August 26, 2025 • 56 mins
Get to know the voice behind the anthem "I'm so ATL" as we sit down with Bankroll Ni on Big Facts. She talks about the creation and impact of her hit song, a track that perfectly captures the spirit of Atlanta. Bankroll Ni also takes a nostalgic trip back, sharing what she misses about the "old Atlanta" and the city's golden era. She offers her unique perspective on the landscape of female rap culture, discussing the challenges and triumphs of women in the industry. This episode is a celebration of authenticity, female empowerment, and the unmistakable vibe of Atlanta.
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Speaker 1 (00:00):
This Big Bank, DJ Screen and.
Speaker 2 (00:02):
BABYJ with the number one podcast in the stream, Big.
Speaker 3 (00:06):
Big Facts Live from Revolve Studios and the at L.
It's time for Big Facts, Big Bank, Baby J, DJ Screen,
bank Road Now is with us on Big Fast.
Speaker 1 (00:19):
At What's up?
Speaker 4 (00:20):
What's up y'all? Girl? Bank roll?
Speaker 2 (00:22):
Now?
Speaker 4 (00:23):
You know we sell at a around here.
Speaker 5 (00:25):
Let me let me let me ask you a question
just to so we can start this ship off the
right way. Can you please, once and for all, tell
us what the at L? And I'm so atl really
stands for?
Speaker 4 (00:40):
What it always mean Atlanta? I don't know what.
Speaker 5 (00:44):
All right, it's always been at it never meant about
that life or ask tittes and liquor, you know what
I'm saying.
Speaker 6 (00:52):
No ship like that.
Speaker 4 (00:53):
It stands for at Atlanta, Atlanta for sure.
Speaker 1 (00:59):
Where that comes from? Just some trolls online just going crazy.
Speaker 4 (01:02):
I think it started off on TikTok.
Speaker 7 (01:04):
Somebody just made TikTok saying it was about that life,
and everybody just took it and.
Speaker 6 (01:08):
Ran with it.
Speaker 1 (01:09):
Oh yeah yeah wow.
Speaker 3 (01:12):
Well tell us about you, what side of town you represent,
what part of the atl you represent?
Speaker 1 (01:16):
How you getting the music?
Speaker 3 (01:17):
Like?
Speaker 1 (01:18):
Tell everybody what time it is what.
Speaker 4 (01:19):
I tell everybody.
Speaker 7 (01:21):
I'm from Boulevard, you know, Boring, That's where I was
grew up at. Yeah, but I've been around like a
couple of places like Simpson and stuff like that. I
stayed on Camilton, you know, moved around a little bit,
but you know, Boulevard got my heart, you know. So yeah,
I've been doing music for a minute, though I wouldn't
really remember exactly what really just brought me into it.
(01:41):
I just used to be outside with my friends. We
had a little rap group, you know, just rapping and stuff,
middle school type. Then when I got in like high school,
my brother had like a studio in his room in
a closet, you know, he was rapping and stuff.
Speaker 4 (01:54):
So that what brought me back into it.
Speaker 7 (01:56):
And I started doing like freestyle videos and stuff like that,
and then it went there. But then I started working,
and I was in high school and stuff like that,
so I'm cheering and all this stuff.
Speaker 4 (02:04):
So I really slowed down on it.
Speaker 7 (02:06):
Damn. I started back getting to like it was something
I just used to dibble and dabble into, like I
always came back to it or whatever. And then like
in twenty twenty, my brother just told me like, I'm
gonna go to the studio. We're gonna let you record
a song. I recorded my first song get in the studio.
Then everybody was messing with it so over the time.
I no, my first song is big Mad if you know,
(02:29):
you know, you know because people in the city that
was going a little crazy for that too, that they
was messing with that song too.
Speaker 4 (02:34):
But it never just went too crazy. But my first
song is beg Mad.
Speaker 7 (02:38):
I dropped it in twenty twenty.
Speaker 6 (02:40):
Did you ever come to time that you like, man,
it raps ain't for me?
Speaker 7 (02:44):
It's too hard, nah, not even nah. I always felt
a little discourage. I used to always be like, dang,
like everybody's just going up. You know, I ain't went
up yet. You know, I know I'm you know. I
just had to stay true to it. I had to
just keep pushing, you know. I always wanted this moment
and stuff like that. I just never knew it was
(03:04):
gonna come. I just was trying to be humble, trying
to be patient, like I know I got it, somebody
gonna see me one day. It was always of this
courage and feeling. It was never like dang, it's it's
just not me.
Speaker 4 (03:16):
I can't do it.
Speaker 6 (03:16):
You know.
Speaker 7 (03:17):
It was always why they don't see yeah when or
why they don't seem like I'm here. Y'all just ain't
paying attention.
Speaker 2 (03:23):
Right, Yeah, you know, we go in the studio, we
drop one something, we got them off, journey to this ship, right,
like tell like if a young girl just just throwing out,
just telling the process of you know what I'm saying,
being focused and staying down.
Speaker 6 (03:39):
You know what I'm saying.
Speaker 7 (03:40):
Honestly, I feel like, just keep working, stay consistent. I
feel like being not being consistent with me was one
of the biggest things. Like I was never consistent. I
was always dropping music. Then I just disappear, drop music,
come back. You know it was I was just owning
off with it. So I just say, stay consistent, you know,
keep doing your thing. Like my man and the family.
I always told me, you only need one song for real,
(04:04):
you only need one song. Just staying keep going. Somebody
gonna see it.
Speaker 2 (04:08):
Because every time you come back your brand new arts again,
Like if you keep stopping and come every time you
come back, you gotta heat it back up, right, stay consistent,
no matter if you drop got them sel mates, alright, that.
Speaker 6 (04:21):
Ain't gonna be that motherfucker. You know what I'm saying.
Speaker 2 (04:24):
But them sel mate, they when you drop that nine
and that bitch catch, they gonna go back like damn
she been.
Speaker 7 (04:29):
Hard, right yeah, because like like the city, like I said,
the song bit bad, they come back like, oh she
made this song, or like I made the ain't gonna
let up.
Speaker 4 (04:37):
Oh she made this song. Oh she made it.
Speaker 7 (04:39):
I ain't know this was you. Yeah, this is me, y'all.
You know what I'm saying. They just had to see So.
Speaker 2 (04:44):
What you what you what you think about re dropping
and putting another video to it and putting that them
songs back.
Speaker 4 (04:49):
See all of my songs don't got my first music video.
Speaker 6 (04:51):
It's so okay.
Speaker 7 (04:52):
I just got some of my songs out, but I
have no content, no videos to it. So I definitely
especially bit Man, that's like my first song. It's like
my baby, and that's what a lot of people really
know me from. Well a lot of people know me
from I'm so atl now yeah, but before I'm so Til,
they knew me from Big Mad. So it's like, I
definitely want to do a video to that because it's
gonna be like a full circle moment.
Speaker 4 (05:13):
You gotta redrop that.
Speaker 6 (05:14):
Yeah, because it's brand new to us.
Speaker 2 (05:16):
Yeah, sure to the people like you know, your circle
gonna know it, and people around your neighborhood, people that
know you're gonna do it.
Speaker 6 (05:21):
But it's a brand new song tomorrow.
Speaker 7 (05:27):
Hey, I got a whole catalog that ain't heard, honestly, Like,
I probably got like ten, what ten songs out before
I'm so till probably you know what I'm saying.
Speaker 4 (05:36):
So I got a whole little list they could go
back and listen to.
Speaker 7 (05:39):
I could just go ahead and put back in their face, honestly, like,
because the songs they're not bad, you know, but I'm
so call everybody attention, So you ain't nothing to just
put that old music back in their face to let
y'all know that.
Speaker 4 (05:51):
Hold on now, Yeah.
Speaker 6 (05:53):
Hey, what's what's the struggles of being a female artist? Though?
Speaker 4 (05:59):
I feel like.
Speaker 7 (06:01):
Men, men, men don't take people serious, honestly. I feel
like a lot of men don't take a lot of
a lot of females serious.
Speaker 4 (06:09):
Honestly. I feel like you just gotta be dominant in
the in the n field. That's how I look at it.
You gotta be dominant in the field.
Speaker 7 (06:18):
You got to you gotta let them know that you
ain't going for no strange.
Speaker 5 (06:21):
So what are so what are some of the things
that you do to kind of like assert yourself and
separate yourself from the rest of the females that might
not or that might go for the strange shit.
Speaker 7 (06:38):
I'd like when I said, you know, you gotta be dumb,
not even too much dumbity, like you just gotta set
a certain type of boundaries, uh, because at the end
of the day, you know, you don't want nobody to
look at you like it's not even like overly friendly,
just easy to just you know what I'm saying, and think, shit, sweet,
you know. So honestly, my man told me this, like,
(07:05):
you know, he told me, like, look, everybody ain't gotta
hug you. You can shake their hand, you know, you know,
put it out there, shake their hand. Everbody ain't gotta
come and just be all up and you be all
up in your face because they can, you know, think
it's something else. And once he said that, it made
me realize that, like, you know, it's something that'll come
up to you shake your hand, you know what I'm saying.
And then it's other ones that just want to be
all upon you and stuff like that. So I just
feel like you just gotta sit a certain type of boundaries,
(07:26):
you know, and keep it like that, keep hot.
Speaker 6 (07:29):
Yeah, let them know what you're going for and what
you ain't on.
Speaker 2 (07:32):
Right, fish pumped, he ain't your hand, but ain't going
for that? Nah, you do gotta set the tone. That's
basically she's saying, you gotta set your tongue because if
you if you're a motherfucker, that'djust your tone. Then you
slowly bending into what they want you to be, then
we can try you.
Speaker 6 (07:51):
How you mad that I'm trying? Right, you ain't set
the tongue? Just real ship what you think?
Speaker 3 (07:57):
Like, uh, may y'all will say, y'all, what's your what
you think made y'all take over the game? The rap
game in Atlanta? Meaning the women? Why you think that is?
Speaker 7 (08:05):
Because the music really ain't being here the same honestly,
you know, And it's not a lot of female artists
in Atlanta for real. Like that's just really going crazy.
Like we got a lot of when we got Almaretta
and stuff like that, but you don't really got No,
we don't really got nobody for real. So when all
these and it's not just like it's just one female
out of Atlanta that's just going crazy. You got multiple
(08:26):
us just doing this at the same time. So it's like.
Speaker 3 (08:30):
You think it's because y'all focusing on like the vibe
to like and fun and not just drill, not knocking drill,
but just not drilling the negativity like all y'all kind
of just kicking it on song atl vibe type stuff.
Speaker 4 (08:42):
Yeah, for sure.
Speaker 7 (08:43):
See that's how I came up with the song because
I was peeping how we was already turned up on
tik Tok, Like TikTok was already licked for Atlanta because
you know when it was slump snowing in Atlanta. Yeah,
but it was on TikTok talking about how we was
turned up in the snow. You know, they had the
little thing get the pull. You know, everybody's out there
in the pub. So we treat, you know, TikTok and
the whole up start treating on TikTok, so we're gonna
(09:03):
even more craze.
Speaker 4 (09:04):
So at lot them just a topic of TikTok right now.
Speaker 7 (09:06):
So I was just like, I gotta make a song
saying I'm so atl because it's like we already live
right now, add hold up to it.
Speaker 6 (09:14):
Let me ask you, so, how did how did ship
shift for you?
Speaker 2 (09:18):
Like when you know, you start getting fame, people started noticing,
how did the people around you start to shift?
Speaker 6 (09:24):
Like, you know what I'm saying, what the type of
energy you start getting?
Speaker 7 (09:27):
Uh see, I don't really keep too many people around
but the family and a couple of friends, everybody, you know,
everybody happy for me. Cause like I said, I've been
doing this for a minute. So it's like, girl, you
get you. You finally got what you've been wanting, you
know what I'm saying. And so it's like everybody just
around me just happy. And and then it's like all
the people that have been listening to my music before
I'm at you know, they happy for me too.
Speaker 4 (09:48):
They just you know, just text me.
Speaker 7 (09:51):
You know, you're getting them little messages like I've been
I've been seeing you doing this jump for a minute.
You finally get your you know, so getting them little
messages and words of encouragement.
Speaker 4 (09:59):
You know, it feel good.
Speaker 7 (10:00):
And then just to see everybody actually you know, messing
with the song because I was nervous when when they
was finish drive, I was at home.
Speaker 4 (10:06):
My man Finn cry. I'm like, I don't know, I
don't know what I'm Why were you nervous?
Speaker 6 (10:15):
Why you got the butterflies? They clean the work. I
was scared.
Speaker 7 (10:22):
I was like, I don't know what it's gonna do.
I don't know what it's gonna do. And then next
day it dropped.
Speaker 4 (10:28):
I seen it. I was all right, I ain't scared.
I'm not scared. Came down, but.
Speaker 7 (10:34):
I feel like everybody been showing me a lot of
support and I'm just glad that everything happened the way
it did.
Speaker 2 (10:40):
Though, So basically saying, you established a solid circle before
you even she did even popped off, for you had
already established your circle that was solid.
Speaker 7 (10:48):
Shore ain't no squats inside my circle. I came over
who I started with.
Speaker 3 (10:52):
Yeah, sure, What's three things that make you have pride
in your city?
Speaker 1 (10:58):
Atlanta?
Speaker 7 (11:00):
It's the culture, the people, and the vibes, Like we're
just different. Everybody want to be from Atlanta. Everybody want
to be a part of our city. We just built different.
Everybody come down here to get you know, the extra
recognition or the extra you know or everybody just want
to just claim the city so bad because.
Speaker 4 (11:22):
We him her, we him, we her made them, you
know what I'm saying, We're just that all of that
for sure?
Speaker 6 (11:30):
At what city picked up on you first? Like love?
Speaker 7 (11:42):
Dang?
Speaker 4 (11:43):
What city was it? I'm trying to look at Brouse
bro he shouldn't What city was? How long? Because I
know I don't remember how I'm thinking.
Speaker 2 (11:56):
I know, Carolina, Carolina, it was.
Speaker 7 (12:04):
Those shows. I'm thinking like who was the first? Like
what was the first city to book me? But yeah,
for sure Caroline. But ain't gonna lie up.
Speaker 6 (12:11):
What is it?
Speaker 4 (12:11):
Milliageville, George, I want.
Speaker 1 (12:14):
To go back.
Speaker 4 (12:15):
Oh, they was so lit out there.
Speaker 7 (12:17):
I'm telling my work for word all three songs. It
wasn't not no song that they didn't know the words too.
And they was in their song and like there was
the best shot on head.
Speaker 6 (12:27):
You think you get more joy out of doing the
shows of recording the.
Speaker 4 (12:29):
Song doing the shows. I like recording.
Speaker 7 (12:35):
When I be recording the songs, it really depends like
what the sision like like because usually if it's just
like me and you know, the family, probably on some
chill vibes, you know, I go and make the music,
have I feel or like if we're.
Speaker 4 (12:49):
In now, we're you know, getting a little drunk. You know,
we're in that hype.
Speaker 3 (12:51):
You know.
Speaker 4 (12:52):
It depends on like the vibe.
Speaker 7 (12:53):
But I like going to the shows and just seeing
people wrapping my music, Like yeah, I can see y'all
wrapping it over the phone and stuff like that. But
seeing all these people in the crowd just rap your song.
It's a different feeling.
Speaker 2 (13:05):
How you felt when you seen the first person like
fan out, like, oh, what's up?
Speaker 6 (13:09):
Man?
Speaker 2 (13:09):
Man?
Speaker 7 (13:10):
I don't know if I really just seen that, but
by first like when they was when they started coming
up to me, like after I performed, they come trying
to take pictures.
Speaker 4 (13:18):
It's just like, oh, man.
Speaker 7 (13:22):
Like when I was just in Kentucky and I got
off the stage and I just went down the whole
line just grabbing everybody fall They was just like it
feel good.
Speaker 4 (13:29):
It feel good for real.
Speaker 3 (13:31):
So what's three pet peeves about your city?
Speaker 7 (13:37):
We were just talking about one of my biggest ones,
don't I don't think it was recording yet, but you know,
all the shooting and the violence, it's getting a little
too crazy out here, you know what I'm saying. Uh,
that's like literally one of the biggest was like it
was I just had a show and where it was
eating in eating, eating, Yeah, and somebody was just out
(13:58):
there fighting. But that somebody was just out there fighting.
They fighting, but they go back and they good, you
can't do that out here. You fight, They're gonna go
to the car and it's so much you know what
I'm saying. So it was just like, dang, like we
just can't vibe, like they can't about to just get
into a fight and be good after just be going
back to the part and we lit. No, it's gonna
be a whole different situation. But the violence, definitely. I
(14:24):
wouldn't even say this pet peeve is about the city.
It's just like like out of towners coming to the
city and then complaining about the city, Like y'all come
out here and then complain about being out here.
Speaker 4 (14:36):
Right when you come out.
Speaker 1 (14:37):
Your father, they got traffic worse and all that.
Speaker 4 (14:41):
Yeah, Yeah, in traffic. I hate traffic.
Speaker 7 (14:44):
I hate being in the car and just sitting there
like I'm trying to get to where I'm going.
Speaker 1 (14:48):
Let me make sure traffic. Now you like the traffic,
I don't like it?
Speaker 2 (14:51):
Up then like I don't even see it.
Speaker 5 (14:57):
Because it might be like nine o'clock at night, might be.
Speaker 2 (15:00):
Grid it's still, and then when you get through it,
you don't even see, like what the.
Speaker 6 (15:07):
That's going on.
Speaker 7 (15:09):
That's the point because like these cars just be causing
the traffic for nothing, don't even be no no issue,
And we all backed up like it's like, God, nothing crazy.
Speaker 2 (15:20):
Now we we we We're very proud of you to
be rapping at l hopefully you got them be singing
that ship and god damn do.
Speaker 6 (15:27):
Buy your everything?
Speaker 4 (15:30):
But sure getting that.
Speaker 6 (15:34):
So who your dream feature is, I've been.
Speaker 7 (15:38):
Saying, NB A young boy, yeah, crazy.
Speaker 6 (15:43):
He did generation Toupac show. You got to get it
to him.
Speaker 2 (15:49):
He came down with the juice man oh J on the.
Speaker 5 (15:57):
No he like he remade, I'm getting money, honey, I'm
getting money.
Speaker 6 (16:02):
Like but did all his ad libs and everything.
Speaker 5 (16:04):
So I'm sure he like looked out for him and
you know, took care of himor whatever. But yeah, like
it's Atlanta all through the all through the album.
Speaker 6 (16:10):
You said, you said R and B.
Speaker 7 (16:12):
Yeah, I want the R and B feature too, Probably
one of the one of the older ones like Monica
or something.
Speaker 4 (16:19):
Keisha. You know some some of.
Speaker 7 (16:21):
That because I'm more of an R and B girly
than I'd rather listen to R and B music than rap.
Speaker 2 (16:29):
Nah, that's that's real ship man. That's to all the
niggas out there. Your girl don't listen to R and B. Brother,
that ain't your girl.
Speaker 6 (16:37):
She is not.
Speaker 1 (16:39):
Hit you with this switch.
Speaker 6 (16:41):
Like at least the girl listens R and B, she
can know.
Speaker 1 (16:45):
Like love, she has a little bit of understanding.
Speaker 2 (16:48):
She kuind of no love like yo. Girl even listen
to R and B mutle, the old school, the real
R and B.
Speaker 3 (16:55):
So you said, basically, if your girl no more rap
music than you, you need to be scared because a
lot of the the girls be doing all every rap
song wrong with that.
Speaker 1 (17:04):
But he got a balance.
Speaker 2 (17:11):
Exactly, exactly exactly until you got that turned on. What's
what's the name of alexas play? He sweat radio, vibing,
how food smelling.
Speaker 6 (17:24):
The women just the day. I ain't saying they just
two hip man.
Speaker 2 (17:27):
They know like they I wheel three five this shout,
that's what I was just.
Speaker 6 (17:30):
This ain't no this ship off point five ship.
Speaker 2 (17:40):
Know the prices now, but y'all taking over them And
I'm happy for it because all these nigga mo bitching
than the women though, so they represent and they standing
on most of the girls that are coming out though
they really standing on business if you think about it.
Speaker 6 (17:55):
She said, Bro, we ain't really doing to my hug man.
Cool bro, but that's real though.
Speaker 1 (18:03):
Yeah.
Speaker 6 (18:07):
So who was your like who you look to coming up, like.
Speaker 1 (18:15):
With rapping and stuff periods, just like you.
Speaker 6 (18:17):
Got who you got the most game from in your
life coming up?
Speaker 4 (18:21):
I probably say like.
Speaker 7 (18:25):
My stepdad, okay, and then like once I got to
a certain age, my man.
Speaker 2 (18:31):
What's some ship that they told you both of them
that you couldn't see at the time, But then you
had to come at me like, yeah, you're right.
Speaker 7 (18:39):
See I wouldn't say that for them, for my mama.
I would say for my mama. Like when I was
growing up, I was like an inside Like my mom
wouldn't let us outside, like we were in the house
all the time, like we can't do nothing and no parties.
You can go outside, but you're gonna stand right here
and be outside like getting nothing too crazy, Like you
(18:59):
can't go not even know over nobody's house and stuff
like that. And then like at a certain age. When
I finally started spending night at people house, it was
just like, Okay, I see why she ain't want you
know what I'm saying. I see why she ain't want
to spend night over people houses. I see like you
just see like how you feel like some rules or
things that your parents said for you be like crazy
(19:21):
or something. And then when you in that moment, you're like, Okay,
maybe she wasn't you know, trying to be being killed.
She just she just letting me know what it is.
And I was just too young or just too in
my head to listen to what the hell she was saying.
But yeah, you just some just some like just watching
the people around you. You know, everybody ain't real honestly,
(19:45):
but I feel like that's the that's really one of
the main things, Like just seeing.
Speaker 4 (19:50):
Ship for yourself.
Speaker 7 (19:52):
Uh, especially with the spending night at people houses and
ship like that, that ship to me, well, yeah, I
just feel like she wants a lot of stuff that
my mama told me I won't really listening to it.
And then when I was in that, in that moment
and experiencing it, it just came to me like, damn, like.
Speaker 4 (20:08):
Mama wasn't wrong. Mama never wrong. Mama always knows what
they say.
Speaker 6 (20:14):
Fact.
Speaker 3 (20:14):
Don't you got some type of situations it management or
song with JD, Jermaine Debris or some type of business
or the music?
Speaker 4 (20:22):
Yeah, JD is a part of my management.
Speaker 1 (20:25):
How does it working with somebody like that a legend?
Speaker 7 (20:27):
Uh, it's dope, It's cool. I feel like JD is
a good esset. He helped with a lot of things,
so I'm glad that he was able to, you know,
get apart and be a part of the team.
Speaker 6 (20:38):
I just shot a video for one of the records on.
Speaker 4 (20:40):
Magic City Magen City The Money.
Speaker 6 (20:42):
Yeah, I was that.
Speaker 4 (20:43):
It was fun.
Speaker 7 (20:44):
It was hot outside, but it was fun. Though you
Money Bunnaby and Shampal.
Speaker 6 (20:52):
Is it out? Ye? Though?
Speaker 1 (20:53):
Yeah, it's out.
Speaker 6 (20:55):
I just seen Instagram video with Jersey.
Speaker 4 (20:59):
Yeah that was dope.
Speaker 6 (21:01):
Who who is the person that reached out to you
and be like damn, I can't believe they know me.
Speaker 7 (21:07):
Uh, I'm gonna say hmmm, or you sing yourself, I
would say, I would say like NBA, young boy, the
I'm gonna say a all the celebrities honestly, like Little
Baby when Little Baby first coming there under my picture
he was the first one, So shout out to the
baby because he was the first one. He coming up
(21:28):
on my video and he was like, I'm so at
L and I was like, oh okay, now, little baby.
Speaker 6 (21:32):
You told in.
Speaker 7 (21:34):
Then he ended up posting like my music video on
his story and stuff like that, and he tagged me
and stuff like that.
Speaker 4 (21:39):
I'm like, okay, he tapped me in. You see what's
going on?
Speaker 6 (21:41):
Yeah, always.
Speaker 7 (21:44):
Ateast and then Beyonce and her mama don miss Tina.
She posted my song twice Miss Tina knows uh doing
it I'm so atl and then blueing them doing it
on the stage and stuff like that.
Speaker 4 (21:58):
That's kind of crazy because it's like Beyonce right right.
That was crazy for me.
Speaker 7 (22:04):
Honestly, I was that'll be crazy for anybody not Beyonce
hold On and the kids and then the mama too,
So it was just like, okay, you got like generations of.
Speaker 4 (22:23):
Beyonce, Like.
Speaker 3 (22:26):
I know, is gonna be like pulling teeth. But you
see yourself doing the remix. M yeah, it was it
already done.
Speaker 6 (22:34):
No, who do you thinking? See?
Speaker 7 (22:38):
I want to do like a crazy remix. Honestly, I
wanted to do like a big a tr remix, and
then I wanted to do like a a branch off
of a remix, but with the other remix it would
just be like from different rappers from different states and stuff.
Speaker 4 (22:52):
Like that, or cities and stuff like that.
Speaker 7 (22:54):
Before the Atlanta remix, I wanted to have like all
like well, not all, I don't know how long, So
I don't want the song to be like crazy long.
But my list was not saying all these people gonna
be on the song or anything like that.
Speaker 4 (23:06):
But I wanted like.
Speaker 7 (23:07):
The little baby Lotto future, you know, t I you know,
some old school too. So it's just like I wanted
all the big artists in Atlanta. You know, somebody's gonna
actually get on there and go crazy to hop on it,
you know, or some people, like some of the oldest
older artists that's gonna get in there and bring like
the nostalgia back, you know.
Speaker 4 (23:28):
So we'll see how everything plays out. But I can't
wait out there.
Speaker 7 (23:34):
Know if you see it, you know, if you see this,
if you heard your name, I.
Speaker 6 (23:39):
Can see that they score a touchdown, they play that.
I can see that falcons you got one.
Speaker 4 (23:46):
Yeah, I was just at the little falcons. What is it.
What was it? Teil tailgate kickoff party.
Speaker 7 (23:54):
All the Falcons fans was in there, and they had
some Falcon players in there too.
Speaker 4 (23:58):
That was dope. I did not know they was going
to be in there that deep, but they were. They
was and it was fun too.
Speaker 7 (24:05):
So yeah, hopefully the Falcons tap into.
Speaker 1 (24:10):
They got Yeah, it's perfect everybody.
Speaker 4 (24:17):
Yeah, sockey.
Speaker 6 (24:23):
We ain't got no hockey teams. They need to make one.
Speaker 1 (24:26):
We need to make one right. Racketball, pig pigle ps,
what hangout spots? Oh goody? Picking it lounges books?
Speaker 7 (24:43):
No, I just started going out when everything happened. Really, yeah,
how old are you twenty five? I just turned twenty five,
like two days four days ago?
Speaker 1 (24:52):
Are you?
Speaker 4 (24:53):
Thank you?
Speaker 6 (24:53):
Thank you?
Speaker 7 (24:54):
Nigga season now yeah that's clockhead.
Speaker 4 (25:02):
But yeah, go out. Well I wasn't going out.
Speaker 7 (25:04):
I just started going out when I started getting, you know,
book for shows and stuff like that.
Speaker 3 (25:08):
Real ship, though, are you one of the people that like,
I'm from the east side, so it took a while
before I came to the west side of South So
you want the people that kind of stayed in your
place and didn't go too far east and north of South.
Speaker 4 (25:21):
Uh wait, I'm sorry, I don't know what you just asked.
Speaker 2 (25:24):
You said, like you said, like just say you said
you're on Boulevard and sif you're just gonna go to
clubs around that way or what you go, like, just
go ride all the way to God damn.
Speaker 6 (25:33):
What's that ship up north bro used to be it.
Speaker 1 (25:36):
To Kennisa far east. They know how.
Speaker 5 (25:42):
Like most West Side people don't leave crucial or like
most East Side people don't leave fucking chocolate chocolate or
prime time or whatever that ship used to be, Like,
they don't.
Speaker 4 (25:53):
They don't co mingle, you know what I'm saying.
Speaker 1 (25:57):
Ship.
Speaker 7 (25:57):
See, like I said, I wasn't going nowhere like you
wasn't catching me outside. You wasn't care you shot online.
Speaker 1 (26:05):
Oh my goodness, I.
Speaker 4 (26:16):
Was nowhere outside. I was always in the house.
Speaker 7 (26:19):
I ordered if I wanted some clothes, I'm ordering all
my clothes off phone.
Speaker 4 (26:24):
I'm not going towhere.
Speaker 7 (26:25):
And then, you know, so since I started, you know,
since everything started blowing up, I've been accustomed to the
little night life and going out and going out these
clubs andes and stuff like that.
Speaker 1 (26:36):
But before your girls in the house, that's super dope.
Speaker 3 (26:39):
So but with that, how you draw inspiration, like, because
it doesn't inspiration kind of come from being outside.
Speaker 6 (26:45):
You outside looking at your phone.
Speaker 1 (26:47):
Either you're right, right, you're right.
Speaker 7 (26:54):
Honestly, I don't even know, Like when it comes to
making music, it's just whatever the beat to me to say.
Speaker 4 (27:00):
I'm gonna say it like.
Speaker 7 (27:04):
Honestly, with the like I said, I just knew that
I was gonna have a song saying I'm so atl
Like before I even made the song, I put in
like the family group chat, because we got like a
family group chat, and I'm like, I'm so at L
and my mom like and how you come up with
that decision or whatever, and I'm like, no, that's gonna
be my next song. And it's just like, once I
(27:26):
hear a beat, the beat really tell me what to say.
Like I don't really go off of inspiration undertly, it's
just how I'm feeling at the moment, or if I'm listening,
like I said, if I'm listening to the beat, the
beat gonna team what to say. Long it's just a
good beat. I got a song.
Speaker 1 (27:40):
So when you heard that beat with that crime on sample,
you knew, Okay, it's time it's time.
Speaker 7 (27:45):
Ye see, like I said, it was gonna already be
I'm so At. I knew I'm so Atl was gonna
be the bass of the song. Like I didn't know
like exactly how it was gonna be put out, but
I knew somewhere I'm gonna say I'm so Atl in
this song, and I'm gonna make the song regarding Atl.
Speaker 4 (27:59):
So when I to beat, I'm like, yeah, this is hard.
Speaker 7 (28:03):
So I go, I get it typed up and then
I just you know, record myself rapping myself, rapping the
song over the instrumental, playing the instrumental on my TV.
And I'm just rapping a song in my room and
I posted it on Instagram and I'm like, you know this,
this is your song for right now, you know, until
I go to the studio. And day on the income
(28:24):
it's like, yeah, you need to go ahead and go
to the studio. You know what I'm saying, Go record.
Its end up going to the studio recording the song
and stuff like that. Had my sister and her friends.
My sister, she was the one that told me, like,
you gotta have a whole bunch of girls just rap
your song and da da da and stuff like that to.
Speaker 4 (28:38):
Make it go up.
Speaker 7 (28:39):
See, and that worked, but it didn't work well I'm
so Atl. It worked with True Religion. It worked with
that song because that song ended up getting like what
was I meant, one million views on like four days
on TikTok and then I posted I'm so at L.
But I'm so Atl wasn't doing nothing because it was
like my verse and then going into the chorus. So
I just took it down and I just clipped the
(28:59):
part where it's just saying, yeah, I'm at and then
I posted it.
Speaker 4 (29:02):
That's when it started going up on time or whatever.
Speaker 5 (29:05):
So so look, this is what I was gonna ask you,
because I know, like the whole time you've been sitting here,
you've been like constantly talking about like your family and shit, right,
so is your family? Are they like the first people
they get a chance to like taste test your music
before you put it out.
Speaker 4 (29:22):
Yeah?
Speaker 7 (29:23):
They either in the studio with me, like we just
got a studio session tonight, you know, get and family
group chat studio session night.
Speaker 4 (29:31):
If you come, you come, you know you're right all right.
Speaker 7 (29:33):
Usually me bro, my man, my little sister, my man,
me my bro. Uh my man, my sister, my little brother,
and then probably like two three of my friends. You know,
they usually be the main ones in the studio with me,
and they hear the you know, they hear it.
Speaker 4 (29:55):
What's your favorite one?
Speaker 6 (29:56):
Usually?
Speaker 7 (29:57):
You know, I'm trying to see what's what's the favorite
song I gotna recorded? I already, like y'all done, heard,
probably went through like three four, which one y'all.
Speaker 4 (30:03):
Like the best? You know? But yeah, they definitely just
you know, hit the music first before everybody else.
Speaker 6 (30:08):
Okay, what kind of music was he was hearing in
your house? Growing up? Though?
Speaker 7 (30:12):
H R and B we my mama cleaning up, were
listening to what's that song? You gotta walk by faith
and not by sight?
Speaker 4 (30:22):
What song that is? Uh? But always tell no, that's
not church, that's like Monica or Keisha? Who is that?
Speaker 7 (30:31):
Mama always told me you gotta walk by faith and
not by sight.
Speaker 6 (30:35):
I can't think of it, but.
Speaker 4 (30:39):
My song.
Speaker 7 (30:41):
I tipped my tongue, but that's all. She used to
play this song out and shunty. Mama loved her some shunting.
But we always see my days ago. Yeah, I gotta
think of that song though, it's in my head.
Speaker 4 (30:54):
No, I don't gonna have to remember that.
Speaker 6 (30:55):
Are you talking about still standing?
Speaker 4 (30:58):
Still Standing? That's what it is.
Speaker 7 (31:00):
Yeah, played it out, But we used to always listen
to uh, we was listening to Droe, Lil Wayne t I,
you know Future.
Speaker 6 (31:14):
Who the Goat from the.
Speaker 7 (31:16):
Goat, my goat from Atlanta, I would say.
Speaker 4 (31:21):
Is probably like.
Speaker 7 (31:25):
Doug Great Joys because like, yeah, I feel like if
you heard the music from like back then and then
to like not like to just see that and just
experience like the old thug through like the Thug now,
it's just.
Speaker 4 (31:39):
Like, you know, he just wanted the ones.
Speaker 6 (31:43):
Right for sure?
Speaker 4 (31:44):
For sure?
Speaker 1 (31:45):
Hm.
Speaker 3 (31:46):
So what kind of what kind of the rest of
twenty twenty five can we expect from you? Like what
you got up your sleeve? Some information, some exclusive info
you can hit us with.
Speaker 7 (31:55):
Let's see, well, I mean your girl did just do
had a clubuation with detail or Nike congratulations?
Speaker 6 (32:03):
Thank you?
Speaker 7 (32:04):
Uh And honestly, just more music. You know, it's a
lot of stuff still in the works, you know. So
I'm trying to see myself, but definitely a lot of
more new music, a lot of more visuals. I want
a lot of visuals, especially to my old songs like
we was talking about just to bring everybody, everybody back
to the old me, you know, to see what I
(32:25):
had back then and to see like like kind of
like I would say, like growth from what I did
at first into what I got now and just hopefully
some collaborations, you know what I'm saying. I I done
reached out to a couple of people, so you know
it's coming, and I just can't wait to see how
everything is next year around this time. Honestly, I'm just
(32:49):
glad for more elevation.
Speaker 2 (32:51):
You know what producers you want to work with that
you know we're all about manifesting on him, so put
it out.
Speaker 7 (32:58):
Speaking of to existence, I would say at l Jacob,
for sure, I would say Zetoven. I did get in
the studio with Zatoven, you know, so I do got
a little what I kind of want to see. You know,
how we can just cook some up together, you know,
instead of something that he already got, Probably cook some
up together, definitely, Atoven.
Speaker 4 (33:20):
Five minutes for you, Like, it's what I like to hear.
Speaker 2 (33:24):
Speedy you get out of the phone.
Speaker 1 (33:27):
Get sure they.
Speaker 6 (33:28):
Made the more five minute like and how much you
want for that? Right too? Fas like you ain't any hell,
but you ain't just putting no Zay to go.
Speaker 7 (33:42):
Yeah Jacob uh yeah take Keith, Okay.
Speaker 4 (33:48):
I really want to work with everybody.
Speaker 7 (33:49):
Honestly, I'm the type like, hey, just you give me
an opportunity that I'm gonna show you that I'm just her.
I want to work with anybody, even with the artists,
from the artists to the producers. You know what I'm saying, Engineers, Hey,
I'm here. I'm open to all opportunities.
Speaker 4 (34:03):
That's a great attitude for sure.
Speaker 3 (34:05):
What's one of your like I guess in your journey
in life, like something that you're trying to overcome, like
maybe an obstacle or something like that, or vice or
whatever the case.
Speaker 6 (34:13):
It might be.
Speaker 7 (34:17):
Right now, I don't think I'm trying to overcome any obstacles.
I don't feel like any big obstacles have come, you know,
in front of me yet. Right now, I'm just really
going with the flow, you know, seeing where everything is
taking me. And honestly, any obstacle I get, I know
I'm gona be able to overcome it anyway.
Speaker 6 (34:36):
So as long.
Speaker 7 (34:37):
As I got my support system and I got up
by my side I'm gonna be there up against me.
Speaker 6 (34:46):
I think you're trying to say, like what party you
getting away?
Speaker 3 (34:48):
You?
Speaker 7 (34:49):
Sometimes I would say, like when it comes to see,
I'm so like indecisive. Sometimes so like ain't gonna I
got a phone full of beats right now, and I'm like, no,
I don't like no beat. I don't like no beat.
(35:09):
I don't like no beat. Like but it's like, yeah,
I actually giving it a chance, Like are you even
trying to like the beat? Like you know, like you
just probably just cause I me, I'm gonna listen to
the beat, and the beat probably don't even drop on
the song, and I'm like, no, I don't want to
hear it, like no, this is not me, you know,
but like you ain't even give to be the chance
(35:30):
to even show you because you know you probably not
like the beginning of it, but like it might be
something now you might do like it. You probably just
hit the engineer or like the producer or something and
just be like just you know, tweet this up a
little for me, and then you know, I would say that,
you know, just to let it decisive.
Speaker 4 (35:44):
Sometimes it would be my only thing.
Speaker 2 (35:47):
I'm gonna say this about the beat shit though, because
since you said that, the niggas who I see became
to be the biggest like Pluto, God damn Gucci. Them
niggas don't even care about to beat it up. They
know they do something to every beat and they're gonna
use it or not. Them need to do something every
beat and then be like they don't like it, but
them be the hits the ship you don't like the people.
Speaker 6 (36:10):
Gonna like that's crazy, bro, I just record.
Speaker 2 (36:12):
Someone, all of them, even if it's a hook or verse.
Put that ship up through it though, and then you
play the ship. Somebody be like what you're doing with this,
I'm gonna get such such I'm telling you, bro, you
gotta push yourself like them beats, because you know we
be trying to. I'm the same way. I usually the
same way when I recording. I wanted some ship. I
can feel they go in there and push yourself and
do some ship to the mofucker. Cut your up and
(36:35):
just leave it. Made them motherfucker ride a couple of
days and let bro here or let her here or
let your man head.
Speaker 6 (36:44):
Go back and finish it.
Speaker 1 (36:47):
Some people's biggest hits.
Speaker 3 (36:48):
Like we always say, people tell us some big fast
like some people's biggest hits was like it wasn't expected,
like or they said they ain't even like the song
at first, or they ain't like the beat, or I
don't really like that song, but everybody else likes. You
never know where that creative place is gonna take you.
Speaker 6 (37:02):
You could tailor made a hit sometime and something.
Speaker 2 (37:04):
Most most eight hits out of unless you just a
nigga that right hits or you just you know what
I'm saying, like how she manifested the atl whatever, but
most of the motherfucker be.
Speaker 6 (37:17):
They be.
Speaker 2 (37:20):
Unintentional, you know what I'm saying, Like I don't seen
the ship the niggas sleep over and them be the
one where they play them one hundred.
Speaker 6 (37:27):
I'll be like, play that play that one you did
last night. Everybody like this the one.
Speaker 2 (37:31):
But you so focused on some ship that you feel
like you put your heart into you won't this, no, bro,
This the one y'all trying to push a whole whole
another song. When I was doing that ship, they go
back and now this the one that ship took off.
Speaker 6 (37:45):
You get what I'm saying. It's just like I don't know, bro,
we can't pick it can't.
Speaker 7 (37:50):
Like I said, you gotta get the people what they won't.
You gotta get the people what they won't.
Speaker 6 (37:57):
So what's the pressure of like trying to stay in there?
Speaker 2 (38:03):
You know how you come out in a certain pocket,
right you think you're gonna just try to stay in
the same pocket or you're gonna show these people like
this is what I do.
Speaker 6 (38:10):
I can keep going doing different now.
Speaker 7 (38:12):
I definitely keep going uh and I can definitely do
different shit. Like like if you listen to my music,
you it's like I got this certain type of flow,
but I like to switch my flow a lot.
Speaker 4 (38:26):
Though I like to switch up a little bit. I
like to switch up a lot.
Speaker 7 (38:29):
But it's this one song that I did make, Like
I had this beats in my phone for I don't
even know how long, and I was just in the studio.
I'm like, fuck it, I'm finna try to make some
to this. And that's to me, it's like one of
my favorite songs because it's so different from all my
other songs. And it's it's not even on no just
gangster rapple just you know what I'm saying, like some
(38:50):
street rap. It's more of just like a you know
what I'm saying, chill like a chill vibe, like you
can't fuck with me and this shit basically so I
definely with it up. You know that one got me
out my comfort zone and I can't wait to put
that because I feel like it will show a different
a different side.
Speaker 6 (39:12):
What do you categorized marginalized in the box?
Speaker 2 (39:19):
Like if you they expecting the same ship from you
every time, now they're gonna burn out.
Speaker 6 (39:22):
You gotta I do.
Speaker 2 (39:24):
This, I do that, I do this, I do that right,
you know what I'm saying. That's how you stay here
for sure?
Speaker 1 (39:30):
What you like more recording or performing? Like performing?
Speaker 6 (39:39):
We was here? Next question?
Speaker 1 (39:46):
Okay, so like.
Speaker 5 (39:50):
Again going back to like the female aspect of like
the whole situation or whatever. What are some things that
you incorporate into your live shows and your performances that
your male counterparts probably would not?
Speaker 7 (40:07):
Uh, I'm not sure because in my performances, like I
really be kind of I mean just going going with
the moment.
Speaker 4 (40:16):
It just beat me up there. I don't really know
how to dance for real, so I really can't do too.
Speaker 6 (40:23):
I can't do.
Speaker 7 (40:24):
Too so I'll just be up there just repping it
and moving around to the best of my ability. So
I really, I mean, I really can't say. I'd probably
be up there looking like one of the guys.
Speaker 2 (40:38):
But that's how I remember Glow first came That's how
she was. Then I started seeing with car choreographers. That's
with choreographers, you know what I'm saying. They started because
you gotta elevate with But it's good to start somewhere
so we can be like, oh yeah, like we Glow.
I remember Glow first came up and she was like,
I ain't I just wear the clothes they send me.
Speaker 6 (40:59):
Ain't I ain't wearing no designer.
Speaker 4 (41:03):
Walking down, walking down the product line.
Speaker 6 (41:06):
I ain't buying it they see me. Ain't that?
Speaker 2 (41:09):
She lick shouts out the globe. Man, I love to
see a seed grow. Man, I love that ship. You
know what I'm saying, Like to see a person, you
know what I'm saying. Like, I'm glad you came now.
So three four years a year, next year at the
time you all on the charts and you out of here,
come back and we can talk about this.
Speaker 4 (41:28):
I'm glad y'all have me. I'm glad y'all want to
be here.
Speaker 6 (41:31):
For sure, for sure.
Speaker 1 (41:33):
Yeah, what you do?
Speaker 3 (41:37):
Like in your spare time? Do you watch podcasts? Do
you cook for your man?
Speaker 1 (41:41):
Like? What is some of your hobbies.
Speaker 7 (41:43):
I haven't been cooking, that's the crazy thing. I was cooking.
It's slow down a little bit.
Speaker 4 (41:48):
It's slow down a little bit.
Speaker 7 (41:51):
But my spare time, I really don't be doing nothing
for it. I really just be chilling. I really don't
be having too much spare time like that for real.
Like if I do, it's probably like a day or two,
you know, nothing too crazy, But so I'll be busy
a little bit. I don't My schedule didn't start building up.
So I really don't be having a little spare time
(42:12):
if I can. You know, I'm just chilling with my
man and my kids, you know, or with the family.
Speaker 3 (42:17):
Anything you missed about your life before the record? Nothing,
He's like, nah.
Speaker 4 (42:33):
I'm living now.
Speaker 2 (42:34):
Don't don't seem like no blessings right in time when
every nigga be thinking they need and she you don't
need that. When you need it, gonna get it to you,
all right. I won't be stressing that, bro. Like I said,
I got a correct the other day. I thank god
for the correct. You know what I'm saying, because I
ain't do that. My back a little bit. Nigga getting
correct and don't walk away, you know what I'm saying.
(42:56):
So if this all I'm gonna go through today, cool,
because I'm seeing Nigga go through ship, you know what
I'm saying, Like Nick, gotta be grateful for everything and
grateful that I'm in the pulled over and walk away
from this ship and up in sue my insurance company.
I've been paying y'all too long.
Speaker 6 (43:10):
Pay me.
Speaker 2 (43:12):
I mean getting y'all money for over thirty years. I
ain't got no money, max it out. But I'm just
saying everything bless You got to look at everything. It's
a blessing, bro telling you bro, like we could be
sitting around being so I think when you when you
stay around being up, being builter, that stop.
Speaker 1 (43:30):
It for sure.
Speaker 2 (43:32):
Like damn man, all the hole going up. Man, I've
been wrapping man. What the name of the first song?
Speaker 6 (43:37):
Ma man?
Speaker 2 (43:37):
I been I dropped big Man. That ship was a
bang man the whole Hey, stay in that pocket, ye
ain't gonna stay in that pocket. You keep working, but
this ship coming by. Oh next song I'm so at
you a wh look well to do you see what
I'm saying. You can't never get caught up in that ship, bro,
he caught up in trying to thank your blessing supposed
to come the same time another motherfucker blessing.
Speaker 6 (43:56):
You don't worry about that.
Speaker 1 (43:58):
Mm hmm.
Speaker 3 (43:59):
Absolutely. What's the biggest thing you will want your fans
to know about you?
Speaker 6 (44:06):
Then?
Speaker 7 (44:06):
I'm just a regular person. I'm just a regular person,
and and I just appreciate everybody. Uh, For all of
my old supporters, I really really, really really appreciate y'all.
Y'all stayed down, y'all been here with the girls since
back then. You know, y'all been showing me love, and
I really appreciate it. And y'all still showing me love.
(44:29):
Y'all ain't y'all ain't forget about me. Y'all still here,
So I do appreciate that. And for all the new supporters,
thank you as well. You know, I really appreciate it.
And I got more in store. You know, It's just
not the last thing y'all see it me. I'm so
atl Maybe my biggest song right now, but it will
not be my biggest song.
Speaker 3 (44:47):
Forever, real started.
Speaker 6 (44:55):
Real ship. So what's the shit you're gonna do to
just stay around a lot? You say, I'm just a
regular person. What's the ship you gonna do?
Speaker 2 (45:02):
And you're gonna tell yourself every day so you can
remain that humble and focus on being a regular person.
Speaker 7 (45:09):
Uh, honestly, I just tell myself, like, ain't nobody stopping me,
Ain't nobody, ain't no competition but me. You know, like
I said, A long as I got got by my
side and my and my family and my support system,
I'm gonna come overcome any obstacle or any be any
against me.
Speaker 4 (45:26):
You know, just tell myself that you got this.
Speaker 7 (45:28):
You know, everybody ain't perfect, Everybody have their flaws, everybody
had their ups and downs.
Speaker 4 (45:32):
But you just gotta keep going tat it on my chest,
keep going on the.
Speaker 6 (45:37):
Left side too. So so do you do you pay
attention to the comments and ship?
Speaker 4 (45:43):
I do, sadly. It's okay, I'm gonna stop. I'm gonna stop.
Speaker 6 (45:47):
Stop, Nobody come in come in.
Speaker 4 (45:49):
I'm gonna stop. I'mnna stop because that down be that bad.
Though down't be that bad.
Speaker 7 (45:54):
You know, you you always got that one or two
people but you know what I'm saying, But it's okay.
Speaker 1 (45:58):
You you the bite back just sometimes.
Speaker 4 (46:04):
Almost caught.
Speaker 7 (46:05):
I caught myself today because I almost said something back
to somebody and I said, you know what, It's okay
they come to it.
Speaker 2 (46:12):
Because you got to think it was times that they
wouldn't coming about your how you got to look at it, nigga,
keep talking, talk me up, because that's saying hate. Now,
nigga putting it on your pain hate nad bitch. He's
showing another motherfucker that Look, you know what I'm saying,
send it to another nigga trying to gain or hater,
(46:33):
but gain you a supporter, right.
Speaker 6 (46:36):
So you gotta just take all that ship in sure.
Speaker 7 (46:39):
And I always tell myself, everybody ain't gonna like the music.
Everybody ain't gonna be fond of what I make, you
know what I'm saying, But you got them people that
will be so you know, and majority of the people
are attracted to the to the music, you know, more
than what I've seen, you know, more positive than negative.
So you know, I just gotta keep telling myself what
I tell myself all the time. Ain't no, ain't nobody
(47:00):
bigger than the program.
Speaker 6 (47:01):
Anybody bigger than me.
Speaker 7 (47:02):
Ain't no competition but me. You know, ain't nobody stopping me,
and nobody in my way but me. So if I'm
blocking my own blessing, then it's me. There's somebody need
to handle with then, you know. But other than that
tunnel vision.
Speaker 2 (47:14):
So looking back at her, it's like, when you dropped
your first song, do you think you was ready for this?
Speaker 7 (47:20):
Uh?
Speaker 4 (47:20):
When I dropped my first song, do I think I
was ready?
Speaker 1 (47:24):
I kind of do.
Speaker 7 (47:25):
Though I think I was ready. I just wasn't you
know what I'm saying. See, I was, I was young,
you know, I ain't had no kids and nothing. Then
I think I think I was pretty ready. I just
didn't have no Yeah, I think I'm more ready now.
I feel like since you know, you know the time,
and then like that was my first song and I
was dropping music. But I was dropping like I said,
(47:45):
I was dropping music almost every year, you know, around
my birthday. That's probably when they get a song. Like
next year I get another song, y'all get another song.
But now I feel like over the years because I
write my music, so I feel like now when it
when everything came like it was easier for me to
just go in the studio. Gis because I already got
(48:06):
stuff in the in the you know, in the backburn
of just waiting to be put down. So and I
just feel like even with the uh, the the recognization
and everything, I feel like now with it, you know,
you just learn over the years, you know, over the
course of the years, learn more things, and like you
(48:29):
just grow on in a different aspect, like with even
with the rapping, Like I feel like certain things like
what I was rapping, I feel like I've improved, you know,
in like the rapping aspect, like even with cause, like
I said, I write my music, But now I can
just go in the studio and I could just get
in there and probably you know, dombit, you know, uh.
Speaker 4 (48:48):
And I used to be scared of that, like I'm
used to I came't freestyle, I.
Speaker 7 (48:52):
Ca yeah, punching it or even just you know, he'll
be and well see, I'm still kind of nervous to
do that. Like I'm not feeling in the studio and
like I'm listening to the beat, like if it come
to my head, it come to my head. But I'm
not the type of going to studio and it's coming
to my head and I'm just rapping in it, you
know what I'm saying. If I miss up, I miss up,
and I'm like, not take it out, and I just
start like if it come to my head, I'm gonna
(49:12):
listen to, I'm gonna type it down, like I still
just gotta type it down to make sure it come
together right, like I need to.
Speaker 4 (49:17):
I need the foundation fit, you know.
Speaker 7 (49:21):
And it's just something about like when I'm in the
studio and I and I'm rapping, it don't matter if
I done recorded half of the song, if the whole
song not done, I'm gonna tell him to take cut
it all off, and I'm gonna try to wrap it
at one take, like oh.
Speaker 6 (49:37):
That's how you go. Oh you want to do your
shit one take?
Speaker 1 (49:39):
Tim Yeah, I don't like.
Speaker 7 (49:40):
I don't like all the little stopping and have to
go back in like cause I feel like certain if
so with certain songs, probably like with the Engineer. It's
like probably like the Engineer, like you can hear the
punching back in, so like I don't want the punching in.
I don't want that sound. So I want to one
take all my songs like I want to be able
to get in there. Just do it, you know what
I'm saying. And if I can't, then I can't with
tried until I.
Speaker 2 (50:01):
Get it in this ship though, man take then mentally
read it on for sure seeing him talking to you,
and I can tell like you got a strong support system,
you got your head on. So but that's why I
act because I ain't know you five years ago, so
I don't know, but I know you've probably been ashwering
back them comments five years ago.
Speaker 4 (50:27):
Yeah, I would have been added, I would have to anybody.
Speaker 6 (50:30):
Pull up.
Speaker 1 (50:32):
The boulevard. That's what it is.
Speaker 3 (50:40):
What you think the best way is for new artists
to get their music out right now?
Speaker 4 (50:46):
Tik tok.
Speaker 1 (50:48):
Honestly, tik tok.
Speaker 7 (50:51):
That's what every That's what everything really going crazy at
tisk is really the Holy grill right now, that's what
you got everything going.
Speaker 3 (51:00):
So you never did, like, no open mic showcases, none,
none of that on the come up.
Speaker 4 (51:05):
I never had any videos until I'm so atl.
Speaker 1 (51:08):
Wow, get in there where you shoot that at.
Speaker 7 (51:15):
The basketball court literally right there across from the apartments
that I stayed in. The apartment is gone now, but
that basketball court right there over there since Paul's dope man.
Speaker 1 (51:29):
The first person everybody he's saying that hot mhm, what
I have come from?
Speaker 7 (51:42):
I don't even in my head because after I, like
I said, I had recorded the video like of me
just rapping the song, but on the video, I'm not
saying get it. I'm just saying I'm so at L
and it's just like a blank space. I'm like, some
gotta go right there. You gotta go into that part
of me saying I'm so at L. And then I'm like,
I got to take it in there. So because when
(52:03):
I say get in there, they don't want to do
the dance.
Speaker 4 (52:05):
They go want to dance. So I started, I was like, yeah,
get in there. I gotta go right there.
Speaker 6 (52:12):
Doing this.
Speaker 2 (52:18):
It's definitely a phenomenon. Definitely people that you wouldn't even
think that's crazy. How so do you think the song
is bigger than who you are? Song moving faster than
like before they can catch.
Speaker 6 (52:34):
Up to you who you are?
Speaker 4 (52:36):
I think so yeah, I do.
Speaker 7 (52:37):
That's what I feel like, because it's like it's crazy though,
because I was, like you said, we did the Magic
City money.
Speaker 4 (52:47):
I seen somebody do like a reaction to it.
Speaker 7 (52:49):
And he was on there and he was like, because
you know me and Banna on the song and he
was like, yeah, Bunda, b I know she got the
ATL song.
Speaker 4 (52:56):
And I'm like, that's my song you talk about.
Speaker 7 (53:00):
I don't know about Baked Roll. Now I gotta go
listen to her music.
Speaker 4 (53:06):
I'm like, you just said my song.
Speaker 7 (53:09):
But I think people still trying to figure out.
Speaker 6 (53:13):
That's just how it hits go. Bro.
Speaker 2 (53:14):
You gotta now you gotta track down the song to
let them know.
Speaker 6 (53:18):
Like that mean, that's just how this ship go.
Speaker 2 (53:20):
Like you gotta think like the biggest song, like make
a hit the first time around, becau, no matter what
songs you had before this this first time around for
you to everybody, right.
Speaker 6 (53:31):
But any people that know you. So it's like.
Speaker 2 (53:35):
Like shop Boys I had be they got them part
of like a rockst They had to run behind.
Speaker 1 (53:40):
That motherfucker that was gone.
Speaker 6 (53:42):
Yeah, they gotta run behind like this.
Speaker 1 (53:44):
Uh right, you know what I'm saying.
Speaker 2 (53:47):
That's just have them hits gold, bro, true because that
motherfucker take off overnight, bro, and you can't be everywhere
one time.
Speaker 7 (53:54):
M's It's okay though, they gonna realize it's.
Speaker 4 (53:59):
The Queen.
Speaker 3 (54:04):
Any final words for the people, anything you want the
people to know, the fans, the Big Fact supporters, anybody
out there.
Speaker 4 (54:10):
From keep watching out for me. Like I said, I'm
So a t L.
Speaker 7 (54:16):
It's my biggest song right now, but it won't be
my biggest song forever.
Speaker 4 (54:21):
I ain't going nowhere. I'm here to stay. I'm gonna
always rip the A.
Speaker 7 (54:26):
And bit shout out to my supporters, my family, my
loved ones.
Speaker 4 (54:29):
Bit shout out to Big Facts. You know what I'm saying.
My kids you can follow me on all social media.
Speaker 7 (54:37):
Platforms at bank Roll nine. And I just want to
give a quick quick shout out to Little Bankhead. He
was one of the first people to play my song
on the radio and fly out DC my first radio
interview for sure, and also DJ plug.
Speaker 1 (54:55):
Birthday.
Speaker 7 (55:03):
But before I'm So t was out, he played it
at fall Full Day, So shout to him as well.
Speaker 6 (55:08):
Yeah, love break record that, that's.
Speaker 4 (55:10):
A that's a record breaker.
Speaker 6 (55:11):
Nigga like, yeah him, break records.
Speaker 2 (55:16):
One more question, hold goody something we just shot Just shout.
Speaker 7 (55:21):
Out something I got d C Little Bankhead, d J
damn ask you something.
Speaker 4 (55:28):
Said the radio interviews?
Speaker 1 (55:30):
Now about breaking records now I'm about to ask her something.
Speaker 6 (55:33):
It's gone.
Speaker 1 (55:34):
It's it's gone.
Speaker 6 (55:36):
But when she comes back, we'll bring it back.
Speaker 7 (55:38):
We're coming back, come back now, you know, And next
time y'all see me. Just now, it's gonna be bigger
than I ever been.
Speaker 6 (55:48):
I told you it's gonna be huge.
Speaker 4 (55:51):
It's bigger than I ever been.
Speaker 6 (55:53):
No, you got this. We're pulling for you to.
Speaker 7 (55:56):
Have a beautiful spirit, like I really appreciate that for real,
I fuck with.
Speaker 3 (56:00):
That good Now, we appreciate you pulling up the Big Facts.
Speaker 1 (56:05):
Make sure you check us out too.
Speaker 3 (56:07):
W dot bigfaxpod dot com, SLOUF.
Speaker 2 (56:11):
Catch the Big Facts audio experience on Iheart's Black Effect
on Tuesdays, revote on Wednesdays, and revote YouTube channel on Thursdays.
Speaker 6 (56:19):
Visit our website now bigfaxpod dot com
This Big Bank, DJ Screen and.
Speaker 2 (00:02):
BABYJ with the number one podcast in the stream, Big.
Speaker 3 (00:06):
Big Facts Live from Revolve Studios and the at L.
It's time for Big Facts, Big Bank, Baby J, DJ Screen,
bank Road Now is with us on Big Fast.
Speaker 1 (00:19):
At What's up?
Speaker 4 (00:20):
What's up y'all? Girl? Bank roll?
Speaker 2 (00:22):
Now?
Speaker 4 (00:23):
You know we sell at a around here.
Speaker 5 (00:25):
Let me let me let me ask you a question
just to so we can start this ship off the
right way. Can you please, once and for all, tell
us what the at L? And I'm so atl really
stands for?
Speaker 4 (00:40):
What it always mean Atlanta? I don't know what.
Speaker 5 (00:44):
All right, it's always been at it never meant about
that life or ask tittes and liquor, you know what
I'm saying.
Speaker 6 (00:52):
No ship like that.
Speaker 4 (00:53):
It stands for at Atlanta, Atlanta for sure.
Speaker 1 (00:59):
Where that comes from? Just some trolls online just going crazy.
Speaker 4 (01:02):
I think it started off on TikTok.
Speaker 7 (01:04):
Somebody just made TikTok saying it was about that life,
and everybody just took it and.
Speaker 6 (01:08):
Ran with it.
Speaker 1 (01:09):
Oh yeah yeah wow.
Speaker 3 (01:12):
Well tell us about you, what side of town you represent,
what part of the atl you represent?
Speaker 1 (01:16):
How you getting the music?
Speaker 3 (01:17):
Like?
Speaker 1 (01:18):
Tell everybody what time it is what.
Speaker 4 (01:19):
I tell everybody.
Speaker 7 (01:21):
I'm from Boulevard, you know, Boring, That's where I was
grew up at. Yeah, but I've been around like a
couple of places like Simpson and stuff like that. I
stayed on Camilton, you know, moved around a little bit,
but you know, Boulevard got my heart, you know. So yeah,
I've been doing music for a minute, though I wouldn't
really remember exactly what really just brought me into it.
(01:41):
I just used to be outside with my friends. We
had a little rap group, you know, just rapping and stuff,
middle school type. Then when I got in like high school,
my brother had like a studio in his room in
a closet, you know, he was rapping and stuff.
Speaker 4 (01:54):
So that what brought me back into it.
Speaker 7 (01:56):
And I started doing like freestyle videos and stuff like that,
and then it went there. But then I started working,
and I was in high school and stuff like that,
so I'm cheering and all this stuff.
Speaker 4 (02:04):
So I really slowed down on it.
Speaker 7 (02:06):
Damn. I started back getting to like it was something
I just used to dibble and dabble into, like I
always came back to it or whatever. And then like
in twenty twenty, my brother just told me like, I'm
gonna go to the studio. We're gonna let you record
a song. I recorded my first song get in the studio.
Then everybody was messing with it so over the time.
I no, my first song is big Mad if you know,
(02:29):
you know, you know because people in the city that
was going a little crazy for that too, that they
was messing with that song too.
Speaker 4 (02:34):
But it never just went too crazy. But my first
song is beg Mad.
Speaker 7 (02:38):
I dropped it in twenty twenty.
Speaker 6 (02:40):
Did you ever come to time that you like, man,
it raps ain't for me?
Speaker 7 (02:44):
It's too hard, nah, not even nah. I always felt
a little discourage. I used to always be like, dang,
like everybody's just going up. You know, I ain't went
up yet. You know, I know I'm you know. I
just had to stay true to it. I had to
just keep pushing, you know. I always wanted this moment
and stuff like that. I just never knew it was
(03:04):
gonna come. I just was trying to be humble, trying
to be patient, like I know I got it, somebody
gonna see me one day. It was always of this
courage and feeling. It was never like dang, it's it's
just not me.
Speaker 4 (03:16):
I can't do it.
Speaker 6 (03:16):
You know.
Speaker 7 (03:17):
It was always why they don't see yeah when or
why they don't seem like I'm here. Y'all just ain't
paying attention.
Speaker 2 (03:23):
Right, Yeah, you know, we go in the studio, we
drop one something, we got them off, journey to this ship, right,
like tell like if a young girl just just throwing out,
just telling the process of you know what I'm saying,
being focused and staying down.
Speaker 6 (03:39):
You know what I'm saying.
Speaker 7 (03:40):
Honestly, I feel like, just keep working, stay consistent. I
feel like being not being consistent with me was one
of the biggest things. Like I was never consistent. I
was always dropping music. Then I just disappear, drop music,
come back. You know it was I was just owning
off with it. So I just say, stay consistent, you know,
keep doing your thing. Like my man and the family.
I always told me, you only need one song for real,
(04:04):
you only need one song. Just staying keep going. Somebody
gonna see it.
Speaker 2 (04:08):
Because every time you come back your brand new arts again,
Like if you keep stopping and come every time you
come back, you gotta heat it back up, right, stay consistent,
no matter if you drop got them sel mates, alright, that.
Speaker 6 (04:21):
Ain't gonna be that motherfucker. You know what I'm saying.
Speaker 2 (04:24):
But them sel mate, they when you drop that nine
and that bitch catch, they gonna go back like damn
she been.
Speaker 7 (04:29):
Hard, right yeah, because like like the city, like I said,
the song bit bad, they come back like, oh she
made this song, or like I made the ain't gonna
let up.
Speaker 4 (04:37):
Oh she made this song. Oh she made it.
Speaker 7 (04:39):
I ain't know this was you. Yeah, this is me, y'all.
You know what I'm saying. They just had to see So.
Speaker 2 (04:44):
What you what you what you think about re dropping
and putting another video to it and putting that them
songs back.
Speaker 4 (04:49):
See all of my songs don't got my first music video.
Speaker 6 (04:51):
It's so okay.
Speaker 7 (04:52):
I just got some of my songs out, but I
have no content, no videos to it. So I definitely
especially bit Man, that's like my first song. It's like
my baby, and that's what a lot of people really
know me from. Well a lot of people know me
from I'm so atl now yeah, but before I'm so Til,
they knew me from Big Mad. So it's like, I
definitely want to do a video to that because it's
gonna be like a full circle moment.
Speaker 4 (05:13):
You gotta redrop that.
Speaker 6 (05:14):
Yeah, because it's brand new to us.
Speaker 2 (05:16):
Yeah, sure to the people like you know, your circle
gonna know it, and people around your neighborhood, people that
know you're gonna do it.
Speaker 6 (05:21):
But it's a brand new song tomorrow.
Speaker 7 (05:27):
Hey, I got a whole catalog that ain't heard, honestly, Like,
I probably got like ten, what ten songs out before
I'm so till probably you know what I'm saying.
Speaker 4 (05:36):
So I got a whole little list they could go
back and listen to.
Speaker 7 (05:39):
I could just go ahead and put back in their face, honestly, like,
because the songs they're not bad, you know, but I'm
so call everybody attention, So you ain't nothing to just
put that old music back in their face to let
y'all know that.
Speaker 4 (05:51):
Hold on now, Yeah.
Speaker 6 (05:53):
Hey, what's what's the struggles of being a female artist? Though?
Speaker 4 (05:59):
I feel like.
Speaker 7 (06:01):
Men, men, men don't take people serious, honestly. I feel
like a lot of men don't take a lot of
a lot of females serious.
Speaker 4 (06:09):
Honestly. I feel like you just gotta be dominant in
the in the n field. That's how I look at it.
You gotta be dominant in the field.
Speaker 7 (06:18):
You got to you gotta let them know that you
ain't going for no strange.
Speaker 5 (06:21):
So what are so what are some of the things
that you do to kind of like assert yourself and
separate yourself from the rest of the females that might
not or that might go for the strange shit.
Speaker 7 (06:38):
I'd like when I said, you know, you gotta be dumb,
not even too much dumbity, like you just gotta set
a certain type of boundaries, uh, because at the end
of the day, you know, you don't want nobody to
look at you like it's not even like overly friendly,
just easy to just you know what I'm saying, and think, shit, sweet,
you know. So honestly, my man told me this, like,
(07:05):
you know, he told me, like, look, everybody ain't gotta
hug you. You can shake their hand, you know, you know,
put it out there, shake their hand. Everbody ain't gotta
come and just be all up and you be all
up in your face because they can, you know, think
it's something else. And once he said that, it made
me realize that, like, you know, it's something that'll come
up to you shake your hand, you know what I'm saying.
And then it's other ones that just want to be
all upon you and stuff like that. So I just
feel like you just gotta sit a certain type of boundaries,
(07:26):
you know, and keep it like that, keep hot.
Speaker 6 (07:29):
Yeah, let them know what you're going for and what
you ain't on.
Speaker 2 (07:32):
Right, fish pumped, he ain't your hand, but ain't going
for that? Nah, you do gotta set the tone. That's
basically she's saying, you gotta set your tongue because if
you if you're a motherfucker, that'djust your tone. Then you
slowly bending into what they want you to be, then
we can try you.
Speaker 6 (07:51):
How you mad that I'm trying? Right, you ain't set
the tongue? Just real ship what you think?
Speaker 3 (07:57):
Like, uh, may y'all will say, y'all, what's your what
you think made y'all take over the game? The rap
game in Atlanta? Meaning the women? Why you think that is?
Speaker 7 (08:05):
Because the music really ain't being here the same honestly,
you know, And it's not a lot of female artists
in Atlanta for real. Like that's just really going crazy.
Like we got a lot of when we got Almaretta
and stuff like that, but you don't really got No,
we don't really got nobody for real. So when all
these and it's not just like it's just one female
out of Atlanta that's just going crazy. You got multiple
(08:26):
us just doing this at the same time. So it's like.
Speaker 3 (08:30):
You think it's because y'all focusing on like the vibe
to like and fun and not just drill, not knocking drill,
but just not drilling the negativity like all y'all kind
of just kicking it on song atl vibe type stuff.
Speaker 4 (08:42):
Yeah, for sure.
Speaker 7 (08:43):
See that's how I came up with the song because
I was peeping how we was already turned up on
tik Tok, Like TikTok was already licked for Atlanta because
you know when it was slump snowing in Atlanta. Yeah,
but it was on TikTok talking about how we was
turned up in the snow. You know, they had the
little thing get the pull. You know, everybody's out there
in the pub. So we treat, you know, TikTok and
the whole up start treating on TikTok, so we're gonna
(09:03):
even more craze.
Speaker 4 (09:04):
So at lot them just a topic of TikTok right now.
Speaker 7 (09:06):
So I was just like, I gotta make a song
saying I'm so atl because it's like we already live
right now, add hold up to it.
Speaker 6 (09:14):
Let me ask you, so, how did how did ship
shift for you?
Speaker 2 (09:18):
Like when you know, you start getting fame, people started noticing,
how did the people around you start to shift?
Speaker 6 (09:24):
Like, you know what I'm saying, what the type of
energy you start getting?
Speaker 7 (09:27):
Uh see, I don't really keep too many people around
but the family and a couple of friends, everybody, you know,
everybody happy for me. Cause like I said, I've been
doing this for a minute. So it's like, girl, you
get you. You finally got what you've been wanting, you
know what I'm saying. And so it's like everybody just
around me just happy. And and then it's like all
the people that have been listening to my music before
I'm at you know, they happy for me too.
Speaker 4 (09:48):
They just you know, just text me.
Speaker 7 (09:51):
You know, you're getting them little messages like I've been
I've been seeing you doing this jump for a minute.
You finally get your you know, so getting them little
messages and words of encouragement.
Speaker 4 (09:59):
You know, it feel good.
Speaker 7 (10:00):
And then just to see everybody actually you know, messing
with the song because I was nervous when when they
was finish drive, I was at home.
Speaker 4 (10:06):
My man Finn cry. I'm like, I don't know, I
don't know what I'm Why were you nervous?
Speaker 6 (10:15):
Why you got the butterflies? They clean the work. I
was scared.
Speaker 7 (10:22):
I was like, I don't know what it's gonna do.
I don't know what it's gonna do. And then next
day it dropped.
Speaker 4 (10:28):
I seen it. I was all right, I ain't scared.
I'm not scared. Came down, but.
Speaker 7 (10:34):
I feel like everybody been showing me a lot of
support and I'm just glad that everything happened the way
it did.
Speaker 2 (10:40):
Though, So basically saying, you established a solid circle before
you even she did even popped off, for you had
already established your circle that was solid.
Speaker 7 (10:48):
Shore ain't no squats inside my circle. I came over
who I started with.
Speaker 3 (10:52):
Yeah, sure, What's three things that make you have pride
in your city?
Speaker 1 (10:58):
Atlanta?
Speaker 7 (11:00):
It's the culture, the people, and the vibes, Like we're
just different. Everybody want to be from Atlanta. Everybody want
to be a part of our city. We just built different.
Everybody come down here to get you know, the extra
recognition or the extra you know or everybody just want
to just claim the city so bad because.
Speaker 4 (11:22):
We him her, we him, we her made them, you
know what I'm saying, We're just that all of that
for sure?
Speaker 6 (11:30):
At what city picked up on you first? Like love?
Speaker 7 (11:42):
Dang?
Speaker 4 (11:43):
What city was it? I'm trying to look at Brouse
bro he shouldn't What city was? How long? Because I
know I don't remember how I'm thinking.
Speaker 2 (11:56):
I know, Carolina, Carolina, it was.
Speaker 7 (12:04):
Those shows. I'm thinking like who was the first? Like
what was the first city to book me? But yeah,
for sure Caroline. But ain't gonna lie up.
Speaker 6 (12:11):
What is it?
Speaker 4 (12:11):
Milliageville, George, I want.
Speaker 1 (12:14):
To go back.
Speaker 4 (12:15):
Oh, they was so lit out there.
Speaker 7 (12:17):
I'm telling my work for word all three songs. It
wasn't not no song that they didn't know the words too.
And they was in their song and like there was
the best shot on head.
Speaker 6 (12:27):
You think you get more joy out of doing the
shows of recording the.
Speaker 4 (12:29):
Song doing the shows. I like recording.
Speaker 7 (12:35):
When I be recording the songs, it really depends like
what the sision like like because usually if it's just
like me and you know, the family, probably on some
chill vibes, you know, I go and make the music,
have I feel or like if we're.
Speaker 4 (12:49):
In now, we're you know, getting a little drunk. You know,
we're in that hype.
Speaker 3 (12:51):
You know.
Speaker 4 (12:52):
It depends on like the vibe.
Speaker 7 (12:53):
But I like going to the shows and just seeing
people wrapping my music, Like yeah, I can see y'all
wrapping it over the phone and stuff like that. But
seeing all these people in the crowd just rap your song.
It's a different feeling.
Speaker 2 (13:05):
How you felt when you seen the first person like
fan out, like, oh, what's up?
Speaker 6 (13:09):
Man?
Speaker 2 (13:09):
Man?
Speaker 7 (13:10):
I don't know if I really just seen that, but
by first like when they was when they started coming
up to me, like after I performed, they come trying
to take pictures.
Speaker 4 (13:18):
It's just like, oh, man.
Speaker 7 (13:22):
Like when I was just in Kentucky and I got
off the stage and I just went down the whole
line just grabbing everybody fall They was just like it
feel good.
Speaker 4 (13:29):
It feel good for real.
Speaker 3 (13:31):
So what's three pet peeves about your city?
Speaker 7 (13:37):
We were just talking about one of my biggest ones,
don't I don't think it was recording yet, but you know,
all the shooting and the violence, it's getting a little
too crazy out here, you know what I'm saying. Uh,
that's like literally one of the biggest was like it
was I just had a show and where it was
eating in eating, eating, Yeah, and somebody was just out
(13:58):
there fighting. But that somebody was just out there fighting.
They fighting, but they go back and they good, you
can't do that out here. You fight, They're gonna go
to the car and it's so much you know what
I'm saying. So it was just like, dang, like we
just can't vibe, like they can't about to just get
into a fight and be good after just be going
back to the part and we lit. No, it's gonna
be a whole different situation. But the violence, definitely. I
(14:24):
wouldn't even say this pet peeve is about the city.
It's just like like out of towners coming to the
city and then complaining about the city, Like y'all come
out here and then complain about being out here.
Speaker 4 (14:36):
Right when you come out.
Speaker 1 (14:37):
Your father, they got traffic worse and all that.
Speaker 4 (14:41):
Yeah, Yeah, in traffic. I hate traffic.
Speaker 7 (14:44):
I hate being in the car and just sitting there
like I'm trying to get to where I'm going.
Speaker 1 (14:48):
Let me make sure traffic. Now you like the traffic,
I don't like it?
Speaker 2 (14:51):
Up then like I don't even see it.
Speaker 5 (14:57):
Because it might be like nine o'clock at night, might be.
Speaker 2 (15:00):
Grid it's still, and then when you get through it,
you don't even see, like what the.
Speaker 6 (15:07):
That's going on.
Speaker 7 (15:09):
That's the point because like these cars just be causing
the traffic for nothing, don't even be no no issue,
And we all backed up like it's like, God, nothing crazy.
Speaker 2 (15:20):
Now we we we We're very proud of you to
be rapping at l hopefully you got them be singing
that ship and god damn do.
Speaker 6 (15:27):
Buy your everything?
Speaker 4 (15:30):
But sure getting that.
Speaker 6 (15:34):
So who your dream feature is, I've been.
Speaker 7 (15:38):
Saying, NB A young boy, yeah, crazy.
Speaker 6 (15:43):
He did generation Toupac show. You got to get it
to him.
Speaker 2 (15:49):
He came down with the juice man oh J on the.
Speaker 5 (15:57):
No he like he remade, I'm getting money, honey, I'm
getting money.
Speaker 6 (16:02):
Like but did all his ad libs and everything.
Speaker 5 (16:04):
So I'm sure he like looked out for him and
you know, took care of himor whatever. But yeah, like
it's Atlanta all through the all through the album.
Speaker 6 (16:10):
You said, you said R and B.
Speaker 7 (16:12):
Yeah, I want the R and B feature too, Probably
one of the one of the older ones like Monica
or something.
Speaker 4 (16:19):
Keisha. You know some some of.
Speaker 7 (16:21):
That because I'm more of an R and B girly
than I'd rather listen to R and B music than rap.
Speaker 2 (16:29):
Nah, that's that's real ship man. That's to all the
niggas out there. Your girl don't listen to R and B. Brother,
that ain't your girl.
Speaker 6 (16:37):
She is not.
Speaker 1 (16:39):
Hit you with this switch.
Speaker 6 (16:41):
Like at least the girl listens R and B, she
can know.
Speaker 1 (16:45):
Like love, she has a little bit of understanding.
Speaker 2 (16:48):
She kuind of no love like yo. Girl even listen
to R and B mutle, the old school, the real
R and B.
Speaker 3 (16:55):
So you said, basically, if your girl no more rap
music than you, you need to be scared because a
lot of the the girls be doing all every rap
song wrong with that.
Speaker 1 (17:04):
But he got a balance.
Speaker 2 (17:11):
Exactly, exactly exactly until you got that turned on. What's
what's the name of alexas play? He sweat radio, vibing,
how food smelling.
Speaker 6 (17:24):
The women just the day. I ain't saying they just
two hip man.
Speaker 2 (17:27):
They know like they I wheel three five this shout,
that's what I was just.
Speaker 6 (17:30):
This ain't no this ship off point five ship.
Speaker 2 (17:40):
Know the prices now, but y'all taking over them And
I'm happy for it because all these nigga mo bitching
than the women though, so they represent and they standing
on most of the girls that are coming out though
they really standing on business if you think about it.
Speaker 6 (17:55):
She said, Bro, we ain't really doing to my hug man.
Cool bro, but that's real though.
Speaker 1 (18:03):
Yeah.
Speaker 6 (18:07):
So who was your like who you look to coming up, like.
Speaker 1 (18:15):
With rapping and stuff periods, just like you.
Speaker 6 (18:17):
Got who you got the most game from in your
life coming up?
Speaker 4 (18:21):
I probably say like.
Speaker 7 (18:25):
My stepdad, okay, and then like once I got to
a certain age, my man.
Speaker 2 (18:31):
What's some ship that they told you both of them
that you couldn't see at the time, But then you
had to come at me like, yeah, you're right.
Speaker 7 (18:39):
See I wouldn't say that for them, for my mama.
I would say for my mama. Like when I was
growing up, I was like an inside Like my mom
wouldn't let us outside, like we were in the house
all the time, like we can't do nothing and no parties.
You can go outside, but you're gonna stand right here
and be outside like getting nothing too crazy, Like you
(18:59):
can't go not even know over nobody's house and stuff
like that. And then like at a certain age. When
I finally started spending night at people house, it was
just like, Okay, I see why she ain't want you
know what I'm saying. I see why she ain't want
to spend night over people houses. I see like you
just see like how you feel like some rules or
things that your parents said for you be like crazy
(19:21):
or something. And then when you in that moment, you're like, Okay,
maybe she wasn't you know, trying to be being killed.
She just she just letting me know what it is.
And I was just too young or just too in
my head to listen to what the hell she was saying.
But yeah, you just some just some like just watching
the people around you. You know, everybody ain't real honestly,
(19:45):
but I feel like that's the that's really one of
the main things, Like just seeing.
Speaker 4 (19:50):
Ship for yourself.
Speaker 7 (19:52):
Uh, especially with the spending night at people houses and
ship like that, that ship to me, well, yeah, I
just feel like she wants a lot of stuff that
my mama told me I won't really listening to it.
And then when I was in that, in that moment
and experiencing it, it just came to me like, damn, like.
Speaker 4 (20:08):
Mama wasn't wrong. Mama never wrong. Mama always knows what
they say.
Speaker 6 (20:14):
Fact.
Speaker 3 (20:14):
Don't you got some type of situations it management or
song with JD, Jermaine Debris or some type of business
or the music?
Speaker 4 (20:22):
Yeah, JD is a part of my management.
Speaker 1 (20:25):
How does it working with somebody like that a legend?
Speaker 7 (20:27):
Uh, it's dope, It's cool. I feel like JD is
a good esset. He helped with a lot of things,
so I'm glad that he was able to, you know,
get apart and be a part of the team.
Speaker 6 (20:38):
I just shot a video for one of the records on.
Speaker 4 (20:40):
Magic City Magen City The Money.
Speaker 6 (20:42):
Yeah, I was that.
Speaker 4 (20:43):
It was fun.
Speaker 7 (20:44):
It was hot outside, but it was fun. Though you
Money Bunnaby and Shampal.
Speaker 6 (20:52):
Is it out? Ye? Though?
Speaker 1 (20:53):
Yeah, it's out.
Speaker 6 (20:55):
I just seen Instagram video with Jersey.
Speaker 4 (20:59):
Yeah that was dope.
Speaker 6 (21:01):
Who who is the person that reached out to you
and be like damn, I can't believe they know me.
Speaker 7 (21:07):
Uh, I'm gonna say hmmm, or you sing yourself, I
would say, I would say like NBA, young boy, the
I'm gonna say a all the celebrities honestly, like Little
Baby when Little Baby first coming there under my picture
he was the first one, So shout out to the
baby because he was the first one. He coming up
(21:28):
on my video and he was like, I'm so at
L and I was like, oh okay, now, little baby.
Speaker 6 (21:32):
You told in.
Speaker 7 (21:34):
Then he ended up posting like my music video on
his story and stuff like that, and he tagged me
and stuff like that.
Speaker 4 (21:39):
I'm like, okay, he tapped me in. You see what's
going on?
Speaker 6 (21:41):
Yeah, always.
Speaker 7 (21:44):
Ateast and then Beyonce and her mama don miss Tina.
She posted my song twice Miss Tina knows uh doing
it I'm so atl and then blueing them doing it
on the stage and stuff like that.
Speaker 4 (21:58):
That's kind of crazy because it's like Beyonce right right.
That was crazy for me.
Speaker 7 (22:04):
Honestly, I was that'll be crazy for anybody not Beyonce
hold On and the kids and then the mama too,
So it was just like, okay, you got like generations of.
Speaker 4 (22:23):
Beyonce, Like.
Speaker 3 (22:26):
I know, is gonna be like pulling teeth. But you
see yourself doing the remix. M yeah, it was it
already done.
Speaker 6 (22:34):
No, who do you thinking? See?
Speaker 7 (22:38):
I want to do like a crazy remix. Honestly, I
wanted to do like a big a tr remix, and
then I wanted to do like a a branch off
of a remix, but with the other remix it would
just be like from different rappers from different states and stuff.
Speaker 4 (22:52):
Like that, or cities and stuff like that.
Speaker 7 (22:54):
Before the Atlanta remix, I wanted to have like all
like well, not all, I don't know how long, So
I don't want the song to be like crazy long.
But my list was not saying all these people gonna
be on the song or anything like that.
Speaker 4 (23:06):
But I wanted like.
Speaker 7 (23:07):
The little baby Lotto future, you know, t I you know,
some old school too. So it's just like I wanted
all the big artists in Atlanta. You know, somebody's gonna
actually get on there and go crazy to hop on it,
you know, or some people, like some of the oldest
older artists that's gonna get in there and bring like
the nostalgia back, you know.
Speaker 4 (23:28):
So we'll see how everything plays out. But I can't
wait out there.
Speaker 7 (23:34):
Know if you see it, you know, if you see this,
if you heard your name, I.
Speaker 6 (23:39):
Can see that they score a touchdown, they play that.
I can see that falcons you got one.
Speaker 4 (23:46):
Yeah, I was just at the little falcons. What is it.
What was it? Teil tailgate kickoff party.
Speaker 7 (23:54):
All the Falcons fans was in there, and they had
some Falcon players in there too.
Speaker 4 (23:58):
That was dope. I did not know they was going
to be in there that deep, but they were. They
was and it was fun too.
Speaker 7 (24:05):
So yeah, hopefully the Falcons tap into.
Speaker 1 (24:10):
They got Yeah, it's perfect everybody.
Speaker 4 (24:17):
Yeah, sockey.
Speaker 6 (24:23):
We ain't got no hockey teams. They need to make one.
Speaker 1 (24:26):
We need to make one right. Racketball, pig pigle ps,
what hangout spots? Oh goody? Picking it lounges books?
Speaker 7 (24:43):
No, I just started going out when everything happened. Really, yeah,
how old are you twenty five? I just turned twenty five,
like two days four days ago?
Speaker 1 (24:52):
Are you?
Speaker 4 (24:53):
Thank you?
Speaker 6 (24:53):
Thank you?
Speaker 7 (24:54):
Nigga season now yeah that's clockhead.
Speaker 4 (25:02):
But yeah, go out. Well I wasn't going out.
Speaker 7 (25:04):
I just started going out when I started getting, you know,
book for shows and stuff like that.
Speaker 3 (25:08):
Real ship, though, are you one of the people that like,
I'm from the east side, so it took a while
before I came to the west side of South So
you want the people that kind of stayed in your
place and didn't go too far east and north of South.
Speaker 4 (25:21):
Uh wait, I'm sorry, I don't know what you just asked.
Speaker 2 (25:24):
You said, like you said, like just say you said
you're on Boulevard and sif you're just gonna go to
clubs around that way or what you go, like, just
go ride all the way to God damn.
Speaker 6 (25:33):
What's that ship up north bro used to be it.
Speaker 1 (25:36):
To Kennisa far east. They know how.
Speaker 5 (25:42):
Like most West Side people don't leave crucial or like
most East Side people don't leave fucking chocolate chocolate or
prime time or whatever that ship used to be, Like,
they don't.
Speaker 4 (25:53):
They don't co mingle, you know what I'm saying.
Speaker 1 (25:57):
Ship.
Speaker 7 (25:57):
See, like I said, I wasn't going nowhere like you
wasn't catching me outside. You wasn't care you shot online.
Speaker 1 (26:05):
Oh my goodness, I.
Speaker 4 (26:16):
Was nowhere outside. I was always in the house.
Speaker 7 (26:19):
I ordered if I wanted some clothes, I'm ordering all
my clothes off phone.
Speaker 4 (26:24):
I'm not going towhere.
Speaker 7 (26:25):
And then, you know, so since I started, you know,
since everything started blowing up, I've been accustomed to the
little night life and going out and going out these
clubs andes and stuff like that.
Speaker 1 (26:36):
But before your girls in the house, that's super dope.
Speaker 3 (26:39):
So but with that, how you draw inspiration, like, because
it doesn't inspiration kind of come from being outside.
Speaker 6 (26:45):
You outside looking at your phone.
Speaker 1 (26:47):
Either you're right, right, you're right.
Speaker 7 (26:54):
Honestly, I don't even know, Like when it comes to
making music, it's just whatever the beat to me to say.
Speaker 4 (27:00):
I'm gonna say it like.
Speaker 7 (27:04):
Honestly, with the like I said, I just knew that
I was gonna have a song saying I'm so atl
Like before I even made the song, I put in
like the family group chat, because we got like a
family group chat, and I'm like, I'm so at L
and my mom like and how you come up with
that decision or whatever, and I'm like, no, that's gonna
be my next song. And it's just like, once I
(27:26):
hear a beat, the beat really tell me what to say.
Like I don't really go off of inspiration undertly, it's
just how I'm feeling at the moment, or if I'm listening,
like I said, if I'm listening to the beat, the
beat gonna team what to say. Long it's just a
good beat. I got a song.
Speaker 1 (27:40):
So when you heard that beat with that crime on sample,
you knew, Okay, it's time it's time.
Speaker 7 (27:45):
Ye see, like I said, it was gonna already be
I'm so At. I knew I'm so Atl was gonna
be the bass of the song. Like I didn't know
like exactly how it was gonna be put out, but
I knew somewhere I'm gonna say I'm so Atl in
this song, and I'm gonna make the song regarding Atl.
Speaker 4 (27:59):
So when I to beat, I'm like, yeah, this is hard.
Speaker 7 (28:03):
So I go, I get it typed up and then
I just you know, record myself rapping myself, rapping the
song over the instrumental, playing the instrumental on my TV.
And I'm just rapping a song in my room and
I posted it on Instagram and I'm like, you know this,
this is your song for right now, you know, until
I go to the studio. And day on the income
(28:24):
it's like, yeah, you need to go ahead and go
to the studio. You know what I'm saying, Go record.
Its end up going to the studio recording the song
and stuff like that. Had my sister and her friends.
My sister, she was the one that told me, like,
you gotta have a whole bunch of girls just rap
your song and da da da and stuff like that to.
Speaker 4 (28:38):
Make it go up.
Speaker 7 (28:39):
See, and that worked, but it didn't work well I'm
so Atl. It worked with True Religion. It worked with
that song because that song ended up getting like what
was I meant, one million views on like four days
on TikTok and then I posted I'm so at L.
But I'm so Atl wasn't doing nothing because it was
like my verse and then going into the chorus. So
I just took it down and I just clipped the
(28:59):
part where it's just saying, yeah, I'm at and then
I posted it.
Speaker 4 (29:02):
That's when it started going up on time or whatever.
Speaker 5 (29:05):
So so look, this is what I was gonna ask you,
because I know, like the whole time you've been sitting here,
you've been like constantly talking about like your family and shit, right,
so is your family? Are they like the first people
they get a chance to like taste test your music
before you put it out.
Speaker 4 (29:22):
Yeah?
Speaker 7 (29:23):
They either in the studio with me, like we just
got a studio session tonight, you know, get and family
group chat studio session night.
Speaker 4 (29:31):
If you come, you come, you know you're right all right.
Speaker 7 (29:33):
Usually me bro, my man, my little sister, my man,
me my bro. Uh my man, my sister, my little brother,
and then probably like two three of my friends. You know,
they usually be the main ones in the studio with me,
and they hear the you know, they hear it.
Speaker 4 (29:55):
What's your favorite one?
Speaker 6 (29:56):
Usually?
Speaker 7 (29:57):
You know, I'm trying to see what's what's the favorite
song I gotna recorded? I already, like y'all done, heard,
probably went through like three four, which one y'all.
Speaker 4 (30:03):
Like the best? You know? But yeah, they definitely just
you know, hit the music first before everybody else.
Speaker 6 (30:08):
Okay, what kind of music was he was hearing in
your house? Growing up? Though?
Speaker 7 (30:12):
H R and B we my mama cleaning up, were
listening to what's that song? You gotta walk by faith
and not by sight?
Speaker 4 (30:22):
What song that is? Uh? But always tell no, that's
not church, that's like Monica or Keisha? Who is that?
Speaker 7 (30:31):
Mama always told me you gotta walk by faith and
not by sight.
Speaker 6 (30:35):
I can't think of it, but.
Speaker 4 (30:39):
My song.
Speaker 7 (30:41):
I tipped my tongue, but that's all. She used to
play this song out and shunty. Mama loved her some shunting.
But we always see my days ago. Yeah, I gotta
think of that song though, it's in my head.
Speaker 4 (30:54):
No, I don't gonna have to remember that.
Speaker 6 (30:55):
Are you talking about still standing?
Speaker 4 (30:58):
Still Standing? That's what it is.
Speaker 7 (31:00):
Yeah, played it out, But we used to always listen
to uh, we was listening to Droe, Lil Wayne t I,
you know Future.
Speaker 6 (31:14):
Who the Goat from the.
Speaker 7 (31:16):
Goat, my goat from Atlanta, I would say.
Speaker 4 (31:21):
Is probably like.
Speaker 7 (31:25):
Doug Great Joys because like, yeah, I feel like if
you heard the music from like back then and then
to like not like to just see that and just
experience like the old thug through like the Thug now,
it's just.
Speaker 4 (31:39):
Like, you know, he just wanted the ones.
Speaker 6 (31:43):
Right for sure?
Speaker 4 (31:44):
For sure?
Speaker 1 (31:45):
Hm.
Speaker 3 (31:46):
So what kind of what kind of the rest of
twenty twenty five can we expect from you? Like what
you got up your sleeve? Some information, some exclusive info
you can hit us with.
Speaker 7 (31:55):
Let's see, well, I mean your girl did just do
had a clubuation with detail or Nike congratulations?
Speaker 6 (32:03):
Thank you?
Speaker 7 (32:04):
Uh And honestly, just more music. You know, it's a
lot of stuff still in the works, you know. So
I'm trying to see myself, but definitely a lot of
more new music, a lot of more visuals. I want
a lot of visuals, especially to my old songs like
we was talking about just to bring everybody, everybody back
to the old me, you know, to see what I
(32:25):
had back then and to see like like kind of
like I would say, like growth from what I did
at first into what I got now and just hopefully
some collaborations, you know what I'm saying. I I done
reached out to a couple of people, so you know
it's coming, and I just can't wait to see how
everything is next year around this time. Honestly, I'm just
(32:49):
glad for more elevation.
Speaker 2 (32:51):
You know what producers you want to work with that
you know we're all about manifesting on him, so put
it out.
Speaker 7 (32:58):
Speaking of to existence, I would say at l Jacob,
for sure, I would say Zetoven. I did get in
the studio with Zatoven, you know, so I do got
a little what I kind of want to see. You know,
how we can just cook some up together, you know,
instead of something that he already got, Probably cook some
up together, definitely, Atoven.
Speaker 4 (33:20):
Five minutes for you, Like, it's what I like to hear.
Speaker 2 (33:24):
Speedy you get out of the phone.
Speaker 1 (33:27):
Get sure they.
Speaker 6 (33:28):
Made the more five minute like and how much you
want for that? Right too? Fas like you ain't any hell,
but you ain't just putting no Zay to go.
Speaker 7 (33:42):
Yeah Jacob uh yeah take Keith, Okay.
Speaker 4 (33:48):
I really want to work with everybody.
Speaker 7 (33:49):
Honestly, I'm the type like, hey, just you give me
an opportunity that I'm gonna show you that I'm just her.
I want to work with anybody, even with the artists,
from the artists to the producers. You know what I'm saying, Engineers, Hey,
I'm here. I'm open to all opportunities.
Speaker 4 (34:03):
That's a great attitude for sure.
Speaker 3 (34:05):
What's one of your like I guess in your journey
in life, like something that you're trying to overcome, like
maybe an obstacle or something like that, or vice or
whatever the case.
Speaker 6 (34:13):
It might be.
Speaker 7 (34:17):
Right now, I don't think I'm trying to overcome any obstacles.
I don't feel like any big obstacles have come, you know,
in front of me yet. Right now, I'm just really
going with the flow, you know, seeing where everything is
taking me. And honestly, any obstacle I get, I know
I'm gona be able to overcome it anyway.
Speaker 6 (34:36):
So as long.
Speaker 7 (34:37):
As I got my support system and I got up
by my side I'm gonna be there up against me.
Speaker 6 (34:46):
I think you're trying to say, like what party you
getting away?
Speaker 3 (34:48):
You?
Speaker 7 (34:49):
Sometimes I would say, like when it comes to see,
I'm so like indecisive. Sometimes so like ain't gonna I
got a phone full of beats right now, and I'm like, no,
I don't like no beat. I don't like no beat.
(35:09):
I don't like no beat. Like but it's like, yeah,
I actually giving it a chance, Like are you even
trying to like the beat? Like you know, like you
just probably just cause I me, I'm gonna listen to
the beat, and the beat probably don't even drop on
the song, and I'm like, no, I don't want to
hear it, like no, this is not me, you know,
but like you ain't even give to be the chance
(35:30):
to even show you because you know you probably not
like the beginning of it, but like it might be
something now you might do like it. You probably just
hit the engineer or like the producer or something and
just be like just you know, tweet this up a
little for me, and then you know, I would say that,
you know, just to let it decisive.
Speaker 4 (35:44):
Sometimes it would be my only thing.
Speaker 2 (35:47):
I'm gonna say this about the beat shit though, because
since you said that, the niggas who I see became
to be the biggest like Pluto, God damn Gucci. Them
niggas don't even care about to beat it up. They
know they do something to every beat and they're gonna
use it or not. Them need to do something every
beat and then be like they don't like it, but
them be the hits the ship you don't like the people.
Speaker 6 (36:10):
Gonna like that's crazy, bro, I just record.
Speaker 2 (36:12):
Someone, all of them, even if it's a hook or verse.
Put that ship up through it though, and then you
play the ship. Somebody be like what you're doing with this,
I'm gonna get such such I'm telling you, bro, you
gotta push yourself like them beats, because you know we
be trying to. I'm the same way. I usually the
same way when I recording. I wanted some ship. I
can feel they go in there and push yourself and
do some ship to the mofucker. Cut your up and
(36:35):
just leave it. Made them motherfucker ride a couple of
days and let bro here or let her here or
let your man head.
Speaker 6 (36:44):
Go back and finish it.
Speaker 1 (36:47):
Some people's biggest hits.
Speaker 3 (36:48):
Like we always say, people tell us some big fast
like some people's biggest hits was like it wasn't expected,
like or they said they ain't even like the song
at first, or they ain't like the beat, or I
don't really like that song, but everybody else likes. You
never know where that creative place is gonna take you.
Speaker 6 (37:02):
You could tailor made a hit sometime and something.
Speaker 2 (37:04):
Most most eight hits out of unless you just a
nigga that right hits or you just you know what
I'm saying, like how she manifested the atl whatever, but
most of the motherfucker be.
Speaker 6 (37:17):
They be.
Speaker 2 (37:20):
Unintentional, you know what I'm saying, Like I don't seen
the ship the niggas sleep over and them be the
one where they play them one hundred.
Speaker 6 (37:27):
I'll be like, play that play that one you did
last night. Everybody like this the one.
Speaker 2 (37:31):
But you so focused on some ship that you feel
like you put your heart into you won't this, no, bro,
This the one y'all trying to push a whole whole
another song. When I was doing that ship, they go
back and now this the one that ship took off.
Speaker 6 (37:45):
You get what I'm saying. It's just like I don't know, bro,
we can't pick it can't.
Speaker 7 (37:50):
Like I said, you gotta get the people what they won't.
You gotta get the people what they won't.
Speaker 6 (37:57):
So what's the pressure of like trying to stay in there?
Speaker 2 (38:03):
You know how you come out in a certain pocket,
right you think you're gonna just try to stay in
the same pocket or you're gonna show these people like
this is what I do.
Speaker 6 (38:10):
I can keep going doing different now.
Speaker 7 (38:12):
I definitely keep going uh and I can definitely do
different shit. Like like if you listen to my music,
you it's like I got this certain type of flow,
but I like to switch my flow a lot.
Speaker 4 (38:26):
Though I like to switch up a little bit. I
like to switch up a lot.
Speaker 7 (38:29):
But it's this one song that I did make, Like
I had this beats in my phone for I don't
even know how long, and I was just in the studio.
I'm like, fuck it, I'm finna try to make some
to this. And that's to me, it's like one of
my favorite songs because it's so different from all my
other songs. And it's it's not even on no just
gangster rapple just you know what I'm saying, like some
(38:50):
street rap. It's more of just like a you know
what I'm saying, chill like a chill vibe, like you
can't fuck with me and this shit basically so I
definely with it up. You know that one got me
out my comfort zone and I can't wait to put
that because I feel like it will show a different
a different side.
Speaker 6 (39:12):
What do you categorized marginalized in the box?
Speaker 2 (39:19):
Like if you they expecting the same ship from you
every time, now they're gonna burn out.
Speaker 6 (39:22):
You gotta I do.
Speaker 2 (39:24):
This, I do that, I do this, I do that right,
you know what I'm saying. That's how you stay here
for sure?
Speaker 1 (39:30):
What you like more recording or performing? Like performing?
Speaker 6 (39:39):
We was here? Next question?
Speaker 1 (39:46):
Okay, so like.
Speaker 5 (39:50):
Again going back to like the female aspect of like
the whole situation or whatever. What are some things that
you incorporate into your live shows and your performances that
your male counterparts probably would not?
Speaker 7 (40:07):
Uh, I'm not sure because in my performances, like I
really be kind of I mean just going going with
the moment.
Speaker 4 (40:16):
It just beat me up there. I don't really know
how to dance for real, so I really can't do too.
Speaker 6 (40:23):
I can't do.
Speaker 7 (40:24):
Too so I'll just be up there just repping it
and moving around to the best of my ability. So
I really, I mean, I really can't say. I'd probably
be up there looking like one of the guys.
Speaker 2 (40:38):
But that's how I remember Glow first came That's how
she was. Then I started seeing with car choreographers. That's
with choreographers, you know what I'm saying. They started because
you gotta elevate with But it's good to start somewhere
so we can be like, oh yeah, like we Glow.
I remember Glow first came up and she was like,
I ain't I just wear the clothes they send me.
Speaker 6 (40:59):
Ain't I ain't wearing no designer.
Speaker 4 (41:03):
Walking down, walking down the product line.
Speaker 6 (41:06):
I ain't buying it they see me. Ain't that?
Speaker 2 (41:09):
She lick shouts out the globe. Man, I love to
see a seed grow. Man, I love that ship. You
know what I'm saying, Like to see a person, you
know what I'm saying. Like, I'm glad you came now.
So three four years a year, next year at the
time you all on the charts and you out of here,
come back and we can talk about this.
Speaker 4 (41:28):
I'm glad y'all have me. I'm glad y'all want to
be here.
Speaker 6 (41:31):
For sure, for sure.
Speaker 1 (41:33):
Yeah, what you do?
Speaker 3 (41:37):
Like in your spare time? Do you watch podcasts? Do
you cook for your man?
Speaker 1 (41:41):
Like? What is some of your hobbies.
Speaker 7 (41:43):
I haven't been cooking, that's the crazy thing. I was cooking.
It's slow down a little bit.
Speaker 4 (41:48):
It's slow down a little bit.
Speaker 7 (41:51):
But my spare time, I really don't be doing nothing
for it. I really just be chilling. I really don't
be having too much spare time like that for real.
Like if I do, it's probably like a day or two,
you know, nothing too crazy, But so I'll be busy
a little bit. I don't My schedule didn't start building up.
So I really don't be having a little spare time
(42:12):
if I can. You know, I'm just chilling with my
man and my kids, you know, or with the family.
Speaker 3 (42:17):
Anything you missed about your life before the record? Nothing,
He's like, nah.
Speaker 4 (42:33):
I'm living now.
Speaker 2 (42:34):
Don't don't seem like no blessings right in time when
every nigga be thinking they need and she you don't
need that. When you need it, gonna get it to you,
all right. I won't be stressing that, bro. Like I said,
I got a correct the other day. I thank god
for the correct. You know what I'm saying, because I
ain't do that. My back a little bit. Nigga getting
correct and don't walk away, you know what I'm saying.
(42:56):
So if this all I'm gonna go through today, cool,
because I'm seeing Nigga go through ship, you know what
I'm saying, Like Nick, gotta be grateful for everything and
grateful that I'm in the pulled over and walk away
from this ship and up in sue my insurance company.
I've been paying y'all too long.
Speaker 6 (43:10):
Pay me.
Speaker 2 (43:12):
I mean getting y'all money for over thirty years. I
ain't got no money, max it out. But I'm just
saying everything bless You got to look at everything. It's
a blessing, bro telling you bro, like we could be
sitting around being so I think when you when you
stay around being up, being builter, that stop.
Speaker 1 (43:30):
It for sure.
Speaker 2 (43:32):
Like damn man, all the hole going up. Man, I've
been wrapping man. What the name of the first song?
Speaker 6 (43:37):
Ma man?
Speaker 2 (43:37):
I been I dropped big Man. That ship was a
bang man the whole Hey, stay in that pocket, ye
ain't gonna stay in that pocket. You keep working, but
this ship coming by. Oh next song I'm so at
you a wh look well to do you see what
I'm saying. You can't never get caught up in that ship, bro,
he caught up in trying to thank your blessing supposed
to come the same time another motherfucker blessing.
Speaker 6 (43:56):
You don't worry about that.
Speaker 1 (43:58):
Mm hmm.
Speaker 3 (43:59):
Absolutely. What's the biggest thing you will want your fans
to know about you?
Speaker 6 (44:06):
Then?
Speaker 7 (44:06):
I'm just a regular person. I'm just a regular person,
and and I just appreciate everybody. Uh, For all of
my old supporters, I really really, really really appreciate y'all.
Y'all stayed down, y'all been here with the girls since
back then. You know, y'all been showing me love, and
I really appreciate it. And y'all still showing me love.
(44:29):
Y'all ain't y'all ain't forget about me. Y'all still here,
So I do appreciate that. And for all the new supporters,
thank you as well. You know, I really appreciate it.
And I got more in store. You know, It's just
not the last thing y'all see it me. I'm so
atl Maybe my biggest song right now, but it will
not be my biggest song.
Speaker 3 (44:47):
Forever, real started.
Speaker 6 (44:55):
Real ship. So what's the shit you're gonna do to
just stay around a lot? You say, I'm just a
regular person. What's the ship you gonna do?
Speaker 2 (45:02):
And you're gonna tell yourself every day so you can
remain that humble and focus on being a regular person.
Speaker 7 (45:09):
Uh, honestly, I just tell myself, like, ain't nobody stopping me,
Ain't nobody, ain't no competition but me. You know, like
I said, A long as I got got by my
side and my and my family and my support system,
I'm gonna come overcome any obstacle or any be any
against me.
Speaker 4 (45:26):
You know, just tell myself that you got this.
Speaker 7 (45:28):
You know, everybody ain't perfect, Everybody have their flaws, everybody
had their ups and downs.
Speaker 4 (45:32):
But you just gotta keep going tat it on my chest,
keep going on the.
Speaker 6 (45:37):
Left side too. So so do you do you pay
attention to the comments and ship?
Speaker 4 (45:43):
I do, sadly. It's okay, I'm gonna stop. I'm gonna stop.
Speaker 6 (45:47):
Stop, Nobody come in come in.
Speaker 4 (45:49):
I'm gonna stop. I'mnna stop because that down be that bad.
Though down't be that bad.
Speaker 7 (45:54):
You know, you you always got that one or two
people but you know what I'm saying, But it's okay.
Speaker 1 (45:58):
You you the bite back just sometimes.
Speaker 4 (46:04):
Almost caught.
Speaker 7 (46:05):
I caught myself today because I almost said something back
to somebody and I said, you know what, It's okay
they come to it.
Speaker 2 (46:12):
Because you got to think it was times that they
wouldn't coming about your how you got to look at it, nigga,
keep talking, talk me up, because that's saying hate. Now,
nigga putting it on your pain hate nad bitch. He's
showing another motherfucker that Look, you know what I'm saying,
send it to another nigga trying to gain or hater,
(46:33):
but gain you a supporter, right.
Speaker 6 (46:36):
So you gotta just take all that ship in sure.
Speaker 7 (46:39):
And I always tell myself, everybody ain't gonna like the music.
Everybody ain't gonna be fond of what I make, you
know what I'm saying, But you got them people that
will be so you know, and majority of the people
are attracted to the to the music, you know, more
than what I've seen, you know, more positive than negative.
So you know, I just gotta keep telling myself what
I tell myself all the time. Ain't no, ain't nobody
(47:00):
bigger than the program.
Speaker 6 (47:01):
Anybody bigger than me.
Speaker 7 (47:02):
Ain't no competition but me. You know, ain't nobody stopping me,
and nobody in my way but me. So if I'm
blocking my own blessing, then it's me. There's somebody need
to handle with then, you know. But other than that
tunnel vision.
Speaker 2 (47:14):
So looking back at her, it's like, when you dropped
your first song, do you think you was ready for this?
Speaker 7 (47:20):
Uh?
Speaker 4 (47:20):
When I dropped my first song, do I think I
was ready?
Speaker 1 (47:24):
I kind of do.
Speaker 7 (47:25):
Though I think I was ready. I just wasn't you
know what I'm saying. See, I was, I was young,
you know, I ain't had no kids and nothing. Then
I think I think I was pretty ready. I just
didn't have no Yeah, I think I'm more ready now.
I feel like since you know, you know the time,
and then like that was my first song and I
was dropping music. But I was dropping like I said,
(47:45):
I was dropping music almost every year, you know, around
my birthday. That's probably when they get a song. Like
next year I get another song, y'all get another song.
But now I feel like over the years because I
write my music, so I feel like now when it
when everything came like it was easier for me to
just go in the studio. Gis because I already got
(48:06):
stuff in the in the you know, in the backburn
of just waiting to be put down. So and I
just feel like even with the uh, the the recognization
and everything, I feel like now with it, you know,
you just learn over the years, you know, over the
course of the years, learn more things, and like you
(48:29):
just grow on in a different aspect, like with even
with the rapping, Like I feel like certain things like
what I was rapping, I feel like I've improved, you know,
in like the rapping aspect, like even with cause, like
I said, I write my music, But now I can
just go in the studio and I could just get
in there and probably you know, dombit, you know, uh.
Speaker 4 (48:48):
And I used to be scared of that, like I'm
used to I came't freestyle, I.
Speaker 7 (48:52):
Ca yeah, punching it or even just you know, he'll
be and well see, I'm still kind of nervous to
do that. Like I'm not feeling in the studio and
like I'm listening to the beat, like if it come
to my head, it come to my head. But I'm
not the type of going to studio and it's coming
to my head and I'm just rapping in it, you
know what I'm saying. If I miss up, I miss up,
and I'm like, not take it out, and I just
start like if it come to my head, I'm gonna
(49:12):
listen to, I'm gonna type it down, like I still
just gotta type it down to make sure it come
together right, like I need to.
Speaker 4 (49:17):
I need the foundation fit, you know.
Speaker 7 (49:21):
And it's just something about like when I'm in the
studio and I and I'm rapping, it don't matter if
I done recorded half of the song, if the whole
song not done, I'm gonna tell him to take cut
it all off, and I'm gonna try to wrap it
at one take, like oh.
Speaker 6 (49:37):
That's how you go. Oh you want to do your
shit one take?
Speaker 1 (49:39):
Tim Yeah, I don't like.
Speaker 7 (49:40):
I don't like all the little stopping and have to
go back in like cause I feel like certain if
so with certain songs, probably like with the Engineer. It's
like probably like the Engineer, like you can hear the
punching back in, so like I don't want the punching in.
I don't want that sound. So I want to one
take all my songs like I want to be able
to get in there. Just do it, you know what
I'm saying. And if I can't, then I can't with
tried until I.
Speaker 2 (50:01):
Get it in this ship though, man take then mentally
read it on for sure seeing him talking to you,
and I can tell like you got a strong support system,
you got your head on. So but that's why I
act because I ain't know you five years ago, so
I don't know, but I know you've probably been ashwering
back them comments five years ago.
Speaker 4 (50:27):
Yeah, I would have been added, I would have to anybody.
Speaker 6 (50:30):
Pull up.
Speaker 1 (50:32):
The boulevard. That's what it is.
Speaker 3 (50:40):
What you think the best way is for new artists
to get their music out right now?
Speaker 4 (50:46):
Tik tok.
Speaker 1 (50:48):
Honestly, tik tok.
Speaker 7 (50:51):
That's what every That's what everything really going crazy at
tisk is really the Holy grill right now, that's what
you got everything going.
Speaker 3 (51:00):
So you never did, like, no open mic showcases, none,
none of that on the come up.
Speaker 4 (51:05):
I never had any videos until I'm so atl.
Speaker 1 (51:08):
Wow, get in there where you shoot that at.
Speaker 7 (51:15):
The basketball court literally right there across from the apartments
that I stayed in. The apartment is gone now, but
that basketball court right there over there since Paul's dope man.
Speaker 1 (51:29):
The first person everybody he's saying that hot mhm, what
I have come from?
Speaker 7 (51:42):
I don't even in my head because after I, like
I said, I had recorded the video like of me
just rapping the song, but on the video, I'm not
saying get it. I'm just saying I'm so at L
and it's just like a blank space. I'm like, some
gotta go right there. You gotta go into that part
of me saying I'm so at L. And then I'm like,
I got to take it in there. So because when
(52:03):
I say get in there, they don't want to do
the dance.
Speaker 4 (52:05):
They go want to dance. So I started, I was like, yeah,
get in there. I gotta go right there.
Speaker 6 (52:12):
Doing this.
Speaker 2 (52:18):
It's definitely a phenomenon. Definitely people that you wouldn't even
think that's crazy. How so do you think the song
is bigger than who you are? Song moving faster than
like before they can catch.
Speaker 6 (52:34):
Up to you who you are?
Speaker 4 (52:36):
I think so yeah, I do.
Speaker 7 (52:37):
That's what I feel like, because it's like it's crazy though,
because I was, like you said, we did the Magic
City money.
Speaker 4 (52:47):
I seen somebody do like a reaction to it.
Speaker 7 (52:49):
And he was on there and he was like, because
you know me and Banna on the song and he
was like, yeah, Bunda, b I know she got the
ATL song.
Speaker 4 (52:56):
And I'm like, that's my song you talk about.
Speaker 7 (53:00):
I don't know about Baked Roll. Now I gotta go
listen to her music.
Speaker 4 (53:06):
I'm like, you just said my song.
Speaker 7 (53:09):
But I think people still trying to figure out.
Speaker 6 (53:13):
That's just how it hits go. Bro.
Speaker 2 (53:14):
You gotta now you gotta track down the song to
let them know.
Speaker 6 (53:18):
Like that mean, that's just how this ship go.
Speaker 2 (53:20):
Like you gotta think like the biggest song, like make
a hit the first time around, becau, no matter what
songs you had before this this first time around for
you to everybody, right.
Speaker 6 (53:31):
But any people that know you. So it's like.
Speaker 2 (53:35):
Like shop Boys I had be they got them part
of like a rockst They had to run behind.
Speaker 1 (53:40):
That motherfucker that was gone.
Speaker 6 (53:42):
Yeah, they gotta run behind like this.
Speaker 1 (53:44):
Uh right, you know what I'm saying.
Speaker 2 (53:47):
That's just have them hits gold, bro, true because that
motherfucker take off overnight, bro, and you can't be everywhere
one time.
Speaker 7 (53:54):
M's It's okay though, they gonna realize it's.
Speaker 4 (53:59):
The Queen.
Speaker 3 (54:04):
Any final words for the people, anything you want the
people to know, the fans, the Big Fact supporters, anybody
out there.
Speaker 4 (54:10):
From keep watching out for me. Like I said, I'm
So a t L.
Speaker 7 (54:16):
It's my biggest song right now, but it won't be
my biggest song forever.
Speaker 4 (54:21):
I ain't going nowhere. I'm here to stay. I'm gonna
always rip the A.
Speaker 7 (54:26):
And bit shout out to my supporters, my family, my
loved ones.
Speaker 4 (54:29):
Bit shout out to Big Facts. You know what I'm saying.
My kids you can follow me on all social media.
Speaker 7 (54:37):
Platforms at bank Roll nine. And I just want to
give a quick quick shout out to Little Bankhead. He
was one of the first people to play my song
on the radio and fly out DC my first radio
interview for sure, and also DJ plug.
Speaker 1 (54:55):
Birthday.
Speaker 7 (55:03):
But before I'm So t was out, he played it
at fall Full Day, So shout to him as well.
Speaker 6 (55:08):
Yeah, love break record that, that's.
Speaker 4 (55:10):
A that's a record breaker.
Speaker 6 (55:11):
Nigga like, yeah him, break records.
Speaker 2 (55:16):
One more question, hold goody something we just shot Just shout.
Speaker 7 (55:21):
Out something I got d C Little Bankhead, d J
damn ask you something.
Speaker 4 (55:28):
Said the radio interviews?
Speaker 1 (55:30):
Now about breaking records now I'm about to ask her something.
Speaker 6 (55:33):
It's gone.
Speaker 1 (55:34):
It's it's gone.
Speaker 6 (55:36):
But when she comes back, we'll bring it back.
Speaker 7 (55:38):
We're coming back, come back now, you know, And next
time y'all see me. Just now, it's gonna be bigger
than I ever been.
Speaker 6 (55:48):
I told you it's gonna be huge.
Speaker 4 (55:51):
It's bigger than I ever been.
Speaker 6 (55:53):
No, you got this. We're pulling for you to.
Speaker 7 (55:56):
Have a beautiful spirit, like I really appreciate that for real,
I fuck with.
Speaker 3 (56:00):
That good Now, we appreciate you pulling up the Big Facts.
Speaker 1 (56:05):
Make sure you check us out too.
Speaker 3 (56:07):
W dot bigfaxpod dot com, SLOUF.
Speaker 2 (56:11):
Catch the Big Facts audio experience on Iheart's Black Effect
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