December 27, 2024 • 40 mins
Friday (pt 1 of 2): On today’s Late Riser’s Podcast, the we’ve got the Not Ready for Drive Time Players loading into the Playhouse.. - John Boy will punish us with another round of Name That TV Theme Song - on his trumpet.. - Mr. Rhubarb pays us a visit.. - and we’ll spend some quality time with Actor/Comedian Kevin Pollack!…
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Good morning to make show us on the radio, hang
over your local news weather sport.
Speaker 2 (00:05):
This was royal, that is the King Veto, slayer of
the Visicals, destroyer of the mongol, and aggravator of the
Ottoman Empire. All listening to my two royal jests, those
gap toothed barbarians, John Boy and Billy, are you old?
Speaker 3 (00:25):
Big show? A rise a loyd of beef, A.
Speaker 2 (00:29):
Rise Duke of Ellington, rise water of ten, essence of marp, milk.
Speaker 4 (00:37):
Of Vactisia, kock a deal and on the big show
(01:15):
is on the radio, taters wide away this morning we
have going for.
Speaker 3 (01:26):
Okay.
Speaker 1 (01:28):
I mean when you when you tell I gotta quite
listen to news coming in here's just depressing when you
talk about a trillion dollars. I've said this before. Say
bunch your head around this, all right. If you were
making one dollar per second, all right, that would be
a pretty good gig if you can do that. So
one dollar per second, sixty dollars per minute, okay, three thousand,
(01:48):
six hundred dollars an hour, eighty six thousand dollars a day,
six hundred four thousand, eight hundred dollars a week, two million,
six hundred eighteen thousand, seven hundred and eighty four dollars
a month. You were getting a dollar minute per year,
it would be thirty one thousand, thirty one one hundred thousand.
How does that work? Four hundred and twenty five? What's
(02:11):
thirty one four to twenty five?
Speaker 5 (02:12):
Four?
Speaker 6 (02:12):
Oh?
Speaker 3 (02:12):
Waight a lot millions?
Speaker 1 (02:15):
Thirty one million million, four hundred and twenty five thousand,
four hundred eight calls oh.
Speaker 7 (02:20):
Bro, this sounds like her tax return.
Speaker 3 (02:23):
So anyway, okay, if you were going to make a.
Speaker 1 (02:25):
Trillion dollars one dollar a second, you would have to
work for thirty two thousand years.
Speaker 7 (02:34):
Wow, So Larry King is a trillionaire?
Speaker 3 (02:38):
Is that right?
Speaker 8 (02:38):
Right?
Speaker 9 (02:38):
Is that the numbers right?
Speaker 3 (02:39):
No, but it's down here, it's nine it's thirty nine
thousand years, thirty oh thirty one point two trillion. Yeah. Oh,
this was the first stimulus package.
Speaker 10 (02:51):
When you ran there, you able to pay off the debt, right.
Speaker 9 (02:53):
And this is pretty much how it goes in the
government of counting off.
Speaker 3 (02:56):
Yeah, basically you got a dark board in there.
Speaker 10 (03:00):
This is how long it would take you to pay
off the one dollars.
Speaker 3 (03:06):
So that would be thirty nine thousand years.
Speaker 10 (03:09):
For so correct much if you were making that much
a year with sorry.
Speaker 3 (03:15):
No, no, that's wrong.
Speaker 7 (03:18):
He's learning to type so he can be right and
never worth you.
Speaker 10 (03:21):
I'm chewing juicy fruit and it's great.
Speaker 3 (03:23):
Anyway.
Speaker 1 (03:25):
That's uh, that's way too much money if you can't
get your mind around it.
Speaker 9 (03:29):
Yeah, they become meaningless. They become just numbers and words.
Speaker 7 (03:33):
You might as well say, but jillion for all the difference.
Speaker 3 (03:36):
All right, So anyway, glad we're clear that. Thanks for Andy,
good word, Rub me some more numbers, you got it? Yeah,
working down, say what I'm making a second?
Speaker 1 (03:46):
Just be the present now okay, now, no, no, good morning?
Speaker 3 (03:54):
A big show is oh? Man?
Speaker 8 (04:01):
All right?
Speaker 1 (04:01):
Where are we work? Work is Friday morning? Friday morning?
Speaker 3 (04:06):
All right? Man, We got to get my reading glasses.
Speaker 9 (04:08):
How many hours do you have logged onto that little
bad boy right now?
Speaker 3 (04:12):
Seven? Eight?
Speaker 1 (04:12):
Yeah, Randy, Randy gave me a little hand heir recorder
for ideas. He says, you know a lot of creative
people carry.
Speaker 11 (04:19):
Kind one Michael Keaton carried in night shift. Yeah, and
the ideas will probably be about.
Speaker 1 (04:24):
As good idea to eliminate garbage edible pet exactly, Man,
I have an idea manred agents. I had to have
double knots by on one of my business cards, an
id man on the other.
Speaker 3 (04:40):
I could merge anyway.
Speaker 11 (04:41):
Yeah, we're and you finally got a member of your
entourage that says what you tell it to.
Speaker 3 (04:49):
If that's y'all named it, Larry.
Speaker 11 (04:52):
No, this is the perfect member of the entourage. He
says whatever Johnny says, he agrees with it, and he
has an off button.
Speaker 7 (05:00):
And I'm tolerant to his presence exactly.
Speaker 1 (05:12):
You know, those things gonna blow up because it hasn't
listen to me all night and it can't talk back.
Speaker 3 (05:16):
Oh yeah, what do you say? He said?
Speaker 9 (05:20):
He said, probably gonna kill him in his sleep. There's
only so much stuff like I can even take.
Speaker 3 (05:25):
Yes, this to record my thoughts. Oh yeah, how long
is this take? That one's a sixty minute and it's full,
already filled it up, jay, I got a lot of
ideas floating around there.
Speaker 11 (05:37):
Within forty eight hours, it'll be run around the apartment
like that little voodoo doll that was chasing Karen Black.
It'll have it like a steak knife out of the kitchen.
Speaker 9 (05:45):
You know, Johnny, the already full of your thoughts doesn't
include the poots you record.
Speaker 3 (05:50):
Hey, listen, I got a good one.
Speaker 1 (05:54):
All right, I'll go through and we're gonna pull up
some comedy gold on this thing today for the show.
Speaker 3 (05:59):
All right, right now, it is reverse hanging out first time.
Speaker 1 (06:02):
If you understand the concept of the game, please dial
one eight hundred Big Show. Three categories rounds contained in
each category, you must know the answer, so usually something
that that you the listener knows about.
Speaker 3 (06:13):
Since you're holding, you have to know the answer. So
that's the deal. We'll all try to play. Play it.
Speaker 1 (06:17):
We lose, you win a big prize package. It's one
eight hundred Big Show calling nine plays.
Speaker 3 (06:21):
What is next? What's going on? I'm not ready on land,
(06:56):
I take Amazer.
Speaker 12 (07:00):
Reavers and it's the anyone can host meat game?
Speaker 9 (07:06):
John Boyd Bully the matching what with insert jim.
Speaker 4 (07:10):
NY's men, the Reavers Outs.
Speaker 3 (07:20):
It's the anyone can host game.
Speaker 9 (07:23):
You'll give the most game.
Speaker 8 (07:24):
I'll Tony big.
Speaker 9 (07:25):
Shot this morning the Manders in South Carolina.
Speaker 3 (07:31):
Here's Julie's.
Speaker 6 (07:35):
Big Shot.
Speaker 3 (07:41):
Julie, ju Judy, Julie, Hello, hey baby, how you doing
this morning?
Speaker 8 (07:46):
I just got up and I heard y'all say, calling in,
and I'm calling.
Speaker 1 (07:50):
In really, bless your heart, you're getting up and go
to school this morning?
Speaker 3 (07:53):
Yes, sir, Yeah, what grade are you in, Julie?
Speaker 5 (07:56):
Tenth grade?
Speaker 3 (07:57):
In a sophomore ride high school.
Speaker 1 (08:00):
Everything you thought it would be not really, I know,
but by the time you're junior and senior year, Julian.
Speaker 3 (08:08):
Sorry to tell you this, but right now is the
best time of your life.
Speaker 9 (08:13):
Don't tell me that, all.
Speaker 3 (08:16):
Right, Julie. Well here you are, baby.
Speaker 1 (08:18):
So well, let's see what a tenth grader kind of
knowledge that can stump the Big Show crew. Worldly, sophisticated,
so vants so vants. Oh boy, and I think he's
thinking of red souvant.
Speaker 3 (08:29):
Yeah. What what? What kind of categories have we got, Julie,
anything in particular?
Speaker 8 (08:35):
Yeah?
Speaker 3 (08:36):
Biology? Biology.
Speaker 7 (08:38):
Now we're not like helping you with your homework or something.
Speaker 3 (08:42):
All right, okay, well let's ull let's go to it then, Julie.
Speaker 11 (08:46):
Okay, okay, name three micro molecules.
Speaker 3 (08:50):
Micro molecules, molecule.
Speaker 1 (08:52):
Micro molecules, adam any meanings you mean like adam.
Speaker 7 (08:58):
Elen neutron, No, like, uh, hey, we didn't understand it.
Speaker 3 (09:07):
Yeah, give it. Give us a little direction on that, Julie.
Speaker 8 (09:11):
It was.
Speaker 9 (09:11):
There's four of them.
Speaker 12 (09:12):
It's a carbohydrate, lippid, protein, and nucleic acid.
Speaker 9 (09:17):
Summer's over there nodding their head like she knows, does.
Speaker 3 (09:25):
Excuse me?
Speaker 8 (09:25):
Hey?
Speaker 3 (09:26):
Hey wow? Well, uh, y'all stupid y'all didn't know that.
Speaker 11 (09:34):
Uh there was never a bugs Bunny cartoon about it.
So just for giggles, what would have been your other
two categories named the.
Speaker 5 (09:45):
Three different types of cells?
Speaker 11 (09:47):
Uh, you got your jail cell tearsal and a white
white sail red seal.
Speaker 12 (09:55):
Yeah is that an animal plant?
Speaker 3 (09:57):
Sound? Oh yeah, yeah, yeah, of course.
Speaker 11 (10:01):
And assuming, and this is a big assumption, that we
would have made her pass that order of your final capital.
Speaker 4 (10:06):
I was hoping the first time.
Speaker 3 (10:08):
Well you well, right off the bat, Julie from Anderson,
South Carolina.
Speaker 1 (10:14):
Well, first time, there you go, Julie. Maybe first time calling,
but you had our number.
Speaker 8 (10:24):
A long time.
Speaker 9 (10:25):
God, she didn't even prepare. Next three of my.
Speaker 3 (10:29):
Teachers, Go morning, everybody. You got a big show on
the radio, right, big showing the radio a let's say,
any news letter sports. This is Spanky from the Yellow Rose.
Speaker 9 (10:43):
You're listening to the greatest morning show and recorded history
of broadcast radio John Boy and Billy Big Shows. How
big is it bigger than my head?
Speaker 3 (10:54):
And that's big.
Speaker 8 (10:57):
There.
Speaker 9 (10:57):
Yeah, so b I read it and I pay that
tab be a dead.
Speaker 3 (11:07):
H Good morning to you, Good morning to you.
Speaker 1 (11:38):
Bess show is on already you. Good morning to you,
John o'belly.
Speaker 3 (11:43):
Word from the astronud Julie Rocks. Her two categories were great.
Thanks Nastra Nerd. Just step on cut it.
Speaker 7 (11:53):
Again next time for a word from the astrod.
Speaker 3 (11:59):
Uh.
Speaker 1 (12:00):
Yeah, it is a Friday morning. Friday morning is what
we're working on here. Kevin Pollock will be live in
a big show studio toward the end of the broadcast.
Speaker 3 (12:08):
Uh and uh, let's see we have some sub sandwiches
delivered later.
Speaker 11 (12:14):
Okay, you leave out the most important to tail and
throw it in right at the end.
Speaker 3 (12:49):
Good morning, I got a big show on the radio.
Speaker 1 (12:51):
Let's wait for somebody to eagerly answer the phone over
at Red Hot Talent.
Speaker 5 (12:56):
Hello, Red Hot Talent Incorporated. He is make your selection
from the following menu. Chase. If you would like more
information on our client list, press one to book an act.
Press two. If you're calling from a rotary phone. Who
are you Rayford. If you are a client OBN Rayford,
please press three. If you are a Grieve Wrightener, the
(13:20):
driver of the rocket powered backboard, Ress one. If you
are Bendy Bob Thornton, the hillbilly contortionist, Press two. If
you are marvov dog hypnotist. Press three. If you are
misteriov dog Hypnotist, we regret to inform you you have
been replaced. Now you had to find out to say,
(13:41):
best of luck in the future. If you are Jimbo
and Bobby the quote unquote radio entertainer, Press four to
hear a long tort you a story about my latest
attempt to land the steady boy Friends one. To hear
a quick joke at Murray's expect Press two.
Speaker 3 (14:01):
Well we can't pass that up.
Speaker 5 (14:03):
Why doesn't Murray ever stare out the window in the
morning for the answer? Press one, so he'll have something
to do after lunch. To squeeze in a quick chat
with Murray before he blows you off, so he can
watch a cartoon. Press one.
Speaker 8 (14:21):
Hello, Jimbo, I love you mean it?
Speaker 1 (14:23):
Hey Murray, Bendy Bob Thornton, Huh, yeah, he's great and
lives French fries.
Speaker 8 (14:29):
Hey bab. The guys in marketing just whipped out some
new slogan ideas for that Jimbo Chevrolet thing I want
to hear him. Yeah, sure, okay, here's number one Jimbo
Chevrolet where the customer is always smarter than the boss.
How about this one, Jimbo Chevrolet. Big enough to serve you,
not smart enough to cheat you. Oh, here's a good one,
(14:52):
Jimbo Chevrolet. If you go anyplace else for your next car,
you will think too much. Here's a newspaper campaign. Dig
this full page ad, big picture of your face, and
the copy says, any idiot can give you a great deal.
This one has a great service department too. About your
new publicity shot to be perfect for that?
Speaker 3 (15:12):
Mary? Have you got anything that doesn't revolve around me
being an idiot?
Speaker 8 (15:17):
Oh, jim Bow, it's just an ad campaign. I don't
really think you're an idiot. You don't know? Okay, yes,
but that doesn't mean we can't make it work for it.
Speaker 1 (15:26):
Can you spend all those something else line famous for
like a something I do on the radio show?
Speaker 8 (15:31):
Sure? How about the boss is out of jokes, so
we're slashing fast to the mountain.
Speaker 3 (15:36):
That's not exactly what I'm in man.
Speaker 8 (15:38):
Look, I gotta warn you, babe, Jim's like the walking
Man's friend. And we told the note only come around
once or twice in a generation. Okay, hey, would you
be willing to work with a monkey?
Speaker 3 (15:47):
Have you seen some of the guys in the service department?
Speaker 8 (15:50):
Good point. Okay, what We'll do some retooling and get
back to you later. Hey, babe, let's do the lunch thing.
Have your machine called my machine. And remember you don't
have to be rich, if you don't have to be
cool to rule my well. I just want your extra time.
And you are dinging ning and ding and dings kids. Oh,
and be sure to let come of that on Bobby Billy,
(16:13):
I'm telling you about.
Speaker 1 (16:14):
What good morning, and you got the big show on
the radio, more chance for you to win coming up
after your news, weather and sports.
Speaker 13 (16:24):
You come on me today because you know, no Sicilian
can refuse a request on the day of his daughter's wedding.
I shall grant your requests. Someday I may ask a
favor of you, maybe a haircut. Maybe I'll ask you
to lay down your life for me. Maybe I'll just
ask you to listen to John Boy and Billy on
the Big Show. Would you rather wake up with a
(16:45):
horse's head or these two horses?
Speaker 9 (16:47):
Ask?
Speaker 3 (17:21):
Good morning everybody. It is Friday.
Speaker 1 (17:23):
Here we go, making it toward the weekend. We got
John boyd Jeffson playing about five.
Speaker 3 (17:27):
Minutes from now. Alright then and uh later on Kevin.
Speaker 1 (17:30):
Pollack live in the Big Show studio, actor comedian Kevin Pollack.
Speaker 3 (17:34):
Recognize him, Man, here's been a bunch of movies. Good boy, Oh,
I don't forget layouse.
Speaker 1 (17:39):
Oh that's right, about thirty minutes of brand new John
Wobilly Playhouse from green Acre. Buddy, all right, ain't on.
We gotta fine us winner here in minutes it could
be you. Good morning everybody. The Big Show is on
the radio. It's about twenty out of the hour, and
it is John Bore Jeffardy time. Alright, here we go
(18:00):
before becoming famous. Johnny Carson, Michael Douglas, Clint Eastwood, and
John Boy all held jobs doing this.
Speaker 7 (18:10):
What is crash test?
Speaker 3 (18:11):
Dummy? Wow?
Speaker 5 (18:13):
Man?
Speaker 1 (18:14):
And my name and there Johnny Carson, Michael Douglas, Clint Eastwood,
John Boy, you kind of fits in there.
Speaker 9 (18:19):
Name five movie stars in a hume.
Speaker 3 (18:22):
And keep in mind you know you wrote the question.
Oh boy, you wrote the question. Yeah. Research.
Speaker 7 (18:32):
Oh that's even scarier.
Speaker 1 (18:33):
He did the research, all right, one eight hundred, big show.
You're told freeline. We'll start with color nine, go to
Wee get a Winter and we play next. Good morning listen,
(19:04):
makes you on the radio, the jord to the bottom
of the hour.
Speaker 8 (19:07):
And that is time.
Speaker 7 (19:09):
Yes live across America heads Sunda.
Speaker 14 (19:12):
Him, Jeff Burday and now your host the poor becoming famous,
he did pretty much what he does now, just with
a smaller and less fawning audience.
Speaker 3 (19:24):
He's John Moore back.
Speaker 1 (19:29):
It's Dusty kicking us all from the Lexington, Kentucky.
Speaker 3 (19:34):
Dusty, good morning, How you doing, John Boy? Doing good? Buddy?
Speaker 15 (19:37):
All right, I'm doing just fine.
Speaker 3 (19:39):
Alrighty, welcome Dusty.
Speaker 1 (19:40):
Before becoming famous, Johnny Carson, Michael Douglas, Clint Eastwood and
John Boy all hell jobs doing this.
Speaker 3 (19:47):
I'm going to say, life guard show us lifeguard say,
don't hold you know? Uh dated lifeguards.
Speaker 5 (19:58):
I thought you were a laugh guard.
Speaker 9 (20:00):
No, no, but I do have the shirts.
Speaker 3 (20:01):
Maybe that's what. Okay, all right, thank you buddy. You've
swim out into the ocean. There's a bit of an undertow.
Speaker 1 (20:10):
You're in a little bit of a trouble, you see,
you feel yourself getting a little beyond your capabilities.
Speaker 3 (20:14):
You look up on the beach and there's John Boy.
How do you feel I'm dead? Yeah, I'm actually to
come back. I'm there's another time. I'm move around better
than water.
Speaker 7 (20:27):
And I do on dry land actually all right, like
a penguin. Awkward and ungainly on dry land, but you
put them in the water.
Speaker 3 (20:34):
And yeah, jump up out to swim, puol, grab a
fish and go back on my back.
Speaker 1 (20:39):
Sam, I'm out of Charlotte, North Carolina.
Speaker 3 (20:41):
Sam. What you doing?
Speaker 8 (20:42):
Man?
Speaker 5 (20:42):
Oh?
Speaker 8 (20:43):
Not much?
Speaker 3 (20:43):
John Boy?
Speaker 8 (20:44):
What's you up to?
Speaker 3 (20:44):
Just looking for a winter? Is it?
Speaker 2 (20:46):
You?
Speaker 3 (20:47):
All right? What job?
Speaker 15 (20:48):
Worked in a movie?
Speaker 8 (20:49):
Theater?
Speaker 3 (20:50):
Movie? Enter? Now? Well, of course you know I did.
I got in the movie business. Yeah, I was in
a movie. Is running projector can't? They worked with me
and say you're on the front of the movie. The
film doesn't start. You look back. The projectionist is John.
I would throw stuff up in the balcony. That's usually
what happened.
Speaker 7 (21:11):
How do I feel on the verge of a refund?
Speaker 3 (21:16):
Thanks for playing Sam?
Speaker 8 (21:17):
Alright?
Speaker 16 (21:18):
Alright?
Speaker 3 (21:18):
Angela out to Polula, Louisiana. Hello, Angela, Hello, how are
you doing today?
Speaker 5 (21:25):
I'm fine?
Speaker 1 (21:26):
Good.
Speaker 9 (21:27):
Let me turn my radio gain.
Speaker 3 (21:29):
Yeah, yeah, I'm kidding. Okay, all right, Angela.
Speaker 1 (21:34):
Yeah, Johnny Carrs and Michael Douglas Clint east Wood, John boy,
what job should we all share?
Speaker 15 (21:38):
Paper delivery boy?
Speaker 3 (21:40):
Show us newspaper delivery boy.
Speaker 11 (21:45):
Man?
Speaker 3 (21:45):
This is just so awesome.
Speaker 1 (21:46):
I don't know about them, but I used to delivering
newspapers too. That's when I found out I hated getting
up in the morning.
Speaker 3 (21:52):
Okay, you're sitting on the front porchability.
Speaker 7 (21:55):
How do I feel like I'm going to be fishing
around in the bushes a lot?
Speaker 3 (22:00):
That's where I develop my arm? All right, Angela, thanks
for playing.
Speaker 9 (22:04):
Baby, Okay, thank you.
Speaker 3 (22:06):
Okay. Charlie out of Greenville, South Carolina. Charlie, you're up?
What you got?
Speaker 8 (22:10):
I said? Salesman?
Speaker 3 (22:12):
Salesman? Okay, now this time I think you've probably feel
pretty good. Yeah, I never I had never been a salesman.
Speaker 8 (22:23):
Well, you sound like you're you cause.
Speaker 3 (22:27):
Have you heard what you do? You are a salesman?
Speaker 8 (22:29):
Really? Sure?
Speaker 3 (22:30):
You just sold Duke's mayonnaise? Yeah? Oh yeah, I is one.
All right, thank you, all right man, we appreciate you.
Patrick got A Hickory, North Carolina. Good morning, Patrick, Good morning,
John Boy. How you doing today?
Speaker 11 (22:43):
I'm doing great.
Speaker 8 (22:44):
How are you doing? Good?
Speaker 3 (22:45):
Buy looking for the winners at you?
Speaker 11 (22:47):
I think it might be all right.
Speaker 8 (22:48):
What job?
Speaker 3 (22:50):
I think you might have pumped some gas? Pump some gas.
Speaker 9 (22:56):
Yeah.
Speaker 3 (22:58):
He also worked at the fillings a shot. Yeah. I
was in the whole business for I got in the
movie business. He's in the monkey business.
Speaker 1 (23:09):
And before I was in publishing when I had a
newspaper Route Stern sixteen pumpk ass.
Speaker 3 (23:14):
Yeah, then movie business didn't. Yeah. Did I do anything
after that? No? In radio My life's calling.
Speaker 1 (23:22):
Thanks about that man, And you say, Johnny Carson bumming gas?
Speaker 3 (23:28):
Yes, as a matter of fact, I can you.
Speaker 1 (23:30):
However, Michael Douglas, good looking guy moving around gas station?
Speaker 3 (23:34):
Yea relate.
Speaker 9 (23:35):
No, they mean Mike Douglas, the guy that had the
talk shot Clint Eastwood.
Speaker 3 (23:39):
Yeah. Can I fill your tank?
Speaker 8 (23:42):
Yes?
Speaker 3 (23:42):
Yeah, yes, y'all, don't ever call me a loser again.
Gratulations right now, we've got to make new business.
Speaker 1 (23:51):
Car congratulation, the trick you and Buddy, the whole prize
bag is all yours.
Speaker 9 (23:56):
Way to go, man, Thank you, You're very welcome.
Speaker 3 (23:59):
All right, then hold on, Jackie gets your information. Jackie
her twin pumps. It's a big show on your radio.
Thanks for joining us this morning.
Speaker 7 (24:12):
Oh I love all those fine big s.
Speaker 17 (24:15):
Crown Radio Man, Walter Winch cousin, Brusie walk Man, Jack
John Boy and Belly A job Boy Belly had only
two white men ever made me more whoa, I feel
(24:37):
so bonnable your lift back, We walk over for your back.
Speaker 15 (24:45):
Wow.
Speaker 9 (25:21):
This is the award winning John Boy and Billy Big Show,
the South's number one export.
Speaker 3 (25:35):
Good morning, The Big Show's on the radio.
Speaker 1 (25:38):
John Moorebene Peddlers, Taylor, Jackie and the Man of the Morning,
the Man of the Hour, the Man of this week,
Rodney Carrington Live with us.
Speaker 3 (25:47):
Good Morning, Rodney.
Speaker 15 (25:48):
Good morning, Good morning, Good morning, Lucky Me five Bertie
in the morning Peddling Records. It's your Lucky morning. We
finally got that little television slash landscaping job out of
the way, so we did a television show for two
years on ABC, which is a lot like a landscaping job.
(26:11):
Sixteen hour days and one hundred eighty Mexicans and me.
Speaker 3 (26:17):
It wasn't no glamour.
Speaker 15 (26:19):
I'm gonna tell you what it wasn't.
Speaker 3 (26:20):
There was no glamour.
Speaker 15 (26:21):
The only glamour was about noon every day when me
and Nick would leave the studio and go play golf.
That was where the glamour was. And outside of that,
it's man, that's work. And I went into I learned
a valuable lesson. When I was they called me and
asked me to come into a meeting one day. This
is about after about nine or ten episodes we've done,
and I stopped by seven eleven and I had pair
(26:43):
of shorts on the ball cap, picked up a big
slurpee and I walked into this meeting with all these
big producers and it's like, well damn, they got all
the big wigs here today. And the guy said, wells Bridney,
we brought you here today because it's our impression and
the network's impression that you don't really give a damn anymore.
And I took a big old pull off my slurpie.
You know, I don't know what gives you that impression.
(27:08):
You know, a valuable You never take a slurpee into
an important media It looks like you don't give a
damn and and uh, you know, so that was one
thing I learned. But I got to tell you this,
the one thing I missed most about it is, uh,
the you get to go Disneyland. You don't have to
wait in line, you get your own television show. They'll
(27:28):
walk your ass right up to the farm. And uh,
you know I miss that. I mean I'll never be
able to go to Disneyland ever again. I'm sorry, Mickey,
but after riding all the rides in less than three hours,
I never can do it the other way. I remember
the first day we got there and you know that
give you a guide, and my kids were going, day,
this is great. We don't have to wait in line
or nothing.
Speaker 8 (27:49):
I said.
Speaker 3 (27:49):
We don't get too.
Speaker 15 (27:50):
Cocky, because if they throw all that show off there,
we're getting back of that damn laughing.
Speaker 3 (27:55):
Sure enough this summer. Just enjoy that turkey leg for
the next two hours.
Speaker 6 (28:01):
We're gonna get on this ride.
Speaker 3 (28:02):
Eventually.
Speaker 15 (28:03):
I used to be able to walk to the front
of this thing. But the problem is is that when
they give you they walk you it up to the
front of the line. They don't walk you through a
secret back entrance. You got to walk past everybody that's
been tending there for two hours, which.
Speaker 3 (28:15):
Might work if you're Madonna. You know, look, it's Madonna.
Speaker 7 (28:18):
You know it doesn't work when you're me.
Speaker 6 (28:20):
I don't like the hell you go.
Speaker 9 (28:21):
There's a guy with a slurper.
Speaker 3 (28:22):
Yeah, you know. I told that guy.
Speaker 15 (28:24):
I said, at least they could have done and give
us a wrench and a flashlight. So it looks like
we're going up here to fix something.
Speaker 8 (28:30):
For got a second.
Speaker 3 (28:31):
These people are pissed. You know, lady, where are you going?
I said, we're going up here to fix some stuff.
So what about them kids?
Speaker 15 (28:38):
I said, they got cancer? For God's sas, eat your
caramel apple and shut up. It want to hurt you
to wait an extra thirty seconds for Gout to say,
but uh, I'm gonna miss that. That's the one perk.
I really really gave it to them about.
Speaker 3 (28:55):
Jun Boy and Billy. He's just being melodramatic.
Speaker 7 (28:58):
You've got to ignore it if you really want to
help morning.
Speaker 1 (29:01):
Radio dumb Right, good morning, there's a big show on
(29:29):
the radio. All right, here always goes.
Speaker 3 (29:31):
Time's gonna Mike check check.
Speaker 1 (29:33):
Hello, Hello, all right, Rady, have you got DAEs.
Speaker 3 (29:39):
Alright, alright, alright, quite on set.
Speaker 11 (29:48):
Welcome to John Boy and Billy Playhouse today's episode, How
green was My Acres? As our story opens, gentlemen, farmer
Oliver Wendell Douglas is standing in a sad, parched cornfield
just outside of Hooterville, USA.
Speaker 9 (30:05):
I can't understand it. Thirty five years of farming and
I never had a decent row of corn come out
of this ground. Howdy man, sure not gonna swacked up?
Miss Turk Kimball. Make some noise when you're coming up
behind someone.
Speaker 7 (30:22):
Sorry about that. I was just in the neighborhood.
Speaker 11 (30:24):
I thought i'd stop by and say the top of
the morning to you, although I guess it's not really
the top of the morning. Yeah, that would be around
six o'clock when the sun comes up, you know. Then again,
the top of the morning could be the highest point
in the morning. That'd be, like I guess, right before noon,
Miss turk.
Speaker 9 (30:35):
Kimball, it's three o'clock in the afternoon.
Speaker 17 (30:40):
It is.
Speaker 7 (30:40):
Oh then, howdy, how's it going? What's up to? Who
do you doing?
Speaker 9 (30:45):
Actually I'm not doing anything at the moment. My tractor
broke down again. I had to send Ebb over to
Sam Druggers to pick up some parts stupid old rattle trap.
Speaker 7 (30:54):
Oh Sam's not such a bad guy when you get
to know.
Speaker 9 (30:56):
Him, Miss Turk Kimball, I was talking about the track door.
Speaker 7 (31:01):
Oh oh yeah, you know that old buggy's really got
some age on her.
Speaker 10 (31:05):
Speaking of witch, Oliver, is he back from this door yet?
Speaker 5 (31:09):
I need?
Speaker 6 (31:10):
Oh?
Speaker 10 (31:11):
Hello, sa, mister Kimble.
Speaker 11 (31:14):
Top of the morning, mister Douglas, Oh on at the
top of the morning. Exactly, it's more, mister Kimball, please, Oliver.
Speaker 10 (31:23):
I opened the closet door and the door set off
the rack and fell on the ground again.
Speaker 9 (31:28):
All right, Lisa, I'll be there in just a minute.
I close your robe, your cups, runneth over, non't let.
Speaker 7 (31:34):
Me hold you up. I was just leaving and I
seeing you folks.
Speaker 10 (31:37):
Goodbye, mister Kimberle Lisa, how.
Speaker 9 (31:41):
Many times have I told you to be careful opening
that closet door.
Speaker 10 (31:44):
I'm sorry, Darling, I forgot adding.
Speaker 3 (31:49):
Y'all looking for me as a matter of fact.
Speaker 9 (31:53):
Oh he frome ut time you got back. Where are
those tractor parks?
Speaker 1 (31:58):
Oh they're in the truck. Well, okay, where's the truck
back about one hundred yards up the road. I had
a little accident, oh, abb, an accident. Yeah, I kind
of ran over a pig of old. Is there any
damage you mean to the pig or the truck?
Speaker 3 (32:12):
Not truck half? Well not so she can tell. Main
problem is the pig still up under the truck.
Speaker 9 (32:18):
Well, why didn't you just drag him out and leave
him by the side of the road.
Speaker 3 (32:22):
Well, he wasn't quite dead yet. He was screaming and
squealing something fierce. I was kind of scared I might
get bit.
Speaker 9 (32:27):
Oh for the love, up, abb, Look there's a shotgun
under the front seat of the truck. Go back, shoot
the pig, pull him out from under the truck, and
then get back here with my tractor parts right away. Dad,
I'm not your father, heard it there, mister mood Douglas.
Speaker 10 (32:42):
Good afternoon, mister Zaffel.
Speaker 9 (32:44):
Uh you all got any kerosene I can burrow?
Speaker 3 (32:47):
Oh?
Speaker 9 (32:47):
Sorry, I just ran out myself.
Speaker 3 (32:48):
Oh well, thank you. Currently anywhere, then, say.
Speaker 9 (32:51):
Mister ziphyl heb was just up there, said he ran
over a pig just up the road. I sure hope
that wasn't Arnold.
Speaker 10 (32:57):
What time is it?
Speaker 9 (32:58):
It's about ten after three.
Speaker 10 (33:00):
Oh, then it couldn't be Honold Darling.
Speaker 9 (33:03):
How do you know?
Speaker 10 (33:04):
Because silly at three o'clock, Honold Alves watches General Hospitar.
Speaker 12 (33:11):
It'd been blum hooked on. It says, way back when
old Luke and Laura first hooked up. Well, I reckon,
I better get on back home. Arnold just got in
one of them TVO machines. Wants to get some of
them seasoned passes, but he ain't got no thumbs to
hold a remote the droll.
Speaker 10 (33:24):
Well, you folks have a nice day, Arnold, he said.
Speaker 9 (33:28):
Hello, mixed her safaul. Now fa, We'll just come back
with those parts. Maybe I can get a little work
done around here.
Speaker 3 (33:37):
Hey, Dad, I'm back.
Speaker 9 (33:38):
I'm not your father.
Speaker 3 (33:41):
And where are those tractor parts? They're still in the truck.
Speaker 9 (33:44):
Well, where's the truck?
Speaker 3 (33:45):
Well, it's kind of still stuck of all the yeh.
Speaker 9 (33:51):
Didn't you shoot the peg and drag him over to
the side of the road like I told you?
Speaker 3 (33:55):
Yeah, but his motorcycle still hung up underneath the.
Speaker 7 (34:03):
We hope you've enjoyed John Boy and Billy Playhouse, son of.
Speaker 2 (34:09):
You.
Speaker 11 (34:09):
Then again next time we will hear crusty old uncle
Joe at the Shady Rest Hotel.
Speaker 3 (34:14):
Say hey, big man.
Speaker 6 (34:15):
Let me hold it down, John boy, all right.
Speaker 1 (34:27):
Here, don't hut well hark ho I hold handy.
Speaker 3 (34:33):
Everyone know that's l list is l list is.
Speaker 1 (34:36):
Let listen, I go horados fat is loud lists lest.
Speaker 3 (34:41):
Hoop honey, noah, God, I'm coming up.
Speaker 15 (34:45):
I know.
Speaker 6 (34:48):
What m.
Speaker 5 (35:08):
M.
Speaker 1 (35:22):
Good morning to Big Joe is on the radio. How
are you all right? Welcome to Friday Morning Love Friday
mornings around here?
Speaker 7 (35:30):
Can you tell there are girls in the room?
Speaker 5 (35:33):
What?
Speaker 3 (35:33):
I don't know what you're talking to?
Speaker 7 (35:34):
Pitt the cool chime boy, Billy, it's Johnny's fly trap.
Speaker 3 (35:41):
I need some I need some chimes or something.
Speaker 11 (35:44):
Fliday nine say no reflexes, empty arms hotel.
Speaker 3 (35:50):
Uh no, we got you had a room filled up? Man,
spiky Jamie, we have a man. I have my partner.
You don't know what? Same to you?
Speaker 6 (35:59):
Yeah, sweetie?
Speaker 3 (36:06):
And uh Amy, no cold Nicole? How tall are you? Baby?
She's tall. Drink of water ladies and gentlemen. Yeah, but
worth the climb.
Speaker 1 (36:18):
I'll tell you why, Billy I got a plant. I'm
gonna I'm gonna take going for the team.
Speaker 3 (36:23):
You and the cole breathe. You might you might get
a five six five seven, Billy.
Speaker 7 (36:30):
All right, you know, normally I don't like to get
involved in your little schemes.
Speaker 9 (36:33):
But this one I can go along. Here he goes,
I will not be part of your little Which one
is she? She's not the one with Podna? Oh okay,
all right?
Speaker 3 (36:49):
His name is Rodney fell Jackie. Huh yeah, no, jack.
Speaker 9 (36:55):
One experiment at a time, Dad.
Speaker 3 (36:57):
She already touched in the mama taking back in the nat.
She's got her saying on him. Okay, this could get ugly. Hey,
and y'all guess who's coming in later?
Speaker 15 (37:10):
The cops.
Speaker 3 (37:12):
Kevin Pollock, who is star girls. You're gonna love him.
He will.
Speaker 1 (37:16):
He played with Tom Cruise and Demmy Moore and a
few good men. Jack Nidson remember that? What about the
grumpy old man? Remember their son?
Speaker 3 (37:25):
Yeah?
Speaker 9 (37:26):
Yeah, short guy, dark hair, see anything like John boynt
Billy's boy.
Speaker 7 (37:30):
All great, we're bringing another short guy in.
Speaker 3 (37:33):
Man.
Speaker 7 (37:33):
He's a Hollywood actor.
Speaker 8 (37:34):
Oh there, got my shirt? Oh man?
Speaker 3 (37:37):
But right there for a minute, yeah, buddy, and uh,
y'all know Randy right bokes out of motion of it.
This is why I don't go out with you. You
see the reaction?
Speaker 9 (37:49):
Yeah, did you hear the reaction?
Speaker 3 (37:51):
Yeah?
Speaker 1 (37:56):
All right, okay, hey great y'all get to see me
play my trumpet. You name three TV things.
Speaker 3 (38:01):
I was, go ahead and drive drop the song after
tea and Randy, let's get right into it.
Speaker 6 (38:07):
I put that together yourself, Einstein. But he got a
team of monkey's working around.
Speaker 8 (38:12):
The clock on this.
Speaker 3 (38:13):
Alright, now, say this is a part. Rady comes in
and tries to embarrass me in front of the baby dolls.
All right, John boys, job, good morning. The big show's
on the radio. All right, there I go, Man, have
been working then? It sounds all right, one eight hundred
big shows. You're told for not.
Speaker 7 (38:36):
He said, the sheriff is here.
Speaker 9 (38:39):
I don't know. You won't let me talk to your
pretty cuss.
Speaker 1 (38:44):
All right, so here we go, Yeah, no cursy. Oh wait, man,
I started playing a second one holdo, all right, here
we go?
Speaker 16 (39:18):
Oh man, hold on there, no, no, no, Here's what
he does for his encore number three, hard parting there.
Speaker 3 (39:45):
That must be dialogue or lyricus.
Speaker 1 (39:48):
That was a talken Alright, let's say what we got
any best today? We've had two first timers, get it?
Like love what it twice in a row? First or
second time? I mean, like for a couple of weeks.
What do you think is something going to get that?
First off, I say yes, I say no.
Speaker 9 (40:04):
I say yes, Spanky, who's your friend?
Speaker 1 (40:07):
That's what I was thanchy buddy, Yes, sir, all right,
one eight hundred big shows, your told, free line up.
Speaker 7 (40:12):
Spanky's leaving the room. He's afraid he might be getting
ready to cuss.
Speaker 3 (40:17):
We'll start. We're calling down and Play next
Good morning to make show us on the radio, hang
over your local news weather sport.
Speaker 2 (00:05):
This was royal, that is the King Veto, slayer of
the Visicals, destroyer of the mongol, and aggravator of the
Ottoman Empire. All listening to my two royal jests, those
gap toothed barbarians, John Boy and Billy, are you old?
Speaker 3 (00:25):
Big show? A rise a loyd of beef, A.
Speaker 2 (00:29):
Rise Duke of Ellington, rise water of ten, essence of marp, milk.
Speaker 4 (00:37):
Of Vactisia, kock a deal and on the big show
(01:15):
is on the radio, taters wide away this morning we
have going for.
Speaker 3 (01:26):
Okay.
Speaker 1 (01:28):
I mean when you when you tell I gotta quite
listen to news coming in here's just depressing when you
talk about a trillion dollars. I've said this before. Say
bunch your head around this, all right. If you were
making one dollar per second, all right, that would be
a pretty good gig if you can do that. So
one dollar per second, sixty dollars per minute, okay, three thousand,
(01:48):
six hundred dollars an hour, eighty six thousand dollars a day,
six hundred four thousand, eight hundred dollars a week, two million,
six hundred eighteen thousand, seven hundred and eighty four dollars
a month. You were getting a dollar minute per year,
it would be thirty one thousand, thirty one one hundred thousand.
How does that work? Four hundred and twenty five? What's
(02:11):
thirty one four to twenty five?
Speaker 5 (02:12):
Four?
Speaker 6 (02:12):
Oh?
Speaker 3 (02:12):
Waight a lot millions?
Speaker 1 (02:15):
Thirty one million million, four hundred and twenty five thousand,
four hundred eight calls oh.
Speaker 7 (02:20):
Bro, this sounds like her tax return.
Speaker 3 (02:23):
So anyway, okay, if you were going to make a.
Speaker 1 (02:25):
Trillion dollars one dollar a second, you would have to
work for thirty two thousand years.
Speaker 7 (02:34):
Wow, So Larry King is a trillionaire?
Speaker 3 (02:38):
Is that right?
Speaker 8 (02:38):
Right?
Speaker 9 (02:38):
Is that the numbers right?
Speaker 3 (02:39):
No, but it's down here, it's nine it's thirty nine
thousand years, thirty oh thirty one point two trillion. Yeah. Oh,
this was the first stimulus package.
Speaker 10 (02:51):
When you ran there, you able to pay off the debt, right.
Speaker 9 (02:53):
And this is pretty much how it goes in the
government of counting off.
Speaker 3 (02:56):
Yeah, basically you got a dark board in there.
Speaker 10 (03:00):
This is how long it would take you to pay
off the one dollars.
Speaker 3 (03:06):
So that would be thirty nine thousand years.
Speaker 10 (03:09):
For so correct much if you were making that much
a year with sorry.
Speaker 3 (03:15):
No, no, that's wrong.
Speaker 7 (03:18):
He's learning to type so he can be right and
never worth you.
Speaker 10 (03:21):
I'm chewing juicy fruit and it's great.
Speaker 3 (03:23):
Anyway.
Speaker 1 (03:25):
That's uh, that's way too much money if you can't
get your mind around it.
Speaker 9 (03:29):
Yeah, they become meaningless. They become just numbers and words.
Speaker 7 (03:33):
You might as well say, but jillion for all the difference.
Speaker 3 (03:36):
All right, So anyway, glad we're clear that. Thanks for Andy,
good word, Rub me some more numbers, you got it? Yeah,
working down, say what I'm making a second?
Speaker 1 (03:46):
Just be the present now okay, now, no, no, good morning?
Speaker 3 (03:54):
A big show is oh? Man?
Speaker 8 (04:01):
All right?
Speaker 1 (04:01):
Where are we work? Work is Friday morning? Friday morning?
Speaker 3 (04:06):
All right? Man, We got to get my reading glasses.
Speaker 9 (04:08):
How many hours do you have logged onto that little
bad boy right now?
Speaker 3 (04:12):
Seven? Eight?
Speaker 1 (04:12):
Yeah, Randy, Randy gave me a little hand heir recorder
for ideas. He says, you know a lot of creative
people carry.
Speaker 11 (04:19):
Kind one Michael Keaton carried in night shift. Yeah, and
the ideas will probably be about.
Speaker 1 (04:24):
As good idea to eliminate garbage edible pet exactly, Man,
I have an idea manred agents. I had to have
double knots by on one of my business cards, an
id man on the other.
Speaker 3 (04:40):
I could merge anyway.
Speaker 11 (04:41):
Yeah, we're and you finally got a member of your
entourage that says what you tell it to.
Speaker 3 (04:49):
If that's y'all named it, Larry.
Speaker 11 (04:52):
No, this is the perfect member of the entourage. He
says whatever Johnny says, he agrees with it, and he
has an off button.
Speaker 7 (05:00):
And I'm tolerant to his presence exactly.
Speaker 1 (05:12):
You know, those things gonna blow up because it hasn't
listen to me all night and it can't talk back.
Speaker 3 (05:16):
Oh yeah, what do you say? He said?
Speaker 9 (05:20):
He said, probably gonna kill him in his sleep. There's
only so much stuff like I can even take.
Speaker 3 (05:25):
Yes, this to record my thoughts. Oh yeah, how long
is this take? That one's a sixty minute and it's full,
already filled it up, jay, I got a lot of
ideas floating around there.
Speaker 11 (05:37):
Within forty eight hours, it'll be run around the apartment
like that little voodoo doll that was chasing Karen Black.
It'll have it like a steak knife out of the kitchen.
Speaker 9 (05:45):
You know, Johnny, the already full of your thoughts doesn't
include the poots you record.
Speaker 3 (05:50):
Hey, listen, I got a good one.
Speaker 1 (05:54):
All right, I'll go through and we're gonna pull up
some comedy gold on this thing today for the show.
Speaker 3 (05:59):
All right, right now, it is reverse hanging out first time.
Speaker 1 (06:02):
If you understand the concept of the game, please dial
one eight hundred Big Show. Three categories rounds contained in
each category, you must know the answer, so usually something
that that you the listener knows about.
Speaker 3 (06:13):
Since you're holding, you have to know the answer. So
that's the deal. We'll all try to play. Play it.
Speaker 1 (06:17):
We lose, you win a big prize package. It's one
eight hundred Big Show calling nine plays.
Speaker 3 (06:21):
What is next? What's going on? I'm not ready on land,
(06:56):
I take Amazer.
Speaker 12 (07:00):
Reavers and it's the anyone can host meat game?
Speaker 9 (07:06):
John Boyd Bully the matching what with insert jim.
Speaker 4 (07:10):
NY's men, the Reavers Outs.
Speaker 3 (07:20):
It's the anyone can host game.
Speaker 9 (07:23):
You'll give the most game.
Speaker 8 (07:24):
I'll Tony big.
Speaker 9 (07:25):
Shot this morning the Manders in South Carolina.
Speaker 3 (07:31):
Here's Julie's.
Speaker 6 (07:35):
Big Shot.
Speaker 3 (07:41):
Julie, ju Judy, Julie, Hello, hey baby, how you doing
this morning?
Speaker 8 (07:46):
I just got up and I heard y'all say, calling in,
and I'm calling.
Speaker 1 (07:50):
In really, bless your heart, you're getting up and go
to school this morning?
Speaker 3 (07:53):
Yes, sir, Yeah, what grade are you in, Julie?
Speaker 5 (07:56):
Tenth grade?
Speaker 3 (07:57):
In a sophomore ride high school.
Speaker 1 (08:00):
Everything you thought it would be not really, I know,
but by the time you're junior and senior year, Julian.
Speaker 3 (08:08):
Sorry to tell you this, but right now is the
best time of your life.
Speaker 9 (08:13):
Don't tell me that, all.
Speaker 3 (08:16):
Right, Julie. Well here you are, baby.
Speaker 1 (08:18):
So well, let's see what a tenth grader kind of
knowledge that can stump the Big Show crew. Worldly, sophisticated,
so vants so vants. Oh boy, and I think he's
thinking of red souvant.
Speaker 3 (08:29):
Yeah. What what? What kind of categories have we got, Julie,
anything in particular?
Speaker 8 (08:35):
Yeah?
Speaker 3 (08:36):
Biology? Biology.
Speaker 7 (08:38):
Now we're not like helping you with your homework or something.
Speaker 3 (08:42):
All right, okay, well let's ull let's go to it then, Julie.
Speaker 11 (08:46):
Okay, okay, name three micro molecules.
Speaker 3 (08:50):
Micro molecules, molecule.
Speaker 1 (08:52):
Micro molecules, adam any meanings you mean like adam.
Speaker 7 (08:58):
Elen neutron, No, like, uh, hey, we didn't understand it.
Speaker 3 (09:07):
Yeah, give it. Give us a little direction on that, Julie.
Speaker 8 (09:11):
It was.
Speaker 9 (09:11):
There's four of them.
Speaker 12 (09:12):
It's a carbohydrate, lippid, protein, and nucleic acid.
Speaker 9 (09:17):
Summer's over there nodding their head like she knows, does.
Speaker 3 (09:25):
Excuse me?
Speaker 8 (09:25):
Hey?
Speaker 3 (09:26):
Hey wow? Well, uh, y'all stupid y'all didn't know that.
Speaker 11 (09:34):
Uh there was never a bugs Bunny cartoon about it.
So just for giggles, what would have been your other
two categories named the.
Speaker 5 (09:45):
Three different types of cells?
Speaker 11 (09:47):
Uh, you got your jail cell tearsal and a white
white sail red seal.
Speaker 12 (09:55):
Yeah is that an animal plant?
Speaker 3 (09:57):
Sound? Oh yeah, yeah, yeah, of course.
Speaker 11 (10:01):
And assuming, and this is a big assumption, that we
would have made her pass that order of your final capital.
Speaker 4 (10:06):
I was hoping the first time.
Speaker 3 (10:08):
Well you well, right off the bat, Julie from Anderson,
South Carolina.
Speaker 1 (10:14):
Well, first time, there you go, Julie. Maybe first time calling,
but you had our number.
Speaker 8 (10:24):
A long time.
Speaker 9 (10:25):
God, she didn't even prepare. Next three of my.
Speaker 3 (10:29):
Teachers, Go morning, everybody. You got a big show on
the radio, right, big showing the radio a let's say,
any news letter sports. This is Spanky from the Yellow Rose.
Speaker 9 (10:43):
You're listening to the greatest morning show and recorded history
of broadcast radio John Boy and Billy Big Shows. How
big is it bigger than my head?
Speaker 3 (10:54):
And that's big.
Speaker 8 (10:57):
There.
Speaker 9 (10:57):
Yeah, so b I read it and I pay that
tab be a dead.
Speaker 3 (11:07):
H Good morning to you, Good morning to you.
Speaker 1 (11:38):
Bess show is on already you. Good morning to you,
John o'belly.
Speaker 3 (11:43):
Word from the astronud Julie Rocks. Her two categories were great.
Thanks Nastra Nerd. Just step on cut it.
Speaker 7 (11:53):
Again next time for a word from the astrod.
Speaker 3 (11:59):
Uh.
Speaker 1 (12:00):
Yeah, it is a Friday morning. Friday morning is what
we're working on here. Kevin Pollock will be live in
a big show studio toward the end of the broadcast.
Speaker 3 (12:08):
Uh and uh, let's see we have some sub sandwiches
delivered later.
Speaker 11 (12:14):
Okay, you leave out the most important to tail and
throw it in right at the end.
Speaker 3 (12:49):
Good morning, I got a big show on the radio.
Speaker 1 (12:51):
Let's wait for somebody to eagerly answer the phone over
at Red Hot Talent.
Speaker 5 (12:56):
Hello, Red Hot Talent Incorporated. He is make your selection
from the following menu. Chase. If you would like more
information on our client list, press one to book an act.
Press two. If you're calling from a rotary phone. Who
are you Rayford. If you are a client OBN Rayford,
please press three. If you are a Grieve Wrightener, the
(13:20):
driver of the rocket powered backboard, Ress one. If you
are Bendy Bob Thornton, the hillbilly contortionist, Press two. If
you are marvov dog hypnotist. Press three. If you are
misteriov dog Hypnotist, we regret to inform you you have
been replaced. Now you had to find out to say,
(13:41):
best of luck in the future. If you are Jimbo
and Bobby the quote unquote radio entertainer, Press four to
hear a long tort you a story about my latest
attempt to land the steady boy Friends one. To hear
a quick joke at Murray's expect Press two.
Speaker 3 (14:01):
Well we can't pass that up.
Speaker 5 (14:03):
Why doesn't Murray ever stare out the window in the
morning for the answer? Press one, so he'll have something
to do after lunch. To squeeze in a quick chat
with Murray before he blows you off, so he can
watch a cartoon. Press one.
Speaker 8 (14:21):
Hello, Jimbo, I love you mean it?
Speaker 1 (14:23):
Hey Murray, Bendy Bob Thornton, Huh, yeah, he's great and
lives French fries.
Speaker 8 (14:29):
Hey bab. The guys in marketing just whipped out some
new slogan ideas for that Jimbo Chevrolet thing I want
to hear him. Yeah, sure, okay, here's number one Jimbo
Chevrolet where the customer is always smarter than the boss.
How about this one, Jimbo Chevrolet. Big enough to serve you,
not smart enough to cheat you. Oh, here's a good one,
(14:52):
Jimbo Chevrolet. If you go anyplace else for your next car,
you will think too much. Here's a newspaper campaign. Dig
this full page ad, big picture of your face, and
the copy says, any idiot can give you a great deal.
This one has a great service department too. About your
new publicity shot to be perfect for that?
Speaker 3 (15:12):
Mary? Have you got anything that doesn't revolve around me
being an idiot?
Speaker 8 (15:17):
Oh, jim Bow, it's just an ad campaign. I don't
really think you're an idiot. You don't know? Okay, yes,
but that doesn't mean we can't make it work for it.
Speaker 1 (15:26):
Can you spend all those something else line famous for
like a something I do on the radio show?
Speaker 8 (15:31):
Sure? How about the boss is out of jokes, so
we're slashing fast to the mountain.
Speaker 3 (15:36):
That's not exactly what I'm in man.
Speaker 8 (15:38):
Look, I gotta warn you, babe, Jim's like the walking
Man's friend. And we told the note only come around
once or twice in a generation. Okay, hey, would you
be willing to work with a monkey?
Speaker 3 (15:47):
Have you seen some of the guys in the service department?
Speaker 8 (15:50):
Good point. Okay, what We'll do some retooling and get
back to you later. Hey, babe, let's do the lunch thing.
Have your machine called my machine. And remember you don't
have to be rich, if you don't have to be
cool to rule my well. I just want your extra time.
And you are dinging ning and ding and dings kids. Oh,
and be sure to let come of that on Bobby Billy,
(16:13):
I'm telling you about.
Speaker 1 (16:14):
What good morning, and you got the big show on
the radio, more chance for you to win coming up
after your news, weather and sports.
Speaker 13 (16:24):
You come on me today because you know, no Sicilian
can refuse a request on the day of his daughter's wedding.
I shall grant your requests. Someday I may ask a
favor of you, maybe a haircut. Maybe I'll ask you
to lay down your life for me. Maybe I'll just
ask you to listen to John Boy and Billy on
the Big Show. Would you rather wake up with a
(16:45):
horse's head or these two horses?
Speaker 9 (16:47):
Ask?
Speaker 3 (17:21):
Good morning everybody. It is Friday.
Speaker 1 (17:23):
Here we go, making it toward the weekend. We got
John boyd Jeffson playing about five.
Speaker 3 (17:27):
Minutes from now. Alright then and uh later on Kevin.
Speaker 1 (17:30):
Pollack live in the Big Show studio, actor comedian Kevin Pollack.
Speaker 3 (17:34):
Recognize him, Man, here's been a bunch of movies. Good boy, Oh,
I don't forget layouse.
Speaker 1 (17:39):
Oh that's right, about thirty minutes of brand new John
Wobilly Playhouse from green Acre. Buddy, all right, ain't on.
We gotta fine us winner here in minutes it could
be you. Good morning everybody. The Big Show is on
the radio. It's about twenty out of the hour, and
it is John Bore Jeffardy time. Alright, here we go
(18:00):
before becoming famous. Johnny Carson, Michael Douglas, Clint Eastwood, and
John Boy all held jobs doing this.
Speaker 7 (18:10):
What is crash test?
Speaker 3 (18:11):
Dummy? Wow?
Speaker 5 (18:13):
Man?
Speaker 1 (18:14):
And my name and there Johnny Carson, Michael Douglas, Clint Eastwood,
John Boy, you kind of fits in there.
Speaker 9 (18:19):
Name five movie stars in a hume.
Speaker 3 (18:22):
And keep in mind you know you wrote the question.
Oh boy, you wrote the question. Yeah. Research.
Speaker 7 (18:32):
Oh that's even scarier.
Speaker 1 (18:33):
He did the research, all right, one eight hundred, big show.
You're told freeline. We'll start with color nine, go to
Wee get a Winter and we play next. Good morning listen,
(19:04):
makes you on the radio, the jord to the bottom
of the hour.
Speaker 8 (19:07):
And that is time.
Speaker 7 (19:09):
Yes live across America heads Sunda.
Speaker 14 (19:12):
Him, Jeff Burday and now your host the poor becoming famous,
he did pretty much what he does now, just with
a smaller and less fawning audience.
Speaker 3 (19:24):
He's John Moore back.
Speaker 1 (19:29):
It's Dusty kicking us all from the Lexington, Kentucky.
Speaker 3 (19:34):
Dusty, good morning, How you doing, John Boy? Doing good? Buddy?
Speaker 15 (19:37):
All right, I'm doing just fine.
Speaker 3 (19:39):
Alrighty, welcome Dusty.
Speaker 1 (19:40):
Before becoming famous, Johnny Carson, Michael Douglas, Clint Eastwood and
John Boy all hell jobs doing this.
Speaker 3 (19:47):
I'm going to say, life guard show us lifeguard say,
don't hold you know? Uh dated lifeguards.
Speaker 5 (19:58):
I thought you were a laugh guard.
Speaker 9 (20:00):
No, no, but I do have the shirts.
Speaker 3 (20:01):
Maybe that's what. Okay, all right, thank you buddy. You've
swim out into the ocean. There's a bit of an undertow.
Speaker 1 (20:10):
You're in a little bit of a trouble, you see,
you feel yourself getting a little beyond your capabilities.
Speaker 3 (20:14):
You look up on the beach and there's John Boy.
How do you feel I'm dead? Yeah, I'm actually to
come back. I'm there's another time. I'm move around better
than water.
Speaker 7 (20:27):
And I do on dry land actually all right, like
a penguin. Awkward and ungainly on dry land, but you
put them in the water.
Speaker 3 (20:34):
And yeah, jump up out to swim, puol, grab a
fish and go back on my back.
Speaker 1 (20:39):
Sam, I'm out of Charlotte, North Carolina.
Speaker 3 (20:41):
Sam. What you doing?
Speaker 8 (20:42):
Man?
Speaker 5 (20:42):
Oh?
Speaker 8 (20:43):
Not much?
Speaker 3 (20:43):
John Boy?
Speaker 8 (20:44):
What's you up to?
Speaker 3 (20:44):
Just looking for a winter? Is it?
Speaker 2 (20:46):
You?
Speaker 3 (20:47):
All right? What job?
Speaker 15 (20:48):
Worked in a movie?
Speaker 8 (20:49):
Theater?
Speaker 3 (20:50):
Movie? Enter? Now? Well, of course you know I did.
I got in the movie business. Yeah, I was in
a movie. Is running projector can't? They worked with me
and say you're on the front of the movie. The
film doesn't start. You look back. The projectionist is John.
I would throw stuff up in the balcony. That's usually
what happened.
Speaker 7 (21:11):
How do I feel on the verge of a refund?
Speaker 3 (21:16):
Thanks for playing Sam?
Speaker 8 (21:17):
Alright?
Speaker 16 (21:18):
Alright?
Speaker 3 (21:18):
Angela out to Polula, Louisiana. Hello, Angela, Hello, how are
you doing today?
Speaker 5 (21:25):
I'm fine?
Speaker 1 (21:26):
Good.
Speaker 9 (21:27):
Let me turn my radio gain.
Speaker 3 (21:29):
Yeah, yeah, I'm kidding. Okay, all right, Angela.
Speaker 1 (21:34):
Yeah, Johnny Carrs and Michael Douglas Clint east Wood, John boy,
what job should we all share?
Speaker 15 (21:38):
Paper delivery boy?
Speaker 3 (21:40):
Show us newspaper delivery boy.
Speaker 11 (21:45):
Man?
Speaker 3 (21:45):
This is just so awesome.
Speaker 1 (21:46):
I don't know about them, but I used to delivering
newspapers too. That's when I found out I hated getting
up in the morning.
Speaker 3 (21:52):
Okay, you're sitting on the front porchability.
Speaker 7 (21:55):
How do I feel like I'm going to be fishing
around in the bushes a lot?
Speaker 3 (22:00):
That's where I develop my arm? All right, Angela, thanks
for playing.
Speaker 9 (22:04):
Baby, Okay, thank you.
Speaker 3 (22:06):
Okay. Charlie out of Greenville, South Carolina. Charlie, you're up?
What you got?
Speaker 8 (22:10):
I said? Salesman?
Speaker 3 (22:12):
Salesman? Okay, now this time I think you've probably feel
pretty good. Yeah, I never I had never been a salesman.
Speaker 8 (22:23):
Well, you sound like you're you cause.
Speaker 3 (22:27):
Have you heard what you do? You are a salesman?
Speaker 8 (22:29):
Really? Sure?
Speaker 3 (22:30):
You just sold Duke's mayonnaise? Yeah? Oh yeah, I is one.
All right, thank you, all right man, we appreciate you.
Patrick got A Hickory, North Carolina. Good morning, Patrick, Good morning,
John Boy. How you doing today?
Speaker 11 (22:43):
I'm doing great.
Speaker 8 (22:44):
How are you doing? Good?
Speaker 3 (22:45):
Buy looking for the winners at you?
Speaker 11 (22:47):
I think it might be all right.
Speaker 8 (22:48):
What job?
Speaker 3 (22:50):
I think you might have pumped some gas? Pump some gas.
Speaker 9 (22:56):
Yeah.
Speaker 3 (22:58):
He also worked at the fillings a shot. Yeah. I
was in the whole business for I got in the
movie business. He's in the monkey business.
Speaker 1 (23:09):
And before I was in publishing when I had a
newspaper Route Stern sixteen pumpk ass.
Speaker 3 (23:14):
Yeah, then movie business didn't. Yeah. Did I do anything
after that? No? In radio My life's calling.
Speaker 1 (23:22):
Thanks about that man, And you say, Johnny Carson bumming gas?
Speaker 3 (23:28):
Yes, as a matter of fact, I can you.
Speaker 1 (23:30):
However, Michael Douglas, good looking guy moving around gas station?
Speaker 3 (23:34):
Yea relate.
Speaker 9 (23:35):
No, they mean Mike Douglas, the guy that had the
talk shot Clint Eastwood.
Speaker 3 (23:39):
Yeah. Can I fill your tank?
Speaker 8 (23:42):
Yes?
Speaker 3 (23:42):
Yeah, yes, y'all, don't ever call me a loser again.
Gratulations right now, we've got to make new business.
Speaker 1 (23:51):
Car congratulation, the trick you and Buddy, the whole prize
bag is all yours.
Speaker 9 (23:56):
Way to go, man, Thank you, You're very welcome.
Speaker 3 (23:59):
All right, then hold on, Jackie gets your information. Jackie
her twin pumps. It's a big show on your radio.
Thanks for joining us this morning.
Speaker 7 (24:12):
Oh I love all those fine big s.
Speaker 17 (24:15):
Crown Radio Man, Walter Winch cousin, Brusie walk Man, Jack
John Boy and Belly A job Boy Belly had only
two white men ever made me more whoa, I feel
(24:37):
so bonnable your lift back, We walk over for your back.
Speaker 15 (24:45):
Wow.
Speaker 9 (25:21):
This is the award winning John Boy and Billy Big Show,
the South's number one export.
Speaker 3 (25:35):
Good morning, The Big Show's on the radio.
Speaker 1 (25:38):
John Moorebene Peddlers, Taylor, Jackie and the Man of the Morning,
the Man of the Hour, the Man of this week,
Rodney Carrington Live with us.
Speaker 3 (25:47):
Good Morning, Rodney.
Speaker 15 (25:48):
Good morning, Good morning, Good morning, Lucky Me five Bertie
in the morning Peddling Records. It's your Lucky morning. We
finally got that little television slash landscaping job out of
the way, so we did a television show for two
years on ABC, which is a lot like a landscaping job.
(26:11):
Sixteen hour days and one hundred eighty Mexicans and me.
Speaker 3 (26:17):
It wasn't no glamour.
Speaker 15 (26:19):
I'm gonna tell you what it wasn't.
Speaker 3 (26:20):
There was no glamour.
Speaker 15 (26:21):
The only glamour was about noon every day when me
and Nick would leave the studio and go play golf.
That was where the glamour was. And outside of that,
it's man, that's work. And I went into I learned
a valuable lesson. When I was they called me and
asked me to come into a meeting one day. This
is about after about nine or ten episodes we've done,
and I stopped by seven eleven and I had pair
(26:43):
of shorts on the ball cap, picked up a big
slurpee and I walked into this meeting with all these
big producers and it's like, well damn, they got all
the big wigs here today. And the guy said, wells Bridney,
we brought you here today because it's our impression and
the network's impression that you don't really give a damn anymore.
And I took a big old pull off my slurpie.
You know, I don't know what gives you that impression.
(27:08):
You know, a valuable You never take a slurpee into
an important media It looks like you don't give a
damn and and uh, you know, so that was one
thing I learned. But I got to tell you this,
the one thing I missed most about it is, uh,
the you get to go Disneyland. You don't have to
wait in line, you get your own television show. They'll
(27:28):
walk your ass right up to the farm. And uh,
you know I miss that. I mean I'll never be
able to go to Disneyland ever again. I'm sorry, Mickey,
but after riding all the rides in less than three hours,
I never can do it the other way. I remember
the first day we got there and you know that
give you a guide, and my kids were going, day,
this is great. We don't have to wait in line
or nothing.
Speaker 8 (27:49):
I said.
Speaker 3 (27:49):
We don't get too.
Speaker 15 (27:50):
Cocky, because if they throw all that show off there,
we're getting back of that damn laughing.
Speaker 3 (27:55):
Sure enough this summer. Just enjoy that turkey leg for
the next two hours.
Speaker 6 (28:01):
We're gonna get on this ride.
Speaker 3 (28:02):
Eventually.
Speaker 15 (28:03):
I used to be able to walk to the front
of this thing. But the problem is is that when
they give you they walk you it up to the
front of the line. They don't walk you through a
secret back entrance. You got to walk past everybody that's
been tending there for two hours, which.
Speaker 3 (28:15):
Might work if you're Madonna. You know, look, it's Madonna.
Speaker 7 (28:18):
You know it doesn't work when you're me.
Speaker 6 (28:20):
I don't like the hell you go.
Speaker 9 (28:21):
There's a guy with a slurper.
Speaker 3 (28:22):
Yeah, you know. I told that guy.
Speaker 15 (28:24):
I said, at least they could have done and give
us a wrench and a flashlight. So it looks like
we're going up here to fix something.
Speaker 8 (28:30):
For got a second.
Speaker 3 (28:31):
These people are pissed. You know, lady, where are you going?
I said, we're going up here to fix some stuff.
So what about them kids?
Speaker 15 (28:38):
I said, they got cancer? For God's sas, eat your
caramel apple and shut up. It want to hurt you
to wait an extra thirty seconds for Gout to say,
but uh, I'm gonna miss that. That's the one perk.
I really really gave it to them about.
Speaker 3 (28:55):
Jun Boy and Billy. He's just being melodramatic.
Speaker 7 (28:58):
You've got to ignore it if you really want to
help morning.
Speaker 1 (29:01):
Radio dumb Right, good morning, there's a big show on
(29:29):
the radio. All right, here always goes.
Speaker 3 (29:31):
Time's gonna Mike check check.
Speaker 1 (29:33):
Hello, Hello, all right, Rady, have you got DAEs.
Speaker 3 (29:39):
Alright, alright, alright, quite on set.
Speaker 11 (29:48):
Welcome to John Boy and Billy Playhouse today's episode, How
green was My Acres? As our story opens, gentlemen, farmer
Oliver Wendell Douglas is standing in a sad, parched cornfield
just outside of Hooterville, USA.
Speaker 9 (30:05):
I can't understand it. Thirty five years of farming and
I never had a decent row of corn come out
of this ground. Howdy man, sure not gonna swacked up?
Miss Turk Kimball. Make some noise when you're coming up
behind someone.
Speaker 7 (30:22):
Sorry about that. I was just in the neighborhood.
Speaker 11 (30:24):
I thought i'd stop by and say the top of
the morning to you, although I guess it's not really
the top of the morning. Yeah, that would be around
six o'clock when the sun comes up, you know. Then again,
the top of the morning could be the highest point
in the morning. That'd be, like I guess, right before noon,
Miss turk.
Speaker 9 (30:35):
Kimball, it's three o'clock in the afternoon.
Speaker 17 (30:40):
It is.
Speaker 7 (30:40):
Oh then, howdy, how's it going? What's up to? Who
do you doing?
Speaker 9 (30:45):
Actually I'm not doing anything at the moment. My tractor
broke down again. I had to send Ebb over to
Sam Druggers to pick up some parts stupid old rattle trap.
Speaker 7 (30:54):
Oh Sam's not such a bad guy when you get
to know.
Speaker 9 (30:56):
Him, Miss Turk Kimball, I was talking about the track door.
Speaker 7 (31:01):
Oh oh yeah, you know that old buggy's really got
some age on her.
Speaker 10 (31:05):
Speaking of witch, Oliver, is he back from this door yet?
Speaker 5 (31:09):
I need?
Speaker 6 (31:10):
Oh?
Speaker 10 (31:11):
Hello, sa, mister Kimble.
Speaker 11 (31:14):
Top of the morning, mister Douglas, Oh on at the
top of the morning. Exactly, it's more, mister Kimball, please, Oliver.
Speaker 10 (31:23):
I opened the closet door and the door set off
the rack and fell on the ground again.
Speaker 9 (31:28):
All right, Lisa, I'll be there in just a minute.
I close your robe, your cups, runneth over, non't let.
Speaker 7 (31:34):
Me hold you up. I was just leaving and I
seeing you folks.
Speaker 10 (31:37):
Goodbye, mister Kimberle Lisa, how.
Speaker 9 (31:41):
Many times have I told you to be careful opening
that closet door.
Speaker 10 (31:44):
I'm sorry, Darling, I forgot adding.
Speaker 3 (31:49):
Y'all looking for me as a matter of fact.
Speaker 9 (31:53):
Oh he frome ut time you got back. Where are
those tractor parks?
Speaker 1 (31:58):
Oh they're in the truck. Well, okay, where's the truck
back about one hundred yards up the road. I had
a little accident, oh, abb, an accident. Yeah, I kind
of ran over a pig of old. Is there any
damage you mean to the pig or the truck?
Speaker 3 (32:12):
Not truck half? Well not so she can tell. Main
problem is the pig still up under the truck.
Speaker 9 (32:18):
Well, why didn't you just drag him out and leave
him by the side of the road.
Speaker 3 (32:22):
Well, he wasn't quite dead yet. He was screaming and
squealing something fierce. I was kind of scared I might
get bit.
Speaker 9 (32:27):
Oh for the love, up, abb, Look there's a shotgun
under the front seat of the truck. Go back, shoot
the pig, pull him out from under the truck, and
then get back here with my tractor parts right away. Dad,
I'm not your father, heard it there, mister mood Douglas.
Speaker 10 (32:42):
Good afternoon, mister Zaffel.
Speaker 9 (32:44):
Uh you all got any kerosene I can burrow?
Speaker 3 (32:47):
Oh?
Speaker 9 (32:47):
Sorry, I just ran out myself.
Speaker 3 (32:48):
Oh well, thank you. Currently anywhere, then, say.
Speaker 9 (32:51):
Mister ziphyl heb was just up there, said he ran
over a pig just up the road. I sure hope
that wasn't Arnold.
Speaker 10 (32:57):
What time is it?
Speaker 9 (32:58):
It's about ten after three.
Speaker 10 (33:00):
Oh, then it couldn't be Honold Darling.
Speaker 9 (33:03):
How do you know?
Speaker 10 (33:04):
Because silly at three o'clock, Honold Alves watches General Hospitar.
Speaker 12 (33:11):
It'd been blum hooked on. It says, way back when
old Luke and Laura first hooked up. Well, I reckon,
I better get on back home. Arnold just got in
one of them TVO machines. Wants to get some of
them seasoned passes, but he ain't got no thumbs to
hold a remote the droll.
Speaker 10 (33:24):
Well, you folks have a nice day, Arnold, he said.
Speaker 9 (33:28):
Hello, mixed her safaul. Now fa, We'll just come back
with those parts. Maybe I can get a little work
done around here.
Speaker 3 (33:37):
Hey, Dad, I'm back.
Speaker 9 (33:38):
I'm not your father.
Speaker 3 (33:41):
And where are those tractor parts? They're still in the truck.
Speaker 9 (33:44):
Well, where's the truck?
Speaker 3 (33:45):
Well, it's kind of still stuck of all the yeh.
Speaker 9 (33:51):
Didn't you shoot the peg and drag him over to
the side of the road like I told you?
Speaker 3 (33:55):
Yeah, but his motorcycle still hung up underneath the.
Speaker 7 (34:03):
We hope you've enjoyed John Boy and Billy Playhouse, son of.
Speaker 2 (34:09):
You.
Speaker 11 (34:09):
Then again next time we will hear crusty old uncle
Joe at the Shady Rest Hotel.
Speaker 3 (34:14):
Say hey, big man.
Speaker 6 (34:15):
Let me hold it down, John boy, all right.
Speaker 1 (34:27):
Here, don't hut well hark ho I hold handy.
Speaker 3 (34:33):
Everyone know that's l list is l list is.
Speaker 1 (34:36):
Let listen, I go horados fat is loud lists lest.
Speaker 3 (34:41):
Hoop honey, noah, God, I'm coming up.
Speaker 15 (34:45):
I know.
Speaker 6 (34:48):
What m.
Speaker 5 (35:08):
M.
Speaker 1 (35:22):
Good morning to Big Joe is on the radio. How
are you all right? Welcome to Friday Morning Love Friday
mornings around here?
Speaker 7 (35:30):
Can you tell there are girls in the room?
Speaker 5 (35:33):
What?
Speaker 3 (35:33):
I don't know what you're talking to?
Speaker 7 (35:34):
Pitt the cool chime boy, Billy, it's Johnny's fly trap.
Speaker 3 (35:41):
I need some I need some chimes or something.
Speaker 11 (35:44):
Fliday nine say no reflexes, empty arms hotel.
Speaker 3 (35:50):
Uh no, we got you had a room filled up? Man,
spiky Jamie, we have a man. I have my partner.
You don't know what? Same to you?
Speaker 6 (35:59):
Yeah, sweetie?
Speaker 3 (36:06):
And uh Amy, no cold Nicole? How tall are you? Baby?
She's tall. Drink of water ladies and gentlemen. Yeah, but
worth the climb.
Speaker 1 (36:18):
I'll tell you why, Billy I got a plant. I'm
gonna I'm gonna take going for the team.
Speaker 3 (36:23):
You and the cole breathe. You might you might get
a five six five seven, Billy.
Speaker 7 (36:30):
All right, you know, normally I don't like to get
involved in your little schemes.
Speaker 9 (36:33):
But this one I can go along. Here he goes,
I will not be part of your little Which one
is she? She's not the one with Podna? Oh okay,
all right?
Speaker 3 (36:49):
His name is Rodney fell Jackie. Huh yeah, no, jack.
Speaker 9 (36:55):
One experiment at a time, Dad.
Speaker 3 (36:57):
She already touched in the mama taking back in the nat.
She's got her saying on him. Okay, this could get ugly. Hey,
and y'all guess who's coming in later?
Speaker 15 (37:10):
The cops.
Speaker 3 (37:12):
Kevin Pollock, who is star girls. You're gonna love him.
He will.
Speaker 1 (37:16):
He played with Tom Cruise and Demmy Moore and a
few good men. Jack Nidson remember that? What about the
grumpy old man? Remember their son?
Speaker 3 (37:25):
Yeah?
Speaker 9 (37:26):
Yeah, short guy, dark hair, see anything like John boynt
Billy's boy.
Speaker 7 (37:30):
All great, we're bringing another short guy in.
Speaker 3 (37:33):
Man.
Speaker 7 (37:33):
He's a Hollywood actor.
Speaker 8 (37:34):
Oh there, got my shirt? Oh man?
Speaker 3 (37:37):
But right there for a minute, yeah, buddy, and uh,
y'all know Randy right bokes out of motion of it.
This is why I don't go out with you. You
see the reaction?
Speaker 9 (37:49):
Yeah, did you hear the reaction?
Speaker 3 (37:51):
Yeah?
Speaker 1 (37:56):
All right, okay, hey great y'all get to see me
play my trumpet. You name three TV things.
Speaker 3 (38:01):
I was, go ahead and drive drop the song after
tea and Randy, let's get right into it.
Speaker 6 (38:07):
I put that together yourself, Einstein. But he got a
team of monkey's working around.
Speaker 8 (38:12):
The clock on this.
Speaker 3 (38:13):
Alright, now, say this is a part. Rady comes in
and tries to embarrass me in front of the baby dolls.
All right, John boys, job, good morning. The big show's
on the radio. All right, there I go, Man, have
been working then? It sounds all right, one eight hundred
big shows. You're told for not.
Speaker 7 (38:36):
He said, the sheriff is here.
Speaker 9 (38:39):
I don't know. You won't let me talk to your
pretty cuss.
Speaker 1 (38:44):
All right, so here we go, Yeah, no cursy. Oh wait, man,
I started playing a second one holdo, all right, here
we go?
Speaker 16 (39:18):
Oh man, hold on there, no, no, no, Here's what
he does for his encore number three, hard parting there.
Speaker 3 (39:45):
That must be dialogue or lyricus.
Speaker 1 (39:48):
That was a talken Alright, let's say what we got
any best today? We've had two first timers, get it?
Like love what it twice in a row? First or
second time? I mean, like for a couple of weeks.
What do you think is something going to get that?
First off, I say yes, I say no.
Speaker 9 (40:04):
I say yes, Spanky, who's your friend?
Speaker 1 (40:07):
That's what I was thanchy buddy, Yes, sir, all right,
one eight hundred big shows, your told, free line up.
Speaker 7 (40:12):
Spanky's leaving the room. He's afraid he might be getting
ready to cuss.
Speaker 3 (40:17):
We'll start. We're calling down and Play next
Hosts And Creators
Billy James
Johnny "John Boy" Isley
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