Rawhide | Lux Radio Theatre (03-22-55)

Original Air Date: March 22, 1955
Host: Andrew Rhynes
Show: Western Stories
Phone: (707) 98 OTRDW (6-8739)

Stars:
• Donna Reed
• Jeffery Hunter
Special Guests:
• William Conrad (Rafe Zimmerman)
• Lawrence Dobkin (Tevis)
• Tim Graham (Sam Todd)
• Parley Baer (Yancy)
• Jack Kruschen (Gratz)
Producer:
• Irving Cummings
Writer:
• Leonard St Clair
Music:
• Rudy Schrager

Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK

Episode Transcript

(00:13):
Welcome to the old time radio Westerns. I'm your host Andrew Rhines and let's
get into this episode. This episodeis going to be Western Stories. Original
artie is March twenty second, nineteenfifty five. This story comes from Lux
Radio Theater. Original title is Rawhide. Let's get into it and I hope
you enjoy what Hollywood leave her Brother'sCompany, the makers of the radio theaters

(00:43):
Darring Donna reed and Jeffrey Hutter InRawhide, Ladies and Gentlemen, your producer
is their Irving Cumming readings from HollywoodLadies and jeff the Night for Me First
Academy Award winner Donna Reeve and atalented young actor Jeffrey Hunter in an exciting

(01:06):
saga of the Old West, RawHigh, What a box of screen hit.
It tells the story of two strangerswho meet at a lonely stagecoach station
and are held as hostages by anescape criminal. A hundred years ago,

(01:26):
the territory of New Mexico included muchof the area now known as Arizona and
New Mexico. But a hundred yearsago, the hardy traveler of the territory
as a vast waste land, separatingCalifornia from the east, a wasteland of
hostile Indians and ruthless bandits, andof something known to its friends as the

(01:49):
Jackass Male, a cloud of dustmoving across the Arab plateau, upward through
mountain passes, downward along icy streams, endlessly across the desert. A plunging,

(02:10):
pounding, panting thing of mule fletchedand wood and irons and human determination.
That was the Oblon Male and princessOr to Saint Louis in twenty five
days, twenty seven hundred miles intwenty five days and twenty five nights,
the shortest, fastest, that breakingestride you could buy for two hundred dollars

(02:36):
gold meals included. The eating partof it came at the various relay stations
along the route, at lonely cabinsand adobe posts where fresh teams were hitched
to the state Rawhide Paths. Wasone such station. Hey, come,

(03:01):
that's the stage. I heard it, Sam Well on the way out there
all day. Answer them all right, all right, I yeah, that's

(03:23):
fine, everything according to company rules. Well it's a good rule. Let
me tell you, without us blowingout Google, how's the stage gonna know
everything's all right in here, andthere's engines are road agent finding the ambush
and fine gets the point. Sham, I got it six months ago.
Are you sure don't act like it? Do you think I'm getting the kick
out to learn? Do the stagebusiness? Oh? Come on, let's

(03:46):
get them you ready? Oh?I do? Shut all right? Any

(04:09):
minute? Pull to watch him?Got you haven't got a baby in there?
Don't know anything else that sounds likethat. I hope not. I
mean, no, man, Idon't. This is Tom Ols, missus
Holt. He just move through thecooking of this thing. Maybe he can
help you and be glad. Filmis hope. Have you got some milk?
Milk? Of course not? Howabout some dry odal? I think

(04:34):
to hope. All right, I'llmix it with some water. Maybe I
can get Kelly to drink. Yet, I'll fix it a film as we
change. The team is so thankyou? And if you don't mind,
yeah, I'm not missus Holt,I miss m hey, Tom Hey,
Now listen here, boy, Ican't ring humans by myself. All right,

(05:00):
put your eyes back in your head. You've seen a pretty woman before.
I was all in the story aboutthe Saint Louis gals, gift stories.
Come on, Tom, All right, Sam, all right, let's
get those mules more coffee. MissMan, no, thank you. I

(05:28):
bet you has never fed a meetingby a crook wearing a six shooter before.
Hey, ma'am, you call itthe meal. I'm doing a good
complaint, Tom. Here is thesign of Jay c Owen is in?
Tom, Guys, it's gotta beright. Who's J. C Owen?
Superintendent of the Eastern Division of theOld We better be getting back to the
state. Hold one, listen,I'm gonna get my rifle. Damn,

(05:58):
forget the rifle. Just government trooplooks like a patrol. Can we help?
You? Looked at it? Sowhere's the driver? This sea?
You just pull it from the west? Is he? Foreman on the road?

(06:21):
Nobody? Who are you looking for? Lieutenant Bellow then raped Zimmermanman.
I thought they had him in prisonover in Huntsville, and he broke out
before he was due to be hanged, he used the others held up Johnny
Madden stage outside of Lama. Seeit Johnny Madden. Well he drove through
here just yesterday, that's right,and today he said, Johnny the oldest

(06:46):
driver on the line next week.Why why did they do it, Johnny?
Stage, wasn't Karen a gold shipman? They must have thought it was.
Anyway, my pastrol is here togive you West Gold as far as
Vhama see you. That SuDS me? All right? Everybody climbing? Oh,
yes, sorry, but you andyour baby will have to stay here.

(07:08):
Why company rule, ma'am? Ipaid night there. It took all
the money I could sleep up.Now I'm going through to Saint Louis on
the next stage. Maybe, man, he says. Company rule says that
when there's danger of van dens orroad agents, that states can't carry any
passengers under the age of twelve.No, of course, if you want

(07:29):
to leave your baby here with us, well I guess not. We are
going to get on that stage both, Hey, Sam, get the lady
bagged off the stage? All right? No, don't you dare. Let's
hope there's no use that you are. Get out of my way. Hope,
get out of here now. Hi, I hope you'll crowd of what

(08:01):
you've done. This drawing. I'mawful, sorry, man, but you
see, rules are rules, Ithink, I hope if you please,
how's that? Never mind? Sam, you look after the mules and I'll
carry our things inside usful. OhSam, you how about putting your eyes

(08:22):
back in your head? Yeah?Man, well I hardly imagine the son
of the superintendent of the division wouldbe washing the dishes. Well, Sam,

(08:46):
and I think turns. It's allpart of my education. Yeah,
yes, six months work in therelay station, six months riding boot on
the stage, and you're in adivision office. I'm ready for any job
I got and you're six months here. That's up next Week's do something you
wanted? Yes? Is there doesn'tlace around here? I can take a

(09:07):
bath. Well, there's a basinand put your water in your room,
I said, a bath, allright? Come on, see that thing
across the yards of Sam pumped waterinto the horse drop. Yeah, you

(09:28):
just see that. You don't useany soap in it? Is that where
you take a bath? You know? There's a hot spring in the canyon
back of the station. That's whoI like. Which you're gonna have to
watch out for snake. Oh,then maybe i'd better borrow your revolver,
all right, and maybe your gunbelt too. It's not a bad idea.

(09:48):
You can't hit them at least youcan scare them to death. I
can hit them. Don't you worryabout that. I'm coming, Damn,
I'm coming. No one made hertake your hood. She knows how to
use it, maybe too well.Damn, I don't figure her for a
lady road agent? What do youfigure her for? I don't know.

(10:13):
She sure knows what she wants,you know. Took over my bed,
my bedroom with my gear up,and made it a nursery for her and
the baby. M m what's what'swhat I thought heard? Yeah? Yeah,
somebody's coming up to going. Isee him just drowning them booterers.

(10:33):
Tom, is that you're a rifleand Stephen get it? Stay out of
starting company. You be careful,Tomo, Marna, you'll make you keep
up. I'm as helper. Oh, it's the boss voice around here.

(10:56):
That's two of you, right.I guess you wonder who I am.
Maybe that's bad. You'll help deputethe shaf Yeah, depute the shriff miles
from Humps. Well, I'm gladto know you. Owens is my name.
Oh you can pick me up witha mail, sure, can it?
Sam? Damn, it's all right, it's the sheriff. You can
come out now, all right,not taking any chances. I see,

(11:22):
I'll have the way to stay alivein this country, especially with rape Zimmerman
on the loose. Yeah, especiallywith zemmon. How the shareff stay with
your horse as soone as I'm offhim. You can't all right, boys,
reach for it. Calm he ain'tno sharf, Get your hands off,
I said, hih, that's what'sthat for? Yeah, who's taking

(11:50):
some friends of mine? Don't onthe gully? Oh maybe I've better really
introduce myself. My name is Zimmerman. Hey is theam you in there?
Where are you being? M askhim? He got to be the hands

(12:13):
of their right to the rifle onthe wall using the coverty from us?
Yes, how us? You searchthe other room, see if there's anybody
else to run? Yeah, I'llsee you. Put our horses in the
corral, hide the settler, puregood any bar And now mister runs and
mister what's your name? Dame card? All right? And now I want
some answers from you too, AndI want him right what times the next

(12:33):
stage to it? I said?When is one from the east night?
What time the stage from the westtomorrow afternoon? How much goals is carrying

(12:54):
how much none? And Chipman goingthrough today? Very much stuff? He
got mother that the next time alie California stage comes through the Monomona carrying
a hundred thousand and gold bars cansigned by Crocker Mining Company and Sacramento the
government men of New York. BecauseI'm touching it, and let you know,
I got everything figured on. Whatis it? Ain't your bonnet?

(13:22):
Rat's keep him coming? Yes,be a rack with happen stable with Yeah,
I've been thinking about you. Watchone nothing at all. I'm gonna
make a break for it now later. Wharrash you? Where who a woman?

(13:43):
Your wife? I ain't got noway, all right, don't you
going? Wife? Rash you?Where's your wife? Good questions? And
I'm not married. Don't lie menow tell me get away? Look out.

(14:09):
Well that's what you wanted me todo. Wanted man? How about
this other one? Oh? Ineeded grab to take him to the bedroom.
Lock him up from up you gofirst, mister Owens. All right,
that's right after you fired. Didyou hear a woman scream? They

(14:33):
come to think of an idea,madam a baby? Yeah? Here they
come. Yes, he's bringing himin. Hey, look at what I
found. I found this right,I'm the stable. Then I see this

(14:54):
lady in this lady cutting yards.I saw you kill family. I know
what you're up again. All right, Sabbath, sacka back and lock her
up with her husband, my husband. I sure, Why don't you like
him since you've seen me? Comeon, your hands off me, cushy,

(15:18):
I like him with I ain't doingnothing, damn all right, on
getting man. I was hoping toget away. You know, shots back
in the canyon. How long doyou think it takes for a back Wait

(15:39):
a minute, what happened to mygun in the cartridge film? I dropped
him? It's dropped him. Yes, I was so startled when I heard
those shops, the one where Ididn't drop Calie too. Where's the gun
now? I don't know. Ithink like I think just the othercided that
pile of fire with along the corrala lot of good. It's gonna do
it out there. I'm not inthis thing with you, miss Hold or

(16:03):
missus Hold or whatever your name isn'tit Denny's hope. And while we're on
this subject, mister Owens, whata boy having to tell those men you're
my husband. I didn't tell themthat Zimmerman's idea man just might be the
thing that'll save your skin. Ohyou're sure it's not your own skin you're
worried about? Well, sure,I am killing me. It doesn't seem

(16:26):
a big part of their plan,at least not yet. See, they
eat me alive until life stage comesthrough with that big goal shipping. I'm
going to be there, decoy.What's that got to do with him thinking
on your wife? No, I'mstaying out of your miss I'm going to
tell him the truth. Look,can't you understand this hole that they'll be
nice to you as long as theythink you're important to me, until they
don't need you any longer. Butafter they get the goal shipping, And

(16:52):
I'm just hoping we'll figure out somethingbefore then. And if we don't,
then what happens? What do youthink, h I think I'd like to
live, even disjust for another twentyfour hours late afternoon, in a lonely

(17:18):
station at raw Hard Pass, whereBilly and Tom are held prisoners. In
the main room of the station,Zimmerman, vis Yancey, and drags wait
impatiently for the arrival of the Statescoach from the east. H Yeah,

(17:40):
how did you find the whisky?But in a cupboard? Put it back?
Oh now right now, Oh,there's not going to be any drinking.
It goes for you too, Grat. Yeah did you hear that?
Yancing? Wow? You know whyI know drinking? Man, Bob Oh,
I ever done wrong in my wholelife was to steal that horse.

(18:03):
Wasn't for that? You need it? Never met. I regret it even
more than you, mister. That'sbecause you were three butts that out of
jail along with me. That doesn'tmean I picture for this job. You
just came along and that's my bad. There is no call to talks on
or him. Everything's going, yes, right, I got down the yard.
There's hot body laying there for thewhole world to see. But if
any of you got brains enough togo burry him, no, I gotta

(18:26):
tell you everything. Oh very million. I'll put up a nice little cross
over. Are you crazy? Allwe need for the stage coach to come
along and see a cross? Gratyou'll go back him? Yes, you
couldn't get any wrong. It isyeah him, I do it. Put

(18:49):
the rest of you keep a lookout for that stage from the east.
I come through here early. Whatyou gonna do? Zee him? Never
mind? On, Yeah, Idon't remember seeing you were a revolver.

(19:11):
Where is it our gun? Yes, you're gun in and think what was
wrong with it? Confront Mm hmmit is on. I'm gonna have to
look for your things. I'm notstopping you. Go ahead. There's the

(19:32):
whole room if you want to.If you minded me go ahead. Look,
we had a gun, we wouldn'tbe putting up with your bullying.
That's the point man. On.Yeah, when the stage from the East
comes through, I want everything justas usual around here. You see the

(19:55):
passengers and the crow and got themon their way again with no question.
They want to know where if Ilet he's gone to two sons I had
a bad tooth he had to goto with Dennis. Yes, that will
work and a better work. Alady here and a baby. They'll be
counting on you to see that itdoes. What are you talking about,

(20:25):
wonderful company rule that we're supposed tokeep the baby and knee out of danger.
If he would let us go throughon next stage in another week,
Kelly would have been with her father'sfamily safe. No, No, that
brings up something I've been meaning toask you where is your father? Did
killed three months ago? Another too? But I thought I told you.

(20:48):
I'm plained, Andy Hope. Kellyisn't my baby. Her mother, Jeanie
was my sister. She's married again. Bler who got the gold seaver?
He just had to go California?And what took you out there? Gee
wouldn't go without me? Now I'mgoing home without her. You say she

(21:08):
and her husband were killing how thegenie was too pretty done? He was
too jealous. One night a drunkenplane jumper took a fancy to her,
and then the shooting was over.I was alone with Cali. Mm hmm,
Well I explained something. Yeah,I guess you've got reason enough not

(21:32):
to like man, I don't isthat the impression I get you? Sure?
Tom, that's the stage. Itmust be some way to get words
right now. We got to becareful. Remember, they'll be watching us
like a hawk. Wait, andwhat's some paper in the pencil's on the
bureau? All right here? Oldman? And jeff my get help to come

(22:11):
back. Tell him you can't possiblysep that note as a stage driver.
You just said, they'll be watchingyou every instant and let me give you
a chance here. I just sentyour block. Do you be careful.
If anything goes wrong, they'll shootdown everywhere. I know, but don't
you. I'm not safe coming onand they're waiting for me to answer him.

(22:41):
All right, then do it?Come on out here and I'm table.
Go on back there and stay witha baby like yourself in that room
and keep very quiet. Sure Iwill. I just love baby. What
about my wife? I was comingto her? Ken, Yeah, thank
missus. Allan's out the back wayup in that canyon behind the station.

(23:02):
Y can't be yell bet, thisis the kind of work and jaws everyone
when you can't do that, notwith TEPI, why not? You know
why? It's well a tied.Just look at it. She'll be all
right, as long as you don'tmake any mistakes. Now, where's your
bible hanging over there? All right, go get it. Tim, You
told everybody what to do except me. You're gonna be up in the stable

(23:23):
with your rifle, grabs your cover. Owens and me when we meet the
stage, Yeah good Owens and hisold friend, Deputy Sheriff Miles Owns.
I said, answer him. Hecan't, Tom, you want something.

(24:03):
Yeah, what's happened? You're cooking? Everything's clean, not much of it.
It didn't have time to fix.Why not? I've been too busy.
I'm so busy doing what? Allright? Tom? I thought you
had told him, you know aboutSam? Sam? Yeah's toothache and having
to go to the dentist. Andyeah, he's going to Shares and you're

(24:26):
staying on here to help out.Yeah, I, mister Figure, or
are you bound for it? Whatabout you? Cigaring? I'm going to
California so you know certain Shares.There's something about you there is? Yeah,

(24:48):
I keep thinking, now I've seenyou somewhere before. Oh maybe you
ever done to Hunts Zone. No, I never want to read it.
I wear the Territorial prisons. Look, isn't it the one that follows Zimmerman
broke out of? Yeah? Actuallyone, mister Pickett. I suppose shaff
humans have known Zimman. I amI saw it once, This mister Pickett

(25:11):
from the New York till Share.He's probably looking for a story. Oh
newspaper man, I you here thattime? Maybe you who could give mister
Figure of the story. Oh wouldyou, mister Rowns. Maybe something with
flavor and excitement. I'm sorry,mister picker has nothing much happens around here
and shut off his followed Zimmerman.Yeah, I had a fand it came

(25:33):
from a pretty high told family.That's Riday. Did I feel at him?
You would probably take him for acomplete general. You can call a
murderer a gentleman already went wrong.Called some woman a free old from the
union. Yeah, he said shewas a real looker. Then when called
a double dealing him with some otheryoung fanthy Dan. You seem to know

(25:56):
quite a bit about I remember,mister figure, I'm a news Well,
I don't you tell us the restof us? Story? All right,
story except for the capture again andhang him. It's chickering. What's your
line of business? I'm a slummercloth firearm hottetic. Cause that's so I
hear coaches getting out some the armymodels. That's what I'm taking to California.

(26:18):
I'll assure you. No, no, no, no, that's all
right. Noble got the sampoche isright here there. You ever see such
beauty? Do you mind if Ihandle one? That's a chickering right ahead.
We're proud of our products. Thankyou. Nice if you want attempt

(26:40):
it. I've got ammunition off thestain. You're an excellent salesman. That's
the chickering. But I don't thinkthere's time. What was that? It's
just a guy like a team fromthe canyon Alt might have that, Tom,
may I see the guns leader?Tom, he came from the Kenya.

(27:00):
That's only a kyote a ganzan.Thank You's a spooky kind of node,
ain't it. Drink? Yes,that's why you're shivering. It's cool.

(27:26):
They should be pulling out almost anytime. Funny moon life those reasons.
Dear, do you know what thatguy would house he gets calling for his
lady, Frank, I'm gonna besweet to him, you know, guyot

(27:49):
go really Frank. Oh, mister, you don't have to be so nice
and nice girl on the way.I'm gonna hurt then I'll let him know.
Just tell you back. Think I'mafraid of him, huh, just
cause he thinks he runs the chest. Mister Davy is tay ole. Girl.

(28:11):
You know how long it's been sinceI seen for They say? Two?
Yeah? Too long? Ye Heywait a minute, girl, I
told you I'm not gonna hurt you. No, Hey, what that you
dropped what you dropped that piece ofpaper? No, yes you did.
I've seen that fall out of yourblock my blog. Ye kick it up

(28:37):
boom, but give only letter,a personal letter? Who from my brother?
Let me see this? It is, but you can't read it.
There's no light moonlight. That's goodenough. Not hand it over? Mm

(29:02):
hmmmm. All right, I guessyou can have it back? What your
letter? You thought I didn't knowhow to read, didn't you? And
I guess I showed you didn't.I yes, mister Parris, I guess

(29:22):
you did. You did. Indeed, everybody bart along David's ship. Go
bye, gentlemen. However, allright on back into it. My wife

(29:48):
is still us springing around. Comeon a justust a minute. Yeah,
shut the front door. Hmm,no, come in. I'm wrong,

(30:17):
Yeah. I mean that's by tryingto get that salesman's gone, and that's
fun. I'll following my orders andthat's how you'll remember next time. What's
the matter you're waking the baby?How do you think you can sleep?
Is always lack? Oh, getout of her? Show on back to

(30:37):
the room, all right, boss, All right now I'm gonna have to
rock her to sleep again. Areyou you're true with me? No,
that's Benny. Don't Bobo want tosay? Where you are? Benny?
Benny? Oh, go right down, do right. Everything'll be horror.

(31:03):
I'm in I'm in here. Idon't go getting stores. Him goes on,
why are you him? I toldyou to leave her alone. I'm
dead, Jim. I told him, all right, get up, I'll

(31:26):
get you first him. I'll killyou, all right, try it.
I don't go on draw you likeme too, wouldn't you I'm not going
to No, I didn't think youwould. All right, on back to

(31:48):
your room. You'll tell I'll getyou. Hit him, I'll get you.
Yeah, yeah, I haven't gotthat gun. I'm not gonna Would
you be quiet the baby now?You don't forgot about her? Yes?
Yeah, we'll take care of her. Callie, honey. I'll say both
at you in the morning. I'mwait, maybe listening at the door,

(32:17):
all right? Would you get wordat the stage? Do no? Don
What are we going to do?We've got to keep on thinking and dry?
But how long? How much timehave we got? Jill? The
stage comes through from California with aghost ship until tomorrow morning. Now late

(32:53):
at night, some twelve dollars havepassed, and gentleman and his companions took
over the stage. That raw highthoughts. Locked in the small back room
of the station, Tom stairs hopelesslythrough the barb window, while then he
attempts to compat the restless baby.No, no go, no, get

(33:25):
that hauling coyote that bothered me.It is just some way of closing that
window that we couldn't hear it,some way to get enough. Look they
put up those iron bars, yourvegge, thoughtful of them. Look press

(33:55):
your fish against these barns, andlook at barns to the ridish can Yeah,
thank you? She think of funwas by the corral. Ya,
that's about where you dropped my revolver. Isn't that right? Yes? On
all the far side. Maybe todo later it must be if anybody finds
its pretty and we've got to getthat gun. Wow, why don't I

(34:17):
don't if we could break the hold, there's a dooty water tunnel and opening
big enough to crawl to dig itout with our fingernails. I suppose I
don't need something with a sharp pointto a sharp and straw. You must
have a butcher knife out in thekitchen. Oh sure, let me get
it you. Yes, you'll beeasier for me. But wow, we
all h wow, yes I dofor water picture. I tell them I

(34:43):
need water for the baby, andI fights a knife inside the picture.
I don't know. We've got totry to, all right, never tell
me exactly? Fine, that's nice. You know where the gas quarter alongside

(35:05):
the cup of theft and the lasttime I thought was right? What do
you want? The baby's got afever. I want to get her some
more. All right, get methe picture. I don't know, I'll
feel it. I don't know.The picture has to be reached out,
christmasus Immerman. I don't want toask such a favor of you, all

(35:28):
right, I don't come on?Oh would you know what time? It
is? Almost my time? Where'sKevin's outside? Of what am I look
on? You're sure about what that? He's on the lookout? What do

(35:52):
you mean? I just see him? I always will excuse me, missus
immim, And i'd like to buildthis picture. Yeah, I say,
first, Tevin Corret, have youbeen? Have you are? I thought

(36:16):
you said Tevis was not there.I didn't say that at all. No,
then what were you trying? Tosay, why nothing? Are you
always as movie? Is you?You filled your picture? Yeah? That?
Come on? That's the matter withyour baby. I don't know.

(36:38):
She doesn't very I don't know whyshe had to be here anyway? Why
not? I just don't like outthere. That's good night, missus,
gentleman. Yeah, good night.Did you get it here? Good?

(37:00):
And I found a place to takeright here at the place of a north
walk. Oh this is differently,just like rock, life hardly makes it

(37:22):
sense life for a while? Allright, better, let me take over
for a while. Oh here,grat grant. Yeah, have you own

(38:07):
some whiskey? You put it away? You know what you said? Yeah?
I know, Tom, Tom,I broke through here. All right?

(38:30):
Now we gotta know who we makeefigure of the cross? Have it?
I don't tort to live that dayalone. I won't forget this.

(38:54):
Then I won't forget it. Can'tyou have what do you think I'm doing
it? Renny? Renny? Whatdo you? I'm my folk? No,

(39:28):
No, in the place. Don'tthat on? You don't be here?
Can't you pull it? Wait aminute? Oh no, I can't
get a hole. Oh look,why do you think that who's wiping up
for you to squeak through. Itry. Come on, get out,
I push all right, that hip, get your shoulders through it. Go

(39:51):
on, go on, I can'tthat whole hardly big enough for child,
was crawled through a child? Thenif you think may be the bag,
Oh Tom, really you seek?All I have to say, it's I
carried your climb through this hole andcall across the yard to that pile of

(40:13):
fire. We're gonna bring back thatbig shiny revolver. Oh, I just
just old and let's just talk tounderstand it. Yeah, I guess that's
fair. Yes, that's good.Digging in our hands raw like a couple
of waths for what for twenty fourhours we'd let those murderers walk all over

(40:36):
its order us around and do that, And we did it. You can't
argue with a gun. Why not? Where's this darkness? Well we're still
alive, aren't we. You knowwhat's going to happen just as well as
I do, what sure I do? Any minute now, they're gonna come
in here and take me out thereto higness that team. Zimmerman's bait for
the stage coach, a bait foran ambush. What do you want me

(40:57):
to do about to say, I'msorry, mister Zimmerman, I'm not working
today. And maybe I've been wrongabout something else too. Maybe we shouldn't
have pretended to be mister and missus, but I figured it was a good
bargain for both of us. Theytreat you all right because they wanted me
to cooperate. Oh yes, theyjust treated me wonderful. Especially all right
from here on out, you canjust do better on your own. Maybe
you better tell Demmerman who you are. Maybe I will Cally I's gone on

(41:25):
and go ahead, Bennett, how'sthe time? Go ahead and tell him?
Tell me what? Missus? Whydid you want to tell me nothing?
It's nothing that concerns you, missus. Dennerman, her husband and wife
can call in private canting, andit wasn't very private under the stage.

(41:50):
Ought to be along any time.Got out there and hitch up the team,
all right, Tom, No youstay in here, Tom, don't
no name? Maybe the stage mydown, Kelly, call who are you?

(42:22):
It's got to be here, Kelly. She couldn't not too that,
Kelly. Kelly let me out,let me out of her, left out?
What's all a yelling about my babyshe's outside. I got to get

(42:45):
it. No, you don't know, no tricks but my baby Kelly.
No, then I didn't do nothing. She was yelling. And the last
time you hear me, you're ahammer. All right, I got back.
No roma is on. I'll saythat it doesn't bother you anymore.

(43:07):
Jervis, I said, I getusing. I told you I won't come
back here. You come back toanyone's happened. She always got to find

(43:27):
her, all right, come on, get that gun, show me where
he is? Come right? Didn'tcome quick? Come the other side,
all right? Where I don't know? It's got to be here yet?
Day didn't that somebody kill you?I didn't. I'm the boss now here.

(43:52):
You want other gold for yourself?No, that's not right. No,
Tom, that's just gonna listen nownow, don't you heaven? Don't
you lands in the gun? Thegun? Where is it? Tom?
Dare almost time to that blong goingdown? Time to get down? You

(44:15):
know you thing? I'm coming happy, Come ahead, Kevin didn't expect that.
Sit to Tevin's Let you know,I got flanny bullets. Knowing my
hunting sins and grant here's countless.You don't get to shut up. You

(44:42):
want to get Tevin's ideas. Yousee that baby block all right? Oh
woman, may not minute to comedown and keep quiet. You've been a
going on your ground on, comeout over? I thought it all right,

(45:15):
come ain't a ball the s's on? You know my very I started
walking told me it. Start walking. That's it. That's nice. That's

(45:44):
to be the nice as you're stoppingfor. Don't yell at now. Let's
come on. You're coming. Youshow me how a real man dies?

(46:05):
That did? Come on? Comeon, Y's a couple of steps more,
Tom, Hallie, Hollie, comehere, I come try all right,
Yeah, I'm all right. AndI was worried about you're being able

(46:28):
to handle a gun. Thank you, Bennie. Oh they're sixtage. Yes,
when it leaves you and then babycan be honest. What about you?
You're leaving too, aren't you?No? My relief won't get here

(46:49):
until next Week's gonna have to waittill nne Tom, did you mind?
It was like waiting come back foryou. I was hoping you might won't
do I do, Tom, Ido? I'd better answer that bugle and

(47:14):
let him know that everything's all rightIt is all right, isn't it,
Benny, Oh, yes to Everything'sall right now, It's got a reading

(47:45):
Jeffrey Hunter, step forward and takea ball held on Academy of War.
Time is almost here last night RowWilliam, Conrad Zimmerman and Stop goes teas
Jim Graham is Sam Polly Bars andJack Koshin as Grass alreadyoplay with the Basti

(48:06):
by Letters Take Claire on Music isin. Directed by Roddy Schreek. This
has been a presentation of OTR Westernsdot com and we hope you enjoyed.

(48:27):
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(48:50):
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