August 14, 2025 • 13 mins
Episode 395 - “Dee Mula” Feat: Ferrari Simmons & You Know BT Produced by: Baller Alert
Dee Mula pulled up and kept it 100! From growing up in Memphis and navigating the rap game to his thoughts on street politics, industry clout, and staying mentally strong — nothing was off limits. He talks label moves with Endless, working with Z-Bo’s team, and why he treats women like “black forces.” Plus, his message for the fake energy in the game.
See omnystudio.com/listener for privacy information.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
They called me.
Speaker 2 (00:05):
Broadcast live from the Nage Law from studios. Welcome to
the Ball Alert show here in Atlanta. I go by
the name for Simmons, I go by the name you know,
B team.
Speaker 3 (00:13):
Make sure I say it right.
Speaker 2 (00:14):
D Moolah in the building, like I said my guy
going on, welcome the ball Alert Man.
Speaker 3 (00:23):
How you doing man?
Speaker 2 (00:24):
We were just talking about you was We're gonna say,
we're gonna send you the hungry a f They want
to they want our sponsors of the right one.
Speaker 3 (00:31):
All of them, the right one, but you gotta go
to the one in SMARTERA. That's our favorite one.
Speaker 2 (00:36):
It's like, uh, if Atlanta's in the middle right here
of the map, it's.
Speaker 1 (00:39):
Like it's closest to where we are a little bit.
It's like fifteen minutes from fifteen minutes. They all be
busy like, yeah, bro, everybody trying to get that that
that pasta.
Speaker 2 (00:50):
Yeah, that type of wings. Yeah it went the wings
five wings five for sure.
Speaker 3 (00:56):
Now we was talking off camera.
Speaker 4 (00:57):
You from Memphis, what part what side of them like
the East Parkway village.
Speaker 5 (01:03):
Like the hood?
Speaker 2 (01:04):
Educating what is that name? What is Educate me on
where that is? I know you say East but like
actually ford it like get American way, Okay, are there
any other notable people from that particular side of Memphis?
Speaker 5 (01:18):
Like what you mean like.
Speaker 2 (01:19):
People people we might know people we may know that
from that from that part of town, from village.
Speaker 5 (01:28):
I don't even just know off the top of the
head I read it. I'm just rid of red bout me.
I don't know.
Speaker 2 (01:33):
Okay, say let's say, let's okay, I gotta read.
Speaker 3 (01:36):
The live now.
Speaker 1 (01:37):
Let me ask you this, like how is it growing
up in Memphis than when you grew up versus today?
Speaker 3 (01:45):
Like growing up?
Speaker 4 (01:46):
Yeah, I ain't gonna lie, like everything chined, like the respect,
the principles and ship like that, this like anything.
Speaker 2 (01:53):
Like okay, so so it got worse like it like
it's just like people snitching all this they still get
a little like it's just it's just different. Now that's everywhere, man,
Like it's it's uh, it's almost where now the you know,
the streets, in the in the in the the industry.
Speaker 3 (02:14):
That went into the streets and.
Speaker 2 (02:17):
Sometimes you don't even know if this is uh, if
this is a play, publicity, public stuff or what, because
you know, in the music industry it's uh it's no rules,
like it's not really structure.
Speaker 3 (02:33):
Yeah, but it's also corporate.
Speaker 5 (02:35):
See I'm just got in the murders. Like the music
industry though.
Speaker 3 (02:39):
Oh you here, I ain't see where you are. You
in it, but I ain't seen.
Speaker 4 (02:43):
What it's like, like like about the big rappers, I
ain't up third year, like I'm trying, I ain't seen
what it's like, but I know I've been hearing.
Speaker 5 (02:49):
I've been seeing some of this like that.
Speaker 2 (02:50):
You know, but like, for example, in the music industry,
you can't go beat up somebody because the paperwork was made.
Speaker 5 (02:59):
You have found out get so for a lot of shit.
Speaker 2 (03:03):
But that's what I'm saying. I feel like, I feel
like now that that has entered the streets a little bit,
because now people are not holding to street morals and
values and how you was raised.
Speaker 3 (03:18):
And now they just there's a lot of.
Speaker 4 (03:20):
Both sides playing like like back then we just knew
exactly who was in toour with, like we had smoke
with these people over us versus them man like people
over here they be like acting like they ain't got
nothing to do with the whole time they go over there.
Speaker 5 (03:34):
Man, playing both sides and.
Speaker 2 (03:38):
How how does the artist like you maneuver through that
because you are doing music, so now this is your profession.
So you have to figure out ways to maneuver through
it and still be streets. Just now that you're you know,
coming out of that and becoming a professional artist, a
musician that is like your this is this is your job. Now,
(04:01):
how do you maintain sanity? How do you stay on point?
Speaker 4 (04:06):
I don't know, like I ain't not just be really
staying the same though, like you only stay on point,
like you stay the same, like you ain't no faker
at me like something some people like some people can't
go back to their hood. They fake your head like
some people fly and shit they be capping and sit
like I can go back to my hood and shit
for really.
Speaker 5 (04:22):
They love me, you know, the screeeks don't love nobody though.
Speaker 3 (04:26):
This is true.
Speaker 2 (04:27):
So when you go back to your hood, you just
gotta be smart when you go back, like you still.
Speaker 5 (04:30):
Gotta move how you move or you know, I was
gonna be a hating that nigg in the crab for sure.
One hate that, you know.
Speaker 2 (04:37):
Okay, So let's talk about the music. What we got
coming out right now?
Speaker 4 (04:41):
I ain't just got no project coming out right now,
just really just pushing this song, like my song like
the motherfucker going crazy.
Speaker 2 (04:49):
For those who don't know that, blow my eye, blow
my head.
Speaker 3 (04:52):
Sure, and that's it. You're recording some ship though. Yeah.
Speaker 5 (04:55):
I got plentymies so so much.
Speaker 2 (04:58):
Nigg y'ah memph his niggas alway got music.
Speaker 3 (05:01):
No, they got music.
Speaker 2 (05:06):
That motherfucker put that you right before that are nigga.
Speaker 1 (05:10):
I'm saying saying music music, merg it.
Speaker 2 (05:17):
That ship follow Okay, all right, so look man, you
got music coming out, well, you got a song coming out,
you got playing music? Are you gonna put the project out? Sometimes?
Speaker 3 (05:29):
This year is gonna be topic.
Speaker 5 (05:31):
Trying to pro Probably put one out for my birthday. Birthday.
Speaker 4 (05:40):
Yeah, I don't know that what I'm saying, I ain't
thinking about it, but that's what I played. I might
plan on doing it for my birthday, dropping another album
for him.
Speaker 1 (05:48):
Now you signed, Yeah, I'm more endless, so.
Speaker 5 (05:53):
Like you know, I ain't really just this is like
a major independent.
Speaker 1 (05:56):
Like that's that's why I know exactly who y'all are
now you guys that label is famous for signing people
like money Back Yo.
Speaker 3 (06:07):
Yeah, so big So did y'all all'all like came up together.
Speaker 4 (06:13):
Yeah, we're from the same like we're from different hoods,
but like you know, it was small meths ain't there
be like we all know each other like growing up
mm hmm from like different hoods and ship like that.
Speaker 3 (06:24):
So how'd you end up getting signed with endless h ship?
Speaker 4 (06:28):
Working my songs and was getting hot like she was
getting hot, Like I remember before I one sign.
Speaker 5 (06:34):
I would tell him the sign. He was like, yeah,
I'm gonna fuck withna fuck with to keep working. Then
my one of my songs had popped. I double back.
Speaker 2 (06:41):
He's like, come on, just like that, you literally talked
your way into a deal.
Speaker 4 (06:48):
Yeah, this un though, like he been around though, been
having money and ship. Got y'all got interview him. He's
been having money and ship.
Speaker 1 (06:58):
If he do interviews and for me, he'll do his
head man, Okay, all right, So look, can't forget ze bow.
Speaker 3 (07:06):
You know double big Home. I got big Home.
Speaker 5 (07:10):
It's big.
Speaker 2 (07:10):
It's sixteen motherfucker. Alright, So look it's time for you
got me. What's getting on your damn nerves out here
in these streeks? What's some ship got damn you know
what I'm saying. You can't stand the motherfucker face timing
you or for real, now that's your camera right now.
You know what I'm saying, Like, just.
Speaker 3 (07:30):
Go ahead express yourself. Bro? What anything particularly.
Speaker 5 (07:33):
Blowing the nigga hut? Like you know how they go?
Speaker 3 (07:36):
What's the what's the dude? What's some dudes and those?
What's the regulations for him?
Speaker 5 (07:39):
Hold on? What's That'll give me an example?
Speaker 2 (07:41):
Like what's some ship that you don't want the motherfucker
to do? Like, hey, bro, when you come around the crew,
will you come around me?
Speaker 3 (07:46):
Man?
Speaker 2 (07:46):
This is what you I need you the god damn
be on some cool ship.
Speaker 4 (07:49):
Or you come around with your camera acting like you
takes in it, faking like you're on the phone, but
you really recording, like you know flos Man ships right there.
Speaker 3 (08:01):
Come around with your camera. All right?
Speaker 2 (08:05):
So we got another segment called do you Like Me?
This is the point in an interview where you just
look at that camera and shout out your crush. Now
your crush to be a celebrity crush.
Speaker 3 (08:17):
This is the time.
Speaker 5 (08:18):
This got no celebrity CRUs It's the.
Speaker 3 (08:19):
Point for you to shoot your shot.
Speaker 5 (08:21):
Lot. I ain't got no celebrity crust right now.
Speaker 2 (08:27):
You don't got no goddamn a little little shot that
you got all had.
Speaker 5 (08:31):
You ain't you want a female?
Speaker 4 (08:34):
I see, I see a lot of female like Nigga
ain't got no crush though, Nigga ain't crushing this.
Speaker 3 (08:40):
High school. Okay, time out? Okay.
Speaker 2 (08:41):
So if you have to deliver a message for someone
that you know is watching this, do you have a
message for somebody in particular?
Speaker 1 (08:50):
Uh?
Speaker 3 (08:50):
No, that mean hes gonna get in trouble. I mean
he already got.
Speaker 5 (08:58):
I ain't gonna lie.
Speaker 3 (08:59):
I just don't be like.
Speaker 4 (09:00):
I ain't gonna lie, Finn, the spice, the holes. I
ain't evenna coming the game, Spice. No like when you
come here, Oh what's up? I won't hold and I
don't even see they were wrong with you piping get
the whole heads will be. I ain't coming in the
game doing it. Treating like black forces, No black treating
(09:23):
straight black forces, not.
Speaker 3 (09:25):
The black forces.
Speaker 4 (09:27):
A last they heard they already niggas fucking the game
or already paying for so you can go in the
game without it. Man, I ain't coming the game. Worried
about noses were getting strape money now for sure.
Speaker 2 (09:43):
Know I got you. So this is this is our
last part of the show. It's uh, it's a serious
tone one time for the Faith Project, Keisha.
Speaker 3 (09:50):
What's up?
Speaker 2 (09:51):
It's called the mental health check.
Speaker 3 (09:53):
In de Moulah.
Speaker 2 (09:56):
What do you do the strength of your mental health?
Speaker 3 (09:59):
If you do so? Do you go to therapy? Do
you talk to somebody if you're having a bad day?
Speaker 4 (10:04):
What do you do? I ain't gonna lie like when
I was when I would going through like some little
like ship like that, I would like.
Speaker 5 (10:14):
Shit and niggas be getting high shit. But now I
just be praying and shit like more.
Speaker 4 (10:18):
And I got like little Chase massage to come to
my phone and shit like little prayers and ship.
Speaker 5 (10:22):
I read them and keep going.
Speaker 3 (10:23):
Who's sending the prayers? She don't even know.
Speaker 4 (10:26):
Some dude be sending shit like I just when I
share it. One day, it's just all the mega started
coming to my phone all day. So now that is
what I be reading, like a little daily meditation that fire.
Speaker 1 (10:36):
Bro.
Speaker 5 (10:36):
Yeah, it's a sign, right, just kidding it going like
cause I ain't gonna lie. When I was in jail,
I just I was in the bath.
Speaker 4 (10:41):
When I was in jail and when I got out,
I should have got off the bath and then she
just bring me back to it like right there them
a little meditation like yeah, this is what I was doing,
Like you know, this shit really help a nigga tho.
Speaker 3 (10:53):
So now listen, man, We're proud of you.
Speaker 5 (10:55):
Man, I appreciate it.
Speaker 2 (10:56):
Would love for you to come and continue to come
back where you drive your project. Come to Atlanta. Make
sure you tap in. We're gonna shoot you my direct
line brother, and.
Speaker 3 (11:05):
We're gonna bring you some hall grid yea, We're gonna
hey yeah, next time you come, we're gonna yeah.
Speaker 2 (11:16):
And I got some producers on deck too for you
know fire producers say you pack, yeah for sure. All right, well,
ship man, we appreciate you pulling up to the Nagel
Law Firm studio right here on the Ball Alert Show,
right here in Atlanta, Georgia. Give us some shout outs my.
Speaker 4 (11:31):
Brother, shout out the Endless Mind, shout out of super
Shot Parkway, shout out to God.
Speaker 2 (11:36):
You know, yeah, yeah, the mula in the building. You
know the vibes, you know beat t Ball Alert Show.
Oh wait, hold up, you got something. You gotta add
something ahead go ahead, you're coming up.
Speaker 5 (12:03):
Broke my.
Speaker 3 (12:08):
Focus on me.
Speaker 4 (12:08):
My old album job focused on men.
Speaker 3 (12:15):
Yeah yeah, going on the walk in on the waffle house,
even house. He never forgot to shout out three people
crew I did. Okay, Okay, it's the crew right there.
Speaker 2 (12:31):
Okay, okay, sound I got a whole pack for y'all
your nig Yeah, ball alert, We're gone.
Speaker 3 (12:41):
Just close the door so you get there.
Speaker 5 (12:44):
What I need say?
Speaker 3 (12:45):
What's up? Is the mula? Coming up next? On ball alert?
All right? You yo?
Speaker 5 (12:51):
What population boy d big mula? I'm coming up next
on ball alert? What what's up?
Speaker 1 (13:05):
Over?
Speaker 3 (13:06):
No, no, m
They called me.
Speaker 2 (00:05):
Broadcast live from the Nage Law from studios. Welcome to
the Ball Alert show here in Atlanta. I go by
the name for Simmons, I go by the name you know,
B team.
Speaker 3 (00:13):
Make sure I say it right.
Speaker 2 (00:14):
D Moolah in the building, like I said my guy
going on, welcome the ball Alert Man.
Speaker 3 (00:23):
How you doing man?
Speaker 2 (00:24):
We were just talking about you was We're gonna say,
we're gonna send you the hungry a f They want
to they want our sponsors of the right one.
Speaker 3 (00:31):
All of them, the right one, but you gotta go
to the one in SMARTERA. That's our favorite one.
Speaker 2 (00:36):
It's like, uh, if Atlanta's in the middle right here
of the map, it's.
Speaker 1 (00:39):
Like it's closest to where we are a little bit.
It's like fifteen minutes from fifteen minutes. They all be
busy like, yeah, bro, everybody trying to get that that
that pasta.
Speaker 2 (00:50):
Yeah, that type of wings. Yeah it went the wings
five wings five for sure.
Speaker 3 (00:56):
Now we was talking off camera.
Speaker 4 (00:57):
You from Memphis, what part what side of them like
the East Parkway village.
Speaker 5 (01:03):
Like the hood?
Speaker 2 (01:04):
Educating what is that name? What is Educate me on
where that is? I know you say East but like
actually ford it like get American way, Okay, are there
any other notable people from that particular side of Memphis?
Speaker 5 (01:18):
Like what you mean like.
Speaker 2 (01:19):
People people we might know people we may know that
from that from that part of town, from village.
Speaker 5 (01:28):
I don't even just know off the top of the
head I read it. I'm just rid of red bout me.
I don't know.
Speaker 2 (01:33):
Okay, say let's say, let's okay, I gotta read.
Speaker 3 (01:36):
The live now.
Speaker 1 (01:37):
Let me ask you this, like how is it growing
up in Memphis than when you grew up versus today?
Speaker 3 (01:45):
Like growing up?
Speaker 4 (01:46):
Yeah, I ain't gonna lie, like everything chined, like the respect,
the principles and ship like that, this like anything.
Speaker 2 (01:53):
Like okay, so so it got worse like it like
it's just like people snitching all this they still get
a little like it's just it's just different. Now that's everywhere, man,
Like it's it's uh, it's almost where now the you know,
the streets, in the in the in the the industry.
Speaker 3 (02:14):
That went into the streets and.
Speaker 2 (02:17):
Sometimes you don't even know if this is uh, if
this is a play, publicity, public stuff or what, because
you know, in the music industry it's uh it's no rules,
like it's not really structure.
Speaker 3 (02:33):
Yeah, but it's also corporate.
Speaker 5 (02:35):
See I'm just got in the murders. Like the music
industry though.
Speaker 3 (02:39):
Oh you here, I ain't see where you are. You
in it, but I ain't seen.
Speaker 4 (02:43):
What it's like, like like about the big rappers, I
ain't up third year, like I'm trying, I ain't seen
what it's like, but I know I've been hearing.
Speaker 5 (02:49):
I've been seeing some of this like that.
Speaker 2 (02:50):
You know, but like, for example, in the music industry,
you can't go beat up somebody because the paperwork was made.
Speaker 5 (02:59):
You have found out get so for a lot of shit.
Speaker 2 (03:03):
But that's what I'm saying. I feel like, I feel
like now that that has entered the streets a little bit,
because now people are not holding to street morals and
values and how you was raised.
Speaker 3 (03:18):
And now they just there's a lot of.
Speaker 4 (03:20):
Both sides playing like like back then we just knew
exactly who was in toour with, like we had smoke
with these people over us versus them man like people
over here they be like acting like they ain't got
nothing to do with the whole time they go over there.
Speaker 5 (03:34):
Man, playing both sides and.
Speaker 2 (03:38):
How how does the artist like you maneuver through that
because you are doing music, so now this is your profession.
So you have to figure out ways to maneuver through
it and still be streets. Just now that you're you know,
coming out of that and becoming a professional artist, a
musician that is like your this is this is your job. Now,
(04:01):
how do you maintain sanity? How do you stay on point?
Speaker 4 (04:06):
I don't know, like I ain't not just be really
staying the same though, like you only stay on point,
like you stay the same, like you ain't no faker
at me like something some people like some people can't
go back to their hood. They fake your head like
some people fly and shit they be capping and sit
like I can go back to my hood and shit
for really.
Speaker 5 (04:22):
They love me, you know, the screeeks don't love nobody though.
Speaker 3 (04:26):
This is true.
Speaker 2 (04:27):
So when you go back to your hood, you just
gotta be smart when you go back, like you still.
Speaker 5 (04:30):
Gotta move how you move or you know, I was
gonna be a hating that nigg in the crab for sure.
One hate that, you know.
Speaker 2 (04:37):
Okay, So let's talk about the music. What we got
coming out right now?
Speaker 4 (04:41):
I ain't just got no project coming out right now,
just really just pushing this song, like my song like
the motherfucker going crazy.
Speaker 2 (04:49):
For those who don't know that, blow my eye, blow
my head.
Speaker 3 (04:52):
Sure, and that's it. You're recording some ship though. Yeah.
Speaker 5 (04:55):
I got plentymies so so much.
Speaker 2 (04:58):
Nigg y'ah memph his niggas alway got music.
Speaker 3 (05:01):
No, they got music.
Speaker 2 (05:06):
That motherfucker put that you right before that are nigga.
Speaker 1 (05:10):
I'm saying saying music music, merg it.
Speaker 2 (05:17):
That ship follow Okay, all right, so look man, you
got music coming out, well, you got a song coming out,
you got playing music? Are you gonna put the project out? Sometimes?
Speaker 3 (05:29):
This year is gonna be topic.
Speaker 5 (05:31):
Trying to pro Probably put one out for my birthday. Birthday.
Speaker 4 (05:40):
Yeah, I don't know that what I'm saying, I ain't
thinking about it, but that's what I played. I might
plan on doing it for my birthday, dropping another album
for him.
Speaker 1 (05:48):
Now you signed, Yeah, I'm more endless, so.
Speaker 5 (05:53):
Like you know, I ain't really just this is like
a major independent.
Speaker 1 (05:56):
Like that's that's why I know exactly who y'all are
now you guys that label is famous for signing people
like money Back Yo.
Speaker 3 (06:07):
Yeah, so big So did y'all all'all like came up together.
Speaker 4 (06:13):
Yeah, we're from the same like we're from different hoods,
but like you know, it was small meths ain't there
be like we all know each other like growing up
mm hmm from like different hoods and ship like that.
Speaker 3 (06:24):
So how'd you end up getting signed with endless h ship?
Speaker 4 (06:28):
Working my songs and was getting hot like she was
getting hot, Like I remember before I one sign.
Speaker 5 (06:34):
I would tell him the sign. He was like, yeah,
I'm gonna fuck withna fuck with to keep working. Then
my one of my songs had popped. I double back.
Speaker 2 (06:41):
He's like, come on, just like that, you literally talked
your way into a deal.
Speaker 4 (06:48):
Yeah, this un though, like he been around though, been
having money and ship. Got y'all got interview him. He's
been having money and ship.
Speaker 1 (06:58):
If he do interviews and for me, he'll do his
head man, Okay, all right, So look, can't forget ze bow.
Speaker 3 (07:06):
You know double big Home. I got big Home.
Speaker 5 (07:10):
It's big.
Speaker 2 (07:10):
It's sixteen motherfucker. Alright, So look it's time for you
got me. What's getting on your damn nerves out here
in these streeks? What's some ship got damn you know
what I'm saying. You can't stand the motherfucker face timing
you or for real, now that's your camera right now.
You know what I'm saying, Like, just.
Speaker 3 (07:30):
Go ahead express yourself. Bro? What anything particularly.
Speaker 5 (07:33):
Blowing the nigga hut? Like you know how they go?
Speaker 3 (07:36):
What's the what's the dude? What's some dudes and those?
What's the regulations for him?
Speaker 5 (07:39):
Hold on? What's That'll give me an example?
Speaker 2 (07:41):
Like what's some ship that you don't want the motherfucker
to do? Like, hey, bro, when you come around the crew,
will you come around me?
Speaker 3 (07:46):
Man?
Speaker 2 (07:46):
This is what you I need you the god damn
be on some cool ship.
Speaker 4 (07:49):
Or you come around with your camera acting like you
takes in it, faking like you're on the phone, but
you really recording, like you know flos Man ships right there.
Speaker 3 (08:01):
Come around with your camera. All right?
Speaker 2 (08:05):
So we got another segment called do you Like Me?
This is the point in an interview where you just
look at that camera and shout out your crush. Now
your crush to be a celebrity crush.
Speaker 3 (08:17):
This is the time.
Speaker 5 (08:18):
This got no celebrity CRUs It's the.
Speaker 3 (08:19):
Point for you to shoot your shot.
Speaker 5 (08:21):
Lot. I ain't got no celebrity crust right now.
Speaker 2 (08:27):
You don't got no goddamn a little little shot that
you got all had.
Speaker 5 (08:31):
You ain't you want a female?
Speaker 4 (08:34):
I see, I see a lot of female like Nigga
ain't got no crush though, Nigga ain't crushing this.
Speaker 3 (08:40):
High school. Okay, time out? Okay.
Speaker 2 (08:41):
So if you have to deliver a message for someone
that you know is watching this, do you have a
message for somebody in particular?
Speaker 1 (08:50):
Uh?
Speaker 3 (08:50):
No, that mean hes gonna get in trouble. I mean
he already got.
Speaker 5 (08:58):
I ain't gonna lie.
Speaker 3 (08:59):
I just don't be like.
Speaker 4 (09:00):
I ain't gonna lie, Finn, the spice, the holes. I
ain't evenna coming the game, Spice. No like when you
come here, Oh what's up? I won't hold and I
don't even see they were wrong with you piping get
the whole heads will be. I ain't coming in the
game doing it. Treating like black forces, No black treating
(09:23):
straight black forces, not.
Speaker 3 (09:25):
The black forces.
Speaker 4 (09:27):
A last they heard they already niggas fucking the game
or already paying for so you can go in the
game without it. Man, I ain't coming the game. Worried
about noses were getting strape money now for sure.
Speaker 2 (09:43):
Know I got you. So this is this is our
last part of the show. It's uh, it's a serious
tone one time for the Faith Project, Keisha.
Speaker 3 (09:50):
What's up?
Speaker 2 (09:51):
It's called the mental health check.
Speaker 3 (09:53):
In de Moulah.
Speaker 2 (09:56):
What do you do the strength of your mental health?
Speaker 3 (09:59):
If you do so? Do you go to therapy? Do
you talk to somebody if you're having a bad day?
Speaker 4 (10:04):
What do you do? I ain't gonna lie like when
I was when I would going through like some little
like ship like that, I would like.
Speaker 5 (10:14):
Shit and niggas be getting high shit. But now I
just be praying and shit like more.
Speaker 4 (10:18):
And I got like little Chase massage to come to
my phone and shit like little prayers and ship.
Speaker 5 (10:22):
I read them and keep going.
Speaker 3 (10:23):
Who's sending the prayers? She don't even know.
Speaker 4 (10:26):
Some dude be sending shit like I just when I
share it. One day, it's just all the mega started
coming to my phone all day. So now that is
what I be reading, like a little daily meditation that fire.
Speaker 1 (10:36):
Bro.
Speaker 5 (10:36):
Yeah, it's a sign, right, just kidding it going like
cause I ain't gonna lie. When I was in jail,
I just I was in the bath.
Speaker 4 (10:41):
When I was in jail and when I got out,
I should have got off the bath and then she
just bring me back to it like right there them
a little meditation like yeah, this is what I was doing,
Like you know, this shit really help a nigga tho.
Speaker 3 (10:53):
So now listen, man, We're proud of you.
Speaker 5 (10:55):
Man, I appreciate it.
Speaker 2 (10:56):
Would love for you to come and continue to come
back where you drive your project. Come to Atlanta. Make
sure you tap in. We're gonna shoot you my direct
line brother, and.
Speaker 3 (11:05):
We're gonna bring you some hall grid yea, We're gonna
hey yeah, next time you come, we're gonna yeah.
Speaker 2 (11:16):
And I got some producers on deck too for you
know fire producers say you pack, yeah for sure. All right, well,
ship man, we appreciate you pulling up to the Nagel
Law Firm studio right here on the Ball Alert Show,
right here in Atlanta, Georgia. Give us some shout outs my.
Speaker 4 (11:31):
Brother, shout out the Endless Mind, shout out of super
Shot Parkway, shout out to God.
Speaker 2 (11:36):
You know, yeah, yeah, the mula in the building. You
know the vibes, you know beat t Ball Alert Show.
Oh wait, hold up, you got something. You gotta add
something ahead go ahead, you're coming up.
Speaker 5 (12:03):
Broke my.
Speaker 3 (12:08):
Focus on me.
Speaker 4 (12:08):
My old album job focused on men.
Speaker 3 (12:15):
Yeah yeah, going on the walk in on the waffle house,
even house. He never forgot to shout out three people
crew I did. Okay, Okay, it's the crew right there.
Speaker 2 (12:31):
Okay, okay, sound I got a whole pack for y'all
your nig Yeah, ball alert, We're gone.
Speaker 3 (12:41):
Just close the door so you get there.
Speaker 5 (12:44):
What I need say?
Speaker 3 (12:45):
What's up? Is the mula? Coming up next? On ball alert?
All right? You yo?
Speaker 5 (12:51):
What population boy d big mula? I'm coming up next
on ball alert? What what's up?
Speaker 1 (13:05):
Over?
Speaker 3 (13:06):
No, no, m
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