September 5, 2024 • 12 mins
Una mujer explica que aunque tiene cara de pocos amigos es buena gente cuando la conoces bien. ¿Quién de tus amigos tiene cara de "cu%&"
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Episode Transcript
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Speaker 1 (00:02):
Tricky Santos Podcast, The Alis Joanne Joe and Rick Santos
and Lo Troteo and Taquila, The Georgia.
Speaker 2 (00:14):
Yes Really and Asido identific Specio So, the Vito Feo Andcuela,
The Georgia Sola Quatro personas Includeos those stud the antes Idos, Maestros,
el menors, Judo Como, tanto as Resto Como and l
process So who This Segon in formost Chris Jose l
(00:37):
s L Director, The Burro, The Investigation.
Speaker 3 (00:40):
Georgia Mirajo and the And and Trevo.
Speaker 4 (00:45):
Ra and person My Coral Pani Guy sing The Opera
Control Policy, Pondos One in form Professional Quada and the
pro pol Yaa and Trevi, Tao piquadras h and Cuela
(01:07):
Mira lucas O, Meta Calo, pro Reto and pro Motivo,
Santa Ana and Manassas Perosi, I Informah manasas as A,
Tempo antes e I yere at Masacre and La Cuela
(01:28):
Betan Olomo, contol affectaosttre and Georgia and Lada Year Marino
La Marina on the United States, Marines, in Venezuela por
Via sing At parasuntos personalist. So he went from all
pentagon Retto, urriola mapasa and marinero il trienta, the avoto
(01:51):
la marina, l bartamento, the caazo, casi ili or kadamente
comodo eta in in venezuela.
Speaker 3 (02:01):
Marine git a bad bonny well teritoria, Yes for my party.
Speaker 2 (02:07):
Then a lista muy especial lresta billboard, I mean ess
los artista's mass granda del siglo, and you know in
miracle cilo, and you know tomasomeno and persano anti quatroluad
okay pro next important and important bad bonnies lug number
(02:32):
of trees that's important.
Speaker 3 (02:34):
Lista fel lok represent.
Speaker 2 (02:40):
Parasupa isla isla come come come music revolution format, concerto.
Speaker 4 (02:48):
In spiral local and copian in spirit perta cambiar musical
lo musical arta crescio is a popular uh and elaira
de jalo blue matameil lo passos felicia is bad body
artitas ben ti sinko artica pop magrandel siglo ben ti.
(03:10):
You know Gina amaurigut Americans manager at the Risaro and
Miami and oghrat Trivita, cipri card Opera, Amargutis kuan qi
Fu and Colombia p maham Tuatro ras Nolo Haro and
tra uh l Pi MEDIOA Trivita La la Maniana, the Year, Yeah,
(03:34):
ter Riso a Year, the Colombia, Lo ross yet Riso
a Miami.
Speaker 5 (03:39):
L Proprio, cant Loco, freemus read the Tnido and Porto
Carta man Nay, Colombia se est maui rescummental Present and
Rique Santos Keelecho, Kondo Fu, Scenarios migratorios and gar and
trada a Jacil pers so Hendy for Communita and Colera Documentola,
(04:05):
simprecis masso jai peris no medio or not lost, documentos recridos, parallel, gresol, prega,
nes a momento, oh no that is a companion, l
Maur Internmpire, Manera, Brutravel Prosdiento in Manifesto, the Former and
bost In compan Paris and cast in A Medillo Locoto sapporter,
(04:27):
the Manera Brusca, mostron A Timidante and lip Laporta and
Gresso Locally interventional personal Reporto in the Plican.
Speaker 4 (04:40):
Poms No dj s me ma rio portos lo manadras
repeto alatrida the migracion t a called called killed personal
perto because that's so LUs midas a Maori looktfest solidario
(05:03):
no manager and I'm the manager if on the mimo
Mauri Mita di comparouso al jindra Colombiano lo communitamna alba
y s pert entrap to manager Intra said Amauri and Colombia.
(05:29):
We yeah, it's a rough one. Mai Mahan the ego
sooo manager Mahlante and Henrique Santos Andrique Santo sho. That
was an there from Mauriaca the detto.
Speaker 3 (05:50):
Maha Land.
Speaker 1 (05:53):
Cricky Santos podcasty Creaky Santas podcast.
Speaker 4 (06:06):
That Joe and Santos aulto perso explication Maritica so borgue
he said a toll temple constantly the Coriandos expression fall.
Speaker 3 (06:24):
You know, normally tell karad did you.
Speaker 1 (06:31):
When?
Speaker 4 (06:32):
When?
Speaker 2 (06:32):
When I not.
Speaker 4 (06:37):
To Algares thensa pressio mala who.
Speaker 3 (06:47):
For four nine, three, seven, thirty six seventy.
Speaker 1 (06:49):
Four Creaky Santas podcast.
Speaker 4 (06:59):
You know coma compiation with persona didn't constant Marca why
exact time Pocahon.
Speaker 2 (07:11):
Expression thos los so like love it is so I
know it's Cafe Auenna.
Speaker 3 (07:22):
And England and resting beach face.
Speaker 4 (07:27):
So say, well, I got a persona verlo ill press
on pers I hate tratting.
Speaker 3 (07:40):
That's so d piano is not like camel parsia, No,
not in particular.
Speaker 4 (07:50):
And the pession I complain I hate is like why
why does the person always look mad as two has
a personae bersona you familiar to you?
Speaker 3 (08:06):
You make it is a gas the malu more qua
qua quad and when you know like want to post
(08:26):
when I posto.
Speaker 4 (08:33):
Karen pro porta del tressa porteto po canaga put pueto
turn to mano can be like maso, But I supposed karenaga.
Speaker 3 (09:01):
Can you carry.
Speaker 6 (09:05):
More and.
Speaker 3 (09:10):
Prepara s o.
Speaker 6 (09:13):
When more to talent Lena floor preps have been free
sich o k a k and relation tempo they hand
the sexy, they hand the.
Speaker 3 (09:29):
More. Okay, I can kloudy you know the kloudy corra
more meals besitos to canaga.
Speaker 7 (09:44):
American Temple, no medicine. You were men man implemented your
simple tria, your soufro, the the lo chronica and your.
Speaker 3 (10:01):
Come Harold hotel.
Speaker 4 (10:10):
Everything else, CagA the l contin mam like hell you
have Sagnay.
Speaker 1 (10:18):
Creaky Santos podcast.
Speaker 3 (10:22):
You know.
Speaker 4 (10:24):
Thing on Algada africaroa yes, and ricom Holando Caro Naga
see to Caaga Canaga wat yes and ri k a
for four nine three seven Thury six seventy four.
Speaker 2 (10:44):
Implemented.
Speaker 3 (10:45):
Nasi caaga is a constmentarying to park then what intromela
can just not to entry you can just du accept
your post moist movies and son.
Speaker 4 (11:06):
And okay, then al Gore yes, and Rica Elvis one
of the Elvis No no, no.
Speaker 3 (11:21):
King king.
Speaker 4 (11:24):
Ah you.
Speaker 3 (11:31):
Like algag young okay for your b perro.
Speaker 7 (11:44):
U okaytress perrot Okay.
Speaker 3 (11:54):
Your territic now know thet Cassallo love.
Speaker 5 (12:00):
You that you know.
Speaker 3 (12:03):
Gonna lose?
Speaker 6 (12:05):
Yeah, simple okay, Riquel.
Speaker 4 (12:12):
Lass and he could charge and Rique santosnaces in conflict.
Speaker 3 (12:20):
But that's another memo.
Speaker 5 (12:21):
Whose girl.
Speaker 3 (12:24):
Go to Mari Mario and Mariola?
Speaker 5 (12:27):
Why that.
Speaker 3 (12:29):
Canalga? Enrique Santo sho and social comment and.
Speaker 1 (12:36):
Cricky Santos Podcast
Tricky Santos Podcast, The Alis Joanne Joe and Rick Santos
and Lo Troteo and Taquila, The Georgia.
Speaker 2 (00:14):
Yes Really and Asido identific Specio So, the Vito Feo Andcuela,
The Georgia Sola Quatro personas Includeos those stud the antes Idos, Maestros,
el menors, Judo Como, tanto as Resto Como and l
process So who This Segon in formost Chris Jose l
(00:37):
s L Director, The Burro, The Investigation.
Speaker 3 (00:40):
Georgia Mirajo and the And and Trevo.
Speaker 4 (00:45):
Ra and person My Coral Pani Guy sing The Opera
Control Policy, Pondos One in form Professional Quada and the
pro pol Yaa and Trevi, Tao piquadras h and Cuela
(01:07):
Mira lucas O, Meta Calo, pro Reto and pro Motivo,
Santa Ana and Manassas Perosi, I Informah manasas as A,
Tempo antes e I yere at Masacre and La Cuela
(01:28):
Betan Olomo, contol affectaosttre and Georgia and Lada Year Marino
La Marina on the United States, Marines, in Venezuela por
Via sing At parasuntos personalist. So he went from all
pentagon Retto, urriola mapasa and marinero il trienta, the avoto
(01:51):
la marina, l bartamento, the caazo, casi ili or kadamente
comodo eta in in venezuela.
Speaker 3 (02:01):
Marine git a bad bonny well teritoria, Yes for my party.
Speaker 2 (02:07):
Then a lista muy especial lresta billboard, I mean ess
los artista's mass granda del siglo, and you know in
miracle cilo, and you know tomasomeno and persano anti quatroluad
okay pro next important and important bad bonnies lug number
(02:32):
of trees that's important.
Speaker 3 (02:34):
Lista fel lok represent.
Speaker 2 (02:40):
Parasupa isla isla come come come music revolution format, concerto.
Speaker 4 (02:48):
In spiral local and copian in spirit perta cambiar musical
lo musical arta crescio is a popular uh and elaira
de jalo blue matameil lo passos felicia is bad body
artitas ben ti sinko artica pop magrandel siglo ben ti.
(03:10):
You know Gina amaurigut Americans manager at the Risaro and
Miami and oghrat Trivita, cipri card Opera, Amargutis kuan qi
Fu and Colombia p maham Tuatro ras Nolo Haro and
tra uh l Pi MEDIOA Trivita La la Maniana, the Year, Yeah,
(03:34):
ter Riso a Year, the Colombia, Lo ross yet Riso
a Miami.
Speaker 5 (03:39):
L Proprio, cant Loco, freemus read the Tnido and Porto
Carta man Nay, Colombia se est maui rescummental Present and
Rique Santos Keelecho, Kondo Fu, Scenarios migratorios and gar and
trada a Jacil pers so Hendy for Communita and Colera Documentola,
(04:05):
simprecis masso jai peris no medio or not lost, documentos recridos, parallel, gresol, prega,
nes a momento, oh no that is a companion, l
Maur Internmpire, Manera, Brutravel Prosdiento in Manifesto, the Former and
bost In compan Paris and cast in A Medillo Locoto sapporter,
(04:27):
the Manera Brusca, mostron A Timidante and lip Laporta and
Gresso Locally interventional personal Reporto in the Plican.
Speaker 4 (04:40):
Poms No dj s me ma rio portos lo manadras
repeto alatrida the migracion t a called called killed personal
perto because that's so LUs midas a Maori looktfest solidario
(05:03):
no manager and I'm the manager if on the mimo
Mauri Mita di comparouso al jindra Colombiano lo communitamna alba
y s pert entrap to manager Intra said Amauri and Colombia.
(05:29):
We yeah, it's a rough one. Mai Mahan the ego
sooo manager Mahlante and Henrique Santos Andrique Santo sho. That
was an there from Mauriaca the detto.
Speaker 3 (05:50):
Maha Land.
Speaker 1 (05:53):
Cricky Santos podcasty Creaky Santas podcast.
Speaker 4 (06:06):
That Joe and Santos aulto perso explication Maritica so borgue
he said a toll temple constantly the Coriandos expression fall.
Speaker 3 (06:24):
You know, normally tell karad did you.
Speaker 1 (06:31):
When?
Speaker 4 (06:32):
When?
Speaker 2 (06:32):
When I not.
Speaker 4 (06:37):
To Algares thensa pressio mala who.
Speaker 3 (06:47):
For four nine, three, seven, thirty six seventy.
Speaker 1 (06:49):
Four Creaky Santas podcast.
Speaker 4 (06:59):
You know coma compiation with persona didn't constant Marca why
exact time Pocahon.
Speaker 2 (07:11):
Expression thos los so like love it is so I
know it's Cafe Auenna.
Speaker 3 (07:22):
And England and resting beach face.
Speaker 4 (07:27):
So say, well, I got a persona verlo ill press
on pers I hate tratting.
Speaker 3 (07:40):
That's so d piano is not like camel parsia, No,
not in particular.
Speaker 4 (07:50):
And the pession I complain I hate is like why
why does the person always look mad as two has
a personae bersona you familiar to you?
Speaker 3 (08:06):
You make it is a gas the malu more qua
qua quad and when you know like want to post
(08:26):
when I posto.
Speaker 4 (08:33):
Karen pro porta del tressa porteto po canaga put pueto
turn to mano can be like maso, But I supposed karenaga.
Speaker 3 (09:01):
Can you carry.
Speaker 6 (09:05):
More and.
Speaker 3 (09:10):
Prepara s o.
Speaker 6 (09:13):
When more to talent Lena floor preps have been free
sich o k a k and relation tempo they hand
the sexy, they hand the.
Speaker 3 (09:29):
More. Okay, I can kloudy you know the kloudy corra
more meals besitos to canaga.
Speaker 7 (09:44):
American Temple, no medicine. You were men man implemented your
simple tria, your soufro, the the lo chronica and your.
Speaker 3 (10:01):
Come Harold hotel.
Speaker 4 (10:10):
Everything else, CagA the l contin mam like hell you
have Sagnay.
Speaker 1 (10:18):
Creaky Santos podcast.
Speaker 3 (10:22):
You know.
Speaker 4 (10:24):
Thing on Algada africaroa yes, and ricom Holando Caro Naga
see to Caaga Canaga wat yes and ri k a
for four nine three seven Thury six seventy four.
Speaker 2 (10:44):
Implemented.
Speaker 3 (10:45):
Nasi caaga is a constmentarying to park then what intromela
can just not to entry you can just du accept
your post moist movies and son.
Speaker 4 (11:06):
And okay, then al Gore yes, and Rica Elvis one
of the Elvis No no, no.
Speaker 3 (11:21):
King king.
Speaker 4 (11:24):
Ah you.
Speaker 3 (11:31):
Like algag young okay for your b perro.
Speaker 7 (11:44):
U okaytress perrot Okay.
Speaker 3 (11:54):
Your territic now know thet Cassallo love.
Speaker 5 (12:00):
You that you know.
Speaker 3 (12:03):
Gonna lose?
Speaker 6 (12:05):
Yeah, simple okay, Riquel.
Speaker 4 (12:12):
Lass and he could charge and Rique santosnaces in conflict.
Speaker 3 (12:20):
But that's another memo.
Speaker 5 (12:21):
Whose girl.
Speaker 3 (12:24):
Go to Mari Mario and Mariola?
Speaker 5 (12:27):
Why that.
Speaker 3 (12:29):
Canalga? Enrique Santo sho and social comment and.
Speaker 1 (12:36):
Cricky Santos Podcast
Host
Enrique Santos
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