July 31, 2025 • 25 mins
A series that captures the essence of frontier life, portraying the challenges and adventures faced by those in the American West.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:09):
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshall and The Smell of
Guns Smoke, Gun Will Smoke, starring William Conrad. The story
(00:39):
of the violence that moved west with young America and
the story of a man.
Speaker 2 (00:43):
Who moved with it.
Speaker 1 (00:45):
I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the last they want to meet.
It's a chance, a job, and it makes a man
watchful and a little lonely. You don't look like this
(01:19):
storm is gonna let up none for spellment you're doing.
Speaker 3 (01:22):
Shut I s Chester.
Speaker 2 (01:24):
I ain't never seen country. I beat this.
Speaker 3 (01:28):
Uh huh.
Speaker 2 (01:29):
They just ain't no halfway about it. Didn't either hot
and dry or cold and wet. Ain't that's okay? You
like about it? You'd have a little better than that.
Speaker 4 (01:39):
I swear you can either fry yourself to that or
get soaked to death.
Speaker 2 (01:43):
That's about the way.
Speaker 4 (01:44):
Kids.
Speaker 1 (01:44):
Oh there's one other way now that you can talk
yourself to this. Well, Jill, I just saying how things jad?
Speaker 3 (02:00):
Yeah, we better stop looking for our place to take cover.
You may be right, us might get soaked to the.
Speaker 1 (02:13):
Ah over there at Chester that shack, that's why I
see it right, we'll head for.
Speaker 3 (02:18):
It for the night.
Speaker 2 (02:18):
Huh, alright, but they.
Speaker 4 (02:30):
Ain't even no shed there for the horses.
Speaker 3 (02:32):
Let's right around to that side, out of the wind.
I leave him there.
Speaker 2 (02:49):
You sure ain't not shelter.
Speaker 3 (02:51):
Doesn't look like the shack is either.
Speaker 1 (02:53):
Come on, well, I sure didn't expect see no stove
in here, mister Dunan. No, I don't expect you'll find
any dry wood either.
Speaker 3 (03:16):
Hm.
Speaker 2 (03:18):
Right about that? They made us stick.
Speaker 1 (03:22):
Well, they can shake some of this water off anyway.
Speaker 3 (03:33):
That's some better.
Speaker 1 (03:36):
Eat much warmer in here, and two windows out.
Speaker 3 (03:40):
You can always stay outside with the horses. Jester.
Speaker 1 (03:43):
Well, if you don't mind, I'm gonna try to get
some sleep.
Speaker 3 (04:00):
Ah huh, all it both of you.
Speaker 2 (04:06):
You don't need a freight not you sit real easy?
Speaker 5 (04:11):
Now?
Speaker 2 (04:12):
What's doing this? Have dropped the guns?
Speaker 1 (04:15):
Being Mosley's particular when we walk into a place in
particular and not very friendly, and we figured to live.
Speaker 2 (04:23):
Longer this way?
Speaker 3 (04:25):
Who are you, my dulm, I mean that's the same
of you. It was the other one.
Speaker 2 (04:31):
Wow, I'm just proud to it.
Speaker 1 (04:33):
That means anything to it. No, it don't mean nothing
to me. And as long as you behave yourself, maybe
it won't.
Speaker 3 (04:39):
I don't know who you are.
Speaker 1 (04:40):
Mister, but you sat right there where you are mostly
get a light going, sure, hud, And that's better.
Speaker 2 (04:57):
I mean we can see what we got here. There
ain't neither one of 'em look like much to me.
Speaker 3 (05:04):
Now you just see shut out you?
Speaker 2 (05:08):
What are you doing here?
Speaker 3 (05:10):
Now? You put that gun away?
Speaker 2 (05:13):
Maybe we can talk. You ain't calling the play.
Speaker 5 (05:15):
It's hard.
Speaker 2 (05:16):
He's wearing a badge. Hello, Now who told you?
Speaker 3 (05:23):
Mister? Who sent you here?
Speaker 2 (05:25):
I don't know what you're talking to? Milly done it? Oh?
Speaker 1 (05:27):
Now I don't right unless she done it? She called
a law on me. Well, she ain't never done it before.
I was bound to turn me in one day, and
she done it. Well, I'll fix her.
Speaker 4 (05:39):
I'd wait.
Speaker 2 (05:40):
You ought to give her a chance. She sure didn't
give me much. She'll be here with.
Speaker 1 (05:44):
The grub for a long wait till lynn. I didn't
give her a chance to talk. Now, they ain't no
use waiting? Why sure there is besides how you wouldn't
wanna go off and leave these two like, yes, they
might break out.
Speaker 2 (05:58):
Well maybe you're right.
Speaker 3 (06:01):
Sure'm right.
Speaker 4 (06:03):
Just sit down, huh and wait.
Speaker 2 (06:05):
Till Milly gets here and let her speaker. Bees.
Speaker 1 (06:08):
I can tell you right now, nobody's sent me after you.
You won't know what would have been a good eye
shut out.
Speaker 2 (06:14):
You better look out who you are.
Speaker 1 (06:15):
You keep shot too, I'll beat your head clean off.
Speaker 2 (06:20):
Now. We just sat here, like Moseley says, we just
sat here and wait for Milly to come. Uh. It's somebody.
Speaker 1 (06:42):
Uh, it's somebody coming now, Moseley, buggy, it's really alright.
Speaker 2 (06:47):
Now you just keep quiet. I'll do the talking. Just
give her a chance.
Speaker 3 (06:52):
I'll give her a.
Speaker 2 (06:53):
Chese hot I the food like you called me.
Speaker 1 (07:02):
You've done it, didn't she You've finally done it, you
said right there, law man.
Speaker 3 (07:08):
He bencovered real good.
Speaker 2 (07:09):
Moseley, all right, huh, but take it easy.
Speaker 3 (07:12):
No use bullying her for something she didn't.
Speaker 2 (07:14):
I told you to shut.
Speaker 1 (07:20):
Yeah, and it'll keep your big mouth quiet. Time up
mostly both of them. I want to talk to Milly.
Speaker 2 (07:28):
You sure do what I tell you? All right, Milly,
I ain't done that. He's here, ain'ty. The law's here
it's none of my do. I ain't believe in that. Millie.
You've been just crying to get the law on me.
Speaker 1 (07:46):
I had done it hard. You've always been too nicey nice, Milly.
You ain't never took to my riding.
Speaker 3 (07:50):
Now.
Speaker 2 (07:51):
I don't know with Steve, and I gotta say that,
but I didn't.
Speaker 1 (07:54):
Oh, you finally told the law. You finally tried to
fix me.
Speaker 2 (07:59):
I didn't do it. I just brought the food here
like you told me. Please, you're lying, No hard, No,
live a bee? St back, Listen to me. You you
waste any more time. We won't be there when.
Speaker 3 (08:11):
The stage comes through.
Speaker 2 (08:14):
Yeah, I guess you're right, you bet, I'm right. Come
on now, live a bee.
Speaker 3 (08:19):
That's right, all right, mostly.
Speaker 2 (08:20):
All right, But I ain't leaving her here like this,
free with the law. You tire up, she won't do.
Speaker 1 (08:25):
I tire up and we'll get out of here. Yeah, Chuster,
(09:00):
you alright, Yeah, I'm alright.
Speaker 3 (09:04):
I just got this rope loose.
Speaker 2 (09:09):
He hit you, awful heart of that gun. I thought
you were never gonna move again.
Speaker 3 (09:13):
I deserve it now, man letting him catch me like that?
Speaker 1 (09:24):
Yeah, there's good for humans killing. I can't get my hands,
even the wiggling.
Speaker 2 (09:31):
They're tired so tight.
Speaker 3 (09:32):
No, wait a minut. Well there, oh, there you go,
I say, oh, sure, thank you, I may get the
woman outside.
Speaker 4 (09:46):
Yes, sir, h, thank you.
Speaker 2 (09:55):
Marshall.
Speaker 3 (09:55):
You alright, ma'am.
Speaker 6 (09:57):
I'm alright.
Speaker 3 (09:58):
That man hod Muller he your husband.
Speaker 2 (10:02):
No, Marshall, he ain't husband, couldn't be so heavy handed me.
Speaker 3 (10:07):
You wanna get free of him?
Speaker 2 (10:10):
I'm feared too. I'm feared to death too.
Speaker 3 (10:13):
Oh you tell me where he's gone.
Speaker 2 (10:16):
He'd kill me, Marshall. He just plainly beat me to death.
Speaker 3 (10:20):
And if he was arrested, you'd be free of.
Speaker 2 (10:22):
Him, but maybe only for a little while. When he
got out, he'd get me somehow.
Speaker 3 (10:27):
He'd get me, alright, said Millie Chester. Yes, sir, I
want you to take her into Dodge figure right now,
right now. Tell Kenny to take care of her til
I get back.
Speaker 2 (10:39):
You going after them?
Speaker 3 (10:40):
Men, I'm going after him. Well the tracks are still clear.
Speaker 1 (10:44):
Well, i'd how to go with you want me take
the woman in the town Chester right now?
Speaker 2 (10:49):
Oh, if you say.
Speaker 3 (10:51):
So, I say so, And I got going.
Speaker 2 (11:09):
I'm sure it could have picked a better day for it.
The gold don't wait for good.
Speaker 1 (11:14):
With it and hearing these rocks is like lining a
battle of water shot up Mosley.
Speaker 2 (11:21):
Next time, I'll pick me a man.
Speaker 3 (11:23):
To do the job with me.
Speaker 2 (11:25):
Any man can get cold and wet. Just shut up
and watch for that stage.
Speaker 3 (11:34):
What's that?
Speaker 2 (11:36):
It's some rocks washing down, I reckon.
Speaker 4 (11:40):
Sure would been nicer if it was dry.
Speaker 1 (11:42):
When you quit your mind, the Marshall will get him
hot hot, I'm here.
Speaker 2 (12:01):
Hot.
Speaker 3 (12:04):
Uh, I'm not hot. H Marshall. He you the Marshall. Yeah,
and the Marshall.
Speaker 2 (12:14):
You get had not yet?
Speaker 3 (12:18):
Oh? Where is it? He's running mostly he you run off?
Speaker 1 (12:25):
Yeah, I shouldn't have done that, Marshall run off and
left me.
Speaker 2 (12:33):
Hm made me.
Speaker 3 (12:35):
Shouldn't have run up.
Speaker 1 (12:42):
A man shouldn't. And I'll tell you one thing. He's
not running fast.
Speaker 2 (12:49):
Enough, oh, Marshall.
Speaker 3 (13:12):
Hellot of the time, kiddy around.
Speaker 2 (13:15):
Oh I know she isn't. Right now.
Speaker 1 (13:17):
Marshall said you'd be here about now though, time, And
I guess I'll wait a little while I have a drink.
Marshall might as well have a beer? Yeah, sure thing.
Speaker 3 (13:27):
Oh thanks sir, Oh Matt hello time.
Speaker 4 (13:45):
Well, glad to see you finally got back.
Speaker 3 (13:47):
How you been looking for me. Oh no, no, no,
I don't want a beer.
Speaker 4 (13:52):
No, thank you? No, say Matt, you know that woman
you sent in with chesting? Oh, she sure needs a
lot of help.
Speaker 3 (14:02):
In bad shape? Is she awful?
Speaker 4 (14:04):
Bad shape?
Speaker 1 (14:05):
She's been beaten hard and awful for a long time.
It's a brutal thing. And I'm not surprised. How's that
she was living with a brutal man? Oh, yes, it's wrong.
Speaker 4 (14:19):
She must have been. She must have been where she's well,
she's up in Kitty's room, but.
Speaker 3 (14:24):
My smaller's man.
Speaker 4 (14:25):
I I'm having her stay in big for a few days.
She's got a lot of strength to catch.
Speaker 6 (14:30):
Up on him, all right.
Speaker 2 (14:31):
If I talk to her, Doc, Well, I don't think
you'll hurt her.
Speaker 1 (14:34):
Man. Oh, there's just one thing. Yeah, I was I
trying not to scare you. That she's scared enough already.
Speaker 3 (14:41):
I'll out try. But saying me isn't what she's scared of.
Speaker 4 (14:44):
No, I guess you're right, h I try to take
it easier.
Speaker 1 (14:48):
Though, Sure, Doc, I will I see you later, alright
(15:13):
if I come in?
Speaker 5 (15:14):
Oh, Ma, sure, come on in.
Speaker 3 (15:20):
How are you kidding?
Speaker 2 (15:22):
Oh?
Speaker 5 (15:22):
I'm fine, Matt. But that's more night save for that
poor thing upstairs.
Speaker 3 (15:26):
Yeah. No, Uh, how's she feeling?
Speaker 2 (15:29):
Oh, she doesn't feel very well.
Speaker 5 (15:31):
I don't suppose she'll be feeling very well for a
long long time. She's been through a lot.
Speaker 1 (15:35):
Yeah, Doc says I could come over and see her.
Speaker 5 (15:39):
Yeah, sure, not be easier her.
Speaker 4 (15:42):
Huh.
Speaker 3 (15:44):
I'm not gonna beat her.
Speaker 2 (15:45):
Kiddy, course not not. But those questions.
Speaker 1 (15:49):
It's time you when Doc realize something. What I'm not
asking questions to hurt anybody. The questions I ask made
just save her life.
Speaker 2 (15:58):
Sure not.
Speaker 3 (16:00):
Alright, Let's go.
Speaker 5 (16:01):
Upstairs, Nellie, Nellie Marshall, Dillon's here. He'd he'd like to
(16:23):
see you for a minute. Can I bring him in?
Bring him in?
Speaker 3 (16:36):
Uh? Hello, Milly Marshall. I uh like to ask you
if your questions.
Speaker 5 (16:44):
He didn't get him.
Speaker 1 (16:46):
No, No, I didn't get him. I killed him mostly,
but uh hard got away.
Speaker 3 (16:55):
He'll be back.
Speaker 2 (16:57):
He'll be back for me, Marshall, Millie.
Speaker 3 (17:01):
I wanna keep him from hurting you. You believe that.
Speaker 4 (17:08):
I believe it.
Speaker 1 (17:10):
Nobody can stop him.
Speaker 2 (17:12):
He'll be back.
Speaker 3 (17:15):
He'll hurt me again. Not if I find him first.
Speaker 2 (17:18):
You won't find him.
Speaker 1 (17:19):
I might if you tell me where he might be
or he goes to hide out.
Speaker 2 (17:27):
I can't tell you anything.
Speaker 3 (17:30):
You know where he came from?
Speaker 1 (17:31):
Elly, Melly, Melli. If you tell me, it might save
your life, Marta. I I'd like to tell you, but
I can't.
Speaker 3 (17:50):
I can't, alright, kid him scared of death?
Speaker 1 (17:58):
Yeah, uh, Kitty, you'll know where I am.
Speaker 3 (18:03):
Ellie. If you decide you want to talk to me.
Speaker 2 (18:07):
You'll be cooming. I know you will.
Speaker 5 (18:11):
I know it, Ellie. Matt'll take care of him. He
won't let him get you where your mate?
Speaker 3 (18:19):
I sure hope not, Kitty, I sure hope not.
Speaker 2 (18:52):
Another whiskey.
Speaker 7 (18:54):
Sure, I sure don't think much of your whiskey, and
I think much of your town either.
Speaker 2 (19:09):
Ain't nothing keeping you here?
Speaker 3 (19:11):
Is that stranger?
Speaker 2 (19:13):
I got business here?
Speaker 3 (19:16):
What's too bad? You're not liking it?
Speaker 2 (19:18):
No, it ain't gonna be too bad for me?
Speaker 3 (19:23):
Who you aiming for?
Speaker 2 (19:25):
I'm aiming for that big Marshal.
Speaker 1 (19:29):
Well, now, I tell you, mister, better men than you
of aiming for Matt Dillon. They're keeping company on bootheell he.
Speaker 2 (19:38):
Got my woman? She was? Now what's funny?
Speaker 1 (19:43):
But just don't sound right? Matt Dillon taking you a
woman that's uh.
Speaker 2 (19:48):
He's a man, ain't he.
Speaker 1 (19:51):
He's mad enough so that he don't have to go
around asking for other folks women. She must have been willing.
Speaker 2 (19:58):
I aim to find it.
Speaker 1 (20:00):
Besides, there's missus Kitty. I don't think she'd like it.
Who's Kitty?
Speaker 3 (20:06):
She's been a friend of the Marshall's a long time.
Speaker 2 (20:09):
She'd know about any other woman.
Speaker 3 (20:11):
Kitty.
Speaker 1 (20:13):
She knows about everything that goes on. And where is she?
She ain't hard to find, I said, where is she?
She owns part of the long Branch down the street.
She's there most of the time, and I.
Speaker 6 (20:26):
Believe I'll pay her a call.
Speaker 4 (20:44):
Well do you have mister whiskey?
Speaker 1 (20:48):
Yeah, you got a girl here named of Kitty.
Speaker 2 (20:56):
Missus Kitty ain't here right now.
Speaker 3 (20:59):
Now.
Speaker 1 (20:59):
They told me i'd find her here. You got some
business with her?
Speaker 2 (21:05):
Yeah, I got some business with her, and I come
a long way. Well, it's a fact she's here most
of the time. She's been staying up.
Speaker 1 (21:13):
To her room the last few days, though, attending the
sick lady. A sick lady. Yeah, she don't like to
leave her much. But where does she live? My Well,
miss Kitty keeps the room, but more small.
Speaker 2 (21:29):
He's down the street, but she sure to be in
for long. I ain't got time.
Speaker 1 (21:38):
Hey, you didn't pay for your whiskey. Miss kitty's paying
for it.
Speaker 2 (22:00):
You mad, mad for you. I want to see the
sick lady.
Speaker 5 (22:09):
Now just a minute, did.
Speaker 2 (22:12):
Get out of my way?
Speaker 5 (22:14):
You can't go in there.
Speaker 2 (22:15):
There ain't nobody keeping me out. And you just stay
right down there, and you won't get hurt. No more.
Speaker 1 (22:28):
Hard no, no, please, I don't worry, Milly.
Speaker 2 (22:38):
I ain't gonna hit you hard. I ain't gonna hit
you no more. Talk.
Speaker 1 (22:44):
You deserve it, though, don't you really running off with
a marshall that way, turning me in.
Speaker 3 (22:50):
I didn't do it. I didn't do it. Don't hurt me.
Speaker 1 (22:53):
Really, I ain't gonna hurt you hardly at all. Leastwise
you won't hurt long, not at night.
Speaker 2 (23:02):
I'll get to you next. You know you won't.
Speaker 1 (23:05):
If you put that lamp down, fire, put.
Speaker 4 (23:09):
On a fire on the old fire, my body put
it out.
Speaker 1 (23:16):
Man or the fire all right, skind of side kidding,
gotter ta blank it over? Carry on, I think it's out, alright, yeah, alright,
(23:37):
get up, you come on.
Speaker 2 (23:41):
She had no call to burn me.
Speaker 3 (23:43):
It didn't burn your better.
Speaker 5 (23:44):
Now, I'm sorry, mad, I didn't know what to do.
Speaker 2 (23:47):
He had that knife, all right, kitty, but it's.
Speaker 5 (23:50):
A terrible thing to burn him.
Speaker 3 (23:51):
Man, don't worry about it.
Speaker 5 (23:54):
Is it gonna live through.
Speaker 3 (23:54):
It, all right?
Speaker 1 (23:55):
Yeah, he'll live trou it long enough to got a
trial anyway. All right, Come on, Chester, let's get him
out of here.
Speaker 2 (24:27):
Produce and directed.
Speaker 1 (24:28):
In Hollywood by Norman McDonald, stars William Conrad as Matt
villain Us Marshall. The story was specially written for Guns
Vote by Mariam Clark, with editorial supervision by John Meston.
Featured in the cast were Vig Perron, Gene Bates, Harry Bartel,
Varney Phillips, and Sam Edwards. Harley dare Is Chester, Howard
mcneer is doctor, and Georgia Ellis is kidding. May we
(24:52):
take a moment to welcome three new abbiliates to the
CBS Radio Network. K B E E Monesto, California, Hey, FBK, Sacramento, California,
and WATV Birmingham, Alabama. We're very happy to have you
with us. This is the CBS Radio Network.
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshall and The Smell of
Guns Smoke, Gun Will Smoke, starring William Conrad. The story
(00:39):
of the violence that moved west with young America and
the story of a man.
Speaker 2 (00:43):
Who moved with it.
Speaker 1 (00:45):
I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the last they want to meet.
It's a chance, a job, and it makes a man
watchful and a little lonely. You don't look like this
(01:19):
storm is gonna let up none for spellment you're doing.
Speaker 3 (01:22):
Shut I s Chester.
Speaker 2 (01:24):
I ain't never seen country. I beat this.
Speaker 3 (01:28):
Uh huh.
Speaker 2 (01:29):
They just ain't no halfway about it. Didn't either hot
and dry or cold and wet. Ain't that's okay? You
like about it? You'd have a little better than that.
Speaker 4 (01:39):
I swear you can either fry yourself to that or
get soaked to death.
Speaker 2 (01:43):
That's about the way.
Speaker 4 (01:44):
Kids.
Speaker 1 (01:44):
Oh there's one other way now that you can talk
yourself to this. Well, Jill, I just saying how things jad?
Speaker 3 (02:00):
Yeah, we better stop looking for our place to take cover.
You may be right, us might get soaked to the.
Speaker 1 (02:13):
Ah over there at Chester that shack, that's why I
see it right, we'll head for.
Speaker 3 (02:18):
It for the night.
Speaker 2 (02:18):
Huh, alright, but they.
Speaker 4 (02:30):
Ain't even no shed there for the horses.
Speaker 3 (02:32):
Let's right around to that side, out of the wind.
I leave him there.
Speaker 2 (02:49):
You sure ain't not shelter.
Speaker 3 (02:51):
Doesn't look like the shack is either.
Speaker 1 (02:53):
Come on, well, I sure didn't expect see no stove
in here, mister Dunan. No, I don't expect you'll find
any dry wood either.
Speaker 3 (03:16):
Hm.
Speaker 2 (03:18):
Right about that? They made us stick.
Speaker 1 (03:22):
Well, they can shake some of this water off anyway.
Speaker 3 (03:33):
That's some better.
Speaker 1 (03:36):
Eat much warmer in here, and two windows out.
Speaker 3 (03:40):
You can always stay outside with the horses. Jester.
Speaker 1 (03:43):
Well, if you don't mind, I'm gonna try to get
some sleep.
Speaker 3 (04:00):
Ah huh, all it both of you.
Speaker 2 (04:06):
You don't need a freight not you sit real easy?
Speaker 5 (04:11):
Now?
Speaker 2 (04:12):
What's doing this? Have dropped the guns?
Speaker 1 (04:15):
Being Mosley's particular when we walk into a place in
particular and not very friendly, and we figured to live.
Speaker 2 (04:23):
Longer this way?
Speaker 3 (04:25):
Who are you, my dulm, I mean that's the same
of you. It was the other one.
Speaker 2 (04:31):
Wow, I'm just proud to it.
Speaker 1 (04:33):
That means anything to it. No, it don't mean nothing
to me. And as long as you behave yourself, maybe
it won't.
Speaker 3 (04:39):
I don't know who you are.
Speaker 1 (04:40):
Mister, but you sat right there where you are mostly
get a light going, sure, hud, And that's better.
Speaker 2 (04:57):
I mean we can see what we got here. There
ain't neither one of 'em look like much to me.
Speaker 3 (05:04):
Now you just see shut out you?
Speaker 2 (05:08):
What are you doing here?
Speaker 3 (05:10):
Now? You put that gun away?
Speaker 2 (05:13):
Maybe we can talk. You ain't calling the play.
Speaker 5 (05:15):
It's hard.
Speaker 2 (05:16):
He's wearing a badge. Hello, Now who told you?
Speaker 3 (05:23):
Mister? Who sent you here?
Speaker 2 (05:25):
I don't know what you're talking to? Milly done it? Oh?
Speaker 1 (05:27):
Now I don't right unless she done it? She called
a law on me. Well, she ain't never done it before.
I was bound to turn me in one day, and
she done it. Well, I'll fix her.
Speaker 4 (05:39):
I'd wait.
Speaker 2 (05:40):
You ought to give her a chance. She sure didn't
give me much. She'll be here with.
Speaker 1 (05:44):
The grub for a long wait till lynn. I didn't
give her a chance to talk. Now, they ain't no
use waiting? Why sure there is besides how you wouldn't
wanna go off and leave these two like, yes, they
might break out.
Speaker 2 (05:58):
Well maybe you're right.
Speaker 3 (06:01):
Sure'm right.
Speaker 4 (06:03):
Just sit down, huh and wait.
Speaker 2 (06:05):
Till Milly gets here and let her speaker. Bees.
Speaker 1 (06:08):
I can tell you right now, nobody's sent me after you.
You won't know what would have been a good eye
shut out.
Speaker 2 (06:14):
You better look out who you are.
Speaker 1 (06:15):
You keep shot too, I'll beat your head clean off.
Speaker 2 (06:20):
Now. We just sat here, like Moseley says, we just
sat here and wait for Milly to come. Uh. It's somebody.
Speaker 1 (06:42):
Uh, it's somebody coming now, Moseley, buggy, it's really alright.
Speaker 2 (06:47):
Now you just keep quiet. I'll do the talking. Just
give her a chance.
Speaker 3 (06:52):
I'll give her a.
Speaker 2 (06:53):
Chese hot I the food like you called me.
Speaker 1 (07:02):
You've done it, didn't she You've finally done it, you
said right there, law man.
Speaker 3 (07:08):
He bencovered real good.
Speaker 2 (07:09):
Moseley, all right, huh, but take it easy.
Speaker 3 (07:12):
No use bullying her for something she didn't.
Speaker 2 (07:14):
I told you to shut.
Speaker 1 (07:20):
Yeah, and it'll keep your big mouth quiet. Time up
mostly both of them. I want to talk to Milly.
Speaker 2 (07:28):
You sure do what I tell you? All right, Milly,
I ain't done that. He's here, ain'ty. The law's here
it's none of my do. I ain't believe in that. Millie.
You've been just crying to get the law on me.
Speaker 1 (07:46):
I had done it hard. You've always been too nicey nice, Milly.
You ain't never took to my riding.
Speaker 3 (07:50):
Now.
Speaker 2 (07:51):
I don't know with Steve, and I gotta say that,
but I didn't.
Speaker 1 (07:54):
Oh, you finally told the law. You finally tried to
fix me.
Speaker 2 (07:59):
I didn't do it. I just brought the food here
like you told me. Please, you're lying, No hard, No,
live a bee? St back, Listen to me. You you
waste any more time. We won't be there when.
Speaker 3 (08:11):
The stage comes through.
Speaker 2 (08:14):
Yeah, I guess you're right, you bet, I'm right. Come
on now, live a bee.
Speaker 3 (08:19):
That's right, all right, mostly.
Speaker 2 (08:20):
All right, But I ain't leaving her here like this,
free with the law. You tire up, she won't do.
Speaker 1 (08:25):
I tire up and we'll get out of here. Yeah, Chuster,
(09:00):
you alright, Yeah, I'm alright.
Speaker 3 (09:04):
I just got this rope loose.
Speaker 2 (09:09):
He hit you, awful heart of that gun. I thought
you were never gonna move again.
Speaker 3 (09:13):
I deserve it now, man letting him catch me like that?
Speaker 1 (09:24):
Yeah, there's good for humans killing. I can't get my hands,
even the wiggling.
Speaker 2 (09:31):
They're tired so tight.
Speaker 3 (09:32):
No, wait a minut. Well there, oh, there you go,
I say, oh, sure, thank you, I may get the
woman outside.
Speaker 4 (09:46):
Yes, sir, h, thank you.
Speaker 2 (09:55):
Marshall.
Speaker 3 (09:55):
You alright, ma'am.
Speaker 6 (09:57):
I'm alright.
Speaker 3 (09:58):
That man hod Muller he your husband.
Speaker 2 (10:02):
No, Marshall, he ain't husband, couldn't be so heavy handed me.
Speaker 3 (10:07):
You wanna get free of him?
Speaker 2 (10:10):
I'm feared too. I'm feared to death too.
Speaker 3 (10:13):
Oh you tell me where he's gone.
Speaker 2 (10:16):
He'd kill me, Marshall. He just plainly beat me to death.
Speaker 3 (10:20):
And if he was arrested, you'd be free of.
Speaker 2 (10:22):
Him, but maybe only for a little while. When he
got out, he'd get me somehow.
Speaker 3 (10:27):
He'd get me, alright, said Millie Chester. Yes, sir, I
want you to take her into Dodge figure right now,
right now. Tell Kenny to take care of her til
I get back.
Speaker 2 (10:39):
You going after them?
Speaker 3 (10:40):
Men, I'm going after him. Well the tracks are still clear.
Speaker 1 (10:44):
Well, i'd how to go with you want me take
the woman in the town Chester right now?
Speaker 2 (10:49):
Oh, if you say.
Speaker 3 (10:51):
So, I say so, And I got going.
Speaker 2 (11:09):
I'm sure it could have picked a better day for it.
The gold don't wait for good.
Speaker 1 (11:14):
With it and hearing these rocks is like lining a
battle of water shot up Mosley.
Speaker 2 (11:21):
Next time, I'll pick me a man.
Speaker 3 (11:23):
To do the job with me.
Speaker 2 (11:25):
Any man can get cold and wet. Just shut up
and watch for that stage.
Speaker 3 (11:34):
What's that?
Speaker 2 (11:36):
It's some rocks washing down, I reckon.
Speaker 4 (11:40):
Sure would been nicer if it was dry.
Speaker 1 (11:42):
When you quit your mind, the Marshall will get him
hot hot, I'm here.
Speaker 2 (12:01):
Hot.
Speaker 3 (12:04):
Uh, I'm not hot. H Marshall. He you the Marshall. Yeah,
and the Marshall.
Speaker 2 (12:14):
You get had not yet?
Speaker 3 (12:18):
Oh? Where is it? He's running mostly he you run off?
Speaker 1 (12:25):
Yeah, I shouldn't have done that, Marshall run off and
left me.
Speaker 2 (12:33):
Hm made me.
Speaker 3 (12:35):
Shouldn't have run up.
Speaker 1 (12:42):
A man shouldn't. And I'll tell you one thing. He's
not running fast.
Speaker 2 (12:49):
Enough, oh, Marshall.
Speaker 3 (13:12):
Hellot of the time, kiddy around.
Speaker 2 (13:15):
Oh I know she isn't. Right now.
Speaker 1 (13:17):
Marshall said you'd be here about now though, time, And
I guess I'll wait a little while I have a drink.
Marshall might as well have a beer? Yeah, sure thing.
Speaker 3 (13:27):
Oh thanks sir, Oh Matt hello time.
Speaker 4 (13:45):
Well, glad to see you finally got back.
Speaker 3 (13:47):
How you been looking for me. Oh no, no, no,
I don't want a beer.
Speaker 4 (13:52):
No, thank you? No, say Matt, you know that woman
you sent in with chesting? Oh, she sure needs a
lot of help.
Speaker 3 (14:02):
In bad shape? Is she awful?
Speaker 4 (14:04):
Bad shape?
Speaker 1 (14:05):
She's been beaten hard and awful for a long time.
It's a brutal thing. And I'm not surprised. How's that
she was living with a brutal man? Oh, yes, it's wrong.
Speaker 4 (14:19):
She must have been. She must have been where she's well,
she's up in Kitty's room, but.
Speaker 3 (14:24):
My smaller's man.
Speaker 4 (14:25):
I I'm having her stay in big for a few days.
She's got a lot of strength to catch.
Speaker 6 (14:30):
Up on him, all right.
Speaker 2 (14:31):
If I talk to her, Doc, Well, I don't think
you'll hurt her.
Speaker 1 (14:34):
Man. Oh, there's just one thing. Yeah, I was I
trying not to scare you. That she's scared enough already.
Speaker 3 (14:41):
I'll out try. But saying me isn't what she's scared of.
Speaker 4 (14:44):
No, I guess you're right, h I try to take
it easier.
Speaker 1 (14:48):
Though, Sure, Doc, I will I see you later, alright
(15:13):
if I come in?
Speaker 5 (15:14):
Oh, Ma, sure, come on in.
Speaker 3 (15:20):
How are you kidding?
Speaker 2 (15:22):
Oh?
Speaker 5 (15:22):
I'm fine, Matt. But that's more night save for that
poor thing upstairs.
Speaker 3 (15:26):
Yeah. No, Uh, how's she feeling?
Speaker 2 (15:29):
Oh, she doesn't feel very well.
Speaker 5 (15:31):
I don't suppose she'll be feeling very well for a
long long time. She's been through a lot.
Speaker 1 (15:35):
Yeah, Doc says I could come over and see her.
Speaker 5 (15:39):
Yeah, sure, not be easier her.
Speaker 4 (15:42):
Huh.
Speaker 3 (15:44):
I'm not gonna beat her.
Speaker 2 (15:45):
Kiddy, course not not. But those questions.
Speaker 1 (15:49):
It's time you when Doc realize something. What I'm not
asking questions to hurt anybody. The questions I ask made
just save her life.
Speaker 2 (15:58):
Sure not.
Speaker 3 (16:00):
Alright, Let's go.
Speaker 5 (16:01):
Upstairs, Nellie, Nellie Marshall, Dillon's here. He'd he'd like to
(16:23):
see you for a minute. Can I bring him in?
Bring him in?
Speaker 3 (16:36):
Uh? Hello, Milly Marshall. I uh like to ask you
if your questions.
Speaker 5 (16:44):
He didn't get him.
Speaker 1 (16:46):
No, No, I didn't get him. I killed him mostly,
but uh hard got away.
Speaker 3 (16:55):
He'll be back.
Speaker 2 (16:57):
He'll be back for me, Marshall, Millie.
Speaker 3 (17:01):
I wanna keep him from hurting you. You believe that.
Speaker 4 (17:08):
I believe it.
Speaker 1 (17:10):
Nobody can stop him.
Speaker 2 (17:12):
He'll be back.
Speaker 3 (17:15):
He'll hurt me again. Not if I find him first.
Speaker 2 (17:18):
You won't find him.
Speaker 1 (17:19):
I might if you tell me where he might be
or he goes to hide out.
Speaker 2 (17:27):
I can't tell you anything.
Speaker 3 (17:30):
You know where he came from?
Speaker 1 (17:31):
Elly, Melly, Melli. If you tell me, it might save
your life, Marta. I I'd like to tell you, but
I can't.
Speaker 3 (17:50):
I can't, alright, kid him scared of death?
Speaker 1 (17:58):
Yeah, uh, Kitty, you'll know where I am.
Speaker 3 (18:03):
Ellie. If you decide you want to talk to me.
Speaker 2 (18:07):
You'll be cooming. I know you will.
Speaker 5 (18:11):
I know it, Ellie. Matt'll take care of him. He
won't let him get you where your mate?
Speaker 3 (18:19):
I sure hope not, Kitty, I sure hope not.
Speaker 2 (18:52):
Another whiskey.
Speaker 7 (18:54):
Sure, I sure don't think much of your whiskey, and
I think much of your town either.
Speaker 2 (19:09):
Ain't nothing keeping you here?
Speaker 3 (19:11):
Is that stranger?
Speaker 2 (19:13):
I got business here?
Speaker 3 (19:16):
What's too bad? You're not liking it?
Speaker 2 (19:18):
No, it ain't gonna be too bad for me?
Speaker 3 (19:23):
Who you aiming for?
Speaker 2 (19:25):
I'm aiming for that big Marshal.
Speaker 1 (19:29):
Well, now, I tell you, mister, better men than you
of aiming for Matt Dillon. They're keeping company on bootheell he.
Speaker 2 (19:38):
Got my woman? She was? Now what's funny?
Speaker 1 (19:43):
But just don't sound right? Matt Dillon taking you a
woman that's uh.
Speaker 2 (19:48):
He's a man, ain't he.
Speaker 1 (19:51):
He's mad enough so that he don't have to go
around asking for other folks women. She must have been willing.
Speaker 2 (19:58):
I aim to find it.
Speaker 1 (20:00):
Besides, there's missus Kitty. I don't think she'd like it.
Who's Kitty?
Speaker 3 (20:06):
She's been a friend of the Marshall's a long time.
Speaker 2 (20:09):
She'd know about any other woman.
Speaker 3 (20:11):
Kitty.
Speaker 1 (20:13):
She knows about everything that goes on. And where is she?
She ain't hard to find, I said, where is she?
She owns part of the long Branch down the street.
She's there most of the time, and I.
Speaker 6 (20:26):
Believe I'll pay her a call.
Speaker 4 (20:44):
Well do you have mister whiskey?
Speaker 1 (20:48):
Yeah, you got a girl here named of Kitty.
Speaker 2 (20:56):
Missus Kitty ain't here right now.
Speaker 3 (20:59):
Now.
Speaker 1 (20:59):
They told me i'd find her here. You got some
business with her?
Speaker 2 (21:05):
Yeah, I got some business with her, and I come
a long way. Well, it's a fact she's here most
of the time. She's been staying up.
Speaker 1 (21:13):
To her room the last few days, though, attending the
sick lady. A sick lady. Yeah, she don't like to
leave her much. But where does she live? My Well,
miss Kitty keeps the room, but more small.
Speaker 2 (21:29):
He's down the street, but she sure to be in
for long. I ain't got time.
Speaker 1 (21:38):
Hey, you didn't pay for your whiskey. Miss kitty's paying
for it.
Speaker 2 (22:00):
You mad, mad for you. I want to see the
sick lady.
Speaker 5 (22:09):
Now just a minute, did.
Speaker 2 (22:12):
Get out of my way?
Speaker 5 (22:14):
You can't go in there.
Speaker 2 (22:15):
There ain't nobody keeping me out. And you just stay
right down there, and you won't get hurt. No more.
Speaker 1 (22:28):
Hard no, no, please, I don't worry, Milly.
Speaker 2 (22:38):
I ain't gonna hit you hard. I ain't gonna hit
you no more. Talk.
Speaker 1 (22:44):
You deserve it, though, don't you really running off with
a marshall that way, turning me in.
Speaker 3 (22:50):
I didn't do it. I didn't do it. Don't hurt me.
Speaker 1 (22:53):
Really, I ain't gonna hurt you hardly at all. Leastwise
you won't hurt long, not at night.
Speaker 2 (23:02):
I'll get to you next. You know you won't.
Speaker 1 (23:05):
If you put that lamp down, fire, put.
Speaker 4 (23:09):
On a fire on the old fire, my body put
it out.
Speaker 1 (23:16):
Man or the fire all right, skind of side kidding,
gotter ta blank it over? Carry on, I think it's out, alright, yeah, alright,
(23:37):
get up, you come on.
Speaker 2 (23:41):
She had no call to burn me.
Speaker 3 (23:43):
It didn't burn your better.
Speaker 5 (23:44):
Now, I'm sorry, mad, I didn't know what to do.
Speaker 2 (23:47):
He had that knife, all right, kitty, but it's.
Speaker 5 (23:50):
A terrible thing to burn him.
Speaker 3 (23:51):
Man, don't worry about it.
Speaker 5 (23:54):
Is it gonna live through.
Speaker 3 (23:54):
It, all right?
Speaker 1 (23:55):
Yeah, he'll live trou it long enough to got a
trial anyway. All right, Come on, Chester, let's get him
out of here.
Speaker 2 (24:27):
Produce and directed.
Speaker 1 (24:28):
In Hollywood by Norman McDonald, stars William Conrad as Matt
villain Us Marshall. The story was specially written for Guns
Vote by Mariam Clark, with editorial supervision by John Meston.
Featured in the cast were Vig Perron, Gene Bates, Harry Bartel,
Varney Phillips, and Sam Edwards. Harley dare Is Chester, Howard
mcneer is doctor, and Georgia Ellis is kidding. May we
(24:52):
take a moment to welcome three new abbiliates to the
CBS Radio Network. K B E E Monesto, California, Hey, FBK, Sacramento, California,
and WATV Birmingham, Alabama. We're very happy to have you
with us. This is the CBS Radio Network.
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