August 29, 2025 • 29 mins
Follow the thrilling cases of "Yours Truly Johnny Dollar," an insurance investigator with a knack for solving complex crimes. Perfect for fans of detective stories and classic radio dramas.
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Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:09):
Gun Smoke, brought to you by Chesterfield, America's most popular
two way cigarette. What a pair Chesterfield King Size at
the new Law Price Chesterfield Regular. Around Dodge City and
in the Territory on West, there's just one way to
(00:30):
handle the killers and the spoilers. And that's where the
US Marshall and the smell of gun smoke, guns smoke spurring.
(00:55):
William Conrad transcrud story of the violence that moved with
young America and the story of a man who moved
with it. I'm that man, Matt Dillon, United States Marshall,
the first man they look for and the last they
want to meet. It's a chancy job, and it makes
a man watchful and a little lonely.
Speaker 2 (01:43):
Nice little house he's got here, quid.
Speaker 3 (01:45):
Fellow with all his money in a foreign a nice house.
Speaker 2 (01:48):
Mitch, hey, coming out of barn. Let's go have a
little talk with him. He's very big fella. We didn't
have much trouble now.
Speaker 4 (02:04):
Oh hello there, Uh get down, rest a while, man,
I'll get down.
Speaker 3 (02:10):
You stay mild Mitch right, qua.
Speaker 4 (02:15):
Well, why don't you both get down? Uh? I got
a part of coffee on the stoven. Man, I might
scare up a little bacon if you're real empty, we've
at We.
Speaker 3 (02:25):
Camped him in cottonwoods out there last night.
Speaker 4 (02:28):
Well we did well. Uh why didn't you ride in?
I could have slept you in the barn. I don't
get much company out here.
Speaker 3 (02:36):
I know we've been watching the place. You're all alone here,
ain't you.
Speaker 4 (02:41):
I've always been all alone?
Speaker 3 (02:43):
Obie Tater? Huh, ob Tater?
Speaker 4 (02:46):
That trick, mister, But uh, how come you knowed my name?
Where everybody has heard of you? Obi? Man?
Speaker 3 (02:55):
It spends money away, you do get kind of famous light.
Speaker 4 (02:58):
Oh I don't spend money no more. That was when
I first come here. I'm broke. Now.
Speaker 3 (03:06):
Why ain't the.
Speaker 4 (03:06):
Way we heard it?
Speaker 1 (03:07):
Obi?
Speaker 4 (03:09):
We heard you drove from mule.
Speaker 2 (03:10):
Back in Sacramental plumber loaded with gold double eagles.
Speaker 4 (03:13):
Well that ain't so a thousand dollars. It's all the
gold I scratched out of California, and I spent it
building this ranch. Sure, I don't know why people keep
talking about how rich I an.
Speaker 2 (03:26):
They'll quit talking soon enough. Obi, h you ain't gonna
be rich no more?
Speaker 1 (03:31):
No you sure?
Speaker 4 (03:33):
What are you talking about?
Speaker 3 (03:35):
I'm gonna ask you real nice Obi where you got
that gold head?
Speaker 4 (03:41):
Oh wait a minute, what are you follows up to?
Speaker 1 (03:44):
You're gonna tell it?
Speaker 4 (03:46):
You come here to rob me, didn't you. Well, it
ain't no use, there's nothing to rob. I told you
wouldn't talk.
Speaker 2 (03:52):
Kwaid don't have to bounce it out of him.
Speaker 3 (03:54):
Go ahead, Mitch, stay down your rope.
Speaker 4 (03:57):
No, I ain't even armed. You can't hang me.
Speaker 3 (04:01):
We ain't gonna hang Oobi.
Speaker 2 (04:03):
We're just gonna give you a little ride feet first
one it's rope.
Speaker 5 (04:07):
No, don't put that bofe away. You wouldn't go to practice.
We are, Obie. Just well, look you're there.
Speaker 4 (04:29):
It's Obi Cater Oh Chester Marshall doing all right?
Speaker 1 (04:35):
Jobi? What brings you into dodg Well?
Speaker 4 (04:38):
I had to see Doc Adams Marshall.
Speaker 3 (04:41):
You are kind of peaked looking, Obi.
Speaker 4 (04:43):
You've been sick. I ain't been sick, been hurt, hurt
for what happened Obie? Uh three weeks ago? Marshall. I
like to die, but you do? Did you fall off
a horse or something? Oh? I didn't. I got drug?
But what two follow they come by my place and
they throw the rope on me and they drugged me
(05:04):
across the Prairie.
Speaker 1 (05:05):
I hold it what for?
Speaker 4 (05:08):
I never seen him before, Marshall, But uh uh one
was called Mitch and the other Quaid. That's all nobody. Well,
I never heard of old Mitch nor Quad around here.
Speaker 1 (05:22):
Why did they do it? Obie?
Speaker 4 (05:23):
Well, Marshall, you know how everybody thinks I come back
in California with a lot of gold double egos, and
they sam rich all think true. Of course that that
don't stop him. They just go right on saying, yeah,
I've heard the talk. Oh, these two fullas they wanted
to rob me. I told him, and I told him,
(05:45):
and I don't have no gold money. But they wouldn't believe.
Speaker 1 (05:48):
That's the wonder they didn't kill you, obe.
Speaker 4 (05:50):
Oh, they put in they did, Marshall. I felt awful
when they got through.
Speaker 1 (05:55):
Do you think they'll come back?
Speaker 4 (05:57):
They said they wasn't done with me yet, They said
they'd find a way they open me up. It's a
terrible thing, Marshall, being treated like that for no whole
reason at all, and especially when you ain't even got
no gold money.
Speaker 1 (06:13):
That's still bad. The room I got started in the
first place of it, I've tried to stop it. But
you know how I am. I ain't very smart. I
can't hardly sign my name, Marshall. Guess that's why I've
always got job by any fast talker. It comes along.
Speaker 4 (06:31):
All my life. It's been like that.
Speaker 1 (06:32):
Well, we can't stop what people think of me. But
we can find those two men. Do you think it
recognize them?
Speaker 4 (06:40):
Yes, I sure would, Marshall.
Speaker 1 (06:42):
Okay, they just might be hanging around Dodge. Let's go
look the town over Obie. Almost one hundred years ago,
(07:07):
Charles Kingsley wrote that tobacco is a lone man's companion,
a bachelor's friend, a hungry man's food, a sad man's cordial,
a wakeful man's sleep, and a chilly man's fire. These
words describe what Chesterfield means to millions of smokers to day.
All of us smoke for relaxation, for comfort, for satisfaction,
(07:32):
and in the whole wide world, no cigarette satisfies like
a Chesterfield. Only Chesterfield has the right combination of the
world's best tobaccos, highest in quality, low in nicotine, best
for you. Buyum king size at the new Low price
or regular. Get a carton of Chesterfield to day.
Speaker 4 (08:18):
Sure, Marshal Dylan, we must have been in every saloon
and gambling house and dodge. I'm getting footsore.
Speaker 1 (08:24):
But there are only a couple more of he we'll
try the Texas Trail here next.
Speaker 4 (08:27):
Oh, what are you gonna do if we find the
marsha from Junia?
Speaker 1 (08:31):
And if there's enough left of 'em when I get
through now here we are okay, take a good look around.
Speaker 4 (08:42):
We h Uh they ain't at the bar, and uh,
they ain't at the tables back there. It couldn't we
sit down a minute, Marshall, I'm off, I'm tired. I
guess I ain't got my full strengths back.
Speaker 1 (08:56):
He's sure of me. We can sit down. Oh, let's
go over there with kidding. Yeah, whoever that other girl is?
Speaker 4 (09:01):
Oh, i'd like that, Marshall. I ain't heard a woman's
voice over a half a year.
Speaker 1 (09:06):
Oh hello, kitty, Oh kitty, this is uh Obi tateror.
Speaker 4 (09:10):
Gry to know Yobi.
Speaker 6 (09:12):
Ma'am, it's miss Obe and the same with La. Melly's
here and this is Marshallville.
Speaker 1 (09:18):
How do you do man?
Speaker 4 (09:19):
How do you do? My glad? No?
Speaker 6 (09:20):
Huh?
Speaker 4 (09:21):
Sit down? Sit down like it? Uh that's an awful
pretty name. Uh ellah, Melli.
Speaker 6 (09:32):
Thank you obe. Ella's new here.
Speaker 4 (09:35):
She only been a dodge by the week.
Speaker 6 (09:37):
I like it though, and might even stay.
Speaker 4 (09:39):
Why oh oh, that'd be nice. Sure, hope you do.
Speaker 6 (09:43):
Uh well, it depends.
Speaker 4 (09:47):
Depends on what.
Speaker 7 (09:49):
Oh people, I suppose if I meet somebody alike, uh stay,
you will?
Speaker 4 (09:57):
Sure?
Speaker 6 (09:58):
Why not?
Speaker 4 (10:00):
Well, you meet somebody pretty girl like you?
Speaker 6 (10:04):
You're nice? Sob By the way, how you feeling now?
Speaker 4 (10:08):
Oh, I'm fine. Doc Adams couldn't find nothing real wrong.
He just said to take you to hesh It for
a while. What's the trouble over? You've been sick? Oh,
it's it's not that couple of a couple of fellows
come by my place and they treat me kind of rough.
I'm okay, now, you.
Speaker 6 (10:25):
Look fine over. You can't hit a young man like
you anyway.
Speaker 4 (10:30):
I ain't. I ain't very young, no more, not pushing
sixty him sixty.
Speaker 6 (10:35):
I don't believe it, but you look more like thirty
five to me.
Speaker 4 (10:39):
I do, of course you do.
Speaker 6 (10:43):
Uh Ella, Yeah, I'd.
Speaker 4 (10:46):
Be proud to take you over to the bar and
buy you a drink, any kind of a drink you want.
Speaker 1 (10:51):
Uh wait a minute, now, I'll be We got a
couple of more.
Speaker 4 (10:53):
Places a lot now that can wait, Marshall, It ain't important.
We'll do that tomorrow sometime.
Speaker 6 (10:57):
Yell, when you come, i'd love to and maybe you'll
tell me about yourself. Not in California.
Speaker 4 (11:03):
No, No, that ain't nothing. I I'd rather hear about
you now you come to Dog.
Speaker 1 (11:08):
Well, I'm sure didn't take her long, I little mellowish.
Huh what do you know about her, kiddy?
Speaker 4 (11:14):
I don't know anything, Matt, not really.
Speaker 7 (11:17):
I was a good talker, but she doesn't say much
about herself. That she come here alone, as far as
I know she did. Huh do you have any friends here?
And I mean have you seen her with anyone in particular? No,
I don't pay much attention to her.
Speaker 6 (11:33):
Why am I something wrong?
Speaker 7 (11:35):
No?
Speaker 1 (11:35):
Not yet, kiddie, but uh, I sure gonna be.
Speaker 4 (11:55):
Oh good morning, man, Oh, Doc, come on in. H
thank you. You found ob Tater yet?
Speaker 1 (12:03):
Not yet, Doc, but Chester's aren't looking for him.
Speaker 4 (12:05):
And maybe you haven't tried the right places.
Speaker 6 (12:06):
Man.
Speaker 1 (12:06):
Oh, we've looked everywhere, Doc, and that Ala Melish just
plane disappeared. Both of them.
Speaker 4 (12:11):
Well, I wouldn't worry about it.
Speaker 1 (12:12):
They'll be back, and I hope so this is the
second day they've been gone. I tried to talk to
Obie that first night, but he was acting like a
man in a dream.
Speaker 4 (12:21):
Oh he loves dream, mad loves sweet young dream.
Speaker 1 (12:25):
Doc, ob Tator will never see sixty.
Speaker 4 (12:27):
Oh, age has nothing to do with him. I'm surprised
that you don't understand these matters.
Speaker 1 (12:32):
Oh why should? I can always come ask.
Speaker 4 (12:34):
You about him anytime that anytime, to glad to advise you.
And there's many a pitfall. I might save you from
them too, if you come to me in time, and
you may consider me like a father, Like a father certainly.
Speaker 1 (12:47):
Well, that's mighty nice to you, Doc.
Speaker 4 (12:49):
Yes, the benefit of my experience is yours, man, just
any time?
Speaker 1 (12:53):
Good good tell me, Doc, how does a man get
out of New Orleans with two different husbands gunning for him?
Speaker 4 (13:00):
Your husband's getting rome wise about any too? Oh my goodness,
I must have been drunk. When did I tell you
about that?
Speaker 1 (13:07):
The same night you told me about how you come
to leave Philadelphia?
Speaker 3 (13:10):
Can I tell you idea?
Speaker 4 (13:12):
Oh? Well, that happened long, oh, a long time ago,
And I don't appreciate your remembering. Have you there here?
He is, mister Dyllan well, I finally come on in,
oby ob teecher. What it's about time you showed up again?
What's all the fuss about? You think I was a
criminal or something.
Speaker 1 (13:31):
We've been worried about, joby where you've.
Speaker 4 (13:32):
Been honey mooning? What honeymooning at the dodge house? I
paid the clerk ten dollars not to tell nobody we
was there.
Speaker 1 (13:42):
I need all you mean? You married Ela Melish to
his love at.
Speaker 4 (13:47):
First sight, Marshall, I proposed to make her my wife,
and I am proud to say she accept me right off.
Speaker 1 (13:53):
I never thought you'd go that far.
Speaker 4 (13:55):
She's a fine girl, Marshall, A fine girl.
Speaker 1 (14:00):
If she will be.
Speaker 4 (14:02):
Well.
Speaker 1 (14:03):
I hate to say anything against your wife, but there's
something I gotta.
Speaker 4 (14:06):
Tell your jealous Marshal. Let what you are? Your shame
on you?
Speaker 1 (14:09):
Ohbe If I'd known you were gonna do this, i'd
a major listen to me the other night.
Speaker 4 (14:13):
Well see it, odd, Marshall. I got to get back
to my bride.
Speaker 1 (14:16):
And we're leaving for the ranch today and I'm half
tempted to let you find out for yourself.
Speaker 4 (14:22):
We'll find out what what uh were we talking about?
Speaker 1 (14:24):
Don't you remember the other night when you first met
Ella Melish, How she asked you if you were feeling
okay again?
Speaker 4 (14:30):
Now? Ain't that just like you'll always considering other people
meaning particular?
Speaker 1 (14:34):
I'm happy to say, Oh, well, you're feeling so happy?
Tell me something? How come she knew you'd been hurt?
Speaker 4 (14:39):
Mmm?
Speaker 1 (14:40):
You came here straight from Doc's that day and nobody
knew anything about what had happened to you except Doc
and Chester and me. Now who told Ella Melish?
Speaker 4 (14:47):
I don't know what differences mean?
Speaker 1 (14:49):
Will be listened to me? There's there's something wrong with Ella.
I don't know for sure she's in with those fellows
Mitch and Quaid. But if she isn't, she's got explaining
to do.
Speaker 4 (14:57):
Marsha Dylan, Ella, Well, she's now missus Obi Tater. She
don't have to explain nothing to nobody.
Speaker 1 (15:06):
Oh, I give up.
Speaker 4 (15:06):
She's a fine woman, Marshall, and I won't stand for
no talk again her.
Speaker 1 (15:11):
Love, sweet young dream And it's.
Speaker 4 (15:13):
Like being her local man. He can't hear you or
anybody else except that girl. Now that's no way to
talk about me. I thought you were my friends.
Speaker 1 (15:20):
We are your friends, not anymore.
Speaker 4 (15:22):
You're not You were dark or Chester nobody. I got
me a wife now, and I don't need you.
Speaker 1 (15:31):
You will see, Yeah, we'll see. But I hope it
isn't too late when we do THEE, and I hope
you're still alive to see too. I didn't know how
Alamelish planned to do it, but she was a clever girl,
and I was sure she had some way in mind
(15:53):
to handle lit me Taylor. What she didn't know, of course,
was that he didn't have any money, and that she
was waste and her talents on it. And I was
afraid that when she failed, m Mitch and Quaid had
come back and un lest I make killoed. He was
still alive. About a week later, however, when Chester and
I happened to be in the country not far from
(16:15):
his ranch, and rode over to have a look.
Speaker 4 (16:23):
They're at home. Oh I mister Dylan, I'm grecious. They
must be roast in a calf with all that smoke
coming out of the chimney.
Speaker 1 (16:30):
White him out of Chester. Uh huh, watch that smoke
a minute? What I just watch it.
Speaker 4 (16:37):
Now?
Speaker 1 (16:38):
There there, I see why it's toughing.
Speaker 4 (16:41):
It's starting and stopping every now and again.
Speaker 1 (16:44):
Yeah.
Speaker 4 (16:46):
Uh, maybe Chimney's got something stuff up in her. Maybe
you know, if you couldn't see the house, you'd think
it was Indian signaling. Uh you stopping there?
Speaker 1 (17:00):
Let's leave our horses here a hunt Chester, Yeah, I
Chester when we got inside. Don't say anything about how
that smoke looked.
Speaker 4 (17:16):
You mean you think it was? They gonna make you doing?
Speaker 1 (17:19):
We'll see how? Oh anybody at home?
Speaker 6 (17:30):
Where is it?
Speaker 4 (17:31):
Ah? Is that you? Ella? I'm so daling?
Speaker 6 (17:36):
W What are you doing out here?
Speaker 4 (17:38):
Oh?
Speaker 1 (17:38):
Wait? Were nearby? So we tad way to stop him
and say, oh, oh, well.
Speaker 6 (17:41):
That's fine, marshall, but I can't ask you, and I'm
busy cleaning house. Oh you'd better come back some other time.
Speaker 1 (17:48):
I'd love to see you then, Oh sure, sure? Where's
Obi Obi?
Speaker 6 (17:55):
Oh he went off somewhere this morning. I don't expect
him back till late next Marshall. You come see us
next time. I'll cook your dinner something that's okay?
Speaker 1 (18:04):
Eller, Well he'll see another time.
Speaker 6 (18:05):
Sure you do that, Marshal, goodbye, goodbye?
Speaker 1 (18:11):
Go on you.
Speaker 4 (18:17):
What I declare, mister Dylan? And I never got treated
like that in my whole life, not by nobody. Uh.
Speaker 1 (18:24):
She wasn't expecting this. Chester had her upset.
Speaker 4 (18:26):
I don't care. That's no excuse, not even offering a
man a couple of coffee.
Speaker 1 (18:29):
Or she didn't want us in the house. In fact,
I don't think she wants us anywhere around here.
Speaker 3 (18:34):
And hey, where are we going?
Speaker 1 (18:37):
And I wanna take a look in the barn, and
if Phobe isn't out here, we're going back to the house.
Speaker 4 (18:42):
Well, but Ella said he took off her.
Speaker 3 (18:44):
Some words this morning.
Speaker 1 (18:45):
Allo was kind of nervous trust him. Maybe she didn't
mean it.
Speaker 4 (18:49):
I hear we m.
Speaker 1 (18:58):
Obe ob Be Tator right way we are?
Speaker 4 (19:02):
Oh, oh either of you? Hey he's got a shotgun.
Speaker 1 (19:06):
That's Marshall Dollanobe and Chuster.
Speaker 4 (19:09):
Oh sorry, Marshall. I couldn't see it first. I was
in the back there and I had the door open,
and I seen two men stand here. Can't blame me
for being.
Speaker 1 (19:20):
Gymy, that's all right of it. But what are you
doing in here? Tella told her she weren't around, Hella.
Speaker 4 (19:27):
Told her, and Ella does a lot of talking the day.
Speaker 1 (19:32):
Oh what is it?
Speaker 4 (19:32):
Obe?
Speaker 1 (19:33):
Something wrong between you two?
Speaker 4 (19:35):
Anything wrong? Marshall Dillon, I owe you an apology? What
for for not listening to you back in Dodge. He
was right about the whole thing. All that woman married
me for was my gold money. And I've told her
and I told her I ain't got none, but she
(19:55):
won't listen.
Speaker 1 (19:56):
All I talk on her show me, but there's something
else in mine.
Speaker 4 (19:59):
Well, she does more than talk, Marshall. The woman's a devil.
That's what she needs.
Speaker 1 (20:05):
Oh what do you mean what she been doing?
Speaker 4 (20:08):
She won't feed me for one thing. She won't even
boil my coffee. It started the first night we got here, Marshall.
As soon as I show her my gold money, she
says she'll be a good wife. I try to tell
her the place is hers what she needed money for,
even if I had it her land. Think I never
heard of a wife that wouldn't cook her man. Oh
(20:31):
that ain't Alchester. Where do you think I've been sleeping
out here in the barn. That's where I can't even
sleep in my own house. She says, she'll run off
into the periri if I come anywhere's near?
Speaker 1 (20:42):
Well, oh, the.
Speaker 4 (20:45):
Obie. If a woman then had in Texas, you'd have
a right to give her back. I don't wanna give
her back she's done pretty, And besides, there's something else.
She ain't going to devil me no more. What after
tonight she said? She said, after tonight, it's all over.
(21:05):
She said.
Speaker 1 (21:06):
She won't give me no more trouble after tonight.
Speaker 4 (21:09):
That's what she said.
Speaker 1 (21:10):
Marshall Chester, Yes, sir, go get our horses and bring
them into the barn where they can't be seen. And
when you get back, you and Opie and I are
going to go into the house and sit down and
wait for the night. There are more than sixty million
(21:40):
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best because only Chesterfield has the right combination of the
world's best tobaccos, highest in quality, low in nicotine, best
for you. All of us smoke for relaxation, for comfort,
(22:04):
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satisfies like a Chesterfield. Yes, you'll get the greatest possible
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combination of the world's best tobaccos, highest in quality, low
(22:25):
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Chesterfields to day.
Speaker 4 (23:06):
You might as well sit down, aller. You just wear
yourself out walking around that way. I got nothing to
do with it.
Speaker 6 (23:13):
I tell you, I never heard of mitching the Queen.
Speaker 1 (23:15):
I just shouldn't worry about it. Of her. We'll find
out if you know 'em when they get here.
Speaker 6 (23:21):
You're awful smart, aren't you, Marshall. I wasn't sigling that.
Nobody neither. You just trying to put the pore out.
Speaker 4 (23:30):
Sure there's some horses coming up outside, Miss Dillon. Uh,
it's too dark to tell, but I think there's two
of 'em.
Speaker 1 (23:38):
Alright, Chester, come on, you and I are wait in
the kitchen.
Speaker 4 (23:43):
I sure wish I had my gun, Marshal.
Speaker 1 (23:45):
No, they all I would have seen to it. You
weren't armed, and we'll have them coverage. So don't worry.
Speaker 6 (23:50):
You're making a big mistake, Marshal.
Speaker 1 (23:52):
Never mind that of her. You just remember what I
told you. Give us away and your friends will die
and not my friends.
Speaker 4 (24:00):
Come on, Chester, there's gonna be some surprised into mister Dillon, and.
Speaker 1 (24:05):
I hope Solchester. We better get back out of the light.
Speaker 4 (24:17):
There to come mister Dillon.
Speaker 2 (24:20):
Quiet eas and Obi, Mitch, you remember Obie?
Speaker 4 (24:29):
Kay?
Speaker 1 (24:30):
Sure it looks better than when I last seen him.
Speaker 4 (24:33):
Though, Shut up, Ella, he's gonna giay.
Speaker 1 (24:41):
Chester all right, don't move.
Speaker 4 (24:43):
The one of you is, who are you?
Speaker 1 (24:46):
Get your handle with my gun? Quad?
Speaker 4 (24:47):
You're caught now, Quaid you and mix both he'll fixture.
That's Marshall Dylon from DoD Mar.
Speaker 1 (24:53):
Ellis double crossed the squad.
Speaker 4 (24:55):
No, I didn't. I can tell you.
Speaker 3 (24:56):
You signaled we was to come in.
Speaker 1 (24:59):
You nobody double crosses me, Ella, nobody, don't do it
quite all right, Mitch, you're next. I got my hands
on Marshall.
Speaker 4 (25:10):
I ain't wrong. Quid shuter Marshall he done killed her.
Speaker 1 (25:15):
Jesse got Mitch's gone, Yes, sir, come on give it
to me.
Speaker 4 (25:20):
You get your hand away. Who'd think any man could
be low enough to shoot a woman?
Speaker 3 (25:27):
She double crossed him.
Speaker 4 (25:29):
That's why I did it. No, Mitch, Ella had nothing
to do with the Marshall being here. She signaled us
to ride in tonight.
Speaker 1 (25:36):
That meant she'd given up and she was going away
with us given up.
Speaker 4 (25:39):
The fella couldn't find his money. Nobody could.
Speaker 1 (25:42):
You're nothing but an old liar, obe Chea, you ain't
cutting no money at all, a liar.
Speaker 4 (25:47):
I told everybody a thousand times I ain't got no money.
Speaker 1 (25:51):
It doesn't matter now, of Tessa, take Mitch outside and
time up.
Speaker 3 (25:57):
Come on Mitch outside yet?
Speaker 4 (26:01):
Would you use your own rope to tie up with
a lot? She's dead, Marshall.
Speaker 1 (26:11):
I I'm sorry over that. I just wasn't fast enough.
Speaker 4 (26:17):
Mm. Wasn't your fault, Marshall?
Speaker 1 (26:21):
MM?
Speaker 4 (26:22):
You know something.
Speaker 1 (26:24):
Fun of me?
Speaker 4 (26:25):
I was awful fund the ruinous as she treated me.
There was her dog going pretty, and I had told
her she just acted like her wife should. That's all
she had to do. And my other fellows could have
killed me before i'd ha told.
Speaker 1 (26:42):
Him what I'd have told her, what are you talking about?
Of here? She'd have told her hert what about my
gold money? Your money?
Speaker 4 (26:54):
It's in the rain barrel outside, Marshall, a whole big
sack full of gold. W do what.
Speaker 1 (27:05):
You mean you had that money all the time?
Speaker 4 (27:07):
Shor It's true, but true? M hm. You won't tell
nobody way Marshall.
Speaker 1 (27:19):
No, then I won't tell anybody like I'm filtered, like
(27:44):
im king size. Then for you, this is it King
Size L and M filters at the same low price
as L and M Regular. Both have the Miracle tip
for the effective filtration you need. Yes, it's the filter
that counts. At L and M as the best. You
get much more flavor, much less nicotine, A light and
(28:08):
mild smoke by L and M filters just but the
doctor ordered. It's America's highest quality and best filter tips
cigarette via Cotton King Size or regular, both at the
same low price. Gunsmoke, produced and directed by Norman McDonnell,
(28:36):
stars William Conrad at Matt Dylan US Marshall to Night's
story was specially written for Gun Smoke by John Meston,
with music composed and conducted by Rex Cory. Featured in
the cast were Joseph Kern, Virginia, Greg Nickhern and Barney Phillips,
Harley bear Is, Chester, Howard Mcneerny Doc and Georgia Ellis
is kidding Join us again next week at Matt Dylan
(28:59):
US Marshall fights to bring law and order out of
the wild violence of the West. In Gun Smoke, nine
out of ten forest fires are started by carelessness. Obey
the forest rules, build fires only in approved locations after
(29:21):
securing a permit. Be sure all cigarettes and matches are
dead out. Remember only you can prevent forest fires. And
remember too. Next week, at this same time, Chesterfield will
bring you another transcribed story of the Western frontieron gun smoke.
Speaker 4 (29:38):
This is the CBS Radio Network.
Gun Smoke, brought to you by Chesterfield, America's most popular
two way cigarette. What a pair Chesterfield King Size at
the new Law Price Chesterfield Regular. Around Dodge City and
in the Territory on West, there's just one way to
(00:30):
handle the killers and the spoilers. And that's where the
US Marshall and the smell of gun smoke, guns smoke spurring.
(00:55):
William Conrad transcrud story of the violence that moved with
young America and the story of a man who moved
with it. I'm that man, Matt Dillon, United States Marshall,
the first man they look for and the last they
want to meet. It's a chancy job, and it makes
a man watchful and a little lonely.
Speaker 2 (01:43):
Nice little house he's got here, quid.
Speaker 3 (01:45):
Fellow with all his money in a foreign a nice house.
Speaker 2 (01:48):
Mitch, hey, coming out of barn. Let's go have a
little talk with him. He's very big fella. We didn't
have much trouble now.
Speaker 4 (02:04):
Oh hello there, Uh get down, rest a while, man,
I'll get down.
Speaker 3 (02:10):
You stay mild Mitch right, qua.
Speaker 4 (02:15):
Well, why don't you both get down? Uh? I got
a part of coffee on the stoven. Man, I might
scare up a little bacon if you're real empty, we've
at We.
Speaker 3 (02:25):
Camped him in cottonwoods out there last night.
Speaker 4 (02:28):
Well we did well. Uh why didn't you ride in?
I could have slept you in the barn. I don't
get much company out here.
Speaker 3 (02:36):
I know we've been watching the place. You're all alone here,
ain't you.
Speaker 4 (02:41):
I've always been all alone?
Speaker 3 (02:43):
Obie Tater? Huh, ob Tater?
Speaker 4 (02:46):
That trick, mister, But uh, how come you knowed my name?
Where everybody has heard of you? Obi? Man?
Speaker 3 (02:55):
It spends money away, you do get kind of famous light.
Speaker 4 (02:58):
Oh I don't spend money no more. That was when
I first come here. I'm broke. Now.
Speaker 3 (03:06):
Why ain't the.
Speaker 4 (03:06):
Way we heard it?
Speaker 1 (03:07):
Obi?
Speaker 4 (03:09):
We heard you drove from mule.
Speaker 2 (03:10):
Back in Sacramental plumber loaded with gold double eagles.
Speaker 4 (03:13):
Well that ain't so a thousand dollars. It's all the
gold I scratched out of California, and I spent it
building this ranch. Sure, I don't know why people keep
talking about how rich I an.
Speaker 2 (03:26):
They'll quit talking soon enough. Obi, h you ain't gonna
be rich no more?
Speaker 1 (03:31):
No you sure?
Speaker 4 (03:33):
What are you talking about?
Speaker 3 (03:35):
I'm gonna ask you real nice Obi where you got
that gold head?
Speaker 4 (03:41):
Oh wait a minute, what are you follows up to?
Speaker 1 (03:44):
You're gonna tell it?
Speaker 4 (03:46):
You come here to rob me, didn't you. Well, it
ain't no use, there's nothing to rob. I told you
wouldn't talk.
Speaker 2 (03:52):
Kwaid don't have to bounce it out of him.
Speaker 3 (03:54):
Go ahead, Mitch, stay down your rope.
Speaker 4 (03:57):
No, I ain't even armed. You can't hang me.
Speaker 3 (04:01):
We ain't gonna hang Oobi.
Speaker 2 (04:03):
We're just gonna give you a little ride feet first
one it's rope.
Speaker 5 (04:07):
No, don't put that bofe away. You wouldn't go to practice.
We are, Obie. Just well, look you're there.
Speaker 4 (04:29):
It's Obi Cater Oh Chester Marshall doing all right?
Speaker 1 (04:35):
Jobi? What brings you into dodg Well?
Speaker 4 (04:38):
I had to see Doc Adams Marshall.
Speaker 3 (04:41):
You are kind of peaked looking, Obi.
Speaker 4 (04:43):
You've been sick. I ain't been sick, been hurt, hurt
for what happened Obie? Uh three weeks ago? Marshall. I
like to die, but you do? Did you fall off
a horse or something? Oh? I didn't. I got drug?
But what two follow they come by my place and
they throw the rope on me and they drugged me
(05:04):
across the Prairie.
Speaker 1 (05:05):
I hold it what for?
Speaker 4 (05:08):
I never seen him before, Marshall, But uh uh one
was called Mitch and the other Quaid. That's all nobody. Well,
I never heard of old Mitch nor Quad around here.
Speaker 1 (05:22):
Why did they do it? Obie?
Speaker 4 (05:23):
Well, Marshall, you know how everybody thinks I come back
in California with a lot of gold double egos, and
they sam rich all think true. Of course that that
don't stop him. They just go right on saying, yeah,
I've heard the talk. Oh, these two fullas they wanted
to rob me. I told him, and I told him,
(05:45):
and I don't have no gold money. But they wouldn't believe.
Speaker 1 (05:48):
That's the wonder they didn't kill you, obe.
Speaker 4 (05:50):
Oh, they put in they did, Marshall. I felt awful
when they got through.
Speaker 1 (05:55):
Do you think they'll come back?
Speaker 4 (05:57):
They said they wasn't done with me yet, They said
they'd find a way they open me up. It's a
terrible thing, Marshall, being treated like that for no whole
reason at all, and especially when you ain't even got
no gold money.
Speaker 1 (06:13):
That's still bad. The room I got started in the
first place of it, I've tried to stop it. But
you know how I am. I ain't very smart. I
can't hardly sign my name, Marshall. Guess that's why I've
always got job by any fast talker. It comes along.
Speaker 4 (06:31):
All my life. It's been like that.
Speaker 1 (06:32):
Well, we can't stop what people think of me. But
we can find those two men. Do you think it
recognize them?
Speaker 4 (06:40):
Yes, I sure would, Marshall.
Speaker 1 (06:42):
Okay, they just might be hanging around Dodge. Let's go
look the town over Obie. Almost one hundred years ago,
(07:07):
Charles Kingsley wrote that tobacco is a lone man's companion,
a bachelor's friend, a hungry man's food, a sad man's cordial,
a wakeful man's sleep, and a chilly man's fire. These
words describe what Chesterfield means to millions of smokers to day.
All of us smoke for relaxation, for comfort, for satisfaction,
(07:32):
and in the whole wide world, no cigarette satisfies like
a Chesterfield. Only Chesterfield has the right combination of the
world's best tobaccos, highest in quality, low in nicotine, best
for you. Buyum king size at the new Low price
or regular. Get a carton of Chesterfield to day.
Speaker 4 (08:18):
Sure, Marshal Dylan, we must have been in every saloon
and gambling house and dodge. I'm getting footsore.
Speaker 1 (08:24):
But there are only a couple more of he we'll
try the Texas Trail here next.
Speaker 4 (08:27):
Oh, what are you gonna do if we find the
marsha from Junia?
Speaker 1 (08:31):
And if there's enough left of 'em when I get
through now here we are okay, take a good look around.
Speaker 4 (08:42):
We h Uh they ain't at the bar, and uh,
they ain't at the tables back there. It couldn't we
sit down a minute, Marshall, I'm off, I'm tired. I
guess I ain't got my full strengths back.
Speaker 1 (08:56):
He's sure of me. We can sit down. Oh, let's
go over there with kidding. Yeah, whoever that other girl is?
Speaker 4 (09:01):
Oh, i'd like that, Marshall. I ain't heard a woman's
voice over a half a year.
Speaker 1 (09:06):
Oh hello, kitty, Oh kitty, this is uh Obi tateror.
Speaker 4 (09:10):
Gry to know Yobi.
Speaker 6 (09:12):
Ma'am, it's miss Obe and the same with La. Melly's
here and this is Marshallville.
Speaker 1 (09:18):
How do you do man?
Speaker 4 (09:19):
How do you do? My glad? No?
Speaker 6 (09:20):
Huh?
Speaker 4 (09:21):
Sit down? Sit down like it? Uh that's an awful
pretty name. Uh ellah, Melli.
Speaker 6 (09:32):
Thank you obe. Ella's new here.
Speaker 4 (09:35):
She only been a dodge by the week.
Speaker 6 (09:37):
I like it though, and might even stay.
Speaker 4 (09:39):
Why oh oh, that'd be nice. Sure, hope you do.
Speaker 6 (09:43):
Uh well, it depends.
Speaker 4 (09:47):
Depends on what.
Speaker 7 (09:49):
Oh people, I suppose if I meet somebody alike, uh stay,
you will?
Speaker 4 (09:57):
Sure?
Speaker 6 (09:58):
Why not?
Speaker 4 (10:00):
Well, you meet somebody pretty girl like you?
Speaker 6 (10:04):
You're nice? Sob By the way, how you feeling now?
Speaker 4 (10:08):
Oh, I'm fine. Doc Adams couldn't find nothing real wrong.
He just said to take you to hesh It for
a while. What's the trouble over? You've been sick? Oh,
it's it's not that couple of a couple of fellows
come by my place and they treat me kind of rough.
I'm okay, now, you.
Speaker 6 (10:25):
Look fine over. You can't hit a young man like
you anyway.
Speaker 4 (10:30):
I ain't. I ain't very young, no more, not pushing
sixty him sixty.
Speaker 6 (10:35):
I don't believe it, but you look more like thirty
five to me.
Speaker 4 (10:39):
I do, of course you do.
Speaker 6 (10:43):
Uh Ella, Yeah, I'd.
Speaker 4 (10:46):
Be proud to take you over to the bar and
buy you a drink, any kind of a drink you want.
Speaker 1 (10:51):
Uh wait a minute, now, I'll be We got a
couple of more.
Speaker 4 (10:53):
Places a lot now that can wait, Marshall, It ain't important.
We'll do that tomorrow sometime.
Speaker 6 (10:57):
Yell, when you come, i'd love to and maybe you'll
tell me about yourself. Not in California.
Speaker 4 (11:03):
No, No, that ain't nothing. I I'd rather hear about
you now you come to Dog.
Speaker 1 (11:08):
Well, I'm sure didn't take her long, I little mellowish.
Huh what do you know about her, kiddy?
Speaker 4 (11:14):
I don't know anything, Matt, not really.
Speaker 7 (11:17):
I was a good talker, but she doesn't say much
about herself. That she come here alone, as far as
I know she did. Huh do you have any friends here?
And I mean have you seen her with anyone in particular? No,
I don't pay much attention to her.
Speaker 6 (11:33):
Why am I something wrong?
Speaker 7 (11:35):
No?
Speaker 1 (11:35):
Not yet, kiddie, but uh, I sure gonna be.
Speaker 4 (11:55):
Oh good morning, man, Oh, Doc, come on in. H
thank you. You found ob Tater yet?
Speaker 1 (12:03):
Not yet, Doc, but Chester's aren't looking for him.
Speaker 4 (12:05):
And maybe you haven't tried the right places.
Speaker 6 (12:06):
Man.
Speaker 1 (12:06):
Oh, we've looked everywhere, Doc, and that Ala Melish just
plane disappeared. Both of them.
Speaker 4 (12:11):
Well, I wouldn't worry about it.
Speaker 1 (12:12):
They'll be back, and I hope so this is the
second day they've been gone. I tried to talk to
Obie that first night, but he was acting like a
man in a dream.
Speaker 4 (12:21):
Oh he loves dream, mad loves sweet young dream.
Speaker 1 (12:25):
Doc, ob Tator will never see sixty.
Speaker 4 (12:27):
Oh, age has nothing to do with him. I'm surprised
that you don't understand these matters.
Speaker 1 (12:32):
Oh why should? I can always come ask.
Speaker 4 (12:34):
You about him anytime that anytime, to glad to advise you.
And there's many a pitfall. I might save you from
them too, if you come to me in time, and
you may consider me like a father, Like a father certainly.
Speaker 1 (12:47):
Well, that's mighty nice to you, Doc.
Speaker 4 (12:49):
Yes, the benefit of my experience is yours, man, just
any time?
Speaker 1 (12:53):
Good good tell me, Doc, how does a man get
out of New Orleans with two different husbands gunning for him?
Speaker 4 (13:00):
Your husband's getting rome wise about any too? Oh my goodness,
I must have been drunk. When did I tell you
about that?
Speaker 1 (13:07):
The same night you told me about how you come
to leave Philadelphia?
Speaker 3 (13:10):
Can I tell you idea?
Speaker 4 (13:12):
Oh? Well, that happened long, oh, a long time ago,
And I don't appreciate your remembering. Have you there here?
He is, mister Dyllan well, I finally come on in,
oby ob teecher. What it's about time you showed up again?
What's all the fuss about? You think I was a
criminal or something.
Speaker 1 (13:31):
We've been worried about, joby where you've.
Speaker 4 (13:32):
Been honey mooning? What honeymooning at the dodge house? I
paid the clerk ten dollars not to tell nobody we
was there.
Speaker 1 (13:42):
I need all you mean? You married Ela Melish to
his love at.
Speaker 4 (13:47):
First sight, Marshall, I proposed to make her my wife,
and I am proud to say she accept me right off.
Speaker 1 (13:53):
I never thought you'd go that far.
Speaker 4 (13:55):
She's a fine girl, Marshall, A fine girl.
Speaker 1 (14:00):
If she will be.
Speaker 4 (14:02):
Well.
Speaker 1 (14:03):
I hate to say anything against your wife, but there's
something I gotta.
Speaker 4 (14:06):
Tell your jealous Marshal. Let what you are? Your shame
on you?
Speaker 1 (14:09):
Ohbe If I'd known you were gonna do this, i'd
a major listen to me the other night.
Speaker 4 (14:13):
Well see it, odd, Marshall. I got to get back
to my bride.
Speaker 1 (14:16):
And we're leaving for the ranch today and I'm half
tempted to let you find out for yourself.
Speaker 4 (14:22):
We'll find out what what uh were we talking about?
Speaker 1 (14:24):
Don't you remember the other night when you first met
Ella Melish, How she asked you if you were feeling
okay again?
Speaker 4 (14:30):
Now? Ain't that just like you'll always considering other people
meaning particular?
Speaker 1 (14:34):
I'm happy to say, Oh, well, you're feeling so happy?
Tell me something? How come she knew you'd been hurt?
Speaker 4 (14:39):
Mmm?
Speaker 1 (14:40):
You came here straight from Doc's that day and nobody
knew anything about what had happened to you except Doc
and Chester and me. Now who told Ella Melish?
Speaker 4 (14:47):
I don't know what differences mean?
Speaker 1 (14:49):
Will be listened to me? There's there's something wrong with Ella.
I don't know for sure she's in with those fellows
Mitch and Quaid. But if she isn't, she's got explaining
to do.
Speaker 4 (14:57):
Marsha Dylan, Ella, Well, she's now missus Obi Tater. She
don't have to explain nothing to nobody.
Speaker 1 (15:06):
Oh, I give up.
Speaker 4 (15:06):
She's a fine woman, Marshall, and I won't stand for
no talk again her.
Speaker 1 (15:11):
Love, sweet young dream And it's.
Speaker 4 (15:13):
Like being her local man. He can't hear you or
anybody else except that girl. Now that's no way to
talk about me. I thought you were my friends.
Speaker 1 (15:20):
We are your friends, not anymore.
Speaker 4 (15:22):
You're not You were dark or Chester nobody. I got
me a wife now, and I don't need you.
Speaker 1 (15:31):
You will see, Yeah, we'll see. But I hope it
isn't too late when we do THEE, and I hope
you're still alive to see too. I didn't know how
Alamelish planned to do it, but she was a clever girl,
and I was sure she had some way in mind
(15:53):
to handle lit me Taylor. What she didn't know, of course,
was that he didn't have any money, and that she
was waste and her talents on it. And I was
afraid that when she failed, m Mitch and Quaid had
come back and un lest I make killoed. He was
still alive. About a week later, however, when Chester and
I happened to be in the country not far from
(16:15):
his ranch, and rode over to have a look.
Speaker 4 (16:23):
They're at home. Oh I mister Dylan, I'm grecious. They
must be roast in a calf with all that smoke
coming out of the chimney.
Speaker 1 (16:30):
White him out of Chester. Uh huh, watch that smoke
a minute? What I just watch it.
Speaker 4 (16:37):
Now?
Speaker 1 (16:38):
There there, I see why it's toughing.
Speaker 4 (16:41):
It's starting and stopping every now and again.
Speaker 1 (16:44):
Yeah.
Speaker 4 (16:46):
Uh, maybe Chimney's got something stuff up in her. Maybe
you know, if you couldn't see the house, you'd think
it was Indian signaling. Uh you stopping there?
Speaker 1 (17:00):
Let's leave our horses here a hunt Chester, Yeah, I
Chester when we got inside. Don't say anything about how
that smoke looked.
Speaker 4 (17:16):
You mean you think it was? They gonna make you doing?
Speaker 1 (17:19):
We'll see how? Oh anybody at home?
Speaker 6 (17:30):
Where is it?
Speaker 4 (17:31):
Ah? Is that you? Ella? I'm so daling?
Speaker 6 (17:36):
W What are you doing out here?
Speaker 4 (17:38):
Oh?
Speaker 1 (17:38):
Wait? Were nearby? So we tad way to stop him
and say, oh, oh, well.
Speaker 6 (17:41):
That's fine, marshall, but I can't ask you, and I'm
busy cleaning house. Oh you'd better come back some other time.
Speaker 1 (17:48):
I'd love to see you then, Oh sure, sure? Where's
Obi Obi?
Speaker 6 (17:55):
Oh he went off somewhere this morning. I don't expect
him back till late next Marshall. You come see us
next time. I'll cook your dinner something that's okay?
Speaker 1 (18:04):
Eller, Well he'll see another time.
Speaker 6 (18:05):
Sure you do that, Marshal, goodbye, goodbye?
Speaker 1 (18:11):
Go on you.
Speaker 4 (18:17):
What I declare, mister Dylan? And I never got treated
like that in my whole life, not by nobody. Uh.
Speaker 1 (18:24):
She wasn't expecting this. Chester had her upset.
Speaker 4 (18:26):
I don't care. That's no excuse, not even offering a
man a couple of coffee.
Speaker 1 (18:29):
Or she didn't want us in the house. In fact,
I don't think she wants us anywhere around here.
Speaker 3 (18:34):
And hey, where are we going?
Speaker 1 (18:37):
And I wanna take a look in the barn, and
if Phobe isn't out here, we're going back to the house.
Speaker 4 (18:42):
Well, but Ella said he took off her.
Speaker 3 (18:44):
Some words this morning.
Speaker 1 (18:45):
Allo was kind of nervous trust him. Maybe she didn't
mean it.
Speaker 4 (18:49):
I hear we m.
Speaker 1 (18:58):
Obe ob Be Tator right way we are?
Speaker 4 (19:02):
Oh, oh either of you? Hey he's got a shotgun.
Speaker 1 (19:06):
That's Marshall Dollanobe and Chuster.
Speaker 4 (19:09):
Oh sorry, Marshall. I couldn't see it first. I was
in the back there and I had the door open,
and I seen two men stand here. Can't blame me
for being.
Speaker 1 (19:20):
Gymy, that's all right of it. But what are you
doing in here? Tella told her she weren't around, Hella.
Speaker 4 (19:27):
Told her, and Ella does a lot of talking the day.
Speaker 1 (19:32):
Oh what is it?
Speaker 4 (19:32):
Obe?
Speaker 1 (19:33):
Something wrong between you two?
Speaker 4 (19:35):
Anything wrong? Marshall Dillon, I owe you an apology? What
for for not listening to you back in Dodge. He
was right about the whole thing. All that woman married
me for was my gold money. And I've told her
and I told her I ain't got none, but she
(19:55):
won't listen.
Speaker 1 (19:56):
All I talk on her show me, but there's something
else in mine.
Speaker 4 (19:59):
Well, she does more than talk, Marshall. The woman's a devil.
That's what she needs.
Speaker 1 (20:05):
Oh what do you mean what she been doing?
Speaker 4 (20:08):
She won't feed me for one thing. She won't even
boil my coffee. It started the first night we got here, Marshall.
As soon as I show her my gold money, she
says she'll be a good wife. I try to tell
her the place is hers what she needed money for,
even if I had it her land. Think I never
heard of a wife that wouldn't cook her man. Oh
(20:31):
that ain't Alchester. Where do you think I've been sleeping
out here in the barn. That's where I can't even
sleep in my own house. She says, she'll run off
into the periri if I come anywhere's near?
Speaker 1 (20:42):
Well, oh, the.
Speaker 4 (20:45):
Obie. If a woman then had in Texas, you'd have
a right to give her back. I don't wanna give
her back she's done pretty, And besides, there's something else.
She ain't going to devil me no more. What after
tonight she said? She said, after tonight, it's all over.
(21:05):
She said.
Speaker 1 (21:06):
She won't give me no more trouble after tonight.
Speaker 4 (21:09):
That's what she said.
Speaker 1 (21:10):
Marshall Chester, Yes, sir, go get our horses and bring
them into the barn where they can't be seen. And
when you get back, you and Opie and I are
going to go into the house and sit down and
wait for the night. There are more than sixty million
(21:40):
cigarette smokers in America who smoke many brands. In choosing
yours cigarette, be sure to remember this. You'll like Chesterfield
best because only Chesterfield has the right combination of the
world's best tobaccos, highest in quality, low in nicotine, best
for you. All of us smoke for relaxation, for comfort,
(22:04):
for satisfaction, and in the whole wide world, no cigarette
satisfies like a Chesterfield. Yes, you'll get the greatest possible
pleasure from a cigarette when you choose Chesterfield, the right
combination of the world's best tobaccos, highest in quality, low
(22:25):
in nicotine, therefore best for you. Buyome King Size at
the New low price or regular. Get a carton of
Chesterfields to day.
Speaker 4 (23:06):
You might as well sit down, aller. You just wear
yourself out walking around that way. I got nothing to
do with it.
Speaker 6 (23:13):
I tell you, I never heard of mitching the Queen.
Speaker 1 (23:15):
I just shouldn't worry about it. Of her. We'll find
out if you know 'em when they get here.
Speaker 6 (23:21):
You're awful smart, aren't you, Marshall. I wasn't sigling that.
Nobody neither. You just trying to put the pore out.
Speaker 4 (23:30):
Sure there's some horses coming up outside, Miss Dillon. Uh,
it's too dark to tell, but I think there's two
of 'em.
Speaker 1 (23:38):
Alright, Chester, come on, you and I are wait in
the kitchen.
Speaker 4 (23:43):
I sure wish I had my gun, Marshal.
Speaker 1 (23:45):
No, they all I would have seen to it. You
weren't armed, and we'll have them coverage. So don't worry.
Speaker 6 (23:50):
You're making a big mistake, Marshal.
Speaker 1 (23:52):
Never mind that of her. You just remember what I
told you. Give us away and your friends will die
and not my friends.
Speaker 4 (24:00):
Come on, Chester, there's gonna be some surprised into mister Dillon, and.
Speaker 1 (24:05):
I hope Solchester. We better get back out of the light.
Speaker 4 (24:17):
There to come mister Dillon.
Speaker 2 (24:20):
Quiet eas and Obi, Mitch, you remember Obie?
Speaker 4 (24:29):
Kay?
Speaker 1 (24:30):
Sure it looks better than when I last seen him.
Speaker 4 (24:33):
Though, Shut up, Ella, he's gonna giay.
Speaker 1 (24:41):
Chester all right, don't move.
Speaker 4 (24:43):
The one of you is, who are you?
Speaker 1 (24:46):
Get your handle with my gun? Quad?
Speaker 4 (24:47):
You're caught now, Quaid you and mix both he'll fixture.
That's Marshall Dylon from DoD Mar.
Speaker 1 (24:53):
Ellis double crossed the squad.
Speaker 4 (24:55):
No, I didn't. I can tell you.
Speaker 3 (24:56):
You signaled we was to come in.
Speaker 1 (24:59):
You nobody double crosses me, Ella, nobody, don't do it
quite all right, Mitch, you're next. I got my hands
on Marshall.
Speaker 4 (25:10):
I ain't wrong. Quid shuter Marshall he done killed her.
Speaker 1 (25:15):
Jesse got Mitch's gone, Yes, sir, come on give it
to me.
Speaker 4 (25:20):
You get your hand away. Who'd think any man could
be low enough to shoot a woman?
Speaker 3 (25:27):
She double crossed him.
Speaker 4 (25:29):
That's why I did it. No, Mitch, Ella had nothing
to do with the Marshall being here. She signaled us
to ride in tonight.
Speaker 1 (25:36):
That meant she'd given up and she was going away
with us given up.
Speaker 4 (25:39):
The fella couldn't find his money. Nobody could.
Speaker 1 (25:42):
You're nothing but an old liar, obe Chea, you ain't
cutting no money at all, a liar.
Speaker 4 (25:47):
I told everybody a thousand times I ain't got no money.
Speaker 1 (25:51):
It doesn't matter now, of Tessa, take Mitch outside and
time up.
Speaker 3 (25:57):
Come on Mitch outside yet?
Speaker 4 (26:01):
Would you use your own rope to tie up with
a lot? She's dead, Marshall.
Speaker 1 (26:11):
I I'm sorry over that. I just wasn't fast enough.
Speaker 4 (26:17):
Mm. Wasn't your fault, Marshall?
Speaker 1 (26:21):
MM?
Speaker 4 (26:22):
You know something.
Speaker 1 (26:24):
Fun of me?
Speaker 4 (26:25):
I was awful fund the ruinous as she treated me.
There was her dog going pretty, and I had told
her she just acted like her wife should. That's all
she had to do. And my other fellows could have
killed me before i'd ha told.
Speaker 1 (26:42):
Him what I'd have told her, what are you talking about?
Of here? She'd have told her hert what about my
gold money? Your money?
Speaker 4 (26:54):
It's in the rain barrel outside, Marshall, a whole big
sack full of gold. W do what.
Speaker 1 (27:05):
You mean you had that money all the time?
Speaker 4 (27:07):
Shor It's true, but true? M hm. You won't tell
nobody way Marshall.
Speaker 1 (27:19):
No, then I won't tell anybody like I'm filtered, like
(27:44):
im king size. Then for you, this is it King
Size L and M filters at the same low price
as L and M Regular. Both have the Miracle tip
for the effective filtration you need. Yes, it's the filter
that counts. At L and M as the best. You
get much more flavor, much less nicotine, A light and
(28:08):
mild smoke by L and M filters just but the
doctor ordered. It's America's highest quality and best filter tips
cigarette via Cotton King Size or regular, both at the
same low price. Gunsmoke, produced and directed by Norman McDonnell,
(28:36):
stars William Conrad at Matt Dylan US Marshall to Night's
story was specially written for Gun Smoke by John Meston,
with music composed and conducted by Rex Cory. Featured in
the cast were Joseph Kern, Virginia, Greg Nickhern and Barney Phillips,
Harley bear Is, Chester, Howard Mcneerny Doc and Georgia Ellis
is kidding Join us again next week at Matt Dylan
(28:59):
US Marshall fights to bring law and order out of
the wild violence of the West. In Gun Smoke, nine
out of ten forest fires are started by carelessness. Obey
the forest rules, build fires only in approved locations after
(29:21):
securing a permit. Be sure all cigarettes and matches are
dead out. Remember only you can prevent forest fires. And
remember too. Next week, at this same time, Chesterfield will
bring you another transcribed story of the Western frontieron gun smoke.
Speaker 4 (29:38):
This is the CBS Radio Network.
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