on it, man, need
you I shrit these days seeing the good.
Speaker 11 (04:03):
Game shooting me.
Speaker 1 (04:05):
Sure, well all right then you you.
Speaker 5 (04:06):
Just set up there, Charlie now, and you let me
know if you get bothered more.
Speaker 12 (04:11):
Nobody will dedition no more, no matter how much you
got to killing it.
Speaker 5 (04:15):
Yeah, well, I'll see you sometimes. You take care of yourself, Charlie.
Speaker 12 (04:18):
Nobody will delition.
Speaker 6 (04:34):
There ya, thank you, thank you, Kitty.
Speaker 5 (04:38):
Can't you sit down leis uh maybe for a few minutes.
Speaker 10 (04:41):
I got.
Speaker 13 (04:44):
I got to check over the whiskey supply of time
pretty soon.
Speaker 6 (04:47):
Well, now, I wouldn't want to interfere with that.
Speaker 5 (04:49):
It'd be a terrible tragedy for dodge, for a saloon
ran dry.
Speaker 10 (04:53):
Yeah, most of these minute, rather see the river goes right.
Speaker 6 (04:56):
Well, you're both sounding pretty high and mighty.
Speaker 5 (05:00):
A couple of fellows aren't exactly te tails. It won't
just philosophize in the kiddy, nothing personal.
Speaker 6 (05:07):
I'll come Matt bind you too, bears dot, because I
won two games of checkers.
Speaker 5 (05:11):
That's why he's slowing up, kiddy.
Speaker 10 (05:14):
Oh he's slowing up.
Speaker 5 (05:15):
Ah, I've knowed it. Oh doctor, Yeah, mind, I fact
see you for a minute. We'll sure not justice or
not every Well, don't think I'm thinking we might go
on over your art.
Speaker 12 (05:27):
Chester.
Speaker 7 (05:28):
Look at me, Chester, woman's kidding.
Speaker 10 (05:33):
You've got a black eye. Let me see that, Chester,
You sure have and it's a beaut Well.
Speaker 5 (05:40):
That's right, I guess, Doc you you've got something to
put on it. The man hard to protect his eyes sight.
Speaker 6 (05:46):
It's a little late.
Speaker 5 (05:47):
For that, Chester, You should have ducked.
Speaker 10 (05:50):
Yeah, why'd you pick that up?
Speaker 6 (05:51):
Chester?
Speaker 11 (05:51):
Oh?
Speaker 6 (05:52):
I was just trying to help at all.
Speaker 5 (05:54):
You just don't pay your body to try and do
a good deed anymore.
Speaker 10 (05:57):
What were you trying to help?
Speaker 5 (06:00):
Charlie wants his name, sets out in front of the
dodge house talking to anybody who listened.
Speaker 10 (06:04):
Charlie, don't tell me he gave.
Speaker 7 (06:06):
You that eye?
Speaker 5 (06:06):
No, Doc, nor of course not. Couple of young smart
Alec was picking on him and I mixed in it
and come out with this.
Speaker 13 (06:14):
It doesn't look like you accomplished much now stop.
Speaker 6 (06:17):
Teasing him, you too, That was a nice thing you did, Chester.
Speaker 3 (06:22):
Thank you.
Speaker 1 (06:22):
I'm off all right.
Speaker 5 (06:24):
But the old goot's bound to get into more trouble.
Speaker 7 (06:27):
Ah.
Speaker 5 (06:27):
How's that why he keeps telling folks what they are
to do? And you normals don't need too many people
who want to listen. No old man like him tell him.
Speaker 13 (06:35):
How to draw a gun, Droy gun.
Speaker 5 (06:37):
He's always talking about the gunfighters of olden days, and
folks get tired of listening to that.
Speaker 13 (06:42):
Well you better not listen either, Chester, You only got
one more ride now, don't pay.
Speaker 8 (06:47):
Any attention to him.
Speaker 5 (06:48):
Chester, I'll fix that eye up a little raw meat.
Speaker 6 (06:52):
That's about the best thing. Yeah, and a few less jokes.
I never did know what was so funny about a
black eye.
Speaker 12 (07:00):
Come on, Chester, now you see, boy, you gotta be
careful about how you work the barrel. You gotta have
(07:22):
a good true barrel.
Speaker 8 (07:23):
On your gun.
Speaker 6 (07:25):
You sure can.
Speaker 8 (07:25):
Little knife mister, oh well.
Speaker 12 (07:27):
Uh, boys, don't take much to douce and whiling. All
you got to do is have a sharp knife and
remember seeing your hands for what you're making.
Speaker 6 (07:38):
M Well, you gotta remember that gun, mister.
Speaker 12 (07:41):
Oh my like I have for the blade of the
Texas Sun on my back. Man, don't forget them things.
Speaker 5 (07:50):
It's all got my paws gun.
Speaker 12 (07:53):
Uh that that part there's different?
Speaker 10 (07:56):
Uh this yere h?
Speaker 3 (07:58):
Yeah?
Speaker 12 (07:58):
Yeah, Well they got new fangled ideas. You don't need
no notch in the cylinder to make a good gun.
Speaker 6 (08:07):
Well, Pa shoots it ain't.
Speaker 12 (08:10):
Nobody needs nothing better than his gun. While Real Joe
could hit anything.
Speaker 14 (08:16):
He could see.
Speaker 12 (08:17):
No Real Joe, Yes I knew him.
Speaker 7 (08:20):
He seem john shooting.
Speaker 12 (08:21):
Uh stood ride with him by.
Speaker 9 (08:24):
Jingle, mister w you recklick things.
Speaker 6 (08:26):
You could kill me for.
Speaker 12 (08:28):
Sure, Boy, I recollect real good. I recollect the time
down in border country and he faced down three men
using a gun like this free.
Speaker 8 (08:40):
Was he drawn on him?
Speaker 12 (08:42):
Well, yes they drawed, but that was the last thing
they ever did.
Speaker 6 (08:47):
He don't seem likely. No man could do that.
Speaker 14 (08:50):
M Real could do it.
Speaker 12 (08:52):
He is good with a gun, you real good?
Speaker 9 (08:56):
Go on, mister kill me?
Speaker 6 (08:57):
How he gun?
Speaker 10 (08:58):
Well? He wait?
Speaker 12 (09:00):
Was Rio is coming along a trail by some cutting woods?
Speaker 10 (09:04):
You still spinning them yards?
Speaker 5 (09:06):
Old man telling me about Real.
Speaker 10 (09:07):
Joel Real Joe. He's telling you about Rio Joe stood with.
Speaker 6 (09:15):
Me if I told don't listen to him.
Speaker 10 (09:18):
Boy, it's your old fool.
Speaker 6 (09:19):
It's like to himself talk. You've never seen a gunfighter
like Rial Joe. His whole life.
Speaker 10 (09:26):
Run so hard and knowing and stopped you.
Speaker 8 (09:30):
He just talks so much.
Speaker 10 (09:31):
The old town's tired of him. Boy, you don't want
to get took in by an old blowhard.
Speaker 12 (09:37):
Now you looking here, real Joe, mister, I was telling you,
street boy, you believe me, don't you?
Speaker 6 (09:53):
What can you prove it?
Speaker 8 (09:59):
I don't, now, boy, I don't know.
Speaker 3 (10:21):
Oh right, talking about it?
Speaker 5 (10:30):
Hey, sly that bottle down this way and you're rasping.
Speaker 6 (10:35):
Thanks. Hey, you're the two fellas give that Marshall's help
for a black guy Chester.
Speaker 12 (10:45):
Well, he was asking for it, working out of his business.
Speaker 10 (10:49):
You know, first I thought the old man.
Speaker 6 (10:51):
Give it to it, Old Charlie, all he does is talk?
Oh he sure does that.
Speaker 10 (10:58):
Oh don't he's you tink?
Speaker 8 (11:01):
Nobody else know how to draw.
Speaker 6 (11:04):
Him? And real Joe, why you don't even wear a gun?
Speaker 14 (11:11):
No?
Speaker 5 (11:12):
No, I don't.
Speaker 14 (11:14):
I ain't never seen him draw.
Speaker 10 (11:15):
He just talks about it. You don't seem like a
fella talks that much on the back his play.
Speaker 6 (11:22):
Oh Charlie, ain't got no plate to back that mighty
interest and put it up to him.
Speaker 10 (11:30):
What you mean, my he interested?
Speaker 14 (11:34):
What are you aiming at?
Speaker 6 (11:36):
I just got me a smart idea how to get
rid of that old man.
Speaker 5 (11:41):
Wait a minute, raft, he ain't done nothing bad enough to.
Speaker 1 (11:44):
Get shot for.
Speaker 6 (11:45):
No, who's talking about shooting.
Speaker 10 (11:49):
You said, get rid of her. Sure I did, and
it'll work. And all you gotta do is just call
his bluff.
Speaker 12 (11:57):
How's that?
Speaker 7 (11:58):
Whoa?
Speaker 6 (11:59):
Get him out street and tell him he's got the
face up to one of us or else, keep his
mouth shut and leave time.
Speaker 10 (12:09):
Let it be calling. If he's sure, he ain't gonna
draw you know, it's not a call like him. That'll
be nothing for him to do. But again, come on,
let's go fetch him.
Speaker 6 (12:20):
I ain't George tonight right now, ain't no reason to
sleep on it.
Speaker 14 (12:23):
Come on.
Speaker 6 (12:39):
That sh come on right down these stairs.
Speaker 5 (12:43):
Wait a minute and keep your boy down, and we
got something to show you outside the mini the middle
of the night.
Speaker 6 (12:49):
It ain't gonna make much difference, old man. Yeah, I
drag him right out in the middle of the street.
Speaker 5 (12:57):
You're not saying, you know, I free up together to
get it when if you're talking.
Speaker 12 (13:01):
You ain't got enough guts to water shot gun with you.
Speaker 5 (13:04):
He's gonna shut him up rasping.
Speaker 6 (13:06):
He'm sure he's making a lot of noise for the
old man standing.
Speaker 14 (13:09):
Around his drawers.
Speaker 12 (13:13):
He's dragging a man from his bed, and you just
give me a chance to get at different you a chance,
old man down in Texas.
Speaker 3 (13:19):
We just struck you up.
Speaker 6 (13:20):
Or you've been talking mighty big for a man that don't.
Speaker 12 (13:23):
Wear no old gun, and you're lucky.
Speaker 6 (13:25):
I don't now.
Speaker 10 (13:27):
We'll just see about that. We're gonna give you one man.
Speaker 6 (13:31):
We're gonna see just how much you learn from rio joff.
Speaker 12 (13:37):
Half that's.
Speaker 10 (13:40):
Throw let me throw, let him go my show.
Speaker 6 (13:49):
We were just having some fun with it.
Speaker 10 (13:51):
Let him go. He's sure needed the list hit up.
Any lessons from you? Go on, I got away from here.
Speaker 13 (14:01):
Well, there ain't no call.
Speaker 6 (14:02):
To get roup about it, marshall. Somebody had to shut
the old man.
Speaker 13 (14:06):
You listen to me, I find you pestering him again.
I'll be roughing away. You're gonna really understand you go
on and get out of here.
Speaker 6 (14:16):
Well he hasn't any.
Speaker 10 (14:23):
Come on, Charlie, you'll go back to your room.
Speaker 12 (14:28):
Ah, you don't need to give me no help, marshall.
Speaker 10 (14:32):
I can take care of myself. Sure, I know that, Charlie.
Speaker 14 (14:37):
I wasn't scared of him.
Speaker 12 (14:39):
I just stood up to him. Yeah, come on upstairs,
And nobody never got by with nothing like that before.
Speaker 10 (14:49):
I don't worry about it.
Speaker 7 (14:51):
It's not gonna happen again.
Speaker 14 (14:52):
I know, I Marshall.
Speaker 13 (14:54):
I uh, Charlie, you matter fact I'm in for few minutes.
Speaker 12 (15:01):
Huh uh Oh, well a way, Yes, you can shoot yourself.
Speaker 13 (15:11):
You'll figure out to stand and dodge.
Speaker 7 (15:13):
Charlie.
Speaker 12 (15:14):
Well, I did kind of have it in my mind.
Man likes to place to settle.
Speaker 7 (15:20):
Yeah.
Speaker 13 (15:22):
You don't need to change your mind because of those rocks, Charlie,
i'land 'em.
Speaker 12 (15:27):
Uh, no need of that, Marshall. Oh uh would you
step over this way? I'd like to get in that trunk.
Speaker 7 (15:36):
Oh yeah, sure.
Speaker 13 (15:48):
Ah. If I could have had those guns a long time, Charlie, Yes,
I have hm good shape.
Speaker 12 (16:03):
Your old friend, Marshall, I take good care of him.
The kind of sumfort me to have him with me.
Speaker 13 (16:11):
Yeah, I uh, I wouldn't got any idea about starting
to wear them again.
Speaker 7 (16:19):
Charlie.
Speaker 13 (16:21):
They're old guns.
Speaker 12 (16:24):
Oh and I'm an old man. Is that what you're saying?
Speaker 13 (16:30):
Oh, you're old enough to leave your gun flights behind you? Okay,
won't you remember that?
Speaker 6 (17:05):
I hope they didn't hurt the old man.
Speaker 13 (17:08):
No, they didn't hurt him, not physically anyway.
Speaker 6 (17:11):
I guess his tried to repeat.
Speaker 5 (17:13):
Yeah, it's terrible to me too.
Speaker 8 (17:17):
Do you think he's gonna leave town?
Speaker 7 (17:19):
I don't know, Kiddy. I wouldn't blame him, but he didn't.
Speaker 6 (17:21):
No, it'd really be a shamed.
Speaker 12 (17:24):
He wasn't doing any harm, telling his stories, and the
kids seemed to like him.
Speaker 13 (17:29):
Yeah, but Rasp didn't.
Speaker 10 (17:33):
That grasp killer.
Speaker 6 (17:35):
He's always been a bully, un.
Speaker 10 (17:37):
Like I hear my name mentioned, RAI you did, Rasp,
and I'm glad to repeat what I said.
Speaker 5 (17:42):
I called you a bully.
Speaker 10 (17:47):
Uh No, that ain't really like miss Kiddy. It isn't Marshall.
Why don't you move along?
Speaker 7 (17:55):
Rasp?
Speaker 6 (17:57):
I keep forgetting you're the big Marshall taking care the ladies.
An old man around town.
Speaker 13 (18:03):
I have an idea that one particular old man can
take care of him.
Speaker 6 (18:06):
So you've been listening to too many a story?
Speaker 10 (18:10):
I'm not so sure they're just stories. What do you mean?
Speaker 13 (18:14):
I saw a pair of horse.
Speaker 10 (18:15):
Pistols in his room last night, and they looked like
they had a lot of way.
Speaker 6 (18:19):
That old who don't wear.
Speaker 13 (18:20):
No gun, he's wearing one now, Old Charlie, I wouldn't
get in his way.
Speaker 7 (18:27):
If I were you.
Speaker 6 (18:29):
You mean that old geezer, my draw on me.
Speaker 10 (18:32):
No, you've been took in by his tall.
Speaker 13 (18:36):
I'm just telling you to be careful. He's not gonna
forget what you did.
Speaker 7 (18:40):
To him last night.
Speaker 6 (18:40):
All right, Martia, I'll play along. I'll tell you one thing,
that old man better not start nothing.
Speaker 13 (18:49):
I'll wear my guns all the time.
Speaker 10 (18:51):
So do I arresp.
Speaker 7 (18:54):
You ain't scared me on Marshall.
Speaker 10 (18:56):
I'll be around, so will I arresp So long? Miss kidding?
Speaker 8 (19:09):
Really think there's gonna be trouble man?
Speaker 13 (19:13):
I don't know, kiddy, Oh, Charlie was pretty upset.
Speaker 8 (19:16):
Well, you gotta stop it.
Speaker 13 (19:17):
Don't let him put on those guns in march around
until I get himself killed.
Speaker 10 (19:21):
I can't take him away from him, kiddy?
Speaker 13 (19:23):
Why can't you cause he hasn't done anything.
Speaker 10 (19:26):
Oh well, I forgot.
Speaker 13 (19:28):
You have to sit and wait until something happens, til
somebody gets killed before you can do anything.
Speaker 12 (19:33):
Kid, Why don't you just go stop this thing now
before someone gets hurt?
Speaker 7 (19:39):
Oh?
Speaker 10 (19:40):
I don't see what I can do. Oh huh ah,
I love di?
Speaker 6 (20:01):
Yeah, where where are you bound for?
Speaker 13 (20:03):
I went over the telegraph office?
Speaker 7 (20:04):
Ooh along, alright.
Speaker 10 (20:08):
I've been waiting for a wire from Washington about the
time I.
Speaker 6 (20:11):
Came in.
Speaker 5 (20:13):
And I takes your badge away.
Speaker 10 (20:15):
I didn't for days like this. They're welcome to it.
Speaker 13 (20:22):
Hello, Ed, you've got something for me?
Speaker 6 (20:25):
Well, that's your funny team, Marshall.
Speaker 12 (20:27):
Something just did come in.
Speaker 6 (20:30):
I was gonna bring it up as soon as I
hit my dinner.
Speaker 13 (20:32):
Yeah, yeah, y u h iks yeah, Well see you later.
Speaker 3 (20:44):
Ed.
Speaker 5 (20:51):
They don't look too happy about what's in that wire.
Speaker 3 (20:54):
Man.
Speaker 10 (20:55):
This wire isn't really good news, doctor.
Speaker 13 (20:57):
It's something I've been expecting.
Speaker 5 (21:00):
At your salary, did they?
Speaker 12 (21:02):
No?
Speaker 10 (21:02):
I wish it was that simple.
Speaker 5 (21:06):
What's our hurry?
Speaker 6 (21:08):
Where are we go?
Speaker 13 (21:09):
I wanna find old Charlie and take his guns.
Speaker 8 (21:11):
Out of it?
Speaker 5 (21:12):
You mean that wire was about old Charlie?
Speaker 10 (21:15):
Yeah, I'd ask a couple. You better stick with me, Doc,
you may be needed.
Speaker 6 (21:20):
Sure, what's yeah Chester on my way.
Speaker 12 (21:32):
John, He grasped an old Charlie's.
Speaker 10 (21:35):
Yeah, the wire was too late.
Speaker 14 (21:37):
What's then?
Speaker 13 (21:38):
Never mind?
Speaker 10 (21:38):
You look at Charlie over there, doctor, surely.
Speaker 5 (21:43):
I'm pretty herass dead and stunning.
Speaker 7 (21:47):
Yeah, he's dead.
Speaker 5 (21:50):
That old man just stood there.
Speaker 10 (21:51):
Who's could be?
Speaker 6 (21:53):
Let raft draw first?
Speaker 13 (21:54):
Uh huh?
Speaker 7 (21:56):
And he shot him down with one of them old pistols.
Speaker 10 (21:58):
I'm not surprised we'll see him. How would say, doctor?
Speaker 11 (22:11):
He's not good man, he's not good at all. Marshall, Yeah, Charlie,
I I ain't gonna make it.
Speaker 10 (22:24):
I don't worry about it.
Speaker 14 (22:26):
Oh, I don't. I don't care about that. It's pastime
for me to settle.
Speaker 7 (22:35):
But Marshall, Yeah, I'm right here at Charlie.
Speaker 8 (22:39):
Oh, I want you to know.
Speaker 14 (22:42):
I wasn't making up them stories.
Speaker 13 (22:46):
I know you weren't.
Speaker 14 (22:48):
I wasn't making no no brags.
Speaker 7 (22:52):
Or no bluffs.
Speaker 14 (22:54):
I I did stand with Rio Joe.
Speaker 10 (22:59):
Yeah, I know.
Speaker 9 (23:01):
I I could shoot too. I I could shoot as
good as he could. I could draw as fast as
real Joe a child, you couldn't you. You believe me, Marshall, Yeah,
(23:22):
I believe it.
Speaker 8 (23:27):
I figure maybe you kind of knows the whole thing.
Speaker 7 (23:34):
Yeah, I do. I guessed it real, sure, sure.
Speaker 14 (23:41):
UH.
Speaker 8 (23:43):
Tell the others for me, tell 'em. I tell him
I weren't no.
Speaker 14 (23:50):
No fake.
Speaker 7 (23:53):
I uh He's call him, Yeah, mister don.
Speaker 5 (24:10):
Just a minute ago over that you call him.
Speaker 10 (24:14):
Roo Chester.
Speaker 7 (24:16):
Old Charlie was real.
Speaker 3 (24:19):
Mm.
Speaker 14 (24:21):
That's just terrible, dying like that, nobody knowing who you are.
Speaker 7 (24:28):
I don't know Chester. I have a hunch real to
like it. Just this way, I've had to arrest him.
Speaker 13 (24:34):
Otherwise, Rayo has been a wanted mine for twenty years.
Speaker 1 (24:43):
M But Houston, directed in Hollywood by Norman McDonald, started
(25:17):
William Conrad as Matt Dillon Us Marshall. The story was
specially written for Gunsmoke by Marion Clark, with editorial supervision
by John Nesson. Which featured in the task were Ralph Moody,
Lawrence Dodkin, Dick Bial, Sam Edwards, Victarron and Jack Moyle.
Arley bare Is Chester, Howard McNair is Doc, and Georgia
(25:37):
Ellis is Kiddy. Those is George Walsh inviting you to
join us again next week when CBS Radio presents another
story of the Western Frontier, when Matt dyllon Chester, bub Put,
Doc and Kitty, together with all the other hard living
citizens of Dodge will be with you once more. It's
(26:00):
America growing West in the eighteen seventies. Its gum Smoke.
Latest News follows then Mitch Miller with Tonight's guest Stars
on the CBS Radio Network
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