November 29, 2024 • 32 mins
Episode 350 - “Atlanta Night Life” Feat: Ferrari Simmons & You Know BT Produced by: Baller Alert
Topics Include: Atlanta Night Life Pivoting, Parties Not Working In Certain Cities, Top Three Malls, Top Three Wing Spots In Atlanta, Magic City, How Atlanta Night Life Is Ruined
The Baller Alert Show
Featuring @FerrariSimmonsMusic @youknowbt
":The Culture Deserves It"
IG: @balleralert
Twitter: @balleralert
Facebook: balleralertcom
See omnystudio.com/listener for privacy information.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
They get.
Speaker 2 (00:06):
Hey Man Broadcast Live from Atlanta, Georgian and Welkinson Baller Show.
Speaker 1 (00:10):
I go by the name of Ferrari Simers.
Speaker 3 (00:11):
I go by the name you know, Beat, new face
DJ cast, got tailor the building.
Speaker 4 (00:17):
What's up, guys, amazing, it just happened.
Speaker 1 (00:21):
Man for the for the for the folks.
Speaker 2 (00:22):
That's like, who the hell are these guys and why
are we here? We just beat and I wanted to
have or a conversation about Atlanta, the culture, the culture,
the nightlife. You guys are all in three different lanes,
and I wanted to make sure we had someone that
could represent each lane properly perfect.
Speaker 5 (00:41):
I'm honored because I'm a fan.
Speaker 2 (00:43):
Please just quickly, quickly introduce yourself and give us a
little quick you know what I'm saying, Uh, run down
to who you are.
Speaker 1 (00:49):
I'm a new face Atlanta's culture historian.
Speaker 5 (00:51):
I would always used to say hip hop order and
people were like, nah, you much more than that. You know,
you're collecting the culture of Atlanta, but not just Atlanta,
just the South, but hip hop in general. But because
I'm you know, a line of adopted me. I'm born
and raised out of Detroit, so you know.
Speaker 1 (01:06):
I've been shot out of Detroit. Yeah you know what up.
Speaker 5 (01:08):
Though, So it's like they adopted me and I can't.
My love is with this city because they embraced me
from day one. I'm talking about freak nick, trap music,
crunk music. I've been here since the genre all these
music started, and I've seen all these artists evolved from
a Scottie atlor, from the careers of all these gentlemen
at this table and our peers amongst us. So I
just been celebrating, and I love progression and evolution, and
(01:31):
so to see my brothers had this platform and see
where they started out from radio to everything from grills
to shows and everything. I'm just here to clap, But
relationships come with that, you know what I'm saying. So
that's what that's what I do, is celebrate, you know,
people that look like us, you know what I'm saying.
They had us in museums, going to art shows and
people celebrating rem Brandts and van Golds, and they didn't
(01:51):
look they wouldn't like didn't look like me, you know
what I'm saying. So now I'm able to clap and
show people a platform that ain't able to go to
events like I'm here and let me show you what
y'all missing and hope flee you at the next one.
Speaker 6 (02:02):
Nice new face DJ Cas DJ Cash aka Big Bomber
aka the Fly Haitian Kid DJ on the radio and
every popping club for the last twenty years here in Georgia,
originally from New York Brooklyn to be I'm not from
New York.
Speaker 4 (02:17):
I'm from Brooklyn.
Speaker 1 (02:20):
Man, I'm winning Nick. That not Atlanta type thing. Oh man,
they're both disappointed. It doesn't matter.
Speaker 6 (02:30):
But yeah, it's been in the night life and tearing
down clubs and radio for the last twenty something like
about twenty years in Atlanta.
Speaker 1 (02:39):
So yeah, Atlanta's home now.
Speaker 2 (02:41):
One of the only DJs that I knew this for
a fact. Quick, this is gonna be quick. DJ Cash
was one of the only DJs that allowed me to
host with him. I'm talking about Cash at the time
when Cash was DJ. You still are DJ Cash, but
I'm talking about Atlanta just had the clubs and there
was no lounges, was none of that. You had to
(03:01):
go to the big clubs. He only allowed me to
host for him, all right, that's a big thing.
Speaker 1 (03:06):
That's because I don't he don't like I do not
like hosts. I was never I never was like quiet
about that. I don't like hosts.
Speaker 4 (03:13):
I'm not the kind of DJ that works well with
others when it comes.
Speaker 1 (03:16):
To don't like. So I'm like, yeah, it was very rare.
Speaker 2 (03:25):
But see I used to let him rock too, and
then he'll let me give my little pocket and then
I just shut up because I know he gotta get off.
Speaker 1 (03:32):
You ain't his control doing this. I'm not doing that's
my boy.
Speaker 2 (03:39):
So I knew to not be next to him because
you want to have this space and he gonna talk
over the lines I'm gonna talk, So I would say, Okay,
let me find my pocket.
Speaker 7 (03:47):
But a lot of DJs who are good at talking,
they they they don't need they don't need that.
Speaker 1 (03:52):
You know what I'm saying.
Speaker 6 (03:53):
This is science to it though, right, So because I'm Caribbean.
In the Caribbean, there is a duo, right But like
the MC and the what we call the selector, the
DJ is like in sync so it's never imprompt too.
Like you you can't give a good performance. You never
perform with a guy.
Speaker 1 (04:10):
You just get on stage and be like, y'all kill
this crowd.
Speaker 4 (04:13):
How you don't know how he plays, you don't know
how he hosts.
Speaker 6 (04:16):
So like there used to be like people used to
literally DJ parties on parties together, like a host used
to work with a specific DJ.
Speaker 4 (04:23):
You know his style, you know what the direction he's
about to go.
Speaker 1 (04:27):
You know how to intro a record.
Speaker 6 (04:28):
So my thing was always like, how he just gonna
you know what I mean, It's just like taking a
rapper and a DJ for the first time ever linking
up and be like, y'all do a show together.
Speaker 1 (04:39):
It ain't gonna sound good. You know what I'm saying.
Speaker 4 (04:41):
It ain't gonna it ain't gonna it ain't gonna work
out the way you think.
Speaker 1 (04:43):
So that was just always my.
Speaker 8 (04:44):
DJ Cash What's at Scotty at l Man east Side represented.
Speaker 1 (04:50):
You to be exact.
Speaker 8 (04:53):
On the grills, they still oh you still company, hey,
little though our own grills by Scottie show. We're here
in Atlanta.
Speaker 2 (05:08):
Stop right there, bro, Come on, man, I give you
flowers like name some people who have came to you
for grills.
Speaker 8 (05:14):
Meghanie Stallion, New Face, Glowrilla, Eastern Ray, some Walker, Big
Boy t I, the Hall.
Speaker 1 (05:24):
Didn't Easter Ray Fly you to Europe.
Speaker 8 (05:27):
Esentially, she didn't fly me there. I flew there. Why
make sure she got her grills on time. That's flew
took a boat all that. So we're in Atlanta. We're
also on the West coast in l A. My first
store in l A was on Mail Rose and I
(05:47):
also have a TV show called Lave on Edgewood. We're
eighty five South.
Speaker 1 (05:52):
It's my boy man.
Speaker 3 (05:53):
Just so you know, my wife grew up with him
as well.
Speaker 2 (05:56):
So my wife know him like Scottie Slick family to Okay,
she from.
Speaker 5 (06:02):
And I text him pictures like day, like this is
me and you nine years ago, eight years ago, five
years ago.
Speaker 4 (06:07):
Like look three years ago we was together and were
back together eight years.
Speaker 1 (06:10):
You know what I'm saying the whole time.
Speaker 2 (06:13):
Now, let me give my boy his flowers because he
does the R and B party. See, everybody in here
does different things. So BT does the R and B party,
and I wanted to have you guys here because it's
different parties.
Speaker 4 (06:24):
Now.
Speaker 3 (06:24):
Before it used to be just a club in Atlanta.
You go to the club, and.
Speaker 2 (06:30):
In the club it was either trapped out and then
you had like segments in the stuff a little bit
of R and B or they do this or that, but.
Speaker 1 (06:37):
They'll play a little Afro beat here and there.
Speaker 2 (06:40):
Now that ship is separated, and I'm starting to see
it in other places too. So you got parties in Houston,
you got R and B parties in New York, but
what you're doing is completely different.
Speaker 1 (06:53):
Yeah.
Speaker 6 (06:53):
So, like I was just telling Scott what the name
of this, It's called Bomba Tuesdays, So Bamba Tuesday's. I
started almost three years ago, and it's like it features
a genre called I'm a Piano. So the crazy thing
is like Atlanta has done it again.
Speaker 1 (07:09):
Like Atlanta is a super special place, like people don't understand.
Speaker 6 (07:12):
So like I'm a Piano is it's a genre like
of African dance music started in South Africa.
Speaker 1 (07:18):
And everywhere you go, like you'll hear it.
Speaker 6 (07:20):
You go to France, you go to Australia, you go
to Portugal. It's everywhere and it's on fire. But the States,
and Atlanta is one of the few states that like
is like.
Speaker 1 (07:30):
Leading the charge in it, you.
Speaker 7 (07:31):
Know what I mean.
Speaker 6 (07:32):
And it's like the only place where you could go.
Like for instance, last night I had my birthday party.
I had John Legend Birthday, Thank you my brother Birthday.
I had John Legend, I had Jadenna, DJ Spinol, I
had Polo to Done, I had d Smoke, I had
the veto all their party into.
Speaker 1 (07:50):
I'm a Piano And it's like.
Speaker 2 (07:52):
Crazy, you know, that's crazy in Atlanta actual birthday, and
like that's another thing, like.
Speaker 6 (08:01):
Like I might be jumping ahead, but like they say,
the night life in Atlanta is dead. I just think
it's just pivoting, you know what I'm saying, because now
it's maybe it may be dead as we know it.
The gigantic clubs and the ten thousand dollars sections is
just pivoting because Atlanta is leading a charge in a
big way under everybody's noses. Like with this genre, because
(08:22):
when you tell to talk to people from South Africa,
there's a girl named Uncle Waffles. She's like one of
the biggest DJs out of South Africa for this genre,
and they acts her two different times a year apart
they said where in the world, because she travels the
world playing I'm a Piano, So she said, they asked
her where in the world is more like the most
like that resembles, you know, South Africa. The most she said,
(08:44):
Atlanta both times a year apart. And it's like, to me,
it's so crazy that so much people don't even know
that Atlanta's leading the charge in something like this, Like
all over the world is doing this, but Atlanta is
just sticking out so much.
Speaker 4 (08:57):
It's so crazy to me. So like, I don't think
like the scene is dead.
Speaker 6 (09:00):
Is just like pivoting to something different that a lot
of people haven't seen it yet and don't understand it yet.
Speaker 1 (09:05):
Bt.
Speaker 2 (09:06):
I was gonna say real quick, same thing with the
R and B parties, right, correct me if I'm wrong.
I didn't see R and B parties until I saw
SL Lounge.
Speaker 7 (09:15):
We was the first, you guys, we was the first.
I remember Brian Michael cos Keith Thomas, no rap, they
and be all Night their R and B All Night.
They were the first people I saw that. They said, oh,
they're doing an R and B party. So I remember
I went to they first night at the like SL
Lounge and it was empty, and I said, I want
(09:36):
to help y'all and they said, listen, we ain't gonna
make no money.
Speaker 1 (09:39):
I said, I don't care.
Speaker 7 (09:41):
This is something different that I'm not saying because every
party I do is trapped out. You hear R and
b afrobeat for ten minutes and we gotta be trapped
out for four hours.
Speaker 3 (09:51):
By the way, But it's okay, go ahead, what you
like trapped out?
Speaker 1 (09:54):
I love listen, I go ahead.
Speaker 7 (09:56):
I love the trap music too. But at some point,
when is it time to talk to the ladies and
dance and have fun.
Speaker 1 (10:02):
It's like we got.
Speaker 7 (10:03):
To end talking about that, so you know he already
he already drunk some bad water.
Speaker 1 (10:12):
Out there, but it's seeing a Chevy on twenty six.
Speaker 7 (10:18):
But it's like now you can see now, it's like
just that atmosphere, like I remember everybody used to be
at cel Lounge at the R and B party, and
then it's like all the people that I remember I
was being promoters in different city and it was like, yeah,
I did this party because.
Speaker 1 (10:35):
I went to cl Lounge. It's all y'all doing it.
Speaker 7 (10:36):
So I took it back to my city or I
took it back to my town, and it's like it's
so crazy.
Speaker 1 (10:42):
Now. It's like every city you go to, their biggest
parties is R and B.
Speaker 2 (10:45):
But you guys got your flowers too, though. You guys
are doing it in Houston. You guys are doing it
in La you guys are doing it with Usher on
the road after his concerts he did hear me Like yeah, bro,
I gotta go to the boss.
Speaker 6 (10:57):
But looks that's another point though, right, like this is
what makes Atlanta so special because would it have worked
and blown up anywhere else? Because the reason why it
works is because of you guys, and who does it
The names you just mentioned like Brian, Michael Cox Key,
these guys are R and B guys, you understand, So like,
(11:20):
I don't know if you have any other city that
has a history like these guys have and the relationships
like these guys have to make that party pick up.
Speaker 3 (11:28):
And I remember going to the R and B party
and I just saw Usher.
Speaker 4 (11:31):
I was like, you know, what are you doing?
Speaker 6 (11:35):
What? Why here?
Speaker 2 (11:36):
And then Sean Garrett was right next to him, and
then you know such as Neo was right next to
him over here, like yo, this is a random Wednesday
night and Raan Martini and.
Speaker 3 (11:46):
This shit is loaded.
Speaker 1 (11:48):
But that's what I'm saying.
Speaker 6 (11:48):
What other city can you go to people the promoters
or the people throwing the party, curating the party have
these type of relationships to say, Kate Usher.
Speaker 1 (11:59):
Come pull up.
Speaker 6 (12:00):
Yeah, you see what I'm saying. So where could I could?
I don't know if it could have worked anywhere else.
Speaker 7 (12:05):
I don't think it could work anywhere else either. I
think the major thing that's also different is that we're
not doing this to make money. We're just doing this
to have fun, to give people opportunities. Like when these
celebrities are in the building, they feel like they're at home.
They walking around, Yo, what's up? Da da da, what's up?
And then it's like if you never been to a party,
if you're out of Tunny might be like, damn Neo
(12:27):
here just kicking it.
Speaker 1 (12:28):
And chilling it.
Speaker 5 (12:29):
Then you got in his hook y'all playing the record
Jazzy Fail up.
Speaker 7 (12:33):
Here before me, and you got Ray J walking around
here acting crazy, and it's like if you never if
you never experienced that these people coming and they so
comfortable because they know this is this is like I
had Mario. We did an interview with Mario and I
was like, hey man, you'll come to my R and
B party and he was like, bet, I'm pulling up.
(12:54):
And then I was like, you know, sometimes you tell
artists that you just now mean, they might be like whatever,
but he called me. He was like, man, everybody's talking
about y'all R and B party. I got to go
and he went there.
Speaker 1 (13:05):
He was like, oh, this is crazy because all his.
Speaker 3 (13:08):
Peers are in there, and now he's telling everybody, but
y'all go.
Speaker 1 (13:11):
Y'all are the reason why.
Speaker 6 (13:13):
Like I go to I go home in New York,
I go everywhere and everybody has an R and B
part and it's funny. Like living in Atlanta, it's like
I go to their party and like this, we spoiled.
Speaker 1 (13:25):
The real It was my birthday and he won there.
Speaker 2 (13:31):
I was like, dude, because I bought the section maybe
two months ahead, come over there, like you motherfucker.
Speaker 1 (13:37):
I was out of town. I had to work. But
you gotta y'all to understand though.
Speaker 6 (13:41):
It's like other people they're trying to recreate the sauce
without using the same ingredients and it don't work.
Speaker 7 (13:47):
It don't work because I've been to other cities, major cities,
and I'm like, I know what they missing. Then I
go to another city and I'll be like, y'all got
to get a DJ that curates to this, and it's
like the problem is these major cities.
Speaker 1 (14:01):
They try to go after the same DJ.
Speaker 7 (14:04):
This DJ may just be good at playing trap, this
DJ may be specializing Afro B, this DJ may specialize
in R.
Speaker 1 (14:12):
And B parties.
Speaker 7 (14:13):
They just want to get Oh who's popular. And I
can always tell because I'm like, why is he playing.
Speaker 6 (14:18):
These R and B song But no, But look that's
that's I'm glad you said that because another reason why
y'all's party work is because y'all stick to what you're saying.
It's an R and B party.
Speaker 3 (14:29):
Stage strict.
Speaker 2 (14:30):
I think maybe they played hip hop maybe the last
two minutes of the party.
Speaker 5 (14:34):
It's almost a reverse, Like you go to a trap event,
like you said club and in the last two minutes
when you pick your shorty R and B th the
last three songs, it's the reverse.
Speaker 1 (14:42):
And I love it because.
Speaker 6 (14:43):
Because it's like different, it reminds me of like when
I first moved here, Like there wasn't a lot of
Caribbean music being paid played in the clubs. It wasn't
a lot of African music being played in the clubs.
And if something was promoted as an international party or
a dance hall party or afroc African party, you go there,
you're gonna hear the you're gonna.
Speaker 1 (15:03):
Hear them, right, and then the rest of it. Now
you're gonna hear gucci.
Speaker 6 (15:09):
Man, this ain't a dance all part of or like
even now because I'm a piano is like a buzzword.
Speaker 4 (15:15):
People like I'm a piano party. You go there and
it's two.
Speaker 6 (15:17):
I'm a piano songs and then the rest they're playing
afrobeat or something else. Your party is an R and
B party, Like I go to these R and B
parties on other markets.
Speaker 1 (15:26):
They're playing Oh, they're lied to you. They're lied to you,
and not only they're playing can we talk? Oh yeah?
And that's it. That's all.
Speaker 7 (15:36):
This is all you get. Really, we just use that
to draw y'all here.
Speaker 1 (15:40):
But now we're about to trap it out, glow Riller.
You're sexy read for the rest of the night.
Speaker 3 (15:47):
So wait, guys, guys, guys, I got something. I got
a game. Scotty at you going first?
Speaker 1 (15:52):
Okay?
Speaker 3 (15:53):
Top three malls in Atlanta Metro Atlanta, Top three. Don't
say a Linux bro, go ahead if you have to.
What's the what's your top three malls of all time?
Speaker 8 (16:05):
Just it's just in general, I'll say in today's world, So.
Speaker 3 (16:10):
If someone's coming to Atlanta and they see this clip
right now.
Speaker 8 (16:13):
Where to go, I'll say, Man, go to the Parima
the ma All Okay, I like that choice.
Speaker 1 (16:19):
My second choice will be.
Speaker 8 (16:23):
Maybe dang, I hate to see any stone, Chris.
Speaker 3 (16:38):
If you want some sneakers because.
Speaker 2 (16:44):
To go to stores and clothes everything else, I will say,
it's a soupman in there that get you.
Speaker 1 (16:50):
You know what?
Speaker 3 (16:51):
Go ahead, okay, my my my last one.
Speaker 8 (16:53):
And I know y'all gonna say, oh man, but I
still got to represent South the cow mall.
Speaker 1 (16:59):
That's cool.
Speaker 2 (16:59):
The American deally fine, they almost out the door. Hey, yeah,
you re.
Speaker 1 (17:09):
Get you some American dad. That's all you need to
get cast.
Speaker 6 (17:13):
Mine's a super unconventional and nobody that lives in Lanta
is gonna agree, especially people that's from Atlanta is gonna
agree with me.
Speaker 4 (17:19):
But as you can see the way I'm dressed, I
just like some different odd.
Speaker 6 (17:23):
Ship, you know what I'm saying. So like my pigs
are gonna be like Perimeter. And then the super unconventional
sugar loaf. Okay, sugar loaf on the loan, got the joints,
you know, what I'm saying.
Speaker 1 (17:34):
And then Waller Georgia.
Speaker 3 (17:36):
Okay, he's going.
Speaker 1 (17:41):
You're not gonna see DJ casts at the mom out
the perimeter used to be.
Speaker 5 (17:50):
So I'm going because if I'm taking somebody, I want
to show off.
Speaker 1 (17:54):
I'm like Phipps, I ain't gonna go in.
Speaker 5 (17:55):
The store and be like, well we got that Gucci,
you know, Phipps.
Speaker 1 (18:00):
I'm going. Then I'm taking the hood. I'm going Green.
Speaker 5 (18:03):
Bride because I be like, like, just what j D discovered, Chris, Like,
I'm telling these historical facts is what JD could discover
criss cross at. And then secondly, I'm going the same
like he said, not south of Calve, South Cap you know,
for the hood ship, you know the American Deli and
camera pizza, all that ship.
Speaker 1 (18:21):
I ain't gonna lie. I don't go to the mall.
I'm not gonna lie. Shout out to Fashion Over Clothing.
Speaker 3 (18:26):
One time for Fashion Over. But hey, tripping bro number.
Speaker 9 (18:30):
One, Cumbering Mall, No, what's Wronging?
Speaker 3 (18:49):
It's not far as in the city. You want to
kind of a little you know, low key low key
a little bit, yeah, cumber them all.
Speaker 6 (18:55):
No, Yeah, I'm on your side of town.
Speaker 1 (19:02):
So I will say Stone Crest.
Speaker 2 (19:04):
Okay, that's why I get my sneakers at because they
always got the sides nine and a half.
Speaker 3 (19:08):
They got nothing but sneakers at the Stone Cust.
Speaker 1 (19:10):
Nobody go there.
Speaker 3 (19:14):
Number three, I gotta rob with my boy, new face,
green Briar.
Speaker 2 (19:19):
Okay, move well, you know, I actually like anybody did
they do the American dealy is?
Speaker 1 (19:29):
Okay? I agree with you on it.
Speaker 5 (19:31):
West then about to be bulldoze and somebody bought West?
Speaker 2 (19:34):
Right, nobody say West? Then I surprised you ain't say West.
Then that's the best American deli. Which leads me to
my next question. Top three wings spots in.
Speaker 1 (19:43):
Atlanta American Daily top through off the top?
Speaker 3 (19:47):
Okay, which one? Yeah, because all of them is not good.
Speaker 8 (19:52):
That's a good question, though.
Speaker 4 (19:54):
That's a that's a hard I can't answer that question.
Speaker 5 (19:56):
It's okay.
Speaker 1 (19:57):
First of all, it's a lot of chicken wings in Atlanta, A.
It's a lot of wings. Some of these chickens are fake.
You're going to go first, face, I go first.
Speaker 5 (20:08):
I got a Magic City trap wings in American deli.
Speaker 6 (20:11):
American deli, I think minds is little ass wings. Okay,
American deli and there's a spot on the north side.
Speaker 2 (20:18):
Bbi's okay, I'm gonna go wings for four Magic City okay.
In blue Flame, yeah, blue.
Speaker 1 (20:27):
Flame, I never, I never ye blue Flames.
Speaker 3 (20:31):
They come fast, they come out faster than the Magic
City Wings.
Speaker 1 (20:34):
Well, we just know Magic City has a high order.
They have a little ass kitchen.
Speaker 3 (20:40):
They have Blue Flame kitchen small as hell too though,
but you.
Speaker 7 (20:44):
Know blue flame they got is it kills the kitchen
that's in, that's in.
Speaker 1 (20:49):
That's a blue Flame Okay, yeah, they got kills kitchen
and they ship man. You know.
Speaker 2 (20:54):
To tell you something, I never knew that in blue Flame, yeah,
not order from from Kills kissing a few times on.
Speaker 1 (21:02):
Er East, Yeah, I know.
Speaker 6 (21:05):
I never I never had a bad not even just wings.
I never had a bad meal at Magic City though,
I never.
Speaker 7 (21:10):
Had anything you order from Magic City is good.
Speaker 1 (21:13):
First of all, you gotta try to lou Will the
lou Will Limit come on the show to the five.
Magic City needs to open up a restaurant.
Speaker 5 (21:23):
Magic Technical tru give us a trunk, said, but it's
been where I just be like, I'm just ordering the
food and while I'm gives that val I just like
I'm just here for the food, but I'm awake.
Speaker 8 (21:36):
But that wing they did fell out, he said, wings
not food.
Speaker 1 (21:44):
I don't nobody wings, but they food you. One time,
one time for magic he turned seventy.
Speaker 7 (21:53):
Okay, yeah, one time a man shout out to ball
and shout out to the whole Magic family.
Speaker 1 (21:58):
We know, we know the food take long because it's
y'all get a lot of orders.
Speaker 4 (22:01):
But I'm away because it tastes good for sure.
Speaker 2 (22:04):
That's why you'm walking. You order and then you.
Speaker 1 (22:07):
Maybe have a little drink. You know what I'm saying.
Speaker 4 (22:09):
That might be by designing so you can enjoy the
environment around.
Speaker 1 (22:13):
No, I'll be going back there in the kitchen. I'll
be walking back. I see them tickets. I'm like, man,
just coming. I just scoop mine up, but just look
a little bit like that.
Speaker 2 (22:23):
And the original chef that was there for like twenty years,
he passed away, so somebody knew it now.
Speaker 1 (22:27):
But anyway, as we you know Magic City, I.
Speaker 2 (22:32):
Used to work, you know, being in the industry so long,
bro I worked in Magic City for five years.
Speaker 3 (22:36):
I was at Blue Flame, a couple of years, I
was at Onyx. I was at the longest though I
forgot about.
Speaker 7 (22:44):
I never ate No, the new Wait, the new Onyx,
y'all have to try They lobster bs for real.
Speaker 1 (22:50):
That's all I'm gonna say. Okay, all right, honest.
Speaker 3 (22:54):
Is I mean liking this?
Speaker 1 (22:57):
It's set.
Speaker 3 (22:59):
It's only I don't want to have sections in.
Speaker 1 (23:01):
The strip club.
Speaker 2 (23:03):
Why I don't I want to walk around? I want
some people want to be secluded. I like the no,
It's like it's like a g sections and I like.
Speaker 3 (23:13):
I like, you might like the Atlanta Signature strip club.
Speaker 1 (23:17):
Man, you might want to go.
Speaker 7 (23:19):
People want to bump into a strip one man, you
might want to walk in there and tell a coming down.
Speaker 1 (23:26):
But they got No.
Speaker 4 (23:28):
You got a point though, because it makes it.
Speaker 1 (23:30):
It makes for good fellowship.
Speaker 7 (23:36):
But look they got they got they got sections at
Blue Flame and Magic City.
Speaker 3 (23:40):
Yeah, because you know what I don't want to talk
about because we got five minutes.
Speaker 7 (23:45):
Okay, all right, so listen, let's let's let's get to it.
We did an episode where a lot of people were
mad at me. A lot of people were upset about
the things that I said. When I said that, you know,
people just reheadlines, right, I said that the reason why
I feel like a lot of things with the night
life in Atlanta, it's not where it's supposed to be
(24:06):
because people are so fueled by money. So what happens
is when people create parties in Atlanta and it don't
work in three weeks, you notice the promoters just quit.
Speaker 1 (24:16):
And that's the fact.
Speaker 7 (24:17):
And I said, I said, the thing about it is
if I feel like if promoters and other other people
that's involved in the night, like if they had other
things going on, then just so focused on this, you
wouldn't do it just strictly for money. I understand we
all trying to make money. Everybody's trying to make a living.
But I said, a lot of people used to be like,
why are y'all party so good on Wednesday?
Speaker 1 (24:38):
Why? I said, because we don't care about money.
Speaker 7 (24:41):
We don't care if five people show up. We gonna drink,
we're gonna have fun, We're gonna sing, gonna listen to
R and B.
Speaker 1 (24:46):
Were gonna get home. Since Keith be.
Speaker 2 (24:47):
Hosting, that's how I'll be over here, Like he ain't
no host, he just be talking time Keith.
Speaker 1 (24:52):
Soon he gets go ahead.
Speaker 6 (24:53):
Y'all, I'm agree with that because, like, because people do
it for the money. Like now, curating party I don't
even like to say I'm a promoter. I like to
say I curate parties because even that sounds so corny. Now,
like I'm a promoter, you know what I mean. Yeah,
But like because it's become like a hustle.
Speaker 1 (25:09):
Now, yeah, I'm a promoter.
Speaker 6 (25:11):
It's a hustle. So nobody's in it for the art
of it. Nobody's in it for the love of it.
So that's why you can have thirty people trying to
copy your R and B party because like, oh, that's working,
so we're gonna try to do it too. Like everybody
try to follow the AG model. Like the what makes
a good party scene is balanced, Like we can go
(25:33):
to something where it's super high end, we can go
to a middle end, we could go to a low end.
Speaker 1 (25:38):
When AG is doing his thing, he becomes the king.
Speaker 6 (25:41):
He's doing He's he was doing monumental stuff nobody has
ever seen. So everybody try to follow it, so everybody
can't be him.
Speaker 1 (25:50):
So that's what made the scene whack.
Speaker 4 (25:51):
Everybody's trying to copy one person when.
Speaker 1 (25:54):
It's like staying Lane do this. You don't have to have.
Speaker 6 (25:56):
All the celebrities that he's really good at that. Maybe
you're really good at something else. But then that's how
we get all these niche things.
Speaker 1 (26:03):
We get R and B. Like I like R and B,
so I'm just have an R and B party. I do.
Speaker 6 (26:06):
I'm a piano, I like, I'm a piano, so I'm
just I'm a piano party. But when you get everybody
trying to copy one person, that's when the scene becomes
corny because now everybody's just trying to chase the.
Speaker 1 (26:16):
Dollar, you know what I mean.
Speaker 5 (26:17):
And what happens in that case is what I do.
Besides that is I support the DJ. I go off
the name I know it mixed Master David Popole. There
sean fight and a cash like I know what I'm
about to get both that's like fast and I'm going
and I'm going to support them, and I'm doing my
thing like whatever, like you said.
Speaker 1 (26:34):
If Usher comes in and that's extra. I'm seeing them
rock out and I'm.
Speaker 5 (26:38):
Like, oh, this, this is this is what I came
for to see my man's rock out. And I'm seeing
people like and I'm like, this is my man like this,
I love this ship.
Speaker 4 (26:46):
And that's very true because you come to my party,
I'm not.
Speaker 1 (26:48):
Playing your music.
Speaker 6 (26:49):
Yeah, and it ain't you simple like like everybody comes
to my Tuesday, Tiana Taylor being there, whoever, I'm not.
You're coming for the party, you know what I'm saying,
You're coming to enjoy yourself. And then, like if it
makes sense, I play it like the Vido came last night.
I'm gonna play a record because it falls into the theme.
Speaker 4 (27:05):
Of what I'm doing.
Speaker 6 (27:06):
Other than that, we're not stopping our program to attend
to you, you.
Speaker 1 (27:10):
Know what I mean. Same thing at the R and
B party that I've seen.
Speaker 7 (27:12):
Yeah, I mean, it's it's getting a little crazy because
it's too many people in there that you know that
that are celebrities that feel like they records should be
played more.
Speaker 1 (27:25):
Than this person than this person.
Speaker 8 (27:29):
Well, you agree from a different perspective, right then, probably
most of y'all because y'all in the night life scene.
Me as an artist, I feel like the scene was
taking down a little bit because of the violence. Okay,
that's the way I looked at it, because ag not
because of anybody in particular. Niggas getting shot in the club.
(27:51):
Out the club made me want to feel like damn
this ship. Ain't saying I don't want to go, So
I'm very siletter. I want to go to the R
and B Wins. I've been here by this shit forever.
I still ain't went your party. Sound dope too, But
that's my perspective coming from an artist, you know what
I'm saying, And I look at stuff like.
Speaker 1 (28:10):
From from promoters.
Speaker 8 (28:11):
I've dealt with promoters who don't care if the artists
make it to the door.
Speaker 1 (28:16):
From the car to the door. Nigga, don't don't care
if you make it home safe. You know what I'm saying.
Speaker 8 (28:22):
So that's the kind of mentality I had to start
protecting myself in, Like if I'm gonna go to a party,
these folks even give a fuck if.
Speaker 1 (28:29):
I make it in this bitch or not. If it
ain't that, then I probably won't even pull up.
Speaker 7 (28:34):
That's that's that's an interesting viewpoint of at you because
a lot of times when we do have uh, you know,
artists and people that pull up that you know that
we rock with, we don't I feel like our energy
like people be dancing part of having so much fun.
Speaker 1 (28:49):
It's like, ain't nobody thinking about that? You know? What
I'm saying. It's it's almost like, yo, if you thinking
about violence.
Speaker 7 (28:57):
At an R and B party, bro, just go to
jail man.
Speaker 1 (29:02):
There's plenty of violence going on there, you know what
I mean.
Speaker 7 (29:05):
And it's like I feel like like even I was
looking at everybody's posting about Cash Party Lives, I was like, Damn,
this looked fun. I was like, damn, I should have
like like I wish I would have known about it.
But it's like that's the feeling that I really don't
feel a lot of times when I see other people
talking about parties or events, I don't feel fomo.
Speaker 1 (29:24):
I don't feel like I missed out.
Speaker 7 (29:26):
Like when I seen everybody tell my Cash Party like
I felt like I missed out.
Speaker 1 (29:30):
I felt like I need to be there because I've
seen the energy.
Speaker 3 (29:32):
That's how you know it's a it's a dope event.
Speaker 6 (29:35):
But again, because that's that just goes with something that's different,
because you're not gonna feel for more over something you've
seen a thousand times. I've been like those certain parties,
you're just like I've been to that type of party
a billion times. When you see something different, you're like, damn,
you know You're like, I wonder what that meant.
Speaker 1 (29:53):
I'm trying to figure out what that be, you know
what I'm saying.
Speaker 6 (29:55):
So again, I think it's just I think and at
the same time, I think, like the scene is not dead,
it's just it's just pivoting. You do have a dope
ass R and B party. You do have a dope
I'm a piano party, you do. You know, people are
trying to figure theirself out instead of trying to follow somebody.
Speaker 1 (30:14):
Like a G who's the king at what he does.
Know what I'm saying, like, you can't. You can't do
what he does. He's the master at that.
Speaker 9 (30:22):
You know what.
Speaker 1 (30:23):
That's what he created. That was his line.
Speaker 6 (30:24):
He's the master at it. I have yet to see
anybody do what he does.
Speaker 2 (30:29):
I would say honorbro second with AG would be my
boy Mike in Miami Headliner.
Speaker 1 (30:36):
Headline is doing this thing close to He's close to AG.
Speaker 6 (30:39):
I think, I think, I think everybody in this city
has something close to a G. But I think at
the end of the day, chances are they were inspired
by AG.
Speaker 1 (30:50):
We got a rap.
Speaker 2 (30:51):
But I just want you guys to just go down,
say your name, tell him how to follow you and
what you got going on?
Speaker 1 (30:56):
Real quick?
Speaker 7 (30:57):
That can't follow You can't follow a new face everyone anyway,
y'all got.
Speaker 3 (31:04):
Go ahead? Its got it.
Speaker 8 (31:05):
Scotty at L c O T T Y A T
L follow me couch Potato Now. I forgot to mention
that I was also a rap artist. Grills by Scotty
pull up we live on Edgewood followed Grills by Scotty
Grills with the Z Scotty what it is?
Speaker 1 (31:21):
DJ Cash at L Cash with a K.
Speaker 6 (31:26):
You know, I got my new single out called Bomba.
Make sure you check it out on all streaming platforms.
Speaker 1 (31:30):
Yeah, follow me? Damn Wait? First of all, did your
Instagram get deleted?
Speaker 5 (31:38):
I'm not very fat. Numbers numbers? I got engagement on
my page, you know what I'm saying. I met Andre
three thousand.
Speaker 4 (31:46):
I shouted out this food critic who said.
Speaker 5 (31:48):
Atlanta food wouldn't they wouldn't know good food if it
smacked them in the face, and Atlanta spoke up on
their behalf. He shout it out, shipped it on traps
Uh City Cafe, he shipped it on Old Lady Game,
and my comments just went crazy, and right after that
my page was gone.
Speaker 1 (32:04):
Suspended. We gotta get that back. We're gonna figure it out.
Speaker 5 (32:08):
The hashtag is forever. You can't delete hashtag. New face
was there, you see it. But again, if you follow me,
you're gonna follow Scottie because we live on the edgewear
December sixth at Smith Flow Bar eighty five South Show Game.
Speaker 1 (32:19):
You're gonna see me on be High.
Speaker 5 (32:20):
But the other page right now is the new style
for now and then building up.
Speaker 1 (32:25):
New Face was there still.
Speaker 5 (32:27):
They can't stop it because I'm out.
Speaker 1 (32:28):
Here in real like damn man. Y'all appreciate you. Man well,
y'all know how to follow me at you know, BT
followed me on all that. I'm saying, I got you.
I gotta put my plug into and ball alert.
Speaker 3 (32:44):
We appreciate y'all
They get.
Speaker 2 (00:06):
Hey Man Broadcast Live from Atlanta, Georgian and Welkinson Baller Show.
Speaker 1 (00:10):
I go by the name of Ferrari Simers.
Speaker 3 (00:11):
I go by the name you know, Beat, new face
DJ cast, got tailor the building.
Speaker 4 (00:17):
What's up, guys, amazing, it just happened.
Speaker 1 (00:21):
Man for the for the for the folks.
Speaker 2 (00:22):
That's like, who the hell are these guys and why
are we here? We just beat and I wanted to
have or a conversation about Atlanta, the culture, the culture,
the nightlife. You guys are all in three different lanes,
and I wanted to make sure we had someone that
could represent each lane properly perfect.
Speaker 5 (00:41):
I'm honored because I'm a fan.
Speaker 2 (00:43):
Please just quickly, quickly introduce yourself and give us a
little quick you know what I'm saying, Uh, run down
to who you are.
Speaker 1 (00:49):
I'm a new face Atlanta's culture historian.
Speaker 5 (00:51):
I would always used to say hip hop order and
people were like, nah, you much more than that. You know,
you're collecting the culture of Atlanta, but not just Atlanta,
just the South, but hip hop in general. But because
I'm you know, a line of adopted me. I'm born
and raised out of Detroit, so you know.
Speaker 1 (01:06):
I've been shot out of Detroit. Yeah you know what up.
Speaker 5 (01:08):
Though, So it's like they adopted me and I can't.
My love is with this city because they embraced me
from day one. I'm talking about freak nick, trap music,
crunk music. I've been here since the genre all these
music started, and I've seen all these artists evolved from
a Scottie atlor, from the careers of all these gentlemen
at this table and our peers amongst us. So I
just been celebrating, and I love progression and evolution, and
(01:31):
so to see my brothers had this platform and see
where they started out from radio to everything from grills
to shows and everything. I'm just here to clap, But
relationships come with that, you know what I'm saying. So
that's what that's what I do, is celebrate, you know,
people that look like us, you know what I'm saying.
They had us in museums, going to art shows and
people celebrating rem Brandts and van Golds, and they didn't
(01:51):
look they wouldn't like didn't look like me, you know
what I'm saying. So now I'm able to clap and
show people a platform that ain't able to go to
events like I'm here and let me show you what
y'all missing and hope flee you at the next one.
Speaker 6 (02:02):
Nice new face DJ Cas DJ Cash aka Big Bomber
aka the Fly Haitian Kid DJ on the radio and
every popping club for the last twenty years here in Georgia,
originally from New York Brooklyn to be I'm not from
New York.
Speaker 4 (02:17):
I'm from Brooklyn.
Speaker 1 (02:20):
Man, I'm winning Nick. That not Atlanta type thing. Oh man,
they're both disappointed. It doesn't matter.
Speaker 6 (02:30):
But yeah, it's been in the night life and tearing
down clubs and radio for the last twenty something like
about twenty years in Atlanta.
Speaker 1 (02:39):
So yeah, Atlanta's home now.
Speaker 2 (02:41):
One of the only DJs that I knew this for
a fact. Quick, this is gonna be quick. DJ Cash
was one of the only DJs that allowed me to
host with him. I'm talking about Cash at the time
when Cash was DJ. You still are DJ Cash, but
I'm talking about Atlanta just had the clubs and there
was no lounges, was none of that. You had to
(03:01):
go to the big clubs. He only allowed me to
host for him, all right, that's a big thing.
Speaker 1 (03:06):
That's because I don't he don't like I do not
like hosts. I was never I never was like quiet
about that. I don't like hosts.
Speaker 4 (03:13):
I'm not the kind of DJ that works well with
others when it comes.
Speaker 1 (03:16):
To don't like. So I'm like, yeah, it was very rare.
Speaker 2 (03:25):
But see I used to let him rock too, and
then he'll let me give my little pocket and then
I just shut up because I know he gotta get off.
Speaker 1 (03:32):
You ain't his control doing this. I'm not doing that's
my boy.
Speaker 2 (03:39):
So I knew to not be next to him because
you want to have this space and he gonna talk
over the lines I'm gonna talk, So I would say, Okay,
let me find my pocket.
Speaker 7 (03:47):
But a lot of DJs who are good at talking,
they they they don't need they don't need that.
Speaker 1 (03:52):
You know what I'm saying.
Speaker 6 (03:53):
This is science to it though, right, So because I'm Caribbean.
In the Caribbean, there is a duo, right But like
the MC and the what we call the selector, the
DJ is like in sync so it's never imprompt too.
Like you you can't give a good performance. You never
perform with a guy.
Speaker 1 (04:10):
You just get on stage and be like, y'all kill
this crowd.
Speaker 4 (04:13):
How you don't know how he plays, you don't know
how he hosts.
Speaker 6 (04:16):
So like there used to be like people used to
literally DJ parties on parties together, like a host used
to work with a specific DJ.
Speaker 4 (04:23):
You know his style, you know what the direction he's
about to go.
Speaker 1 (04:27):
You know how to intro a record.
Speaker 6 (04:28):
So my thing was always like, how he just gonna
you know what I mean, It's just like taking a
rapper and a DJ for the first time ever linking
up and be like, y'all do a show together.
Speaker 1 (04:39):
It ain't gonna sound good. You know what I'm saying.
Speaker 4 (04:41):
It ain't gonna it ain't gonna it ain't gonna work
out the way you think.
Speaker 1 (04:43):
So that was just always my.
Speaker 8 (04:44):
DJ Cash What's at Scotty at l Man east Side represented.
Speaker 1 (04:50):
You to be exact.
Speaker 8 (04:53):
On the grills, they still oh you still company, hey,
little though our own grills by Scottie show. We're here
in Atlanta.
Speaker 2 (05:08):
Stop right there, bro, Come on, man, I give you
flowers like name some people who have came to you
for grills.
Speaker 8 (05:14):
Meghanie Stallion, New Face, Glowrilla, Eastern Ray, some Walker, Big
Boy t I, the Hall.
Speaker 1 (05:24):
Didn't Easter Ray Fly you to Europe.
Speaker 8 (05:27):
Esentially, she didn't fly me there. I flew there. Why
make sure she got her grills on time. That's flew
took a boat all that. So we're in Atlanta. We're
also on the West coast in l A. My first
store in l A was on Mail Rose and I
(05:47):
also have a TV show called Lave on Edgewood. We're
eighty five South.
Speaker 1 (05:52):
It's my boy man.
Speaker 3 (05:53):
Just so you know, my wife grew up with him
as well.
Speaker 2 (05:56):
So my wife know him like Scottie Slick family to Okay,
she from.
Speaker 5 (06:02):
And I text him pictures like day, like this is
me and you nine years ago, eight years ago, five
years ago.
Speaker 4 (06:07):
Like look three years ago we was together and were
back together eight years.
Speaker 1 (06:10):
You know what I'm saying the whole time.
Speaker 2 (06:13):
Now, let me give my boy his flowers because he
does the R and B party. See, everybody in here
does different things. So BT does the R and B party,
and I wanted to have you guys here because it's
different parties.
Speaker 4 (06:24):
Now.
Speaker 3 (06:24):
Before it used to be just a club in Atlanta.
You go to the club, and.
Speaker 2 (06:30):
In the club it was either trapped out and then
you had like segments in the stuff a little bit
of R and B or they do this or that, but.
Speaker 1 (06:37):
They'll play a little Afro beat here and there.
Speaker 2 (06:40):
Now that ship is separated, and I'm starting to see
it in other places too. So you got parties in Houston,
you got R and B parties in New York, but
what you're doing is completely different.
Speaker 1 (06:53):
Yeah.
Speaker 6 (06:53):
So, like I was just telling Scott what the name
of this, It's called Bomba Tuesdays, So Bamba Tuesday's. I
started almost three years ago, and it's like it features
a genre called I'm a Piano. So the crazy thing
is like Atlanta has done it again.
Speaker 1 (07:09):
Like Atlanta is a super special place, like people don't understand.
Speaker 6 (07:12):
So like I'm a Piano is it's a genre like
of African dance music started in South Africa.
Speaker 1 (07:18):
And everywhere you go, like you'll hear it.
Speaker 6 (07:20):
You go to France, you go to Australia, you go
to Portugal. It's everywhere and it's on fire. But the States,
and Atlanta is one of the few states that like
is like.
Speaker 1 (07:30):
Leading the charge in it, you.
Speaker 7 (07:31):
Know what I mean.
Speaker 6 (07:32):
And it's like the only place where you could go.
Like for instance, last night I had my birthday party.
I had John Legend Birthday, Thank you my brother Birthday.
I had John Legend, I had Jadenna, DJ Spinol, I
had Polo to Done, I had d Smoke, I had
the veto all their party into.
Speaker 1 (07:50):
I'm a Piano And it's like.
Speaker 2 (07:52):
Crazy, you know, that's crazy in Atlanta actual birthday, and
like that's another thing, like.
Speaker 6 (08:01):
Like I might be jumping ahead, but like they say,
the night life in Atlanta is dead. I just think
it's just pivoting, you know what I'm saying, because now
it's maybe it may be dead as we know it.
The gigantic clubs and the ten thousand dollars sections is
just pivoting because Atlanta is leading a charge in a
big way under everybody's noses. Like with this genre, because
(08:22):
when you tell to talk to people from South Africa,
there's a girl named Uncle Waffles. She's like one of
the biggest DJs out of South Africa for this genre,
and they acts her two different times a year apart
they said where in the world, because she travels the
world playing I'm a Piano, So she said, they asked
her where in the world is more like the most
like that resembles, you know, South Africa. The most she said,
(08:44):
Atlanta both times a year apart. And it's like, to me,
it's so crazy that so much people don't even know
that Atlanta's leading the charge in something like this, Like
all over the world is doing this, but Atlanta is
just sticking out so much.
Speaker 4 (08:57):
It's so crazy to me. So like, I don't think
like the scene is dead.
Speaker 6 (09:00):
Is just like pivoting to something different that a lot
of people haven't seen it yet and don't understand it yet.
Speaker 1 (09:05):
Bt.
Speaker 2 (09:06):
I was gonna say real quick, same thing with the
R and B parties, right, correct me if I'm wrong.
I didn't see R and B parties until I saw
SL Lounge.
Speaker 7 (09:15):
We was the first, you guys, we was the first.
I remember Brian Michael cos Keith Thomas, no rap, they
and be all Night their R and B All Night.
They were the first people I saw that. They said, oh,
they're doing an R and B party. So I remember
I went to they first night at the like SL
Lounge and it was empty, and I said, I want
(09:36):
to help y'all and they said, listen, we ain't gonna
make no money.
Speaker 1 (09:39):
I said, I don't care.
Speaker 7 (09:41):
This is something different that I'm not saying because every
party I do is trapped out. You hear R and
b afrobeat for ten minutes and we gotta be trapped
out for four hours.
Speaker 3 (09:51):
By the way, But it's okay, go ahead, what you
like trapped out?
Speaker 1 (09:54):
I love listen, I go ahead.
Speaker 7 (09:56):
I love the trap music too. But at some point,
when is it time to talk to the ladies and
dance and have fun.
Speaker 1 (10:02):
It's like we got.
Speaker 7 (10:03):
To end talking about that, so you know he already
he already drunk some bad water.
Speaker 1 (10:12):
Out there, but it's seeing a Chevy on twenty six.
Speaker 7 (10:18):
But it's like now you can see now, it's like
just that atmosphere, like I remember everybody used to be
at cel Lounge at the R and B party, and
then it's like all the people that I remember I
was being promoters in different city and it was like, yeah,
I did this party because.
Speaker 1 (10:35):
I went to cl Lounge. It's all y'all doing it.
Speaker 7 (10:36):
So I took it back to my city or I
took it back to my town, and it's like it's
so crazy.
Speaker 1 (10:42):
Now. It's like every city you go to, their biggest
parties is R and B.
Speaker 2 (10:45):
But you guys got your flowers too, though. You guys
are doing it in Houston. You guys are doing it
in La you guys are doing it with Usher on
the road after his concerts he did hear me Like yeah, bro,
I gotta go to the boss.
Speaker 6 (10:57):
But looks that's another point though, right, like this is
what makes Atlanta so special because would it have worked
and blown up anywhere else? Because the reason why it
works is because of you guys, and who does it
The names you just mentioned like Brian, Michael Cox Key,
these guys are R and B guys, you understand, So like,
(11:20):
I don't know if you have any other city that
has a history like these guys have and the relationships
like these guys have to make that party pick up.
Speaker 3 (11:28):
And I remember going to the R and B party
and I just saw Usher.
Speaker 4 (11:31):
I was like, you know, what are you doing?
Speaker 6 (11:35):
What? Why here?
Speaker 2 (11:36):
And then Sean Garrett was right next to him, and
then you know such as Neo was right next to
him over here, like yo, this is a random Wednesday
night and Raan Martini and.
Speaker 3 (11:46):
This shit is loaded.
Speaker 1 (11:48):
But that's what I'm saying.
Speaker 6 (11:48):
What other city can you go to people the promoters
or the people throwing the party, curating the party have
these type of relationships to say, Kate Usher.
Speaker 1 (11:59):
Come pull up.
Speaker 6 (12:00):
Yeah, you see what I'm saying. So where could I could?
I don't know if it could have worked anywhere else.
Speaker 7 (12:05):
I don't think it could work anywhere else either. I
think the major thing that's also different is that we're
not doing this to make money. We're just doing this
to have fun, to give people opportunities. Like when these
celebrities are in the building, they feel like they're at home.
They walking around, Yo, what's up? Da da da, what's up?
And then it's like if you never been to a party,
if you're out of Tunny might be like, damn Neo
(12:27):
here just kicking it.
Speaker 1 (12:28):
And chilling it.
Speaker 5 (12:29):
Then you got in his hook y'all playing the record
Jazzy Fail up.
Speaker 7 (12:33):
Here before me, and you got Ray J walking around
here acting crazy, and it's like if you never if
you never experienced that these people coming and they so
comfortable because they know this is this is like I
had Mario. We did an interview with Mario and I
was like, hey man, you'll come to my R and
B party and he was like, bet, I'm pulling up.
(12:54):
And then I was like, you know, sometimes you tell
artists that you just now mean, they might be like whatever,
but he called me. He was like, man, everybody's talking
about y'all R and B party. I got to go
and he went there.
Speaker 1 (13:05):
He was like, oh, this is crazy because all his.
Speaker 3 (13:08):
Peers are in there, and now he's telling everybody, but
y'all go.
Speaker 1 (13:11):
Y'all are the reason why.
Speaker 6 (13:13):
Like I go to I go home in New York,
I go everywhere and everybody has an R and B
part and it's funny. Like living in Atlanta, it's like
I go to their party and like this, we spoiled.
Speaker 1 (13:25):
The real It was my birthday and he won there.
Speaker 2 (13:31):
I was like, dude, because I bought the section maybe
two months ahead, come over there, like you motherfucker.
Speaker 1 (13:37):
I was out of town. I had to work. But
you gotta y'all to understand though.
Speaker 6 (13:41):
It's like other people they're trying to recreate the sauce
without using the same ingredients and it don't work.
Speaker 7 (13:47):
It don't work because I've been to other cities, major cities,
and I'm like, I know what they missing. Then I
go to another city and I'll be like, y'all got
to get a DJ that curates to this, and it's
like the problem is these major cities.
Speaker 1 (14:01):
They try to go after the same DJ.
Speaker 7 (14:04):
This DJ may just be good at playing trap, this
DJ may be specializing Afro B, this DJ may specialize
in R.
Speaker 1 (14:12):
And B parties.
Speaker 7 (14:13):
They just want to get Oh who's popular. And I
can always tell because I'm like, why is he playing.
Speaker 6 (14:18):
These R and B song But no, But look that's
that's I'm glad you said that because another reason why
y'all's party work is because y'all stick to what you're saying.
It's an R and B party.
Speaker 3 (14:29):
Stage strict.
Speaker 2 (14:30):
I think maybe they played hip hop maybe the last
two minutes of the party.
Speaker 5 (14:34):
It's almost a reverse, Like you go to a trap event,
like you said club and in the last two minutes
when you pick your shorty R and B th the
last three songs, it's the reverse.
Speaker 1 (14:42):
And I love it because.
Speaker 6 (14:43):
Because it's like different, it reminds me of like when
I first moved here, Like there wasn't a lot of
Caribbean music being paid played in the clubs. It wasn't
a lot of African music being played in the clubs.
And if something was promoted as an international party or
a dance hall party or afroc African party, you go there,
you're gonna hear the you're gonna.
Speaker 1 (15:03):
Hear them, right, and then the rest of it. Now
you're gonna hear gucci.
Speaker 6 (15:09):
Man, this ain't a dance all part of or like
even now because I'm a piano is like a buzzword.
Speaker 4 (15:15):
People like I'm a piano party. You go there and
it's two.
Speaker 6 (15:17):
I'm a piano songs and then the rest they're playing
afrobeat or something else. Your party is an R and
B party, Like I go to these R and B
parties on other markets.
Speaker 1 (15:26):
They're playing Oh, they're lied to you. They're lied to you,
and not only they're playing can we talk? Oh yeah?
And that's it. That's all.
Speaker 7 (15:36):
This is all you get. Really, we just use that
to draw y'all here.
Speaker 1 (15:40):
But now we're about to trap it out, glow Riller.
You're sexy read for the rest of the night.
Speaker 3 (15:47):
So wait, guys, guys, guys, I got something. I got
a game. Scotty at you going first?
Speaker 1 (15:52):
Okay?
Speaker 3 (15:53):
Top three malls in Atlanta Metro Atlanta, Top three. Don't
say a Linux bro, go ahead if you have to.
What's the what's your top three malls of all time?
Speaker 8 (16:05):
Just it's just in general, I'll say in today's world, So.
Speaker 3 (16:10):
If someone's coming to Atlanta and they see this clip
right now.
Speaker 8 (16:13):
Where to go, I'll say, Man, go to the Parima
the ma All Okay, I like that choice.
Speaker 1 (16:19):
My second choice will be.
Speaker 8 (16:23):
Maybe dang, I hate to see any stone, Chris.
Speaker 3 (16:38):
If you want some sneakers because.
Speaker 2 (16:44):
To go to stores and clothes everything else, I will say,
it's a soupman in there that get you.
Speaker 1 (16:50):
You know what?
Speaker 3 (16:51):
Go ahead, okay, my my my last one.
Speaker 8 (16:53):
And I know y'all gonna say, oh man, but I
still got to represent South the cow mall.
Speaker 1 (16:59):
That's cool.
Speaker 2 (16:59):
The American deally fine, they almost out the door. Hey, yeah,
you re.
Speaker 1 (17:09):
Get you some American dad. That's all you need to
get cast.
Speaker 6 (17:13):
Mine's a super unconventional and nobody that lives in Lanta
is gonna agree, especially people that's from Atlanta is gonna
agree with me.
Speaker 4 (17:19):
But as you can see the way I'm dressed, I
just like some different odd.
Speaker 6 (17:23):
Ship, you know what I'm saying. So like my pigs
are gonna be like Perimeter. And then the super unconventional
sugar loaf. Okay, sugar loaf on the loan, got the joints,
you know, what I'm saying.
Speaker 1 (17:34):
And then Waller Georgia.
Speaker 3 (17:36):
Okay, he's going.
Speaker 1 (17:41):
You're not gonna see DJ casts at the mom out
the perimeter used to be.
Speaker 5 (17:50):
So I'm going because if I'm taking somebody, I want
to show off.
Speaker 1 (17:54):
I'm like Phipps, I ain't gonna go in.
Speaker 5 (17:55):
The store and be like, well we got that Gucci,
you know, Phipps.
Speaker 1 (18:00):
I'm going. Then I'm taking the hood. I'm going Green.
Speaker 5 (18:03):
Bride because I be like, like, just what j D discovered, Chris, Like,
I'm telling these historical facts is what JD could discover
criss cross at. And then secondly, I'm going the same
like he said, not south of Calve, South Cap you know,
for the hood ship, you know the American Deli and
camera pizza, all that ship.
Speaker 1 (18:21):
I ain't gonna lie. I don't go to the mall.
I'm not gonna lie. Shout out to Fashion Over Clothing.
Speaker 3 (18:26):
One time for Fashion Over. But hey, tripping bro number.
Speaker 9 (18:30):
One, Cumbering Mall, No, what's Wronging?
Speaker 3 (18:49):
It's not far as in the city. You want to
kind of a little you know, low key low key
a little bit, yeah, cumber them all.
Speaker 6 (18:55):
No, Yeah, I'm on your side of town.
Speaker 1 (19:02):
So I will say Stone Crest.
Speaker 2 (19:04):
Okay, that's why I get my sneakers at because they
always got the sides nine and a half.
Speaker 3 (19:08):
They got nothing but sneakers at the Stone Cust.
Speaker 1 (19:10):
Nobody go there.
Speaker 3 (19:14):
Number three, I gotta rob with my boy, new face,
green Briar.
Speaker 2 (19:19):
Okay, move well, you know, I actually like anybody did
they do the American dealy is?
Speaker 1 (19:29):
Okay? I agree with you on it.
Speaker 5 (19:31):
West then about to be bulldoze and somebody bought West?
Speaker 2 (19:34):
Right, nobody say West? Then I surprised you ain't say West.
Then that's the best American deli. Which leads me to
my next question. Top three wings spots in.
Speaker 1 (19:43):
Atlanta American Daily top through off the top?
Speaker 3 (19:47):
Okay, which one? Yeah, because all of them is not good.
Speaker 8 (19:52):
That's a good question, though.
Speaker 4 (19:54):
That's a that's a hard I can't answer that question.
Speaker 5 (19:56):
It's okay.
Speaker 1 (19:57):
First of all, it's a lot of chicken wings in Atlanta, A.
It's a lot of wings. Some of these chickens are fake.
You're going to go first, face, I go first.
Speaker 5 (20:08):
I got a Magic City trap wings in American deli.
Speaker 6 (20:11):
American deli, I think minds is little ass wings. Okay,
American deli and there's a spot on the north side.
Speaker 2 (20:18):
Bbi's okay, I'm gonna go wings for four Magic City okay.
In blue Flame, yeah, blue.
Speaker 1 (20:27):
Flame, I never, I never ye blue Flames.
Speaker 3 (20:31):
They come fast, they come out faster than the Magic
City Wings.
Speaker 1 (20:34):
Well, we just know Magic City has a high order.
They have a little ass kitchen.
Speaker 3 (20:40):
They have Blue Flame kitchen small as hell too though,
but you.
Speaker 7 (20:44):
Know blue flame they got is it kills the kitchen
that's in, that's in.
Speaker 1 (20:49):
That's a blue Flame Okay, yeah, they got kills kitchen
and they ship man. You know.
Speaker 2 (20:54):
To tell you something, I never knew that in blue Flame, yeah,
not order from from Kills kissing a few times on.
Speaker 1 (21:02):
Er East, Yeah, I know.
Speaker 6 (21:05):
I never I never had a bad not even just wings.
I never had a bad meal at Magic City though,
I never.
Speaker 7 (21:10):
Had anything you order from Magic City is good.
Speaker 1 (21:13):
First of all, you gotta try to lou Will the
lou Will Limit come on the show to the five.
Magic City needs to open up a restaurant.
Speaker 5 (21:23):
Magic Technical tru give us a trunk, said, but it's
been where I just be like, I'm just ordering the
food and while I'm gives that val I just like
I'm just here for the food, but I'm awake.
Speaker 8 (21:36):
But that wing they did fell out, he said, wings
not food.
Speaker 1 (21:44):
I don't nobody wings, but they food you. One time,
one time for magic he turned seventy.
Speaker 7 (21:53):
Okay, yeah, one time a man shout out to ball
and shout out to the whole Magic family.
Speaker 1 (21:58):
We know, we know the food take long because it's
y'all get a lot of orders.
Speaker 4 (22:01):
But I'm away because it tastes good for sure.
Speaker 2 (22:04):
That's why you'm walking. You order and then you.
Speaker 1 (22:07):
Maybe have a little drink. You know what I'm saying.
Speaker 4 (22:09):
That might be by designing so you can enjoy the
environment around.
Speaker 1 (22:13):
No, I'll be going back there in the kitchen. I'll
be walking back. I see them tickets. I'm like, man,
just coming. I just scoop mine up, but just look
a little bit like that.
Speaker 2 (22:23):
And the original chef that was there for like twenty years,
he passed away, so somebody knew it now.
Speaker 1 (22:27):
But anyway, as we you know Magic City, I.
Speaker 2 (22:32):
Used to work, you know, being in the industry so long,
bro I worked in Magic City for five years.
Speaker 3 (22:36):
I was at Blue Flame, a couple of years, I
was at Onyx. I was at the longest though I
forgot about.
Speaker 7 (22:44):
I never ate No, the new Wait, the new Onyx,
y'all have to try They lobster bs for real.
Speaker 1 (22:50):
That's all I'm gonna say. Okay, all right, honest.
Speaker 3 (22:54):
Is I mean liking this?
Speaker 1 (22:57):
It's set.
Speaker 3 (22:59):
It's only I don't want to have sections in.
Speaker 1 (23:01):
The strip club.
Speaker 2 (23:03):
Why I don't I want to walk around? I want
some people want to be secluded. I like the no,
It's like it's like a g sections and I like.
Speaker 3 (23:13):
I like, you might like the Atlanta Signature strip club.
Speaker 1 (23:17):
Man, you might want to go.
Speaker 7 (23:19):
People want to bump into a strip one man, you
might want to walk in there and tell a coming down.
Speaker 1 (23:26):
But they got No.
Speaker 4 (23:28):
You got a point though, because it makes it.
Speaker 1 (23:30):
It makes for good fellowship.
Speaker 7 (23:36):
But look they got they got they got sections at
Blue Flame and Magic City.
Speaker 3 (23:40):
Yeah, because you know what I don't want to talk
about because we got five minutes.
Speaker 7 (23:45):
Okay, all right, so listen, let's let's let's get to it.
We did an episode where a lot of people were
mad at me. A lot of people were upset about
the things that I said. When I said that, you know,
people just reheadlines, right, I said that the reason why
I feel like a lot of things with the night
life in Atlanta, it's not where it's supposed to be
(24:06):
because people are so fueled by money. So what happens
is when people create parties in Atlanta and it don't
work in three weeks, you notice the promoters just quit.
Speaker 1 (24:16):
And that's the fact.
Speaker 7 (24:17):
And I said, I said, the thing about it is
if I feel like if promoters and other other people
that's involved in the night, like if they had other
things going on, then just so focused on this, you
wouldn't do it just strictly for money. I understand we
all trying to make money. Everybody's trying to make a living.
But I said, a lot of people used to be like,
why are y'all party so good on Wednesday?
Speaker 1 (24:38):
Why? I said, because we don't care about money.
Speaker 7 (24:41):
We don't care if five people show up. We gonna drink,
we're gonna have fun, We're gonna sing, gonna listen to
R and B.
Speaker 1 (24:46):
Were gonna get home. Since Keith be.
Speaker 2 (24:47):
Hosting, that's how I'll be over here, Like he ain't
no host, he just be talking time Keith.
Speaker 1 (24:52):
Soon he gets go ahead.
Speaker 6 (24:53):
Y'all, I'm agree with that because, like, because people do
it for the money. Like now, curating party I don't
even like to say I'm a promoter. I like to
say I curate parties because even that sounds so corny. Now,
like I'm a promoter, you know what I mean. Yeah,
But like because it's become like a hustle.
Speaker 1 (25:09):
Now, yeah, I'm a promoter.
Speaker 6 (25:11):
It's a hustle. So nobody's in it for the art
of it. Nobody's in it for the love of it.
So that's why you can have thirty people trying to
copy your R and B party because like, oh, that's working,
so we're gonna try to do it too. Like everybody
try to follow the AG model. Like the what makes
a good party scene is balanced, Like we can go
(25:33):
to something where it's super high end, we can go
to a middle end, we could go to a low end.
Speaker 1 (25:38):
When AG is doing his thing, he becomes the king.
Speaker 6 (25:41):
He's doing He's he was doing monumental stuff nobody has
ever seen. So everybody try to follow it, so everybody
can't be him.
Speaker 1 (25:50):
So that's what made the scene whack.
Speaker 4 (25:51):
Everybody's trying to copy one person when.
Speaker 1 (25:54):
It's like staying Lane do this. You don't have to have.
Speaker 6 (25:56):
All the celebrities that he's really good at that. Maybe
you're really good at something else. But then that's how
we get all these niche things.
Speaker 1 (26:03):
We get R and B. Like I like R and B,
so I'm just have an R and B party. I do.
Speaker 6 (26:06):
I'm a piano, I like, I'm a piano, so I'm
just I'm a piano party. But when you get everybody
trying to copy one person, that's when the scene becomes
corny because now everybody's just trying to chase the.
Speaker 1 (26:16):
Dollar, you know what I mean.
Speaker 5 (26:17):
And what happens in that case is what I do.
Besides that is I support the DJ. I go off
the name I know it mixed Master David Popole. There
sean fight and a cash like I know what I'm
about to get both that's like fast and I'm going
and I'm going to support them, and I'm doing my
thing like whatever, like you said.
Speaker 1 (26:34):
If Usher comes in and that's extra. I'm seeing them
rock out and I'm.
Speaker 5 (26:38):
Like, oh, this, this is this is what I came
for to see my man's rock out. And I'm seeing
people like and I'm like, this is my man like this,
I love this ship.
Speaker 4 (26:46):
And that's very true because you come to my party,
I'm not.
Speaker 1 (26:48):
Playing your music.
Speaker 6 (26:49):
Yeah, and it ain't you simple like like everybody comes
to my Tuesday, Tiana Taylor being there, whoever, I'm not.
You're coming for the party, you know what I'm saying,
You're coming to enjoy yourself. And then, like if it
makes sense, I play it like the Vido came last night.
I'm gonna play a record because it falls into the theme.
Speaker 4 (27:05):
Of what I'm doing.
Speaker 6 (27:06):
Other than that, we're not stopping our program to attend
to you, you.
Speaker 1 (27:10):
Know what I mean. Same thing at the R and
B party that I've seen.
Speaker 7 (27:12):
Yeah, I mean, it's it's getting a little crazy because
it's too many people in there that you know that
that are celebrities that feel like they records should be
played more.
Speaker 1 (27:25):
Than this person than this person.
Speaker 8 (27:29):
Well, you agree from a different perspective, right then, probably
most of y'all because y'all in the night life scene.
Me as an artist, I feel like the scene was
taking down a little bit because of the violence. Okay,
that's the way I looked at it, because ag not
because of anybody in particular. Niggas getting shot in the club.
(27:51):
Out the club made me want to feel like damn
this ship. Ain't saying I don't want to go, So
I'm very siletter. I want to go to the R
and B Wins. I've been here by this shit forever.
I still ain't went your party. Sound dope too, But
that's my perspective coming from an artist, you know what
I'm saying, And I look at stuff like.
Speaker 1 (28:10):
From from promoters.
Speaker 8 (28:11):
I've dealt with promoters who don't care if the artists
make it to the door.
Speaker 1 (28:16):
From the car to the door. Nigga, don't don't care
if you make it home safe. You know what I'm saying.
Speaker 8 (28:22):
So that's the kind of mentality I had to start
protecting myself in, Like if I'm gonna go to a party,
these folks even give a fuck if.
Speaker 1 (28:29):
I make it in this bitch or not. If it
ain't that, then I probably won't even pull up.
Speaker 7 (28:34):
That's that's that's an interesting viewpoint of at you because
a lot of times when we do have uh, you know,
artists and people that pull up that you know that
we rock with, we don't I feel like our energy
like people be dancing part of having so much fun.
Speaker 1 (28:49):
It's like, ain't nobody thinking about that? You know? What
I'm saying. It's it's almost like, yo, if you thinking
about violence.
Speaker 7 (28:57):
At an R and B party, bro, just go to
jail man.
Speaker 1 (29:02):
There's plenty of violence going on there, you know what
I mean.
Speaker 7 (29:05):
And it's like I feel like like even I was
looking at everybody's posting about Cash Party Lives, I was like, Damn,
this looked fun. I was like, damn, I should have
like like I wish I would have known about it.
But it's like that's the feeling that I really don't
feel a lot of times when I see other people
talking about parties or events, I don't feel fomo.
Speaker 1 (29:24):
I don't feel like I missed out.
Speaker 7 (29:26):
Like when I seen everybody tell my Cash Party like
I felt like I missed out.
Speaker 1 (29:30):
I felt like I need to be there because I've
seen the energy.
Speaker 3 (29:32):
That's how you know it's a it's a dope event.
Speaker 6 (29:35):
But again, because that's that just goes with something that's different,
because you're not gonna feel for more over something you've
seen a thousand times. I've been like those certain parties,
you're just like I've been to that type of party
a billion times. When you see something different, you're like, damn,
you know You're like, I wonder what that meant.
Speaker 1 (29:53):
I'm trying to figure out what that be, you know
what I'm saying.
Speaker 6 (29:55):
So again, I think it's just I think and at
the same time, I think, like the scene is not dead,
it's just it's just pivoting. You do have a dope
ass R and B party. You do have a dope
I'm a piano party, you do. You know, people are
trying to figure theirself out instead of trying to follow somebody.
Speaker 1 (30:14):
Like a G who's the king at what he does.
Know what I'm saying, like, you can't. You can't do
what he does. He's the master at that.
Speaker 9 (30:22):
You know what.
Speaker 1 (30:23):
That's what he created. That was his line.
Speaker 6 (30:24):
He's the master at it. I have yet to see
anybody do what he does.
Speaker 2 (30:29):
I would say honorbro second with AG would be my
boy Mike in Miami Headliner.
Speaker 1 (30:36):
Headline is doing this thing close to He's close to AG.
Speaker 6 (30:39):
I think, I think, I think everybody in this city
has something close to a G. But I think at
the end of the day, chances are they were inspired
by AG.
Speaker 1 (30:50):
We got a rap.
Speaker 2 (30:51):
But I just want you guys to just go down,
say your name, tell him how to follow you and
what you got going on?
Speaker 1 (30:56):
Real quick?
Speaker 7 (30:57):
That can't follow You can't follow a new face everyone anyway,
y'all got.
Speaker 3 (31:04):
Go ahead? Its got it.
Speaker 8 (31:05):
Scotty at L c O T T Y A T
L follow me couch Potato Now. I forgot to mention
that I was also a rap artist. Grills by Scotty
pull up we live on Edgewood followed Grills by Scotty
Grills with the Z Scotty what it is?
Speaker 1 (31:21):
DJ Cash at L Cash with a K.
Speaker 6 (31:26):
You know, I got my new single out called Bomba.
Make sure you check it out on all streaming platforms.
Speaker 1 (31:30):
Yeah, follow me? Damn Wait? First of all, did your
Instagram get deleted?
Speaker 5 (31:38):
I'm not very fat. Numbers numbers? I got engagement on
my page, you know what I'm saying. I met Andre
three thousand.
Speaker 4 (31:46):
I shouted out this food critic who said.
Speaker 5 (31:48):
Atlanta food wouldn't they wouldn't know good food if it
smacked them in the face, and Atlanta spoke up on
their behalf. He shout it out, shipped it on traps
Uh City Cafe, he shipped it on Old Lady Game,
and my comments just went crazy, and right after that
my page was gone.
Speaker 1 (32:04):
Suspended. We gotta get that back. We're gonna figure it out.
Speaker 5 (32:08):
The hashtag is forever. You can't delete hashtag. New face
was there, you see it. But again, if you follow me,
you're gonna follow Scottie because we live on the edgewear
December sixth at Smith Flow Bar eighty five South Show Game.
Speaker 1 (32:19):
You're gonna see me on be High.
Speaker 5 (32:20):
But the other page right now is the new style
for now and then building up.
Speaker 1 (32:25):
New Face was there still.
Speaker 5 (32:27):
They can't stop it because I'm out.
Speaker 1 (32:28):
Here in real like damn man. Y'all appreciate you. Man well,
y'all know how to follow me at you know, BT
followed me on all that. I'm saying, I got you.
I gotta put my plug into and ball alert.
Speaker 3 (32:44):
We appreciate y'all
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