September 20, 2024 • 37 mins
HAPPY SATURDAY FLAVA WHĀNAU!
Producer Anna had picked her favourite moments from the week of Stace, Azura and Charlie, putting them in one place for you to enjoy.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Favorite Breakfast producer.
Speaker 2 (00:02):
Picks, Happy to Wikio to Mai It's producer and a
Here for another week of producer picks, where I pick
out my favorite show moments from the week of Stacy's
Ear and Charlie in celebration of twikio today Mati. Each
day Stacey's shared a wiki of whiter doing a deep
dive into a different wire to each day. We could
go off the episode this week with the wire of
the Black Ferns sung at Buckingham Palace last weekend got.
Speaker 3 (00:25):
The wiki with el Mardi there there.
Speaker 4 (00:27):
This is Marty Language week, and you know what I
thought I'd do for you a wiki of wayat that.
So yes, wiki means week of but I also thought
like a wikipedia away at kids some wayat that that.
It's good that you know them and you know the
background of them because they end up being really famous,
like this one that the Black Ferns sang at Buckingham
(00:48):
Palace last week.
Speaker 3 (01:01):
So you guys.
Speaker 4 (01:01):
Probably have heard this song. So it's called Naida de Coppappa.
Now some people think it's called Talkudel, like my husband,
he thought it was called that, but it's not. It's
called Naida de Copapa. The reason I know this song
I learned to offer my kids because they're singing it
at school. And probably something that we don't say often
enough is who it was composed by, which was the
Oquero hudi Waka and tafeed or Maxwell that was composed
(01:23):
in nineteen ninety one and it is inspired by the
faaki the proverbs said by Sir timote cade Tou called
thork gudelkhalku ma peemodia madihi. My language is my precious gift,
my objective affection, and my prized ornament.
Speaker 3 (01:40):
Now the Oho Hall Park.
Speaker 4 (01:41):
Quite often people think that means awakening, which it can mean,
but he actually meant it to be it's your precious gift.
Speaker 3 (01:47):
So people are saying nada.
Speaker 4 (01:50):
The copapa is basically becoming like a new national anthem.
Speaker 3 (01:53):
So this isn't in the g C.
Speaker 4 (01:55):
Darwiti Waititi was the MC for a kapahaka competition. This
in the Gold Coast hands over the mic to the
crowd and it sounds like this. So I want you
(02:24):
to be able to sing along. I don't want you
to be in the crowd feeling like.
Speaker 3 (02:27):
Oh, what's the song?
Speaker 4 (02:29):
So you look it up say on TikTok nada their couppa,
and you have someone like unheitter Kate who's got the
lyrics there as well, and.
Speaker 3 (02:37):
She's singing along so you can learn it.
Speaker 5 (02:39):
The good other hobby motam.
Speaker 4 (02:48):
So some of the notes they talk about, you know,
celebrating the language, speaking it all the time, and know
that this is our mana motsu haacke in action, it
is of the greatest significance.
Speaker 3 (02:57):
It's our right and it's our sovereignty. Okay, okay.
Speaker 2 (03:05):
Charlie's dad has taken matters into his own hands by
trying to form three houses down two point zero.
Speaker 6 (03:11):
Oh, there are some dramas going down and the residence
I wouldn't say just the Bommet residents, but this is
the Bommett residence across the whole chapter, the whole funding,
you know what.
Speaker 3 (03:22):
I mean, maybe there used to be checked out.
Speaker 6 (03:31):
Alrighty, So this is what's happening. Okay, So my dad's
got a Simon cowlon. You know, this is like American
idol in my whole family and this with you guys
exactly this is it. But now like my dad's taking
it up a notch because of technology these days, he's
just put the put on like okay, everybody whistles, rehearsals.
(03:53):
I am putting together a band, and I'm like, oh
another band, another band?
Speaker 3 (03:58):
You got three houses down?
Speaker 1 (04:00):
Is a down point two?
Speaker 6 (04:01):
Oh whatever? It is bro point. So the next gen,
the next generation. See, this is the thing I have
told my kids, like, hey, if you guys want to
get into music, yeah, by all means being my guest,
you know. And the kids are like, yeah, yeah, Dad,
I want to play league, I want to do this that,
and I don't want to force this. But as soon
as my dad, their papa says I'm putting together a band, now,
(04:21):
all of a sudden, everybody wants to be singing.
Speaker 3 (04:26):
That's it.
Speaker 1 (04:28):
Now. My dad is holding auditions.
Speaker 3 (04:32):
Are you actually?
Speaker 1 (04:33):
I am not lying?
Speaker 3 (04:34):
Who gets to who gets to audition?
Speaker 1 (04:37):
Or the grand kids? All the so so much so
my dad is they can only be.
Speaker 6 (04:42):
Sorry, I'm sorry, sorry to stay sorry, but my dad said,
they can only be one lead singer. The rest of
you guys will be back up vocalist or learner instrument.
No one has got time to learn the instruments. So
everyone's going as everyone's auditioning as leading but it's my kids.
Speaker 1 (04:59):
My kids are the ones that are fighting over the same.
Speaker 6 (05:02):
The other day, I was in the in the driveway
and my son goes, Dad, you know what, I think
I'm going to be the lead singer. You know this
this This is a little bit of a dispute. So
then I go, okay, then let's let's hear your audition.
Speaker 1 (05:14):
Police come on by and Pace.
Speaker 3 (05:28):
Breton, Oh yeah.
Speaker 1 (05:36):
Yeah, how many so.
Speaker 6 (05:40):
Taking one part, and then and then Rob's taking in
another part, which is my oldest boy.
Speaker 1 (05:45):
And you know, we're just helping them.
Speaker 3 (05:46):
Out having it sound good.
Speaker 6 (05:48):
But you know the thing is they're choosing old school
solty audition with they're probably trying to catch.
Speaker 3 (05:53):
My dad's audience.
Speaker 5 (05:55):
So there was police audition and then your eldest son, Rob,
You are so additioned.
Speaker 1 (06:01):
But he said, I don't want you on. That's just
me ne Dad. So here it is six.
Speaker 4 (06:07):
And I'm up bullet in our hearts a bully.
Speaker 3 (06:14):
You're already singing on this. I'm sixteen sixty sixty and
I'm up in the heart. Jesus, it's so good.
Speaker 5 (06:29):
It's actually so good. But I just love your dad
so much. The fact that around the same age. He
did the exact same thing with you boys.
Speaker 3 (06:37):
He goes, that's it.
Speaker 5 (06:38):
You guys are gonna be in a band. One of
you are gonna do this, one of you're gonna do it.
And now he's doing it with all the kids like
auditioning and fighting for the lead singarerolle.
Speaker 1 (06:47):
It's just Friday is going down it.
Speaker 6 (06:50):
But there's like, okay, everyone come in kill.
Speaker 3 (06:53):
Where's the general firing set? Is that it just was
the original survivor.
Speaker 4 (06:58):
He just like made it to the inn of the
obstacle course or something came straight through and he.
Speaker 3 (07:04):
Took the grand kids. He came in and overtook the kids.
Speaker 6 (07:07):
Bro, my dad has favorites, man, so he doesn't even
you know, if I doesn't even need to audition, this
is not fair.
Speaker 1 (07:13):
Bro.
Speaker 5 (07:14):
Can I just say as well, it's just dawned on
me that only one can be a lead singer. How
are you going to navigate helping the son who doesn't
get the lead singer?
Speaker 1 (07:26):
Because if you.
Speaker 5 (07:27):
Thought about that, this isn't going to be happy for
one son, But then you've actually got to you've got
to nurture and beating.
Speaker 6 (07:32):
That's not thinking about this properly like you know, the
Morcos are going to have They're going to break out
and just do their own all of a sudden something.
Speaker 4 (07:42):
Our strengthers together, you know, that's what you need to do. Yeah,
your harmony is what makes your brother sound better like that.
That's what I heard anyway, that the lead singer is
usually a bit of a spoon in.
Speaker 2 (07:58):
Later in the week, we didn't have a check out
with Charlie's dad to see how the po Idol auditions
are going.
Speaker 3 (08:04):
So Charlie, Charlie, Charlie, very talented. Your family.
Speaker 5 (08:08):
I mean, you obviously are in a band three houses down,
and your father wants to start a new band of
three houses down two point.
Speaker 4 (08:17):
Oh so cool generation the next But Betty has to
find them, right, so you're telling us he's really going
then on auditioning the kids.
Speaker 3 (08:28):
So of course we had to get Charlie's dad.
Speaker 1 (08:30):
Is that Simon carl from New Zealand Idol?
Speaker 5 (08:34):
Okay, okay, So Noah, we understand that you've already put
together a band.
Speaker 3 (08:42):
You know, you put together three Houses down.
Speaker 5 (08:44):
You help those boys sing and learn how to play
instruments and perform for everyone, and then there's a little
rumor going around that you're doing like three houses down
two point zero with with the grandkids.
Speaker 1 (08:56):
Yeah, young, what are you saying about me? And General?
If you old to be in a band.
Speaker 7 (09:03):
Now you're still all right, But remember we look for
the future.
Speaker 1 (09:11):
Future.
Speaker 7 (09:12):
That's right. I stay at home and I think about
because you know, Charlie is coming all and all show
the Gemo fires, all right, because that's why I want
to all my plantags to be start like you know,
like the uh you know, like a idol.
Speaker 5 (09:32):
Yeah, I know, so yeah, I guess Another thing is
you're right, Charlie is too old now and General fiers
all right?
Speaker 3 (09:41):
Uh with the with the it was his weirds. It
was his weirds.
Speaker 5 (09:45):
But the grandkids, you know, Charlie tells us that quite
a few of them want to be the lead.
Speaker 7 (09:49):
Yeah that's why that's right, because you know I want
to let them to come by one, one by one.
I can tell you know, I put one to be
the leader, a voice to be, you know, in front
of the audience, and you.
Speaker 6 (10:04):
Know, and also good looking for good good looking.
Speaker 7 (10:10):
Everyone good looking, but your voice is some meaning and
also confidence, you know, in front of the audience, there's
some meaning Okay, that's.
Speaker 5 (10:20):
What you're looking for with the grandkids for the auditions.
Is it true you're holding auditions for the permitted idol?
Speaker 7 (10:27):
That's right?
Speaker 1 (10:29):
One by one, one by one?
Speaker 7 (10:31):
Name you stay against sing?
Speaker 6 (10:35):
Yeah?
Speaker 7 (10:36):
Really?
Speaker 3 (10:37):
Well, do we have any girls in the in the
permitted idol.
Speaker 7 (10:44):
To know that?
Speaker 1 (10:44):
They laugh?
Speaker 3 (10:47):
Okay?
Speaker 6 (10:47):
Okay?
Speaker 5 (10:48):
And I don't want you to give anything away. Okay,
I don't want you to tell us nor you know
who is sort of sitting number one in your mind
right now, because obviously you haven't done the auditions yet,
so you know, I think fearly everyone has to do
the auditions, like you said, one by one. And is
it all right if you come back to us and
give give the answer once once it's happened, and you know,
(11:08):
a week's time or something.
Speaker 7 (11:10):
Okay, the rugby sys Finnish, Okay, it's.
Speaker 3 (11:17):
Nice, Okay, nice once rugby is over.
Speaker 1 (11:20):
You guys are all in the idol. Thank you. Hey,
be nice to my kids they when they audition, Okay,
be nice, be nice?
Speaker 7 (11:30):
You know. Oh my God gets all the same to me.
But I need the best.
Speaker 1 (11:37):
We get it there.
Speaker 3 (11:38):
What he's saying is, yeah, I'm not going to be nice.
I need the beast.
Speaker 1 (11:43):
Be nice. I love your dad all right, then have
the day you. I love that.
Speaker 5 (11:50):
I love them all the same, but I need the best.
I need the beast, and I need the beast. And
that's how it's going to happen.
Speaker 1 (11:54):
This is what happens when you just you know, you retired.
You're just at home.
Speaker 6 (11:58):
Looking at the walls, like, you know what I'm going
to do. I want to start up on me idol.
He shout outs with my good friend, you know from samples,
you know who you were. He takes through and seeing
your dad still sounds good man. You know he's still
alive and kicking. He's not get that out.
Speaker 3 (12:10):
He's only sixty nine.
Speaker 1 (12:11):
I know, bro, Louie, don't be like that too much.
Speaker 4 (12:13):
Yeah, but also I think your dad's looking back the
memories of the days that when he tortured you guys
with this auditionally.
Speaker 3 (12:20):
Like love us fun, let's do it again.
Speaker 5 (12:22):
I do want to know that you know how your
dad put you guys together as a band. What I've
gathered from your kids and the others, the real keen
on it were you guys, real keen on it.
Speaker 1 (12:32):
It wasn't because we.
Speaker 3 (12:33):
Were it was more made to do it a whereas till.
Speaker 6 (12:36):
You'll get family and friends that will come and visit
you at your house and it'll be like they'll be, hey,
get up to stay where you guys are.
Speaker 1 (12:42):
I want to call my kids. They're going to come in.
Sing you guys a.
Speaker 4 (12:45):
Few songs, So you guys are good though most of
us got dragged out and visitors are.
Speaker 3 (12:49):
Like, I actually have like a little bit of PTSD.
Speaker 5 (12:53):
Thinking about the time that I performed a guitar song
that I wrote myself when I was like eight to
a group of people.
Speaker 1 (13:00):
I'm like, oh, we all know I can't sing. Should
go Autosh at the Ford.
Speaker 2 (13:05):
Is there and her partner Devon have been caught out
calling each other bro Stace and Charlie think it's a
bit strange. So we put it to you in the
form of a chirpole.
Speaker 5 (13:17):
Bouccherault. So yeah, on a Tuesday, we put it to
you on our Flavor Instagram.
Speaker 3 (13:24):
At Flavor Radio, we ask a question. It's pretty simple.
Speaker 5 (13:27):
Usually it's to settle something and this I didn't realize
would get the reaction from the both of you. No,
I didn't really realize it would get the reaction it did,
but I understand the reaction about calling your partner bro.
So I do have always call my partner broke, and
(13:50):
he does the same to me. I'm definitely worse producer.
And it also always calls her partner bro more than
also her her boyfriend, which is you can't make it
make sense, but the two of you your stances.
Speaker 6 (14:06):
It wasn't it wasn't flying with Stace and me too,
because it just brought up some argument memories. And you know,
as soon as you said this, I just seen Stace.
She was like, I know you didn't. Oh no you didn't.
Speaker 3 (14:22):
So like, if my husband calls me bro, no, what
would you do?
Speaker 5 (14:26):
What would you do?
Speaker 4 (14:27):
Well, it's like when we decided to first go on
a date and we knew each other right and already
know each other. I said, well, first of all, you
have to stop calling me katz and I can't see the.
Speaker 3 (14:40):
Difference between.
Speaker 4 (14:42):
Because no, no, no, that was just because we were
like was cats they Nina like, because it was platonic, right,
But if you're going to change it, I don't think I.
Speaker 3 (14:51):
Even want to be called Caz. But you know what
makes it funny is that you both from so it's
kind of like, let's I don't worry someone see to
me go.
Speaker 4 (14:59):
We were saying in our Marty class, how come you
to a Mary because you're from the same Oh, You're like,
I think we're not that related.
Speaker 3 (15:05):
Don't worry. You check their kids don't have an extra
number of.
Speaker 1 (15:08):
You know, it's wrong with that, it's still good.
Speaker 4 (15:12):
So the tamper was, do you call your partner bro
heck yet sixty one percent?
Speaker 3 (15:18):
No, way, thirty nine percent.
Speaker 5 (15:20):
Yes.
Speaker 1 (15:22):
Times have changed, bro. It's a who you for me?
Speaker 2 (15:25):
For me?
Speaker 3 (15:26):
It can be a what's that thing? Term of endearment?
Is it the right way to say it?
Speaker 5 (15:33):
Yeah?
Speaker 3 (15:33):
Yeah, it's just like in my household because it's like,
I don't know what it is.
Speaker 5 (15:37):
It's like, bro, it can be used so much, but
I'm like, you know, if he's not listening or you
can't see the thing, I'm like, bro, it's in the
last draw, grab it, it's in the last straw. Or
we say it as a joke to each other as
we're like, oh true, bro. Or you know someone says
something and they're they're not correct. It's usually say how
you call them out and it's lighthearted.
Speaker 6 (15:55):
Or you can call them bro when you're like haha,
you know what I mean, And it's usually don't come
the wrong. Yeah, That's that's why it's quite offensive in
a relationship. I feel like dating just starting out and
nicoling and bro.
Speaker 1 (16:12):
Not even used in.
Speaker 5 (16:13):
That way, like you're gotta think if he passes me
something to be helpful. I don't go cheers bro, or
like auger bro, Like I don't say it like it's
never ever said like that. It's always in like a bro,
like what are you doing? Like honestly we need to
or and like we're working around and we're like, oh
true bro, or like someone says effect and we're like
(16:36):
is that right?
Speaker 3 (16:36):
Like it's always either funny or grumpy.
Speaker 8 (16:39):
Yeah.
Speaker 6 (16:40):
See, And this is why I want to I want
to put a list together of people that you should
and you shouldn't call bro okay, like you know what
I mean, Stace.
Speaker 4 (16:49):
Yeah, yeah, certain people. And I'm going to say children
to the appearance, don't be.
Speaker 1 (16:58):
No, it's coming up with an next few minutes.
Speaker 3 (17:01):
Charlie's a given himself a job to do some hair
man's going to let the people know justice.
Speaker 2 (17:09):
Every other week, Stace presented her hip hop mystery, diving
deep into something that is not very well known. This
week's talked about the girl group Escape hip hop mysteries,
and today.
Speaker 4 (17:24):
We look at a great girl band from the nineties
formed in nineteen ninety. In fact, it's Escape and they
were initially called Escape three. So that's Candy Barris, Tamara Coggins,
to meek A Tiny Cottle, LaTosha Scott, and Ta Meeka Scott.
The year after that, actually Tamara left, so it became
(17:45):
a quartet and the others became what we know as Escape.
They had great, big songs. Of course, some of them
that you know so well, who Can I Run Tracker
and one that we will play today just kicking.
Speaker 3 (18:01):
It's my dude, He's got some good songs.
Speaker 4 (18:05):
So the first album actually sold over one million copies
in the United States that sold ten million in total,
and they were discovered by Jermaine Dupre.
Speaker 3 (18:14):
He had the initial vision for them.
Speaker 4 (18:16):
But then as things go there, the second album went
pretty well and then they broke up.
Speaker 3 (18:21):
Why did they break up? Well, this is Jermaine Dupre's version.
Speaker 6 (18:24):
But when Escape came to me, they were singing songs
that involved everyone.
Speaker 3 (18:28):
The way I was writing the songs was pulling.
Speaker 8 (18:30):
The group apart because Candy started looking like the leader
to y'all, but Tasha was back here like I'm the leader.
Speaker 1 (18:38):
Yeah, you know, and in groups, that's that's a problem.
Speaker 4 (18:41):
So there are varying versions of it, and one of
them includes that there was tension over Candy actually having
a relationship with Jermaine Dupress. And they did attempt to
come back after a while about two thousand and five.
Six didn't really go so well, but they had a
big moment at the BET Awards in twenty seventeen, their
first before together in eighteen years, and the crowd loved.
Speaker 3 (19:02):
It, still sounding good.
Speaker 4 (19:12):
So in twenty eighteen they put on the Great Escape
Tour and they performed also all around and did well,
and they got the Black Music Awards Honors, and then
in twenty twenty two they won the Lady of Soul
Award at the Soul Train Awards. And as she can hear,
in the fullness of time, they've forgiven Jermain Deprey as well.
Speaker 8 (19:31):
You are to say thanks to Jermaine because you know,
like you said, he had a vision when a lot
of people didn't, and you know, for that, we are
forever grateful to be able to still be here on
this stage because you open the door.
Speaker 4 (19:45):
So LaTosha Scott has officially departed the group. She's having
a solo career. There are a couple of appearances on
Housewives all of those things, but basically, the true, the enjoyable,
the most definitive escape moments are from the nineties, and
we sell break one of them right now, because that.
Speaker 3 (20:01):
Is you have my mystery, because if you don't know, no, no.
Although Charlie may.
Speaker 2 (20:07):
Be in a little bit of trouble with his wife
after this one, Stacy's are and Charlie decided that this
topic really needs to be talking about women embracing their muscles.
Speaker 5 (20:15):
Charlie, who could be getting in trouble from his wife
for saying this, because we told you you should ask
for permission, didn't we start to.
Speaker 3 (20:23):
Talk about this?
Speaker 4 (20:23):
Because it's something specific to her that she shared with you,
but you did not ask her.
Speaker 1 (20:31):
I didn't ask her. But this is something I really
want to talk about.
Speaker 3 (20:34):
So it's okay. So it's okay.
Speaker 1 (20:36):
Now it needs to be okay. This needs to be okay.
Speaker 6 (20:40):
And look the other day, my wife because she's in
a phase where she's in a fitness face.
Speaker 3 (20:48):
She's looking great.
Speaker 1 (20:49):
She's looking good, and honestly.
Speaker 6 (20:50):
I got to give her that, like her diets on point,
she's quite consistent with the training and all this.
Speaker 1 (20:56):
You know, she's got a good little routine going.
Speaker 6 (20:59):
And she was washing the dishes in her training singlet
where you could see like her her arms, shoulders and
her back, and while she was washing the dishes, you
can't actually see the definition in her arms and her
shoulders her traps.
Speaker 3 (21:14):
And I was like, Bro, did you say bro?
Speaker 1 (21:17):
I didn't say bro, but in my head, I was like, what,
what the heck? That's pretty good, Like, honestly, did you
tell her that?
Speaker 6 (21:23):
I said, Man, look at your traps, like I know
they're ugly or like, straight away they get into that
whole I don't like it face or they they get
into that mode straight away.
Speaker 4 (21:34):
So if you don't know, traps are the muscles that
you can get up on top of your shoulders. But
they're not very easy for a lot of people to
get Like a lot of men can't.
Speaker 6 (21:43):
I can't build my traps, like honestly, it's like it
doesn't work for me, similar to my legs.
Speaker 1 (21:48):
But the stories this is not about me.
Speaker 6 (21:51):
This is about saying and even her arms that the
definition on her doubts to her biceps and triceeps.
Speaker 1 (21:58):
It's you can honestly see it.
Speaker 6 (22:00):
Look, I'm not trying to blow smoke, you know there,
like because it's my wife, but you look at her.
She looks good and you've got to actually let them
know that the hard workers, I can see it, you
know the results.
Speaker 4 (22:12):
She says she hates the traps in particular, she's self
conscious about.
Speaker 6 (22:15):
A trap and her arms and her arms like just everything.
I don't want to wear the singlet no wants need
to cover them. And I'm like, bro, this is this
is amazing. You really need to embrace that. This is
your hard work actually showing this is this is what
it needs to look like. You know, you can't just
be because you're eating right, your training and all this
whole stuff. Like the results definitely come through.
Speaker 4 (22:36):
But I think what she's talking about in particular is
our body types. Sometimes as Maldi and Polynesian, we can
build those muscles and as a woman, you know, you
get conditioned to go like that's not feminine. And I
know this, Like I love watching say Lisa Carrington or
you know Valerie Adams, these incredible athletes, the black Ferns,
(22:58):
and they have really defined bodies and a lot of
them now like on its Instagram going this is how
I wear an evening glam number with your traps and
with your arms out. But when we had that tendency
to build them, I guess we're just not used to
seeing them because not everyone.
Speaker 3 (23:13):
Can or dust like you.
Speaker 4 (23:15):
Yeah, because because like when I work out sometimes you know,
I'm a small person, they look just you know, out
of proportion to be fair. But it's like, but they're
actually doing what I'm asking them to, doing everything healthy
around it. It's protecting your collar bones, predicting shoulders, all
of that.
Speaker 3 (23:30):
Well, I don't know why there is such a stigma
around it.
Speaker 5 (23:34):
My whole life, me and my friends we've always you know,
skipped on their arms because we didn't want big arms.
And you know, I have one friend, Kenni, who is
the same as as some woman wear that area.
Speaker 1 (23:46):
Man it builds builds.
Speaker 3 (23:48):
She could do tempers ups and she just does get
some people are just built that way. And she would
make jokes about about, oh look at my muscle arm
or my traps like in photos. But it isn't something
to be ashamed of. But I'm over here with with flaps.
Speaker 5 (24:03):
Like when I when I flicks, they don't go up,
they go down.
Speaker 1 (24:09):
You know what I like?
Speaker 3 (24:10):
Yeah, finds my arms. It's going off and the gravity
takes them. But they love them, the beautiful love them.
Speaker 6 (24:16):
That's what I'm saying, Like, I mean, just to all
our you know what I mean. If you got the muscles, hey,
flicks it. That's your hard mohey man, and someone's looking.
Speaker 3 (24:24):
At you envious, fired, So don't cover up and be
ashamed of literally hard your natural body.
Speaker 4 (24:31):
And don't get into the shaming thing either, as if
that's not feeling beautiful, beautiful and sorry saying your husband
didn't ask you what he's supposed to ask you.
Speaker 3 (24:38):
The whole world knows a good trap.
Speaker 1 (24:40):
But if your muscles are getting bigger than mine, hey,
cover up, cover up what muscle? She's getting muscular him.
Speaker 3 (24:47):
Here she beats you.
Speaker 2 (24:51):
We all know that is a very passionate girl when
it comes to food. But kids next became a topic
that got Steaks, Azurr and Charlie all equally pasionate about this.
Speaker 6 (25:01):
You know what, man, this is I don't know if
this is a secret or am I the only one
that does this? When I'm making my kids lunches. When
I do get the opportunity to make the kids lunches,
that is, I find myself snacking on their little snacks.
And the thing is, if I go to like a
shop or stop at a gas station, I'm not buying
these big packets of twisties or burger rings or anything
(25:24):
like that. But when I'm packing their lunches and you
have those little like the little snack size, kid size,
the kid size chips, I find myself smashing those back.
And I say this all the time to say any
my wife and to everybody else they packs their kids lunches.
The kids snacks are really they are the best. I
(25:45):
reckon They're way better.
Speaker 4 (25:46):
Also baby snacks like toddler snacks, so like those funny
little wayfer cracker things. This like got an animal in
the front or something, and you know, go on a
little day trip and get this is for the kids.
Speaker 3 (25:56):
You go, but they're actually really hummy, Like how come off?
Speaker 4 (26:00):
Just mesh them? And and you know, like I would
not like you say, I would not go out this
is what I want to eat. But when it's there
you go, okay, to revert to being a baby again.
I also thought that the baby rusks like those teething
no I thought that my memory that were really good,
and then I tried one when the kids were little,
like this is not exactly horrible.
Speaker 6 (26:21):
Because this is what I this is what I find
when I'm going on a day trip. I find myself
packing my own little snacks. You know, the strings, the strings,
the gummy ones.
Speaker 1 (26:33):
I'm like, bro, I gotta have you got the watch
ones as well.
Speaker 6 (26:38):
Like you know, they fancy ones, and I get like
little oreos, the little the little wheels and shapes.
Speaker 3 (26:46):
You were always like rich if you had all of
the pack when you were in school.
Speaker 5 (26:51):
That's what I remember anyway, And you know even now
and again would get an elsie in bar thing is
that they weren't safe in our house, you know, like
no matter how much we got told no, don't eat
school lunches, I don't know what comes over you. It's
like I don't think our parents understood. Like for me anyway,
it was like someone else had taken over my body.
I hate to go and eat LM after school.
Speaker 1 (27:12):
It's not my fault.
Speaker 4 (27:13):
It's not my fault, and I can have judgment on
these and I shouldn't have packetty things. But I'm not
there in the morning, so you can just just let it.
Speaker 3 (27:21):
Alone like I let it do with you.
Speaker 5 (27:23):
It's normalized having snacks like that when we're adults, Like
what are the kids get all the good stuff?
Speaker 1 (27:27):
Anyways? But that's the awkward thing at school.
Speaker 5 (27:31):
They can have that.
Speaker 1 (27:32):
I have the string, No, but when your friends hop
in your candy and you've got a rubbers.
Speaker 3 (27:40):
Speaks to me, tiny.
Speaker 1 (27:42):
Talk to me.
Speaker 5 (27:43):
Well, that's what we want to know, is what what
snack of the kids is the best snack? Like the
goda one for me, it's ALM for that kid, mine's
an ol cmbar.
Speaker 1 (27:55):
I'm going to lock that in.
Speaker 3 (27:56):
Is that that's the best kid snack. I'm here for
the tiny titties because okay, yeah.
Speaker 1 (28:01):
Tiny titties is up there.
Speaker 6 (28:03):
I have to lock it in tiny titties, So you
guys are both choosing tiny titty Okay, Okay, I'll be
different roll ups.
Speaker 3 (28:10):
No one, there's what roll ups are. I don't think
they didn't.
Speaker 6 (28:17):
Know.
Speaker 3 (28:17):
You're joking.
Speaker 5 (28:18):
Yeah, for you, tomorrow's sitting in my pantry straight up,
can we talk about your kids snacks?
Speaker 3 (28:26):
Okay?
Speaker 5 (28:26):
Because you pay for them, What does that mean you
don't get to eat them?
Speaker 3 (28:31):
That's what I have to say.
Speaker 5 (28:31):
You listen to Flavor breakfasts and clearly we feel quite
strongly about our snacks.
Speaker 3 (28:36):
Tell you you actually you're the one that brought us up.
Speaker 1 (28:38):
Yeah, man, because I must admit kids next are the best.
And you're right, you know what.
Speaker 6 (28:43):
You've made a good point here or are they? Since
you buy the kids school lunch snacks?
Speaker 1 (28:49):
Actually yours? That actually mine? Like if I'm eating them,
because like dad, why are you eating my hold war?
Speaker 3 (28:57):
Rethink the situation that you explain.
Speaker 1 (29:01):
That's it.
Speaker 3 (29:01):
So we've sard you know what we think is the
most elite. Mine was an alci and bar.
Speaker 5 (29:06):
That for me, oh you know what, even thinking about
it actually makes me a little bit like and yours
was tiny teddy stace.
Speaker 4 (29:14):
Yeah, because no, no, no, I won't have any And
then they're just so small. And then if you get
a multi pack, then the kids don't like the honey ones,
the plain ones.
Speaker 3 (29:25):
I like those like that, Like, oh well I have
to eat it.
Speaker 1 (29:28):
Somebody's got to do it.
Speaker 3 (29:29):
Yeah, yeah, take one for the team.
Speaker 5 (29:31):
Well, the thing is the only downside to kids snacks
is that they just they're too small, you know, like
think about their little chips and stuff like or like
you said, all these roll ups and stringy's. Yeah they're delicious,
but why is there like one string in them? That's
the issue that I have. But we wanted to know
what is your most elite kids snacks you know that
you've got.
Speaker 3 (29:51):
We've had so many texes. Someone said quite a few
people actually have said iced animals. My next son discovered them,
and I'm like, these are around if we still get them.
They're like four dollars. They're good value. Why they come
in a big box? They weren't the only snacks they're
in those stupid little little mini pas.
Speaker 1 (30:12):
Child is like, that's meat today.
Speaker 3 (30:14):
Papa jacks.
Speaker 1 (30:15):
Yeah, they're nice fun sticks.
Speaker 3 (30:17):
I don't know what those are.
Speaker 4 (30:18):
They're basically like pockey, like those Japanese kind of snacks,
and it's sort of savory.
Speaker 6 (30:23):
But what's got chopped on the It's got like different flavors.
You've got chicken, you have sour cream and chimes.
Speaker 3 (30:29):
Cookie times made the list. Someone else said, oh my gosh.
Speaker 5 (30:33):
My kids to roll ups, chop chip, musli bars, oreos,
potato sticks, kettle chips, so spoiled and unhealthy. I've given
up low and my son is literally being asked for
as lunch year. That's what happens when you're killed with
the good lunch. Everyone's asking well.
Speaker 4 (30:48):
Also, we have Jessica on the line more than a Jessica,
good morning.
Speaker 3 (30:52):
What's your elite kids snack? I mean it's for their kids.
Speaker 7 (30:57):
Yep.
Speaker 9 (30:57):
So as a child, I had this, and I I
was buying this for my own children as well, LEAs
necks as all the mums would just continued from New Zealand.
I had a trip to Australia a couple of years back.
I had to stock up to kind of appease the children.
But yeah, they've kind of forgotten about it now and
(31:18):
the dupes that they have at the moment just don't
taste the same. It's really sad.
Speaker 3 (31:23):
Yeah, that cheese is so processed.
Speaker 4 (31:26):
But for some reason, like I know people women who
would eat it to help their morning sickness.
Speaker 3 (31:32):
I don't know, there's like nuclear stuff in.
Speaker 1 (31:34):
The you know what I hate.
Speaker 6 (31:36):
I hate to being my little cracker thing into the
cheese because it always breaks the biscuit.
Speaker 1 (31:41):
You know what I mean. I'm like, yeah, right, so
they're always having to use my finger.
Speaker 5 (31:44):
Yeah yeah. But if you didn't look, if you didn't
look the places to get the end, then you didn't
have a lease next you know what, just you you're
so right, recent piece of lease necks.
Speaker 3 (31:53):
That's all I have to say.
Speaker 1 (31:54):
Bring back the French.
Speaker 5 (31:55):
We going, we love Thank you, Jessica oh Man, who's hungry?
There's always we can't talk about food. It should be bad.
Speaker 2 (32:08):
Lastly, earlier this week, it was announced that Shrek is
going to be released early next year in Today Maldi
by DreamWorks and Maori land Trust, which is amazing for
the DAYO. So Stace has to coach Charlie and Azuri
getting themselves ready for their Shrik that a Maori audition
with their favorite Shrik scene.
Speaker 3 (32:25):
We are no longer ourselves, right Stace.
Speaker 4 (32:28):
No, we are method acting. Because you hear this song
and a movie comes to mind. The show on track,
Shrek is being made reversion, reimagine into Maudi. It's a
DreamWorks animation and Maudi land Trust is going to do that.
So immediately I see on Facebook, you know, people going, well,
(32:51):
I got an audition. I'm natural Shrek over here, and
so you know, really high bar to set. So you
want to you know, you want to make sure you go.
You're mardy sorted. So these guys you really to audition. Ay,
we're going to do some coaching.
Speaker 1 (33:05):
Oh my gosh, are you really?
Speaker 3 (33:08):
Someone say, I'm a believer. So there's the thing.
Speaker 4 (33:16):
May it's good to go. Okay, this is this is
language I'm interested in. I want to know about this.
I want to be you know, saying Donkey, what's your
favorite scene at a shrik?
Speaker 3 (33:25):
What scene do you want to do?
Speaker 6 (33:27):
Is?
Speaker 3 (33:27):
There's definitely are.
Speaker 6 (33:29):
We there yet there yet? No?
Speaker 8 (33:35):
Are we there yet yet?
Speaker 3 (33:41):
They are there yet?
Speaker 7 (33:44):
Were we there yet?
Speaker 1 (33:45):
No there yet? Yes, brilliant.
Speaker 3 (33:50):
That scene?
Speaker 4 (33:51):
And are you ready playing don Key in El Mahdi
as Zara Lane playing the other part?
Speaker 3 (33:58):
Me call Dai Kyoto, cow call Kyoto carry no good,
I do it nay I nay nay nay cow.
Speaker 5 (34:18):
Flavor found out I was doing a little practice Sofia
and I don't know why.
Speaker 3 (34:21):
When the MIC's were on, I'm like hot, sweats hot,
sweats hot. Oh that's relevant.
Speaker 4 (34:25):
There's people some nice feel you know, like it's like
the mic being on when you go to speak Marty
sometimes and you did it.
Speaker 3 (34:30):
Yes, no, nay no nay like really like, oh my gosh,
nay nay.
Speaker 4 (34:40):
Okay, okay, So because you were a fluent tongue and
the speaker, I'm seeing the little bit.
Speaker 3 (34:47):
Okay.
Speaker 4 (34:47):
A great scene, an iconic scene from Shriek. That's when
Shrick and Donkey.
Speaker 3 (34:52):
Example, Okay, all girls are like onions.
Speaker 1 (34:59):
Yes, no, they make you cry.
Speaker 5 (35:00):
No, you leave the mount in the sun and get
all brown, start spreading little white hands.
Speaker 1 (35:05):
Oh my goodness, layers.
Speaker 3 (35:07):
Onions have layers, Ugres have layers. Onions have layers.
Speaker 10 (35:12):
You get it.
Speaker 1 (35:13):
We both have layers.
Speaker 10 (35:15):
Right, So first of all, we need to know the
Maori word for ogre car carripol car carry pool car
carry poor, ogre car cardyp Okay, we're gonna give this
a go. You obviously a shriek. Okay, I'm obviously donkey.
All right, okay, And section hey tootra mehe a nina
(35:37):
nah car carrypool he hang on hey cow? Oh wait,
hang on cow?
Speaker 3 (35:49):
Who am my hippac cow?
Speaker 6 (35:52):
Kitty ty he kitty tynina he kitty tight tall take cal.
Speaker 1 (36:01):
Hey can he die layers. Where was I stuck on cocka.
Speaker 3 (36:09):
Think about that too hard? Don't think about it? Okay,
So we start place and then we work. That's what
we do.
Speaker 1 (36:17):
We work.
Speaker 3 (36:18):
I think you should be going for a rolls.
Speaker 1 (36:20):
Thanks for it is actually want to be.
Speaker 3 (36:28):
It's perfect.
Speaker 7 (36:33):
OHI I know, ma, he.
Speaker 3 (36:35):
Kind of sounds like a woman. And then we have it.
Speaker 2 (36:38):
That wraps up another week of Producer Picks. Hope you're
having a great weekend. If you want anything extra from
the week, be sure to check out the full show podcast,
or if you want something a little bit more juicy,
check out Off the Record Stays as There and Charlie
will they be back with you again on Monday morning
at six am.
Speaker 6 (36:53):
Thanks for listening to Flavor Breakfast Producer Picks Charlie live
every weekday from six Sam on Flavor
Favorite Breakfast producer.
Speaker 2 (00:02):
Picks, Happy to Wikio to Mai It's producer and a
Here for another week of producer picks, where I pick
out my favorite show moments from the week of Stacy's
Ear and Charlie in celebration of twikio today Mati. Each
day Stacey's shared a wiki of whiter doing a deep
dive into a different wire to each day. We could
go off the episode this week with the wire of
the Black Ferns sung at Buckingham Palace last weekend got.
Speaker 3 (00:25):
The wiki with el Mardi there there.
Speaker 4 (00:27):
This is Marty Language week, and you know what I
thought I'd do for you a wiki of wayat that.
So yes, wiki means week of but I also thought
like a wikipedia away at kids some wayat that that.
It's good that you know them and you know the
background of them because they end up being really famous,
like this one that the Black Ferns sang at Buckingham
(00:48):
Palace last week.
Speaker 3 (01:01):
So you guys.
Speaker 4 (01:01):
Probably have heard this song. So it's called Naida de Coppappa.
Now some people think it's called Talkudel, like my husband,
he thought it was called that, but it's not. It's
called Naida de Copapa. The reason I know this song
I learned to offer my kids because they're singing it
at school. And probably something that we don't say often
enough is who it was composed by, which was the
Oquero hudi Waka and tafeed or Maxwell that was composed
(01:23):
in nineteen ninety one and it is inspired by the
faaki the proverbs said by Sir timote cade Tou called
thork gudelkhalku ma peemodia madihi. My language is my precious gift,
my objective affection, and my prized ornament.
Speaker 3 (01:40):
Now the Oho Hall Park.
Speaker 4 (01:41):
Quite often people think that means awakening, which it can mean,
but he actually meant it to be it's your precious gift.
Speaker 3 (01:47):
So people are saying nada.
Speaker 4 (01:50):
The copapa is basically becoming like a new national anthem.
Speaker 3 (01:53):
So this isn't in the g C.
Speaker 4 (01:55):
Darwiti Waititi was the MC for a kapahaka competition. This
in the Gold Coast hands over the mic to the
crowd and it sounds like this. So I want you
(02:24):
to be able to sing along. I don't want you
to be in the crowd feeling like.
Speaker 3 (02:27):
Oh, what's the song?
Speaker 4 (02:29):
So you look it up say on TikTok nada their couppa,
and you have someone like unheitter Kate who's got the
lyrics there as well, and.
Speaker 3 (02:37):
She's singing along so you can learn it.
Speaker 5 (02:39):
The good other hobby motam.
Speaker 4 (02:48):
So some of the notes they talk about, you know,
celebrating the language, speaking it all the time, and know
that this is our mana motsu haacke in action, it
is of the greatest significance.
Speaker 3 (02:57):
It's our right and it's our sovereignty. Okay, okay.
Speaker 2 (03:05):
Charlie's dad has taken matters into his own hands by
trying to form three houses down two point zero.
Speaker 6 (03:11):
Oh, there are some dramas going down and the residence
I wouldn't say just the Bommet residents, but this is
the Bommett residence across the whole chapter, the whole funding,
you know what.
Speaker 3 (03:22):
I mean, maybe there used to be checked out.
Speaker 6 (03:31):
Alrighty, So this is what's happening. Okay, So my dad's
got a Simon cowlon. You know, this is like American
idol in my whole family and this with you guys
exactly this is it. But now like my dad's taking
it up a notch because of technology these days, he's
just put the put on like okay, everybody whistles, rehearsals.
(03:53):
I am putting together a band, and I'm like, oh
another band, another band?
Speaker 3 (03:58):
You got three houses down?
Speaker 1 (04:00):
Is a down point two?
Speaker 6 (04:01):
Oh whatever? It is bro point. So the next gen,
the next generation. See, this is the thing I have
told my kids, like, hey, if you guys want to
get into music, yeah, by all means being my guest,
you know. And the kids are like, yeah, yeah, Dad,
I want to play league, I want to do this that,
and I don't want to force this. But as soon
as my dad, their papa says I'm putting together a band, now,
(04:21):
all of a sudden, everybody wants to be singing.
Speaker 3 (04:26):
That's it.
Speaker 1 (04:28):
Now. My dad is holding auditions.
Speaker 3 (04:32):
Are you actually?
Speaker 1 (04:33):
I am not lying?
Speaker 3 (04:34):
Who gets to who gets to audition?
Speaker 1 (04:37):
Or the grand kids? All the so so much so
my dad is they can only be.
Speaker 6 (04:42):
Sorry, I'm sorry, sorry to stay sorry, but my dad said,
they can only be one lead singer. The rest of
you guys will be back up vocalist or learner instrument.
No one has got time to learn the instruments. So
everyone's going as everyone's auditioning as leading but it's my kids.
Speaker 1 (04:59):
My kids are the ones that are fighting over the same.
Speaker 6 (05:02):
The other day, I was in the in the driveway
and my son goes, Dad, you know what, I think
I'm going to be the lead singer. You know this
this This is a little bit of a dispute. So
then I go, okay, then let's let's hear your audition.
Speaker 1 (05:14):
Police come on by and Pace.
Speaker 3 (05:28):
Breton, Oh yeah.
Speaker 1 (05:36):
Yeah, how many so.
Speaker 6 (05:40):
Taking one part, and then and then Rob's taking in
another part, which is my oldest boy.
Speaker 1 (05:45):
And you know, we're just helping them.
Speaker 3 (05:46):
Out having it sound good.
Speaker 6 (05:48):
But you know the thing is they're choosing old school
solty audition with they're probably trying to catch.
Speaker 3 (05:53):
My dad's audience.
Speaker 5 (05:55):
So there was police audition and then your eldest son, Rob,
You are so additioned.
Speaker 1 (06:01):
But he said, I don't want you on. That's just
me ne Dad. So here it is six.
Speaker 4 (06:07):
And I'm up bullet in our hearts a bully.
Speaker 3 (06:14):
You're already singing on this. I'm sixteen sixty sixty and
I'm up in the heart. Jesus, it's so good.
Speaker 5 (06:29):
It's actually so good. But I just love your dad
so much. The fact that around the same age. He
did the exact same thing with you boys.
Speaker 3 (06:37):
He goes, that's it.
Speaker 5 (06:38):
You guys are gonna be in a band. One of
you are gonna do this, one of you're gonna do it.
And now he's doing it with all the kids like
auditioning and fighting for the lead singarerolle.
Speaker 1 (06:47):
It's just Friday is going down it.
Speaker 6 (06:50):
But there's like, okay, everyone come in kill.
Speaker 3 (06:53):
Where's the general firing set? Is that it just was
the original survivor.
Speaker 4 (06:58):
He just like made it to the inn of the
obstacle course or something came straight through and he.
Speaker 3 (07:04):
Took the grand kids. He came in and overtook the kids.
Speaker 6 (07:07):
Bro, my dad has favorites, man, so he doesn't even
you know, if I doesn't even need to audition, this
is not fair.
Speaker 1 (07:13):
Bro.
Speaker 5 (07:14):
Can I just say as well, it's just dawned on
me that only one can be a lead singer. How
are you going to navigate helping the son who doesn't
get the lead singer?
Speaker 1 (07:26):
Because if you.
Speaker 5 (07:27):
Thought about that, this isn't going to be happy for
one son, But then you've actually got to you've got
to nurture and beating.
Speaker 6 (07:32):
That's not thinking about this properly like you know, the
Morcos are going to have They're going to break out
and just do their own all of a sudden something.
Speaker 4 (07:42):
Our strengthers together, you know, that's what you need to do. Yeah,
your harmony is what makes your brother sound better like that.
That's what I heard anyway, that the lead singer is
usually a bit of a spoon in.
Speaker 2 (07:58):
Later in the week, we didn't have a check out
with Charlie's dad to see how the po Idol auditions
are going.
Speaker 3 (08:04):
So Charlie, Charlie, Charlie, very talented. Your family.
Speaker 5 (08:08):
I mean, you obviously are in a band three houses down,
and your father wants to start a new band of
three houses down two point.
Speaker 4 (08:17):
Oh so cool generation the next But Betty has to
find them, right, so you're telling us he's really going
then on auditioning the kids.
Speaker 3 (08:28):
So of course we had to get Charlie's dad.
Speaker 1 (08:30):
Is that Simon carl from New Zealand Idol?
Speaker 5 (08:34):
Okay, okay, So Noah, we understand that you've already put
together a band.
Speaker 3 (08:42):
You know, you put together three Houses down.
Speaker 5 (08:44):
You help those boys sing and learn how to play
instruments and perform for everyone, and then there's a little
rumor going around that you're doing like three houses down
two point zero with with the grandkids.
Speaker 1 (08:56):
Yeah, young, what are you saying about me? And General?
If you old to be in a band.
Speaker 7 (09:03):
Now you're still all right, But remember we look for
the future.
Speaker 1 (09:11):
Future.
Speaker 7 (09:12):
That's right. I stay at home and I think about
because you know, Charlie is coming all and all show
the Gemo fires, all right, because that's why I want
to all my plantags to be start like you know,
like the uh you know, like a idol.
Speaker 5 (09:32):
Yeah, I know, so yeah, I guess Another thing is
you're right, Charlie is too old now and General fiers
all right?
Speaker 3 (09:41):
Uh with the with the it was his weirds. It
was his weirds.
Speaker 5 (09:45):
But the grandkids, you know, Charlie tells us that quite
a few of them want to be the lead.
Speaker 7 (09:49):
Yeah that's why that's right, because you know I want
to let them to come by one, one by one.
I can tell you know, I put one to be
the leader, a voice to be, you know, in front
of the audience, and you.
Speaker 6 (10:04):
Know, and also good looking for good good looking.
Speaker 7 (10:10):
Everyone good looking, but your voice is some meaning and
also confidence, you know, in front of the audience, there's
some meaning Okay, that's.
Speaker 5 (10:20):
What you're looking for with the grandkids for the auditions.
Is it true you're holding auditions for the permitted idol?
Speaker 7 (10:27):
That's right?
Speaker 1 (10:29):
One by one, one by one?
Speaker 7 (10:31):
Name you stay against sing?
Speaker 6 (10:35):
Yeah?
Speaker 7 (10:36):
Really?
Speaker 3 (10:37):
Well, do we have any girls in the in the
permitted idol.
Speaker 7 (10:44):
To know that?
Speaker 1 (10:44):
They laugh?
Speaker 3 (10:47):
Okay?
Speaker 6 (10:47):
Okay?
Speaker 5 (10:48):
And I don't want you to give anything away. Okay,
I don't want you to tell us nor you know
who is sort of sitting number one in your mind
right now, because obviously you haven't done the auditions yet,
so you know, I think fearly everyone has to do
the auditions, like you said, one by one. And is
it all right if you come back to us and
give give the answer once once it's happened, and you know,
(11:08):
a week's time or something.
Speaker 7 (11:10):
Okay, the rugby sys Finnish, Okay, it's.
Speaker 3 (11:17):
Nice, Okay, nice once rugby is over.
Speaker 1 (11:20):
You guys are all in the idol. Thank you. Hey,
be nice to my kids they when they audition, Okay,
be nice, be nice?
Speaker 7 (11:30):
You know. Oh my God gets all the same to me.
But I need the best.
Speaker 1 (11:37):
We get it there.
Speaker 3 (11:38):
What he's saying is, yeah, I'm not going to be nice.
I need the beast.
Speaker 1 (11:43):
Be nice. I love your dad all right, then have
the day you. I love that.
Speaker 5 (11:50):
I love them all the same, but I need the best.
I need the beast, and I need the beast. And
that's how it's going to happen.
Speaker 1 (11:54):
This is what happens when you just you know, you retired.
You're just at home.
Speaker 6 (11:58):
Looking at the walls, like, you know what I'm going
to do. I want to start up on me idol.
He shout outs with my good friend, you know from samples,
you know who you were. He takes through and seeing
your dad still sounds good man. You know he's still
alive and kicking. He's not get that out.
Speaker 3 (12:10):
He's only sixty nine.
Speaker 1 (12:11):
I know, bro, Louie, don't be like that too much.
Speaker 4 (12:13):
Yeah, but also I think your dad's looking back the
memories of the days that when he tortured you guys
with this auditionally.
Speaker 3 (12:20):
Like love us fun, let's do it again.
Speaker 5 (12:22):
I do want to know that you know how your
dad put you guys together as a band. What I've
gathered from your kids and the others, the real keen
on it were you guys, real keen on it.
Speaker 1 (12:32):
It wasn't because we.
Speaker 3 (12:33):
Were it was more made to do it a whereas till.
Speaker 6 (12:36):
You'll get family and friends that will come and visit
you at your house and it'll be like they'll be, hey,
get up to stay where you guys are.
Speaker 1 (12:42):
I want to call my kids. They're going to come in.
Sing you guys a.
Speaker 4 (12:45):
Few songs, So you guys are good though most of
us got dragged out and visitors are.
Speaker 3 (12:49):
Like, I actually have like a little bit of PTSD.
Speaker 5 (12:53):
Thinking about the time that I performed a guitar song
that I wrote myself when I was like eight to
a group of people.
Speaker 1 (13:00):
I'm like, oh, we all know I can't sing. Should
go Autosh at the Ford.
Speaker 2 (13:05):
Is there and her partner Devon have been caught out
calling each other bro Stace and Charlie think it's a
bit strange. So we put it to you in the
form of a chirpole.
Speaker 5 (13:17):
Bouccherault. So yeah, on a Tuesday, we put it to
you on our Flavor Instagram.
Speaker 3 (13:24):
At Flavor Radio, we ask a question. It's pretty simple.
Speaker 5 (13:27):
Usually it's to settle something and this I didn't realize
would get the reaction from the both of you. No,
I didn't really realize it would get the reaction it did,
but I understand the reaction about calling your partner bro.
So I do have always call my partner broke, and
(13:50):
he does the same to me. I'm definitely worse producer.
And it also always calls her partner bro more than
also her her boyfriend, which is you can't make it
make sense, but the two of you your stances.
Speaker 6 (14:06):
It wasn't it wasn't flying with Stace and me too,
because it just brought up some argument memories. And you know,
as soon as you said this, I just seen Stace.
She was like, I know you didn't. Oh no you didn't.
Speaker 3 (14:22):
So like, if my husband calls me bro, no, what
would you do?
Speaker 5 (14:26):
What would you do?
Speaker 4 (14:27):
Well, it's like when we decided to first go on
a date and we knew each other right and already
know each other. I said, well, first of all, you
have to stop calling me katz and I can't see the.
Speaker 3 (14:40):
Difference between.
Speaker 4 (14:42):
Because no, no, no, that was just because we were
like was cats they Nina like, because it was platonic, right,
But if you're going to change it, I don't think I.
Speaker 3 (14:51):
Even want to be called Caz. But you know what
makes it funny is that you both from so it's
kind of like, let's I don't worry someone see to
me go.
Speaker 4 (14:59):
We were saying in our Marty class, how come you
to a Mary because you're from the same Oh, You're like,
I think we're not that related.
Speaker 3 (15:05):
Don't worry. You check their kids don't have an extra
number of.
Speaker 1 (15:08):
You know, it's wrong with that, it's still good.
Speaker 4 (15:12):
So the tamper was, do you call your partner bro
heck yet sixty one percent?
Speaker 3 (15:18):
No, way, thirty nine percent.
Speaker 5 (15:20):
Yes.
Speaker 1 (15:22):
Times have changed, bro. It's a who you for me?
Speaker 2 (15:25):
For me?
Speaker 3 (15:26):
It can be a what's that thing? Term of endearment?
Is it the right way to say it?
Speaker 5 (15:33):
Yeah?
Speaker 3 (15:33):
Yeah, it's just like in my household because it's like,
I don't know what it is.
Speaker 5 (15:37):
It's like, bro, it can be used so much, but
I'm like, you know, if he's not listening or you
can't see the thing, I'm like, bro, it's in the
last draw, grab it, it's in the last straw. Or
we say it as a joke to each other as
we're like, oh true, bro. Or you know someone says
something and they're they're not correct. It's usually say how
you call them out and it's lighthearted.
Speaker 6 (15:55):
Or you can call them bro when you're like haha,
you know what I mean, And it's usually don't come
the wrong. Yeah, That's that's why it's quite offensive in
a relationship. I feel like dating just starting out and
nicoling and bro.
Speaker 1 (16:12):
Not even used in.
Speaker 5 (16:13):
That way, like you're gotta think if he passes me
something to be helpful. I don't go cheers bro, or
like auger bro, Like I don't say it like it's
never ever said like that. It's always in like a bro,
like what are you doing? Like honestly we need to
or and like we're working around and we're like, oh
true bro, or like someone says effect and we're like
(16:36):
is that right?
Speaker 3 (16:36):
Like it's always either funny or grumpy.
Speaker 8 (16:39):
Yeah.
Speaker 6 (16:40):
See, And this is why I want to I want
to put a list together of people that you should
and you shouldn't call bro okay, like you know what
I mean, Stace.
Speaker 4 (16:49):
Yeah, yeah, certain people. And I'm going to say children
to the appearance, don't be.
Speaker 1 (16:58):
No, it's coming up with an next few minutes.
Speaker 3 (17:01):
Charlie's a given himself a job to do some hair
man's going to let the people know justice.
Speaker 2 (17:09):
Every other week, Stace presented her hip hop mystery, diving
deep into something that is not very well known. This
week's talked about the girl group Escape hip hop mysteries,
and today.
Speaker 4 (17:24):
We look at a great girl band from the nineties
formed in nineteen ninety. In fact, it's Escape and they
were initially called Escape three. So that's Candy Barris, Tamara Coggins,
to meek A Tiny Cottle, LaTosha Scott, and Ta Meeka Scott.
The year after that, actually Tamara left, so it became
(17:45):
a quartet and the others became what we know as Escape.
They had great, big songs. Of course, some of them
that you know so well, who Can I Run Tracker
and one that we will play today just kicking.
Speaker 3 (18:01):
It's my dude, He's got some good songs.
Speaker 4 (18:05):
So the first album actually sold over one million copies
in the United States that sold ten million in total,
and they were discovered by Jermaine Dupre.
Speaker 3 (18:14):
He had the initial vision for them.
Speaker 4 (18:16):
But then as things go there, the second album went
pretty well and then they broke up.
Speaker 3 (18:21):
Why did they break up? Well, this is Jermaine Dupre's version.
Speaker 6 (18:24):
But when Escape came to me, they were singing songs
that involved everyone.
Speaker 3 (18:28):
The way I was writing the songs was pulling.
Speaker 8 (18:30):
The group apart because Candy started looking like the leader
to y'all, but Tasha was back here like I'm the leader.
Speaker 1 (18:38):
Yeah, you know, and in groups, that's that's a problem.
Speaker 4 (18:41):
So there are varying versions of it, and one of
them includes that there was tension over Candy actually having
a relationship with Jermaine Dupress. And they did attempt to
come back after a while about two thousand and five.
Six didn't really go so well, but they had a
big moment at the BET Awards in twenty seventeen, their
first before together in eighteen years, and the crowd loved.
Speaker 3 (19:02):
It, still sounding good.
Speaker 4 (19:12):
So in twenty eighteen they put on the Great Escape
Tour and they performed also all around and did well,
and they got the Black Music Awards Honors, and then
in twenty twenty two they won the Lady of Soul
Award at the Soul Train Awards. And as she can hear,
in the fullness of time, they've forgiven Jermain Deprey as well.
Speaker 8 (19:31):
You are to say thanks to Jermaine because you know,
like you said, he had a vision when a lot
of people didn't, and you know, for that, we are
forever grateful to be able to still be here on
this stage because you open the door.
Speaker 4 (19:45):
So LaTosha Scott has officially departed the group. She's having
a solo career. There are a couple of appearances on
Housewives all of those things, but basically, the true, the enjoyable,
the most definitive escape moments are from the nineties, and
we sell break one of them right now, because that.
Speaker 3 (20:01):
Is you have my mystery, because if you don't know, no, no.
Although Charlie may.
Speaker 2 (20:07):
Be in a little bit of trouble with his wife
after this one, Stacy's are and Charlie decided that this
topic really needs to be talking about women embracing their muscles.
Speaker 5 (20:15):
Charlie, who could be getting in trouble from his wife
for saying this, because we told you you should ask
for permission, didn't we start to.
Speaker 3 (20:23):
Talk about this?
Speaker 4 (20:23):
Because it's something specific to her that she shared with you,
but you did not ask her.
Speaker 1 (20:31):
I didn't ask her. But this is something I really
want to talk about.
Speaker 3 (20:34):
So it's okay. So it's okay.
Speaker 1 (20:36):
Now it needs to be okay. This needs to be okay.
Speaker 6 (20:40):
And look the other day, my wife because she's in
a phase where she's in a fitness face.
Speaker 3 (20:48):
She's looking great.
Speaker 1 (20:49):
She's looking good, and honestly.
Speaker 6 (20:50):
I got to give her that, like her diets on point,
she's quite consistent with the training and all this.
Speaker 1 (20:56):
You know, she's got a good little routine going.
Speaker 6 (20:59):
And she was washing the dishes in her training singlet
where you could see like her her arms, shoulders and
her back, and while she was washing the dishes, you
can't actually see the definition in her arms and her
shoulders her traps.
Speaker 3 (21:14):
And I was like, Bro, did you say bro?
Speaker 1 (21:17):
I didn't say bro, but in my head, I was like, what,
what the heck? That's pretty good, Like, honestly, did you
tell her that?
Speaker 6 (21:23):
I said, Man, look at your traps, like I know
they're ugly or like, straight away they get into that
whole I don't like it face or they they get
into that mode straight away.
Speaker 4 (21:34):
So if you don't know, traps are the muscles that
you can get up on top of your shoulders. But
they're not very easy for a lot of people to
get Like a lot of men can't.
Speaker 6 (21:43):
I can't build my traps, like honestly, it's like it
doesn't work for me, similar to my legs.
Speaker 1 (21:48):
But the stories this is not about me.
Speaker 6 (21:51):
This is about saying and even her arms that the
definition on her doubts to her biceps and triceeps.
Speaker 1 (21:58):
It's you can honestly see it.
Speaker 6 (22:00):
Look, I'm not trying to blow smoke, you know there,
like because it's my wife, but you look at her.
She looks good and you've got to actually let them
know that the hard workers, I can see it, you
know the results.
Speaker 4 (22:12):
She says she hates the traps in particular, she's self
conscious about.
Speaker 6 (22:15):
A trap and her arms and her arms like just everything.
I don't want to wear the singlet no wants need
to cover them. And I'm like, bro, this is this
is amazing. You really need to embrace that. This is
your hard work actually showing this is this is what
it needs to look like. You know, you can't just
be because you're eating right, your training and all this
whole stuff. Like the results definitely come through.
Speaker 4 (22:36):
But I think what she's talking about in particular is
our body types. Sometimes as Maldi and Polynesian, we can
build those muscles and as a woman, you know, you
get conditioned to go like that's not feminine. And I
know this, Like I love watching say Lisa Carrington or
you know Valerie Adams, these incredible athletes, the black Ferns,
(22:58):
and they have really defined bodies and a lot of
them now like on its Instagram going this is how
I wear an evening glam number with your traps and
with your arms out. But when we had that tendency
to build them, I guess we're just not used to
seeing them because not everyone.
Speaker 3 (23:13):
Can or dust like you.
Speaker 4 (23:15):
Yeah, because because like when I work out sometimes you know,
I'm a small person, they look just you know, out
of proportion to be fair. But it's like, but they're
actually doing what I'm asking them to, doing everything healthy
around it. It's protecting your collar bones, predicting shoulders, all
of that.
Speaker 3 (23:30):
Well, I don't know why there is such a stigma
around it.
Speaker 5 (23:34):
My whole life, me and my friends we've always you know,
skipped on their arms because we didn't want big arms.
And you know, I have one friend, Kenni, who is
the same as as some woman wear that area.
Speaker 1 (23:46):
Man it builds builds.
Speaker 3 (23:48):
She could do tempers ups and she just does get
some people are just built that way. And she would
make jokes about about, oh look at my muscle arm
or my traps like in photos. But it isn't something
to be ashamed of. But I'm over here with with flaps.
Speaker 5 (24:03):
Like when I when I flicks, they don't go up,
they go down.
Speaker 1 (24:09):
You know what I like?
Speaker 3 (24:10):
Yeah, finds my arms. It's going off and the gravity
takes them. But they love them, the beautiful love them.
Speaker 6 (24:16):
That's what I'm saying, Like, I mean, just to all
our you know what I mean. If you got the muscles, hey,
flicks it. That's your hard mohey man, and someone's looking.
Speaker 3 (24:24):
At you envious, fired, So don't cover up and be
ashamed of literally hard your natural body.
Speaker 4 (24:31):
And don't get into the shaming thing either, as if
that's not feeling beautiful, beautiful and sorry saying your husband
didn't ask you what he's supposed to ask you.
Speaker 3 (24:38):
The whole world knows a good trap.
Speaker 1 (24:40):
But if your muscles are getting bigger than mine, hey,
cover up, cover up what muscle? She's getting muscular him.
Speaker 3 (24:47):
Here she beats you.
Speaker 2 (24:51):
We all know that is a very passionate girl when
it comes to food. But kids next became a topic
that got Steaks, Azurr and Charlie all equally pasionate about this.
Speaker 6 (25:01):
You know what, man, this is I don't know if
this is a secret or am I the only one
that does this? When I'm making my kids lunches. When
I do get the opportunity to make the kids lunches,
that is, I find myself snacking on their little snacks.
And the thing is, if I go to like a
shop or stop at a gas station, I'm not buying
these big packets of twisties or burger rings or anything
(25:24):
like that. But when I'm packing their lunches and you
have those little like the little snack size, kid size,
the kid size chips, I find myself smashing those back.
And I say this all the time to say any
my wife and to everybody else they packs their kids lunches.
The kids snacks are really they are the best. I
(25:45):
reckon They're way better.
Speaker 4 (25:46):
Also baby snacks like toddler snacks, so like those funny
little wayfer cracker things. This like got an animal in
the front or something, and you know, go on a
little day trip and get this is for the kids.
Speaker 3 (25:56):
You go, but they're actually really hummy, Like how come off?
Speaker 4 (26:00):
Just mesh them? And and you know, like I would
not like you say, I would not go out this
is what I want to eat. But when it's there
you go, okay, to revert to being a baby again.
I also thought that the baby rusks like those teething
no I thought that my memory that were really good,
and then I tried one when the kids were little,
like this is not exactly horrible.
Speaker 6 (26:21):
Because this is what I this is what I find
when I'm going on a day trip. I find myself
packing my own little snacks. You know, the strings, the strings,
the gummy ones.
Speaker 1 (26:33):
I'm like, bro, I gotta have you got the watch
ones as well.
Speaker 6 (26:38):
Like you know, they fancy ones, and I get like
little oreos, the little the little wheels and shapes.
Speaker 3 (26:46):
You were always like rich if you had all of
the pack when you were in school.
Speaker 5 (26:51):
That's what I remember anyway, And you know even now
and again would get an elsie in bar thing is
that they weren't safe in our house, you know, like
no matter how much we got told no, don't eat
school lunches, I don't know what comes over you. It's
like I don't think our parents understood. Like for me anyway,
it was like someone else had taken over my body.
I hate to go and eat LM after school.
Speaker 1 (27:12):
It's not my fault.
Speaker 4 (27:13):
It's not my fault, and I can have judgment on
these and I shouldn't have packetty things. But I'm not
there in the morning, so you can just just let it.
Speaker 3 (27:21):
Alone like I let it do with you.
Speaker 5 (27:23):
It's normalized having snacks like that when we're adults, Like
what are the kids get all the good stuff?
Speaker 1 (27:27):
Anyways? But that's the awkward thing at school.
Speaker 5 (27:31):
They can have that.
Speaker 1 (27:32):
I have the string, No, but when your friends hop
in your candy and you've got a rubbers.
Speaker 3 (27:40):
Speaks to me, tiny.
Speaker 1 (27:42):
Talk to me.
Speaker 5 (27:43):
Well, that's what we want to know, is what what
snack of the kids is the best snack? Like the
goda one for me, it's ALM for that kid, mine's
an ol cmbar.
Speaker 1 (27:55):
I'm going to lock that in.
Speaker 3 (27:56):
Is that that's the best kid snack. I'm here for
the tiny titties because okay, yeah.
Speaker 1 (28:01):
Tiny titties is up there.
Speaker 6 (28:03):
I have to lock it in tiny titties, So you
guys are both choosing tiny titty Okay, Okay, I'll be
different roll ups.
Speaker 3 (28:10):
No one, there's what roll ups are. I don't think
they didn't.
Speaker 6 (28:17):
Know.
Speaker 3 (28:17):
You're joking.
Speaker 5 (28:18):
Yeah, for you, tomorrow's sitting in my pantry straight up,
can we talk about your kids snacks?
Speaker 3 (28:26):
Okay?
Speaker 5 (28:26):
Because you pay for them, What does that mean you
don't get to eat them?
Speaker 3 (28:31):
That's what I have to say.
Speaker 5 (28:31):
You listen to Flavor breakfasts and clearly we feel quite
strongly about our snacks.
Speaker 3 (28:36):
Tell you you actually you're the one that brought us up.
Speaker 1 (28:38):
Yeah, man, because I must admit kids next are the best.
And you're right, you know what.
Speaker 6 (28:43):
You've made a good point here or are they? Since
you buy the kids school lunch snacks?
Speaker 1 (28:49):
Actually yours? That actually mine? Like if I'm eating them,
because like dad, why are you eating my hold war?
Speaker 3 (28:57):
Rethink the situation that you explain.
Speaker 1 (29:01):
That's it.
Speaker 3 (29:01):
So we've sard you know what we think is the
most elite. Mine was an alci and bar.
Speaker 5 (29:06):
That for me, oh you know what, even thinking about
it actually makes me a little bit like and yours
was tiny teddy stace.
Speaker 4 (29:14):
Yeah, because no, no, no, I won't have any And
then they're just so small. And then if you get
a multi pack, then the kids don't like the honey ones,
the plain ones.
Speaker 3 (29:25):
I like those like that, Like, oh well I have
to eat it.
Speaker 1 (29:28):
Somebody's got to do it.
Speaker 3 (29:29):
Yeah, yeah, take one for the team.
Speaker 5 (29:31):
Well, the thing is the only downside to kids snacks
is that they just they're too small, you know, like
think about their little chips and stuff like or like
you said, all these roll ups and stringy's. Yeah they're delicious,
but why is there like one string in them? That's
the issue that I have. But we wanted to know
what is your most elite kids snacks you know that
you've got.
Speaker 3 (29:51):
We've had so many texes. Someone said quite a few
people actually have said iced animals. My next son discovered them,
and I'm like, these are around if we still get them.
They're like four dollars. They're good value. Why they come
in a big box? They weren't the only snacks they're
in those stupid little little mini pas.
Speaker 1 (30:12):
Child is like, that's meat today.
Speaker 3 (30:14):
Papa jacks.
Speaker 1 (30:15):
Yeah, they're nice fun sticks.
Speaker 3 (30:17):
I don't know what those are.
Speaker 4 (30:18):
They're basically like pockey, like those Japanese kind of snacks,
and it's sort of savory.
Speaker 6 (30:23):
But what's got chopped on the It's got like different flavors.
You've got chicken, you have sour cream and chimes.
Speaker 3 (30:29):
Cookie times made the list. Someone else said, oh my gosh.
Speaker 5 (30:33):
My kids to roll ups, chop chip, musli bars, oreos,
potato sticks, kettle chips, so spoiled and unhealthy. I've given
up low and my son is literally being asked for
as lunch year. That's what happens when you're killed with
the good lunch. Everyone's asking well.
Speaker 4 (30:48):
Also, we have Jessica on the line more than a Jessica,
good morning.
Speaker 3 (30:52):
What's your elite kids snack? I mean it's for their kids.
Speaker 7 (30:57):
Yep.
Speaker 9 (30:57):
So as a child, I had this, and I I
was buying this for my own children as well, LEAs
necks as all the mums would just continued from New Zealand.
I had a trip to Australia a couple of years back.
I had to stock up to kind of appease the children.
But yeah, they've kind of forgotten about it now and
(31:18):
the dupes that they have at the moment just don't
taste the same. It's really sad.
Speaker 3 (31:23):
Yeah, that cheese is so processed.
Speaker 4 (31:26):
But for some reason, like I know people women who
would eat it to help their morning sickness.
Speaker 3 (31:32):
I don't know, there's like nuclear stuff in.
Speaker 1 (31:34):
The you know what I hate.
Speaker 6 (31:36):
I hate to being my little cracker thing into the
cheese because it always breaks the biscuit.
Speaker 1 (31:41):
You know what I mean. I'm like, yeah, right, so
they're always having to use my finger.
Speaker 5 (31:44):
Yeah yeah. But if you didn't look, if you didn't
look the places to get the end, then you didn't
have a lease next you know what, just you you're
so right, recent piece of lease necks.
Speaker 3 (31:53):
That's all I have to say.
Speaker 1 (31:54):
Bring back the French.
Speaker 5 (31:55):
We going, we love Thank you, Jessica oh Man, who's hungry?
There's always we can't talk about food. It should be bad.
Speaker 2 (32:08):
Lastly, earlier this week, it was announced that Shrek is
going to be released early next year in Today Maldi
by DreamWorks and Maori land Trust, which is amazing for
the DAYO. So Stace has to coach Charlie and Azuri
getting themselves ready for their Shrik that a Maori audition
with their favorite Shrik scene.
Speaker 3 (32:25):
We are no longer ourselves, right Stace.
Speaker 4 (32:28):
No, we are method acting. Because you hear this song
and a movie comes to mind. The show on track,
Shrek is being made reversion, reimagine into Maudi. It's a
DreamWorks animation and Maudi land Trust is going to do that.
So immediately I see on Facebook, you know, people going, well,
(32:51):
I got an audition. I'm natural Shrek over here, and
so you know, really high bar to set. So you
want to you know, you want to make sure you go.
You're mardy sorted. So these guys you really to audition. Ay,
we're going to do some coaching.
Speaker 1 (33:05):
Oh my gosh, are you really?
Speaker 3 (33:08):
Someone say, I'm a believer. So there's the thing.
Speaker 4 (33:16):
May it's good to go. Okay, this is this is
language I'm interested in. I want to know about this.
I want to be you know, saying Donkey, what's your
favorite scene at a shrik?
Speaker 3 (33:25):
What scene do you want to do?
Speaker 6 (33:27):
Is?
Speaker 3 (33:27):
There's definitely are.
Speaker 6 (33:29):
We there yet there yet? No?
Speaker 8 (33:35):
Are we there yet yet?
Speaker 3 (33:41):
They are there yet?
Speaker 7 (33:44):
Were we there yet?
Speaker 1 (33:45):
No there yet? Yes, brilliant.
Speaker 3 (33:50):
That scene?
Speaker 4 (33:51):
And are you ready playing don Key in El Mahdi
as Zara Lane playing the other part?
Speaker 3 (33:58):
Me call Dai Kyoto, cow call Kyoto carry no good,
I do it nay I nay nay nay cow.
Speaker 5 (34:18):
Flavor found out I was doing a little practice Sofia
and I don't know why.
Speaker 3 (34:21):
When the MIC's were on, I'm like hot, sweats hot,
sweats hot. Oh that's relevant.
Speaker 4 (34:25):
There's people some nice feel you know, like it's like
the mic being on when you go to speak Marty
sometimes and you did it.
Speaker 3 (34:30):
Yes, no, nay no nay like really like, oh my gosh,
nay nay.
Speaker 4 (34:40):
Okay, okay, So because you were a fluent tongue and
the speaker, I'm seeing the little bit.
Speaker 3 (34:47):
Okay.
Speaker 4 (34:47):
A great scene, an iconic scene from Shriek. That's when
Shrick and Donkey.
Speaker 3 (34:52):
Example, Okay, all girls are like onions.
Speaker 1 (34:59):
Yes, no, they make you cry.
Speaker 5 (35:00):
No, you leave the mount in the sun and get
all brown, start spreading little white hands.
Speaker 1 (35:05):
Oh my goodness, layers.
Speaker 3 (35:07):
Onions have layers, Ugres have layers. Onions have layers.
Speaker 10 (35:12):
You get it.
Speaker 1 (35:13):
We both have layers.
Speaker 10 (35:15):
Right, So first of all, we need to know the
Maori word for ogre car carripol car carry pool car
carry poor, ogre car cardyp Okay, we're gonna give this
a go. You obviously a shriek. Okay, I'm obviously donkey.
All right, okay, And section hey tootra mehe a nina
(35:37):
nah car carrypool he hang on hey cow? Oh wait,
hang on cow?
Speaker 3 (35:49):
Who am my hippac cow?
Speaker 6 (35:52):
Kitty ty he kitty tynina he kitty tight tall take cal.
Speaker 1 (36:01):
Hey can he die layers. Where was I stuck on cocka.
Speaker 3 (36:09):
Think about that too hard? Don't think about it? Okay,
So we start place and then we work. That's what
we do.
Speaker 1 (36:17):
We work.
Speaker 3 (36:18):
I think you should be going for a rolls.
Speaker 1 (36:20):
Thanks for it is actually want to be.
Speaker 3 (36:28):
It's perfect.
Speaker 7 (36:33):
OHI I know, ma, he.
Speaker 3 (36:35):
Kind of sounds like a woman. And then we have it.
Speaker 2 (36:38):
That wraps up another week of Producer Picks. Hope you're
having a great weekend. If you want anything extra from
the week, be sure to check out the full show podcast,
or if you want something a little bit more juicy,
check out Off the Record Stays as There and Charlie
will they be back with you again on Monday morning
at six am.
Speaker 6 (36:53):
Thanks for listening to Flavor Breakfast Producer Picks Charlie live
every weekday from six Sam on Flavor
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