#457 - JOP Fuerza Regida

Interview with Jesus Ortiz Paz of Fuerza Regida on The Bootleg Kev Podcast.

Full video version of the episode is available on YouTube!

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:00):
Yo, What's Up?

Speaker 2 (00:01):
Spots lead singer Regular and check us out on the
Bootleg cav podcast.

Speaker 3 (00:10):
Yo Boutlet Cab show Man. We got a special guest
in here, the homie j Op. What's welcome brother brother
y'all dropping a new album, Man July twenty fifth.

Speaker 1 (00:20):
New album, Man, July twenty fifth, Fuerzo.

Speaker 3 (00:22):
I'm gonna I know it's a Regie right, you know,
I'm fucking I don't speak Spanish.

Speaker 1 (00:26):
Sot do my best part got it locked in, bro Yo.

Speaker 3 (00:30):
Man, it's been dope to see because you know, my
wife's Mexican, my kids are Mexican. So I would say
that I dabbled in like the Canados, you know what's
going on with with with the genre.

Speaker 1 (00:42):
That means you locked in, That means you know what's
up already.

Speaker 3 (00:43):
Yeah, but you know you've been kind of like on
the forefront, I feel like for the last couple of years. Man,
So congrats on all the success. Obviously coming out of
southern California, it's a big deal.

Speaker 1 (00:51):
Thank you, brother, Thank you. Man.

Speaker 3 (00:53):
You're from riverside of San Bernardino.

Speaker 2 (00:54):
You read about the riverside and then I moved to
Summardino like fourteen, fifteen years old.

Speaker 1 (01:00):
Yeah, sand Burdeddino is active. Yeah, that's why you know
what we learned the we learned the street vibes.

Speaker 3 (01:06):
Yeah for sure. And am I right like when you
were growing up? Like was Spanish your first language you
learned and then from there? Because because I heard you
say in an interview, you're like your Spanish is just
like it's it's good, but it's not like perfect.

Speaker 2 (01:20):
You know, it's my Spanish and English they say in
Spanish and saying no someone's that. Yeah, it means I'm
not from here and now from over there. Man, right,
my Spanish is all right, my.

Speaker 1 (01:29):
English is all right. So but I can communicate you
for me, that's great.

Speaker 2 (01:34):
But my my my language, My first language was Spanish
and then I went to school and then we got
then they fucked up.

Speaker 3 (01:39):
Right now for sure? Not now I'll be on that
due of lingo. I just started that ship like a
month ago. It's like an app to learn Spanish because
I got all my densal work done until you wanta ship,
are we good? Okay? If you could just talk closer
than the micro. So I've been trying to learn, like
you know, I know the little ship Pequito, you know,
but I know enough to like order food, I say,
and cust somebody out.

Speaker 1 (01:59):
That's all you need to know.

Speaker 3 (02:00):
I heard so I read that you said that this
new album is unlike any other Mexican album. Explain why
it's different.

Speaker 1 (02:10):
Before we keep on going this.

Speaker 2 (02:11):
This hadn't come out after probably right now before Hung
the album dropped on twenty fifth. What do you think
so I could talk about it like it's out or
like it's here or like it's not talk.

Speaker 3 (02:18):
About if you wants really up to you.

Speaker 1 (02:20):
I think you should drop it before on before before.

Speaker 2 (02:25):
Okay, this album is really different, bro, it's I'm gonna
leave it a surprise for all the fans so they
could listen to it on the twenty fifth.

Speaker 1 (02:35):
But it's not what we do.

Speaker 3 (02:37):
So it's not like a traditional regional album.

Speaker 1 (02:40):
It's not traditional, bro at all.

Speaker 3 (02:42):
So you're like, are you like stepping out like doing
like more like reggaetne Ship doing more.

Speaker 2 (02:46):
Like I'm just getting out of my comfort zone and
I'm bringing all the essence, all the lingo like you
you're not gonna miss that is?

Speaker 1 (02:56):
That is you know, like you're gonna know. But it's
gonna be some different Shipould.

Speaker 3 (03:00):
You say this is like like crossing over, if you will,
like and it like trying to go cross over.

Speaker 2 (03:04):
It pretty much crossing over, but staying in the same language,
you know, just but not like we're not bringing I
brought a little bit of the instruments, so it could like,
you know, feel.

Speaker 3 (03:15):
Still feel like you know what you guys are known for,
but but you're kind of evolving a little bit with this.

Speaker 2 (03:20):
There's some new, some new ship where I got. I
put a song in there. It's like Harley Quinn. It's
a song that we dropped in October. I'm gonna give it.
I'm gonna give everyone all your all your people watching
us right here, a little, a little you know, some
little exclusive.

Speaker 1 (03:36):
I wasn't gonna be in the album. But we did
a song with Marshmallow.

Speaker 3 (03:39):
Shout out to Marshmallow Man.

Speaker 1 (03:41):
Shoutow Marshmallow.

Speaker 2 (03:41):
We did a song with him, and then that day
in the in the in the studio, he told me, hey,
let's do it in four to four.

Speaker 1 (03:50):
So we did a song in four four.

Speaker 2 (03:54):
And then he was gonna put he was gonna drop
his house beat in the middle and stuff like that.
And then I told him, Hey, we wanted to add
a jersey in this right and he was like, a
jersey's kind of burned out right now about not for us, man,
So we put jersey.

Speaker 1 (04:05):
We put the actual jersey with ato. It's on the
tecond half.

Speaker 2 (04:08):
And then when we were recording, I got an idea
of using the big and doing the jersey beat pretty
much with the instrument with the with the big thorough base.
So that's when something was born that I didn't really
think about it until when I took my time to
think about it a couple of days later that we
just created a new genre.

Speaker 1 (04:29):
It's called jersey carrios Jersey.

Speaker 3 (04:32):
That's crazy.

Speaker 2 (04:33):
So that's a new ship right now coming up. And
we got a lot of that in the album, Like
we got like one or two.

Speaker 3 (04:37):
So there's some more of that on the album.

Speaker 2 (04:39):
Well there's one like one of that and then we
got it. I don't want to burn it out too much,
you know.

Speaker 3 (04:42):
Any any any other like like features from outside of
the genre that's on this album that you can talk about.

Speaker 2 (04:47):
We got some features and everything is a secret though,
so you know, but we got we got features.

Speaker 1 (04:51):
We got.

Speaker 2 (04:53):
You're gonna know you're gonna know some for sure and
some that you might not know, But we don't got
too many.

Speaker 3 (05:00):
We were trying a little bit. You said you were
hanging out in the studio with Roddy Rich, which'all didn't
necessarily work on anything. But what brought y'all together in
the same room?

Speaker 2 (05:08):
Actually, uh, how was it?

Speaker 1 (05:11):
I'm trying to remember. We went to a party. Who
invited us to that party? Okay, you know what? Actually
it was Marshmallows manager Mo.

Speaker 3 (05:21):
Shout yeah, Mo used to manage Roddy back there.

Speaker 2 (05:23):
Yeah, Mos a homie, and he invited us. We were
going to do something actually with eight o eight, that's
what it was. We still got something in the talks
with eight o.

Speaker 3 (05:31):
Eight, the producer out the south side.

Speaker 2 (05:33):
Yeah, shout out of the south Side, man. We were
actually working on something. And then we went to a
party where eight to eight was going to be that
and they invited us all this row and that's where
Roddy Rich was that and you know we all fans
already Ridge, right, so of course we took a picture
of Roddy Ridge. And then he was at the studio.
He was working on something. We just pulled up right there.

Speaker 3 (05:51):
You know, Yeah, for sure, it's crazy too because I
feel like I've been seeing Drake like tap in more
with like or at least Ovo tapping more with like
the movement of like the Caddo shit, Like is it is?
It kind of crazy to see because you know it's
wild for so long. You know, when we would think
about like Spanish music here in America, we think about

(06:11):
Daddy Yankee would think about you know, bad Bunny. You
know what I'm saying, when Mexican like Mexicans are like America,
you know what I'm saying, And like, it's crazy to
see that kind of switch and what you guys are
doing becoming kind of like the forefront of Spanish music
as to where before I feel like what was happening
in Puerto Rico and Colombia and all that was like
the forefront. But like, for you, is it kind of

(06:32):
crazy to see a guy like Drake like tap into
the genre.

Speaker 1 (06:37):
It's crazy as hell? You know what's crazy?

Speaker 2 (06:38):
He tapped in, He tapped in the people that we
actually he's doing something with like.

Speaker 1 (06:45):
It was with us. I have a record label, Street
Mob Street Mall.

Speaker 2 (06:49):
Records, and that's what we got Chino podcasts and he
tapped in with Chino podcasts.

Speaker 1 (06:53):
He signed to you Cheina Podcasts Sign of Mean, but
we did a deal with him for one album with
Drake Yeah.

Speaker 3 (06:58):
Oh wow, So it's like an ovoh street.

Speaker 1 (07:00):
He had a new label called PFL.

Speaker 2 (07:02):
Oh Ship had a new label called PFL and pretty
much is Yeah, all the ov old games pretty much
hopping out. So we're doing a collapse. Uh, pretty much
are my label and Drake' label gonna help out Chinos.
You know, we're working on his album right now.

Speaker 3 (07:19):
Is Drake on some of this? Man?

Speaker 1 (07:21):
That'd be crazy, That'd be crazy.

Speaker 3 (07:22):
Huh what's that like? Like, Like, has it been a
cool process like collaborating with Oo on adult roles? For us?

Speaker 2 (07:29):
It was, it's been a cool experience, man, tapping into
like the hip hop world and the Anglo side, you know, right,
especially uh the like the work they've been doing on
Chino's dope.

Speaker 1 (07:40):
Man, It's it's a different vibe.

Speaker 2 (07:41):
And Chino's been getting like that exposure like more on
the Anglo side.

Speaker 3 (07:44):
And now I saw him get Chino got brought out
at uh at the Drake to her in La like
he was.

Speaker 1 (07:49):
Like hanging out and hanging out with Drake.

Speaker 3 (07:51):
I think, I think what's the name of the DJ
zacht Bea played on his record.

Speaker 1 (07:54):
Lot Kids doing it? Man, he got Drake as as
a cold signer.

Speaker 3 (07:57):
Man, what do you think being from l A man
like obviously you also grew up listening to hip hop?
Of course, of course, what do you think about the
the Kendrick Drake.

Speaker 1 (08:06):
Shit, Man, I don't know, man, I ain't getting down.

Speaker 3 (08:09):
You're like, I got business with Ovo right now?

Speaker 1 (08:11):
I got yeah.

Speaker 3 (08:13):
Yeah, No, that's crazy, yo. You starting your label obviously
you coming, you know, from Rancho Medley, which is, you know,
one of the most iconic Spanish labels ever. Jimmy is
kicked doors down that nobody else has ever kicked down.
Was he really supportive of you doing your own label?

Speaker 2 (08:31):
I mean at first, you know, it's like, you know,
but yeah, man, he uh he folks with it. But
at first it was like, you know, it was like, oh,
it was so all the labels everybody was wanting to
make a label, you know, right, But now he folks
with it. Bro, he got the biggest label right now. Man,
we got to give it up to him for show,
the biggest Mexican label.

Speaker 1 (08:49):
For sure, there is right now.

Speaker 3 (08:51):
If he had that like legendary deal, I think it
was with Universal, right, this fucking fly that got let
in is just.

Speaker 1 (08:57):
Everywhere and that matterfucking he don't.

Speaker 3 (09:00):
Yeah they had the fly will not go away?

Speaker 1 (09:02):
He didn't. He'sn't. Is gonna be a podcast? Yeah, you're
featuring the fly?

Speaker 3 (09:08):
Yeah, for sure? But no, you were saying so like
like eventually, like you obviously saw your because like you say,
everybody wants to do a label, but like, can you
take it serious?

Speaker 2 (09:15):
He probably didn't take a serious at hers and stuff
until we've probably seen we were really serious, you know,
and we we we got some talents and yeah, man.

Speaker 3 (09:23):
How many artists on your How many artists on your roster?

Speaker 2 (09:26):
We got like more than ten for sure, that's crazy,
but we don't like to have too many because we
wanted to pay attention. So we got the ones, the
ones that you mentioned right now is like the ones
that are doing it, doing it, doing it like Chino podcasts.

Speaker 1 (09:43):
They've been killing it. And then we got a lot
of upcoming talent to that.

Speaker 2 (09:46):
And then we got some talent that kind of haven't
been putting in their effort into it that that killed it,
you know, but for sure we just try to give them,
say animals, like try to pump them some get a motivation.
We shared the workspace they come to work.

Speaker 3 (10:01):
Yeah. Do you have like a compound where everybody just
can work right now?

Speaker 1 (10:04):
We got a little it's a crib. It's like the context.
You know, every room's got a studio.

Speaker 2 (10:09):
And everything's just you walk in that motherfucker. You was
just all day music, man.

Speaker 3 (10:14):
Rest fire man, talk to me man, Like I think,
like the crazy thing about your genre of music is
like you guys will tell other people's stories through music,
and with that at times can like I always think
about like when like from the American side, like we
always hear about like some of the like bad shit
about like the regional Mexican genre in terms of dealing

(10:34):
with stuff down South at times, and like you know, obviously, uh,
I just saw this video yesterday of Chelino getting the
note passed to him not to perform the song and
then he got killed the next day. Is it like,
have you ever ran in anything, Harry, like when it
comes to like or or turned down doing a record
that was about something because you didn't want to get
into like any any sort of.

Speaker 1 (10:53):
Like no, man, we we just try to you know,
it's cool. We we we we sing about everything.

Speaker 2 (11:00):
We've just seen stories bro like weren't than anything, stories
that already out there.

Speaker 1 (11:04):
You know, we try to not you know what I'm.

Speaker 3 (11:06):
Saying, Yeah, be be careful like we selected like out there.

Speaker 1 (11:09):
You know, it's like white flag, white flag, you know, peace,
we come in peace.

Speaker 3 (11:13):
For sure, you know what I'm saying. It's crazy too
because like for people who don't know, like you know,
like the Cadito shit is like if you are into
hip hop and you're into like, you know, like young
j z or Rick Raw, it's the it's like the
trap version of regional Mexican's.

Speaker 1 (11:26):
A little it's a little harder than that.

Speaker 3 (11:28):
It's much harder, for sure, if you actually it's.

Speaker 2 (11:31):
More like if you know, you know, you know, ship
like we don't there's more something like a topic that
we don't know not I'm pretty sure nobody likes to
talk about it too much, But for me, it's more
like I rather not speak about.

Speaker 1 (11:40):
It, you know. For sure, it's like if you know,
you know, you know.

Speaker 3 (11:41):
I was gonna ask you, like, you know, talking about
crossing over like how important is that for you being
a kid that grew up in Riverside and San Bernardino
to like get you know, maybe get some of that
crossover English audience, Like do you care?

Speaker 2 (11:57):
Hell yeah, bro, I mean I'm Mexican America, you know,
so I'm just like, you know, you were born over here, right,
So I'm just like you, you know, just come you
just have a little bit of Mexican roots, you know
what I'm saying, Mexican parents.

Speaker 1 (12:07):
But we grew up with all that, bro little you.

Speaker 2 (12:09):
Know, listening to Lil Wayne Drake, you know, just everybody,
even Tupac Biggie. We bumping all that ship, right so,
and we were bumping the Chilino all the Mexican ship too.

Speaker 1 (12:23):
So it's just in our culture.

Speaker 2 (12:24):
And I think it's us, you know, like we got
the change, like we got we got the swag.

Speaker 3 (12:29):
I mean it's funny because the first artist I ever
got put onto that was kind of younger and doing
like the ship y'all are doing is my artist Alexis
showed me and Nathaniel Cano. Yeah yeah, like what was
that four or five years ago? And he was like
in Supreme and he had like double cups of leaning,
but he was singing like Mexican.

Speaker 2 (12:50):
Yeah, he came from Mexico, and you know he he
came over here with us because he kept signed to
the same label Rights and we know everybody was double
fucking by throwing this was.

Speaker 3 (12:59):
Double cup and now I was like, this is these
fools like rappers.

Speaker 1 (13:02):
When he came he was a little kid. He came up.
He came over here.

Speaker 2 (13:05):
That's who has He's talented as kid, bro, he's killing
it right now. But when he came over here, he's
more Mexican up. You know, when he got out here,
he got the swag. You know what I'm saying that
the American swag straight up, because that's what it is.
You know, he got the American swag. And he's seen
like ants with the double cups.

Speaker 1 (13:19):
Yeah, he's seen everybody rocking chained. He's like, hey, let
me get some of those.

Speaker 3 (13:22):
These motherfuckers are like rappers.

Speaker 1 (13:23):
Yeah, that's what it is, man. I think we got
really inspired. Bro. The label too, Rancho Midler, Man, everybody,
you know we are Americans. So we started the label.

Speaker 2 (13:33):
Rancho Medla started signing Mexican talent because you know what
it's harder to find a Mexican American that does.

Speaker 1 (13:38):
It for sure, and that does it good. It's not
too much, not too much.

Speaker 2 (13:41):
It's really like right now, off the top of my head,
I only think of as one of the mile Uh
and like Madica pet that I know that they're like
Mexican American, but the rest are all fully American, fully Mexican, right,
they got the better lingo.

Speaker 1 (13:56):
You know they're from over there.

Speaker 3 (13:57):
So Yo, I've seen you do like crazy arenas you did.
I mean I just say you like you double did
two nights so down in the row in my hometown
of Phoenix. But like, what has been the craziest crowd
outside of the United States that you've performed in front of?

Speaker 1 (14:12):
Outside of the United States? I mean we only do
right now US and Mexico.

Speaker 3 (14:17):
Well, what am I in Mexico? Like, what's the crazy
show in Mexican?

Speaker 2 (14:20):
Show in Mexico with the team? Now, that's another one outside,
but I don't think that was the craziest one.

Speaker 3 (14:24):
That was the.

Speaker 1 (14:25):
Festival was the wildest show in Mexico. What's the crazyest
show we've been through? Like by crazy, you mean by
like and when you just see it like a sea
of people, like the craziest ship.

Speaker 3 (14:35):
Like I've been seeing some of the footage.

Speaker 1 (14:37):
I'm like, man, I think going.

Speaker 2 (14:39):
On not the festival, the the one we did over
there next to you a Mexico where it was like
a bunch of people on the same where the little
girl got lost, y'all opened up. I think that's been
the biggest right in Mexico to this day. But let's say,
like my own show, my own show, we had like
thirty some people in a little place in Mexico, like

(15:03):
Mexico City, like an hour away, like an hour.

Speaker 3 (15:05):
And it's thirty thousand just to SEEO.

Speaker 2 (15:06):
Yeah, thirty thousands to see y'w that's fun. But we've
been in festivals that has like sixty thousand like that.

Speaker 1 (15:11):
You know, man, I'll be nervous as hell.

Speaker 2 (15:14):
I was a little nervous, but it was they told me, hey,
this is more of the hood of one. So it
was more hood, like thirty thousand people literally on the
same like level.

Speaker 1 (15:25):
Like you know, no level. You know, it's got the level, yeah, yeah,
for sure. You know, like a festival type of ship
just the same.

Speaker 3 (15:31):
It's the same for you when you all first started
going to Mexico and doing live shows being a kid
from here, Like was it like how surreal was that?
Like I can only imagine, Like you're going to Mexico
to perform people in a whole other country. You know,
obviously you're doing the kind of music, but you're from
southern California originally.

Speaker 2 (15:47):
Well it was actually before that, before even going to
Mexico to scene, like when I wanted to go visit family,
like it was here comes a gringo, you know.

Speaker 1 (15:55):
They that's why that's what we say. We're now for
your call.

Speaker 2 (15:58):
They call us gringos over the ship us because we're American,
and they know all this food on you don't speak
good Spanish, right, they know they could hear, they could
tell all this motherfucker and the way we dress and
this motherfucker greeno. So they call us green goo, and
we hear call us web back, you know. So they say, hey,
he ain't from here. You ain't from here, you ain't
from over there. So we're in the middle, you know

(16:18):
for sure, we got to be whoever you want.

Speaker 3 (16:20):
Bro, how hip are you to? What's going on with
Like some of the dope Mexican hip hop artists that
are popping right now.

Speaker 1 (16:27):
Like there's a like Mexican o tea. Yeah, like Mexicans
hard bro. I know he shout out to the Homi bro.
I've never met him yet, but I fuck with the ship.

Speaker 3 (16:34):
Yeah, he's about to go out on tour I think
with Santa Fe Clan.

Speaker 1 (16:37):
Oh yeah yeah, on to him. Yeah, it's crazy. I
never imagine that otis fire, but even here in like southern.

Speaker 3 (16:42):
California, but there's like, you know, the coyote guys are
killing it, the brothers, there's left the gunplay.

Speaker 1 (16:51):
Left the gun play.

Speaker 2 (16:52):
Yeah, that's crazy, Like I don't know, I've seen that
on TikTok and ship.

Speaker 3 (16:55):
Yeah, I just you know, I you know, Southern California's
got a wave going right now. There's a lot of
dope Mexican rappers that are kind of like kicking ship,
kicking ship down right now.

Speaker 1 (17:03):
So I know, man, let me see who's the other
Mexican dude killing that pays pay.

Speaker 3 (17:09):
So yeah, shout to the one the one got out.

Speaker 2 (17:13):
He just got and then held me that passed away.
I'll fucking his ship. Wait, yes, way, yeah, I fuck
with one of his tracks. Actually, mana was fired for sure.

Speaker 3 (17:22):
Hell yeah, if you could take a rapper to open
with you on tour, who would it be?

Speaker 1 (17:26):
Like a Mexican, right, any rapper, any rapper, any rapper
to open up, and it would have to be us,
of course, because let's see, man, I'll be done with
little Baby. A little baby would be crazy to bring
out Little Baby man I got.

Speaker 2 (17:39):
I get inspired by a lot of it, by by
his music and by not just his music, like the
way he moves and ship that reminds me of the
way we move over here in Simardino.

Speaker 3 (17:48):
You know for sure it's crazy, like people don't realize,
like tell me kind of like your come up and
your guys come up as a group, because like, what's
the kid's name for Phoenix?

Speaker 1 (17:59):
It's on fire right now?

Speaker 3 (18:00):
Hobby, Hobby, He's I remember seeing that kid like when
he was like fourteen or fifteen on my Instagram.

Speaker 2 (18:06):
I've seen him too, bro, Actually I did see him
before he blew up too. I've seen him a couple times.

Speaker 1 (18:10):
Bro.

Speaker 3 (18:10):
No, my artist is he's Mexican. He's a singer, but
he would like send me shit and all of a sudden,
that kid's just like just huge, but come up, it's
so it's different, right, Like what kind of events were
y'all doing, and like how did you guys initially come
together and decide to be like, yo, we're gonna be
a group because you started off doing covers and stuff.

Speaker 2 (18:29):
Right, well, let me tell you so, like that's dope
that you bring that up. Like he just came up
out of nowhere, like you've seen him doing it and
then he.

Speaker 3 (18:36):
Just that's what it feels like. But he's been grinding.

Speaker 1 (18:38):
Yeah, he's been grinding.

Speaker 2 (18:40):
But it's easier now, let me tell you, because back
in the day, this music wasn't as popping.

Speaker 1 (18:46):
So like you said, you said to yourself it was bad, bunny.

Speaker 2 (18:48):
It was that yankee you heard of the blatin music.
It wasn't a Mexican dud. And I just heard they
just told me that he was yesterday, bro that it's
like first six four Laighton artists in the six months
hit over one hundred million streams or some.

Speaker 1 (19:03):
Ship like that. I forgot what was it the half
of the half of the year.

Speaker 3 (19:09):
The first June just ended.

Speaker 2 (19:10):
Yes, it was four Lighton ones and guess what out
of the four it was three Mexican ones.

Speaker 1 (19:15):
Oh ship, you get me?

Speaker 3 (19:16):
So who who were the three Mexicans?

Speaker 2 (19:18):
It was Natanel Blue, and then the fourth one was
bad Money. That's dope though, right like like now a
couple of two years ago, it was no Mexicans up there.
Now now like our music is coming in. But why
did I bring that up? I was gonna tell you something.

Speaker 3 (19:34):
We're talking about. Hobbies come up.

Speaker 1 (19:35):
Oh yeah, hobby.

Speaker 2 (19:36):
So that's why I like bringing that up, because when
I got seven years in this, so when I came
in this, it was tougher.

Speaker 1 (19:44):
It was already getting easier than let's say, ten years ago.

Speaker 2 (19:46):
Ten years ago, it was even harder for sure, right,
but you know when I came in, it was still
like we weren't speaking about what we're speaking now, and
it was like more gangster, more like corridos ship, you know, right.
And then everybody was wearing like like tuxes and you know, foods,
wearing the hat and then like we were just like
I remember we wearing the tucks and I didn't want

(20:07):
to wear that shit no more.

Speaker 1 (20:07):
Bro. I was just like you guys used to wear
the full like not the whole group, not the whole right,
but the tuckah, like a little.

Speaker 2 (20:14):
Tuck something, and then I remember feeling uncomfortable because I'm husky,
you know, I'm so when I have my shirt tucked in,
like I feel my fucking fat over here. And then
one day we decided like, hey, we're just gonna go
to the mall and just change it up. And people
were already kind of changing different, but we were one
of the first ones too, like to start changing different.

Speaker 1 (20:31):
And you know what, we're gonna wear a fucking night.
We're gonna wear air Forces all. I don't wear shit
I would wear anyway.

Speaker 2 (20:35):
Yeah, fuck it, but let's be let's be at least
a little because back in the day, I'll be bummy
all day.

Speaker 1 (20:40):
I'm not gonna come up with shorts and and what right, right.

Speaker 3 (20:42):
Right would you guys do? Because like I come from
the you know, strip club culture from Arizona, where we
would have a lot of heavy hitters on the Mexican
side and the club and then we would do Bond
of Mondays at a place called Jaguars out there, and uh,
it'd be like whoever for people who don't know, if
you ain't new a Mexican club, if there's a Bonda
in there, it's like the goal is if you got

(21:04):
a section, you want them to play for you, right,
so you would you tip tip the band and then
they come and play for your section. You guys doing
that kind of shit.

Speaker 2 (21:11):
We we kind of did it a little bit. That's
called like if you're at the club. You know, mostly
that ship was done more like at the Mariscos. Mostly
that's done more like at the restaurants where like everyone's eating.
But like Marisco though, you know, you know, of course
they got the band on the stage and then hey,
come over here, bring me the and then at the

(21:32):
at the anthros, at the clubs probably like at the
end of the night, like hey, you stay extra time
and that motherfucker comes play, or the two guys.

Speaker 3 (21:37):
So you guys, you guys did some some of that
type of shit.

Speaker 1 (21:39):
We we did a little bit of it because we
were doing private parties.

Speaker 2 (21:44):
So this is where it comes back down to this
conversation where people some people didn't.

Speaker 1 (21:48):
Go through that much.

Speaker 2 (21:48):
I don't know about Hobby, right, I'm just but some
people didn't skip certain things. Like I was telling Chino podcast,
like he never got to do a private party. He
didn't do a club, you know, I know about you know,
he's mad. He didn't do it club. He he went
straight to the big festival. He skipped like a big
part of the grind and not just a grind of
Like now he has to learn it some other hell,

(22:10):
you have study. Like I learned how to perform at
the backyards. He had to learn on stage. So you know,
it's different. It's a little harder, like, oh shit, you
guys put it right on the spot right away.

Speaker 1 (22:19):
So but it's dope. Now it's easier.

Speaker 2 (22:22):
Like what I was trying to say is like we're
pioneers in this and we helped pave that road to
where now like someone could come let's say, from two
years back. Now someone can hop on the freeway and
kind of drive faster because there's no potholes.

Speaker 1 (22:35):
There's no it's not just dirt.

Speaker 2 (22:36):
I feel like when we came in, it was dirt
and we had to put some concrete on that ship
and directed.

Speaker 3 (22:40):
Sure, you guys kicked the door down for a lot
of the I mean, like you said, you're you're like
an og now condo.

Speaker 2 (22:46):
Man sounds it sounds fucked up to say, Man, oh ge,
I'm almost fucking thirty.

Speaker 1 (22:50):
Bro.

Speaker 3 (22:50):
You also got this label that's so big, and it's like,
you know, a lot of people like you said, we
were talking about like it's easy to say I want
to do a record label, but it's hard to actually
anybody work say it and find the artists and develop
the artists and worry about contracts and worry about studio times,
worry about rollouts. Yeah, because you got your own.

Speaker 2 (23:08):
Ship too, imagine. That's why I kind of could run
the label. And it's not just me. I got my
partners that helped me run the label.

Speaker 3 (23:14):
You're running around in a cyber truck with murals all
over the city.

Speaker 1 (23:17):
Is ship doing a money? Yeah? Man?

Speaker 2 (23:19):
And then I about the pandem bally, you know, birrely
because we deserve it already. I didn't buy the pending
before I made the record label.

Speaker 1 (23:25):
You know what I'm saying. First you first made the
record label pop off, and then you know what I'm saying,
what did you?

Speaker 3 (23:30):
If you don't mind me asking, what was that was that?
It looks like a six figure chain.

Speaker 2 (23:34):
Yeah, it's like six it's very figured. Yeah, a little
over a hundred, low over fifty.

Speaker 3 (23:40):
You gotta treat yourself sometimes, man. Yeah, man, are you
doing any sort of like, obviously you're doing really well.
Like are you investing in anything else outside of the
label real estate?

Speaker 2 (23:48):
You gotta put your money into real estate and then
fucking man cars.

Speaker 1 (23:50):
Man, it's an investment.

Speaker 3 (23:52):
That's not an investment.

Speaker 1 (23:54):
Yeah, it's an investment for us though.

Speaker 3 (23:56):
For the artists because it's a part of your image.

Speaker 1 (23:57):
Yeah, we got to We can't be in a bucket.
You know what I'm saying, Are.

Speaker 3 (24:00):
You guys, because are you taking advantage of the six
thousand pound rule where you buy a vehicle six thousand
pounds and you can write that bitch off your one Most
of my.

Speaker 1 (24:07):
Cars weigh over six thouars.

Speaker 3 (24:09):
Yes, all right, trust me, bro.

Speaker 1 (24:10):
We just put some people on game right now.

Speaker 3 (24:12):
Every year, I'm like I look at my tax bill
and I'm.

Speaker 1 (24:15):
Like, fuck, they gotta go buy a fucking tahars.

Speaker 3 (24:20):
But they got the cyber truck. I just bought a
cyber truck. That bitch was like sixty three hundred pounds.
I'm like, perfect up, Yeah, that's money. I tell everybody, man,
don't pay the irs. But at least you know, you'd
rather have to call something nice?

Speaker 1 (24:31):
Yeah, why not?

Speaker 2 (24:32):
Just bought my jet for the same reason. Man, I
bought a jet. I was like, hey, we got a
how much was the jet?

Speaker 1 (24:38):
My jet?

Speaker 2 (24:40):
Probably like well like seven mili Jesus a little under.
Probably it's a tax right off. Yeah, yeah, because I
mean that's travel.

Speaker 1 (24:50):
It's all travel, man, for real, we really be man.

Speaker 2 (24:54):
We went through so much shit going through the first
and tour buses before that fucker crazy foods over three
hundred pounds. And that ship got that she's stinking up.
Imagine I was, I was, I was around the same sign.

Speaker 3 (25:07):
You got a bunch of fat ass fools of the
fucking van. That's a problem.

Speaker 1 (25:10):
Two days on the road. That ship stink. And yeah,
people take their shoes off. They at the hank.

Speaker 3 (25:16):
You know, not everybody on the bus knows how to
wipe all good.

Speaker 2 (25:18):
No one of them to tail my shoes, I'll give
I was one of them, man, but that sh ain't.
And then we want on commercial flights. I had to
go through me sleeping on motherfucker hey Southwest. You know
I slept on once. They put me in the middle,
the middle seats on the way back from Miami. I remember, bro,
there's two white guys.

Speaker 3 (25:34):
That's a flight too.

Speaker 1 (25:35):
And I woke up, bro on the motherfucker like this,
and he was like he would wake me up. So
after that, I had a book two of.

Speaker 2 (25:42):
My homies with me all the time, so I can yeah,
for sure I've done the safe you know. And and
then now, thank god, we had a chance to get
our jet. Man, and all the squad be rolling chilling. Man,
we don't go through or get on planes.

Speaker 3 (25:52):
Bro, where's that when you've got the jet? Where's the
first place you went in the jet?

Speaker 1 (25:57):
Uh? On tour?

Speaker 3 (26:00):
But like, would you remember where y'all went?

Speaker 2 (26:02):
Like, oh, man, it's because I really bought my jet
and I was on the jet last year.

Speaker 1 (26:06):
I was borring, Oh you were you were you already
the PJ life ain't new to you. Yeah, it's got
your own pretty much. Yeah, I got my own a
year later. So I don't remember the first jet ride
I took. Man, I don't remember.

Speaker 3 (26:16):
I would say most people who are not like extremely
hip to the genre of music probably like the biggest
like pop star coming out of the genre is Pesel Bloomer.

Speaker 1 (26:29):
He's coming up.

Speaker 3 (26:31):
How's your relationship with him?

Speaker 1 (26:33):
Man? It's cool, but we haven't done nothing in a while.

Speaker 2 (26:36):
We haven't spoke you know how it is man with
the with the A lot of Mexicans don't like to
see Mexican wins, bro, That's how it is. So we
haven't spoken a while, bro, but we got something we
we we we've always been.

Speaker 1 (26:49):
Like we stayed in contact.

Speaker 2 (26:50):
But after a while, we haven't spoke for a couple
of months, man, for like almost a year.

Speaker 1 (26:55):
Ship.

Speaker 3 (26:55):
I think you would you work with him again?

Speaker 1 (26:58):
Yeah? Man, why no, there's no problems. Never been the
problem on this.

Speaker 3 (27:01):
How cool was it to see him do the VM
as dope?

Speaker 1 (27:03):
Bro? It was dope like Mexican man, Mexican music. He's
one of the ones that that's why I bring up
that road like he took advantage of that road to
we built.

Speaker 2 (27:12):
You know for sure, he came on that motherfucker and
he went up. He hopped on a Ferrari and boom
took off. And I'm happy as hell. Broke made the
genre bigger than what it is actually, you know what
I'm saying. And then from there, everyone whoever smart enough
to put the genre up higher.

Speaker 1 (27:27):
You know, doing the VM as man MTV, I was
I didn't know what's happening. I remember just watching him like, oh, ship.

Speaker 3 (27:33):
This was doing some Mexican music on the VMAs.

Speaker 2 (27:37):
Taylor Swift, Bob and her head and ship. Yeah as
hard as she was out offbeat though. You know I
love it, nah man, But yeah, man, we'll do something probably.

Speaker 3 (27:47):
Yeah.

Speaker 2 (27:47):
You know you guys already we already got one song.
But we haven't spoke for a while. Bro, you know
how it is.

Speaker 1 (27:52):
Business people get.

Speaker 3 (27:52):
Busy, man. Yeah, yeah, talk to me, uh you uh
you know, I feel like the only thing that separating
like a lot of artists. I think, like when Bad
Bunny started banging Kendall Jenner, are you in a relationship
because if not, we got to set up some sort
of celebrity staged relationship with you and some pop star
from even if it's just for a month.

Speaker 1 (28:14):
We can't doing on stage. We got this one.

Speaker 3 (28:15):
No, it's got to be staged. You got you know
what I'm saying. There's gotta be somebody who you can
mutually benefit with, like go like date Tyler for a
month or something.

Speaker 1 (28:22):
You know what I'm saying.

Speaker 3 (28:23):
You guys can share fans Tyler.

Speaker 1 (28:25):
She's a singer. I don't know she's fire, but I'm
a big fan of Kylie Jenner.

Speaker 3 (28:30):
There you go.

Speaker 1 (28:30):
But I don't know. But I'm just a fan of
her of work, you know what I'm saying. What is
her work? Come on, you gotta what you mean? She
had the big makeup company.

Speaker 3 (28:40):
Yeah, so you're a fan of the makeup company.

Speaker 1 (28:42):
I'm a fan of Kylie. You know.

Speaker 3 (28:44):
It's like I'm a fan of Kylie's work, which.

Speaker 1 (28:46):
Is I even got a I got a song called
Kylie You do?

Speaker 3 (28:50):
So you're that much of a fan.

Speaker 2 (28:51):
Yeah, yeah, I've mentioned a couple a couple of my
songs and Ship.

Speaker 3 (28:55):
I think she's dating the dude from the Chocolate Factory
the movie What's the White Dude? He's not He's not
a Travis Willy Wonka.

Speaker 1 (29:04):
Yeah, that's all bad.

Speaker 3 (29:05):
You slide in the dms, try to snatch it.

Speaker 1 (29:07):
Why not man?

Speaker 3 (29:08):
Put on that?

Speaker 1 (29:09):
I think I already that before.

Speaker 3 (29:10):
Oh you have?

Speaker 1 (29:11):
But on some business ship though? On mom, like, yo,
come on, we do you know we do business on
this side? Yo?

Speaker 3 (29:18):
You mentioned Mexicano t earlier. Would you would you do
a record with ot Ship?

Speaker 2 (29:23):
I can't imagine it right now, but hey, there's always
something to do, right.

Speaker 3 (29:26):
Yeah, No, for sure, he's got hard though. He's hard
as fuck. Yeah, he got the cowboy hat, you know
what I'm saying, doing the Texas ship.

Speaker 2 (29:32):
Hell yeah, I've never seen that before as he's original
man for sure.

Speaker 3 (29:36):
For you, man, what has been like a moment in
your career, because there's been so many of them, I'm
sure where you whether it was maybe someone knew who
you were, or you know, someone dmd you or reached
out or you found out it was a fan of
your music where it kind of just like was surreal
for you, where you kind of like had it like
it was like a pinch me moment, like, Yo, this
shit's crazy, Like this person is a fan of what
I'm doing, or this person knows who I am. But

(29:58):
did you ever have something like that happen?

Speaker 2 (30:00):
I'm trying to think if I ever had something like
that happened. I think if I got a thing so hard,
it hasn't.

Speaker 3 (30:05):
Like nobody's ever reached out where you're like, fuck, this
is crazy.

Speaker 1 (30:08):
I grew up.

Speaker 3 (30:08):
Listen to this motherfucker, I'm a fan of this person
like reached out and they know who I am. Like
that shit's ill.

Speaker 1 (30:13):
No, brother, that sucks.

Speaker 3 (30:16):
I mean, you know, I.

Speaker 1 (30:17):
Don't think so, bro, I don't think so.

Speaker 2 (30:20):
I think I've reached out probably and then like they
reached out back and that's dope, But I don't think
they've reached out.

Speaker 1 (30:24):
Hey, what up? You know probably when I was starting,
Like that's hard to remember, man.

Speaker 3 (30:29):
Right, talk to me. Who do you think is on
the corridos Mount Rushmore?

Speaker 1 (30:34):
Who's the top four? Top four?

Speaker 3 (30:36):
Four? Yeah? All time?

Speaker 1 (30:37):
Just all time? It could be all time or right
now is because it's different all time, like.

Speaker 3 (30:41):
Who's on the Mount Rushmore? You know Mount Rushmore, North Dakota.
They got the four founding president.

Speaker 2 (30:45):
I can tell you all time, but it would not
being it wouldn't really include today because then we're gonna
start beef and ship.

Speaker 1 (30:51):
I can tell you today or all time, both, all right,
all time today Today there's for popping motherfuckersk which is
junior age nata Plum that's on this that's doing this,
and then there's more like that do kumbias or from
that that pop and like that. But those four are
the ones taking this genre right now.

Speaker 2 (31:12):
And then like you're talking about like old cookoos like
Charlino is one of them a cacho and then from
there it's like those two are the legends and then
from there it's like everyone's gonna hate me if I
say other names, you know, like why it? But I see,
I feel like everyone's it's like opinion based. But for sure,

(31:32):
Charlino and Ariel are big influences and this music like
Ariel for sure the top four I mentioned of right now,
Ariel Macho for sure, all of us for sure, no
cap and then Charlino Man. Charlino is just hooduck that
everybody loves for sure. And then let's say you can

(31:52):
go to Alentina and all these that I'm mentioning are
passed away.

Speaker 3 (31:55):
I'm surprised they haven't done a movie on Netflix or
something about Gelino and his story.

Speaker 1 (32:00):
I think they were working on something.

Speaker 2 (32:02):
I remember, uh, resting peace with my jeweler man buzzed
down looks gold rest in peace to him. He was
really good friends with Chadino's son, which he was famous
to Alana, and they said that he told me something
that what they wanted to do, something.

Speaker 3 (32:16):
That makes crazy story to tell absolutely crazy. Someone needs
to do that for sure. That'd be that'd be ill
are growing up? Are you like a basketball? Like like soccer?
Bro soccer? Straight? Okay?

Speaker 1 (32:26):
I don't know. You live in l a dog like
all the Mexicans, Laker fan.

Speaker 3 (32:29):
I mean, you didn't grow up watching Kobe and Shaq.

Speaker 1 (32:32):
I'm a Mexican, bro, must of Mexicans didn't. Most so
you liked Mexicans love the Dodgers though, La Mexicans.

Speaker 3 (32:40):
You know, Mexicans love the fucking Dodgers. Dog. I come
from Arizona. No one gets a fuck about baseball. I
moved to La. It's lost Doyers everywhere.

Speaker 1 (32:48):
Bro, It's because you know, LA has a lot of Mexicans.

Speaker 3 (32:50):
Motherfuckers love fucking baseball.

Speaker 2 (32:53):
L A has a lot of Mexicans that are you
know what, I feel like the ones.

Speaker 1 (32:57):
That I love the Dodgers. I'm not hitting on nothing
because I.

Speaker 2 (32:59):
Don't even like sports like that, you know what I'm saying,
Because then I don't want to say either Dodger hater
hound or don't even put that right there.

Speaker 1 (33:03):
You know what I'm saying.

Speaker 2 (33:04):
But let me get bashball. The Dodgers fucked the big
ass army. But I feel like a lot of Dodger
fans they're not really like Mexican. I'm not gonna say
the're not Mexican, but there's probably like three generations because
most Mexicans just just watch soccer.

Speaker 3 (33:21):
What's your favorite soccer team?

Speaker 2 (33:23):
Back in the day, I used to like school. Now
I don't have one because I don't really keep Did.

Speaker 3 (33:27):
You see what happened at the Cup game? That just happened.

Speaker 1 (33:31):
Nobody could get in. Everybody jumped and ship.

Speaker 3 (33:33):
That shit looked crazy. Yeah. Man, they say Colombia got robbed.
That's what they say, rob like like like they got
sucked over by the rest or some ship.

Speaker 1 (33:40):
I don't know. There's always some bullshit like that happening.

Speaker 3 (33:43):
Let me tell you this. One thing I don't ever
want to go to is a soccer game outside of
the United States. Ships look like you might get stampeded.
You saw that that shit happened? Was it in Mexico
where they were sucking everybody up?

Speaker 1 (33:55):
People were that was Mexican. I was about to say
watch out, but you know it's crazy. I think it
was like last year. Nah, that one was like three
years ago.

Speaker 2 (34:03):
You remember that one it happened in I think, yeah, that
ship was crazy.

Speaker 1 (34:09):
Remember now it was an Otlas game. I think like
two years ago.

Speaker 3 (34:14):
You watched wrestling growing up wrestling?

Speaker 2 (34:16):
Nah, bro, I mean w W Yeah, yeah, of course,
fucking Rick Flair.

Speaker 1 (34:21):
I was a fan of who pretty Mo?

Speaker 3 (34:22):
Ray Stereo? Raymond Stereo was that guy that was hot.

Speaker 1 (34:27):
Yeah, then you used to do the worm. Yeah, I
was Grandmaster Sexy. Yeah. Man, we watched all that SmackDown.

Speaker 3 (34:37):
Raw for sure. What is what is something you do
in your spare time? Like, are you playing video games?
You're watching Netflix, like when you're not worried about music
or the label and you're chilling at the crib.

Speaker 1 (34:47):
What is your watching movies?

Speaker 3 (34:49):
What's your favorite movie? Give me, like your top two
or three movies? Oh yeah, Shot the Camera fool man.

Speaker 1 (34:55):
I like Friday, you know, among the cracker Killers, man
come on on.

Speaker 3 (35:02):
Friday.

Speaker 2 (35:02):
Favorite paid in Full Friday. And then it goes anywhere
from like, I just love a lot of movies.

Speaker 3 (35:06):
So it's just both of those are classes.

Speaker 1 (35:07):
Yeah, both of those are hard yo.

Speaker 3 (35:09):
So this album the titles essentially saying don't fall in love, right,
but don't fall in love? But don't fall in love.

Speaker 1 (35:15):
But don't fall in love.

Speaker 2 (35:16):
You know, it's whatever you want to take it as
you can. You know, a girl to a guy, a
guy to a girl, or in general you know.

Speaker 3 (35:26):
X out on the cover, right, Yeah, no love zone
and no love zone, so pretty much when I tell
people when they go to fucking the strip club, don't
fall in love, motherfucker.

Speaker 2 (35:36):
Don't fall in love, and not just in general like
a relationship with the you know, with the girl and
a guy, more like in general, like, don't fall in
love with your situation. Let's say you're working on a
job you don't like, yeah, or you're comfortable.

Speaker 1 (35:49):
With the pay and you want more. Don't fall in love.

Speaker 2 (35:52):
Figure out. It's like, I want it to be all around.
I don't want people to just think it's just that.

Speaker 3 (35:56):
But you know, also, don't fall in infatuated with women.
Some guys just be infatuated with bitches.

Speaker 1 (36:01):
They mean, but what does that word mean?

Speaker 3 (36:02):
Infatuated would be like they lust over them, like.

Speaker 1 (36:06):
They're like just because they bad or something like that,
and then they end up giving them their money. Oh man,
Mandy Long, you ever you ever trick off on a
young lady?

Speaker 3 (36:14):
Have you ever tricked off on a young lever? Like
you never went to the strip club and they spent
a little too much money at the script club.

Speaker 2 (36:21):
That's different, Like I don't spend money because of a
girl at the strip clubs.

Speaker 3 (36:24):
You spend it because it's the activity.

Speaker 1 (36:25):
Yeah, we're gonna throw money they.

Speaker 2 (36:27):
Payerio to go and ship, right, all right, let's roll
how much you want me to throw? You know, But
I'm not really up.

Speaker 1 (36:32):
I ain't.

Speaker 2 (36:32):
I ain't a strip club guy, bro, Like, if I
got to a strip club is because they paid me,
or if we've gone, it's because something these foods, I
don't know, something got cracking on with the label or whatever.

Speaker 1 (36:41):
The fuck.

Speaker 3 (36:41):
Yeah, we all got to pull up and support.

Speaker 1 (36:42):
We gotta pull up and support whatever.

Speaker 3 (36:44):
But and then now then you're then you're the guy
with the big chain. So everyone's looking at you to
throw the fucking money.

Speaker 2 (36:50):
And I got no dollars in my power I got,
I don't got plastic, ain't no. But what I wanted
to tell you on that on my dad told me once?

Speaker 3 (37:03):
What does that mean? No? No love, no money?

Speaker 1 (37:06):
How you say just not all like how you say
I want to say that word me how you said,
but it pretty much means pretty much no, not like
don't give them all the love or you won't have
any all the money, or or so don't do both.

Speaker 2 (37:28):
Don't do both yeah, you give them a little bit
of love, a little bit of money.

Speaker 3 (37:33):
Your parents like how how tripped out are they about
how successful you are now?

Speaker 1 (37:37):
Man?

Speaker 3 (37:38):
Like you got a jet? Bro? Like you know what
I'm saying. They're man.

Speaker 1 (37:41):
My parents are old school. They don't care about those stuff.
It's normal. Yet I put them on the jet.

Speaker 3 (37:46):
That had to be cool like this is ours.

Speaker 1 (37:48):
Yeah, they're more There's a lot of different type of parents.
You know.

Speaker 2 (37:52):
My parents are more like humble, like my mom don't
care about no like jab money. My dad like about
my dad of corvet, He's like.

Speaker 1 (38:01):
I don't want it. I want the truck all right,
you know, like I guess yeah I wanted for fifty.

Speaker 3 (38:06):
Bro.

Speaker 2 (38:07):
He's like one of the regular as truck instead of
like like everybody I've been for sure what he was
young that was a dream card.

Speaker 1 (38:12):
But he just told me.

Speaker 2 (38:13):
My dad's like a real motherfucker's Like he just like
I tell him what you mean?

Speaker 1 (38:16):
Like he says like nah, like that's not mine, that's
not me.

Speaker 3 (38:21):
Right? When did he grow up that?

Speaker 1 (38:23):
I say?

Speaker 3 (38:23):
What your parents grow up doing? Like how they support
you guys?

Speaker 2 (38:25):
My mom was a stay I stay at home mom. Okay,
and my dad works. Stockle went over thirty Stocker was.

Speaker 3 (38:31):
Already Hell yeah, that stucco was a fucking hustle. Man.

Speaker 2 (38:34):
My dad says that it's because you got to carry
lot some man ship. Yeah, he's like the young fools
like later on that's going to be done by robot
or some shit, because the young fools, the twenty five
on the fuck at like sixty yo.

Speaker 3 (38:47):
That's how my wife's uh stepdad is. His name's Peter.
This dude is fifty eight years old and he's this
little stocky. This motherfucker bro. I just had to redo
my bathroom. He's over here carrying like like some men
up the stairs, and I'm like, dog like, they don't
make him like you no more, brona.

Speaker 2 (39:05):
Man, it's not like that. That's why I really started
thinking about that robots. They're gonna they're gonna have the
robots putting some man on the walls and ship for real.

Speaker 3 (39:11):
Huh.

Speaker 1 (39:12):
Yeah?

Speaker 3 (39:12):
Did your dad still workers to this day?

Speaker 2 (39:14):
He don't want to retire to him retired, dog, I
already buy my house, he don't want to move into it.
I just struggle with that man.

Speaker 3 (39:19):
Shout out to him. Man, he's like I don't want
none of this ship. Just give me a new truck
for work.

Speaker 1 (39:22):
Yeah, I don't want none of it like that.

Speaker 3 (39:24):
Yeah. How do you find new artists? Man? When you
want to sign somebody or is it just they kind
of pop up?

Speaker 1 (39:28):
They bro?

Speaker 2 (39:29):
Just sometimes I don't want to say God, but it
just sometimes it just comes to me.

Speaker 1 (39:33):
Or I'll be on TikTok and I listen to some
ship like, oh shit, TikTok. I was not even on
TikTok myself.

Speaker 2 (39:39):
I was laying down smoking a joint and one of
my writers, Jay, he was just fucking going on.

Speaker 1 (39:45):
I heard him scrolling through TikTok and hold on, go back,
don't go back right there? Who was that? Yeah?

Speaker 2 (39:51):
This kid like you like that? And everybody was kind
of like nobody was believing in that kid. You know
podcast in my squad right now? You want to sign him? Hi,
I'm like, nah, trust me, this kid got something. I'm like,
but I wanted to sign him as a writer and
as an artist. I was like, this guy, I see
something for like, I know for sure you got some
good lyrics and I see something in the future with

(40:11):
his voice, and bro, everybody, all my guys were like, nah, Bro,
I don't think you should sign them. And then Bro,
the first song he releases blows up crazy. So that's
how we find talent. Bro, just I got to hear
I got that, I got the magic. That's a gift
you know, have.

Speaker 3 (40:27):
You because you know, I know people help you with
like writing and like will write some of your stuff.
Like have you ever loved the song but didn't want
to sing it because you were like, I'm good, Like
I don't want to tell that story, but the song
was dope. Just ended up sitting on a hard drive
somewhere maybe never never if it's good laying that shit down.

Speaker 2 (40:48):
Yeah, I've never had a song that was good that
I felt that was good and I and I didn't
want to release it right I felt I felt like
FuG like, it's not me, Like it's not my story,
but I'm gonna tell it.

Speaker 3 (41:00):
Yeah for sure. Would you ever do some English ship?

Speaker 1 (41:05):
Hell? Yeah, I already did.

Speaker 3 (41:06):
I haven't heard it, so.

Speaker 1 (41:07):
I did a couple of English tracks. Hobby. It's a
hobby man because then my family bashing on me, and shit.

Speaker 3 (41:12):
I've said, your fans get mad when you try to
cross over and do different ship.

Speaker 1 (41:15):
Especially if I do itself out, especially if I do
English and be like, what's so what with this green
gyss motherfucker?

Speaker 3 (41:20):
Wow?

Speaker 1 (41:22):
But nah, that's yeah for sure.

Speaker 3 (41:24):
Yeah.

Speaker 2 (41:24):
And then October I did an album like Babies Baby.
I have a whole hip hop track on there called
the Funk.

Speaker 1 (41:31):
Whenever you haven't want to.

Speaker 3 (41:32):
I got to listen to check it out. Yeah, yeaheah,
for sure talk to me man on this album. Is
there a particular song that that if if someone's never
heard you before, this new album's coming out July twenty fifth,
would be the would be the song you want them
to go listen to.

Speaker 1 (41:46):
They're all good, brother, All the whole album is.

Speaker 2 (41:48):
Crazy, and I don't want to say I already I
already said a name of this interview of the album,
and it was just like Easter egg. I didn't I
didn't want to tell them it was an album.

Speaker 3 (41:57):
I don't want to somebody who's on it.

Speaker 1 (41:58):
I said a name already of the song of the
song or a feature the name of the song.

Speaker 2 (42:04):
And I even told you, I even said it right here,
was like, that's the name of one of my songs.

Speaker 3 (42:08):
Oh, okay Oka, Are there any rappers on the album
no rappers, no rappers, no hip hop, no hip Hopkyah.

Speaker 2 (42:15):
We're gonna give that to the fans at least because
I think right now they they I don't even think
they even know that I'm doing something different.

Speaker 1 (42:22):
I've been saying it kind of, but I think this.

Speaker 2 (42:24):
Interview is the one that's gonna tell them I'm doing
something different. You know, right now I see the tiktoks.
They thinking I'm dropping regular ship, which is not. It's
not hip hop either, so.

Speaker 1 (42:34):
What is it?

Speaker 3 (42:35):
I can't wait to hear it. Man, Look, I appreciate
you coming through and sitting down with you, brother. I know,
like you said, I'm known for the hip hop ship,
but hey, we locked in though. Hey it was dope
to meet you, and uh, you know, I'm glad that
you know you came through, brother, because you're killing.

Speaker 1 (42:48):
I'm invite you to a to a one of my
one of my shows. Bro, I'd love to come whenever
you want to come for sure, when everyone have chimes.

Speaker 3 (42:55):
When you you still got tour dates coming up.

Speaker 1 (42:57):
We're going to be in LA. We're gonna be an Anaheim,
l A.

Speaker 2 (43:01):
Just get ahold of my team, man, and we got
you invite this, thin can buy the tickets at ticketmaster
dot com. Right there, you can go and buy all
the tickets for the tour man all over the USA.

Speaker 1 (43:09):
Man.

Speaker 3 (43:09):
Yeah, yes, guys, I just saw you. My boys said,
you guys are coming to Tampa. I'm like, damn, I
used to live in Tampa right there, bro, worst Mexican
food in America's in Tampa tour.

Speaker 2 (43:17):
I could imagine it's the worst I have. I heard
they have a lot of Adu. Those people there.

Speaker 1 (43:22):
Might be Cuban, great Cuban food might be. That's where
the Cuban food is at Yo.

Speaker 3 (43:26):
What what you know? Obviously you've been all over the place.
Who do you think in the United States is the
best Mexican food outside of.

Speaker 1 (43:32):
LA outside of California?

Speaker 3 (43:34):
Type ship, outside of southern California, because I think San
Diego is the best. But because TJ's right there, you know,
I mean, like, if you want, but what let's say
outside of southern California, where you think it's got the best?

Speaker 1 (43:44):
Messa Texas, bro Texas Tech Texas, because.

Speaker 3 (43:49):
It's definitely Texas. Actually it's Phoenix for me.

Speaker 1 (43:53):
Phoenix, I take that bag.

Speaker 2 (43:55):
I think that bad it's Phoenix, bro, takeet one hundred
percent back.

Speaker 1 (43:58):
Yeah. I think I even Cally in Phoenix.

Speaker 3 (44:00):
For sharing Phoenix.

Speaker 1 (44:00):
Take that back.

Speaker 2 (44:01):
It's not Texas, my bapstoo. All of Texas people shout
out to Texas. I love Texas. Third place is nice,
but I don't really. I think Barbecue is the one
over there.

Speaker 3 (44:09):
Barbecue for sure, and they got their own like very
like text. Mex Is its own thing is like different.

Speaker 2 (44:13):
But I mean Houston, I mean Texas, don't fall back
far on the Mexican food.

Speaker 3 (44:17):
I think it's the third place for sure. There it is. Brother.
I appreciate you coming and hanging out, man j One.

Speaker 1 (44:22):
And thank you very much. Yes, sir, we're locked in
the album.

Speaker 2 (44:25):
July twenty fifth, twenty fifth, Go get the invite to
the album release party.

Speaker 1 (44:28):
Man, you invited anywhere.

Speaker 3 (44:29):
I gonna pull up to the.

Speaker 1 (44:30):
Bottom to the album release party for sure.

Speaker 3 (44:33):
Next Thursday, I'll be in town, so I'll pull up man.

Speaker 1 (44:35):
My brother. Thank you very much.

Speaker 3 (44:36):
There it is.