December 30, 2025 • 17 mins
On today's unheard moments from 2025, sod your workmates, keep your eyes to the front, and fix your music taste.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
The whole Aching Big Show with Jason, Mike and Keyzy.
Tune in week days at four on Radio Hodal.
Speaker 2 (00:06):
Talking Heads Here on the radio.
Speaker 3 (00:08):
Hold Anky Big Show this Wednesday evening, and I believe
it's time to give out some advice. Sixteen in touch
with Fels.
Speaker 4 (00:24):
Can we can we stop? Maybe we just play this
thing and don't talk over the top of it.
Speaker 2 (00:30):
It's just it's just one of those things that you
just have to sing along to give.
Speaker 4 (00:33):
If we're not seeing any more, Moggi's going.
Speaker 3 (00:38):
Yeah, I know what's going on with Moggie, but I'm
singing a beautifully.
Speaker 4 (00:42):
Totally Meet Patty Nips sixty nine at gmail dot com.
It is a real email address. Do get in touch
if you need advice. One hundred percent anonymous, and you
can get yourself a fifty dollars reburg about you?
Speaker 2 (00:51):
How good?
Speaker 4 (00:53):
Get a feelers. This is from anonymous.
Speaker 5 (00:55):
Yeah, your dirty laundry on here. You'll give you a
fifty dollars reburg about you.
Speaker 4 (00:59):
You do laundry, We'll give you burgers.
Speaker 5 (01:04):
Take less in your gob and shout it.
Speaker 4 (01:05):
This is from anonymous. Get a Fiella's and Jason, I
don't know why separated you. Yeah, that's that's weird.
Speaker 2 (01:13):
Well I am pretty special.
Speaker 4 (01:15):
That's true. My wife says that I find myself in
a work conundrum Recently. They've been working into the absolute backbone,
and I'm at the point of physical exhaustion. I considered
calling in Sect tomorrow to extend out my weekend, but
felt the tug of the moral compass and was concerned
about work being done. A meeting today then concluded that
(01:35):
there wasn't actually much for me to do tomorrow anyway.
So now it seems like I have been given an
absolute setter on the moral compass front.
Speaker 2 (01:42):
Yeah.
Speaker 4 (01:42):
Do I take a seci knowing work will be fine?
Or do I just shut up and get on with it?
Cheer is anonymous and this like physical exhaustion man?
Speaker 2 (01:52):
Yeah? Absolutely?
Speaker 4 (01:57):
Or do you be upfront with it honest?
Speaker 5 (01:58):
No, We've got a certain amountind of sick days available
to you, I imagine, Yes, exactly right, and so they
are there to be used. You feel physically exhausted fair enough? Yeah,
I mean by all means, I mean there will let
down your workmates, you know, right when they need you,
right when you at the finish line.
Speaker 4 (02:16):
Bag of then turn up.
Speaker 5 (02:18):
At work even though there's nothing for you to do tomorrow.
You can turn up and do nothing and get paid
for it and just be there to support your mate.
Speaker 4 (02:26):
But all good, Well, hang on because it sounds like
they've been really pushing them hard.
Speaker 5 (02:30):
You know, the work mats or the bosses. This is
the thing you're going to punish your workmates for the
position the.
Speaker 2 (02:35):
Boss rates sod the workmates?
Speaker 5 (02:38):
What's sode?
Speaker 2 (02:38):
Short for sod the workmates?
Speaker 4 (02:41):
Hang on?
Speaker 2 (02:42):
I just go and short for it's about what he
wants to do.
Speaker 4 (02:48):
I don't think you can do that and don out
their permission.
Speaker 2 (02:51):
Just go for it, man, life's short.
Speaker 3 (02:53):
The biggest regret that people have when they done before
they die is the biggest regret that they have is
that they work to him and I agree with that.
Speaker 2 (03:03):
Yeah, they didn't take time out and take take time
to enjoy life.
Speaker 4 (03:07):
You're not worried that you work too much? Are you?
Speaker 2 (03:10):
Oh? Hell?
Speaker 4 (03:11):
No?
Speaker 5 (03:11):
Okay, good, You've got an unquenchable thirst for work.
Speaker 2 (03:16):
I do, I do. And but just like the moral
compass though you.
Speaker 3 (03:21):
Know, it's a legit thing where you go, oh god,
my daughters are like that too. Oh dad, I'm not
feeling great, but I feel bad about leaving work and
I'm like, no, just leave, just do it.
Speaker 4 (03:31):
So you're the guy that's been like, sod your moral values, yes,
and just do what's best for you.
Speaker 2 (03:36):
Yeah, totally man, and sod your workmates.
Speaker 1 (03:40):
The Hierarchy Big Show weekdays from four on Radio Hdarchy.
Speaker 3 (03:44):
Faith No More There on the Radio Holarkey Big Show.
Speaker 2 (03:48):
This Monday afternoon.
Speaker 3 (03:49):
Now fellas made a lovely weekend with my wife and
yesterday we decided to go to the beach and.
Speaker 2 (03:59):
And the tide was right.
Speaker 3 (04:02):
It was about midday and it was a high tide,
which means that we could go for a swim. And
I said to my wife, let's go for a swim.
And so we went to our little local beach which
is very picturesque. I'm not going to name it because
I don't want other filth going there and annoying me.
But things turned very sexy very quickly. Picture if you will,
(04:29):
Hoidy Jane his beach shorts. Nothing else on fields, just.
Speaker 4 (04:35):
That your togs.
Speaker 3 (04:36):
Yeah, and my wife went, whoa, you already got a
golf tan going on there?
Speaker 4 (04:44):
What was she wearing?
Speaker 3 (04:46):
So my pendulous white breasts juxtaposed against my bronze Marbley
arms and withered pins. Anyway, we went for a swim
and it was very nice, very nice.
Speaker 2 (05:01):
A few cold currants underneath. Got out, was dripping wet.
Toweled myself off and I laid down. To my left.
Speaker 3 (05:13):
A young couple, very cool, very sort of pugs and
kind of age and similarly, well, I was going to say,
similarly with weird crazy tad action going on, and I went, God,
pugs would love these people.
Speaker 4 (05:33):
How far away were they?
Speaker 2 (05:34):
They are probably about.
Speaker 3 (05:38):
And they had a little shelter out like a shade,
but it was open on both sides, so I could
see right in there. And I've got to say things
got very sexy between the two of them, very quick.
And I'm not joking. They broke out the old baby
oil and she was giving him a real good rub down.
Speaker 4 (05:57):
I don't think it was suntan lotion.
Speaker 2 (05:59):
No, it wasn't some ten lotion.
Speaker 4 (06:00):
It was oil, and she was rubbing him down.
Speaker 3 (06:02):
She was rubbing him down, and it was getting I
had to look away, right.
Speaker 4 (06:07):
Because because your wife was watching you.
Speaker 3 (06:11):
On the other side, there was a woman about my age,
thirty nine, thirty.
Speaker 2 (06:18):
Nine, i'd say, about thirty thirty forties.
Speaker 3 (06:23):
Who was sunbathing topless, right, And can I say no,
I can't.
Speaker 2 (06:32):
But let's just say no, I can't say that.
Speaker 4 (06:36):
He's going to say she had large busies, she.
Speaker 3 (06:39):
Hit a heavy buzzy yeah, m but to her credit,
she was and she looked like the sort of person.
Speaker 2 (06:46):
That tanned all the time, had a dark, darkn holiday.
But she was lying on his stomach, and so that.
Speaker 5 (06:53):
Was I'm furious, absolutely seething, were you?
Speaker 3 (06:58):
And so occasionally though, she would sort of say that,
and I'd be just inadvertently looking that way, sure, and
I'd be like, god, gere's a heavy bosom, and then
I look away, saying that no, she she was unaware
of these things going on.
Speaker 2 (07:14):
And then so I'd look away, and then my shop
turned to my list. Yes, just in time, just in
time to see the young couple getting even more into it,
you know, the oil, like she was.
Speaker 3 (07:26):
Squirting it on the oil, the oil. You know, let's
not have another one of those. And it got to
the point where I didn't know it a lock fell.
I mean, I know there's a bit of a joke
that floats around the place that old Hoidy j is
a bit of a PERV couldn't be further from the truth.
Speaker 5 (07:44):
You sort of bag it up because were they both
there when you arrived. They were both there, and you
bagging it up by sitting in the middle. Because now
you're looking left and right like you're a You're at Wimbledon,
aren't you? Like I should have done was just said
on one side or the other, so you could just
look at this and then look past the other one,
back and forth and back and forth. But you're not
moving your head around of making things obvious.
Speaker 2 (08:06):
Well, what ended up.
Speaker 3 (08:06):
Happening is I'd have to just stare straight out to sea, right.
Speaker 6 (08:11):
Ah.
Speaker 7 (08:11):
You've always struggled with those to the front because, as
I say, to my right was a heavy bosom, yeah,
and to my left heavy pitting, heavy pitting, yeah, disgraceful,
heavy pitting.
Speaker 4 (08:24):
So you chose this beach, right?
Speaker 2 (08:26):
I chose this?
Speaker 4 (08:28):
Is it because it's close to your house? Or is
it because of all the stuff that goes on there?
Speaker 3 (08:33):
Why?
Speaker 4 (08:33):
How far away from your house is it?
Speaker 5 (08:35):
Why?
Speaker 2 (08:35):
Twenty minutes? Yeah. I had to go and have a
swim in the end, just to cool off, if you
know what I mean.
Speaker 5 (08:42):
Ah.
Speaker 2 (08:43):
Yeah, And then I.
Speaker 3 (08:44):
Was in the beat was in the water, and I
could see both of them from the water.
Speaker 2 (08:48):
Yeah, so I couldn't leave the water. You know what
I mean?
Speaker 5 (08:52):
Was that Jase?
Speaker 2 (08:57):
Well, I could see both of them. Mode.
Speaker 4 (08:59):
Why can't you leave water? Why did you have to
stay under the water?
Speaker 5 (09:01):
I just oh, hang on a minute day.
Speaker 1 (09:06):
The hold Aching Big Show with Jason, Mike and Kezy.
Tune in weekdays at four on Radio Hodarkey Faith.
Speaker 3 (09:12):
No More There on the Radio Hot Archy Big Show
this Thursday evening. By the way, send you texts in
on three four eight three for what's on the dinner
with me? Kee?
Speaker 4 (09:23):
It's we do now on Tuesday and Thursday.
Speaker 2 (09:25):
What do you mean a mogie Tuesdays and Thursdays?
Speaker 3 (09:29):
Everyone that sends in a text on three four eight
three for what's on the dinner with me? Kezy goes
in the draw, by the way for a fifty dollars
reburg about you.
Speaker 4 (09:38):
We've got to start discussing when we're going to plug
what's on the dinner. Because I didn't know this was
going to happen. I have not prepped for the sea.
Speaker 2 (09:44):
I gotta pray you don't have to be people seeing
in this stuff. And then you read it.
Speaker 4 (09:48):
It's not that easy, Jason. I wish it was that easy. God,
I do it every day. What I was going to
talk about here was went to that theater show on
Tuesday night. Yes, Christmas, Carol, very good show. It's on
for another few days. Really didn't understand a few things.
The main one was at the end of the show,
(10:09):
the cast are all there, and then they come out
together and they each bow one by one and sort
of gesture to one another, and then they all hold
hands bow together the ensemble, the ensemble at the theater,
and then they walk off stage, and then five seconds
later they walk back out on stage and then bow again.
(10:33):
But sort of like, what what is that? Like a tradition?
What is that?
Speaker 3 (10:37):
Well, it is a tradition, and it's also often depending
on what kind of reaction they've got.
Speaker 4 (10:42):
Yes, that was a great reaction, everyone loved it.
Speaker 2 (10:43):
Well, then there you go.
Speaker 3 (10:45):
Generally, if you if you had a shitter and there
was a few splattering, sort of claps, spit of coughing,
you wouldn't come back on for a second encore.
Speaker 5 (10:54):
The sound of cheers scraping the ground. Yeah, yeah, Well,
there's a couple of things geez. The one is well,
first of all, when you tell somebody to break a leg,
what that means is at the end when you bow.
That is when you're breaking your leg, when you're bending
your knee. So the idea is that you hope that
the show is so good that you get an opportunity
(11:14):
to bow at.
Speaker 4 (11:15):
The end, right, okay.
Speaker 5 (11:16):
So there's two things going on. One is the audience
gets an opportunity to say thank you to the performers,
but also the performers with the bow giving up. It's
them saying thank you to the audience for sharing their attention,
being present and and just turning up for the show.
Speaker 4 (11:31):
Yeah right, okay. And they also gestured to up to
the back of the doing the light.
Speaker 2 (11:36):
Yes, yeah right technicians.
Speaker 4 (11:37):
Yeah, yeah, because that was really interesting. I was, I
just did so that was That's the theater version of
an encore.
Speaker 2 (11:42):
Yes.
Speaker 4 (11:42):
The other thing too, was in quite a few sand
like stage shows. It's very mellow, dramatic. The acting is
over the top because you might be sitting miles away.
You need to be able to see what they're doing. Yes,
a lot of the sort of character. There was about
seven actors that played all different characters and so you
got are used to the same actors but in different
outfits and stuff, but quite often they'd be in the
(12:03):
background pretending to have conversations with one another. Yeah, is
because I know that there's a rumor that people say watermelon, watermelon,
watermelon because it looks like you're saying something. Yeah, but like,
have you ever done a role like that where you've
had to like pretend to have a conversation with people.
Speaker 5 (12:17):
I've only ever been in the lead.
Speaker 4 (12:19):
Yeah, okay, I mean you've never talked to anyone there.
Speaker 5 (12:27):
I mean, I can tell you that watermelon automaton watermelon
is for cameras, so it doesn't apply to theater, right,
But oftentimes it's just people sort of making plans about
what they're going to do that evening, cetera, et cetera.
Speaker 3 (12:39):
If I was ever in that scenario, I can tell
you what I was talking about is what I was
going to eat next, right, Okay, you know it's just you,
And often when you're doing a theater production, you're involved
in a passionate affair as well. So you might be
talking to that person saying, so, we are we going
to meet up afterwards?
Speaker 2 (12:54):
And did you know.
Speaker 4 (12:57):
Yeah, okay, cool, because I didn't think about that, because
you know, you've got to do stage shows to get
quite often the kissing. There's romance, and it must be
so many affairs.
Speaker 2 (13:04):
Oh yes, actually, my wife's just signed up to do
a show. Oh really, yeah, yeah, what's it called? Lady Chattels.
Speaker 1 (13:15):
The Darchy Big Show weekdays from four on Radio hod I.
Speaker 3 (13:19):
Flipper there on the Radio Hodarchy Big Show this Friday afternoon.
Speaker 2 (13:23):
Pugs is back with us again.
Speaker 5 (13:26):
It's gone on.
Speaker 4 (13:35):
The reason Pugs is it is because we earlier in
the show I talked about we chose our top four
most played songs for the year for each of us.
Our number one was The Throbber. YadA, YadA, YadA. Pugs,
on the other hand, has very different tastes of music
to all of us, and he's got a very interesting
Spotify wrapped. His top four songs are very interesting. Apo.
Speaker 6 (13:55):
Yeah, there's quite there's sort of a diverse range there.
I generally I tend to listen to more of music,
not a hell of a lot of classics.
Speaker 5 (14:01):
You listen to two songs at once, Yeah, a lot.
Speaker 2 (14:03):
Of the time.
Speaker 8 (14:04):
A lot of the songs I listen to sound like
two songs at once.
Speaker 4 (14:06):
They do off rhythm, and my brain can't compute the Yeah,
come on, guys, he's like, listen to the thing. He's
trying to tap his foot along to it.
Speaker 8 (14:14):
It's like Chris has seen that happen.
Speaker 5 (14:16):
It's really hard that I've seen that can actually dance
to it. As the content director, Toddy.
Speaker 8 (14:21):
Yeah, and I'm playing my songs for Toddy.
Speaker 2 (14:24):
All of the time.
Speaker 4 (14:24):
It's weird.
Speaker 2 (14:25):
Yeah, it's like it's offbeat. That's what it is.
Speaker 3 (14:29):
It's offbeat, and that's actually a very highly sophisticated rhythm.
Speaker 4 (14:33):
But the thing with being off me and being sophisticated
is people that know about music, so it's sophisticated, and
then people that listen to music. Though this just sounds weird.
Speaker 6 (14:40):
A lot of these songs in this top four you'll
find it are pretty easy to find the beat.
Speaker 4 (14:44):
Okay, well, here's here's number four.
Speaker 8 (14:47):
To go, number four. This is this is a song
called a Little Bit More.
Speaker 6 (14:49):
It's a closing song on I second to closing song
off my favorite album from last year, McGee.
Speaker 4 (15:04):
It sounds like a guy taking the past what is
his name?
Speaker 5 (15:06):
Mcguin?
Speaker 8 (15:09):
It does though, great album chill. I quite like it,
very chill, very chill. He draws a lot from the police.
Speaker 4 (15:17):
Number three, so he's a sketch artist for the police.
Yeah what.
Speaker 6 (15:22):
No.
Speaker 8 (15:24):
Number four was a guy called Mike. He's a rapper, right, okay,
this is called Burning Desire.
Speaker 4 (15:28):
There's number three? You mean three? What did I say?
I don't mind that as well?
Speaker 8 (15:40):
Mike yea, his name is Mike in Capital Leaders.
Speaker 3 (15:42):
Can I just say, fellows, that song was playing when
I walked in on Punk Sam kissing his girlfriend today
in the studios.
Speaker 6 (15:50):
Far We're going to take a little bit of a
pivot here for number two. This is a song by
Scrillicks and Space Laces.
Speaker 4 (16:06):
Oh god, Oh that's hot garbage, isn't it?
Speaker 2 (16:11):
Yeah?
Speaker 5 (16:11):
Get the skip from me.
Speaker 4 (16:12):
That's someber It sounds like I've walked into a factory
or something, and the.
Speaker 2 (16:16):
Singing sounded like one of your rebooger characters.
Speaker 6 (16:19):
Yeah, let's why I get the inspiration from scrillic songs. Now,
Number one I got massively stitched up.
Speaker 4 (16:24):
Basically, we just play it.
Speaker 2 (16:26):
Oh you want me to?
Speaker 8 (16:26):
Can I give the context now?
Speaker 2 (16:28):
After? Okay?
Speaker 4 (16:30):
All right, Here is Pugs's number one one most played song.
Of twenty twenty five, and I had.
Speaker 2 (16:35):
Laugh, dam damning.
Speaker 5 (16:47):
Can I just say song number one hens love?
Speaker 3 (16:54):
It feels more like a Keysy kind of tune, but yeah,
good on you bugs.
Speaker 4 (16:59):
Listen.
Speaker 6 (16:59):
I'm not going to deny the musical telling of Elvis Prisley,
but I got stitched up there. I was leaving a
bar and I got into my car and I was
sober driving my partner and her friend home, who's an
ex musical theater student who's obsessed with the karaoke song,
which was Joe House Rock. She sang it three times
in the car in a row, and then I ended
up in my on repeat playlist, right shuffle, Bloody Jailhouse
(17:22):
Rock comes on and then it's.
Speaker 5 (17:23):
My number one song, but you can turn it off?
Speaker 2 (17:26):
How to do that? Come on, I'll help you after this.
Speaker 4 (17:30):
Yeah, my Spotify, that'd be great.
Speaker 2 (17:33):
No worries. What's your re are you reading? Age the hold?
Speaker 8 (17:42):
Aching?
Speaker 1 (17:43):
Big Show with Mike and Tune in week days and
four on Radio Hodaki
The whole Aching Big Show with Jason, Mike and Keyzy.
Tune in week days at four on Radio Hodal.
Speaker 2 (00:06):
Talking Heads Here on the radio.
Speaker 3 (00:08):
Hold Anky Big Show this Wednesday evening, and I believe
it's time to give out some advice. Sixteen in touch
with Fels.
Speaker 4 (00:24):
Can we can we stop? Maybe we just play this
thing and don't talk over the top of it.
Speaker 2 (00:30):
It's just it's just one of those things that you
just have to sing along to give.
Speaker 4 (00:33):
If we're not seeing any more, Moggi's going.
Speaker 3 (00:38):
Yeah, I know what's going on with Moggie, but I'm
singing a beautifully.
Speaker 4 (00:42):
Totally Meet Patty Nips sixty nine at gmail dot com.
It is a real email address. Do get in touch
if you need advice. One hundred percent anonymous, and you
can get yourself a fifty dollars reburg about you?
Speaker 2 (00:51):
How good?
Speaker 4 (00:53):
Get a feelers. This is from anonymous.
Speaker 5 (00:55):
Yeah, your dirty laundry on here. You'll give you a
fifty dollars reburg about you.
Speaker 4 (00:59):
You do laundry, We'll give you burgers.
Speaker 5 (01:04):
Take less in your gob and shout it.
Speaker 4 (01:05):
This is from anonymous. Get a Fiella's and Jason, I
don't know why separated you. Yeah, that's that's weird.
Speaker 2 (01:13):
Well I am pretty special.
Speaker 4 (01:15):
That's true. My wife says that I find myself in
a work conundrum Recently. They've been working into the absolute backbone,
and I'm at the point of physical exhaustion. I considered
calling in Sect tomorrow to extend out my weekend, but
felt the tug of the moral compass and was concerned
about work being done. A meeting today then concluded that
(01:35):
there wasn't actually much for me to do tomorrow anyway.
So now it seems like I have been given an
absolute setter on the moral compass front.
Speaker 2 (01:42):
Yeah.
Speaker 4 (01:42):
Do I take a seci knowing work will be fine?
Or do I just shut up and get on with it?
Cheer is anonymous and this like physical exhaustion man?
Speaker 2 (01:52):
Yeah? Absolutely?
Speaker 4 (01:57):
Or do you be upfront with it honest?
Speaker 5 (01:58):
No, We've got a certain amountind of sick days available
to you, I imagine, Yes, exactly right, and so they
are there to be used. You feel physically exhausted fair enough? Yeah,
I mean by all means, I mean there will let
down your workmates, you know, right when they need you,
right when you at the finish line.
Speaker 4 (02:16):
Bag of then turn up.
Speaker 5 (02:18):
At work even though there's nothing for you to do tomorrow.
You can turn up and do nothing and get paid
for it and just be there to support your mate.
Speaker 4 (02:26):
But all good, Well, hang on because it sounds like
they've been really pushing them hard.
Speaker 5 (02:30):
You know, the work mats or the bosses. This is
the thing you're going to punish your workmates for the
position the.
Speaker 2 (02:35):
Boss rates sod the workmates?
Speaker 5 (02:38):
What's sode?
Speaker 2 (02:38):
Short for sod the workmates?
Speaker 4 (02:41):
Hang on?
Speaker 2 (02:42):
I just go and short for it's about what he
wants to do.
Speaker 4 (02:48):
I don't think you can do that and don out
their permission.
Speaker 2 (02:51):
Just go for it, man, life's short.
Speaker 3 (02:53):
The biggest regret that people have when they done before
they die is the biggest regret that they have is
that they work to him and I agree with that.
Speaker 2 (03:03):
Yeah, they didn't take time out and take take time
to enjoy life.
Speaker 4 (03:07):
You're not worried that you work too much? Are you?
Speaker 2 (03:10):
Oh? Hell?
Speaker 4 (03:11):
No?
Speaker 5 (03:11):
Okay, good, You've got an unquenchable thirst for work.
Speaker 2 (03:16):
I do, I do. And but just like the moral
compass though you.
Speaker 3 (03:21):
Know, it's a legit thing where you go, oh god,
my daughters are like that too. Oh dad, I'm not
feeling great, but I feel bad about leaving work and
I'm like, no, just leave, just do it.
Speaker 4 (03:31):
So you're the guy that's been like, sod your moral values, yes,
and just do what's best for you.
Speaker 2 (03:36):
Yeah, totally man, and sod your workmates.
Speaker 1 (03:40):
The Hierarchy Big Show weekdays from four on Radio Hdarchy.
Speaker 3 (03:44):
Faith No More There on the Radio Holarkey Big Show.
Speaker 2 (03:48):
This Monday afternoon.
Speaker 3 (03:49):
Now fellas made a lovely weekend with my wife and
yesterday we decided to go to the beach and.
Speaker 2 (03:59):
And the tide was right.
Speaker 3 (04:02):
It was about midday and it was a high tide,
which means that we could go for a swim. And
I said to my wife, let's go for a swim.
And so we went to our little local beach which
is very picturesque. I'm not going to name it because
I don't want other filth going there and annoying me.
But things turned very sexy very quickly. Picture if you will,
(04:29):
Hoidy Jane his beach shorts. Nothing else on fields, just.
Speaker 4 (04:35):
That your togs.
Speaker 3 (04:36):
Yeah, and my wife went, whoa, you already got a
golf tan going on there?
Speaker 4 (04:44):
What was she wearing?
Speaker 3 (04:46):
So my pendulous white breasts juxtaposed against my bronze Marbley
arms and withered pins. Anyway, we went for a swim
and it was very nice, very nice.
Speaker 2 (05:01):
A few cold currants underneath. Got out, was dripping wet.
Toweled myself off and I laid down. To my left.
Speaker 3 (05:13):
A young couple, very cool, very sort of pugs and
kind of age and similarly, well, I was going to say,
similarly with weird crazy tad action going on, and I went, God,
pugs would love these people.
Speaker 4 (05:33):
How far away were they?
Speaker 2 (05:34):
They are probably about.
Speaker 3 (05:38):
And they had a little shelter out like a shade,
but it was open on both sides, so I could
see right in there. And I've got to say things
got very sexy between the two of them, very quick.
And I'm not joking. They broke out the old baby
oil and she was giving him a real good rub down.
Speaker 4 (05:57):
I don't think it was suntan lotion.
Speaker 2 (05:59):
No, it wasn't some ten lotion.
Speaker 4 (06:00):
It was oil, and she was rubbing him down.
Speaker 3 (06:02):
She was rubbing him down, and it was getting I
had to look away, right.
Speaker 4 (06:07):
Because because your wife was watching you.
Speaker 3 (06:11):
On the other side, there was a woman about my age,
thirty nine, thirty.
Speaker 2 (06:18):
Nine, i'd say, about thirty thirty forties.
Speaker 3 (06:23):
Who was sunbathing topless, right, And can I say no,
I can't.
Speaker 2 (06:32):
But let's just say no, I can't say that.
Speaker 4 (06:36):
He's going to say she had large busies, she.
Speaker 3 (06:39):
Hit a heavy buzzy yeah, m but to her credit,
she was and she looked like the sort of person.
Speaker 2 (06:46):
That tanned all the time, had a dark, darkn holiday.
But she was lying on his stomach, and so that.
Speaker 5 (06:53):
Was I'm furious, absolutely seething, were you?
Speaker 3 (06:58):
And so occasionally though, she would sort of say that,
and I'd be just inadvertently looking that way, sure, and
I'd be like, god, gere's a heavy bosom, and then
I look away, saying that no, she she was unaware
of these things going on.
Speaker 2 (07:14):
And then so I'd look away, and then my shop
turned to my list. Yes, just in time, just in
time to see the young couple getting even more into it,
you know, the oil, like she was.
Speaker 3 (07:26):
Squirting it on the oil, the oil. You know, let's
not have another one of those. And it got to
the point where I didn't know it a lock fell.
I mean, I know there's a bit of a joke
that floats around the place that old Hoidy j is
a bit of a PERV couldn't be further from the truth.
Speaker 5 (07:44):
You sort of bag it up because were they both
there when you arrived. They were both there, and you
bagging it up by sitting in the middle. Because now
you're looking left and right like you're a You're at Wimbledon,
aren't you? Like I should have done was just said
on one side or the other, so you could just
look at this and then look past the other one,
back and forth and back and forth. But you're not
moving your head around of making things obvious.
Speaker 2 (08:06):
Well, what ended up.
Speaker 3 (08:06):
Happening is I'd have to just stare straight out to sea, right.
Speaker 6 (08:11):
Ah.
Speaker 7 (08:11):
You've always struggled with those to the front because, as
I say, to my right was a heavy bosom, yeah,
and to my left heavy pitting, heavy pitting, yeah, disgraceful,
heavy pitting.
Speaker 4 (08:24):
So you chose this beach, right?
Speaker 2 (08:26):
I chose this?
Speaker 4 (08:28):
Is it because it's close to your house? Or is
it because of all the stuff that goes on there?
Speaker 3 (08:33):
Why?
Speaker 4 (08:33):
How far away from your house is it?
Speaker 5 (08:35):
Why?
Speaker 2 (08:35):
Twenty minutes? Yeah. I had to go and have a
swim in the end, just to cool off, if you
know what I mean.
Speaker 5 (08:42):
Ah.
Speaker 2 (08:43):
Yeah, And then I.
Speaker 3 (08:44):
Was in the beat was in the water, and I
could see both of them from the water.
Speaker 2 (08:48):
Yeah, so I couldn't leave the water. You know what
I mean?
Speaker 5 (08:52):
Was that Jase?
Speaker 2 (08:57):
Well, I could see both of them. Mode.
Speaker 4 (08:59):
Why can't you leave water? Why did you have to
stay under the water?
Speaker 5 (09:01):
I just oh, hang on a minute day.
Speaker 1 (09:06):
The hold Aching Big Show with Jason, Mike and Kezy.
Tune in weekdays at four on Radio Hodarkey Faith.
Speaker 3 (09:12):
No More There on the Radio Hot Archy Big Show
this Thursday evening. By the way, send you texts in
on three four eight three for what's on the dinner
with me? Kee?
Speaker 4 (09:23):
It's we do now on Tuesday and Thursday.
Speaker 2 (09:25):
What do you mean a mogie Tuesdays and Thursdays?
Speaker 3 (09:29):
Everyone that sends in a text on three four eight
three for what's on the dinner with me? Kezy goes
in the draw, by the way for a fifty dollars
reburg about you.
Speaker 4 (09:38):
We've got to start discussing when we're going to plug
what's on the dinner. Because I didn't know this was
going to happen. I have not prepped for the sea.
Speaker 2 (09:44):
I gotta pray you don't have to be people seeing
in this stuff. And then you read it.
Speaker 4 (09:48):
It's not that easy, Jason. I wish it was that easy. God,
I do it every day. What I was going to
talk about here was went to that theater show on
Tuesday night. Yes, Christmas, Carol, very good show. It's on
for another few days. Really didn't understand a few things.
The main one was at the end of the show,
(10:09):
the cast are all there, and then they come out
together and they each bow one by one and sort
of gesture to one another, and then they all hold
hands bow together the ensemble, the ensemble at the theater,
and then they walk off stage, and then five seconds
later they walk back out on stage and then bow again.
(10:33):
But sort of like, what what is that? Like a tradition?
What is that?
Speaker 3 (10:37):
Well, it is a tradition, and it's also often depending
on what kind of reaction they've got.
Speaker 4 (10:42):
Yes, that was a great reaction, everyone loved it.
Speaker 2 (10:43):
Well, then there you go.
Speaker 3 (10:45):
Generally, if you if you had a shitter and there
was a few splattering, sort of claps, spit of coughing,
you wouldn't come back on for a second encore.
Speaker 5 (10:54):
The sound of cheers scraping the ground. Yeah, yeah, Well,
there's a couple of things geez. The one is well,
first of all, when you tell somebody to break a leg,
what that means is at the end when you bow.
That is when you're breaking your leg, when you're bending
your knee. So the idea is that you hope that
the show is so good that you get an opportunity
(11:14):
to bow at.
Speaker 4 (11:15):
The end, right, okay.
Speaker 5 (11:16):
So there's two things going on. One is the audience
gets an opportunity to say thank you to the performers,
but also the performers with the bow giving up. It's
them saying thank you to the audience for sharing their attention,
being present and and just turning up for the show.
Speaker 4 (11:31):
Yeah right, okay. And they also gestured to up to
the back of the doing the light.
Speaker 2 (11:36):
Yes, yeah right technicians.
Speaker 4 (11:37):
Yeah, yeah, because that was really interesting. I was, I
just did so that was That's the theater version of
an encore.
Speaker 2 (11:42):
Yes.
Speaker 4 (11:42):
The other thing too, was in quite a few sand
like stage shows. It's very mellow, dramatic. The acting is
over the top because you might be sitting miles away.
You need to be able to see what they're doing. Yes,
a lot of the sort of character. There was about
seven actors that played all different characters and so you
got are used to the same actors but in different
outfits and stuff, but quite often they'd be in the
(12:03):
background pretending to have conversations with one another. Yeah, is
because I know that there's a rumor that people say watermelon, watermelon,
watermelon because it looks like you're saying something. Yeah, but like,
have you ever done a role like that where you've
had to like pretend to have a conversation with people.
Speaker 5 (12:17):
I've only ever been in the lead.
Speaker 4 (12:19):
Yeah, okay, I mean you've never talked to anyone there.
Speaker 5 (12:27):
I mean, I can tell you that watermelon automaton watermelon
is for cameras, so it doesn't apply to theater, right,
But oftentimes it's just people sort of making plans about
what they're going to do that evening, cetera, et cetera.
Speaker 3 (12:39):
If I was ever in that scenario, I can tell
you what I was talking about is what I was
going to eat next, right, Okay, you know it's just you,
And often when you're doing a theater production, you're involved
in a passionate affair as well. So you might be
talking to that person saying, so, we are we going
to meet up afterwards?
Speaker 2 (12:54):
And did you know.
Speaker 4 (12:57):
Yeah, okay, cool, because I didn't think about that, because
you know, you've got to do stage shows to get
quite often the kissing. There's romance, and it must be
so many affairs.
Speaker 2 (13:04):
Oh yes, actually, my wife's just signed up to do
a show. Oh really, yeah, yeah, what's it called? Lady Chattels.
Speaker 1 (13:15):
The Darchy Big Show weekdays from four on Radio hod I.
Speaker 3 (13:19):
Flipper there on the Radio Hodarchy Big Show this Friday afternoon.
Speaker 2 (13:23):
Pugs is back with us again.
Speaker 5 (13:26):
It's gone on.
Speaker 4 (13:35):
The reason Pugs is it is because we earlier in
the show I talked about we chose our top four
most played songs for the year for each of us.
Our number one was The Throbber. YadA, YadA, YadA. Pugs,
on the other hand, has very different tastes of music
to all of us, and he's got a very interesting
Spotify wrapped. His top four songs are very interesting. Apo.
Speaker 6 (13:55):
Yeah, there's quite there's sort of a diverse range there.
I generally I tend to listen to more of music,
not a hell of a lot of classics.
Speaker 5 (14:01):
You listen to two songs at once, Yeah, a lot.
Speaker 2 (14:03):
Of the time.
Speaker 8 (14:04):
A lot of the songs I listen to sound like
two songs at once.
Speaker 4 (14:06):
They do off rhythm, and my brain can't compute the Yeah,
come on, guys, he's like, listen to the thing. He's
trying to tap his foot along to it.
Speaker 8 (14:14):
It's like Chris has seen that happen.
Speaker 5 (14:16):
It's really hard that I've seen that can actually dance
to it. As the content director, Toddy.
Speaker 8 (14:21):
Yeah, and I'm playing my songs for Toddy.
Speaker 2 (14:24):
All of the time.
Speaker 4 (14:24):
It's weird.
Speaker 2 (14:25):
Yeah, it's like it's offbeat. That's what it is.
Speaker 3 (14:29):
It's offbeat, and that's actually a very highly sophisticated rhythm.
Speaker 4 (14:33):
But the thing with being off me and being sophisticated
is people that know about music, so it's sophisticated, and
then people that listen to music. Though this just sounds weird.
Speaker 6 (14:40):
A lot of these songs in this top four you'll
find it are pretty easy to find the beat.
Speaker 4 (14:44):
Okay, well, here's here's number four.
Speaker 8 (14:47):
To go, number four. This is this is a song
called a Little Bit More.
Speaker 6 (14:49):
It's a closing song on I second to closing song
off my favorite album from last year, McGee.
Speaker 4 (15:04):
It sounds like a guy taking the past what is
his name?
Speaker 5 (15:06):
Mcguin?
Speaker 8 (15:09):
It does though, great album chill. I quite like it,
very chill, very chill. He draws a lot from the police.
Speaker 4 (15:17):
Number three, so he's a sketch artist for the police.
Yeah what.
Speaker 6 (15:22):
No.
Speaker 8 (15:24):
Number four was a guy called Mike. He's a rapper, right, okay,
this is called Burning Desire.
Speaker 4 (15:28):
There's number three? You mean three? What did I say?
I don't mind that as well?
Speaker 8 (15:40):
Mike yea, his name is Mike in Capital Leaders.
Speaker 3 (15:42):
Can I just say, fellows, that song was playing when
I walked in on Punk Sam kissing his girlfriend today
in the studios.
Speaker 6 (15:50):
Far We're going to take a little bit of a
pivot here for number two. This is a song by
Scrillicks and Space Laces.
Speaker 4 (16:06):
Oh god, Oh that's hot garbage, isn't it?
Speaker 2 (16:11):
Yeah?
Speaker 5 (16:11):
Get the skip from me.
Speaker 4 (16:12):
That's someber It sounds like I've walked into a factory
or something, and the.
Speaker 2 (16:16):
Singing sounded like one of your rebooger characters.
Speaker 6 (16:19):
Yeah, let's why I get the inspiration from scrillic songs. Now,
Number one I got massively stitched up.
Speaker 4 (16:24):
Basically, we just play it.
Speaker 2 (16:26):
Oh you want me to?
Speaker 8 (16:26):
Can I give the context now?
Speaker 2 (16:28):
After? Okay?
Speaker 4 (16:30):
All right, Here is Pugs's number one one most played song.
Of twenty twenty five, and I had.
Speaker 2 (16:35):
Laugh, dam damning.
Speaker 5 (16:47):
Can I just say song number one hens love?
Speaker 3 (16:54):
It feels more like a Keysy kind of tune, but yeah,
good on you bugs.
Speaker 4 (16:59):
Listen.
Speaker 6 (16:59):
I'm not going to deny the musical telling of Elvis Prisley,
but I got stitched up there. I was leaving a
bar and I got into my car and I was
sober driving my partner and her friend home, who's an
ex musical theater student who's obsessed with the karaoke song,
which was Joe House Rock. She sang it three times
in the car in a row, and then I ended
up in my on repeat playlist, right shuffle, Bloody Jailhouse
(17:22):
Rock comes on and then it's.
Speaker 5 (17:23):
My number one song, but you can turn it off?
Speaker 2 (17:26):
How to do that? Come on, I'll help you after this.
Speaker 4 (17:30):
Yeah, my Spotify, that'd be great.
Speaker 2 (17:33):
No worries. What's your re are you reading? Age the hold?
Speaker 8 (17:42):
Aching?
Speaker 1 (17:43):
Big Show with Mike and Tune in week days and
four on Radio Hodaki
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