July 28, 2025 • 27 mins
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Speaker 1 (00:00):
Expensive Catalla to Homicide Bureau Department the Police City of Hartford, Connecticut.
I in no way expect a bureau to honor this statement,
but since my regular form of report, I would use
it for convenience. The following is an accounting of expenditures
during my investigation of the Glen English matter.
Speaker 2 (00:20):
My interest in the.
Speaker 1 (00:21):
Case has been a purely personal mine. I have no
fault to find with official procedure after his death or
after the two year old murder that was at the
bottom of the whole thing. I'd known Glenn since about
nineteen forty seven, the girl he married longer than that.
In forty nine, after studying under the GI Bill, he
turned him as private operator's license and opened his own
law office. Since then, I'd called on him when I
(00:43):
needed something, and he's called on me. So it wasn't
unusual that he phoned me at about ten thirty the
night before I read of his death. Johnny Dalla, Hi,
was this that champion of perjured estimony?
Speaker 3 (01:00):
Got help?
Speaker 2 (01:01):
Nothing that you could afford? How are things, Brian? Okay?
Speaker 1 (01:05):
I'd like to ask a favor every Johnny, Sure, what
is it? I've got some evidence that I want to
protect a statement. Could you get a photostadted for me
in the morning.
Speaker 2 (01:13):
Yeah, yeah, I'm free in the morning.
Speaker 1 (01:15):
This is pretty hot stuff. I'll tell you about it
when I see it for the night. Yeah, well, I
may come over if I don't see the night.
Speaker 2 (01:23):
I'm dropping on the way downtown in the morning.
Speaker 1 (01:27):
So you understand that the way it was put, there
was no reason for me to think twice about the
fact that he didn't show.
Speaker 2 (01:32):
Up that night. But the next morning, when I.
Speaker 1 (01:34):
Read about his death a paper, naturally a conversation came
back to me. I phoned his widow and went to
see a little afternoon.
Speaker 4 (01:43):
Oh, I, I don't know.
Speaker 2 (01:45):
I don't know what.
Speaker 4 (01:47):
I just don't know what to think.
Speaker 1 (01:49):
I'm sorry I haven't helped matters any Maybe I shouldn't
have thrown this at you. I thought of going to
the police first, but I figured it would be better
if I had something more definite.
Speaker 2 (01:59):
But there's nothing his briefcase.
Speaker 4 (02:01):
Oh don't think of me, Johnny. Of course you should
have come. But he didn't say anything about the case
he was on.
Speaker 2 (02:08):
What did he say when he left last night?
Speaker 4 (02:11):
I wasn't here. He called me from his office about
five point thirty to say he'd be late again. Ask
me why I didn't go to a movie or something.
Speaker 2 (02:21):
So I did so I didn't see him. Oh, Johnny, Johnny,
I don't know what I'm going to do.
Speaker 1 (02:30):
I know, Honey, I know, and that part of it's
up to you. Nobody can really help you with that.
Speaker 4 (02:36):
It did happen, didn't it, Johnny. I'm not going to
open my eyes and see you next to me and
everything all right again.
Speaker 2 (02:48):
Oh? I used to dream that way sometimes. No, not please,
but not this time.
Speaker 5 (02:54):
No.
Speaker 4 (02:54):
I wish I could never wake up.
Speaker 2 (02:56):
Is somebody going to be staying with you?
Speaker 4 (02:58):
I'm going to his brother's house.
Speaker 5 (03:00):
I can't stay here.
Speaker 2 (03:01):
You shouldn't try it. I'll talk to a secretary and
then go to the police.
Speaker 4 (03:05):
I'm not helping any am.
Speaker 2 (03:06):
I sorry.
Speaker 1 (03:08):
Are his uh things still downtown?
Speaker 2 (03:11):
His things, his clothes and so on.
Speaker 4 (03:14):
Yes, they're wanting me to bring them, but I couldn't.
They'll send them on a dere tour. I'll try to help, Johnny.
I'll try to think. Right now, I don't remember his
saying anything. He did say good bye darling on the telephone.
Speaker 6 (03:38):
That's what I keep remembering.
Speaker 5 (03:45):
I hadn't been with him very long, mister Dollar, not
long enough to know as much about his businesses, well
as much as some secretaries know about their employers.
Speaker 2 (03:55):
You know what I mean.
Speaker 5 (03:57):
When I left the office at five last night, he
said he had some work to do and would walk up.
I asked him if he wanted me to stay, but
he said it wasn't necessary.
Speaker 2 (04:05):
Can we find out what the work was that kept
him well?
Speaker 5 (04:08):
He said something about a new client coming in, and.
Speaker 2 (04:11):
You don't know who it was.
Speaker 5 (04:13):
He didn't say mister Dollry, He didn't mention a name.
Speaker 2 (04:16):
You don't mind if I take a look through the office,
do you miss roumis?
Speaker 5 (04:20):
I suppose it's all right. Nobody's told me what to
do about it.
Speaker 1 (04:24):
Well, you might as well start getting everything together and
so we can move it out. Let me know what's
coming to you in the way of salary. I'll give
it to you plus a month.
Speaker 5 (04:31):
Yes, sir, I'm awfully sorry about mister English. He was
such a nice man.
Speaker 1 (04:36):
Oh I didn't really expect to find anything of value
in his files, and I was right. Most of his
cases were unimportant civil suits. The only thing that even
hinted at possible planned murder was our phone conversation.
Speaker 2 (04:55):
I realized how vague it was.
Speaker 1 (04:56):
But I decided to come to the police anyway. I
was received by your lieutenant, Frank Dolger, who sent for
the reports on the case and led me to his office.
Speaker 7 (05:04):
Yes, well, hey, I don't know, but the way.
Speaker 6 (05:09):
I see it, you haven't given us enough to launch
a poor fledged murder investigation.
Speaker 1 (05:13):
As much I realized that he was a friend of yours. Yeah,
but I'm not the kind of stir things up just
because of that. He said he had some hot evidence
that he was going to bring over, and he was
killed between his apartment and mine.
Speaker 2 (05:25):
What kind of evidence?
Speaker 1 (05:27):
Only that it was a statement he wanted to protect.
He used that word, lieutenant, to protect. I suppose you
could say he might have met against fire or something
like that.
Speaker 6 (05:37):
Well, the pointer is dollar that is being killed could
make things seem to be more important than they really are.
It's easy to read meanings into things situations like this.
Speaker 7 (05:47):
You've probably run into it yourself.
Speaker 6 (05:49):
Yeah, yeah, didn't you say he thought he'd dropped by
in the morning. That's right, Well, then he wasn't necessary
on his way to your price.
Speaker 7 (05:58):
Maybe we're out for cigarettes something.
Speaker 1 (06:00):
I've thought of that, but it doesn't hold. There's a
drug store a block away from his apartment. It's in
the opposite direction. I can't think of a reason for
his being at the intersection where he was found other
than that he was coming to see me.
Speaker 7 (06:13):
Well, I don't know.
Speaker 6 (06:14):
No, I don't want you to misunderstand me. I'm not
trying to slough off anything that deserves that.
Speaker 1 (06:19):
Come in.
Speaker 7 (06:20):
Here's a report on that traffic day. Oh, thanks, Wilton.
Speaker 2 (06:23):
Anything else, that's all?
Speaker 7 (06:25):
Thanks?
Speaker 2 (06:28):
Well, I will see what we have here. Uh English
Glenn ll no.
Speaker 3 (06:37):
Cause of death musical fracture of the skull, internal injuries
resulting in cerebral and NAXI are possibly tendant.
Speaker 2 (06:46):
What does it say about his effects?
Speaker 6 (06:48):
Hmm personal effects upon person? Overcoat, hat, brown, two piece suit.
Speaker 2 (06:54):
You can skip the clothing.
Speaker 6 (06:55):
Let's see then, shake ring, left ring, finger, check book
on Plymouth.
Speaker 7 (07:00):
Bank, cigarette slider.
Speaker 6 (07:04):
Oh, here morel containing thirty eight dollars, driver's license, personal
business cards, membership cards too.
Speaker 2 (07:11):
Yeah, there's nothing there.
Speaker 7 (07:13):
Well, I'm afraid nothing that looks like this evidence. You
speak of this statement?
Speaker 2 (07:17):
Here we are again, lieutenant.
Speaker 1 (07:19):
It could mean one of two things that he didn't
have it with him and his death was accidental, or
it could mean that it was taken from his body
after he was killed.
Speaker 7 (07:28):
But everything so far is based on the supposition.
Speaker 2 (07:31):
I know it is, Lieutenant.
Speaker 1 (07:32):
I know that you can't assign a squad of men
every time some crank comes in with an idea.
Speaker 7 (07:36):
If you can bring us anything deffinite dollar.
Speaker 1 (07:39):
Yeah, well, believe me, I do understand, lieutenant, just as.
Speaker 2 (07:42):
I could talk to the autopsy surgeon as long as
I'm here.
Speaker 6 (07:44):
Sure certainly it's doctor Ramsay, and you'll find him a
very cooperative man.
Speaker 8 (08:00):
Proof that the victim was not killed willfully.
Speaker 2 (08:03):
It appears he.
Speaker 8 (08:03):
Was struck and thrown against the parked car, his head
striking the bumper. But the automobile, as lethal as it is,
would hardly be a fool proof weapon to be used
in wilful murder, would it.
Speaker 4 (08:13):
No?
Speaker 2 (08:13):
Yes? Not. Is there any way to figure out how
fast a car would have been traveling to cause that damage?
Speaker 8 (08:18):
Not away in the world, although the internal injuries would
seem to indicate quite some speed.
Speaker 1 (08:23):
Thanks very much, doctor Ramsy, I won't take any more
of your time. I want to repeat I have no
fault defined with the department.
Speaker 2 (08:36):
I got nothing but cooperation. The photographic labs showed me
the pictures of the scene. The investigating officers gave me
their reports.
Speaker 1 (08:43):
But since everybody's conclusions had already been drawn, I saw
or heard nothing that didn't support the theory of hidden run.
Everyone agreed it couldn't have been anything else. I turned
on a case that afternoon because I couldn't get Glad
out of my mind. I went to the corner where
he was killed and poked at with snow. I didn't
(09:04):
know what I was looking for, and I didn't find anything.
Speaker 2 (09:07):
The people living near the.
Speaker 1 (09:08):
Corner had already been questioned by the police and repeated
to me that they hadn't seen or heard anything the
night before, and that evening, in spite of a promise
made to myself that I leave her alone for a while,
I went to see his wife again.
Speaker 4 (09:23):
It's all right, Johnny. Something happened to me after I
got here and spent some time with his mother.
Speaker 2 (09:30):
She's so brave.
Speaker 4 (09:31):
I feel ashamed of myself. I'm okay, now, what about you.
Speaker 2 (09:37):
I can't get any place done her. Can you talk
with me about it? Sure? I can drive me crazy.
Speaker 1 (09:44):
I saw his secretary, and she mentioned that he was
going to meet a new client. When he called to
tell you that he'd be late, Did he say anything
about that about meeting Sebity.
Speaker 5 (09:54):
No, he'd.
Speaker 4 (09:56):
He'd been working late quite a bit the past few weeks.
He had a case coming up in the morning.
Speaker 1 (10:02):
I know I went into that at the office. It's
not what I'm at to What did he say? Can
you remember word for word if possible?
Speaker 4 (10:10):
Yes, I can, because I said most of it. I
was being a typical wife. I didn't like him working
at night, and I lost my temper. I didn't give
him a chance to explain anything. That's what I have
to remember about the last time I.
Speaker 2 (10:28):
Talked to him. Never mind, now, come on.
Speaker 4 (10:32):
He didn't mention anybody, just that he'd have to work late.
Speaker 1 (10:38):
Would you give me the key to your apartment? Yes,
I'll have to go through his things down I I
didn't ask you to let me when I was there earlier,
but now I've got to. I've covered every other angle
I can think of. I don't know why I felt
almost ashamed about going through his things, except that a
(11:01):
close friend shares with everything he wants you to know
about it and learning new things because he's dead doesn't
seem right. I started with his briefcase again, reading everything
in it.
Speaker 2 (11:12):
I moved to the.
Speaker 1 (11:12):
Desk in the living room and from there into the bedroom.
Speaker 2 (11:15):
An hour and a half I was still looking. Then
the phone rang.
Speaker 6 (11:28):
H Hello, Yes, sir, missus English said, no, she isn't goosis.
Speaker 1 (11:35):
My name is Dollar. I'm a friend of hers. I
take a message.
Speaker 2 (11:39):
I've been trying to get her all afternoon. I wanted
to tell her.
Speaker 6 (11:43):
That that was no accident, how her husband got killed.
Speaker 2 (11:47):
What's that he was murdered on account of something I
told him? Who is this? I'm not saying not now anyway.
You're the client who is with Glenn lads Knight.
Speaker 1 (11:58):
Yeah, that's right. We wrote up a paper and he
told me about it. Listen to me. You've got the
information I've been looking for. I've got to see it.
Speaker 2 (12:05):
You go see Warren Kelly. He's the one that had
him killed. Warren Kelly, who is he? Why would he
have Glenn killed? Are you a lawyer too? Now?
Speaker 1 (12:13):
I'm a private detective. Glenn was one of my closest friends.
I've tried to tell the police that it was probably murdered,
but I can't get any place with him because I
haven't had anything definite. And if you've got some information,
won't you give it to me?
Speaker 2 (12:24):
You're willing to pick it up after what happened to him?
Where can I meet you? All right? Your game?
Speaker 6 (12:31):
I am? I sure got nothing to lose here. You'll
have to come here. I am being watched.
Speaker 2 (12:36):
Where I am.
Speaker 6 (12:37):
You know Caruso's Cafe on Front Street.
Speaker 2 (12:40):
I'll find it.
Speaker 6 (12:41):
That's the bartender for Bruno. But you just sticking your
neck up, You're able to end up where your power is.
Speaker 2 (12:48):
Just don't change your mind, Bruno. I'll get there as
fast as I can.
Speaker 9 (13:07):
We will return to yours truly, Johnny Dollar, in just
a moment. Learn how American communities have solved major problems
on a local level. Hear true story of democracy at
work on The People Act and UCBS radio series having
its premier performance tomorrow night on most of these same
CBS radio stations. Now, with our star Edwind O'Brien, we
(13:30):
bring you the second act of yours truly, Johnny Dollar.
Speaker 2 (13:49):
What do you mean said?
Speaker 7 (13:50):
What yourhead?
Speaker 2 (13:51):
I came to see Bruno said you could tell me
how to figning?
Speaker 1 (13:54):
What's your name. I see you buy one drink and
look like a cushtom okay, brown and soda. Then right
away he's all right, yeah, that's good.
Speaker 3 (14:08):
What's the matter with him anyway? He's only get killed.
I don't know much about Higa. He's my friend since
we was kids. By helping him, but I don't like
cause I don't like trouble.
Speaker 2 (14:18):
Yeah, you drink that.
Speaker 3 (14:20):
Then you go back where you see the rest room
signs yeah, and you see one more door and through
that you find the stairs.
Speaker 7 (14:27):
He's up there in the storeroom the office?
Speaker 2 (14:29):
Is it there? Okay? Thanks? Why away? Sixty? Okay, keep
it and thanks again? What's that? Yeah?
Speaker 1 (14:54):
Right up?
Speaker 2 (14:54):
Got a lighter, come on the eyes. There is it?
Bruno here? It's Bruno vic.
Speaker 6 (15:03):
I uh, I'm sorry I got your pallet killed.
Speaker 2 (15:06):
So and I.
Speaker 1 (15:08):
But he didn't have to take you as a client.
I guess was it all about? How much did she
tell you? Nothing except that he had his statement, he.
Speaker 6 (15:16):
Was going to meet me tonight with a notary and
then he said it would hold some water.
Speaker 2 (15:21):
What made it worth killing Glen over? What was in it?
Speaker 6 (15:24):
The names of the three men that killed him? They
got the paper. I guess he got it. Who are
these three men?
Speaker 2 (15:31):
Is Keller? You mentioned it seems a ring a bell.
Speaker 6 (15:33):
Yeah, he's one of 'em, Warren Kelly. The other two
are Nat Runner and Alec Shaw. This is what happened.
I didn't make her to ever go this way. I
told you Pali was as hot as it was. As
long as he had that paper, he shouldn't have been
out on the street.
Speaker 2 (15:47):
I'm part of his parents. What happened.
Speaker 6 (15:49):
Oh not many people know it, but Kelly is one
of the big bosses of the syndicator around here.
Speaker 2 (15:54):
His front is a contracting firm.
Speaker 6 (15:57):
He got where he is because he got rid of
the guy who was standing in his Maybe you remember
Ed Waters.
Speaker 2 (16:02):
Yeah, maybe I was quite a while back here. Two years.
Speaker 6 (16:06):
Kelly wasn't even questioned because nobody knew what happened to Waters.
Speaker 2 (16:09):
But I do.
Speaker 6 (16:11):
I was with Kelly when he killing me. I helped
bury his body. I know where it is, and Kelly's
had men hunting.
Speaker 2 (16:19):
Me for a year. This is what you put in
that statement. Yeah, that's right. Glenn was killed over a
two year old gang murder. I told him to be careful.
Speaker 6 (16:26):
I told him how I'd been hunted from here to
California to the Mexican border, every place.
Speaker 2 (16:32):
I haven't had a day's.
Speaker 6 (16:33):
Rest since Kelly got s big decided it wasn't safe
to hit me around.
Speaker 2 (16:36):
I told him all that.
Speaker 1 (16:38):
Maybe you forgot to tell him that you let Kelly
know you're going to make a statement to a lawyer.
Speaker 2 (16:42):
You know.
Speaker 6 (16:42):
I didn't do that, but I let him know that
I was through running, that I was gonna give myself up.
The paper was addressed to the DA.
Speaker 1 (16:52):
Why'd you bother with a lawyer? Why didn't you go
direct to the DA? You are hard to believe they
clicked dollar.
Speaker 6 (16:57):
I know how you feel losing a friend, but I
went to a for advice that on the best way
to do it. That it was his idea. He he
wanted to go to court with me. Mostly, I think
he he figured what a splash you'd make. But breaking
open that old case. How did they know enough to
kill him? I don't know if they followed me to
his office. I didn't see him, and I had a
(17:17):
lot of practice being followed.
Speaker 2 (17:20):
But I can get 'em for you.
Speaker 1 (17:21):
No, no, you know, we don't do it the simple way.
You command down the police headquarters with me.
Speaker 6 (17:26):
Now, you don't wanna walk out of this cafe with
me and let me dost the light and.
Speaker 2 (17:30):
You come over to the window with me. Come up.
Tag Over.
Speaker 6 (17:38):
Right across the street, they're standing together at the bakery,
and one on the left and net running on the
other is Alex Shaw. They're waiting for me. You gonna
have a tough time improvement or anything about your power, and.
Speaker 2 (17:50):
You don't put the police on it anyway. Click at
those creeks waiting for me.
Speaker 6 (17:54):
It's been like this for a year, every place, two
or three creeks waiting for me.
Speaker 2 (18:00):
But no more. I'm through running. I guess you asked
for Yeah, I guess so. But I could count one
good thing.
Speaker 6 (18:06):
If I could lay those two and kell it away.
Where's the telephone, just at the bottom of the stairs
into the back.
Speaker 1 (18:12):
Stay here, I'm gonna call the police. See if they
won't come down here. Sure, I realized that I still
faced the same situation I was phoning in about a
material witness and two suspects and the death that the
police had fired as accidental. Lieutenant Tosa was off duty
(18:33):
in the desk. Sergeant wouldn't give me his home number.
I gave up with something less than five minutes. But
during that time Brunovic had come down the stairs and
passed without my seeing him. The first inkling I.
Speaker 2 (18:43):
Had of what he was doing was a shout from
the bartender, will come, you'll be afore right up? Sure
you're waiting for me? What happened? What's going on?
Speaker 7 (19:09):
Vick?
Speaker 2 (19:10):
Vick? He's got the Bruno Bruno? Is he dead? Yeah? Yeah,
he's dead. Who's that one in the three? Which one
of you? Ye're Ryan? Aren't you? Leave me alone? Leave
me alone? Can't move legs, don't try it. They ambulance
(19:33):
set the hair in a little while. Well dolla.
Speaker 7 (19:47):
They tell me you finally made a murder case of it.
Speaker 1 (19:50):
I finally have something like evidence that that's what it
was from the beginning. This one is Bruno Vick. He's
the one who made the statement Glenn English was killed
for him.
Speaker 2 (19:58):
Hmm.
Speaker 1 (19:59):
The other one over he he is still a lion.
He's not rhyers, Oh you feel leave me alone? Tell
a little tenant about that hit and run last night? Runner,
get away from me?
Speaker 2 (20:13):
Well anymore.
Speaker 1 (20:15):
Rhyer was here by himself, waiting for Vic to come out.
He fired first before Vic seim and Vic just managed
to get a shot.
Speaker 2 (20:20):
Out before he died. It's a liar.
Speaker 1 (20:22):
If you want to take the rap alone, rhyiner, I
lie all the way up to the Supreme Court to
help you do it.
Speaker 7 (20:28):
Well, we're happy to to talk little. Uh tell me, uh,
tell me how this happened.
Speaker 1 (20:33):
On Well, Vick was holed up on the second floor
of the cafe. I was in the phone book downstairs
when he started out. From what he said to me,
I think he came out knowing he was gonna be killed.
Speaker 7 (20:43):
I don't quite understand.
Speaker 1 (20:45):
I'm not sure of this, but it seems to me
that he realized how hard it would be to prove
anything in Glenn's death, so he sort of offered his
own there's something to nail them with.
Speaker 2 (20:53):
Oh don't huh.
Speaker 7 (20:54):
Shout your buston over here, sir.
Speaker 2 (20:57):
Oh yeah, yeah.
Speaker 3 (20:58):
It seemed to have something this once Bruno Vick. He
was carrying a letter addressing the district attorney.
Speaker 2 (21:09):
As testimony in a court of formal law. I don't think.
Speaker 1 (21:12):
Vic's unwitnessed letter would have been worth anything, but under
the circumstances of the case, it was pretty strong police
evidence and obviously It was as close as possible a
duplicate of the statement given Glenn English in content at least,
but it opened in a way.
Speaker 2 (21:26):
You could call this a dying.
Speaker 1 (21:28):
Statement, because I'm not going to run anymore and they're
waiting for me. Goddan, who described the two year old
killing of Edwards and concluded with hysteria as to how
Glenn English was killed. It was detailed enough to keep
Lieutenant diljoh on the case until three am when that
rhiner regained consciousness after a spinal operation.
Speaker 6 (21:48):
Well, Rya, do you know that you would have died
if it hadn't been for the work of the police surgeon.
Speaker 2 (21:54):
That's one thing they forgot to tell me. Did they
tell you what you said under the anesthetic? I didn't
say anything.
Speaker 1 (22:01):
Truth serahm Orli detector is going to bring out the
same things, like what like where Alec Shore is staying?
Seven eighteen hostag, I didn't say that. Don't remember what
you said about Warren Kelly. I didn't say anything you talked.
Speaker 2 (22:15):
About last night about catching up with that lawyer Glenn English. No,
you named the street corner. No, I know you're pluffing her.
Speaker 1 (22:23):
How did you know it? Was High Grove and Clayton.
That's what you said. I've read it in the paper.
Why should you read about that? It was on the
front page. Why semi conscious should you remember the intersection?
I I don't know. I don't believe believe what that
I said.
Speaker 2 (22:42):
We were there, you and Alex Shore, we weren't there.
Away here.
Speaker 1 (22:48):
We've got more than you think, Ryan, and.
Speaker 2 (22:51):
You've got nothing on me.
Speaker 1 (22:52):
We've even got the truth about Ed Waters. We know
where his body is buried. You want to get mixed
up in that one too. What do you want? Well, first,
you understand that these aren't police methods. Nothing you were
saying can be taking in evidence against you. But you
killed a friend of mine. Now I can make the
lieutenant go out of the room. We'll get this settled
in a hurry. What do you want first? I want
(23:14):
to hear about that hit and run last night. I
I didn't have any part in her. You were there,
oh right? I was there and the one who followed
Victor that lawyer's office.
Speaker 2 (23:24):
His name is English.
Speaker 1 (23:26):
I followed him home and we waited for him. When
he came out. We followed him in the car and
at the corner we pulled in front of him when
he stepped off the curban. Then Shaw got out.
Speaker 2 (23:39):
Kelly wasn't there now now he wasn't there, but he
ordered it. Then, Yeah, he said.
Speaker 1 (23:45):
We had to do it. What did he say you
had to do? We made it look like a hit
and run. He had to vixed paper in his pocket. Sure,
I took that. And then we made it look like
a hit and run. Sure like first, and then we
used the car enough, Lieutenant.
Speaker 7 (24:05):
Yeah, I think so he'd go get some rest.
Speaker 2 (24:13):
It's pretty late.
Speaker 6 (24:15):
I have two squad cars standing by to go after
Alex Shaw.
Speaker 2 (24:18):
I didn't mean it was too late, by lieutenant, Do
you think he'll be there?
Speaker 7 (24:21):
He's there. I got a report he arrived not twenty
minutes ago.
Speaker 1 (24:31):
Seven eighteen Hardstocks the department knows is a building that
should be burned out of Hartford.
Speaker 2 (24:36):
It's been a sore spot, a root of trouble for
long enough.
Speaker 1 (24:39):
It oose twelve families and Alex Shaw's apartment was on
the top floor.
Speaker 2 (24:42):
In the rear. Lieutenant told his man were.
Speaker 1 (24:44):
Given positions that covered all the exits.
Speaker 2 (24:46):
And he and I went up, Ah, who is it?
Speaker 7 (24:57):
Aray Shaw Medicine?
Speaker 2 (25:00):
What do you want.
Speaker 6 (25:01):
You are identified as being in that shooting scrape in
front of the Crucial cafe.
Speaker 7 (25:05):
Come on, come on, let us in, Shah, I do
have a watch.
Speaker 2 (25:12):
He's trying something.
Speaker 7 (25:13):
Let's go in.
Speaker 2 (25:14):
Okay, try the panel. I can reach a knob. Now
the window. There nothing nothing, there's the time.
Speaker 9 (25:28):
Where are his rooms?
Speaker 2 (25:29):
And he's not here?
Speaker 9 (25:31):
He there, he's nothing on the roof across away.
Speaker 2 (25:33):
They've got to stop him. He's a killer.
Speaker 7 (25:35):
Lieutenant nosing over.
Speaker 1 (26:02):
I won't bother with any final entry or any expense
account total, since this statement will only be read by
the police, but I will include remarks. They tell me
that almost every day murders are being passed off as
natural or accidental deaths only because people don't look at
the circumstances closely enough.
Speaker 2 (26:20):
I'm proving nothing.
Speaker 1 (26:21):
If I'd been a better friend, I'd have walked halfway
and met Glen.
Speaker 2 (26:25):
English before he was killed. Yours Truly, Johnny.
Speaker 9 (26:29):
Doller, Yours Truly Johnny Toller stars Edmond O'Brien in the
title role and is written by Gil Dowd with music
by Wilbur Hatch. Edmund O'Brien can now be seen starring
(26:51):
in the Paramount Pictures, Technicolor Production Silver City. Featured in
tonight's cast were Jeanette Nolan, Jim Nusson, Gene dis while
He Mayor j Novello, Edgar Barrier, and Bill Conrad. Yours Truly,
Johnny Doller is transcribed in Hollywood by himI Delfie. This
(27:14):
is Dan cubberly inviting you to join us next week
at this time when Edmund O'Brien returns as Yours truly,
Johnny Dalla
Expensive Catalla to Homicide Bureau Department the Police City of Hartford, Connecticut.
I in no way expect a bureau to honor this statement,
but since my regular form of report, I would use
it for convenience. The following is an accounting of expenditures
during my investigation of the Glen English matter.
Speaker 2 (00:20):
My interest in the.
Speaker 1 (00:21):
Case has been a purely personal mine. I have no
fault to find with official procedure after his death or
after the two year old murder that was at the
bottom of the whole thing. I'd known Glenn since about
nineteen forty seven, the girl he married longer than that.
In forty nine, after studying under the GI Bill, he
turned him as private operator's license and opened his own
law office. Since then, I'd called on him when I
(00:43):
needed something, and he's called on me. So it wasn't
unusual that he phoned me at about ten thirty the
night before I read of his death. Johnny Dalla, Hi,
was this that champion of perjured estimony?
Speaker 3 (01:00):
Got help?
Speaker 2 (01:01):
Nothing that you could afford? How are things, Brian? Okay?
Speaker 1 (01:05):
I'd like to ask a favor every Johnny, Sure, what
is it? I've got some evidence that I want to
protect a statement. Could you get a photostadted for me
in the morning.
Speaker 2 (01:13):
Yeah, yeah, I'm free in the morning.
Speaker 1 (01:15):
This is pretty hot stuff. I'll tell you about it
when I see it for the night. Yeah, well, I
may come over if I don't see the night.
Speaker 2 (01:23):
I'm dropping on the way downtown in the morning.
Speaker 1 (01:27):
So you understand that the way it was put, there
was no reason for me to think twice about the
fact that he didn't show.
Speaker 2 (01:32):
Up that night. But the next morning, when I.
Speaker 1 (01:34):
Read about his death a paper, naturally a conversation came
back to me. I phoned his widow and went to
see a little afternoon.
Speaker 4 (01:43):
Oh, I, I don't know.
Speaker 2 (01:45):
I don't know what.
Speaker 4 (01:47):
I just don't know what to think.
Speaker 1 (01:49):
I'm sorry I haven't helped matters any Maybe I shouldn't
have thrown this at you. I thought of going to
the police first, but I figured it would be better
if I had something more definite.
Speaker 2 (01:59):
But there's nothing his briefcase.
Speaker 4 (02:01):
Oh don't think of me, Johnny. Of course you should
have come. But he didn't say anything about the case
he was on.
Speaker 2 (02:08):
What did he say when he left last night?
Speaker 4 (02:11):
I wasn't here. He called me from his office about
five point thirty to say he'd be late again. Ask
me why I didn't go to a movie or something.
Speaker 2 (02:21):
So I did so I didn't see him. Oh, Johnny, Johnny,
I don't know what I'm going to do.
Speaker 1 (02:30):
I know, Honey, I know, and that part of it's
up to you. Nobody can really help you with that.
Speaker 4 (02:36):
It did happen, didn't it, Johnny. I'm not going to
open my eyes and see you next to me and
everything all right again.
Speaker 2 (02:48):
Oh? I used to dream that way sometimes. No, not please,
but not this time.
Speaker 5 (02:54):
No.
Speaker 4 (02:54):
I wish I could never wake up.
Speaker 2 (02:56):
Is somebody going to be staying with you?
Speaker 4 (02:58):
I'm going to his brother's house.
Speaker 5 (03:00):
I can't stay here.
Speaker 2 (03:01):
You shouldn't try it. I'll talk to a secretary and
then go to the police.
Speaker 4 (03:05):
I'm not helping any am.
Speaker 2 (03:06):
I sorry.
Speaker 1 (03:08):
Are his uh things still downtown?
Speaker 2 (03:11):
His things, his clothes and so on.
Speaker 4 (03:14):
Yes, they're wanting me to bring them, but I couldn't.
They'll send them on a dere tour. I'll try to help, Johnny.
I'll try to think. Right now, I don't remember his
saying anything. He did say good bye darling on the telephone.
Speaker 6 (03:38):
That's what I keep remembering.
Speaker 5 (03:45):
I hadn't been with him very long, mister Dollar, not
long enough to know as much about his businesses, well
as much as some secretaries know about their employers.
Speaker 2 (03:55):
You know what I mean.
Speaker 5 (03:57):
When I left the office at five last night, he
said he had some work to do and would walk up.
I asked him if he wanted me to stay, but
he said it wasn't necessary.
Speaker 2 (04:05):
Can we find out what the work was that kept
him well?
Speaker 5 (04:08):
He said something about a new client coming in, and.
Speaker 2 (04:11):
You don't know who it was.
Speaker 5 (04:13):
He didn't say mister Dollry, He didn't mention a name.
Speaker 2 (04:16):
You don't mind if I take a look through the office,
do you miss roumis?
Speaker 5 (04:20):
I suppose it's all right. Nobody's told me what to
do about it.
Speaker 1 (04:24):
Well, you might as well start getting everything together and
so we can move it out. Let me know what's
coming to you in the way of salary. I'll give
it to you plus a month.
Speaker 5 (04:31):
Yes, sir, I'm awfully sorry about mister English. He was
such a nice man.
Speaker 1 (04:36):
Oh I didn't really expect to find anything of value
in his files, and I was right. Most of his
cases were unimportant civil suits. The only thing that even
hinted at possible planned murder was our phone conversation.
Speaker 2 (04:55):
I realized how vague it was.
Speaker 1 (04:56):
But I decided to come to the police anyway. I
was received by your lieutenant, Frank Dolger, who sent for
the reports on the case and led me to his office.
Speaker 7 (05:04):
Yes, well, hey, I don't know, but the way.
Speaker 6 (05:09):
I see it, you haven't given us enough to launch
a poor fledged murder investigation.
Speaker 1 (05:13):
As much I realized that he was a friend of yours. Yeah,
but I'm not the kind of stir things up just
because of that. He said he had some hot evidence
that he was going to bring over, and he was
killed between his apartment and mine.
Speaker 2 (05:25):
What kind of evidence?
Speaker 1 (05:27):
Only that it was a statement he wanted to protect.
He used that word, lieutenant, to protect. I suppose you
could say he might have met against fire or something
like that.
Speaker 6 (05:37):
Well, the pointer is dollar that is being killed could
make things seem to be more important than they really are.
It's easy to read meanings into things situations like this.
Speaker 7 (05:47):
You've probably run into it yourself.
Speaker 6 (05:49):
Yeah, yeah, didn't you say he thought he'd dropped by
in the morning. That's right, Well, then he wasn't necessary
on his way to your price.
Speaker 7 (05:58):
Maybe we're out for cigarettes something.
Speaker 1 (06:00):
I've thought of that, but it doesn't hold. There's a
drug store a block away from his apartment. It's in
the opposite direction. I can't think of a reason for
his being at the intersection where he was found other
than that he was coming to see me.
Speaker 7 (06:13):
Well, I don't know.
Speaker 6 (06:14):
No, I don't want you to misunderstand me. I'm not
trying to slough off anything that deserves that.
Speaker 1 (06:19):
Come in.
Speaker 7 (06:20):
Here's a report on that traffic day. Oh, thanks, Wilton.
Speaker 2 (06:23):
Anything else, that's all?
Speaker 7 (06:25):
Thanks?
Speaker 2 (06:28):
Well, I will see what we have here. Uh English
Glenn ll no.
Speaker 3 (06:37):
Cause of death musical fracture of the skull, internal injuries
resulting in cerebral and NAXI are possibly tendant.
Speaker 2 (06:46):
What does it say about his effects?
Speaker 6 (06:48):
Hmm personal effects upon person? Overcoat, hat, brown, two piece suit.
Speaker 2 (06:54):
You can skip the clothing.
Speaker 6 (06:55):
Let's see then, shake ring, left ring, finger, check book
on Plymouth.
Speaker 7 (07:00):
Bank, cigarette slider.
Speaker 6 (07:04):
Oh, here morel containing thirty eight dollars, driver's license, personal
business cards, membership cards too.
Speaker 2 (07:11):
Yeah, there's nothing there.
Speaker 7 (07:13):
Well, I'm afraid nothing that looks like this evidence. You
speak of this statement?
Speaker 2 (07:17):
Here we are again, lieutenant.
Speaker 1 (07:19):
It could mean one of two things that he didn't
have it with him and his death was accidental, or
it could mean that it was taken from his body
after he was killed.
Speaker 7 (07:28):
But everything so far is based on the supposition.
Speaker 2 (07:31):
I know it is, Lieutenant.
Speaker 1 (07:32):
I know that you can't assign a squad of men
every time some crank comes in with an idea.
Speaker 7 (07:36):
If you can bring us anything deffinite dollar.
Speaker 1 (07:39):
Yeah, well, believe me, I do understand, lieutenant, just as.
Speaker 2 (07:42):
I could talk to the autopsy surgeon as long as
I'm here.
Speaker 6 (07:44):
Sure certainly it's doctor Ramsay, and you'll find him a
very cooperative man.
Speaker 8 (08:00):
Proof that the victim was not killed willfully.
Speaker 2 (08:03):
It appears he.
Speaker 8 (08:03):
Was struck and thrown against the parked car, his head
striking the bumper. But the automobile, as lethal as it is,
would hardly be a fool proof weapon to be used
in wilful murder, would it.
Speaker 4 (08:13):
No?
Speaker 2 (08:13):
Yes? Not. Is there any way to figure out how
fast a car would have been traveling to cause that damage?
Speaker 8 (08:18):
Not away in the world, although the internal injuries would
seem to indicate quite some speed.
Speaker 1 (08:23):
Thanks very much, doctor Ramsy, I won't take any more
of your time. I want to repeat I have no
fault defined with the department.
Speaker 2 (08:36):
I got nothing but cooperation. The photographic labs showed me
the pictures of the scene. The investigating officers gave me
their reports.
Speaker 1 (08:43):
But since everybody's conclusions had already been drawn, I saw
or heard nothing that didn't support the theory of hidden run.
Everyone agreed it couldn't have been anything else. I turned
on a case that afternoon because I couldn't get Glad
out of my mind. I went to the corner where
he was killed and poked at with snow. I didn't
(09:04):
know what I was looking for, and I didn't find anything.
Speaker 2 (09:07):
The people living near the.
Speaker 1 (09:08):
Corner had already been questioned by the police and repeated
to me that they hadn't seen or heard anything the
night before, and that evening, in spite of a promise
made to myself that I leave her alone for a while,
I went to see his wife again.
Speaker 4 (09:23):
It's all right, Johnny. Something happened to me after I
got here and spent some time with his mother.
Speaker 2 (09:30):
She's so brave.
Speaker 4 (09:31):
I feel ashamed of myself. I'm okay, now, what about you.
Speaker 2 (09:37):
I can't get any place done her. Can you talk
with me about it? Sure? I can drive me crazy.
Speaker 1 (09:44):
I saw his secretary, and she mentioned that he was
going to meet a new client. When he called to
tell you that he'd be late, Did he say anything
about that about meeting Sebity.
Speaker 5 (09:54):
No, he'd.
Speaker 4 (09:56):
He'd been working late quite a bit the past few weeks.
He had a case coming up in the morning.
Speaker 1 (10:02):
I know I went into that at the office. It's
not what I'm at to What did he say? Can
you remember word for word if possible?
Speaker 4 (10:10):
Yes, I can, because I said most of it. I
was being a typical wife. I didn't like him working
at night, and I lost my temper. I didn't give
him a chance to explain anything. That's what I have
to remember about the last time I.
Speaker 2 (10:28):
Talked to him. Never mind, now, come on.
Speaker 4 (10:32):
He didn't mention anybody, just that he'd have to work late.
Speaker 1 (10:38):
Would you give me the key to your apartment? Yes,
I'll have to go through his things down I I
didn't ask you to let me when I was there earlier,
but now I've got to. I've covered every other angle
I can think of. I don't know why I felt
almost ashamed about going through his things, except that a
(11:01):
close friend shares with everything he wants you to know
about it and learning new things because he's dead doesn't
seem right. I started with his briefcase again, reading everything
in it.
Speaker 2 (11:12):
I moved to the.
Speaker 1 (11:12):
Desk in the living room and from there into the bedroom.
Speaker 2 (11:15):
An hour and a half I was still looking. Then
the phone rang.
Speaker 6 (11:28):
H Hello, Yes, sir, missus English said, no, she isn't goosis.
Speaker 1 (11:35):
My name is Dollar. I'm a friend of hers. I
take a message.
Speaker 2 (11:39):
I've been trying to get her all afternoon. I wanted
to tell her.
Speaker 6 (11:43):
That that was no accident, how her husband got killed.
Speaker 2 (11:47):
What's that he was murdered on account of something I
told him? Who is this? I'm not saying not now anyway.
You're the client who is with Glenn lads Knight.
Speaker 1 (11:58):
Yeah, that's right. We wrote up a paper and he
told me about it. Listen to me. You've got the
information I've been looking for. I've got to see it.
Speaker 2 (12:05):
You go see Warren Kelly. He's the one that had
him killed. Warren Kelly, who is he? Why would he
have Glenn killed? Are you a lawyer too? Now?
Speaker 1 (12:13):
I'm a private detective. Glenn was one of my closest friends.
I've tried to tell the police that it was probably murdered,
but I can't get any place with him because I
haven't had anything definite. And if you've got some information,
won't you give it to me?
Speaker 2 (12:24):
You're willing to pick it up after what happened to him?
Where can I meet you? All right? Your game?
Speaker 6 (12:31):
I am? I sure got nothing to lose here. You'll
have to come here. I am being watched.
Speaker 2 (12:36):
Where I am.
Speaker 6 (12:37):
You know Caruso's Cafe on Front Street.
Speaker 2 (12:40):
I'll find it.
Speaker 6 (12:41):
That's the bartender for Bruno. But you just sticking your
neck up, You're able to end up where your power is.
Speaker 2 (12:48):
Just don't change your mind, Bruno. I'll get there as
fast as I can.
Speaker 9 (13:07):
We will return to yours truly, Johnny Dollar, in just
a moment. Learn how American communities have solved major problems
on a local level. Hear true story of democracy at
work on The People Act and UCBS radio series having
its premier performance tomorrow night on most of these same
CBS radio stations. Now, with our star Edwind O'Brien, we
(13:30):
bring you the second act of yours truly, Johnny Dollar.
Speaker 2 (13:49):
What do you mean said?
Speaker 7 (13:50):
What yourhead?
Speaker 2 (13:51):
I came to see Bruno said you could tell me
how to figning?
Speaker 1 (13:54):
What's your name. I see you buy one drink and
look like a cushtom okay, brown and soda. Then right
away he's all right, yeah, that's good.
Speaker 3 (14:08):
What's the matter with him anyway? He's only get killed.
I don't know much about Higa. He's my friend since
we was kids. By helping him, but I don't like
cause I don't like trouble.
Speaker 2 (14:18):
Yeah, you drink that.
Speaker 3 (14:20):
Then you go back where you see the rest room
signs yeah, and you see one more door and through
that you find the stairs.
Speaker 7 (14:27):
He's up there in the storeroom the office?
Speaker 2 (14:29):
Is it there? Okay? Thanks? Why away? Sixty? Okay, keep
it and thanks again? What's that? Yeah?
Speaker 1 (14:54):
Right up?
Speaker 2 (14:54):
Got a lighter, come on the eyes. There is it?
Bruno here? It's Bruno vic.
Speaker 6 (15:03):
I uh, I'm sorry I got your pallet killed.
Speaker 2 (15:06):
So and I.
Speaker 1 (15:08):
But he didn't have to take you as a client.
I guess was it all about? How much did she
tell you? Nothing except that he had his statement, he.
Speaker 6 (15:16):
Was going to meet me tonight with a notary and
then he said it would hold some water.
Speaker 2 (15:21):
What made it worth killing Glen over? What was in it?
Speaker 6 (15:24):
The names of the three men that killed him? They
got the paper. I guess he got it. Who are
these three men?
Speaker 2 (15:31):
Is Keller? You mentioned it seems a ring a bell.
Speaker 6 (15:33):
Yeah, he's one of 'em, Warren Kelly. The other two
are Nat Runner and Alec Shaw. This is what happened.
I didn't make her to ever go this way. I
told you Pali was as hot as it was. As
long as he had that paper, he shouldn't have been
out on the street.
Speaker 2 (15:47):
I'm part of his parents. What happened.
Speaker 6 (15:49):
Oh not many people know it, but Kelly is one
of the big bosses of the syndicator around here.
Speaker 2 (15:54):
His front is a contracting firm.
Speaker 6 (15:57):
He got where he is because he got rid of
the guy who was standing in his Maybe you remember
Ed Waters.
Speaker 2 (16:02):
Yeah, maybe I was quite a while back here. Two years.
Speaker 6 (16:06):
Kelly wasn't even questioned because nobody knew what happened to Waters.
Speaker 2 (16:09):
But I do.
Speaker 6 (16:11):
I was with Kelly when he killing me. I helped
bury his body. I know where it is, and Kelly's
had men hunting.
Speaker 2 (16:19):
Me for a year. This is what you put in
that statement. Yeah, that's right. Glenn was killed over a
two year old gang murder. I told him to be careful.
Speaker 6 (16:26):
I told him how I'd been hunted from here to
California to the Mexican border, every place.
Speaker 2 (16:32):
I haven't had a day's.
Speaker 6 (16:33):
Rest since Kelly got s big decided it wasn't safe
to hit me around.
Speaker 2 (16:36):
I told him all that.
Speaker 1 (16:38):
Maybe you forgot to tell him that you let Kelly
know you're going to make a statement to a lawyer.
Speaker 2 (16:42):
You know.
Speaker 6 (16:42):
I didn't do that, but I let him know that
I was through running, that I was gonna give myself up.
The paper was addressed to the DA.
Speaker 1 (16:52):
Why'd you bother with a lawyer? Why didn't you go
direct to the DA? You are hard to believe they
clicked dollar.
Speaker 6 (16:57):
I know how you feel losing a friend, but I
went to a for advice that on the best way
to do it. That it was his idea. He he
wanted to go to court with me. Mostly, I think
he he figured what a splash you'd make. But breaking
open that old case. How did they know enough to
kill him? I don't know if they followed me to
his office. I didn't see him, and I had a
(17:17):
lot of practice being followed.
Speaker 2 (17:20):
But I can get 'em for you.
Speaker 1 (17:21):
No, no, you know, we don't do it the simple way.
You command down the police headquarters with me.
Speaker 6 (17:26):
Now, you don't wanna walk out of this cafe with
me and let me dost the light and.
Speaker 2 (17:30):
You come over to the window with me. Come up.
Tag Over.
Speaker 6 (17:38):
Right across the street, they're standing together at the bakery,
and one on the left and net running on the
other is Alex Shaw. They're waiting for me. You gonna
have a tough time improvement or anything about your power, and.
Speaker 2 (17:50):
You don't put the police on it anyway. Click at
those creeks waiting for me.
Speaker 6 (17:54):
It's been like this for a year, every place, two
or three creeks waiting for me.
Speaker 2 (18:00):
But no more. I'm through running. I guess you asked
for Yeah, I guess so. But I could count one
good thing.
Speaker 6 (18:06):
If I could lay those two and kell it away.
Where's the telephone, just at the bottom of the stairs
into the back.
Speaker 1 (18:12):
Stay here, I'm gonna call the police. See if they
won't come down here. Sure, I realized that I still
faced the same situation I was phoning in about a
material witness and two suspects and the death that the
police had fired as accidental. Lieutenant Tosa was off duty
(18:33):
in the desk. Sergeant wouldn't give me his home number.
I gave up with something less than five minutes. But
during that time Brunovic had come down the stairs and
passed without my seeing him. The first inkling I.
Speaker 2 (18:43):
Had of what he was doing was a shout from
the bartender, will come, you'll be afore right up? Sure
you're waiting for me? What happened? What's going on?
Speaker 7 (19:09):
Vick?
Speaker 2 (19:10):
Vick? He's got the Bruno Bruno? Is he dead? Yeah? Yeah,
he's dead. Who's that one in the three? Which one
of you? Ye're Ryan? Aren't you? Leave me alone? Leave
me alone? Can't move legs, don't try it. They ambulance
(19:33):
set the hair in a little while. Well dolla.
Speaker 7 (19:47):
They tell me you finally made a murder case of it.
Speaker 1 (19:50):
I finally have something like evidence that that's what it
was from the beginning. This one is Bruno Vick. He's
the one who made the statement Glenn English was killed
for him.
Speaker 2 (19:58):
Hmm.
Speaker 1 (19:59):
The other one over he he is still a lion.
He's not rhyers, Oh you feel leave me alone? Tell
a little tenant about that hit and run last night? Runner,
get away from me?
Speaker 2 (20:13):
Well anymore.
Speaker 1 (20:15):
Rhyer was here by himself, waiting for Vic to come out.
He fired first before Vic seim and Vic just managed
to get a shot.
Speaker 2 (20:20):
Out before he died. It's a liar.
Speaker 1 (20:22):
If you want to take the rap alone, rhyiner, I
lie all the way up to the Supreme Court to
help you do it.
Speaker 7 (20:28):
Well, we're happy to to talk little. Uh tell me, uh,
tell me how this happened.
Speaker 1 (20:33):
On Well, Vick was holed up on the second floor
of the cafe. I was in the phone book downstairs
when he started out. From what he said to me,
I think he came out knowing he was gonna be killed.
Speaker 7 (20:43):
I don't quite understand.
Speaker 1 (20:45):
I'm not sure of this, but it seems to me
that he realized how hard it would be to prove
anything in Glenn's death, so he sort of offered his
own there's something to nail them with.
Speaker 2 (20:53):
Oh don't huh.
Speaker 7 (20:54):
Shout your buston over here, sir.
Speaker 2 (20:57):
Oh yeah, yeah.
Speaker 3 (20:58):
It seemed to have something this once Bruno Vick. He
was carrying a letter addressing the district attorney.
Speaker 2 (21:09):
As testimony in a court of formal law. I don't think.
Speaker 1 (21:12):
Vic's unwitnessed letter would have been worth anything, but under
the circumstances of the case, it was pretty strong police
evidence and obviously It was as close as possible a
duplicate of the statement given Glenn English in content at least,
but it opened in a way.
Speaker 2 (21:26):
You could call this a dying.
Speaker 1 (21:28):
Statement, because I'm not going to run anymore and they're
waiting for me. Goddan, who described the two year old
killing of Edwards and concluded with hysteria as to how
Glenn English was killed. It was detailed enough to keep
Lieutenant diljoh on the case until three am when that
rhiner regained consciousness after a spinal operation.
Speaker 6 (21:48):
Well, Rya, do you know that you would have died
if it hadn't been for the work of the police surgeon.
Speaker 2 (21:54):
That's one thing they forgot to tell me. Did they
tell you what you said under the anesthetic? I didn't
say anything.
Speaker 1 (22:01):
Truth serahm Orli detector is going to bring out the
same things, like what like where Alec Shore is staying?
Seven eighteen hostag, I didn't say that. Don't remember what
you said about Warren Kelly. I didn't say anything you talked.
Speaker 2 (22:15):
About last night about catching up with that lawyer Glenn English. No,
you named the street corner. No, I know you're pluffing her.
Speaker 1 (22:23):
How did you know it? Was High Grove and Clayton.
That's what you said. I've read it in the paper.
Why should you read about that? It was on the
front page. Why semi conscious should you remember the intersection?
I I don't know. I don't believe believe what that
I said.
Speaker 2 (22:42):
We were there, you and Alex Shore, we weren't there.
Away here.
Speaker 1 (22:48):
We've got more than you think, Ryan, and.
Speaker 2 (22:51):
You've got nothing on me.
Speaker 1 (22:52):
We've even got the truth about Ed Waters. We know
where his body is buried. You want to get mixed
up in that one too. What do you want? Well, first,
you understand that these aren't police methods. Nothing you were
saying can be taking in evidence against you. But you
killed a friend of mine. Now I can make the
lieutenant go out of the room. We'll get this settled
in a hurry. What do you want first? I want
(23:14):
to hear about that hit and run last night. I
I didn't have any part in her. You were there,
oh right? I was there and the one who followed
Victor that lawyer's office.
Speaker 2 (23:24):
His name is English.
Speaker 1 (23:26):
I followed him home and we waited for him. When
he came out. We followed him in the car and
at the corner we pulled in front of him when
he stepped off the curban. Then Shaw got out.
Speaker 2 (23:39):
Kelly wasn't there now now he wasn't there, but he
ordered it. Then, Yeah, he said.
Speaker 1 (23:45):
We had to do it. What did he say you
had to do? We made it look like a hit
and run. He had to vixed paper in his pocket. Sure,
I took that. And then we made it look like
a hit and run. Sure like first, and then we
used the car enough, Lieutenant.
Speaker 7 (24:05):
Yeah, I think so he'd go get some rest.
Speaker 2 (24:13):
It's pretty late.
Speaker 6 (24:15):
I have two squad cars standing by to go after
Alex Shaw.
Speaker 2 (24:18):
I didn't mean it was too late, by lieutenant, Do
you think he'll be there?
Speaker 7 (24:21):
He's there. I got a report he arrived not twenty
minutes ago.
Speaker 1 (24:31):
Seven eighteen Hardstocks the department knows is a building that
should be burned out of Hartford.
Speaker 2 (24:36):
It's been a sore spot, a root of trouble for
long enough.
Speaker 1 (24:39):
It oose twelve families and Alex Shaw's apartment was on
the top floor.
Speaker 2 (24:42):
In the rear. Lieutenant told his man were.
Speaker 1 (24:44):
Given positions that covered all the exits.
Speaker 2 (24:46):
And he and I went up, Ah, who is it?
Speaker 7 (24:57):
Aray Shaw Medicine?
Speaker 2 (25:00):
What do you want.
Speaker 6 (25:01):
You are identified as being in that shooting scrape in
front of the Crucial cafe.
Speaker 7 (25:05):
Come on, come on, let us in, Shah, I do
have a watch.
Speaker 2 (25:12):
He's trying something.
Speaker 7 (25:13):
Let's go in.
Speaker 2 (25:14):
Okay, try the panel. I can reach a knob. Now
the window. There nothing nothing, there's the time.
Speaker 9 (25:28):
Where are his rooms?
Speaker 2 (25:29):
And he's not here?
Speaker 9 (25:31):
He there, he's nothing on the roof across away.
Speaker 2 (25:33):
They've got to stop him. He's a killer.
Speaker 7 (25:35):
Lieutenant nosing over.
Speaker 1 (26:02):
I won't bother with any final entry or any expense
account total, since this statement will only be read by
the police, but I will include remarks. They tell me
that almost every day murders are being passed off as
natural or accidental deaths only because people don't look at
the circumstances closely enough.
Speaker 2 (26:20):
I'm proving nothing.
Speaker 1 (26:21):
If I'd been a better friend, I'd have walked halfway
and met Glen.
Speaker 2 (26:25):
English before he was killed. Yours Truly, Johnny.
Speaker 9 (26:29):
Doller, Yours Truly Johnny Toller stars Edmond O'Brien in the
title role and is written by Gil Dowd with music
by Wilbur Hatch. Edmund O'Brien can now be seen starring
(26:51):
in the Paramount Pictures, Technicolor Production Silver City. Featured in
tonight's cast were Jeanette Nolan, Jim Nusson, Gene dis while
He Mayor j Novello, Edgar Barrier, and Bill Conrad. Yours Truly,
Johnny Doller is transcribed in Hollywood by himI Delfie. This
(27:14):
is Dan cubberly inviting you to join us next week
at this time when Edmund O'Brien returns as Yours truly,
Johnny Dalla
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