July 23, 2024 • 12 mins
On today's Poddy, Keyzie's had a huge day with his first official audition and the flellas share their stories and advice when you're trying to make it in front of the camera.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Are you guys ready Yes, fan of the Darky Big
Show podcast, make sure you check out more from Jay,
Smike and Key on their Instagram at Hodaky Big Show,
unching into them four to seven every weekday on Radio Hdarky.
Thanks mate.
Speaker 2 (00:18):
So I get home last night.
Speaker 3 (00:21):
And pag Son of course told us that he's released
the full length video.
Speaker 4 (00:26):
Hey fellows, Hi.
Speaker 3 (00:29):
Let's just get straight to the point. Just forget the formal.
Evis al right about me recording the.
Speaker 5 (00:35):
B of no Yeah, yeah yeah.
Speaker 3 (00:41):
And so I go on the YouTube and look at
that and I see the title of it is podcast
host loses the plot.
Speaker 2 (00:48):
And I just go, oh, good one.
Speaker 3 (00:50):
Because there was a similar thing that went round with
the Nadia Limb scenario that I had many years ago.
Speaker 2 (00:56):
Like I'm some sort of psychopath.
Speaker 3 (01:00):
Today and I'm wearing my leather jacket, guys, you know
this brown leather jacket. And pugsn says to me, what
do you got in your pocket? And I said what
do you mean? You said what do you got in
your pocket.
Speaker 2 (01:13):
Of my jacket?
Speaker 3 (01:13):
And I said nothing, why? And he said, You've got
so many fucking zips. I just wondered, wow, And I
was like wow, excuse me, Pugson.
Speaker 5 (01:27):
Fucking hell, that's outrageous.
Speaker 4 (01:29):
It's so full of what a dog move?
Speaker 2 (01:32):
Well, I just went, what the hell is going on?
Speaker 4 (01:36):
I think you're more of a radio host and a
podcast host exactly.
Speaker 2 (01:40):
Yeah, but it just loses the plot.
Speaker 4 (01:43):
Oh god, you did though.
Speaker 2 (01:45):
Yeah, I was pretty shitty.
Speaker 4 (01:47):
But sadly, when you get shitty like that, it's funny.
It's really funny, and it's got to be infuriating as well.
Speaker 2 (01:54):
There's nothing worse than when you're infuriated. Yeah, you know,
people are going, that is so funny, and you're.
Speaker 5 (02:01):
Just like, I can't tell if you're actually annoyed because
you're also like laughing and smiling, but you're furious.
Speaker 4 (02:08):
He's trying to hide the fact that he's so angry.
Speaker 2 (02:10):
Yes, that's that's me hiding my rage.
Speaker 4 (02:12):
Yeah, far right. Well, it was hilarious. It's good and
please go along, and it's if you're looking for it.
It's on Radio Hoeks YouTube page, not the Big Shows
YouTube page. Yeah.
Speaker 5 (02:24):
This, this actual, this outro we're doing right now is
on YouTube as well, So just go down to the
next video.
Speaker 4 (02:28):
It's probably that one. Yeah.
Speaker 3 (02:29):
Weirdly enough, they just show up and when I go
on YouTube now they're just there.
Speaker 2 (02:33):
I find it. I find it weirdly disconcerting. Actually algorithm.
Speaker 3 (02:36):
But in between my Trump videos and the American politics,
there's the.
Speaker 2 (02:40):
Big show and I'm like, oh, what's that one about?
What's what's going on?
Speaker 4 (02:44):
That's Keesy being up to?
Speaker 2 (02:46):
Now?
Speaker 4 (02:46):
Speaking of old Kezy, what's old keys he been up to?
Speaker 5 (02:48):
I didn't audition today, my first ever proper, actual audition.
Speaker 2 (02:52):
Great stuff, Thank you, it's pretty.
Speaker 4 (02:56):
Can you give us the character summation there? I don't
know if I can you well, you can vaguely get it.
You don't have to say exactly what it is. But
the product, the key.
Speaker 5 (03:06):
Trait, okay, character was I am from America, Yeah, that's good,
and the eighteen hundred, sure, and I am in a
small town.
Speaker 4 (03:16):
But like, what are the character traits?
Speaker 2 (03:18):
Not?
Speaker 3 (03:18):
What do you mean by that goofy, goofy, funny? Yeah,
get the heart? Yeah that is a shilling.
Speaker 5 (03:25):
The description was the complete opposite of the first character.
The character number two is almost anti masculine, like Tech,
a goofy dude, tech, almost bookish tech, someone who looks
out of place in the setting.
Speaker 2 (03:40):
Tech.
Speaker 5 (03:41):
And I'm reading this on about he thanks.
Speaker 3 (03:42):
For putting forod for that ten backs ten backs right now,
you'll get.
Speaker 4 (03:47):
It, but also cheeky cheeky as well. Yeah, yeah, that
was a positive. So talk us through it. How are
you feeling, mate?
Speaker 5 (03:54):
I was nervous.
Speaker 4 (03:55):
Yeah.
Speaker 5 (03:56):
So the thing with me is I can go and
do like live tele or something and I don't care.
I can see something on stage and I don't care. Yeah,
but something like an audition where I know you've got
one shot, one opportunity, camp has a chance to blow
you know, Mum's spaghetti. That freaks me out.
Speaker 3 (04:15):
No, but that's not the reality, right. You don't have
one shot. You can do multiple takes.
Speaker 5 (04:20):
Well we only did one one or two takes?
Speaker 3 (04:22):
Yeah, yeah, but you can go, oh you know, can
I do one more? I didn't quite get there.
Speaker 5 (04:28):
Okay, I was lucky with.
Speaker 4 (04:29):
The first audition I have. But did she said it
was Liz Mulane, Yes, and she said we did two
takes and she said her happy with that, And it
was the first time. It's weird going into those rooms.
Speaker 5 (04:40):
It's so weird.
Speaker 4 (04:41):
Yeah, and then she goes, you're happy with that? And
I was like, in my brain, I wanted to leave. Yeah,
but I was also like, no, I'm not happy with that,
And so we did one more and that one felt
really good, and then I got the job.
Speaker 5 (04:54):
I will see. That is so good to know, Yes,
because I actually found I left a lot of goofiness
out there on the table.
Speaker 4 (05:00):
Yeah. Right.
Speaker 3 (05:01):
I was the same when I sat. Yeah, when I
started off was the same.
Speaker 2 (05:07):
I was like, oh, that was so bad. I want
to do another one. I want to do another one.
I don't want to do another one.
Speaker 3 (05:13):
But then I reached a point of do it and
they go, you're happy with that?
Speaker 2 (05:18):
Okay? Yeah, and then I.
Speaker 3 (05:20):
Go but but absolutely, And that's the whole point they're filming.
So it's not like, oh my god, you only get
one shot up, that's you. You fall, just chill man,
but just got I didn't quite know that.
Speaker 2 (05:32):
Can I have another?
Speaker 5 (05:33):
So okay, that's good to know for the future. So
I arrive, I park around the corner. I don't even
know where the place is, so I go for a
bit of a walk around the block. It's just a
weird door steerway up. They always a dark room where
there's no signers or anything.
Speaker 2 (05:46):
No one's there.
Speaker 5 (05:46):
Oh hi, are you here? For the blah blah blah.
It's just empty. A guy comes out the toilet, nice fella,
and I go, hey, I'm here for an audishes are
one of the blah blahs? And I was like, yeah,
that's me. Is me too? And then he showed me
what to do, right, So went over to a ki
ask and put my details and had to measure my
chest and my hips and put all that in. Yes,
(06:07):
and then you just sit down there and then the
guy comes out and goes, hey, we're ready for you.
Speaker 3 (06:10):
Now.
Speaker 5 (06:10):
Then you walk in. You hold up a sign like
you're in a mug shot with my name written easy
written on it. Yeah, and then he goes and then
you're like those dates are good. You're like, yeah, they
should be fine. It's okay. And are you in any
other ads? It's like, nap, it's okay. Tim to the side. Yeah,
there's a honker on you.
Speaker 4 (06:32):
They didn't.
Speaker 5 (06:33):
But then and then it's literally just like straight into
the scene, all right. So you stay there, you stand
on that tape and you just deliver that line right.
And I did it, but I couldn't figure out if
they wanted me to go American or Kiwi.
Speaker 3 (06:44):
Another good thing to do too, keysy when you're in
that scenario is to sort of get an idea of
what what size shot they're taking, like is it a
close up face?
Speaker 2 (06:54):
Is it the whole body? Is it?
Speaker 4 (06:56):
Is it mid?
Speaker 2 (06:56):
Yeah? Great?
Speaker 4 (06:58):
As a rule though, and aud that is always sort
of knee up because they can punch in, so that
it would be pretty rare for them to be in
a close up.
Speaker 5 (07:06):
Because the guy who was doing with once again Lovely Fella,
they did close on him first and then the same
thing again wider, so I was like, cool, I'll get
through it twice once close one whier. It was just
like nap just.
Speaker 4 (07:16):
Once, really, just once for it.
Speaker 2 (07:19):
May very well be that you nailed it.
Speaker 5 (07:21):
I hope. So, I mean, the guy was laughing.
Speaker 4 (07:22):
I don't know.
Speaker 2 (07:24):
Yeah, this was a.
Speaker 4 (07:26):
Good to everyone under your belt, man, you're off to
the races now.
Speaker 5 (07:29):
It was, and the guy I meant was really friendly.
The guy who was also auditioning, and then another guy
I was in balley with really came out and I
was like, oh, you were listening for barbos like yeah,
And I'm like, oh man, you look way more like
a blah blah than I do it. He's like nah, Man,
you look like a blah blah.
Speaker 3 (07:42):
Isn't isn't that classic no mogie? You know, you turned
up to the audition and they go and you think
to yourself.
Speaker 2 (07:48):
He looks way fucking better for the past.
Speaker 4 (07:50):
Yeah, the whole ky Big Show wee days from four
on radio Hurraarchy with the whole Wracky Big Show podcast.
Speaker 3 (07:59):
Over my career, you developed nemesis. You know, you'd have
guys that would turn up and you go, oh, okay,
I'm fucking going home.
Speaker 2 (08:05):
I'm not even bothering with it.
Speaker 3 (08:06):
Superstars, your anthony stars and stuff like that.
Speaker 2 (08:11):
Than you.
Speaker 5 (08:12):
Yeah, I know, but you know, Joel, were you supposed
to be Homelander on The Boys?
Speaker 2 (08:18):
Mitchison Mark Mitchison.
Speaker 5 (08:20):
It's like in Toast of London he's got his nemesis,
Ray pet Chess and so that's obviously like yeah, and
every time he goes to get a part, Ray Purchase
gets it yeah, or throws him off in the auditional.
So it's like, it's amazing the experience. What I loved
every second of it. At the end, I was like
shaking the guy who filmed his hands. Thanks for making
that easy. Man is no worries like green.
Speaker 4 (08:45):
I was fresh off the bous has got a bit
of straw in between his teeth.
Speaker 5 (08:48):
Yeah, got to make it big in the big city.
Speaker 4 (08:51):
Yeah, boy, but good ship.
Speaker 5 (08:53):
I loved it.
Speaker 4 (08:54):
We're great.
Speaker 5 (08:54):
It was really funny. Yeah good And I left the
big grin on my face. Go, well, I don't know
if I get that.
Speaker 4 (08:58):
Well, that's good because most of the time you're leaving
you want to fucking kill yourself.
Speaker 3 (09:03):
Well, I got really good at just shutting it down.
As soon as I finished, I went all right. That
was always a pleasant surprise if I got a call
from my agent and I'd say and even then it
would be like, you're on the short list. Okay, thank you, hotel,
it's all done, and don't worry.
Speaker 4 (09:19):
Yeah, that's right.
Speaker 5 (09:20):
What's a callback? Because that come back and do it again.
Speaker 4 (09:22):
You're going to narrow it down to three or four people, right,
so you do another run through? Okay, sometimes often with
the director, Yes as well.
Speaker 2 (09:32):
My wife.
Speaker 3 (09:33):
Having said that, my wife did a call back a
little while ago and there was like eight people there.
Speaker 5 (09:37):
Right, Yeah, that was like, do you ever try to
she got it? He's a question. So I was wearing
this jacket today and I didn't even think about it.
Speaker 3 (09:46):
Yeah, that's what's going to ruin it for you.
Speaker 4 (09:50):
Twink that out.
Speaker 6 (09:51):
One would you blah blah jacket your blah blah And
one of the guys I walked in. The guy was like,
oh damn, you actually looked like a blah blah.
Speaker 5 (10:02):
I guess like you're going forward dressing sort of.
Speaker 4 (10:06):
They will tell you that will be in the brief
that comes out. Yeah, it tells you what to wear,
but you could seriously embarrass yourself turning up dressing like
a blah blah.
Speaker 5 (10:17):
Not fool blah blah, just a sprinkling of blah blah.
Speaker 2 (10:21):
Yeah, a little bit, but yeah, I never, I never really.
Speaker 4 (10:26):
That's just as Jason when the brief comes through years Okay, Yeah,
it was a great experience.
Speaker 3 (10:32):
Guys, generally speaking, it doesn't matter what you're wear. They
look at your face and go.
Speaker 4 (10:36):
Gnat right and then and what's what the thing about
is a great place to get to is to just
to realize that it's got nothing to do with you.
Speaker 5 (10:43):
No, they've got a look in mind, right.
Speaker 4 (10:45):
Well, but also it's they've got a look in mind
and depending on who the director is, the look that
they've got in their mind about what the look should
be will be different. So if you've got ten directors,
they will probably cast ten different people. Yeah, right, and
then if it's for another for a product, then depending
on what product that's for, then it could be another
ten people.
Speaker 2 (11:04):
Yea.
Speaker 4 (11:05):
So it's there's so many things that have to align
for it to be you. But all you can do
is know your lines be on time, and then when
you're doing it, have a certain air of not giving
a fuck, like just going in there and I'm just
here to help. I'm helping you find out if hey,
if I'm not the right guy, at least you know that.
So I've helped the I've helped this process out. And
(11:26):
if you're going in there and you're just like that
and you're shaking people's hands, then it's fucking well that
was me.
Speaker 5 (11:30):
Yeah, yeah, yeah, And that's that is the crucial part.
Is because I do the show every day and there's
other stuff going on, it's like.
Speaker 4 (11:37):
It's when you need it. If you're just an actor
and you've got so much like back in the day
for Jason when he was broke, only an actor and
you need it, you are so fucked Yes, you're so
fucked because you're desperate. It's like, you know, approaching a
dude in a bar and you want to make love
to him. He can smell that desperation. Actually, probably different
with a dude, he'd be keen. If you're approaching a woman.
Speaker 2 (11:56):
Yeah, and then you would get it. And to take
three months to be paid. It didn't matter anyway. You're
destitute and broke all your life. You're trying to feed your.
Speaker 5 (12:07):
Yeah, good on your keysy, thanks fous enough. I've got it, but.
Speaker 2 (12:09):
Ten bucks mate, then I get it. Yeah, you'll be
able to afford to pay me if you do get
it too.
Speaker 5 (12:14):
Yeah, keen. So if I if I don't get it,
you give me ten dollars. Yeah, so I get paid any.
Speaker 4 (12:20):
Yeah, Yeah, you're going to take out of it.
Speaker 2 (12:25):
Three backs all.
Speaker 5 (12:26):
Right, really clammy handshake. Listen to the Huidarcky Big Show
four or seven on Hducky every weekday. It's really good.
You'll love it.
Speaker 4 (12:31):
It's so good.
Are you guys ready Yes, fan of the Darky Big
Show podcast, make sure you check out more from Jay,
Smike and Key on their Instagram at Hodaky Big Show,
unching into them four to seven every weekday on Radio Hdarky.
Thanks mate.
Speaker 2 (00:18):
So I get home last night.
Speaker 3 (00:21):
And pag Son of course told us that he's released
the full length video.
Speaker 4 (00:26):
Hey fellows, Hi.
Speaker 3 (00:29):
Let's just get straight to the point. Just forget the formal.
Evis al right about me recording the.
Speaker 5 (00:35):
B of no Yeah, yeah yeah.
Speaker 3 (00:41):
And so I go on the YouTube and look at
that and I see the title of it is podcast
host loses the plot.
Speaker 2 (00:48):
And I just go, oh, good one.
Speaker 3 (00:50):
Because there was a similar thing that went round with
the Nadia Limb scenario that I had many years ago.
Speaker 2 (00:56):
Like I'm some sort of psychopath.
Speaker 3 (01:00):
Today and I'm wearing my leather jacket, guys, you know
this brown leather jacket. And pugsn says to me, what
do you got in your pocket? And I said what
do you mean? You said what do you got in
your pocket.
Speaker 2 (01:13):
Of my jacket?
Speaker 3 (01:13):
And I said nothing, why? And he said, You've got
so many fucking zips. I just wondered, wow, And I
was like wow, excuse me, Pugson.
Speaker 5 (01:27):
Fucking hell, that's outrageous.
Speaker 4 (01:29):
It's so full of what a dog move?
Speaker 2 (01:32):
Well, I just went, what the hell is going on?
Speaker 4 (01:36):
I think you're more of a radio host and a
podcast host exactly.
Speaker 2 (01:40):
Yeah, but it just loses the plot.
Speaker 4 (01:43):
Oh god, you did though.
Speaker 2 (01:45):
Yeah, I was pretty shitty.
Speaker 4 (01:47):
But sadly, when you get shitty like that, it's funny.
It's really funny, and it's got to be infuriating as well.
Speaker 2 (01:54):
There's nothing worse than when you're infuriated. Yeah, you know,
people are going, that is so funny, and you're.
Speaker 5 (02:01):
Just like, I can't tell if you're actually annoyed because
you're also like laughing and smiling, but you're furious.
Speaker 4 (02:08):
He's trying to hide the fact that he's so angry.
Speaker 2 (02:10):
Yes, that's that's me hiding my rage.
Speaker 4 (02:12):
Yeah, far right. Well, it was hilarious. It's good and
please go along, and it's if you're looking for it.
It's on Radio Hoeks YouTube page, not the Big Shows
YouTube page. Yeah.
Speaker 5 (02:24):
This, this actual, this outro we're doing right now is
on YouTube as well, So just go down to the
next video.
Speaker 4 (02:28):
It's probably that one. Yeah.
Speaker 3 (02:29):
Weirdly enough, they just show up and when I go
on YouTube now they're just there.
Speaker 2 (02:33):
I find it. I find it weirdly disconcerting. Actually algorithm.
Speaker 3 (02:36):
But in between my Trump videos and the American politics,
there's the.
Speaker 2 (02:40):
Big show and I'm like, oh, what's that one about?
What's what's going on?
Speaker 4 (02:44):
That's Keesy being up to?
Speaker 2 (02:46):
Now?
Speaker 4 (02:46):
Speaking of old Kezy, what's old keys he been up to?
Speaker 5 (02:48):
I didn't audition today, my first ever proper, actual audition.
Speaker 2 (02:52):
Great stuff, Thank you, it's pretty.
Speaker 4 (02:56):
Can you give us the character summation there? I don't
know if I can you well, you can vaguely get it.
You don't have to say exactly what it is. But
the product, the key.
Speaker 5 (03:06):
Trait, okay, character was I am from America, Yeah, that's good,
and the eighteen hundred, sure, and I am in a
small town.
Speaker 4 (03:16):
But like, what are the character traits?
Speaker 2 (03:18):
Not?
Speaker 3 (03:18):
What do you mean by that goofy, goofy, funny? Yeah,
get the heart? Yeah that is a shilling.
Speaker 5 (03:25):
The description was the complete opposite of the first character.
The character number two is almost anti masculine, like Tech,
a goofy dude, tech, almost bookish tech, someone who looks
out of place in the setting.
Speaker 2 (03:40):
Tech.
Speaker 5 (03:41):
And I'm reading this on about he thanks.
Speaker 3 (03:42):
For putting forod for that ten backs ten backs right now,
you'll get.
Speaker 4 (03:47):
It, but also cheeky cheeky as well. Yeah, yeah, that
was a positive. So talk us through it. How are
you feeling, mate?
Speaker 5 (03:54):
I was nervous.
Speaker 4 (03:55):
Yeah.
Speaker 5 (03:56):
So the thing with me is I can go and
do like live tele or something and I don't care.
I can see something on stage and I don't care. Yeah,
but something like an audition where I know you've got
one shot, one opportunity, camp has a chance to blow
you know, Mum's spaghetti. That freaks me out.
Speaker 3 (04:15):
No, but that's not the reality, right. You don't have
one shot. You can do multiple takes.
Speaker 5 (04:20):
Well we only did one one or two takes?
Speaker 3 (04:22):
Yeah, yeah, but you can go, oh you know, can
I do one more? I didn't quite get there.
Speaker 5 (04:28):
Okay, I was lucky with.
Speaker 4 (04:29):
The first audition I have. But did she said it
was Liz Mulane, Yes, and she said we did two
takes and she said her happy with that, And it
was the first time. It's weird going into those rooms.
Speaker 5 (04:40):
It's so weird.
Speaker 4 (04:41):
Yeah, and then she goes, you're happy with that? And
I was like, in my brain, I wanted to leave. Yeah,
but I was also like, no, I'm not happy with that,
And so we did one more and that one felt
really good, and then I got the job.
Speaker 5 (04:54):
I will see. That is so good to know, Yes,
because I actually found I left a lot of goofiness
out there on the table.
Speaker 4 (05:00):
Yeah. Right.
Speaker 3 (05:01):
I was the same when I sat. Yeah, when I
started off was the same.
Speaker 2 (05:07):
I was like, oh, that was so bad. I want
to do another one. I want to do another one.
I don't want to do another one.
Speaker 3 (05:13):
But then I reached a point of do it and
they go, you're happy with that?
Speaker 2 (05:18):
Okay? Yeah, and then I.
Speaker 3 (05:20):
Go but but absolutely, And that's the whole point they're filming.
So it's not like, oh my god, you only get
one shot up, that's you. You fall, just chill man,
but just got I didn't quite know that.
Speaker 2 (05:32):
Can I have another?
Speaker 5 (05:33):
So okay, that's good to know for the future. So
I arrive, I park around the corner. I don't even
know where the place is, so I go for a
bit of a walk around the block. It's just a
weird door steerway up. They always a dark room where
there's no signers or anything.
Speaker 2 (05:46):
No one's there.
Speaker 5 (05:46):
Oh hi, are you here? For the blah blah blah.
It's just empty. A guy comes out the toilet, nice fella,
and I go, hey, I'm here for an audishes are
one of the blah blahs? And I was like, yeah,
that's me. Is me too? And then he showed me
what to do, right, So went over to a ki
ask and put my details and had to measure my
chest and my hips and put all that in. Yes,
(06:07):
and then you just sit down there and then the
guy comes out and goes, hey, we're ready for you.
Speaker 3 (06:10):
Now.
Speaker 5 (06:10):
Then you walk in. You hold up a sign like
you're in a mug shot with my name written easy
written on it. Yeah, and then he goes and then
you're like those dates are good. You're like, yeah, they
should be fine. It's okay. And are you in any
other ads? It's like, nap, it's okay. Tim to the side. Yeah,
there's a honker on you.
Speaker 4 (06:32):
They didn't.
Speaker 5 (06:33):
But then and then it's literally just like straight into
the scene, all right. So you stay there, you stand
on that tape and you just deliver that line right.
And I did it, but I couldn't figure out if
they wanted me to go American or Kiwi.
Speaker 3 (06:44):
Another good thing to do too, keysy when you're in
that scenario is to sort of get an idea of
what what size shot they're taking, like is it a
close up face?
Speaker 2 (06:54):
Is it the whole body? Is it?
Speaker 4 (06:56):
Is it mid?
Speaker 2 (06:56):
Yeah? Great?
Speaker 4 (06:58):
As a rule though, and aud that is always sort
of knee up because they can punch in, so that
it would be pretty rare for them to be in
a close up.
Speaker 5 (07:06):
Because the guy who was doing with once again Lovely Fella,
they did close on him first and then the same
thing again wider, so I was like, cool, I'll get
through it twice once close one whier. It was just
like nap just.
Speaker 4 (07:16):
Once, really, just once for it.
Speaker 2 (07:19):
May very well be that you nailed it.
Speaker 5 (07:21):
I hope. So, I mean, the guy was laughing.
Speaker 4 (07:22):
I don't know.
Speaker 2 (07:24):
Yeah, this was a.
Speaker 4 (07:26):
Good to everyone under your belt, man, you're off to
the races now.
Speaker 5 (07:29):
It was, and the guy I meant was really friendly.
The guy who was also auditioning, and then another guy
I was in balley with really came out and I
was like, oh, you were listening for barbos like yeah,
And I'm like, oh man, you look way more like
a blah blah than I do it. He's like nah, Man,
you look like a blah blah.
Speaker 3 (07:42):
Isn't isn't that classic no mogie? You know, you turned
up to the audition and they go and you think
to yourself.
Speaker 2 (07:48):
He looks way fucking better for the past.
Speaker 4 (07:50):
Yeah, the whole ky Big Show wee days from four
on radio Hurraarchy with the whole Wracky Big Show podcast.
Speaker 3 (07:59):
Over my career, you developed nemesis. You know, you'd have
guys that would turn up and you go, oh, okay,
I'm fucking going home.
Speaker 2 (08:05):
I'm not even bothering with it.
Speaker 3 (08:06):
Superstars, your anthony stars and stuff like that.
Speaker 2 (08:11):
Than you.
Speaker 5 (08:12):
Yeah, I know, but you know, Joel, were you supposed
to be Homelander on The Boys?
Speaker 2 (08:18):
Mitchison Mark Mitchison.
Speaker 5 (08:20):
It's like in Toast of London he's got his nemesis,
Ray pet Chess and so that's obviously like yeah, and
every time he goes to get a part, Ray Purchase
gets it yeah, or throws him off in the auditional.
So it's like, it's amazing the experience. What I loved
every second of it. At the end, I was like
shaking the guy who filmed his hands. Thanks for making
that easy. Man is no worries like green.
Speaker 4 (08:45):
I was fresh off the bous has got a bit
of straw in between his teeth.
Speaker 5 (08:48):
Yeah, got to make it big in the big city.
Speaker 4 (08:51):
Yeah, boy, but good ship.
Speaker 5 (08:53):
I loved it.
Speaker 4 (08:54):
We're great.
Speaker 5 (08:54):
It was really funny. Yeah good And I left the
big grin on my face. Go, well, I don't know
if I get that.
Speaker 4 (08:58):
Well, that's good because most of the time you're leaving
you want to fucking kill yourself.
Speaker 3 (09:03):
Well, I got really good at just shutting it down.
As soon as I finished, I went all right. That
was always a pleasant surprise if I got a call
from my agent and I'd say and even then it
would be like, you're on the short list. Okay, thank you, hotel,
it's all done, and don't worry.
Speaker 4 (09:19):
Yeah, that's right.
Speaker 5 (09:20):
What's a callback? Because that come back and do it again.
Speaker 4 (09:22):
You're going to narrow it down to three or four people, right,
so you do another run through? Okay, sometimes often with
the director, Yes as well.
Speaker 2 (09:32):
My wife.
Speaker 3 (09:33):
Having said that, my wife did a call back a
little while ago and there was like eight people there.
Speaker 5 (09:37):
Right, Yeah, that was like, do you ever try to
she got it? He's a question. So I was wearing
this jacket today and I didn't even think about it.
Speaker 3 (09:46):
Yeah, that's what's going to ruin it for you.
Speaker 4 (09:50):
Twink that out.
Speaker 6 (09:51):
One would you blah blah jacket your blah blah And
one of the guys I walked in. The guy was like,
oh damn, you actually looked like a blah blah.
Speaker 5 (10:02):
I guess like you're going forward dressing sort of.
Speaker 4 (10:06):
They will tell you that will be in the brief
that comes out. Yeah, it tells you what to wear,
but you could seriously embarrass yourself turning up dressing like
a blah blah.
Speaker 5 (10:17):
Not fool blah blah, just a sprinkling of blah blah.
Speaker 2 (10:21):
Yeah, a little bit, but yeah, I never, I never really.
Speaker 4 (10:26):
That's just as Jason when the brief comes through years Okay, Yeah,
it was a great experience.
Speaker 3 (10:32):
Guys, generally speaking, it doesn't matter what you're wear. They
look at your face and go.
Speaker 4 (10:36):
Gnat right and then and what's what the thing about
is a great place to get to is to just
to realize that it's got nothing to do with you.
Speaker 5 (10:43):
No, they've got a look in mind, right.
Speaker 4 (10:45):
Well, but also it's they've got a look in mind
and depending on who the director is, the look that
they've got in their mind about what the look should
be will be different. So if you've got ten directors,
they will probably cast ten different people. Yeah, right, and
then if it's for another for a product, then depending
on what product that's for, then it could be another
ten people.
Speaker 2 (11:04):
Yea.
Speaker 4 (11:05):
So it's there's so many things that have to align
for it to be you. But all you can do
is know your lines be on time, and then when
you're doing it, have a certain air of not giving
a fuck, like just going in there and I'm just
here to help. I'm helping you find out if hey,
if I'm not the right guy, at least you know that.
So I've helped the I've helped this process out. And
(11:26):
if you're going in there and you're just like that
and you're shaking people's hands, then it's fucking well that
was me.
Speaker 5 (11:30):
Yeah, yeah, yeah, And that's that is the crucial part.
Is because I do the show every day and there's
other stuff going on, it's like.
Speaker 4 (11:37):
It's when you need it. If you're just an actor
and you've got so much like back in the day
for Jason when he was broke, only an actor and
you need it, you are so fucked Yes, you're so
fucked because you're desperate. It's like, you know, approaching a
dude in a bar and you want to make love
to him. He can smell that desperation. Actually, probably different
with a dude, he'd be keen. If you're approaching a woman.
Speaker 2 (11:56):
Yeah, and then you would get it. And to take
three months to be paid. It didn't matter anyway. You're
destitute and broke all your life. You're trying to feed your.
Speaker 5 (12:07):
Yeah, good on your keysy, thanks fous enough. I've got it, but.
Speaker 2 (12:09):
Ten bucks mate, then I get it. Yeah, you'll be
able to afford to pay me if you do get
it too.
Speaker 5 (12:14):
Yeah, keen. So if I if I don't get it,
you give me ten dollars. Yeah, so I get paid any.
Speaker 4 (12:20):
Yeah, Yeah, you're going to take out of it.
Speaker 2 (12:25):
Three backs all.
Speaker 5 (12:26):
Right, really clammy handshake. Listen to the Huidarcky Big Show
four or seven on Hducky every weekday. It's really good.
You'll love it.
Speaker 4 (12:31):
It's so good.
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